As the CEO of fábrica de bots, the business conducts a variety of services that include the use of chat bots to enhance instant messaging platforms. Striving to provide connections for businesses and their customers, Dino shed light on the functionality of the WhatsApp platform for corporate enterprises. Committed to simplifying communication tactics for both parties, their main focus is to “make people’s lives simpler.”
WhatsApp allows people around the world communicate for varying services. As around 86% of Mexico already use the platform, Dino aims to continue to expand fábrica de bots internationally.
The firm works primarily with civil society organizations, something that Dino has been passionate about for her entire career. She traveled to New York in 2012 where she attended NYU Robert F. Wagner School of Public Service, obtaining an MPA in Public and Nonprofit Management and Policy.
Working in New York for around seven years, Dino continued her career at NYU’s Governance Laboratory conducting work “dedicated to deepening our understanding of how to govern more effectively and legitimately through technology.”
Continuing to innovate and change the world of tech, Dino wants to continue to help other civil organizations expand their services via WhatsApp. “We’re very focused on that, our slogan is ‘changing the world one bot at a time.’”
Dino continued, stating, “And if we can do something to make our lives easier, and there’s a lot of space for improvement in term of services, […] we should do it, but we should do it intentionally.”
Despite the fact that America has many voices of color, they can seldom be heard. 360 MAGAZINE has always been a place where these people can be represented, so they’ve decided to expand on this mission by launching their own podcast: 360 MAG: A No-Nonsense Conversation. It will also cover the latest news, design and culture, as well as interviews with key industry trend makers. Hosts include Vaughn Lowery, Javier Pedroza, Armon Hayes and LaJune Grant.
Lowery called the podcast, “An evocative gallery where everyone can continue to celebrate their singularity.” Pedroza stated, “I’d like for people to feel inspired, joyful, creative and stronger after listening to 360 Mag – a No Nonsense Conversation.”
In the inaugural episode, Javier Pedroza talked with Latin pop group Piso 21, known for hits such as Me Llamas, Besándote and Déjala Que Vuelva. 360 has also chatted with other major figures: singer Carmen DeLeon, disabled TikTok influencer NotLewy, and actor/rapper Young Dylan. Stay tuned. We will also chat with people from the tech, design, and automotive industries.
360 also recently released an NFT collection called the Animal Series. Four NFTs will be for sale until May 1st. Secure yours now HERE. Find more information HERE.
Find the podcast on Apple, Amazon, Google and Spotify. Podcasts will release in both Spanish and English. In addition, Also, 360 MAG possesses a dedicated RSS feed and has launched an account on Twitch to increase reach.
360 MAGAZINE is an edgy fashion, lifestyle and culture magazine, introducing cutting-edge brands, entities and trends to taste makers within their respective communities. Founding members have over 30 years of collective experience both as notable talent and professionals within the realms of fashion, music, art, design and entertainment. 360 is more than just a magazine comprised of journalists, representing a movement of social awareness and change.
360 is a LGBTQIA-friendly publication, officially recognized by the NGLCC. The magazine is contemporary in look and appeal. Quality art content is the constant goal. It will be entertaining, newsworthy and thought-provoking, appealing to a broad entertainment readership. No publication like it is available today, constantly celebrating racial as well as sexual ambiguous talent and artists.
The innovative AANUKO saloon opens its doors in the heart of the art district of Culver City! Discover an invigorating yet bespoke habitat of Los Angeles, accompanied by unparalleled coiffeurs, a podcast room and a dedicated photo studio to document your hair journey.
Vaughn Lowery had the opportunity to chat with AANUKO’s CEO and President David Alfonso about the new shop in its entirety. Listen their full conversation on the 360 MAG Apple/Spotify podcast HERE.
Officially opening their doors on August 2, the AAPI-owned grooming facility is reshaping the barber scene from a previous dull, disengaging vibe one haircut at a time. AANUKO considers the relationship between the client and the hairdresser to be sacred. A symbiotic exchange of creativity and trust.
The living space that is home to AANUKO cultivates creativity and community, unlike other conventional barbershops. With a strong team of people taking care of clients, when walking into AANUKO, you’ll instantaneously feel at home. What began as a passion project has swiftly grown into a venture that aims to embody creativity and connection through the art of hair care.
