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Creative Director Berit Gilma inside 360 MAGAZINE

BERIT GILMA

Listen to Berit Gilma and Vaughn Lowery on 360 MAG Amazon | Spotify podcast HERE.

Rising creative director and artist Berit Gilma is making her multi-disciplinary talents known on Danny Elfman‘s latest project, the upcoming remix album Bigger. Messier.

The young Austrian-born artist based between Los Angeles and Berlin creative-directed the record, released on August 12, as well as Elfman’s 2021 album Big Mess. She led all visual elements of both releases and co-curated the lineup of remixers that would transform Elfman’s tracks on Bigger. Messier

Gilma’s expertise in digital art and new technologies was pivotal for Elfman’s renaissance, helping him return to his artistic roots in alternative music while collaborating with underground and established artists alike. Best known for the new wave band Oingo Boingo and his TV and movie scoring work, Elfman’s uproarious, career-spanning set at Coachella, went viral earlier this year.

For the latest remix to drop from the new album, Gilma invited Blixa Bargeld (Einstürzende Neubauten) to rework “In Time,” bringing together two legends of alternative music for the first time as well as co-producing the track. Gilma conceived the collaboration after having returned to Berlin, where Bargeld lives, from Los Angeles during the COVID pandemic. 

“We tried to bring exciting musicians on board to completely rethink Danny’s songs,” says Gilma. “Legends as well as contemporary, young artists from various genres. Living in Berlin for so long, I’ve always been a Einstürzende Neubauten admirer. As underground icons, they inspired the international music scene and many bands to come. Danny and Blixa are both true artistic souls. They both started with similar interests, and just due to their cultural contexts went very different journeys. By introducing them to each other, I thought something magical could happened – and it did.” 

The striking video for “In Time” is inspired by Gilma and Elfman’s mutual fascination with AI systems in art. Gilma invited Italian AV artist LOREM to reinterpret the album’s visuals with artificial intelligence. 

Says Gilma, “I have worked with LOREM before and love his art. Both Blixa and Danny were excited about the idea to let an artificial intelligence “dream” the video using the lyrics. The outcome is an endless moving pull through a dream-scape of an AI trying to make sense of what was given to it.”

Previously-released tracks from the album include noise-rapper GHOSTEMANE’s remix of “Native Intelligence,” by Elfman and Trent Reznor. Other remixers and collaborators include legends such as Iggy Pop, along with Squarepusher, Zach Hill (Death Grips), Boy Harsher, HEALTH, and many more.

Gilma thoroughly defined the aesthetic direction of Bigger. Messier. – her vision brought together a curated list of artists, who worked with cutting-edge technology such as 3D scanning, CGI, and artificial intelligence to digitally manipulate Danny’s body. Warping and twisting his form into something grotesque and sinister, the visuals are perfectly complimenting the rocker’s dark musical vision. These artworks were used on album covers, packaging, and as backing visuals during Elfman’s live performances.

Bigger. Messier. was released today. Watch the video for “In Time (feat. Blixa Bargeld)” here.

About Berit Gilma

Berit Gwendolyn Gilma has made a career out of chasing what lurks in the shadows. Born and raised in Austria, at 21 she moved to Berlin and quickly fell into the city’s underground scene. While exploring the German capital’s pulsating music and arts scene she befriended hacktivists and artists working on the bleeding edge of tech, criticizing pervasive global surveillance systems. She holds a BA degree from the University of the Arts Berlin, where she studied New Media Arts under celebrated Chinese dissident artist Ai Weiwei
 
Her path diverged in 2016 when she met world-famous Hollywood composer and musician Danny Elfman. They bonded over a shared interest in the weirder side of pop culture, and after earning a Fulbright Scholarship and moving to Los Angeles to pursue an MFA at the UCLA Design Media Arts Department, she became Elfman’s creative director. As he prepared to re-enter the music industry after a long hiatus as a solo artist, Elfman turned to Gilma as a collaborator. She provided creative and art direction for Elfman’s album Big Mess, introducing him to contemporary digital artists and new technologies such as 3D scanning and artificial intelligence to produce cutting edge visuals that were used throughout the album art and music videos. Her latest project with Elfman is the remix album Bigger. Messier., for which she co-curated a lineup of legendary collaborators including Iggy PopTrent ReznorBlixa Bargeld and exciting young talents like GhostemaneHEALTHBoy Harsher and many others. 
 
