Posts tagged with "culture"

Diptyque

PARIS IS YOURS

Although born in the 5th arrondissement, its toe almost in the waters of the Seine, and although still a resident, not once in almost 60 years since Diptyque was founded has it shared the story of its life in Paris.

A simple omission, like looking for your glasses, when all the time they were resting on your forehead? A Freudian slip that makes you wonder of which repressed emotion it might be a symptom? Or after all, and as everyone knows, since it is the guardian divinity of the House, might it be a chance inconsistency? Rather than founder in speculation, there was an urgent need to right this wrong. To remind those, perhaps large in number, who imagining it anchored in London or New York, may not know that diptyque is primarily a child of the Parisian Left Bank.

To make amends for such a long silence, and after the Venice of Olène, the Greece of Philosykos, the Vietnam of Do Son and the Japan of Oyédo, it is simultaneously paying dual homage to its native city.

HOW SHOULD WE CELEBRATE SUCH A CITY?

Embracing it all would be utopian. Shedding light on a single aspect impossible. Why the cheeky Paris of Mistinguett or Gavroche and not the revolutionary Paris of Camille Desmoulins and Louise Michel? Why prefer the Butte-aux Cailles, between half-timbered pavilions and the forgotten banks of the Bièvre, to the artistic, surrealist and cinematographic Paris of Montparnasse? Is the seclusion of the 7th arrondissement fairer than the picturesque 18th? But obviously, as always, and as ever at diptyque where we believe so strongly in serendipity, it was an unforeseen event, an unexpected incident, that brought the solution to light.

It happened on avenue de l’Opéra, or to be more precise, at home. Not long ago, the House moved into a beautiful apartment on the “noble floor” of a Haussmann-style building located on this major road. What seduced us? The incredible ceiling heights, large windows, bordering balconies, marble fireplaces, herringbone parquet floors, and moldings. On pushing open a hidden door, we discovered the bathroom of a former occupant, Sarah Bernhardt.

We believe so, since the address was then one of the chicest in the capital… Lined with ceramic frescoes teeming with parrots, multicolored peacocks, ocean views and flourishing vegetation, this Art Nouveau masterpiece – listed in the inventory of Historic Monuments – immediately oiled creative wheels, opening the way to a composition dedicated to Paris before the Great War.

BIRTH OF CHYPRE

In addition to this bathroom, it is astounding how many things, on closer inspection, tie diptyque to these short years at the turn of the 19th to the 20th century: the swan, then a symbol of female grace, has been present in the iconography of the House for thirty-six years, as part of the identity of l’Ombre dans l’Eau; just like the peacock, its feathers and plumage, another bird in vogue in the 1900s, and found since 1968 on the panoramic illustration of l’Eau; orientalism, a true passion of the founders Desmond, Christiane and Yves (Knox-Leet, Gautrot and Coueslant); the English painters and graphic designers, Arthur Rackham, Aubrey Beardsley and William Morris and their formidable stylized illuminations that went on to inspire Desmond and define the graphic identity of the vignettes adorning future bottles. Not to mention, of course, perfumery, a craft reinvented by chemical synthesis, then making its entry into the modern world.

Joseph Marie François Spoturno, better known under the alias François Coty, is said to have been its leading light. What is left of hisworks? Materially: hardly anything, a few estagnons lounging in a safe at the Osmothèque de Versailles. Culturally: the very foundation of what for decades constituted the epitome of “à la parisienne” chic, the most famous olfactory structure in history, condensed into a simple noun: chypre. This is how it comes into being: Chypre is an architecture created by the boiling points and degrees of evaporation of the materials used.

EAU CAPITALE

Eau Capitale is the first diptyque chypre. As such, it follows a principle conceived more than a century ago. Olivier Pescheux, a high-flying perfumer and faithful companion, nevertheless took care to illuminate it with the lights of the 21st century! An “abstract”, enigmatic fragrance, it embodies a form of slightly detached refinement of the elegance exuded by the aura of the “city of light”. It opens with the freshness of “vert de bergamote” tempering its consummate voluptuousness. Fruity, yes, yet lively and zesty. Was it studded with pink peppercorns to recall the pomanders – oranges pricked with cloves – once brought back from England by Desmond? Or to orchestrate the eagerly awaited “olfactory accident”? Between the flower and the spice is like an exclamation mark, a Capital letter.

