Posts tagged with "visual art"

Kristin Poole image via Krista Detwiler at The Sun Valley Museum of Art

Sun Valley Museum of Art Q×A

By: Emily Bunn

 A keystone of Ketchum’s community, the iconic Sun Valley Museum of Art (SVMoA) is celebrating its 50th anniversary this year. The museum is inviting the public to experience the joy of music and the arts to celebrate the momentous occasion. In past years, SVMoA has hosted 52 Grammy-Award winning artists, featured notable lecturers and visual artists, and awarded over $1 million in arts scholarships to local students and teachers. SVMoA’s Artistic Director, Kris Poole, sat down with 360 Magazine to talk about upcoming summer classes at the museum, the current BIG IDEA exhibition, and future plans for expansion. 

SVMoA is celebrating its 50th anniversary this summer! Are any special performances lined up to commemorate this momentous occasion? 

Clay, Silver, Ink: Sun Valley Center at 50, was on exhibit at The Museum from May through July.

The exhibition is guest-curated by artists Jim Romberg, Sun Valley Center for the Arts’ Director of Ceramics from 1973 to 1986, and Peter de Lory, who began teaching in 1974 and was Director of Photography from 1976 to 1979 and during the summers of 1982 and 1983.

Clay, Silver, Ink features artwork by 60 photographers, ceramic artists and printmakers, as well as several painters, who led classes and workshops at the Sun Valley Center for the Arts during the organization’s first 15 years. Many of the labels will include quotes from the artists that reflect on their experience at The Museum. A slide show of student work and snapshots from the era was also included in the exhibition.

SVMoA’s 50th Celebration & Birthday Concert will take place on August 26 and feature Pink Martini with China Forbes.

Pink Martini is led by the dynamic and hyperenergetic Thomas Lauderdale. The group’s repertoire is inspired by music from around the world and crosses genres of classical, jazz and old-fashioned pop. With 12 musicians onstage and songs performed in 25 languages, Pink Martini has crisscrossed the globe and has played with more than 70 orchestras.

Lauderdale’s co-conspirator in the band is his Harvard classmate, China Forbes. A year after starting the band, Lauderdale invited Forbes to join Pink Martini, and they began penning songs together. Since then, Forbes and Lauderdale have co-written many of Pink Martini’s most beloved songs, including “Sympathique,” “Lilly,” “Clementine,” and “Let’s Never Stop Falling in Love.” Forbes’ original song “Hey Eugene” is the title track of Pink Martini’s third album, and many of her songs can also be heard on television and film.

The concert will be a special one, starting with a look back at the Sun Valley Center for the Arts’ 50 years and a look ahead to SVMoA’s next 50. SVMoA will share memories and birthday cupcakes and asks everyone to come dressed for a party.

Is SVMoA offering any summer workshops or adult classes?

Yes! We offered 22 adult classes last year, and we plan to expand that programming throughout 2021 and into 2022. Classes range from one-night craft series workshops to creative jump-ins and week-long master class intensives. This summer, we offered the following courses:

Craft Series Workshop:

THREE COLOR REDUCTION PRINTS

Craft Series Workshop

CERAMIC TRANSFORMATION VESSELS

Writing Class

A THOUSAND WORDS: Guided Writing about the Art You See

Creative Jump-In

POCKET SKETCHING

Craft Series Workshop

CAPTURING THE BEST PHOTOS ON YOUR IPHONE

Creative Jump-In

NO-WASTE LEATHER BAG

Creative Jump-In

BEGINNING DRAWING

Creative Jump-In

SUN VALLEY STONES: Oil painting

Creative Jump-In

BUILDING LAYERS WITH OIL AND COLD WAX 

How many students are currently in SVMoA’s art education program and k-12 education program this year?

SVMoA serves nearly 4,000 students through four unique arts education programs over the course of a year, reaching every child in Blaine County. Some programs happen in school classrooms, others in the museum space or performance halls. SVMoA’s student participants come from every public and private school in the Wood River Valley.

SVMoA features “BIG IDEA” projects. What does the BIG IDEA represent?

The BIG IDEA was designed to allow our community to enter into the conversation through a variety of avenues. If you are interested in going to see a film, or listening to a lecture, we hope the program content piques your curiosity enough to get you to visit the exhibition in The Museum or take a class that will allow you to go deeper into the subject. BIG IDEAs run the gamut from serious subjects like Refugees and/or Gender in the 21st century, to lighter fare that explores subjects, like the important role that bees or bicycles play in our world. Artists make art about the world they live in, and more often than not, what is on their minds is a topic we should be paying attention to as well.  We have the opportunity to use the BIG IDEA model to engage people in ideas that matter. The art on exhibition, the music, films, lectures, discussions are all fodder for some pretty interesting conversations.

