Posts tagged with "installation"

Indira Cesarine x The Labyrinth

THE LABYRINTH
An Installation and Exhibition by Indira Cesarine

ARTIST RECEPTION + PERFORMANCE
Featuring Katherine Crockett
Thursday, March 12, 6pm-9pm

EXHIBITION ON VIEW
March 12 – April 11, 2020
THE UNTITLED SPACE
45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present THE LABYRINTH an installation and exhibition of works by artist Indira Cesarine featuring photography, video, painting, and sculpture, as well as a series of performances inspired by the artwork. The exhibition will open with an artist reception on March 12th, 2020 featuring a special performance by renowned modern dancer Katherine Crockett, and will be on view through April 11th.

For “THE LABYRINTH” Cesarine has created an immersive installation, transforming the gallery into a maze through which viewers can experience her contemporary female gaze on Surrealism, a theme the artist has been exploring through a variety of mediums over the past several decades. “THE LABYRINTH” is a surreal odyssey that reveals through its passages a kaleidoscopic universe of subconscious realities bound by the contrasts of hyperrealism and ethereal symbolism. Cesarine leads the viewer through this maze of discoveries, presenting works that are deeply personal and equally created in response to the influence of Surrealists including Jean Cocteau, Man Ray, and Dora Maar. “THE LABYRINTH” explores the juxtaposition of contrasting opposites, dimension, distortion, and the power of light to engage and reflect on our own stream of subconscious while provoking the tangibility of perceived realities. The result is a journey through our fantasies and expectations, rendered through the lens of dreams and desires.

The juxtaposition of Cesarine’s macro and kaleidoscopic florals created for “THE LABYRINTH” play in sharp contrast to the visual yin yang of her surreal portraits of women that explore female sensuality and identity. Through the lens of fantasy and illusion, she toys with imagery of the subconscious mind, depicting the human form with power and subjectivity. Hands and faces intertwine in a reverie that is part real, part illusion. Sculptural hands project from the walls of the installation as though coming alive, part human, part sculpture, in a manner that is both seductive and haunting. Video art, including a 2020 remix of her film “The Spell” which was featured at The Metropolitan Museum of Art, adds to the visual poetry and experience of the maze. Her use of symbolism and dramatic chiaroscuro conveys emotionally charged imagery that presents both an escape into fantasy and a journey through our unattainable desires. As one walks through “THE LABYRINTH,” there is a sense of being lost in time as kaleidoscopic images come alive off the walls. Mirrors positioned throughout the installation emphasize our own reflections while exploring the surreal landscape of the artworks on display.

“THE LABYRINTH” exhibition and installation features Cesarine’s most recent body of work, as well as select works from her “Goddess”, “Les Fleurs du Mal”, “Pandora’s Box” and “ONLY YOU” series. Cesarine’s “Goddess” series, featuring dancer Katherine Crockett, presents emotive images of the female form juxtaposed with detailed florals, creating surreal portraits that according to the artist, emphasize the graceful strength of Mother Earth as a goddess and the power of nature. “Les Fleurs du Mal” welded steel sculpture series reflects on the emotional impact and symbolism of flowers. The depiction of flowers, whether as a still life, as part of a photographic composition, or in the form of a 3 dimensional sculpture has been an ongoing theme in Cesarine’s artwork dating back to her early photography series shot on medium format film in the 1990s. Also featured in the “THE LABYRINTH” are a selection of photography and video art from her “ONLY YOU” series, which focuses on the eyes as an emotional portal. Works from her “ONLY YOU” series were previously exhibited at Cannes Film Festival, Art Basel Miami, SCOPE Basel, Switzerland, CICA Museum (South Korea), Red Bull Studios (London), and Norwood Arts Club, NY.

ARTIST STATEMENT

“Empowering feminist themes are often a point of departure for my multi-sensory series. My work questions the place of humanity in context with contemporary civilization and is often influenced by autobiographical content and women’s history at large. I connect with thematic subject matter that engages a narrative of social discourse and art activism. As a multi-disciplinarian artist, I often work across several mediums such as photography, video, sculpture, painting and printmaking to convey a rich and diverse narrative. Through my exhibitions and artwork, I challenge the status quo, as well as tackle stereotypes and double standards. I draw from historical narratives in an effort to create empowering artwork that can have an impact on the viewer, be a catalyst for change or provide insight into history, which may have been overlooked. As an artist, I find it is more effective to communicate my ideas through visual and sensory explorations that can uniquely address the world we live in today.

I have been exploring themes of Surrealism in my work since my very first forays into photography back in the late 80’s. Experimental darkroom techniques such as solarization and double exposures have played an important part of my visual narrative, which also often employs nuances of fractured light. While studying for my degree in Art History at Columbia University in Paris I became very interested in the history of Surrealism, and wrote a 30 page paper, “Surréalisme, Sexualité, et La Femme,” on the male gaze and misogyny of many of the original Surrealists. Presenting an empowering female perspective on images of women has always been an important part of my work. Explorations of female identity, sexuality, dreams, and desires have been returning themes in my artwork since I first started creating. In the early 2000s, I expanded from the still frame and works on canvas and paper to moving images, with experimental filmmaking and video art. As my artwork has evolved, I have become inspired to create 3 dimensional works in glass and steel that further propel my visual language. My sculptures explore themes of female identity, symbolism and experience, employing a technical emphasis on light and reflection, often combining figurative sculpture with neon or video display to further engage a multifaceted experience.

In several of my recent works featured in “THE LABYRINTH” I explore surreal techniques of “light painting” that were invented by Man Ray in1937, which I have juxtaposed with dramatic chiaroscurist portraits of women in order to evoke an ethereal universe of light and energy. I also find myself returning to the visual language of flowers – as a representation of women’s sexuality, as well as emotional expression of love, forgiveness, sorrow, and hope. Throughout history, flowers have been ripe with symbolism, with each blossom or arrangement having different meanings. The language of flowers dates back many centuries, and they were often used to send secret messages to lovers. For me the flower can be alluring, mysterious, sensual and full of emotions that are difficult to express with words. There is also something intrinsically female about flower blossoms and their visual reference to a women’s body that resonates with me as an artist. It has been inspiring to bring together multiple aspects of my creative process into one exhibition, with “THE LABYRINTH” featuring many varied artistic mediums that become unified through the installation of the maze. I conceived of the maze concept for an exhibition and installation a few years ago after my father passed away. This exhibition is inspired by the maze of life, the power of human connection, emotion and experience – combined with the surreal nature of the unknown.”

