Posts tagged with "billboard"

Lunay illustration by Maria Soloman for 360 Magazine

LUNAY – LE GUSTA QUE LA VEAN

Lunay Will Release Eagerly Awaited New Single “Le Gusta Que La Vean” This Friday, April 30

The Track Is The First Advance Single From The Fast-Rising & Award-Winning Young Puerto Rican Star’s Special El Niño Project Coming In May

Tonight, April 27, Lunay Can Also Be Seen Performing on The Tonight Show Starring Jimmy Fallon, As He Joins Collaborator Nicki Nicole On Their Recently Released Duet “No Toque Mi Naik”

This Friday, April 30, will see Puerto Rico’s leading next generation Reggaeton star Lunay release his new song and video “Le Gusta Que La Vean” (‘She likes to be seen’). “Le Gusta Que La Ven” represents the first advance single from Lunay’s eagerly awaited and expansive El Niño project. El Niño will be the first major release this May from Chris Jedi & Gaby Music’s newly formed independent label: La Familia Records.  The El Niño project also represents Lunay’s follow-up to his #1 charting, 14-track 2019 debut album “Epico”- which delivered two #1 Latin Airplay singles, and over a billion YouTube views while Lunay quickly garnered nearly a dozen significant best new artist and genre awards including the Latin AMA’s “New Artist Of The Year” recognition.

Stay tuned for more detail on “Le Gusta Que La Ven” and El Niño on Friday, but also make sure to tune-in to this evening’s broadcast of TheTonight Show Starring Jimmy Fallon as Lunay will join Nicki Nicole in a medley performance including their recent collaborative hit single “No Toque Mi Naik,” which has collected over 25 million streams in just the last month.

ABOUT LUNAY

While a large number of new Latin music artists are looking to continue the surge in global success of reggaeton, latin trap and other rhythmic music styles in Spanish, it has become clearly evident that Puerto Rico’s dynamic, still only 20, musical “wunderkind” (RS), Lunay is the genre’s undisputed new generation superstar.  After bursting into the playlists and video streams of fans across the world with “Soltera” and it’s soon to follow, and widely regarded ‘Song of Summer’ remix with Daddy Yankee and Bad Bunny, Lunay’s credits were quickly boasting two #1 Latin Airplay singles, a rare #1 full album debut with the 14-track Épico, and over a billion views quickly collected on YouTube. With the support of super-producers Chris Jedi, Gaby Music, and their Star Island label,  Lunay’s rapid rise has already resulted in a trophy case full of  breakthrough artist award recognition including: the 2019 Latin AMA’s “New Artist of The Year, 2019 Billboard “Artist On The Rise” recognition, Spotify top 3 “Breakout Artists of Year, 2019 Apple Music “Up Next Artist” and four Premios Juventud victories: “On The Rise Artist” & ”Remix of The Year” (2019) and most recently “Breaking the Internet” & “New Generation – Male” (2020). Following a few quiet months due to the Covid pandemic postponing a series of highly anticipated concert appearances, Lunay resumed his ascent to the upper reaches of the genre with features alongside Lil Mosey and Jhay Cortez, and the standout single “Relaciones” – which Rolling Stone hailed as the week’s best new Latin music track upon its release. Lunay’s visibility continued to grow across the Fall of 2020 with a WWD cover profile spotlighting his first fashion collaboration with Pull & Bear,” a nationally broadcast Halloween concert, and selection to Billboard’s prestigious “21 under 21” list of the music industry’s top young artists.

Lunay image by JPRP Music + More for use by 360 Magazine

MGK “TICKETS TO MY DOWNFALL” Fall 2021 US tour poster via Rogers and Cowan PMK and Interscope Records for use by 360 Magazine

MACHINE GUN KELLY ANNOUNCES TOUR

MACHINE GUN KELLY ANNOUNCES FALL 2021 “TICKETS TO MY DOWNFALL” US TOUR

TICKETS WILL BE ON PRE-SALE TUESDAY, APRIL 27 / PUBLIC ON SALE FRIDAY, APRIL 30

Recording artist Machine Gun Kelly, the award-winning global performer and most recognized rockstar of his generation, will be taking his show on the road this fall. Hitting live concert venues for the first time since the release of his #1 album “Tickets to My Downfall,” fans can expect rocking performances of Platinum hits “bloody valentine,” “my ex’s best friend” and more.

Praise for the artist’s fifth studio album “Tickets to My Downfall” came from both fans and music critics, with Billboard lauding its “dazzlingly effective songs,” Vulture calling it “punk rock excellence,” and NME praising it as “brilliant.” To kick-off 2021, MGK wowed TV viewers from Times Square at Dick Clark’s Rockin’ New Year’s Eve followed by a legendary appearance on Saturday Night LiveET had a glowing review for SNL, saying: “MGK’s second performance really showed the range of his style and substance, as he delivered a remarkably beautiful and emotional performance of his song “lonely” and Rolling Stone praised the “raucous” performance.

Special guests on the tour include carolesdaughter, jxdn and KennyHoopla.