Why did SVMoA choose to display “Untrammeled: At Wilderness’ Edge” as the museum’s current big idea project?

As part of our 50th Anniversary celebration, we wanted to explore a BIG IDEA that had specific resonance with our local community. Because Sun Valley is a mountain resort town whose very existence owes its debt to the wilderness, we felt reexamining the premise of the 1964 Wilderness Act was an important effort.

At the time that we began talking with artists we had no idea that at this moment the topic would hold particular urgency. Our community, like many others in the mountain west, is experiencing an explosion of tourism and new residents. The exhibition and BIG IDEA grapple with what it means to live on the edge of and with wild places—how do we respect people’s need to be in the wilderness with our need to preserve and protect that very space? How should our idea of “managing” wilderness change/evolve?

We are so pleased to be engaged in the discussion through the work of 4 powerful artists, all of whom have international reputations, and two of whom we commissioned to do new work for this project. Adding talks by journalist Kevin Fedarko and curator Jock Reynolds only enriches the conversation. 

Who is the next speaker in the museum’s lecture series? Why was this speaker chosen? 

As part of the next BIG IDEA project Untrammeled: At Wilderness’ Edge, SVMoA will welcome ​​journalist Kevin Fedarko, award-winning author of “The Emerald Mile” as our first speaker of the 2021/2022 fall/winter season. Fedarko’s book on the The Emerald Mile, with the subtitle The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, chronicles both the complex story of the Canyon’s environmental history, as well as the compelling story of how a couple river and wilderness junkies took the fastest boat ride ever down the Colorado River during the legendary flood of 1983. At this moment in 2021 when we are grappling how best to live on the edge of wilderness, this book and Fedarko’s tale beautifully illustrates the complicated nature of our relationship with wild places.

Jock Reynolds is a nationally respected curator and artist who served as the Director of the Yale University Art Gallery from 1998 to 2018.  He has worked closely with Mark Klett, one of the artists in the Untrammeled exhibition, and is keenly interested in the role that art plays in shaping our national discussions. Jock will be in conversation with Mark Klett and Laura McPhee about their commissioned artworks.

Sandra Cisneros is one of the United States most important poets and writers.  She is best known for her evocation of Mexican American life in Chicago. “The House on Mango Street,” written in 1983, continues to be taught in classrooms throughout the country. Cisneros has been invited to participate in SVMoA’s lecture series to speak to the value and richness of cross-cultural experiences.  As a woman and a writer Cisneros beautifully explores the experience of being connected to both the US and to Mexico.  There are so many members of our community and so many people in our country who share this relationship. We look forward to welcoming Cisneros to this community at this moment of growth and transition.

How do the three SVMoA spaces– The Museum, The Liberty Theatre, and the Hailey House and Classroom – each operate? What is each space’s function?

The Museum

Sun Valley Museum of Art is non-collecting museum that is accredited by the American Alliance of Museums (one of only five institutions in Idaho). SVMoA offers free admission and is open to the public throughout the year. Its downtown Ketchum location allows stop-by visitors as well as event and exhibition attendees to explore and experience art firsthand—both through visual art exhibitions and hands-on immersive education opportunities.

The Liberty Theatre

The former home of the Company of Fools, the historic The Liberty Theatre is centrally located on Main Street in Hailey, Idaho.  The theatre is currently closed, awaiting some needed renovations.

The Hailey House and Classroom

The historic Hailey House, birthplace of American poet Ezra Pound, is open to visitors by appointment and during scheduled events. The house is frequently used to house visiting artists, teachers and musicians. The Hailey Classroom is open for adult, teen and youth classes and workshops during scheduled programs.

The museum is in the process of constructing a new building as well. How does SVMoA plan to use their new space?

Sun Valley Museum of Art needs expanded facilities. Currently we are not able to meet the community need for everything from classes to lectures to exhibition tours so we are actively seeking the right opportunity to build or renovate a new space. The community deserves to have a museum that can be a point of pride and meets the needs of today’s families and students as well as our growing and diverse community. As the cornerstone of Wood River Valley’s rich and diverse arts and culture scene, SVMoA is eager to develop a state-of-the-art facility that will engage more people on a deeper level, create more immersive experiences, and ensure accessibility for everyone in our community.