In her artistic work Gilma has explored the aesthetics of secrecy. Her MFA degree examined the intersection of art and science, and she has also studied at the New School in New York and RMIT University in Melbourne, Australia. She often returns home to Graz as the art curator of the city’s Elevate Festival, a destination for contemporary art and electronic music. What unites all of Berit Gilma’s activities is a sensitivity for the dark arts, carving for herself a unique niche where sound and vision merge at the forefront of technology.

Photo: Sven Gutjahr

Airplane illustration by Heather Skovlund for 360 Magazine

FLY AWAY WITH NORSE ATLANTIC

This week Norse Atlantic Airways celebrated the inaugural flights from New York JFK to Berlin and from Los Angeles LAX to Berlin marking a new era for customers seeking affordable transatlantic travel between the US and Germany.  

Additionally, Norse Atlantic announced a new route connecting Fort Lauderdale to Berlin, operating three times a week. This new route will commence on 7th December with tickets available to purchase now from $152 one way.  

“We are very pleased to now be able to welcome customers from across Germany on board our state-of-the-art Boeing 787 Dreamliners to New York and Los Angeles. With the addition of our Fort Lauderdale route commencing in December, we will be the largest long-haul carrier operating out of Berlin. Our affordable fares will boost transatlantic travel between the US and Europe benefitting local economies on both sides of the Atlantic,” said Bjorn Tore Larsen, CEO of Norse Atlantic Airways.  

Fares on the daily direct flights from New York JFK to Berlin start from $132 one way. Fares on the three times a week service from Los Angeles to Berlin start from $180 one way.  

“Varm velkomst to NORSE. We could not be happier to welcome NORSE Atlantic Airways at BER Airport. It makes us very proud the airline picked our airport and will be the largest long-haul carrier in the capital region of Germany right from the start. This not only demonstrates the ambitions of NORSE Atlantic Airways it also shows that Berlin Brandenburg Airport is a highly attractive destination for transatlantic connections. The flights from BER to New York, Los Angeles, and Fort Lauderdale will contribute to a strong transatlantic partnership and cultural exchange between Germany and the US while providing a boost to the economic prosperity of both countries,” said Thomas Hoff Andersson, Chief Operating Officer BER Airport.  

Norse Atlantic Airways recently announced that customers looking to explore the world for less now have access to even greater choice and convenience following the launch of the airline’s connectivity partnership with Spirit Airlines, EasyJet, and Norwegian. The virtual interline agreement, powered by Dohop, will provide over 600 weekly connections to Norse’s transatlantic services at our key international hubs New York, Fort Lauderdale, Orlando, Los Angeles Oslo, London, and Berlin.  

The large and spacious Boeing 787 Dreamliner cabin offers passengers a relaxed and comfortable travel experience with each seat including a personal state-of-the-art entertainment experience. Our Premium cabin offers an industry-leading 43” seat pitch and 12” recline allowing passengers to arrive at their destination feeling refreshed and ready to explore their destination.  

Norse Atlantic offers two cabin choices, Economy and Premium. Passengers can choose from a simple range of fares, Light, Classic, and Plus, that reflect the way that they want to travel, and which options are important to them. Light fares represent Norse’s value option while Plus fares include the maximum baggage allowance, two meal services an enhanced airport and onboard experience, and increased ticket flexibility.   

  
For more information and to book please visit flynorse   

BoyWithUke via Brian Ziff for Republic Records use by 360 Magazine

BoyWithUke Tour

Positioned for a major breakthrough this year, singer, songwriter, and producer BoyWithUke will embark on a much-anticipated global headline tour this spring. His headline tour begins on April 19th at Heaven in London; then he will visit multiple countries across Europe and conclude the tour in the US on May 10th at The Roxy in Los Angeles and May 12th at Bowery Ballroom in New York. Tickets will be available HERE on Friday, February 11th at 10am local time. BoyWithUke’s headline tour will be followed by a slew of dates supporting AJR on their upcoming North American tour this summer, which kicks off in May and includes shows in Nashville, Chicago, San Francisco, Las Vegas, and more. Check out the full list of upcoming dates below.

BoyWithUke‘s most recent single “Long Drives” continues to gain traction. Not only has it amassed over 7 million Spotify streams, but it has also racked up over 10 million YouTube views on the music video. Ones To Watch recently raved, “with his face hidden behind an LED faceplate, we may not know who BoyWithUke is, but one thing we know for certain is that he’s poised to be the next big thing.” Indie Shuffle noted, “the sadness of this track is electric, it surprises and enthralls,” and added, “‘Long Drives’ makes melancholy easy to listen to and utterly impactful in the space of alt-pop joy.”