ARTIST BIOGRAPHY

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French and Women’s Studies, she additionally studied at Parson’s School of Design, International Center of Photography, School of Visual Arts, Art Students League and the New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, Mattatuck Museum, Albany Institute of History and Art, CICA Museum, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Basel, SCOPE Miami, SPRING/BREAK Art Show, Getty Images Gallery, Cannes Film Festival and the International Festival Photo Mode to name a few.

In 2014, her public art sculpture “The Egg of Light” was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt supporting The Elephant Family. Her work has been auctioned at Sotheby’s New York for the annual Take Home A Nude art benefits in 2017-2019, at ARTWALK NY benefiting the Coalition for the Homeless in 2018 and 2019, as well as at Tabula Rasa, the 26th Annual Watermill Center Benefit and Auction, July 2019. Her work is additionally on view at Norwood Art Club’s “Ingenuity” exhibition until August 2020. Her artwork and exhibitions have been featured internationally in many publications including American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Dazed and Confused, New York Magazine, i-D Magazine, and The Huffington Post among many others. Cesarine currently lives and works in Tribeca, NY.

“THE LABYRINTH” Opening Performance: Katherine Crockett March 12, 2020

Katherine Crockett is a celebrated modern dancer and choreographer who performs internationally. She was the principal dancer for Martha Graham Dance Company and toured internationally with the company for 21 years. Crockett starred as The Queen in the Off-Broadway immersive theater hit, “Queen of the Night,” for which she created and choreographed her role. She played Cate Blanchett’s dancer double in “The Curious Case of Benjamin Button” starring Blanchett and Brad Pitt, directed by David Fincher, and starred alongside Mikhail Baryshnikov as Helen in Richard Move’s “Achilles Heels-The Show”. Crockett has additionally performed at the Cannes Film Festival, the VH1/Vogue Fashion Awards, and on the runways of Prada, Alexander McQueen and numerous other global luxury houses. She has collaborated with artist Indira Cesarine on a variety of art series, and recently performed at Cesarine’s “EDEN” exhibition at the UN Plaza.

Website Here

THE UNTITLED SPACE
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African Masquerade Exhibition

Major photography exhibition (Now on view until May 31). Meet the artist on May 17 at 3:00 p.m. at the Museum for a special appearance (lecture and book signing)

Museum goers will be spellbound by the transformative power of the African masquerade, as the Boca Raton Museum of Art presents Phyllis Galembo:Maske. Her striking photographic series of contemporary mask rituals has drawn national and international critical acclaim. These large-scale images are nearly life-size and explore spiritual realms with brilliant, mesmerizing colors.For more than 30 years, the artist has traveled around the world to photograph participants in contemporary masquerade events that range from traditional, religious ceremonies to secular celebrations.

The exhibition is now on view through May 31. Galembo will visit the museum on May 17 at 3:00 p.m. to share personal stories about her work and her travels, the ritual mask ceremonies, and will sign two of her books at this personal appearance–Maske (published by Aperture), and Mexico, Masks and Rituals (by Radius Books and DAP). Her portraits are celebrated by the world’s leading fine art photography editors for their stunning resonance, setting her work apart from documentary and anthropological studies.

Galembo’s Art Work:

Otoghe-Toghe, by Phyllis Galembo. Aromgba Village, Nigeria, (2005), Ilfochrome

Awo-O-Dudu (A Spirit They Saw), by Phyllis Galembo. Freetown, Sierra Leone, (2008), Ilfochrome.

Akata Dance Masquerade, by Phyllis Galembo. Cross River, Nigeria (2004), Ilfochrome

They will be shown in concert with the Museum’s historical collection of more than 40 African tribal artifacts and indigenous masks in the gallery across from Galembo’s show, for a complementary perspective.

Through her lens, the viewer gains special access to the rarely seen other-worlds, as she captures the raw and sometimes frightening aspects of ceremonial garb. Masking is a complex, mysterious and profound tradition in which the participants transcend the physical world and enter the spiritual realm.

In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social, and religious symbolism and commentary. She has made over twenty trips to sites of ritual masquerades, capturing cultural performances with a subterranean political edge. Her photographs depict the physical character, costumes, and rituals of African religious practices and their diasporic manifestations in the Caribbean and Mexico. Galembo’s images reflect both the modern and ancient worlds.The fifteen portraits by Galembo that were selected for this exhibition reveal the meticulous detail and creative imagination of mask-making.

Affianwan, by Phyllis Galembo. Calibar South, Nigeria, (2005), Ilfochrome

“The tradition of masquerading is universal and timeless, and continues today in most cultures, including western societies,” says Irvin Lippman, the Executive Director of the Boca Raton Museum of Art.

“Bringing together the Galembo photographs and masks from the Museum’s African collection underscores the cross-cultural complexity of meaning and purpose. However, what they have in common is their vitality, power, and boldness of humanity.”

Aye Loja (The World is a Market Place that we Visit), Gelede Masquerade, by Phyllis Galembo. Agonli Village, Benin, (2006)

The costumes in Galembo’s photographs are worn in several types of modern-day rituals. They are created to summon ancestral spirits and deities during a range of events, including agricultural hardships,
land disputes, rites of passage, funerals, harvests, moments of gratitude and celebration. Galembo’s large-scale portraits in this exhibition capture the mask-oriented cultural traditions of Nigeria, Benin, Ghana and Sierra Leone.

Banana Leaf Masquerade, EkongIkon Ukom, by Phyllis Galembo. Calabar, Nigeria (2005), Ilfochrome

While traveling and embedding herself for long periods in these societies, Galembo works with local assistants and translators.They negotiate the terms with elders, so that she may be granted permission
to make photos of these masqueraders.