SVMoA operates as an arts education nonprofit. How can interested patrons support the arts? 

SVMoA’s annual programs are supported in large part by its more than 1,200 members. When you join as a SVMoA member, you don’t just support your own arts experience; you support arts access for all. Your membership fee pays it forward so your fellow community members can experience the arts—the joy, the wonder, the inspiration, and the healing.

SVMoA’s annual Wine Auction welcomes friends, families, arts supporters, vintners and chefs to celebrate and support the arts each summer. The 2021 Wine Auction wrapped in mid-July and raised more than $1 million for arts education with the help of more than 350 attendees.

BIG IDEAS and major program support comes from memberships, individual donations, private foundations and public and private grants. 

Regarding COVID-19, does the museum require guests to purchase tickets in advance online, or can visitors purchase tickets upon arrival? 

SVMoA’s museum space is free and open to the public. SVMoA classes and events typically require advance registration and/or ticket purchase (as events can sell-out), but SVMoA will in general welcome walk-up attendees and participants if space allows. 

At The Museum walk-in visitors are always welcome! If you’d like to learn more about the artwork in the exhibition, we invite families and small groups for private tours with The Museum’s curators. To schedule a tour please contact us at 208.726.9491 or at information@svmoa.org. 

*Featured artwork by Laura McPhee

Companion Species - WSU via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Companion Species by Jordan Schnitzer
Mark Klett - Inside ice cavern via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Inside Ice Cavern by Mark Klett
Laura McPhee artwork via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Laura McPhee
DBYB Fest Promotional Poster

The Don’t Block Your Blessings Festival

Out of loss and adversity emerges an uplifting global project and festival, led by Erez Safar (who produces under the name h2the), in honor of his late mother, “Frida Levona bat Shalom”.

“I lost my mom to cancer two months ago,” Safar shared, “and the pain was so intense, I knew I had to do something with it. My mom had an incredible light inside her and navigated the world with hope and positivity. I realized the best way to honor her memory would be to turn that pain and darkness I was feeling into a light that I could share with others. So I put together this project called ‘Don’t Block Your Blessings’ (DBYB), and I hope it can become a space for people to share wisdom for leading better, happier lives.”  

Safar comes off as warm, playful, and relaxed as he speaks with me over video chat, from his LA apartment. He tells me he looks at the DBYB platform as a form of “Cheat Codes To Happiness,” where people can trade stories as they navigate the ups and downs of life, and share how they have been able to bring more blessings into their lives via perspective, faith and gratitude. In addition to live-stream festivals (the next of which will take place this month), the project also lives on the site here, as well as an active discussion and healing space on the new and wildly popular mobile app, Clubhouse. 

Don’t Block Your Blessings (DBYB) first launched two months ago, with a one of a kind live-stream festival by the same name, featuring musicians, artists, and some of the most innovative minds in self-growth and healing. The DBYB Festival is hosted on an exclusive virtual platform, which boasts three interactive rooms and allows festival-goers to easily move from room to room, as then explore various talks, musical performances, and the creation of visual art, live in real-time.

This is not the first time Safar has wowed with his creative approach to online events. His first live-stream festival, Lo-Freq Fest, was featured in Billboard and shared around the globe. The debut DBYB festival featured over 40+ world-wide presenters with 25,774 viewers.

The next festival will be free to attend virtually and is set to take place on Valentine’s (Sunday, February 14th), between 6-9 pm PST.

The festival will feature contemporary artists, musicians, and teachers in the fields of self-growth and healing. Presenters include: 

Alicia Dunams

The founder of Bestseller in a Weekend, Dunams has helped more than 1500 leaders write books. She is also a leadership trainer, executive coach and certified peacemaker. She will be presenting in the healing room “The Slippery Slope vs. The Conscious Climb – Managing Our Unconscious Bias.”

Dr. Aparajita (AJ)

A social psychologist, a diversity and inclusion consultant, a certified life and executive coach, an author, a speaker, an immigrant, and a two-time traumatic brain injury survivor. She will be presenting in the healing room “Making Your Invisible Visible for Happiness.”

The Boom Bap Kids

Purveyors of funk and hip hop, founders Woes Martin, Silent John, and Mike Steel will be bringing their fabric puppetry and beats to the festival.

Shantala

Founders Benjy and Heather Wertheimer have been leading kirtan (sacred chanting) worldwide since 2001. They are known for their special gift of bringing audiences into a vast and loving experience through their unique blend of exquisite voices accompanied by instruments of India and the west. In 2020 alone, their music has garnered over 14 million streams.