Meanwhile, the success of his viral smash “Toxic” has translated across mediums. It continues to climb the Alternative Radio Chart, currently claiming a spot in the Top 20 at #16. Not to mention, its global streams have exceeded 548 million and counting. This week alone, it reached #60 on the Billboard Global 200 Chart and vaulted into the Top 75 on Spotify’s US Weekly Top Songs Chart and Top 25 on Spotify’s Global Weekly Top Songs Chart. He has also attracted north of 3.4 million followers on TikTok. SiriusXM and Amazon have both pegged him as a 2022 “Artist To Watch,” and Ones To Watch crowned him “One of the most delightful surprises of the year.” Recently, BoyWithUke performed the track for Genius’ Open Mic–watch the performance HERE!

BoyWithUke 2022 Tour Dates

April 19th – London, UK – Heaven*

April 20th – Amsterdam, Netherlands – Tolhuistuin*

April 23rd – Berlin, Germany – Gretchen*

April 23rd – Munich, Germany – Hansa 39*

May 10th – Los Angeles, CA – The Roxy*

May 12th – New York, NY – Bowery Ballroom*

May 27th – Detroit, MI – DTE Energy Music Theater^

May 28th – Indianapolis, IN – Ruoff Music Center^

May 29th – Nashville, TN – Ascend Amphitheater^

May 31st – St. Louis, MO – Hollywood Casino Amphitheatre^

June 1st – Kansas City, MO – Starlight Theatre^

June 3rd – Chicago, IL – Hollywood Casino Amphitheatre @ Tinley Park^

June 4th – Milwaukee, WI – American Family Insurance Amphitheater^

June 5th – Minneapolis, MN – The Armory^

June 8th – Omaha, NE – Baxter Arena^

June 11th – Salt Lake City, UT – USANA Amphitheater^

June 12th – Nampa, ID – Ford Idaho Center^

June 14th – Seattle, WA – White River Amphitheater^

June 15th – Ridgefield, WA – RV Inn Style Resorts Amphitheater^

June 17th – San Francisco, CA – Concord Amphitheater^

June 19th – Irvine, CA – Five Point Amphitheater^

June 21st – Phoenix, AZ – Ak-Chin Pavilion^

June 22nd – San Diego, CA – The Park at Petco Park^

June 24th – Las Vegas, NV – The Chelsea at The Cosmopolitan^

* Headline Show

^ Supporting AJR

About BoyWithUke

What do we know about BoyWithUke? If you quickly scan TikTok you can figure out he is a musical artist who writes and produces all of his own music, creating songs in his dorm room on GarageBand while hiding his face from the public with his now signature glowing mask. Take a deeper look and you’ll see he frequently posts “minute long songs,” many times written in response to requests from fans. His biggest hit to date was written after a fan commented “make a song about toxic friends plzzzx,” and the response was the song “Toxic.” The song describes how it feels when you realize all your friends are terrible people (people you’d probably be better off without), but the thought of being alone makes you feel even worse. The song has taken over the Spotify charts: hitting Top 10 and Top 15 on the Global & U.S. Spotify Viral Chart, Top 20 on Global Spotify Chart, and peaking at over 2 million streams per day. The song follows his previous full-length projects Melatonin Dreams, Fever Dreams, Trouvaille EP, and his latest Faded EP (featuring numerous songs created from his TikTok “minute long songs” project). We don’t know much about BoyWithUke yet, but we do know he’s an artist everyone is talking about.

esther perbandt image for use by 360 magazine

Esther Perbandt Q×A

By: Kai Yeo

Born in Berlin, Esther Perbandt studies fashion design at the Berlin University of the Arts and polished a master’s degree in Fashion and Textile Design in Paris. In 2020, she made it to the finals of international designer show “Making The Cut” with Heidi Klum and Tim Gunn, supported by Naomi Campbell.

Not only is she a contemporary fashion designer, but also a visionary, performer, and mistress of ceremonies. Esther Perbandt describes her fashion as an act of (post)feminism irrespective of gender: personality, autonomy and individuality are at the center of her avant-garde style. The non-binary silhouette is deconstructed and reframed with classical menswear details, however, maintaining timeless aspects of elegance and style.