“The translators often find that gaining permission from community leaders can sometimes be quite helpful during these painstaking negotiations,”says Galembo. “Once an agreement has been struck, I set my own lighting and place the subjects in front of a neutral backdrop that enables the eye to focus on the diversity of materials in each costume.”

Two in a Fancy Dress, Red Cross Masquerade Group, by Phyllis Galembo. Winneba, Ghana, (2010), Ilfochrome

The masks and costumes in these photographs are made from a wide variety of surprising materials ─ leaves, grass, patterned fabrics, burlap sacks, full-bodied crocheted yarns, colored raffia, quills, shells, and even lizard excrement. All of her photographs are shot as portraits rather than during the act of ritual. She is allowed to photograph her subjects at the very moment right before their rituals and festivities commence. Galembo prefers her colors to be brightly saturated, enhancing the spiritual and transformative powers of these garments. “I never see my subjects out of costume, although the masqueraders are always men, often paying homage to women,” adds Galembo.

Ekpeyong Edet Dance Group, by Phyllis Galembo. Etikpe Village, Nigeria, (2005), Ilfochrome

Despite secularization and fading traditions, masquerading in Africa is abundant, robust, and far from disappearing. Most of the photographs in this exhibition reflect sacred rituals, the spiritual aspect of masquerading rather than secular celebrations.By donning garments, the masqueraders gain access to traditional knowledge, enabling them to relay critical messages to the community.

Egungun, by Phyllis Galembo. Adandokpodji Village, Benin, (2006), Ilfochrome

“I like the way viewers can grasp the real stories behind each image. Every mask, costume and fiber of material can represent so much to the people in these portraits. Many of these subjects created these ritual costumes because a spirit inspired them. These are people who make masks and costumes that are very spiritually motivated,” says Galembo. The modern world also finds its way into these costumes and masks with the usage of plastic bags, cardboard, and found objects.

Ringo (Big Deer) Masquerade, by Phyllis Galembo. Kroo Bay, Sierra Leone,(2008)

Awo-O-dudu (A Spirit They Saw) reveals a ghost- like shape summoning ancestral spirits during the dry months or times of crisis, when spirits are called to bless the deceased and entire villages.Ko S’Ogbon L’Ate (You Can’t Buy Wisdom at the Market) is a tribute to mothers, goddesses and ancestors. The wooden headpieces represent an animal and a human, each sings a different song during the ritual. Affianwan (“white cat woman”) represents spirit and transparency. The stunning headdress of this work is crocheted from one long flowing piece of fabric. Two in a Fancy Dress and Rasta illustrates the cross of African and European traditions (fancy dress).

More About the Artist: Phyllis Galembo

Phyllis Galembo’s photographs are included in numerous public and private collections including the Metropolitan Museum of Art and the New York Public Library. She is represented by Axis Gallery. She was born 1952 in New York, where she continues to live and work. Galembo graduated with a Master of Fine Arts from University of Wisconsin at Madison in 1977 and has been a Professor Emeritus at Albany, State University of New York since 1978. Using a direct, unaffected portrait style, she captures her subjects informally posed but often beautifully attired in traditional and ritualistic dress.

Attuned to a moment’s collision of past, present and future, Phyllis Galembo is recognized for her ability to find the timeless elegance and dignity of her subjects.She highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures.

While still pronounced in their personal identity, the subject’s intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is the artist’s hallmark. Her work has appeared in Tar Magazine, Damn Magazine, Photograph and Harpers. She has been profiled on CNN, NPR Radio and NBC Today.

Other collections that feature her work include: Oceania and the Americas, Photography Study Collection (New York); the Philadelphia Museum of Art; the Houston Museum of Art; the International Center for Photography(New York); the British Art Museum, Yale University; Schomburg Center for Research in Black Culture, New York Public Library; Polaroid Corporation (Boston); and the Rockefeller Foundation, among many others.

MORE ABOUT THE MUSEUM’S AFRICAN COLLECTION

Complementing Galembo’s exhibition are more than 40 African tribal artifacts from the Museum’s collection, including headdresses and masks, each pertaining to masquerades and ceremonies. These are exhibited in an adjacent gallery, across from the Galembo show.

Pictured above are some of the historic African masks from the Museum’s collection that complement Galembo’s contemporary photographs. More than 40 African tribal artifacts will be shown in an adjacent gallery across from Galembo’s exhibition.

The two Kuba masks in the collection (Kuba Bwoom Mask and Kuba Ngaady-A Mwash Mask) are both from the Democratic Republic of Congo, recreating the Kuba dynastic history.

Another work in the museum’s African collection, a Bamana Headdress (Chiwara), represents a mythical character who taught humans to turn wild grasses into grain.

A Mossi Nakomse Headdress (Zazaido), is used in secular and religious rituals by young men. The Zazaido masquerade honors male and female elders at funeral ceremonies, and blesses survivors.

A Yoruba Crown from Nigeria is worn on state occasions, and reflects the spiritual connections of the ruler. The face represents his royal lineage and ultimately the god Oduduwa, who remained on earth and became their first king.

The collection also includes a Dan mask (Deangle), an Ogoni Mask (Nigeria), a Toma Mask (Landai), a Senufo Mask (Kpelie), a Guru Mask (Gu), an Igbo Crest Mask (Nigeria), and a Yoruba Oro Efe Gelede Mask (Nigeria/Republic of Benin).

ABOUT THE BOCA RATON MUSEUM OF ART

Celebrating our 70th anniversary in 2020, the Boca Raton Museum of Art
encompasses a creative campus that includes the Museum in Mizner Park,
Art School, and an Artists Guild. As the “Official Art Museum of the City of
Boca Raton, “the Museum has provided seven decades of cultural and artistic service to the community, and to many visitors from around the world. Open–10:00 a.m.-5:00 p.m. on Tuesdays, Wednesdays, and Fridays; 10:00 a.m.-8:00 p.m. on Thursdays; and 12:00-5:00 p.m. on Saturdays and Sundays.