CEO David Alfonso admits that AANUKO is passion project. He recounts, “I wanted to reimagine the barbershop concept by immersing it into an unfamiliar aesthetic, but with a strangely nostalgic aesthetic … as if we were walking towards ‘a Gucci Boutique in Paris or New York in the 1980s.”
Though the barbershop is tailored towards men’s haircare, AANUKO is a unisex enterprise. Each customer takes away much more than a haircut from each visit; they earn knowledge about their own hair types, strategies they can implement to treat their hair, and an overall sense of connection with their barbers.
Draped in jaw dropping interior, the barbershop is nestled in West Los Angeles. Alfonso explained that AANUKO aims to push the envelope and exceed what other Los Angeles spaces look like. Inspired by using color, the team at AANUKO employs the theme of approaching life with a rebellious mindset.
Immerse yourself in the unforgettable atmosphere with a French bohemian theme. Each trip to the barbershop invite’s customers into a fully immersive environment. From the beautiful café serving free cocktails to the photo studio where guests can indulge in content creation, haircut visits begin at $85. Barbers take careful time to relate with customers, ensuring they get the most out of their appointment.
Alfonso further elaborates, “It’s all about an artistic, rebellious approach to reimage what we think would be a really cool space to make people feel good while getting their haircut.”
While the styling of AANUKO definitely sets it apart from other spots, Alfonso made sure to emphasize the true highlight of the design at the barbershop. To Alfonso, their eccentric, groundbreaking approach, “sets the stage, because I think the most important part of the décor is our team of barbers.”
Alfonso continued to rave about the talent of the workforce behind AANUKO. With a varied range of individuals that work together to ensure success, they all have a few things in common. From their impeccable physical skillset as artisans, to their crucifixion for their craft, each unit of AANUKO is dedicated to delivering a transformative impression.
David Alfonso asserts, “AANUKO provides a communal space for networking, content creation, and personal growth for the greater Los Angeles.” In addition, he adds, “Like god’s brand for all men’s hair … [we will] create an intimate connection with our brand with our customers.”
AANUKO celebrates their grand opening on August 2 at 5790 Washington Blvd. Their hours are 10 AM to 7 PM PST every Tuesday to Saturday. Reservations can be made HERE. Walk-ins accepted.
Crafting an unforgettable experience in the air, Tailwind Air is a seaplane charter airline revolutionizing travel as we know it. As a veteran-owned businesses, they operate out of Westchester Airport and Bridgeport. Tailwind is the perfect alternative for those looking for a quicker, more individualized travel plan.
Flying out of Manhattan previously was a hard, time-consuming task, but not anymore. Tailwind has been proven to be the swiftest way to fly out Manhattan, with stunning views of the entire city. Shuttles conveniently transport guests to Boston Harbor, Bridgeport, CT, or 3 separate destinations in the Hamptons.
“We always had a vision for bringing more direct and faster service between cities.” – Peter Manice
Each seaplane at Tailwind Air is a clean amphibian aircraft, adorned with a quiet cabin that comfortably seats 8. Aircrafts have the ability to land atop land or water and are united by two pilots and stunning views along the way. Operating under FAA standards, passengers are allowed one bag under the weight of 20lbs to security for all those aboard.
Tailwind, too, operates an array of seaplane charters to locations like Nantucket, Martha’s Vineyard, Block Island, Fishers Island, Upstate New York, New Hampshire, Vermont, Maine, and Virginia.
Vaughn Lowery had the opportunity to ride aboard one of Tailwind’s seaplanes. After arriving at the New York Skyports Seaplane Base, the seaport had a waiting room area for guests. Once inside the lounge, snacks and refreshments were available for passengers awaiting to board.
Guests were greeted with a gate/seaport agent upon embarquement to the aircraft. Once everyone boarded the plane, it took a short 15 seconds to rise into the air from the sea. Leaving Manhattan and setting out towards Bridgeport, CT, the stunning viewpoint of the entire city was a highlight of the trip.
After landing and docking, Vaughn was able to enjoy shopping and culinary greatness in Bridgeport.