The “Tickets to My Downfall” tour will kick off September 9 in Minneapolis, MN and will conclude December 18 in his hometown of Cleveland, Ohio, playing the city’s largest venue, the Rocket Mortgage Fieldhouse.

Tickets will be available for pre-sale starting Tuesday, April 27, with the public on sale Friday, April 30 in all markets on Machine Gun Kelly’s website.

Tour Dates/Venues (*additional dates and cities to be announced)

09/09   MINNEAPOLIS, MN                     THE ARMORY

09/10   COUNCIL BLUFFS, IA                 WESTFAIR AMPHITHEATER

09/11   INDIANAPOLIS, IN                       TCU AMPHITHEATER

09/13   NEW YORK , NY                          CENTRAL PARK SUMMERSTAGE

09/15   BOSTON, MA                               LEADER BANK PAVILION

09/17   WEST SPRINGFIELD, MA           THE BIG E

09/21   DETROIT, MI                                ARETHA FRANKLIN AMPHITHEATER

09/22   CINCINNATI, OH                          THE ICON FESTIVAL STAGE AT SMALE PARK

09/24   ORLANDO, FL                              REBEL ROCK FESTIVAL

09/25   LOUISVILLE, KY                           LOUDER THAN LIFE

09/28   ST. LOUIS, MO                             ST. LOUIS MUSIC PARK

10/02   ROGERS, AK                                WALMART AMP

10/03   BONNER SPRINGS, KS               PROVIDENCE MEDICAL CENTER AMP

10/05   MILWAUKEE, WI                           EAGLES BALLROOM

10/06   NASHVILLE, TN                            ASCEND AMPHITHEATER

10/09   SACRAMENTO, CA                      AFTERSHOCK FESTIVAL

10/10   SAN FRANCISCO, CA                  THE WARFIELD

10/12   SPOKANE, WA                              SPOKANE PAVILION

10/13   TROUTDALE, OR                          MCMENAMINS EDGEFIELD

10/17   SALT LAKE CITY, UT                    THE COMPLEX

10/18   DENVER, CO                                 RED ROCKS AMPHITHEATER

10/20   LOS ANGELES, CA                        THE SHRINE

10/21   PHOENIX, AZ                                 MESA AMPHITHEATRE

10/24   DALLAS, TX                                   THE PAVILION AT TOYOTA MUSIC FACTORY

10/27   CHARLOTTE, NC                          METRO CREDIT UNION AMPHITHEATER

10/28   RICHMOND, VA                            VIRGINIA CREDIT UNION LIVE!

10/30   PITTSBURGH, PA                         PETERSEN EVENTS CENTER

12/18   CLEVELAND, OH                          ROCKET MORTGAGE FIELDHOUSE

NEEDTOBREATHE illustration by Heather Skovlund for 360 Magazine

NEEDTOBREATHE

NEEDTOBREATHE RELEASE NEW LIVE ALBUM

LIVE FROM THE WOODS VOL. 2

LISTEN HERE

WATCH THE BAND PERFORM, ALIVE, ON

THE LATE LATE SHOW WITH JAMES CORDEN HERE

GRAMMY Award-nominated rock band NEEDTOBREATHE has released their much-anticipated new live album Live from the Woods Vol. 2. The album is available to stream and download starting today HERE via Elektra Records. Limited edition merch bundles can be purchased exclusively through NEEDTOBREATHE’s online store HERE.

Live from the Woods Vol. 2 was recorded during three sold out, socially distanced outdoor concerts at Pelham, TN’s famed The Caverns last month. NEEDTOBREATHE decided to invite local audiences to experience these unforgettable shows, while simultaneously capturing them for listeners worldwide. The band previewed the album with an appearance on CBS’s The Late Late Show with James Corden last month. Watch their interview and performance of Alive HERE.

Live from the Woods Vol. 2 features electrifying performances of tracks from the platinum-selling group’s catalog, songs off their chart-topping new album Out of Body, and more. The album follows NEEDTOBREATHE’s 2015 live album Live from the Woods and was recorded during the band’s first concerts in front of a live crowd since January 2020.

NEEDTOBREATHE’s critically acclaimed 2020 studio album Out of Body is available physically and digitally via Elektra Records/Centricity Music nowHERE. The albumdebuted in the top 5 across three Billboard charts, and received critical acclaim from Billboard, People, Spin, Taste of Country, and more. American Songwriter commended the band’s phenomenal and dedicated songwriting and Southern Living crowned the group “our favorite Southern rock” band. All Music praised Out of Body as their tightest and most consistent set in years, adding this is an album designed to empower and motivate through life’s tough times.

Stay tuned for more news from NEEDTOBREATHE soon.