Bomani X

The face of Clubhouse and the host of its #CottonClub, Bomani X is an artist in every sense of the word, a guitarist, singer songwriter, and a celebrity digital strategist who has worked with Jill Scott, Nicki Minaj, Lil Wayne, Wyclef, and more.

B Hill

A lifelong passionate artist and designer. Native to Harlem-New York City, Hill now exhibits and paints live, showcasing her nine-year figurative subject matter: “A Woman’s perspective.” In conjunction with her exhibitions, she directs an international art education foundation, “Art Education with B. Hill”, which brings art curriculum to underserved schools and communities. She will be joining the festival’s Live Art room. 

See below for the full list of presenters at the multi-room DBYB festival:

Featured Musicians:

Ada Pasternak, Adam Cola, Caitlin Jemma, Deborah Stokol, DJ Beatific, Drew Angus, Eko Zu, Eli Lev, Gattison, Gentleman Brawlers, Gerle, h2the, Kevin Daniel, Kindred Melodies, Kirsten Collins, Klezmer Juice, Latch Key Kid, Louii King, Lucinda Belle, Luke Kohen, Mikey Pauker, My Silent Bravery, Nina Grae, Psychic Twin, R E L, Ray Bean, RYNO, Shantala, Talia Dalton, Willow Stephens

Featured Healers:

Alexis Ware, Alicia Dunams, Casilda Zackhariyas, Danielle Grozavu, David Sacks, Dr. Aparajita Jeedigunta, Emi Ollin, Hard Charlie, Jen The Rainmaker, Kimberly Ariella, Krystal Aranyani, Lisa Stuart, Melissa Drake, Mendi Baron, Rhyanna Watson, Robyn Stern, Sara Mandel, Sarah BL, Sovereign University, The Breathe Center, Yoni Temple School

Featured Painters:

Abreesha*, B Hill, Domogee, Meira Batya, Sey x Yes, Shlome

In a time where so many of us have been confined to our homes and have lost our outlets for social connection and engagement, the DBYB festival promises to lift us up and create a community where we can come together, feel inspired and discover our own cheat codes to happiness.
Festival Producer: Erez Safar
Healer: Alicia Dunams
Musician: Bomani X

Indira Cesarine x The Labyrinth

THE LABYRINTH
An Installation and Exhibition by Indira Cesarine

ARTIST RECEPTION + PERFORMANCE
Featuring Katherine Crockett
Thursday, March 12, 6pm-9pm

EXHIBITION ON VIEW
March 12 – April 11, 2020
THE UNTITLED SPACE
45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present THE LABYRINTH an installation and exhibition of works by artist Indira Cesarine featuring photography, video, painting, and sculpture, as well as a series of performances inspired by the artwork. The exhibition will open with an artist reception on March 12th, 2020 featuring a special performance by renowned modern dancer Katherine Crockett, and will be on view through April 11th.

For “THE LABYRINTH” Cesarine has created an immersive installation, transforming the gallery into a maze through which viewers can experience her contemporary female gaze on Surrealism, a theme the artist has been exploring through a variety of mediums over the past several decades. “THE LABYRINTH” is a surreal odyssey that reveals through its passages a kaleidoscopic universe of subconscious realities bound by the contrasts of hyperrealism and ethereal symbolism. Cesarine leads the viewer through this maze of discoveries, presenting works that are deeply personal and equally created in response to the influence of Surrealists including Jean Cocteau, Man Ray, and Dora Maar. “THE LABYRINTH” explores the juxtaposition of contrasting opposites, dimension, distortion, and the power of light to engage and reflect on our own stream of subconscious while provoking the tangibility of perceived realities. The result is a journey through our fantasies and expectations, rendered through the lens of dreams and desires.

The juxtaposition of Cesarine’s macro and kaleidoscopic florals created for “THE LABYRINTH” play in sharp contrast to the visual yin yang of her surreal portraits of women that explore female sensuality and identity. Through the lens of fantasy and illusion, she toys with imagery of the subconscious mind, depicting the human form with power and subjectivity. Hands and faces intertwine in a reverie that is part real, part illusion. Sculptural hands project from the walls of the installation as though coming alive, part human, part sculpture, in a manner that is both seductive and haunting. Video art, including a 2020 remix of her film “The Spell” which was featured at The Metropolitan Museum of Art, adds to the visual poetry and experience of the maze. Her use of symbolism and dramatic chiaroscuro conveys emotionally charged imagery that presents both an escape into fantasy and a journey through our unattainable desires. As one walks through “THE LABYRINTH,” there is a sense of being lost in time as kaleidoscopic images come alive off the walls. Mirrors positioned throughout the installation emphasize our own reflections while exploring the surreal landscape of the artworks on display.