“In desperate need for some retail therapy … I decided to indulge in a bespoke experience with my treasured leatherware brand, Coach–under the creative direction of Stuart Vevers since 2014. Their league messenger spoke to me so I had it personalized with hardware and vanity tags … Not to mention, we made it back in time to witness an MLB game at Yankee Stadium. Cincinnati Reds were in a pickle!” – Vaughn Lowery
With an exclusive water taxi available to move through Tailwind’s Boston location, trekking to your seaplane is an easy and enjoyable experience. You can now forget the stress of traffic and airports with the convenience of Tailwind’s seaplanes. Hail the water taxi easily via phone for retrieval before heading back to the docking air station.
Once aboard, each seaplane is equipped with seat belts, air conditioning, noise reduction headsets, aisle and window access, and an unforgettable view of New York City, Boston, and New England. Extra face masks are available for passengers to ensure proper protection.
In a limited summer package deal, Tailwind is offering buy one flight and get another free! Through July 21, visitors can buy one ticket and in return obtain one free Boston-Manhattan flight. Departures range from July 4 to September 5. Seaplane season is in full affect, with the summer months being the best time for flight. Tailwind discontinues travel during the winter months of December to March to ensure safety of guests and pilots. There’s no time like now to fly with Tailwind!
NFT-VIP is hosting its inaugural conference in the tech space to network their businesses, advance knowledge and engage intimately. In the recent past, similar NFT meetups have been held in multiple cities across America: Miami, New York City and Los Angeles. This year, NFT-VIP will be holding its series at Margaritaville Resort Time Square, June 19 – 22. 360 MAGAZINE serves as the official media sponsor of the episode.
As a rapidly growing digital industry, NFT-VIP has become a popular way for people to trade outside the conventional financial system. It continues to stimulate the development of a virtual economy based on digital strengths in various forms: music, art and fashion.
The NFT-VIP festival was fabricated with the unique digital identifier enthusiast in mind, providing a golden opportunity to intensify transmissions and interrelations. The number of leading brands and celebrities involved in this field is increasing exponentially with the world’s first and largest crypto collectibles market—OpenSea. With that, 360 MAGAZINE has minted and released a loveable Animal set.
As a media partner, 360 MAGAZINE aims to liaise between NFT-VIP participants and disadvantaged business enterprises. 360 is determined to spread the word on NFT-VIP to countless cohorts: the elderly, women, racialized groups and the queer community. “We now coexist in a multi-generational society with multi-racial people who have multi-educational backgrounds and who possess multi-hyphen lifestyles. Our purpose here is to create an environment of inclusiveness and to further facilitate sustainable relationships beyond the metaverse,” Lowery shares.
According to Wikipedia, non-fungible token is a financial security consisting of digital data stored in a blockchain, a form of distributed ledger. The ownership of an NFT is recorded in the blockchain, and can be transferred by the owner, allowing NFTs to be sold and traded.
Listen to Monroe Alise’s full conversation with Vaughn Lowery on the 360 MAG Podcast HERE.
Monroe Alise is an actress, LGBTQIA+ advocate, model and comedienne. As a transgender woman, she has fulfilled her childhood dream of working in the entertainment industry. Her philosophy on life is described in her mantra, “If you can’t laugh at life, you will never find a reason to live it.”
Born and raised in Washington DC, Monroe grew up passionate and inspired by media and entertainment. Her admiration for her father’s successful career as a DJ ignited her insatiable desire to entertain. Thus, she began singing in church, propelling her into the world of artistic expression.
For Monroe, a great singer consists of emulating your favorite idols while taking advantage of the potential of one’s own voice. As a child, she recalls being compared to artists like John Legend and Luther Vandross because of her tonality and courage. Another favorite is Nina Simone, whom she references while belting evangelical hymns.
As a youth, Monroe was a very active and social child. She studied sports public relations but fancied theatre. These disciplines were conducive to her discovery of sexuality. Further, she began to notice a direct correlation with her mother’s maternal responsibilites, rather than her father and two brother’s machismo profile.
According to Monroe, “While they were playing games and sports, I was in the kitchen doing my mom’s hair.” In addition, her openly gay aunt was influential in her gender transformation due to her immense pride and confidence.
Monroe’s gender bender was painstakingly challenging but became easier over time. For instance, while preparing for an acting role as a Trans woman, she became comfortable in this new skin. After the audition, she gave herself permission to continue to live within this newfound reality.