Live from the Woods Vol. 2 Tracklisting

1. Mercy’s Shore

2. Prisoner

3. Alive

4. Who Am I

5. Great Night

6. Feet, Don’t Fail Me Now

7. Banks

8. Garden

9. Bridges Burn / Forever On Your Side

10. Riding High / Honky Tonk Women

11. Hang On

12. Survival

13. With A Little Help From My Friends / Brother

14. Child Again

15. Encore Medley: Something Beautiful, White Fences & Washed By The Water

Learn more about NEEDTOBREATHE

NEEDTOBREATHE Website

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Twitter

Instagram

YouTube

Toosii - Thank You For Believing Artwork for use by 360 Magazine

TOOSII – WHAT IT COST

Toosii Shares New Single And Video for “what it cost”

Track Is From Thank You For Believing, Set For May 7 Release

Combined Global Streams Of Toosii’s Songs Near One Billion

Pre-Save / Pre-Order Thank You For Believing HERE

View “what it cost” Video HERE

On his powerful new single, ”what it cost,” Toosii reflects on his roots and his current reality. The Syracuse-born, Raleigh-based artist, who is closing in on one billion combined global streams across all of his songs, details his journey from a lost kid surrounded by tragedy to a national sensation full of promise on the introspective, stripped-down track. Download/stream ”what it cost” HERE. The song is from his new mixtape, Thank You For Believing, set for May 7 release via South Coast Music Group/Capitol Records.

My mom is a real hard worker. That’s where my hustle comes from. She taught me to never quit,” says Toosii.

While many rags-to-riches stories have been told, the official video for “what it cost” is a rags-versus-riches story, following Toosii as he transverses two starkly different worlds. Directed by Joan Pabon, who helmed the official videos for ”back together” and ”Reminiscing,” the clip shines a light on inequalities and economic disparities and the tangible and intangible costs of living in a poverty-stricken home versus a wealthy household. The video is bookended by real talk from Toosii about his life, touching on the loss of his grandfather, the times he’s nearly died himself and his drive to be there for the loved ones that are depending on him. “Everyday bro, I wake up, I gotta go hard bro. Can’t go back to being homeless,” says Toosii. View the video HERE.

Earlier this month, Toosii earned widespread praise for ”back together,” which also appears on Thank You For Believing. XXL named it one of the “best new songs” of the week. “Toosii skyrocketed into the mainstream in 2020. Now, he’s looking to continue this ascension with “back together,” observed Complex. ”Toosii [is] looking to own 2021,The harmonic love fest [‘back together’] taps into [Toosii’s] R&B sensibilities while still showcasing his penchant for nimble bars,” said HipHopDXHotNewHipHop noted, ”[‘back together’] plays much more like a ballad than anything else and it works to perfection, it’s a nice piece of self-reflection that will make any fan want to tap in for more.” View the official video for ”back together” HERE. Fans who pre-save / pre-order Thank You For Believing HERE will instantly receive ”what it cost” and “back together.”

Propelled by his gift for drenching real lyrics in rich emotion, Toosii has proven himself to be one of rap’s most relatable rising stars. Naming him an artist to watch, Billboard said, “Toosii is coming for the crown.” On Thank You For Believing, he tells jarringly honest tales of street life and lost love, addressing the good times and the bad, the glow-up and the dark days that came before. Toosii’s career has been percolating in North Carolina for years, but he found immediate, staggering success in February 2020 on the strength of Platinum Heart. The album hit No. 1 on Billboards Heatseekers Albums chart and launched Toosii into the top 10 of Rolling Stone’s Breakthrough 25 chart.

Toosii quickly followed up those achievements with Poetic Pain in September 2020, which debuted in the top 20 of the Billboard 200. He recently earned a Gold record for his top 10 Urban radio hit, “Love Cycle.” Toosii has earned a devoted audience, including 2.4 million Instagram followers. In 2020, Toosii collaborated with DaBaby, who’s tipped him as “the hottest new emerging artist.”

Julia Michaels illustration by Heather Skovlund (photo credit Danielle Gonzalez) for 360 Magazine

Julia Michaels

GRAMMY NOMINATED SINGER AND SONGWRITER JULIA MICHAELS REVEALS NEW DETAILS FOR HIGHLY ANTICIPATED DEBUT ALBUM
 
NOT IN CHRONOLOGICAL ORDER ARRIVING APRIL 30
 
NEW SONG “LOVE IS WEIRD” DROPS WITH ALBUM PRE-ORDER LAUNCH TODAY
 
COVERS EUPHORIA MAGAZINE
 
LISTEN TO “LOVE IS WEIRD” HERE
WATCH “LOVE IS WEIRD” LYRIC VIDEO HERE
PRE-ORDER NOT IN CHRONOLOGICAL ORDER HERE

Grammy Award-nominated multiplatinum singer and songwriter JULIA MICHAELS reveals the title and track listing to her long-awaited debut album, Not In Chronological Orderwhich arrives April 30th.  To accompany the announce, she shared a new song from the album, “Love Is Weird,” with the launch of the album pre-order via Republic Records
 
Listen to “Love Is Weird”HERE.
Pre-order Not In Chronological Order — HERE
 
In support of the release, JULIA spoke with Zane Lowe on Apple Music 1 Radio’s New Music Daily Show
 
Offering another glimpse into what fans can expect from the upcoming album, “Love Is Weird,” weaves together airy production and soft acoustic guitar, while she delicately likens relationships to “Playing Operation trying to put me back together, before candidly admitting, “Love is weird. Don’t know how I wound up here…It shows up and disappears. This honest and hypnotic melody highlights her uncanny ability to tune into raw emotion and unfiltered lyricism, with her signature vocal tone and delivery.
 