360 MAGAZINE had the pleasure of corresponding with Esther to learn about her inspiration, goals, and much more. Read on to find out her answers!

What/who are your biggest inspirations?

The joy of life is my greatest inspiration. This motor is so big that I can’t imagine running out of ideas at some point. I like doing two things for a living: sleeping and dancing. Many ideas come to me when I fall asleep or wake up and when I can dance without restraint.

How did Making The Cut (MTC) change your view of the fashion industry? 

When I studied fashion design in Berlin and Paris in the nineties and early noughties, the term “digitalization” was not really an issue in the fashion industry. I founded my own label over 17 years ago, which has grown very slowly on its own. Until I took part in MTC, I didn’t have an online shop, or only one that didn’t work. But I knew that if my brand was to survive the next 30 years, I had to change and become more digital. Who should I learn from, if not the biggest?

From a show like MTC of course you don’t only learn, you see what’s possible with a lot of money. But if you manage to transfer what you have experienced and seen at the highest level and translate it to your very own DNA, you can take the next steps. I don’t think there is a right or a wrong way in the fashion industry. There are an incredible number of individual paths. Depending on what the goal is.

After coming back from the MTC shoot, I didn’t do anything creative for 8 months, I just prepared business-wise for the airing of MTC: New website, new online store, new strategy. Today, I work with my pattern maker with avatars and digital fittings. This saves us a lot of time and resources.

How has the newly found attention changed/shaped you?

The new attention was a boon for my brand to finally grow. Many things have become a little easier professionally. But the pandemic probably slowed down the speed of this growth a bit and still does. Personally, I only got a limited amount of that attention. When the first season of MTC came out, which I was part of the cast of, the world went into its first hard lockdown. For months, I just worked a lot with my small team and sent packages all over the world every day, but especially to the US, without having the opportunity to meet many people. Germany is a grateful or ungrateful country, depending on how you take it, when it comes to addressing public figures. In the meantime, I had the feeling that hardly anyone in Germany had seen the show.

You were unsure about whether or not to take part in Making The Cut. How do you feel about it now?

Yes, I was indeed very unsure when I received the first request to participate in MTC 1. For 16 years, I had been flying the flag for a freer, more unconventional and uncommercial way in the fashion industry, which also had a stronger connection to art. I felt it wasn’t for me or would betray my brand. But quite the opposite. It was the best decision I made for my business, but also for my life in general. In the last three years, since shooting MTC 1, I have learnt an incredible amount and finally started to build a sustainable foundation for my brand. Every path in the fashion industry is very individual and mine is probably also an atypical one. But it’s fun to see myself making strategic and business decisions in a very different way now and to see that the word “commercial” is not a dirty word for me.

Do you have any moments in your career you look back to often?

Oh yes, of course. I often think today where I got the strength to hold out for so long and to go through all the deep valleys. For many years I called my studio the “Palace of Tears”. Every few days there were tears because I felt like I was standing on the spot or because it was financially on the brink. But somewhere deep inside me, I always believed that it would work out and become easier one day.

How would you describe your design aesthetic?

The signature of my brand has developed from the three cities in which I have lived in and which have been very important and inspiring for me: Berlin, Moscow and Paris.

Berlin, as the city where I was born, the city divided over the years with a great historical history, with its roughness, toughness, punk, subculture, snootiness. Moscow, with its avant-garde of the 1920s, the constructivists, high-necked, the uniforms and the austerity. And then of course Paris, as the city that gave me the finishing touch, the elegance, the femininity, and the glamor.

This special mix and the reduction to the color “black,” is meant to give my wearers a strength and make them grow. The focus on details should make the viewer curious to take a closer look at clothing.

What are the biggest challenges you have faced as a designer?

It has always been both a curse and a blessing that I have had to fight my own way through, especially financially. This has extremely slowed down the growth of my brand, but at the same time it has given me the chance and the time to carefully develop my signature and the DNA and to look closely at what I really want.

Do you think your surroundings and environment play a part in how you choose your designs?

Yes, definitely. As a creative, you unconsciously absorb everything you come across. I love observing people and thinking about why they wear the clothes they do. What identity do they have, and which one do they want to slip into? Dealing directly with my customers in the shop every day has of course influenced my choice of designs. Since MTC, I do a lot of styles in larger sizes and now a lot of women come and have my collection pieces made to measure. That’s a big market.

What are the next goals for your brand?

The USA has become my main sales market in the last two years. The next goal would be to open my own shop in New York for a while and then also produce locally so that customers who buy online don’t have to pay customs and the high shipping costs.