A year later, Monroe made the decision to come out, “I was like, well this is who I am, so I socially reinvented myself and this is the girl you see.” Eventhough the transition embraced authenticity, it was extremely taxing on her family as well as father’s religious convictions.
Lacking legit representation and management, Monroe began to utilize social media to seek opportunities within the realms of fashion and Hollywood. As a thespian, Monroe became enthralled by the portrayal of becoming another homosepian while subsequently having an impact on the world. This year’s main objective is New York City’s Broadway. Her short-term is to star in a sci-fi like Star Trek or Star Wars as well as a fantasy film similar in type to Harry Potter and Twilight. Longterm, Monroe aspires to host a namesake talk show directed and produced by herself.
As an emerging Trans Community activist, Monroe is deeply concerned about the increasing rate of violence against her people. She hopes to alleviate the suffering of her collective, especially at the hands and ignorance of the narrow-minded.
Monroe’s Five Principles:
1.) Adequate preparation;
2.) prevention of underachievement;
3.) working while you wait without worry;
4.) preparing for your mission;
5.) and continuing to work because you know you’ve been doing the best you could.
Vice President – Head of Marketing at Lexus, Toyota Motor North America
*Listen to Vinay Shahani’s full conversation with Vaughn Lowery on the 360 MAG Podcast HERE.
As a crowded child growing up in and around Detroit, Vinay Shahani was exposed to the motor industry at a very young age. He started working at the Ford Motor Company when his father (of Sindhi descent) emigrated from India to the United States in the 1960s. Vinay became a car lover under the influence of his father: “He was in the car business, and I was also in the car business because I was his son, and I loved that.” Once he moved to Michigan, Vinay earned a Bachelor’s Degree in Mechanical Engineering from the University of Michigan, a Master’s Degree in Business Administration and Manufacturing Systems Engineering from Stanford University. Currently, Vinay lives in the Dallas area.
Vinay is Vice President of Marketing for Lexus, a Japanese high-end car brand created by Toyota Inc., a position he has held since January 2021. He is responsible for Lexus’ marketing activities, including advertising campaigns, media and digital, product marketing and lifecycle management, auto shows, incentive and experiential marketing, and motorsports. He creates a “speak up” environment to make the opinions of all members of his team visible (agency partners and internal staff). Identifying social and commercial values helps expand the brand to various groups of consumers who may not align with the preferences of the Asian population, such as Walton Isaacson (black, Hispanic, and LGBTIQ community) and the IW group.
In addition, he oversees motorsports, engagement marketing, car shows, and other consumer events throughout the United States. Vasser Sullivan is a race team, with worldwide competitors such as Cadillac, Mercedes-Benz, BMW, and Audi, that Lexus empowers with some of the best drivers – “We definitely want to win, and we have a winning team.” Meanwhile, Lexus also helps improve consumers’ skills in car track by providing the opportunity to study professionally at Performance Driving School.
Since the brand is determined to treat consumers as valued guests, one of Vinay’s top initiatives iis Lexus Hospitality, as it is inspired by the Japanese spirit of hospitality and is committed to providing excellence in customer service.
Another dimension within the marketing field is monitoring and analyzing the results after experimenting with the Lexus IS 500 model and the Lexus RC F Track Edition.
Under the massive influence of the metaverse today, Vinay mentions that Lexus is creating its own Mark Netscape plus Upstream to figure out what the role of Lexus is as a brand in the metaverse. In addition, they are in talks with global partners like Lexus International to find out what is being sought out in Japan while identifying markets in the US, Canada, and Great Britain. Based on the diverse target audience of Lexus in the United States, Vinay seeks to use digital media and the National Brand Day to show brand culture and emotion, even
creating a TikTok account to get closer to younger audiences.
As a high environment-friendly brand, by 2035, Vinay plans for Lexus to be a ‘global 100% battery electric’ vehicle brand to reduce fossil fuel consumption and emissions. With these measures, it’s great to see the carbon footprint will be reduced thanks to the company’s shift.
Finally, Vinay adds that “it is important that we know who we are as a brand from a strategic perspective.” With this, they are trying to add attractive and technological accessories to their vehicles that give the driver great confidence in the handling and control of their car. “Maintaining a love for performance cars gets your heart rate up, it excites you, and that’s something we definitely want to associate with different brands.”