“THE LABYRINTH” exhibition and installation features Cesarine’s most recent body of work, as well as select works from her “Goddess”, “Les Fleurs du Mal”, “Pandora’s Box” and “ONLY YOU” series. Cesarine’s “Goddess” series, featuring dancer Katherine Crockett, presents emotive images of the female form juxtaposed with detailed florals, creating surreal portraits that according to the artist, emphasize the graceful strength of Mother Earth as a goddess and the power of nature. “Les Fleurs du Mal” welded steel sculpture series reflects on the emotional impact and symbolism of flowers. The depiction of flowers, whether as a still life, as part of a photographic composition, or in the form of a 3 dimensional sculpture has been an ongoing theme in Cesarine’s artwork dating back to her early photography series shot on medium format film in the 1990s. Also featured in the “THE LABYRINTH” are a selection of photography and video art from her “ONLY YOU” series, which focuses on the eyes as an emotional portal. Works from her “ONLY YOU” series were previously exhibited at Cannes Film Festival, Art Basel Miami, SCOPE Basel, Switzerland, CICA Museum (South Korea), Red Bull Studios (London), and Norwood Arts Club, NY.

ARTIST STATEMENT

“Empowering feminist themes are often a point of departure for my multi-sensory series. My work questions the place of humanity in context with contemporary civilization and is often influenced by autobiographical content and women’s history at large. I connect with thematic subject matter that engages a narrative of social discourse and art activism. As a multi-disciplinarian artist, I often work across several mediums such as photography, video, sculpture, painting and printmaking to convey a rich and diverse narrative. Through my exhibitions and artwork, I challenge the status quo, as well as tackle stereotypes and double standards. I draw from historical narratives in an effort to create empowering artwork that can have an impact on the viewer, be a catalyst for change or provide insight into history, which may have been overlooked. As an artist, I find it is more effective to communicate my ideas through visual and sensory explorations that can uniquely address the world we live in today.

I have been exploring themes of Surrealism in my work since my very first forays into photography back in the late 80’s. Experimental darkroom techniques such as solarization and double exposures have played an important part of my visual narrative, which also often employs nuances of fractured light. While studying for my degree in Art History at Columbia University in Paris I became very interested in the history of Surrealism, and wrote a 30 page paper, “Surréalisme, Sexualité, et La Femme,” on the male gaze and misogyny of many of the original Surrealists. Presenting an empowering female perspective on images of women has always been an important part of my work. Explorations of female identity, sexuality, dreams, and desires have been returning themes in my artwork since I first started creating. In the early 2000s, I expanded from the still frame and works on canvas and paper to moving images, with experimental filmmaking and video art. As my artwork has evolved, I have become inspired to create 3 dimensional works in glass and steel that further propel my visual language. My sculptures explore themes of female identity, symbolism and experience, employing a technical emphasis on light and reflection, often combining figurative sculpture with neon or video display to further engage a multifaceted experience.

In several of my recent works featured in “THE LABYRINTH” I explore surreal techniques of “light painting” that were invented by Man Ray in1937, which I have juxtaposed with dramatic chiaroscurist portraits of women in order to evoke an ethereal universe of light and energy. I also find myself returning to the visual language of flowers – as a representation of women’s sexuality, as well as emotional expression of love, forgiveness, sorrow, and hope. Throughout history, flowers have been ripe with symbolism, with each blossom or arrangement having different meanings. The language of flowers dates back many centuries, and they were often used to send secret messages to lovers. For me the flower can be alluring, mysterious, sensual and full of emotions that are difficult to express with words. There is also something intrinsically female about flower blossoms and their visual reference to a women’s body that resonates with me as an artist. It has been inspiring to bring together multiple aspects of my creative process into one exhibition, with “THE LABYRINTH” featuring many varied artistic mediums that become unified through the installation of the maze. I conceived of the maze concept for an exhibition and installation a few years ago after my father passed away. This exhibition is inspired by the maze of life, the power of human connection, emotion and experience – combined with the surreal nature of the unknown.”

ARTIST BIOGRAPHY

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French and Women’s Studies, she additionally studied at Parson’s School of Design, International Center of Photography, School of Visual Arts, Art Students League and the New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, Mattatuck Museum, Albany Institute of History and Art, CICA Museum, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Basel, SCOPE Miami, SPRING/BREAK Art Show, Getty Images Gallery, Cannes Film Festival and the International Festival Photo Mode to name a few.