Visit HERE for more information.

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Hunger Games: The Exhibition 

In a partnership between The Hunger Games: The Exhibition and Swarovski crystals, fans of the world-renowned, blockbuster film franchise from Lionsgate, The Hunger Games, can now purchase limited-edition jewelry and accessories. These items are exclusively available at The Hunger Games: The Exhibition at MGM Grand Hotel & Casino in Las Vegas and online at TheHungerGamesExhibition.com.

The jewelry and accessory line is inspired by the illustrative beauty of The Hunger Games characters and includes pins/pendants, necklaces, leather cuffs, bracelets, earrings and other accessories. Adoring fans can fashion themselves in the collection’s brass with rhodium or gold-plated jewelry or add an edgy flare with high-quality leather available on the Mockingjay or Capitol Couture Leather Cuff. The pieces are sure to impress fans whether they are looking for a delicate way to flaunt their rebellion or are ready to make an elegant sparkling statement just as fashionable as a Capitol resident.

“Swarovski is known for making the best crystals and is one of the most recognized fashion brands throughout the world,” said Zoe Tan, head of business development and general manager, Las Vegas for Victory Hill Exhibitions. “We are proud to offer these luxurious pieces, developed from the love and passion we have for the world of The Hunger Games and the glamour and fashion of the Capitol.”

The collection features uniquely designed accessories including a limited-edition Snow’s Rose Water Bottle, embellished with 7,342 hand-placed Swarovski crystals on a stainless-steel bottle. Fans can also write in style with the uniquely designed Capitol Couture and Mockingjay pens, featuring a crystallized clip with an eye-catching crystal on top engraved with the logo in the center of the barrels. All sparkling with Swarovski’s 12 years of intensive research, and Advanced Crystal standard and innovative, lead-free formula.

“We dove into the world of the Capitol and Panem when developing this luxury jewelry line, and we’re thrilled to offer fans more from the world of The Hunger Games,” said Kirsten Taylor-Hall, vice president, Global Live & Location Based Entertainment. “Victory Hill and Swarovski deliver a unique and beautiful line that embodies the essence of Capitol style.”

The highlights of the limited-edition collection are the Fire Burns Brighter Clutch, made with the iconic colors of the Capitol featuring nearly 6,000 hand-placed crystals, and the edgy Girl on Fire Clutch inspired by the Girl on Fire herself, Katniss Everdeen, adorned with more than 4,000 hand-placed crystals. Both clutches are a limited edition with only 10 production pieces.

“We are thrilled to partner with Victory Hill Exhibitions and Lionsgate in delivering exclusive, beautiful products to create a memorable keepsake for fans of The Hunger Games,” said, Andrea Nondorf, managing director, Swarovski Professional North America. “Through our partnership, we aim to surprise and delight consumers with the beauty, quality and craftsmanship of this collection as well as unite our luxury products with the visionary, world-class experience Victory Hill and Lionsgate has created with The Hunger Games: The Exhibition.”

Located at MGM Grand, The Hunger Games: The Exhibition is a top Las Vegas attraction featuring several inspirational galleries including the Hall of Justice, President Snow’s Office, the Tribute Train, District 13, and one of the largest archery training experiences set within a 60-foot wide interactive training center. The Hunger Games: The Exhibition is open daily from 10 a.m. to 7 p.m. Visitors can view and purchase the jewelry and accessory line on display in the merchandise store. Commemorative ticket for entry into the exhibit can be purchased at https://thehungergamesexhibition.com/ or at The Hunger Games: The Exhibition onsite box office.

Cityneon Holdings Limited

With its global reach and international partnerships, Cityneon has the capability to serve its clients anywhere in the world. Cityneon has been listed on the Mainboard of the Singapore Stock Exchange since 2005, and was privatized in February 2019 by West Knighton Limited, a company wholly owned by Cityneon’s Executive Chairman & Group Chief Executive Officer Ron Tan together with Hong Kong veteran entrepreneur and investor Johnson Ko Chun Shun. Johnson is a capital markets veteran and has held controlling interests and directorships in many listed companies.  On May 14, 2019, Cityneon welcomed CITIC Capital as a new shareholder who holds 10.61 percent shares in Cityneon. CITIC Capital is part of CITIC Group, one of China’s largest conglomerates, and has more than $25 billion in assets under its management across 100 funds and investment products globally. For more information, please visit www.cityneon.net.


Victory Hill Exhibitions

Victory Hill Exhibitions is a subsidiary of Cityneon Holdings and is an exhibition production company which strives to create interactive exhibits that attract visitors and have educational value. With 25 years of experience and cooperation with pioneers in technology from around the world, Victory Hill creates astounding interactive experiences, and can adapt based on our clients’ needs to satisfy each and every unique need.

Lionsgate

The first major new studio in decades, Lionsgate (NYSE: LGF.A, LGF.B) is a global content leader whose films, television series, digital products and linear and over-the-top platforms reach next generation audiences around the world. In addition to its filmed entertainment leadership, Lionsgate content drives a growing presence in interactive and location-based entertainment, video games, esports and other new entertainment technologies.  Lionsgate’s content initiatives are backed by a nearly 17,000-title film and television library and delivered through a global sales and distribution infrastructure.  The Lionsgate brand is synonymous with original, daring and ground-breaking content created with special emphasis on the evolving patterns and diverse composition of the Company’s worldwide consumer base.

Swarovski

Swarovski has been the premium brand for fine crystal embellishments since 1895. It is recognized for its innovative excellence and for its collaborations with world-class designers and brands from the fashion, jewelry, accessories, interiors and lighting industries. Available in myriad colors, effects, shapes and sizes, crystals from Swarovski offer designers an unrivaled palette of inspiration born out of a passion for detail and high-precision cutting. These precious ingredients impart a refined glamour to everything they embellish and are produced according to the groundbreaking lead-free* Advanced Crystal standard. The ‘Crystals from Swarovski’ seal, incorporating a sophisticated tracking system with a unique identification number to reinforce authenticity, enables customers to distinguish products embellished with genuine Swarovski crystals. www.swarovski.com/professional

The Harley-Davidson Museum Kickstarts 2020


The return of Milwaukee Museum Week, Monster Jam drivers and more events and displays make this the perfect time to visit the crossroads of 6th & Canal.