Yana Bystrova is a third-generation Ukrainian artist, born to create undeniably conceptual, enticing pieces of art. Having her body of work showcased in galleries around the world, Yana has continuously stunned audiences with her meticulous creations full of color, concept and mixed media.
Engulfed in the world of artistry since before she can remember, Yana often questions whether she had a choice on becoming an artist. Her professional ability has been evident from a young age; with Yana’s mother often telling a story about a painting she created in her adolescence. The piece, showcased at a children’s museum, was suddenly stolen from their home. Yana created the painting at the mere age of three years old.
Having doubted her position as an artist, Yana, too, experimented with differing professions before returning to her craft. She dabbled in design and programming, in which she gained mass success with. Nonetheless, she knew that the corporate environment did not suit her appropriately and went back to her original passion for creating art.
Amidst the ongoing war in Ukraine, Yana has been deeply affected by the destruction to her country. A daunting task, Yana spoke about the devastation she felt from hearing about the Russian invasion when stating, “It is horrible, I was in shock and very disoriented in the beginning [of the war].”
Yana’s thoughts pour into her work, evoking a new era of her works. She finds that her most recent paintings are a version of the distilled reality of the situation at hand. Each hue used in her art represents something deeper than the color wheel could ever encompass, it exemplifies the weight of Ukraine on Yana’s heart.
She often considers the conflict endured by everyone affected by the war; those who have fled and those who are still in the country. The situation at hand in Ukraine has had an everlasting affect on her personal and professional wellbeing.
“[It is] one thing is to be a tourist; another thing is to be a refugee.”
Her latest participation in the new exhibition “Painting in Excess: Kyiv’s Art Revival, 1985 – 1993” was organized a few years back, postponed due to the COVID-19 pandemic. Held at the Coral Gables Museum through October of 2022, the showing was originally conceived by the Zimmerli Art Museum at Rutgers. The project embraces a life of its own, taking a new shape and meaning modernly with the tragedy occuring in Ukraine.
Yana utilizes delicate use of color to personify her artistry, creating new narratives. In the way that verbal communication only accounts for a small portion of human interaction, Yana attributes color to bridging these gaps and expressing what cannot be stated in words. Often investigating new mediums for her artistry, Yana carefully crafts art that is theoretical and impactful.
Amongst her upcoming exhibitions, Yana has a New York residency opening on June 3. Entitled “Yana Bystrova: Approaching a Chaotic Reality,” the showing will be held at Gallery Arte Azulejo. A gallery walk will be sported on June 16 as well.
Omaha, Nebraska-born, LA-based artist SK8 has risen to acclaim with an insatiable desire for his craft. Beginning music in his early teens, the now 27-year-old recording artist has opened for the likes of Lil Wayne, Rae Sremmurd while also working with Wiz Khalifa.
SK8’s devotion to his music has been evident through the course of his career, earning him widespread success – which he doesn’t plan on ceasing anytime soon. 360 Magazine’s Vaughn Lowery had the opportunity to speak with SK8 regarding his rise to critical notoriety, where his creativity stems from and his star-studded new album Last Day on Earth.
To truly understand the talent that is SK8, it’s important to appreciate his start in the music game. Nathan Maloley, also known as SK8, has had a passion for music his entire life. He began making his own music and downloading his tracks onto CD’s when he was in his early teen years.
Even taking choir for a few years in school, SK8 remembers his early beginnings writing music. While growing up, he found “that [music] was almost my escape. I would always go home […] and look up YouTube beats and [begin] writing.”
Back in 2013 and 2014, artists were constantly being found online via social media. SK8 recalls searching for new artists to listen to, “I really wanted to find a new artist, like, who was the up-and-coming artist?” Little did he know, his time was swiftly coming.
Stuck in the middle between a potential basketball or music career, SK8 juggled his two loves throughout high school leading into college. The Omaha community knew about his dreams to become a rapper, and this led to further connections with the people around him.
SK8 attended Hastings College in Nebraska, a performing arts school which allowed him to also play basketball. During his freshman year, artists would frequently come perform at the school, which led to SK8’s early performance gigs. SK8 would open for the artists coming to the school, gaining him even more recognition within the music industry.