In fashion Esther Perbandt will continue to explore various paths, especially in creating haute couture looks for numerous events, as well as digging into costume design areas whenever projects allow for it.

It’s said that the future is unknown but at least with Esther Perbandt it will always continue to surprise and excite. We look forward to seeing more from her.

U2 ACHTUNG BABY 30TH ANNIVERSARY

U2 Releases Achtung Baby 30th Anniversary Vinyl + Digital Box Set

“[Achtung Baby]… U2’s daring descent into darkness” – Robert Hilburn, LA Times

360 readers should check out both the vinyl release and the never-before seen tracks from the new 50-track digital box set that was released on December 3, 2021!

Island Records, Interscope, and UMe announced the 30th Anniversary Edition release of U2’s seminal album Achtung Baby, which will see a special Standard and Deluxe vinyl release on November 19, ahead of a 50-track digital boxset available December 3, 2021. 

Thirty years ago, Bono described Achtung Baby as “the sound of four men chopping down The Joshua Tree” while Jon Pareles of the New York Times wrote that “stripped-down and defying its old formulas, U2 has given itself a fighting chance for the 1990’s”. The album won a Grammy Award for Best Rock Performance and became one of the most significant records of the nineties and of U2’s career.

Recorded over six months at Hansa Studio in Berlin and Windmill Lane in Dublin, Achtung Baby is U2’s seventh studio album. Produced by long-time U2 collaborators Daniel Lanois and Brian Eno with Steve Lillywhite, Achtung Baby was engineered by Flood and released on November 18, 1991. Lead by The Fly, four other singles followed: Mysterious Ways, One, Even Better Than The Real Thing, and Who’s Gonna Ride Your Wild Horses. Watch HERE.  

The bonnet of the Trabant will be auctioned at Phillips, London, on December 9, as part of their New Now sale, with proceeds going to the Berlin Institute for Sound and Music. 

Achtung Baby (30th Anniversary Edition) is available on Standard black vinyl and Deluxe color vinyl on November 19, with Achtung Baby (2018 Remaster) and Achtung Baby (Unter Remixes) also available digitally that day. A 50-track digital boxset – to include Uber Remixes, Unter Remixes, B-Sides with 22 tracks never-before available digitally – will be released on December 3, 2021.  

U2 X-Radio, the band’s SiriusXM channel, will this month present an Achtung Baby special to include interviews with band members and album collaboration Daniel Lanois, Flood, and Anton Corbijn.

U2 Album Cover by U2, Island Records, and Universal Music Group for use by 360 Magazine

U2 × THIERRY NOIR

AN INSTALLATION IN CELEBRATION OF ACHTUNG BABY

HANSA STUDIOS, BERLIN: November 19 – 26

“[Achtung Baby]… U2’s daring descent into darkness” – Robert Hilburn, LA Times

Island Records, Interscope, and UMe announced the 30th Anniversary Edition release of U2’s seminal album Achtung Baby, which will see a special Standard and Deluxe vinyl release on November 19, ahead of a 50-track digital boxset available December 3, 2021. 

Thirty years ago, Bono described Achtung Baby as “the sound of four men chopping down The Joshua Tree” while Jon Pareles of the New York Times wrote that “stripped-down and defying its old formulas, U2 has given itself a fighting chance for the 1990’s”. The album won a Grammy Award for Best Rock Performance and became one of the most significant records of the nineties and of U2’s career.

Recorded over six months at Hansa Studio in Berlin and Windmill Lane in Dublin, Achtung Baby is U2’s seventh studio album. Produced by long-time U2 collaborators Daniel Lanois and Brian Eno with Steve Lillywhite, Achtung Baby was engineered by Flood and released on November 18, 1991. Lead by The Fly, four other singles followed: Mysterious Ways, One, Even Better Than The Real Thing, and Who’s Gonna Ride Your Wild Horses. Watch HERE.  

In celebration of Achtung Baby’s anniversary, the band have collaborated with Berlin-based French artist Thierry Noir (the first artist to paint on the Berlin Wall) for a special one-off installation at the legendary Hansa Studios in Kreuzberg. Thirty years ago, the band commissioned Noir to paint a series of now iconic Trabant cars, which featured on the album artwork, as well 1991’s Zoo TV Tour. U2 x THIERRY NOIR sees Noir return with a newly painted Trabant for 2021, as well as an exclusive mural painted on a section of the Berlin wall. 