Cabin fever doesn’t stand a chance in Milwaukee this month as Milwaukee Museum Week (MMW) returns for its second installment, with even more special programming as well as free admission for kids on Monday, Jan. 20th at participating museums – including the H-D Museum. The Harley-Davidson Museum is ready to roll out the orange carpet with fun events and special programming during MMW. Read below and start planning your trip to the H-D Museum campus for even more fun ways to shake those winter blues.   

EVENTS / PROMOTIONS

Monster Jam Drivers Meet & Greet and Ticket Giveaway at the Harley-Davidson Museum®

Friday, Jan. 17, noon-1 p.m.
Come on down to the Harley-Davidson Museum on Friday, January 17 from noon to 1 p.m. to meet drivers from the Monster Jam Triple Threat series, get autographs and pose for pictures with a Monster Jam driver. And feel good while you’re doing it by donating new winter accessories to Milwaukee Public School’s Mitten Tree Drive. The first 100 folks to show up and donate new or hand-made winter accessories to the MPS Mitten Tree Drive will receive a free ticket voucher to Monster Jam Triple Threat Series playing at Fiserv Forum (Saturday, January 18 and Sunday, January 19) and entrance into the Harley-Davidson Museum for Friday, January 17th.

Free Admission Friday

Friday, Jan. 17, 5-9 p.m.
Visit the H-D Museum for FREE on Friday, Jan. 17. Presented by the Historic Third Ward Association, Gallery Night & Day is the two-day premier art event in Milwaukee for both the experienced artist and beginning admirer. Tonight, be sure to check out “Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory,” the H-D Museum’s newest exhibit, which provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.” Free Friday night H-D Museum admission from 5-9 p.m.; regular admission prices apply on Saturday.

Milwaukee Museum Week

Saturday, Jan. 18-Sunday, Jan. 26
The Harley-Davidson Museum is proud to participate in the second annual Milwaukee Museum Week January 18 – 26. Milwaukee Museum Week returns with fun events, interesting programs and special experiences at 17 participating Milwaukee museums. This special week has been created to bring to light the meaningful impact these museums have for our residents, tourism and the economy, and to forming Milwaukee’s well-rounded cultural community. More than a hundred programs or events will be offered during the week and people are encouraged to support their local museums by participating.

On Monday, Jan. 20 thanks to the Greater Milwaukee Foundation, all children 18 and under receive FREE admission to the H-D Museum with an adult.

On Tuesday, Jan. 21 (and every Tuesday through April), the H-D Museum offers $10 Tuesdays with $10 admission for adults, two-for-$10 admission for kids, $10 Taco Tuesday at MOTOR® Bar & Restaurant and 10% off clearance items in The Shop. Guests to the Museum are also invited to participate in #MuseumSelfie day on Jan. 21.

On Thursday, January 23, the H-D Museum Curatorial staff has created a special program, Museum Mystory #1: Dial M for Motorcycle. Come and join an interactive story adventure inside the Harley-Davidson Museum. Follow cryptic clues, solve puzzles, and uncover a mystery through this fun hunt through museum galleries. Join the mysterious fun for all ages! This program is offered all day (10 a.m.-6 p.m.) and is included in your admission.

#MuseumSelfie Day

Tuesday, Jan. 21, 10 a.m.-6 p.m.
Grab the selfie stick and put on a happy face because #MuseumSelfie Day returns to the Harley-Davidson Museum on Tuesday, Jan. 21 during Milwaukee Museum Week. There’s no better backdrop for a selfie than the unrivaled collection at the H-D Museum. Visitors are encouraged to share their best pics on the Harley-Davidson Museum’s social pages. #HDMuseum @HDMuseum

$10 Tuesday are back!
Don’t forget: Museum admission on Tuesdays from October through April is just $10 and kids are just two for $10, too! At The Shop, take another 10% off clearance items. Plus, a Hamilton gets you the delicious chef’s choice Taco Tuesdays at MOTOR® Bar & Restaurant.

NEW INSTALLATIONS

“Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory” (open now)

A recently recovered cache of architectural drawings includes plans for the original Juneau Avenue facility. The pencil drawings, along with archival photographs, demonstrate the whirlwind pace of the company’s early growth. While building an international business—going from producing just over 1,000 motorcycles in 1909 to manufacturing 27,000 motorcycles in 1920—the company’s Milwaukee factory experienced near-constant expansion. Construction through this relatively brief period created the buildings that today, a century later, are still the proud home of Harley-Davidson.

“Building a Milwaukee Icon” provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.”

Experience Gallery: Model Year 2020 Harley-Davidson motorcycles

Always a favorite photo opportunity for riders and non-riders alike, the H-D Museum’s Experience Gallery has been revamped to feature five 2020 Harley-Davidson motorcycles – including the all-new, all-electric LiveWire™!

Custom Culture Installation: “Blackbird”

Blackbird, from the minds of Bobby Greene and Justin Walls, pays homage to Joe Petrali’s 1936 EL landspeed motorcycle. Elements of Petrali’s machine are imitated in this contemporary custom bike. Both vehicles use Harley-Davidson handlebars and forks made for board trackers; both have hillclimber frames; and their wheels are the same design and size. On display for a limited time, race fans will be thrilled to get an up-close look at this tribute to historic motorcycle landspeed racing.

SAVE THE DATES

Date Nights, Thursdays in February
“Around the Corner” Season 9 Preview Party, March 3

About the Harley-Davidson Museum

A walk through the Harley-Davidson Museum® is a walk through the history of America. With an unrivaled collection of Harley-Davidson® motorcycles and memorabilia, a 20-acre, park-like campus, and a calendar full of activities, the H-D Museum™ is one of Milwaukee’s top tourist destinations for visitors from around the globe. A visit to the H-D Museum™ is an experience that will stay with you for a lifetime. Make your plans to visit the Harley-Davidson Museum® at H-DMuseum.com.