His freshman year, SK8, too, decided that he was going to go after his dream of chasing a professional music career, dropping out of college, and giving up basketball. Moving back home with his mother, SK8 dove into music, which took off quickly after.
His debut break into the scene came from his collaboration with Jack and Jack, popular Viners back in the mid 2010’s. The Viners went to SK8’s high school and decided to link up and work on music together. They came together to create “Like That,” a track that ended up going certified gold independently.
This collaboration ultimately kicked off his career, and SK8 joined Jack and Jack on their tour. Taking full advantage of his time on the road, SK8 made it his mission to connect with a new fanbase. “I was the guy that was opening up, like, yo ‘Imma get as many fans as I can.’” He remembers bonding with fans after the shows, gaining more of a following on social media after the tour closed.
Joining Jack and Jack on their tour opened even more opportunities than SK8 could have ever foreseen. Through the widescale exposure that he gained on tour, this allowed SK8 to connect and open for popular rap artists Rae Sremmurd and Lil Wayne.
Well on his way with a whole new set of fans, SK8 embarked on his first solo tour in 2016 celebrating his Skaterade project. The tour was a great time for SK8 to travel and meet his fanbase. He recollects the thrill, stating, “It was a really, really cool tour to see where my fans were at, and just [to] independently be on the road, it was a really good time.”
Soon after the tour wrapped up, SK8 began contemplating what his next steps were going to be. After accomplishing so much in the early stages of his career, what would come next? He had a longstanding dream of opening his own label, to which he began to pursue while connecting industry professional James McMillan.
McMillan and SK8 joined forces to start the imprint known as Alignment Records. The two began pitching their record label and found partnership with Atlanta Records swiftly after opening up Alignment.
Continuing further with the process, SK8 questioned who would help oversee the project, “Sh**, I got the label, but who’s gonna manage this sh**?”
And then, it seemingly all fell into place.
Having met Wiz Khalifa in Los Angeles a few times prior, SK8 recalled one late night in the studio where the two artists began their first collaboration track together. At 4 AM, Wiz happened to be at the same studio as SK8, where SK8 showed Wiz some of his new tracks. The pair started going back and forth in the studio, knocking out a hook and verse, completing their first joint track.
After this night, they kept in touch via Wiz’s manager Will Dzomback. Dzomback was very interested in SK8, inviting him to sign with Taylor Gang Management. Platforming SK8’s talents to a whole new level, this collaboration set his career to new altitudes.
Previously more immersed in the rap/hip-hop genre, SK8 showcases a newfound rock/pop punk era on his new album Last Day on Earth. He accredits his longstanding love for rock music back to his adolescence.
“My dad listened to Bob Marley, that was his favorite artist, […] I grew up listening to Red Hot Chili Peppers, and also my hip hop inspirations too, I’ve always listened to a bunch of sh** like Nirvana and Kurt Cobain.”
The start of SK8’s transition to the rock/pop punk sound arrived after working with Machine Gun Kelly’s drummer, Rook, in the studio. Rook and SK8 met in LA a few years back and have stayed friends for quite some time.
Bouncing off of each other in the studio, they began recreating and mixing old rock classics. Popular tracks from artists like SK8’s beloved Red Hot Chili Peppers and Nirvana became completely transformed; SK8 had found his new sound.
“[Rook] started just playing some live instruments, […] he started playing some sh**, I think it was the ‘Pages melody, and that was kinda the first song that we were like ‘this is gonna be tight,’” said SK8. “I listen to a lot of old school stuff, […] I wanted to just strip the music, and not just go on beats. We really took the time, went in there with guitar riffs.”
Tracks like “Girl Next Door” came out of this genre blend experimental phase that SK8 boarded on. “It was really cool bringing Wiz into that feel, too,” he says about combining hip-hop with rock influences, “I’ll have my whole album finished, and you know, I’ll have verses open just in case, […] he came to me and was like ‘Nah, that one right there, ‘Girl next door.’”
The addition of live instrumental pieces took the album to whole heights. SK8 accredits this while speaking about the vision for Last Day on Earth, stating, “The motivation really was like, yo, I wanna create something that’s authentic to me but still I wanted to, like, have live elements, […] I didn’t want to just rap and do melodies over just beats. I wanted to create something that had all live elements.”