The new song sets the stage for the release of her anxiously awaited full-length debut album, Not In Chronological Order, out on April 30, 2021.  Presenting a full 360-degree perspective on the critically acclaimed songstress, it examines every facet of her life emotionally and spiritually in a 10-song body of work that finds Julia piecing together the chapters of her life in one place work – pre-order Not In Chronological Order HERE.
 
“When I was looking at the tracklisting, it literally was not in chronological order of the events that it took place in my life,” she says. “The way that I saw the tracklisting in my head, a lot of the heartbreak came in the middle, and finding new love came at the end. That’s the arc of this album: I’m not bitter about love anymore. I know what functional love is like and being in love and being hesitant about that love because it feels so perfect.”
 
JULIA’S current single “All Your Exes” arrived at critical acclaim upon its release. Co-written with Grammy nominated singer and songwriter JP Saxe“All Your Exes,” Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized, “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”  
 
JULIA currently features on the cover of Euphoria Magazine where she talks more about the album HERE.
 
Watch the video for the new single “ALL YOUR EXES” HERE
 
Get ready to experience Julia Michaels Not In Chronological Order
 
Not In Chronological Order Tracklist:

  1. All Your Exes
  2. Love Is Weird
  3. Pessimist
  4. Little Did I Know
  5. Orange Magic
  6. Lie Like This
  7. Wrap Around
  8. History
  9. Undertone
  10. That’s The Kind Of Woman

 
ABOUT JULIA MICHAELS
Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.
 
In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.
 
In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.” 
 
SOCIALS: OFFICIAL // FACEBOOK // TWITTER // INSTAGRAM

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Julia Michaels 
Photo owner: Danielle Gonzalez
Photo owner: Danielle Gonzalez
Elise Eriksen - Less (Afrojack Remix) Artwork for use by 360 Magazine

ELISE ERIKSEN × AFROJACK – Less ft. Shoffy (Afrojack Remix)

PRESS HERE to Listen

Emerging pop artist Elise Eriksen has teamed up with legendary DJ Afrojack to reimagine her debut single “Less ft. Shoffy” as a shimmering summer anthem. PRESS HERE to listen to the remix for the pop favorite, which was originally co-written with multi-platinum songwriter Julia Michaels, and features both Shoffy and Blu DeTiger.

“This project is really special to me considering a DJ I have listened to all my life wanted to remix my song,” says Elise on the collaboration. “It feels completely surreal and I am beyond thankful!”

“Less ft. Shoffy (Afrojack Remix)” arrives on the heels of the original version, which recently broke over a million streams on Spotify alone after being featured on key pop playlists worldwide and receiving international radio play–including multiple spins on BBC Radio 1 and BBC Radio 2, the biggest radio stations in Europe. PRESS HERE to watch the effortlessly cool video for “Less ft. Shoffy,” which reflects on growing apart in a relationship and shows Elise defying expectations to stand out alongside a cast of her best friends. “Less ft. Shoffy” took shape after Elise threw herself into reimagining an early version of the track being toyed with by her father (GRAMMY-winning producer Mikkel Eriksen) and using her encyclopedic knowledge of music history and first-hand experience of watching the world’s biggest stars while growing up in the studio. The Afrojack collaboration also follows Elise’s second single “Smile,” which was co-written by Sasha Sloan, (Charli XCX, Camila Cabello, Anne-Marie, Katy Perry) The track showcases Elise’s distinctive vocals over her own piano instrumental while speaking to putting on a façade and smiling even though you’re not okay. PRESS HERE to watch the breathtakingly stark video, which was shot entirely by iPhone 12 on a frozen lake in Norway at -15°F.

Originally from Norway, Elise moved to New York City soon after discovering her love for music and is now based in Los Angeles. Learning over the years what it takes to make a perfect pop song, Elise is the daughter of one half of uber-producers Stargate (Rihanna, Katy Perry, Beyoncé, Coldplay) and grew up in the studio surrounded by the world’s top artists and songwriters. Embracing the uncompromising work ethic she grew up surrounded by, Elise devoted years to playing the piano and honing her craft before experimenting with writing songs of her own. Inspired by artists as eclectic as Stevie Nicks, Alicia Keys, Don Toliver, Pink Floyd, and Etta James, the seventeen-year-old’s dynamic musical imagination and sharp musical instincts reflect her endless creative curiosity and a deep commitment to her artistic growth.