360 Magazine,Alternative Christmas Yard,art,design,exhibition,installation,Lithuanian,prison,Vaughn Lowery,winter, light installation

Alternative Christmas Yard

Through the winter holidays, the Alternative Christmas Yard is going to welcome residents and guests of the Lithuanian capital Vilnius to the courtyard of the former Lukiškės prison. The centrally-located city jail will host the light installations symbolizing the transformation of this space and its search for a new identity.

Apart from the light installations, the Alternative Christmas Yard will offer its visitors a water sculpture, which will serve as an alternative Christmas Tree, and the interactive swings. It will also play a role of an alternative meeting point and a substitute for traditional Christmas markets. Last year, a similar experimental Christmas hotspot in Vilnius was built on the non-operating platforms of the city’s railway station.

“Christmas spirit will invade the zone that for so long was beyond the reach of most city residents and guests. The city sees this former prison yard as an open cultural space that may be used for events and other needs of citizens and businesses. The initiative of the Alternative Christmas Yard will become an impulse that can make this part of the city centre more attractive,” said Remigijus Šimašius, Mayor of Vilnius city.

Lukiškės prison used to be one of the least attractive spaces of the Lithuanian capital. Built in 1902, when Lithuania was under the rule of Russian tzars, it was initially designed as both a jail for pre-trial detention and a prison for punishment. More than 400 prisoners could serve their sentences there, while almost 300 people could be detained at the same time. In 1905 Saint Nicholas Orthodox Church was added to the complex, which also housed the administrative offices and even apartments of the prison officers.

For more than 100 years, this architectural complex served the same purpose. Lukiškės prison was used by the tzars, the German administration during WWI, the Polish government of Vilnius, the Lithuanian government in 1939-1940, the Soviets, the Germans again during WWII, then again the Soviets and finally by the Lithuanian government after the restoration of independence in 1990. Most of the regimes used Lukiškės prison not only for punishment of criminals, but for incarceration of political opponents as well.

Because of the history of Lukiškės prison and its former use for political repression, some researchers compare it to Rakowiecka prison in Warsaw or La Modelo in Barcelona. Both of these facilities were recently closed and converted to public spaces.

Several years ago, the Lithuanian government also took the decision to close the prison and relocate the prisoners and staff to other confinement facilities. The relocation was completed in summer 2019 and now, this once-grisly space is about to be transformed by an artistic experiment.

“For some time already, we have discussed this idea of light installations in unexpected locations. These installations symbolize that Vilnius is an open, brave city that is ready to face the gloomy parts of its history by transforming them into something completely different and unexpected. The closure of Lukiškės prison inspired the first installation of the kind, and I hope we will be witnessing the beginning of a new artistic tradition,” reflected Darius Kupliauskas, the coordinator of the Alternative Christmas Yard project.

This project will be the first initiative to open Lukiškės prison to all visitors free of charge. The Alternative Christmas Yard will be open daily from 4pm to 10 pm, from December 20, 2019 to January 5, 2020. 

Sober Collective, Tim Boin Miami, Art Week 2019, gallery

Miami Art Week Reception

Sober Collective Art Gallery Pop-Up
80 NE 29th Street, Wynwood
 
Tonight, Sunday, December 8
7 p.m. – 12 a.m.

Eight of Holland’s greatest creative minds have joined forces to create a visual playground in their pop-up art gallery in the heart of Wynwood during Miami Art Week 2019.

There’s a VIP Opening Reception on Sunday, December 8th from 7 p.m. – 12 a.m. for an exclusive tour of the collection curated by Sober Collective’s Tim Boin in the heart of Wynwood.
 

DAVID STEPHEN JOHNSON, elliott Stares, 360 MAGAZINE

DAVID STEPHEN JOHNSON

Pittsburgh-born abstract painter, David Stephen Johnson’s love for the arts stretches back to the 1970s, when he shared a studio space in Chicago with a sculptor from the Chicago Art Institute. Since then, Johnson has been building his own body of work, inspired by the post-war abstract expressionists, and will be unveiling his latest series at the highly anticipated Spectrum Miami art fair to mark his inaugural appearance during Miami Art Week.               

Johnson was invited to exhibit his work by Michael Joseph, founder of ARTBLEND, the acclaimed South Florida based organization and one of the longest running gallery exhibitors at Spectrum Miami. Johnson will be presenting his most recent large scale canvas works from his Blue Series and Sono Series as part of this year’s ARTBLEND collective at booth 720 within the Mana Wynwood Convention Center, from Dec. 4 to Dec. 8. This will mark Johnson’s debut and inaugural solo exhibit during Miami Art Week.

“I’m very excited to be making my debut during Miami Art Week at Spectrum Miami in collaboration with ARTBLEND — one of South Florida’s most established galleries,” said David. “Painting is like breathing to me. I am pulled in, to the work, every day. The process is a physical act. I connect to my body and to myself in a sort of visceral dance. The act of painting is unmediated by thought. It starts with a simple stroke or mark that leads to the next one in a continuous flow. Possibility and uncertainty are inherent to my practice. Always a play between anxiety, apprehension and, sometimes, when I get lucky, exhilaration. My language is color. I work with acrylic, house paint, oil, pastels, and graphite, which I apply directly on to the surface and rework with a scraper, paper, and rarely, a brush.”

David Stephen Johnson was awarded a scholarship to college as a star quarterback,​ playing for South Dakota State, and later earned his BA in Business Administration at the University of Minnesota, Carlton School of Business. He fostered his love for art while developing a series of paintings for his first show at Riverside Gallery in Chicago.