In 2014, her public art sculpture “The Egg of Light” was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt supporting The Elephant Family. Her work has been auctioned at Sotheby’s New York for the annual Take Home A Nude art benefits in 2017-2019, at ARTWALK NY benefiting the Coalition for the Homeless in 2018 and 2019, as well as at Tabula Rasa, the 26th Annual Watermill Center Benefit and Auction, July 2019. Her work is additionally on view at Norwood Art Club’s “Ingenuity” exhibition until August 2020. Her artwork and exhibitions have been featured internationally in many publications including American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Dazed and Confused, New York Magazine, i-D Magazine, and The Huffington Post among many others. Cesarine currently lives and works in Tribeca, NY.

“THE LABYRINTH” Opening Performance: Katherine Crockett March 12, 2020

Katherine Crockett is a celebrated modern dancer and choreographer who performs internationally. She was the principal dancer for Martha Graham Dance Company and toured internationally with the company for 21 years. Crockett starred as The Queen in the Off-Broadway immersive theater hit, “Queen of the Night,” for which she created and choreographed her role. She played Cate Blanchett’s dancer double in “The Curious Case of Benjamin Button” starring Blanchett and Brad Pitt, directed by David Fincher, and starred alongside Mikhail Baryshnikov as Helen in Richard Move’s “Achilles Heels-The Show”. Crockett has additionally performed at the Cannes Film Festival, the VH1/Vogue Fashion Awards, and on the runways of Prada, Alexander McQueen and numerous other global luxury houses. She has collaborated with artist Indira Cesarine on a variety of art series, and recently performed at Cesarine’s “EDEN” exhibition at the UN Plaza.

Website Here

THE UNTITLED SPACE
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Indira Cesarine, The Labyrinth, The Untitled Space, Vaughn Lowery, 360 Magazine, Indira Cesarine, The Untitled Space, The Labyrinth, Vaughn Lowery, 360 Magazine,

Four Seasons, FS NY Downtown, Tribeca, Four Seasons Downtown, Vaughn Lowery, 360 MAGAZINE, 360, 5 star, five-star, amenities, WTC, One World Trade Center, world trade center

Four Seasons New York Downtown

Redefining Relaxation

By Vaughn Lowery

Every now and again, we all should consume some time out of our hectic lives to enjoy a stay at one of the most sought-after institutions in lower Manhattan – the Four Seasons New York Downtown [FS NY Downtown]. Since its conception three years ago, this micro-resort is poised to be an award-winning campus with offerings geared towards a more youthful clientele.

By far one of the more prestigious properties within the five boroughs, containing 189 rooms and suites. This five-star accommodation is perched in the prominent Tribeca area of downtown NYC within walking distance from an array of activities, including Brookfield Place and the conspicuous West 4th Street. Guest floors are from the 7th to 24th with the lobby, CUT by Wolfgang Puck and meeting suite on the lower levels. The swank, slim facade also incorporates a 157 private residences which are housed between the 38th to 82nd levels.

An architectural digest of diversity with symmetrical designations throughout, celebrating geometrics alongside of high-caliber appointments. It was fabricated and brought to life by design firm Yabu Pushelberg to delight the senses and erupt an emotional connectedness to its surroundings. After all, its parents are known to construct immersive environments where pedestrians can both coexist and congregate. Particular thanks to the warm tones, recessed lighting and Italian marble.

Minutes away from downtown Brooklyn and the newly bustling Jersey City neighborhoods, Four Seasons Downtown is poised to become an influential millennial safe haven for digital nomads and senior level executives alike. Staying true to the Four Seasons marquee, the degree of service coupled with attentive staff is unprecedented. This pet-friendly, modern-lux lodge possesses a 24 hr fitness center, which easily rivals an Equinox facility: kettlebells, free weights, ample high-tech machines, yoga mats, stretching area, foam rollers, group instruction and a Peloton stationary bike.

The day spa area bears Marc Jacobs collaborative merchandise, a 75-foot indoor lap pool (open daily from 6am-9pm with on-duty lifeguard) and steamroom. Within the spa lounges, there’s plenty of toiletries at your disposal for decompression: shaving kit, dental kit, shower shoes, robes, mouthwash, hair gel, deodorant spray, q-tips, disposable combs/brushes and electronic programmable lockers. Complimentary bottles of water are readily available and rose petal hydration facial mist to make you feel even more reinvigorated. And, there’s a plethora of onsite services which are offered from aromatherapy to facials.