The bonnet of the Trabant will be auctioned at Phillips, London, on December 9, as part of their New Now sale, with proceeds going to the Berlin Institute for Sound and Music. 

Achtung Baby (30th Anniversary Edition) is available on Standard black vinyl and Deluxe color vinyl on November 19, with Achtung Baby (2018 Remaster) and Achtung Baby (Unter Remixes) also available digitally that day. A 50-track digital boxset – to include Uber Remixes, Unter Remixes, B-Sides with 22 tracks never-before available digitally – will be released on December 3, 2021.  

U2 X-Radio, the band’s SiriusXM channel, will this month present an Achtung Baby special to include interviews with band members and album collaboration Daniel Lanois, Flood, and Anton Corbijn.

Amber Mark – Softly

Today New York based singer, songwriter and producer Amber Mark releases a brand new single ‘Softly’ via PMR/Interscope Records. Sampling Craig David’s ‘Rendezvous’, the new single is the fifth preview of her long-awaited debut album ‘Three Dimensions Deep’. Due for release on January 28th, the album will be followed by huge UK, EU and US spring tours including a night at London’s O2 Shepherd’s Bush Empire in March.

Amber’s debut album arrives almost 4 years after the release of her second EP ‘Conexão’, an extended process that has proved central to its thematic development. The 17 track album can be divided into three main acts that follow the arc of Amber’s personal and musical development; WITHOUT, WITHHELD and WITHIN. Beginning by acknowledging her insecurities and anxieties before reflecting on her time in denial and spent processing them in all the wrong ways, Amber eventually widens her focus by seeking answers to the world’s negativity and trauma on a cosmic scale. Finding peace and a form of inherent spirituality in the world of astrophysics while writing the album led to a fresh perspective on life and a renewed sense of self. Amber’s debut album is simultaneously a profound concept album and a love letter to herself, richly intertwining messages of self-worth and reflections on the universe beneath a veneer of shimmering pop. In true Amber Mark style, ‘Three Dimensions Deep’ is a kaleidoscopic melting pot of influences and genres, drawing from funk and R&B, soul and hip-hop with international accents influenced by a nomadic childhood spent travelling the world with her late mother. View a trailer for the album HERE.
 
“Three Dimensions Deep is a musical journey of what questions you begin to ask yourself when you start looking to the universe for answers.” says Amber; “I can only go as deep as the third dimension as that’s how we see the world, but what about when you start looking to the universe within for answers.”
 
The three official singles previously released from the album ‘Worth It’, ‘Competition’ and ‘Foreign Things’ marked Amber’s first official singles since 2020’s ‘Generous’, though 2020 was still a hugely productive year for Amber. With her hometown of NYC hit hard in the first wave of the pandemic and placed under strict lockdown, Amber turned to her simple home studio to create an acclaimed series of home-produced covers and originals titled ‘Covered-19’, each accompanied by a homemade video and artworks. The series was followed by a collaboration with longtime friend Empress Of on the protest song ‘You’ve Got To Feel’, earning Annie Mac’s Hottest Record, ‘Tune Of The Week’ and a spot on the Radio 1 playlist. Earlier this year Amber was featured on legendary DJ Paul Woolford’s new piano-house track ‘HEAT’, again snagging Annie Mac’s Hottest Record and a long run across the Radio 1 and 2 playlists. Having already amassed over 300 million streams since the release of her breakout debut EP 3:33AM in 2017, Amber has built a global fanbase eager to hear her debut full length – pre-save it HERE.
 
EU/UK TOUR 2022
Sat March 5, Paris, Nouveau Casino
Sun March 6, Brussels, Botanique
Mon March 7, Munich, Strom
Wed March 9, Berlin, Frannz
Thu March 10, Cologne, Luxor
Fri March 11, Hamburg, Stage
Sun March 13, Amsterdam, Melkweg Oude Zaal
Tue March 15, Bristol, O2 Academy
Wed March 16, Birmingham, O2 Academy 2
Fri March 18, Dublin, Academy
Sat March 19, Glasgow, Garage
Sun March 20, Liverpool, Arts Club
Tue March 22, Leeds, Stylus
Wed March 23, Manchester, Academy 2
Thu March 24, London, O2 Shepherds Bush Empire
 