While raising his family, David continued a successful career in advertising in both Miami and New York​ for the prestigious agency Lord, Geller, Federico, Einstein. He embraced his self-taught path in painting, building a deliberately unpublished body of work studying color and shape, partly influenced by post-war abstract expressionists. His natural athleticism and grace led him toward the great action painters, which informs his style and markmaking. In 2017 he retired from the business to pursue his passion for painting. He joined The Silvermine Art Center in Connecticut, ​a prestigious institute for the arts created in 1908 by the sculptor Solon Borglum. Since then, David has participated in several juried shows, expanding his work to large-scale canvases. He regularly collaborates with interior design firm Wowhaus,​ and other Greenwich area designers, for commission-based residential and commercial projects. In 2019, David had his first solo show at Southport Galleries in Connecticut.

Spectrum Miami and Red Dot Miami will take place Wednesday, Dec. 4 to Sunday, Dec. 8 at Mana Wynwood. Tickets for the Opening Night Preview are priced at $50 by purchasing online or $60 at the event. A General Admission 1-day Pass for Spectrum Miami and Red Dot Miami is $25 by purchasing online or $30 at the event. A 5-day Pass that includes the Opening Night Preview is $75 by purchasing online or $85 at the event. Tickets grant access to both Spectrum Miami and Red Dot Miami. For further information on the shows or to purchase tickets, please visit spectrum-miami.com and reddotmiami.com.

For further information on David Stephen Johnson, please visit www.davidstephenjohnson.com

360 Magazine, Louis Vuitton

Louis Vuitton Sneaker Trunk

LOUIS VUITTON UNVEILS WORLDWIDE DEBUT OF ITS ONE-OF-A-KIND SNEAKER TRUNK 

Louis Vuitton is pleased to announce the worldwide debut of the Sneaker Trunk which will be unveiled at Atelier Louis Vuitton on December 3rd in Miami to coincide with Design Miami/. 

Combining Louis Vuitton’s classic art of trunk craftmanship with contemporary design, Louis Vuitton’s Sneaker Trunk is the newest addition to the House’s iconic hard-sided collection. Making its worldwide debut in Miami, this one-of-a-kind Sneaker Trunk is an emblem of Louis Vuitton’s visionary spirit and heritage craftsmanship. 

Designed to display your favorite sneakers, the trunk’s contemporary features allow passionate collectors to build the sneaker dressing of their dreams. The Sneaker Trunk has been developed to fit at least 6 pairs of low-tops and 8 pairs of high-top sneakers and each drawer is measured to store up to size 13 in low-tops and 12 in high-tops. As is customary at Louis Vuitton, the trunk is fully customizable and we are able to personalize to each and every client, creating a one-of-a-kind collaboration. 

LOUIS VUITTON SNEAKER BOX

Louis Vuitton is pleased to announce that the Sneaker Box will also be available at Atelier Louis Vuitton on December 3rd in Miami during Design Miami/ along with the Sneaker Trunk. A modern and contemporary trunk, that highlights Louis Vuitton’s visionary spirit. The Monogram Eclipse signature gives a masculine touch to the historical signatures of the House’s trunk knowhow.

The traditional Monogram signature is reinterpreted on a screen-printed transparent Perspex door. Designed to display your favorite pairs of sneakers, the trunk has complementary features that will allow the client to build up the sneakers dressing of his dreams.

The client can create his own sneakers dressing by piling up the Sneakers Boxes. There’s a multitude of options, from a vertical pile to a whole wall.  Even if the top lid is closed, the transparent door is still openable. Even when one Sneakers Box is under another, the client can still reach his sneakers.

Under the slope, two hidden drawers can host a shoe care equipment and other accessories. Thanks to a magnetic system, the slope stays lifted in the position of the lid.

Louis Vuitton Objets Nomades will be on show at Design Miami/ from December 4th to 8th, 2019 as well as the Louis Vuitton Miami Design District store throughout next year. 

Atelier Louis Vuitton, the exclusive savoir-faire exhibition, will be held at Paradise Plaza – 151 NE 41st Street, Miami Fl 33137 from December 3rd to 8th, 2019.  Visits by appointment only. 

HONDA TALKS EV


HONDA TO SHARE FUTURE ELECTRIFICATION PLANS FOR EUROPE AT AN EVENT IN AMSTERDAM

Honda announced a bold new target that will see all of its model ranges in Europe electrified by 2022, during an ‘Electric Vision’ event in Amsterdam. This timescale acceleration is three years ahead of the previously announced 2025 goal, with 6 new electrified models launching over the next 36 months.

At the event, the brand also unveiled the all-new Honda Jazz – with an e:HEV badge, featuring two-motor hybrid powertrain technology as standard for the first time. Unlike traditional hybrids, where the electric motor assists the engine, in e:HEV the engine produces electricity which assists the motor.

Tom Gardner, Senior Vice President, Honda Motor Europe, commented: “This shift to electrification will change the face of our model line-up considerably. Honda is the world’s largest engine manufacturer, and from what we have announced today we are committing to ending all mainstream non-electrified petrol and diesel production for Europe by the end of 2022.” Away from announcements about its automobile range, Honda also revealed the next step in its energy management business for Europe by announcing its collaboration with Vattenfall, a leading European energy supplier. In a letter of intent, signed on 23rd October 2019, the two companies confirmed their intentions to jointly develop and market a flexible electricity tariff that will allow EVs to be charged at the most cost-effective times, relative to grid demand.

The partnership marks a key milestone for Honda in the development of the energy management solutions business that represent an important pillar of its ‘Electric Vision’ strategy in Europe. The service will initially be launched in the UK and Germany in 2020, with other European countries to follow. 

Watch HERE.

Harley-Davidson Museum, Milwaukee, 360 MAGAZINE

Harley-Davidson Museum

When autumn arrives, look to the Harley-Davidson Museum to keep the good times rolling. New exhibits, family-friendly fun and more promise to deliver miles and miles of smiles. Whether it’s opening the doors for Gallery Night or bringing hundreds of fitness fans to campus for a Spartan workout, the H-D Museum has something for everyone this month.