“’Smile’ is a stripped-down, confessional ballad, with a chorus that aims for the rafters and nicely showcases the newcomer’s developing range.” – Billboard

 “If you don’t already know the name Elise Eriksen, you’re about to in a big way.” – Sweety High

DMX illustration by Heather Skovlund (Photo Credit Jonathan Mannion) for 360 Magazine

DMX

Official Statements from DMX’s Family & White Plains Hospital

“We are deeply saddened to announce today that our loved one, DMX, birth name of Earl Simmons, passed away at 50-years-old at White Plains Hospital with his family by his side after being placed on life support for the past few days. Earl was a warrior who fought till the very end. He loved his family with all of his heart, and we cherish the times we spent with him. Earl’s music inspired countless fans across the world and his iconic legacy will live on forever. We appreciate all of the love and support during this incredibly difficult time. Please respect our privacy as we grieve the loss of our brother, father, uncle and the man the world knew as DMX. We will share information about his memorial service once details are finalized.” – Earl “DMX” Simmons’ Family

“White Plains Hospital extends its deepest condolences to the family of Mr. Simmons, as well as his friends and legions of fans who expressed their unwavering support during this difficult time. Earl Simmons passed away peacefully with family present after suffering a catastrophic cardiac arrest.”   

When it comes to DMX, a man blessed with a vicious bark of a voice, there is no such thing as half-stepping. Born Earl Simmons in 1970, the Yonkers-raised MC arrived as the physical embodiment of unbridled energy—a one-man distillation of fellow rugged New York acts like Wu-Tang Clan. With the release of his 1998 debut, It’s Dark and Hell Is Hot, DMX wrapped himself in musical aggression that enhanced his imposing presence across songs like the minimal, clanging “Get at Me Dog” and rowdy breakout “Ruff Ryders’ Anthem.” But X scaled back the pugnacity on that same album’s introspective “How’s It Goin’ Down,” which featured angelic vocals from R&B’s Faith Evans and painted a vivid picture of a complex relationship headed down the wrong path. DMX would revisit that sensitivity on “Slippin’,” a heart-rending track from 1998’s Flesh of My Flesh, Blood of My Blood that found him expressing a desire to live a less tumultuous life. As at odds as the rapper’s two sides may seem to be, he’s always thrived most while letting his emotions fly unrestrained. In 2000, he released …And Then There Was X, where even the anthemic “Party Up” served as a prime example of DMX’s uniquely intense take on hardcore hip-hop. But whether ferocious, amped up, or introspective, the MC has remained grounded by his faith, which, especially in the later years of his career, he approaches with nothing short of absolute devotion.

Following the deaths of Tupac Shakur and the Notorious B.I.G., DMX took over as the undisputed reigning king of hardcore rap. He was that rare commodity: a commercial powerhouse with artistic and street credibility to spare. His rapid ascent to stardom was actually almost a decade in the making, which gave him a chance to develop the theatrical image that made him one of rap’s most distinctive personalities during his heyday. Everything about DMX was unremittingly intense, from his muscular, tattooed physique to his gruff, barking delivery, which made a perfect match for his trademark lyrical obsession with dogs. Plus, there was substance behind the style; much of his work was tied together by a fascination with the split between the sacred and the profane. He could move from spiritual anguish one minute to a narrative about the sins of the streets the next yet keep it all part of the same complex character, sort of like a hip-hop Johnny Cash. The results were compelling enough to make DMX the first artist ever to have his first four albums enter the charts at number one.

Photo Credit: Jonathan Mannion

Photo credit: Jonathan Mannion

AJ Mitchell "Stop" press image by Vol 1./Epic Records for use by 360 Magazine

AJ Mitchell – Stop

AJ MITCHELL CONTINUES TO CEMENT HIS RISE WITH ELECTRIC NEW SINGLE “STOP.”

LYRIC VIDEO OUT TODAY, OFFICIAL MUSIC VIDEO COMING SOON.

“STOP” CONTINUES TO IGNITE MAJOR BUZZ FOR DEBUT ALBUM “SKYVIEW,” OUT THIS YEAR.

“’Stop’ promises to be the sultry, effervescent, unforgettable anthem of this summer.” ­– 360 Magazine

Mitchell’s forthcoming debut, “Skyview,” seems likely to cement his stardom.– Variety Magazine

Further building out an immersive sonic world, gold-certified pop phenom AJ Mitchell shares a new single entitled “STOP” today. Get it HERE via Vol 1./Epic RecordsThe creative official lyric video is available at 12 pm EST today HERE. The song is the next chapter to be unveiled from his anxiously awaited full-length debut album, “Skyview,” due out this year and executive produced by Mike Dean

The track pairs a thumping bass line and flurry of funk guitar with a showstopping vocal performance. He delivers charismatic verses before igniting the instantly unshakable hook, “I don’t wanna stop, baby it’s our time.

“STOP” continues the journey that was set in CAMERAS ON,” released late last month. The conceptual lyric video shared today picks up where “CAMERAS ON” left off. While “CAMERAS ON depicts the story of AJ dealing with the darker sides of fame and his previous experiences with the content collective Team 10, the new lyric video finds him walking away from the cameras to the stage, depicting his passion and dedication to the music and what truly matters.  Stay tuned for the official music video, set to premiere soon.