In the center of the triangle is a bouquet of flowers bordering on excess. Wide-open petals, on the verge of falling, intense, rich scents of roses from Bulgaria and Turkey and ylang-ylang from the Comoros. No doubt François Coty used the Grasse variety of centifolia, also known as May rose. Now almost impossible to find, botanists have managed to replace it with extremely fine cultivars planted in Eastern Europe, on the fringes of Asia, of which even the residual water, also contained in this fragrance, smells divine. Ylang-ylang, on the other hand, has accents of English candy, highly palatable and long on fidelity. Cinnamon bark essence heralds the woods to follow. It stands for freedom: no lichen, no moss or oak or pine! But, yes, patchouli. With its leaf, distilled to the heart in Indonesia in line with the ethical qualities of sustainable development. And the peppery facet of “Akigalawood” produced by an enzymatic reaction of the plant in contact with ad hoc bacteria. And finally, “Georgywood” for its earthy and dark vetiver-like aspects. Ambrofix, between musk, dry tobacco and ambergris, closes the chapter.

SEE BETTER FOR A BETTER SENSORY EXPERIENCE

At the start of the diptyque saga, there were brushes, pencils, colors, paper. And canvases. Long before fragrances, it was, principally, art that united Yves, a former student of the École du Louvre, Desmond who studied Fine Arts and Christiane, a Decorative Arts graduate. The first became a scenographer, the others having already teamed up to create upholstery fabrics. They painted all the time. Once you are aware of this, you realize the importance of the visual element in their approach to perfumes, as each has a story to tell. All three friends had a specific activity within their partnership – Yves was the project manager, Christiane the nimble-fingered artist, Desmond the natural inspirer – and it was he who was responsible for designing labels, boxes and signatures. His Chinese ink line contrasted black with white, at times marked by sinuosity, at others symmetry. His lettering is enclosed in the recurring oval, his logo recognizable among a thousand.

On the back stands a peacock with magnificent plumage, dots, and lines intertwined, saturating each square millimeter with patterns.

On the front is an Eiffel Tower, roses, bergamots, recurring patchouli leaves and the words “Eau Capitale” in rolling calligraphy.

PARIS EN FLEUR

A candle is the very least that diptyque could add to this celebration – a rose candle, of course.

Roses like those of Bagatelle in the Bois de Boulogne(and the Flower Market, that lovers still offer to their amour. Some are an aromatic delight, most are not. But the idea we make of it matters almost as much: a certain spring emotion, the pleasure of living here and watching the Seine flow by from a bistro terrace. The scent that goes up in smoke (chypre, of course) has a pleasant freshness, a host of petals and the memory of patchouli that lingers long on drapes.

The eau de parfum and the scented candle are accompanied, in limited-edition boxes, by a solid perfume and a scented wax oval.

“Being a Parisian is not about being born in Paris, it is about being reborn there” Sacha Guitry once said.

Indira Cesarine x The Labyrinth

THE LABYRINTH
An Installation and Exhibition by Indira Cesarine

ARTIST RECEPTION + PERFORMANCE
Featuring Katherine Crockett
Thursday, March 12, 6pm-9pm

EXHIBITION ON VIEW
March 12 – April 11, 2020
THE UNTITLED SPACE
45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present THE LABYRINTH an installation and exhibition of works by artist Indira Cesarine featuring photography, video, painting, and sculpture, as well as a series of performances inspired by the artwork. The exhibition will open with an artist reception on March 12th, 2020 featuring a special performance by renowned modern dancer Katherine Crockett, and will be on view through April 11th.

For “THE LABYRINTH” Cesarine has created an immersive installation, transforming the gallery into a maze through which viewers can experience her contemporary female gaze on Surrealism, a theme the artist has been exploring through a variety of mediums over the past several decades. “THE LABYRINTH” is a surreal odyssey that reveals through its passages a kaleidoscopic universe of subconscious realities bound by the contrasts of hyperrealism and ethereal symbolism. Cesarine leads the viewer through this maze of discoveries, presenting works that are deeply personal and equally created in response to the influence of Surrealists including Jean Cocteau, Man Ray, and Dora Maar. “THE LABYRINTH” explores the juxtaposition of contrasting opposites, dimension, distortion, and the power of light to engage and reflect on our own stream of subconscious while provoking the tangibility of perceived realities. The result is a journey through our fantasies and expectations, rendered through the lens of dreams and desires.