NEW INSTALLATIONS
“Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory” (open now)
A recently recovered cache of architectural drawings includes plans for the original Juneau Avenue facility. The pencil drawings, along with archival photographs, demonstrate the whirlwind pace of the company’s early growth. While building an international business—going from producing just over 1,000 motorcycles in 1909 to manufacturing 27,000 motorcycles in 1920—the company’s Milwaukee factory experienced near-constant expansion. Construction through this relatively brief period created the buildings that today, a century later, are still the proud home of Harley-Davidson.
“Building a Milwaukee Icon” provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.”

Experience Gallery: Model Year 2020 Harley-Davidson motorcycles
Always a favorite photo opportunity for riders and non-riders alike, the H-D Museum’s Experience Gallery has been revamped to feature five 2020 Harley-Davidson motorcycles – including the all-new, all-electric LiveWire™!

Custom Culture Installation: “Blackbird”
Blackbird, from the minds of Bobby Greene and Justin Walls, pays homage to Joe Petrali’s 1936 EL landspeed motorcycle. Elements of Petrali’s machine are imitated in this contemporary custom bike. Both vehicles use Harley-Davidson handlebars and forks made for board trackers; both have hillclimber frames; and their wheels are the same design and size. On display for a limited time, race fans will be thrilled to get an up-close look at this tribute to historic motorcycle landspeed racing.   

EVENTS
$10 Tuesday are back!
Don’t forget: Museum admission on Tuesdays from October through April is just $10, no reservation required. And kids are just two for $10, too! Plus, a Hamilton gets you the delicious chef’s choice Taco Tuesdays at MOTOR Bar & Restaurant.

Free admission during Gallery Night
Friday, Oct. 18, 5-9 p.m.
Visit the H-D Museum for FREE on Friday, Oct. 18. Presented by the Historic Third Ward Association, Gallery Night & Day is the two-day premier art event in Milwaukee for both the experienced artist and beginning admirer. Tonight, be sure to check out “Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory.” Free Friday night Museum admission from 5-9 p.m.; regular Museum admission applies on Saturday.

Spartan Workout Tour
Saturday, Oct. 26, 8-9:30 a.m.
Unleash your inner Spartan! The H-D Museum is hosting a free, 90-minute workout catered to all fitness levels and led by a certified Spartan SGX Coach in Milwaukee on the grounds of the world-famous Harley-Davidson Museum. The Spartan Workout Tour is extremely doable and productive for any and all levels of fitness. Our certified Spartan SGX Coaches will lead you in a workout that helps everyone from beginners to workout fanatics take it up a notch. You’ll meet new friends. You’ll get helpful tips, practical new training techniques, and even a special “Spartan Workout Tour” T-shirt to commemorate the fun. And just like you, the freebies don’t stop when the workout is done. Show your workout T-shirt and get free admission to the H-D Museum. Experience the thrills and heart-pumping adrenaline that Harley-Davidson – the Official Motorcycle of Spartan US – has built over 116 years. We’re here to help racers get revved up!

Skulloween Bike Night
Thursday, Oct. 31, 5-9 p.m.
It’s time. After a summer full of hitting Milwaukee’s favorite hotspots, the Wisconsin Ale Trail will make one final stop at the Harley-Davidson Museum for Skulloween Bike Night (5-9 p.m. on Thursday, October 31st) where one lucky person will ride off on a brand-new Harley-Davidson! Join the fun and it could be you who holds the keys to this Great American Freedom Machine at the end of the night.
Qualifiers from Harley-Davidson events throughout the summer will have a chance to see if it’s their key that gets the motor running on this Harley-Davidson motorcycle. But even if you didn’t enter previously, you still have a chance to win as one lucky entrant will be drawn at Skulloween Bike Night. Come on down for your chance to win the prize of a lifetime and enjoy a night of rolling sculptures, music and loads of great prizes!

LEGO Mystery Mural
Nov. 2 & 3, 10 a.m.-6 p.m.
The Harley-Davidson Museum and LEGO invite all Milwaukeeans to make your mark on a piece of Harley-Davidson history. Visit the H-D Museum on Saturday, Nov. 2 and Sunday, Nov. 3 as an 11-foot-by-4-foot mural is built by you … yes, you! Kids of all ages are welcome to pop into the H-D Museum lobby to snap LEGO bricks into place and help build the mural that will remain on display until spring. Kids 17 and under will get free admission to the H-D Museum this weekend to help spark those creative juices. Plus, the new Family Fun Guide shines a spotlight on all the kid-friendly fun to be had on campus.
But the merrymaking doesn’t stop there. Kids ages 3-7 will be able to take a spin on the all-new H-D™ IRONe™ electric balance bikes. Dress for the weather and experience the thrill of these twist-and-go bicycles in Motorcycle Plaza. Plus, one lucky winner will ride off on an H-D IRONe bicycle! Airbrush tattoos, hands-on activities and specials at MOTOR Bar & Restaurant (did someone say Build-Your-Own Mac & Cheese, Hot Coco Station and a Build-Your-Own Bloody Mary bar?) promise to bring ear-to-ear smiles to all. Support your community with the 8th Annual #DWYD Toy & Book Drive. Donate a Toy or Book to the Milwaukee Child Advocacy Center (MCAC) in affiliation with Children’s Hospital of Wisconsin and receive 15% off at MOTOR® Bar & Restaurant. H-D® Fat Boy® motorcycle LEGO Kits available in the Shop along with apparel customization.

SAVE THE DATES
Veterans Day Appreciation
Friday, Nov. 9 – Sunday, Nov. 11, 10 a.m.-6 p.m.

Black Friday Beerfest
Friday, Nov. 29, 4-7 p.m. (VIP entry at 3 p.m.)

Happy Harley Days
Dec. 7, 14 and 21, 10 a.m.-6p.m.

About the Harley-Davidson Museum

A walk through the Harley-Davidson Museum® is a walk through the history of America. With an unrivaled collection of Harley-Davidson® motorcycles and memorabilia, a 20-acre, park-like campus, and a calendar full of activities, the H-D Museum™ is one of Milwaukee’s top tourist destinations for visitors from around the globe. A visit to the H-D Museum™ is an experience that will stay with you for a lifetime. Make your plans to visit the Harley-Davidson Museum® at h-dmuseum.com.