US TOUR 2022
Mon March 28, Boston, MA, The Sinclair
Wed March 30, Montreal, QC, Le Belmont
Thu March 31, Toronto, ON, The Garrison
Sat April 2, Detroit, MI, El Club
Sun April 3, Chicago, IL, Lincoln Hall
Tue April 5, Denver, CO, Bluebird Theater
Fri April 8, Portland, OR, Doug Fir Lounge
Sat April 9, Seattle, WA, The Crocodile
Sun April 10, Vancouver, BC, Biltmore Cabaret
Wed April 13, San Francisco, CA, The Independent
Mon May 9, Phoenix, AZ, Valley Bar
Thu May 12, Houston, HOB @ The Bronze Peacock
Fri May 13, Dallas, TX, HOB @ The Cambridge Room
Sun May 15, Atlanta, GA, Aisle 5
Tue May 17, Washington, DC, Union Stage
Wed May 18, Philadelphia, PA, Foundry
Fri May 20, Brooklyn, NY, Music Hall of Williamsburg

IKUE NEWSON

Ikue Newson was born in Indiana of African, Indian and European ancestry. Growing up as the youngest of six children, she always reached maturity and speed in her life decisions. Ikue obtained a BA in Philosophy from Indiana University, and quickly after moving to Los Angeles to pursue a career in modeling. Modeling has been an outlet for Ikue’s unique fashion sense. Ranging from athleisure to avant-garde, Ikue revels in a multitude of editorial and lifestyle campaigns. In addition to modeling, she loves creative writing, horseriding and spending time with her standard poodle, Ghost. After gaining status as a notable model, she aspires to attend law school.

BOOK

Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Top mode Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Ikue Newson top model via 360 MAGAZINE
Model Ikue Newson inside 360 MAGAZINE.

height: 5’8″
hair color: brown
eyes: honey
bust: 32″
waist: 23″
hips: 33″
shoes: 7

DIGITALS

Ikue in 360 MAGAZINE
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model Ikue Newson inside 360 MAGAZINE.
Model intro video Ikue Newson for 360 MAGAZINE.

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Joy Crookes' Skin via Epic Records for use by 360 Magazine

Joy Crookes – Skin

BRIT Award nominated singer/songwriter Joy Crookes releases her highly anticipated debut album, Skin.  The 13 track body of work includes previously releases singles, “Feet Don’t Fail Me Now,” “When You Were Mine,” “Skin,” and the newest, “Trouble.” Get it HERE via Epic Records/Insanity.

With Crookes credited as an executive producer on the album, alongside the formidable Blue May (Blood Orange), Skin is a hugely personal, game-changing body of work from one of the UK’s boldest and brightest young talents. A collection of songs built and honed throughout her adolescence and into her early twenties, and finished last year within the most turbulent of circumstances, Skin touches on topics such as mental health, relationships, and politics all with grace and sensitivity. Crookes has created a truly special body of work that is both perfectly of the moment, and entirely timeless. Skin’s album artwork is shot by Carlota Guerrero, who has previously worked with Arca, Chloe x Halle, and Solange for all of her imagery for A Seat At The Table.

Already, the album has garnered Crookes a massive amount of acclaim worldwide. British Vogue has dubbed her, “undoubtedly one of the most exciting artists to emerge in the music scene this year,” while The Guardian has praised her “effortlessly nuanced and individual melodic sensibility.” I-D has praised her music as “powerful” while Complex has noted her “soul-stirring vocals,” and Billboard has similarly highlighted her “unfaltering vocal performance.”  The New York Times in a recent profile may have summed up Skin best:  “Crookes offers listeners a nuanced and candid exploration of her multiracial identity. At a time when many conversations about race in the arts and calls for change have only recently begun, Crookes’ commitment to vulnerability in her storytelling has helped her connect with a growing—and loyal—fan base.” 

Up next, Joy Crookes will tour the UK later this year in celebration of the new album; the run kicks off in November in Brighton and extends into next year when she will take the tour to Europe. Full list of dates below.