The juxtaposition of Cesarine’s macro and kaleidoscopic florals created for “THE LABYRINTH” play in sharp contrast to the visual yin yang of her surreal portraits of women that explore female sensuality and identity. Through the lens of fantasy and illusion, she toys with imagery of the subconscious mind, depicting the human form with power and subjectivity. Hands and faces intertwine in a reverie that is part real, part illusion. Sculptural hands project from the walls of the installation as though coming alive, part human, part sculpture, in a manner that is both seductive and haunting. Video art, including a 2020 remix of her film “The Spell” which was featured at The Metropolitan Museum of Art, adds to the visual poetry and experience of the maze. Her use of symbolism and dramatic chiaroscuro conveys emotionally charged imagery that presents both an escape into fantasy and a journey through our unattainable desires. As one walks through “THE LABYRINTH,” there is a sense of being lost in time as kaleidoscopic images come alive off the walls. Mirrors positioned throughout the installation emphasize our own reflections while exploring the surreal landscape of the artworks on display.

“THE LABYRINTH” exhibition and installation features Cesarine’s most recent body of work, as well as select works from her “Goddess”, “Les Fleurs du Mal”, “Pandora’s Box” and “ONLY YOU” series. Cesarine’s “Goddess” series, featuring dancer Katherine Crockett, presents emotive images of the female form juxtaposed with detailed florals, creating surreal portraits that according to the artist, emphasize the graceful strength of Mother Earth as a goddess and the power of nature. “Les Fleurs du Mal” welded steel sculpture series reflects on the emotional impact and symbolism of flowers. The depiction of flowers, whether as a still life, as part of a photographic composition, or in the form of a 3 dimensional sculpture has been an ongoing theme in Cesarine’s artwork dating back to her early photography series shot on medium format film in the 1990s. Also featured in the “THE LABYRINTH” are a selection of photography and video art from her “ONLY YOU” series, which focuses on the eyes as an emotional portal. Works from her “ONLY YOU” series were previously exhibited at Cannes Film Festival, Art Basel Miami, SCOPE Basel, Switzerland, CICA Museum (South Korea), Red Bull Studios (London), and Norwood Arts Club, NY.

ARTIST STATEMENT

“Empowering feminist themes are often a point of departure for my multi-sensory series. My work questions the place of humanity in context with contemporary civilization and is often influenced by autobiographical content and women’s history at large. I connect with thematic subject matter that engages a narrative of social discourse and art activism. As a multi-disciplinarian artist, I often work across several mediums such as photography, video, sculpture, painting and printmaking to convey a rich and diverse narrative. Through my exhibitions and artwork, I challenge the status quo, as well as tackle stereotypes and double standards. I draw from historical narratives in an effort to create empowering artwork that can have an impact on the viewer, be a catalyst for change or provide insight into history, which may have been overlooked. As an artist, I find it is more effective to communicate my ideas through visual and sensory explorations that can uniquely address the world we live in today.

I have been exploring themes of Surrealism in my work since my very first forays into photography back in the late 80’s. Experimental darkroom techniques such as solarization and double exposures have played an important part of my visual narrative, which also often employs nuances of fractured light. While studying for my degree in Art History at Columbia University in Paris I became very interested in the history of Surrealism, and wrote a 30 page paper, “Surréalisme, Sexualité, et La Femme,” on the male gaze and misogyny of many of the original Surrealists. Presenting an empowering female perspective on images of women has always been an important part of my work. Explorations of female identity, sexuality, dreams, and desires have been returning themes in my artwork since I first started creating. In the early 2000s, I expanded from the still frame and works on canvas and paper to moving images, with experimental filmmaking and video art. As my artwork has evolved, I have become inspired to create 3 dimensional works in glass and steel that further propel my visual language. My sculptures explore themes of female identity, symbolism and experience, employing a technical emphasis on light and reflection, often combining figurative sculpture with neon or video display to further engage a multifaceted experience.

In several of my recent works featured in “THE LABYRINTH” I explore surreal techniques of “light painting” that were invented by Man Ray in1937, which I have juxtaposed with dramatic chiaroscurist portraits of women in order to evoke an ethereal universe of light and energy. I also find myself returning to the visual language of flowers – as a representation of women’s sexuality, as well as emotional expression of love, forgiveness, sorrow, and hope. Throughout history, flowers have been ripe with symbolism, with each blossom or arrangement having different meanings. The language of flowers dates back many centuries, and they were often used to send secret messages to lovers. For me the flower can be alluring, mysterious, sensual and full of emotions that are difficult to express with words. There is also something intrinsically female about flower blossoms and their visual reference to a women’s body that resonates with me as an artist. It has been inspiring to bring together multiple aspects of my creative process into one exhibition, with “THE LABYRINTH” featuring many varied artistic mediums that become unified through the installation of the maze. I conceived of the maze concept for an exhibition and installation a few years ago after my father passed away. This exhibition is inspired by the maze of life, the power of human connection, emotion and experience – combined with the surreal nature of the unknown.”