The Barclay, Tribeca as well as Hudson suites possesses dual vanities and can hold up to 4 adults with 2 bedrooms, full bath and a half bath/powder room. Some of the suites come equipped with a butler kitchen and patio. If available, the bang for your buck are the executive suites, which contain spacious great rooms; even so, they don’t have a balcony.

With ample views of the One World Trade Center and its Oculus, the Four Seasons New York Downtown is an emerald which is certain to stimulate your heart chakra as well as drizzle positivity onto spirits. If you’re seeking a white-glove experience in a contemporary environment, then this is your spot.

Location:

27 Barclay St, New York, NY 10007

Telephone:

(646) 880-1999

Honorable mentions:

24-hour curbside valet.

Reliable high-speed complimentary internet access.

All units are equipped with Samsung state-of-the-art smart TVs which are capable of screen mirroring.

Most celebrities and VIPs fly into Teterboro Airport.

The spa hosts wellness installations which conduct holistic healing sessions.

With regards to private residences, the realtor on record is Corcoran Sunshine Marketing Group.

Four Seasons Hotel, Boston x Institute of Contemporary ArtBostonNew Boston: Art + Fashion Experience

In celebration of Virgil Abloh’s upcoming Figures of Speech exhibition at the Institute of Contemporary Art, Four Seasons Hotel One Dalton Street, Boston and the ICA have collaborated on an exclusive experience entitled New Boston: Art + Fashion Experience.

Designed with art aficionados and style mavens in mind, New Boston: Art + Fashion Experience includes:

  • Two tickets to the Virgil Abloh: Figures of Speech exhibition at the ICA
  • Two art-inspired cocktails in Trifecta
  • Limited edition sweatshirt from the exhibit
  • Overnight stay at Four Seasons Hotel One Dalton Street, Boston

Virgil Abloh: Figures of Speech isthe first museum exhibition devoted to the work of the multi-disciplinary artist and designer Virgil Abloh, opening to the public on July 3, 2021 at the Institute of Contemporary Art in Boston. The Founder and Creative Director of Off-White and current Artistic Director of Louis Vuitton’s menswear, Abloh is known for his work in music, visual art, philanthropy, and the fields of design.

Organised by the Museum of Contemporary Art Chicago and set in an immersive space designed by Rem Koolhaas’s renowned architecture firm OMA*AMO, the exhibition will offer an in-depth look at defining highlights of Abloh’s career, including signature clothing collections from his stand-alone fashion brand Off-White, video documentation of iconic fashion shows, distinctive furniture, graphic design work, and collaborative projects with other artists. The exhibition comprises nearly 70 works, including two new works that will be on view for the first time in the Boston presentation.

On view July 3 through September 26, 2021, Virgil Abloh: Figures of Speech is organised by Michael Darling, former Chief Curator at MCA Chicago. The exhibition is designed by Samir Bantal, Director of AMO, the research and design studio of OMA. The ICA’s presentation is coordinated by Ruth Erickson, Mannion Family Curator.

New Boston: Art + Fashion Experience is valid for stays from July 3 to September 26, 2021, with rates starting at USD 640 per night.

*Photos below are of Four Seasons NYC location.

Ice Culture

Black Coffee & Vinyl Presents: Ice Culture

Art, Music & Lit from the Arctic Circle to Antarctica

Black Coffee & Vinyl Presents: Ice Culture explores the beauty and mystery of our world’s ice, and reveals the necessity of ice to our human survival. The project explores the traditions and cultures of people connected to ice from the Arctic Circle to Antarctica, and raises vital concerns about climate change that can no longer be ignored. As climate change affects the weather and composition of our planet, our ice continues to melt. This reality affects all of us, regardless of where we live.

Black Coffee & Vinyl Presents: Ice Culture, a website and literary magazine publication, features art, music and literature by artists living and working in Greenland, Iceland, Norway, Canada, Germany, US and more. Mixing poetry, essays, interviews, visual art and sound art, the project explores the myriad of ways ice touches our lives.

Ice Culture celebrates the physical and spiritual nature of ice. Ice has soul. It has a song. Ice radiates; it glows. It’s precious. Ice is a resource. Ice Culture showcases ice in all of its forms, from majestic glaciers to ice-carved musical instruments.