With all of the songs releases from Skyview” thus far, we’ve seen AJ Mitchell truly coming into his own, showcasing his knack for great storytelling.

“When you listen to the album, I want you to feel nostalgic,” AJ says. “It really takes me home. At the same time, I want you to know more about who I am. Talking to the camera is unnatural for me. The best way for everybody to understand me is through my songs. I’m still just a kid who lives his life through music. There’s not a single day I don’t think about it or don’t want to run to my guitar, my piano, or my notepad and start writing.”

Since emerging in 2018, AJ Mitchell has consistently asserted himself as pop’s most dynamic new leading man. Averaging over 7 million monthly listeners on Spotify, he impressively leaped past the 1-billion stream mark within three years. In addition to being named a Vevo LIFT artist and MTV Push artist, Variety championed him on its “Young Hollywood” 2020 list. Beyond acclaim from BillboardIdolatorHighsnobiety, and Seventeen, he delivered show-stopping performances at the MTV VMAs and on The Today Show and Good Day New York. In 2019, his Slow Dance” EP yielded the gold-selling title track “Slow Dance” [feat. Ava Max]. Including the latter, he has logged four songs on the Top 40 at Pop Radio thus far. He’s also become  a trusted collaborator, recently joining forces with Cheat Codes for “Hate You + Love You.” Throughout 2020 he also collaborated with names like Elle Henderson, Steve Aoki, Captain Cuts, and more. Over the past year, he assembled his full-length debut Skyview” with the legendary Mike Dean as Executive Producer. Now, the cameras are on, and AJ Mitchell is ready to shine in 2021.

Julia Michaels :All Your Exes" Artwork shot by Vince Aung for use by 360 Magazine

JULIA MICHAELS – ALL YOUR EXES

EXES BEWARE GRAMMY® NOMINATED SINGER & SONGWRITER JULIA MICHAELS CHANNELS PYSCHO KILLER IN NEW VIDEO FOR  “ALL YOUR EXES” OUT NOW

FULL-LENGTH ALBUM DEBUT COMING APRIL 30TH

Watch the music video for “All Your Exes”—HERE.
Listen to “All Your Exes”—HERE.

Grammy® Award-nominated multiplatinum singer and songwriter Julia Michaels has unleashed the clever and campy music video for her latest single “All Your Exes.”

In the visual directed by Blythe Thomas, she quite literally brings the song to life in bloody good fashion. Nodding to cult classics such as Serial Mom and American Psycho, Julia invites her boyfriend’s exes over for “dinner.” What follows is brutally hilarious as there’s no chance anybody will ever bring up her significant other’s past trysts ever again.

Consider yourself warned…

“I think this is the most fun I’ve ever had making a music video,” she commented.  “I’ve never really played a character before, so it was fun to let loose and show a side of me that fans haven’t seen,” she says.  “I feel like we all have those moments in relationships where our minds go to ridiculous places- like clearly I don’t want to kill your exes, but that doesn’t mean I haven’t thought about it,” she laughs.  “This album shows another side of me, because for the first time I’ve experienced a new kind of love, one that has been happy and healthy, and the songs reflect that. Oh wow, that sounds gross hearing myself say that,” she laughs “but I’m still excited to share them,” she adds.

A clip of the video premiered yesterday on YouTube Originals weekly music show, “RELEASED,” which premieres every Thursday night at 11:45pm ET in the moments before the world’s top artists drop their new music, only on YouTube.

Last week, Julia unveiled “All Your Exes.” Co-written with Grammy nominated singer and songwriter JP Saxe, the track immediately garnered critical acclaim. Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.”  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”

Be on the lookout for additional details on her forthcoming album, arriving April 30.

ABOUT JULIA MICHAELS

Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.

In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.

In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Lord Huron Long Lost Album Cover (By Ben Schneider) of Republic Records for use by 360 Magazine

Lord Huron – Long Lost

LORD HURON ANNOUNCE NEW ALBUM LONG LOST OUT MAY 21ST

NEW SINGLE “MINE FOREVER” OUT NOW WITH OFFICIAL MUSIC VIDEO

Who is Tubbs Tarbell? (Letter)

After causing a whole lot of chatter amongst audiences and critics alike, Lord Huron have begun to unwind the little riddle they’ve been spinning over the past few months and announce their fourth full-length album, LONG LOST, out May 21st via Whispering Pines Studios Inc./Republic Records, featuring new single “MINE FOREVER.

Pre-orderLong Lost HERE, listen to “Mine Forever HERE, and watch the official music video for Mine Forever (Directed by Anthony Wilson) HERE.

At the same time, the news only raises more questions. What can fans expect? What did the band lose and how long has it been lost? And who the hell is WBUB’s Mr. Tubbs Tarbell? All these questions (and more) have been brewing as easter eggs from the upcoming album have been revealed during Lord Huron’s Alive from Whispering Pines series.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Last night on Alive From Whispering Pines, Lord Huron performed their triple-platinum single “The Night We Met,” as well as fan favorites “Ghost on The Shore” and “Never Ever.”