ARTIST BIOGRAPHY

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French and Women’s Studies, she additionally studied at Parson’s School of Design, International Center of Photography, School of Visual Arts, Art Students League and the New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, Mattatuck Museum, Albany Institute of History and Art, CICA Museum, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Basel, SCOPE Miami, SPRING/BREAK Art Show, Getty Images Gallery, Cannes Film Festival and the International Festival Photo Mode to name a few.

In 2014, her public art sculpture “The Egg of Light” was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt supporting The Elephant Family. Her work has been auctioned at Sotheby’s New York for the annual Take Home A Nude art benefits in 2017-2019, at ARTWALK NY benefiting the Coalition for the Homeless in 2018 and 2019, as well as at Tabula Rasa, the 26th Annual Watermill Center Benefit and Auction, July 2019. Her work is additionally on view at Norwood Art Club’s “Ingenuity” exhibition until August 2020. Her artwork and exhibitions have been featured internationally in many publications including American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Dazed and Confused, New York Magazine, i-D Magazine, and The Huffington Post among many others. Cesarine currently lives and works in Tribeca, NY.

“THE LABYRINTH” Opening Performance: Katherine Crockett March 12, 2020

Katherine Crockett is a celebrated modern dancer and choreographer who performs internationally. She was the principal dancer for Martha Graham Dance Company and toured internationally with the company for 21 years. Crockett starred as The Queen in the Off-Broadway immersive theater hit, “Queen of the Night,” for which she created and choreographed her role. She played Cate Blanchett’s dancer double in “The Curious Case of Benjamin Button” starring Blanchett and Brad Pitt, directed by David Fincher, and starred alongside Mikhail Baryshnikov as Helen in Richard Move’s “Achilles Heels-The Show”. Crockett has additionally performed at the Cannes Film Festival, the VH1/Vogue Fashion Awards, and on the runways of Prada, Alexander McQueen and numerous other global luxury houses. She has collaborated with artist Indira Cesarine on a variety of art series, and recently performed at Cesarine’s “EDEN” exhibition at the UN Plaza.

Website Here

THE UNTITLED SPACE
Web | Artsy | Facebook | Instagram

Indira Cesarine, The Labyrinth, The Untitled Space, Vaughn Lowery, 360 Magazine, Indira Cesarine, The Untitled Space, The Labyrinth, Vaughn Lowery, 360 Magazine,

Kate Upton, Canada Goose, Vogue, Bare Existence, documentary, Vaughn Lowery, 360 MAGAZINE

CANADA GOOSE × VOGUE

This past Wednesday, February 12th, Canada Goose and Vogue hosted the U.S. premiere of the eye-opening documentary Bare Existence followed by a panel discussion about the impact of climate change on the future of polar bears at the SmogShoppe in Los Angeles.
 
The following panelists discussed the documentary and their combined experiences in the Arctic, having all experienced the effects of climate change there and its effect on polar bears.
·        Kate Upton, Polar Bears International (PBI) Ambassador and newest Goose Person 
·        Max Lowe, Bare Existence Director
·        Dr. Steven C. Amstrup, PBI Scientist
·        Lisa Love (Moderator), Vogue West Coast Director
 
Canada Goose has been a partner to PBI for over 10 years, having launched a capsule collection of jackets in 2007 where $50 from each jacket goes directly to the organization. Earlier this month, Canada Goose expanded its PBI collection and commitment to the organization with the launch of five new spring styles. To date, the brand has donated more than $4 million to PBI to support their research and conservation efforts.

*Photo credit: Amy Sussman/Getty Images for Canada Goose and Vogue

Jane Fonda, 360 MAGAZINE, elle magazine

JANE FONDA × ELLE

KO Média is pleased to announce that the March issue of ELLE Canada stars the inimitable Jane Fonda.

In a special issue that celebrates getting older with an open mind, the inspiring 82-year old actor, activist and icon opens up about her plans for the future and her past regrets.

“I can’t pretend that I’m not vain, but there isn’t going to be any more plastic surgery—I’m not going to cut myself up anymore,” says the refreshingly frank face of L’Oréal who talks about finding confidence later in life.

“I have psychic scars that I will never be able to give up.”

The special issue is packed with thoughtful features that dig into today’s most relevant questions, examining how societal perceptions about age are changing, and asking: Are fillers over? What’s the TikTok take on beauty? When will we finally start taking openly about menopause? In the words of French supermodel and author Caroline de Maigret, who is also featured in the exciting issue, “showing insatiable curiosity will make you look younger than a new pair of breasts.”