The collection features literature that includes poetry exploring Sami cultural traditions and the effects of climate change by Vivian Faith Prescott and an essay detailing the experience of a scientific mission in Antarctica; original musical compositions by Jósep Gíslason (Iceland) and a DJ mix inspired by Langjökull, the second biggest glacier in Iceland, curated by FM Belfast drummer Ívar Pétur Kjartansson (Iceland); interviews with indie singer/songwriter and star of the AMC show “The Terror,” Nive Nielsen (Greenland) and ice musician and co-founder of the annual Ice Music Festival, Terje Isungset (Norway); as well as interviews with artist residency programs in the Arctic Circle and Antarctica.

Kevin Bourgeois: Wall Of Sound

Olsen Gruin announces Wall of Sound, an exhibition featuring music-inspired multimedia works by Kevin Bourgeois. The anticipated show comprises a curated selection of collage and acrylic compositions on wood panel.

Music has always been an intrinsic element in Bourgeois’ creative process and daily routine. “I consider it a universal cultural language with many diverse incarnations and forms,” he affirms. Wall of Sound turns its focus toward the visual art that complements the vast lexicon of music.

The phrase “Wall of Sound” was originally devised to describe Phil Spector’s production methods. According to Spector, the aim was “to create a dense aesthetic critical shorthand, mixed well enough that the audience would then perceive each of the different combinations as one distinct sound or form.” This concept mirrors the augmenting process Bourgeois implemented in creating this body of work.

Through collage Bourgeois seeks to transform the literal imagery of each album’s formal narrative. His process of embellishment and jigsaw remixing of multiple record jacket sources results in an alternative visual dialogue and imbues an abstracted or figurative aesthetic to be interpreted by the viewer.

SOLANGE × PETER LINDBERGH

ANOTHER MAGAZINE RELEASES BONUS PHOTOS FROM SOLANGE’S AVANT-GARDE SHOOT WITH PETER LINDBERGH

 
ANOTHER MAGAZINE AUTUMN/WINTER PRINT COVER FEATURING SOLANGE ON STANDS THIS WEEK
 

Today, AnOther Magazine’s Autumn/Winter cover story with songwriter, recording artist, and visual art luminary Solange is available on stands, with additional photos from the provocative shoot appearing online now.

 
The high fashion, art and culture magazine this month features Solange in an avant-garde pictorial by Peter Lindbergh and interview by Lynette Nylander. The full story and exclusive online photos can be viewed here: http://www.anothermag.com/fashion-beauty/10141/the-full-story-solange-knowles-for-another-magazine-a-w17

“Magazine making is all about creating surprises and world firsts. Solange wearing Rick Owens on the beach lensed by Peter Lindbergh is fashion and cultural history. I am honored that Solange chose to work with AnOther Magazine for our Autumn/Winter cover. She represents a new feminine beauty that is confident, defiant and fearless. A perfect fashion cover for our time.” – Jefferson Hack, Group Editorial Director of Dazed Media

Solange Knowles is a woman whose ability to connect with people and her own heritage is unprecedented. She is among the strongest creative voices of her generation: fiercely independent and uncompromising. We are very proud to have her on the cover of this issue, photographed by the Peter Lindbergh, styled by Robbie Spencer, and wearing clothes designed by equally independent and uncompromising fashion designers.” – Susannah Frankel, Editor-in-chief of AnOther Magazine

The print edition of the story is on stands Wednesday in London and everywhere else Thursday, September 14th.

 

Find quotes from Lynette Nylander’s AnOther Magazine article about Solange below:

“If ever proof were needed that Knowles is a symbol of her times it is here. Because whether through her digital platform, her live shows or her intimate albums, she offers many a sense of belonging they have never felt before, a feeling that they are not alone.”


“With cultural conflicts and intergenerational racism prevalent in American headlines, she chose to embrace the pain expressed in the media.” 


“She set up shop on an old sugar plantation and used the experience to spiritually connect with her ancestry, which is rooted in the Southern state, embarking on what she called “a pursuit of truth and beauty”. The results are generational anthems that cut through in a similar way to Billie Holliday’s Strange Fruit and Nina Simone’s Young, Gifted and Black.”  


“I sense that she has become a conduit for a previously unspoken message: the tiredness that black people feel every day about the lack of progress there has been since the stories told by their parents’ parents, and in these admissions she’s appealing to a black audience without alienating a white one.”


“She has compounded a personal narrative and has taken it public, creating a dialogue with [people of color] all over the world – those who not only just get it, they live it. Knowles empowers them through any indignity suffered, imbuing them with the confidence to be unapologetically black.”

For more information visit:

www.solangemusic.com 

www.saintheron.com

instagram.com/saintrecords