To help answer all these lingering questions, Tubbs has put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE and below.

Long Lostwill also include previously released track “Not Dead Yet.” The single has already racked up 1.5 million Spotify streams and 500K video views. Additionally, the guys hit the stage at Jimmy Kimmel LIVE! for a show-stopping television debut performance of “Not Dead Yet.” Watch it HERE. Spin claimed, “they sharpened their teeth, while UPROXX described the track as “driving. In addition to plugs from Stereogum and more, Brooklyn Vegan touted it among “Our Favorite Songs of the Week.” See full track list for Long Lost below.

The last episode of Alive From Whispering Pines will broadcast in April, with more surprises to come. Fans can purchase tickets to each episode, a season pass to all four shows, and exclusive merch at Lord Huron’s website.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

Long Lost Track List:

  1. The Moon Doesn’t Mind
  2. Mine Forever
  3. (One Helluva Performer)
  4. Love Me Like You Used To
  5. Meet Me in The City
  6. (Sing For Us Tonight)
  7. Long Lost
  8. Twenty Long Years
  9. Drops in the Lake
  10. Where Did the Time Go
  11. Not Dead Yet
  12. (Deep Down Inside Ya)
  13. I Lied
  14. At Sea
  15. What Do It Mean
  16. Time’s Blur

About Lord Huron
Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after released Strange Taleswhich featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive, provocative and powerful rock, the record garnered praise from NPRTimeLos Angeles TimesSpinStereogumRefinery29UPROXX, and more as singles such as Wait by the River (which the band performed on “Late Night with Seth Meyers”) and When the Night is Over generated tens of millions of streams. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo.

Tune Prism Cover Artist Spotlight: Lord Huron and the Long Lost Sounds of Yore Words and Memories by Tubbs Tarbell

Friends,

I been thinkin’ a lot about the past again. I guess if you know me, that’s nothin’ new. Yeah, I smell what you’re sniffin’ at: “Oh boy, here goes ol’ Tubbs again, ramblin’ about those good ol’ bygone days of yore.” Well, sure, I’ll allow you that’n. Maybe I do tend to take a good hard glance into the rearview before I step my boot on the gas. But don’t we all? Or shouldn’t we, in any case?

It just seems to me that, these days, the past is everywhere you look. Hell, take another peek at that sentence again. The first time you read it is already in the past. Funny how time just keeps clickin’ along. These days, anyway.

So, sometime in what’s now the not-too distant past, I was sittin’ in my usual seat inside Whispering Pines, cozied up to a glass of something cozy, when, from outta nowhere, this particular tune crept into my ear. It was a funny thing, because it immediately felt familiar to me, as a song that creeps into your ear usually has to be—’specially for somebody like me who don’t write ’em…I just roll ’em. (You’ve heard me say that one more than a few times, no doubt.) But then the more I thought about it, and the more I listened to this little tune janglin’ around upstairs, I realized that I couldn’t place it as somethin’ I’d ever heard before. (And take my word for it: the ol’ upstairs is a titanium steel trap for tunes, even now.) It was a conundrum.

That little number stuck with me for more than a few days. I’d be doing something mindless— scrubbin’ my cup, combin’ my hat—when all of a sudden, here it came again: It’s hard to make friends when you’re half in the grave, but I ain’t dead yet and I’ve got something to say. It was the loveliest thing, and dang me if it didn’t keep sounding chummier and chummier. It was sublime—that drivin’ jangle of the guitar, the steady thump of the drums, those breezy, liltin’ voices—but I just couldn’t place it. Could it have been that ol’ Tubbs here had somehow tapped into that cosmic eternal and unwittingly written his first tune without even knowin’ it?

A week (or was it a month?) went by and the tune never went too far from my head. There’s a stranger in my eyes again… It almost got to where I was more used to the tune bein’ there under my hat than my own face. …I swear to God I don’t know him. But then it happened, somethin’ I’ll never forget for as long as I live: My little tune came to life before my very eyes.

Now, be patient. I’ll tell you how.

That day, one of my all-time favorite acts happened to be booked in Whispering Pines for a recordin’ spell, those good-time bootscooters and rhythm rascals known as the Lord Huron. As always, the boys showed up early—but not earlier than ol’ Tubbs here—and made haste toward the studio’s live room.

“Howdy, fellers,” says I. “Headed for the big room, I see.” (If Whispering Pines was a church—it ain’t, mind you, but iffin’ it were—the live room would be the holy pulpit, I reckon.)

Ben (he’s the singer) just looked at me, touched the brim of his hat, and nodded. “Thought we might try somethin’ different this time, good buddy,” says he.