In the works since the start of the pandemic, Last Day on Earth has been a long time coming. Taking over two years to perfectly craft and complete the body of work allowed SK8 to fully enjoy the experience of making the project.
“I really enjoyed making this project,” he begins, “I had a really, really good team around me that helped me bring this album to them, so I have to give props to them, for real.”
Considering what’s next for SK8, the sky seems to be the limit. At the forefront of his priorities is to stay consistent and continue pushing out new music that he believes in.
The two-year hiatus between his previous drops allowed SK8 to have “a good period of time to actually really find the sound that I wanted to find, and now that I found it, I’m really dialing in.” He remarks, “I wanted to tap into the real me, I didn’t want to tell a story that wasn’t me, I didn’t want to do nothing that wasn’t me.”
For those with aspirations of starting a career in music, SK8 has some great advice. “It may sound cliché, but never give up. If it’s something that you really, really enjoy and really love doing, just don’t give up, there’s been a lot of ups, there’s been a lot of downs […] don’t give up, your time is gonna come, you’re gonna get your break.
“You don’t have to be mainstream, you don’t gotta to be the biggest artist in the world, you can still make music and make money at the same time. That’s what I, like, wake up and am always grateful and blessed to wake up and do music, that’s what I love.”
Emerging ART@WAR/Taylor Gang rising artist SK8 has released his debut project, Last Day on Earth, marking his first body of work as an alternative, punk artist. LISTEN HERE.
Collaborators on the 9 track EP include multiplatinum, GRAMMY-nominated rap icon Wiz Khalifa, Good Charlotte, Machine Gun Kelly drummer Rook, EDM duo DVBBS, musician and Atlantic Records label mate Sueco, Sum41, Sommer Ray, Scarlett and more.
Sk8’s debut EP drums up themes of rebellion, broken relationships, teenage nostalgia, and the unending need to rage against systems built to curtail his personal light.
“I wanted my debut project to blend genres and be cohesive for all artists involved. Last Day on Earth really nails that concept and grasps my personal identity.”
Producers of the project include Baze (Machine Gun Kelly), Colin Brittain (Sueco) Breakfast N Vegas (Rihanna), Stixx (Justin Bieber), Cypress Moreno (Shoreline Mafia, Drakeo, Blxst), Good Charlotte, Sueco, and Rook (MGK Drummer).
Deemed an “artist you need to hear” by Alternative Press, SK8 kicked off his musical transition from hip-hop in 2021 with “Famous (Feat. Tyla Yaweh),” his first foray into the alternative space.
American Songwriter praised “Famous,” noting that, “SK8 effortlessly blends hip-hop and punk into some newly evolved sound,” and Hot New Hip Hop hailed the song as a, “genre-melting experience.”
L.D.O.E. F*CK SOCIETY (FT. SUECO) GIRL NEXT DOOR (FT. WIZ KHALIFA & DVBBS) HEAVEN SENT OUTSIDE (FT. GOOD CHARLOTTE) HEAR ME BLUES IN THE BOTTLE PAGES ( FT. ROOK) SHOOTING STAR ( FT. SUM41)
The 27-year-old moved to Los Angeles from Omaha, Nebraska and linked with the venerable Taylor Gang, first breaking into the mainstream with his gold-certified single, “Like That,” with Jack & Jack and opening for revered rap icons like Lil Wayne, 2 Chainz and Rae Sremmurd. SK8 began building a dedicated fanbase of dreamers who related to his message of seizing every moment long before his eventual move to LA. Shortly after founding his own imprint, Alignment, and formally signing a joint venture with Atlantic Records via James McMillan’s ART@WAR, SK8 released his major label debut EP, sk8sounds, which was buttressed by the standout singles “Omme(Feat. Wiz Khalifa),” “XXX” and “Mood (Feat. YK Osiris).” Over a year later, SK8 has turned a new page in his career with his first single of 2021, “Famous (Feat. Tyla Yaweh),” and its associated forthcoming project which finds the rising singer seamlessly blending punk/rock instrumentation with his hip-hop origins, the latest but not last development in SK8’s rapidly evolving artistry. Last Day on Earth marks the rising singer’s first body of work as an alternative/punk artist.