UK Dates

11/6/21 Brighton, England Concorde 2 SOLD OUT

11/7/21 Bristol, England The Trinity Centre SOLD OUT

11/8/21 London, England O2 Forum Kentish Town SOLD OUT

11/9/21 London, England O2 Forum Kentish Town SOLD OUT

11/11/21 Dublin, Republic of Ireland The Academy SOLD OUT

11/15/21 Glasgow, Scotland St Luke’s SOLD OUT

11/17/21 Leeds, England Leeds University Stylus

11/18/21 Birmingham, England The O2 Institute

 

European Dates

2/10/22 Paris, France La Gaîté Lyrique SOLD OUT

2/11/22 Amsterdam, Netherlands Melkweg SOLD OUT

2/12/22 Brussels, Belgium Ancienne Belgique SOLD OUT

2/14/22 Cologne, Germany Gebaude 9

2/15/22 Munich, Germany Strom

2/17/22 Berlin, Germany Heimathafen Neukoelln

2/18/22 Hamburg, Germany The Stage Club

2/20/22 Copenhagen, Denmark Pumpehuset

2/21/22 Helsinki, Finland Tavastia Club

2/22/22 Oslo, Norway Parkteatret

2/23/22 Stockholm, Sweden Nalen Klubb

2/25/22 Warsaw, Poland Hybrydy

2/26/22 Zurich, Switzerland Exil Club

Green Car by Mina Tocalini

Aiways New U5 SUV

The all-electric Aiways U5 SUV has driven its way to multiple victories and prestigious awards this month, taking on three long-range endurance challenges across Europe and winning the Riviera Electric Challenge (14-16 September). 37 vehicles from 11 established brands took on the Riviera Electric Challenge driving 200km from Cagnes-sure-Mer, France, through Italy’s mountain scenery and ending in iconic Monaco. Aiways was the only Chinese manufacturer to enter the all-electric challenge, now in its seventh year. Live energy consumption data was tracked for each vehicle along the demanding route, and the Aiways U5 SUV outperformed the competition to take the top spot with French former rally driver Bernard Darniche behind the wheel alongside teammate Philippe Dupuy.

The former European Rally champion commented: “I have won many races and taking part in the Riviera Electric Challenge was a chance to experience the future of racing. It was great to test my competitive skills in a new way where winning was not about being fastest. The Aiways U5 SUV was a responsive and easy drive, and it was an absolute pleasure to be behind the wheel of this electric car for the 200km journey. We were not leading at the end of day one, but through consistent driving on day two, we secured first place in the Aiways U5 SUV.”

The weekend just gone; three Aiways U5 SUVs also participated in the famous E-Cannonball endurance drive. This prestigious event among the electric vehicle community attracted celebrity drivers and over 70 teams who had to cover the distance between Berlin and Munich, accumulating points for kilometers covered, number of charging stops and average energy consumption. One Aiways U5 SUV was ably driven by model and influencer Nicola Cavanis, who took her 860,000 followers along for the ride keeping them updated with live conversations during the entire trip. She stated: “It was great fun, and I enjoyed the drive in an all-electric car very much. Our team did well, we went smoothly between the challenges, and I got a lot of great feedback from my followers.” The second Aiways U5 SUV was entered by Aiways’ German retail partner and the main event sponsor, Euronics. The third Aiways U5 SUV was entered by an enthusiastic and loyal customer team. Both corporate teams and the private one arrived ahead of the time limit without any problems reaching the finish line in Munich.

Earlier in September, three electric U5 SUVs successfully completed the ED1000 endurance event, journeying 1,000km across Germany from Berlin via Bielefeld and Fulda to Munich in less than 14 hours – proving that electric mobility is a viable option for day-to-day and long-distance driving. Aiways entered two vehicles which finished only an hour apart. The third Aiways U5 SUV was entered by Aiways’ German service and mobility partner A.T.U who provided technical support for all brands participating in the endurance drive.

At the wheel of one Aiways U5 during the ED1000 was Dr Alex Klose, Executive Vice-President of Overseas Operations at Aiways. He commented, “We are very pleased with the consistent and impressive performance from the U5 during these long-distance tests, particularly because we competed against and outperformed many vehicles from mainstream car brands.

“Our ‘September success’ has been a fantastic illustration of the U5’s capabilities and its suitability as the main family car. Aiways’ future in Europe looks strong and we’re excited about participating in, and winning, more endurance races in the coming years.”

The positive and consistent performance from the Aiways U5 SUV across multiple long-range events this summer demonstrates the vehicle’s highly competitive real-world range of 330km – 82.5% of the official WLTP figure. With Level 2 autonomy and a suite of advanced driver assistance systems (ADAS), including active cruise control, lane departure warning, blind spot warning and the emergency braking assistant, every journey in U5 comes with safety and peace of mind.

With a starting price of $41,746*The Aiways U5 SUV offers a compelling price-to-range ratio and can charge from 30% to 80% in just 27 minutes, making zero-emissions driving a welcome choice for any adventure.