So I just gave him my grandest grand welcome and stepped aside, happy to have them back. Those boys know what they’re doin’, havin’ made quite a few of their records with us. But the live room, this was gonna be a first, and a real treat. I tried my best to keep my grin to a simmer, sat down at the board, and watched as Mark, Miguel, Tom, and Ben started tunin’ her up

If you’ve ever had the pleasure of recordin’ at the Pines, then you know that nothin’ in the place is off limits. Guitars, cymbals, pianos, pedal steel, mandolins, microphones, saxophones—what’s ours is ours, that’s my motto. And as the Huron boys are basically my own brothers by now— well, nephews, maybe, but who’s countin’—I was glad to see their hands on all of it. I even heard ’em talk about recordin’ a gigantic string and woodwind orchestra in some dang place like Sweden or somewhat…those fellers really shoot the moon, I tell ya.

I’d barely had time to pour my coffee and hit the big red button when they settled into a dusky groove so quick I could hardly believe it. Must have been all that time playin’ out on the road together—even headlined that dang Bowl they got out in Hollywood since last I laid eyes. Hell, they’ve known each other since grade school so it don’t surprise…that’s the rumor, anyway.

Now, I’ve loved all their hits—“The Night We Met,” “Time to Run,” “When the Night is Over”—but this new stuff they started in on just sounded…well, it just sounded like somethin’ eerily familiar, as it were. Like somethin’ from a past life I’d heard before, but brand new, all at once. Like a note plucked long ago that had moseyed through time to finally belly up to my bar once and for all. It was a conundrum.

The first number they called “The Moon Doesn’t Mind,” and I say it reminded me of one of those cowboy pictures where the lone horseman is singin’ his heart out to the audience from atop his brave steed. But somethin’ about the pang in Ben’s voice made it seem like that feelin’ was more lonesome than just simply lone—or maybe it was just my view from the sidestage, as it were. Maybe the light catches a singer a little different when you’re not starin’ at him head-on, or even through a lens. I always did wonder if those cowboys were really as rootin’ and tootin’ as they looked on TV. I gave the boys a good round of applause before they launched into a real sunset of a song they called “Mine Forever,” a swingin’, full-on heart-renderer with a bubbly sound. All of a sudden I heard handclaps and female voices—I swear those ladies must have risen up outta the floorboards! Never saw ’em come in, and didn’t see ’em leave. That’s just the magic of the Pines, I suppose. Door knockin’s for strangers.

The next one, “Love Me Like You Used To,” brought to ear of one of those classic lovelorn country ballads, like one sung by Handsome Scott or even ol’ Roy Casey himself. “Long Lost” and “I Lied” both slowed the tempo down a notch or two, but sounded no less grand. The boys were really firin’ on all cylinders that day, I tell ya, fillin’ the air of that grand live room—and my own soul—with those tales of hard luck, heartbreak, and redemption. It was as if the boys had become conduits for the spirits of the room and were usin’ them to tap into that same cosmic eternal I’ve always felt—known—was hoverin’ around inside Whispering Pines.

I was feelin’ pretty fine. Our old pine clock on the wall had long stopped tickin’ and the boys surely didn’t need any help from little ol’ me, so I helped myself to a little somethin’ cozy and kicked my boots up on the board. And it was then, in that instant, that I heard it…my tune.

All messed up with nowhere to go, I stare at myself in the mirror alone… It’s hard to make friends when you’re half in the grave…

That drivin’ guitar jangle, the steady drum thump, those breezy, liltin’ voices…it was all unmistakable. My tune! It had somehow crept out from that titanium trap I keep under my hat and sneaked into the live room to serenade me from behind the glass studio wall. Time seemed to stand still, even more than it usually does around here. It was like some long, lost dream come to life, a forgotten classic from a parallel dimension, the echo of a memory that wasn’t mine. But the feelin’ was real.

“Say, boys, what’s that one called?” I hollered into the talkback, trying to seem casual.

They looked at one another, laughed. “Well, I’m not sure,” Ben replied. “What does it feel like it’s called to you?”

As he spoke, I caught a glimpse of myself in the unpolished studio glass, and somethin’ hit me, somethin’ I’ve never been able to explain. “Well, I reckon it’s called ‘Not Dead Yet,’” I reckoned. And wouldn’t you know it? Turned out, it was.

The Huron kept at it for a little while longer that day, but I must have drifted off peaceful-like in somethin’ of a cosmic slumber, with my tune—all of the tunes, in fact, as all of them were now mine—janglin’ heavy and happy in my heart. When I woke, the light from the next day was just startin’ to ease into the Pines, and I was alone. I stood up, stretched my creaky back, scratched a little stubble. As I turned to grab my leavin’ hat off its peg, somethin’ caught my eye: A hand- scratched note bound to a faded vinyl record sleeve was layin’ on the floor.

I bent down to snatch it up. The record was called “Long Lost,” and it looked as if it had been layin’ there on the floor since before Whispering Pines was even a whisper itself. I brushed the dust off the cover and saw that the artist was none other than the boys themselves—Lord Huron.

“Say, Tubbs,” the note read. “Time washes aways what man creates, but ‘Long Lost’ might convince you that a note can live on. Be good now. The Boys.”

And just like that, they were gone.

As ever, friends, may you live until you die, Tubbs

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.