The March 2020 issue also boasts an everything-you-need-to-know guide to the season’s hottest trends, in which seasoned ELLE Canada editors decode how to wear must-have suits, trenches, retro prints, cool-girl denim and more.

Also in this issue: behind-the-scenes with Louis Vuitton’s Nicolas Ghesquière and his muses; a new study that hints romantic movies might be able to heal our relationships; and a fresh take on bold patterns and sleek minimalism.
 
The March issue of ELLE Canada will hit stands on February 17th.

Super Model Simonetta Lein Opens NYFW Show For Fashion Designer Stevie Boi

Super Model Simonetta Lein Opens NYFW Show For Fashion Designer Stevie Boi

1) From your viewpoint what was it like walking for famous designer Stevie Boi?

“It was like being home. Many people reach out to me and they are always very surprised when I talk to them with no problem. They think that because I have been named as one of the top 5 in the world I should be unapproachable. I firmly believe that the more you grow the more you should stay humble, and thank every blessing you receive. Stevie has my same philosophy. He is a very talented man who put together a professional yet kind team. That to me is synonymous of real success.”

2) How was the event different from anything you’ve ever done?

“I had many stylists dedicated to me and what I loved is that they were constantly asking me if I felt good in my outfit or I needed to change something. I truly felt that it was Stevie’s special touch and heart. Also it was the first time I got to open a NYFW show. That special feeling of butterflies in my stomach was different, as I felt responsible for the good start of the show. It was a good feeling and also tested me, I feel even stronger now.

3) What kind of vibe did the event hold?

It was an urban grunge type of vibe. My makeup and hair were different from anything else I have ever done and as a model that made me happy, as I could experiment with something different. It was artistic yet contemporary, which I appreciated.

4) As an influencer and trendsetter what did you think of his collection?

I think it was futuristic yet sellable, which is something very important for an artist and a designer. His silver touch and plastic inserts made it very particular and bold, and mixed with fashion staples as jackets, mini skirts, jeans, created an ensemble of clothes that urban people can wear to be seen yet be comfortable and edgy. I also appreciated him being inclusive with a mom with a baby, different sizes shapes and colors of models which represents the world of today.

5) What was your take on New York fashion week this year?

Knits are the new normal. Volume and movement. Plaid is back, as we have seen in my outfit. Everyone is going sustainable. I have been advocating for that for a while now and it is so great to see it happening on the runways.

6) What was your opinion of the outfit you walked in?

I would definitely wear it for an event or a day of work in the city. Perfect to be elegant but different. A retro style with plaid pattern with irregular fringes, a mini skirt and a top that made me feel so cute and feminine.

7) What was the highlight of the event from your point of view?

The show itself was really well done, and that is the major highlight. I think sometimes in fashion we look for too many external components and we forget the basics. A well organized performance leaves the public and buyers happy. He also had performers and a very cool graphic. When I got into my moment and walked for him and I saw the entire room surrounded by waves moving on the wall I thought: this is nothing but the great Stevie Boi.

Pictures on the runway by DWSNAPSHOT

Other pictures by Nicole Tienken

Vaughn Lowery, Alejandra Villagra, illustration, 360 MAGAZINE

10 of our Favorite Business Credit Card Options in 2020

A good business credit card is an invaluable tool for a business owner. But with so many options on the market, you might find yourself completely overwhelmed in deciding which card could possibly serve all your specific needs. After all, every year brings a new potential crop of products out there vying for your business.

That’s why we’re here to present a detailed rundown of the 2020 best business credit cards. Before you make any decisions regarding which is the best fit for your company, be sure to consult with your executive team as well as the banks in question. With that disclaimer out of the way, here are 10 of the best business credit cards out there.

American Express Blue Business Cash Card

Cardholders of this American Express product will earn 2 percent cash back on up to $50,000 of all eligible purchases per calendar year. The Blue Business Cash Card also carries “Expanded Buying Power,” allowing you to strategically go over your credit limit.

That amount actually adjusts with your card use, transaction history and financial records. Plus, you receive 0.0 percent APR on purchases and balance transfers for 12 months and no annual fee.

American Express Blue Business Plus Credit Card

This second American Express card has some of the same basic features as the above. However, it also provides double the membership rewards points for eligible business purchases. Likewise, it still has Expanded Buying Power, providing much greater opportunity to rack up points.

Bank of America Business Advantage Cash Rewards Mastercard

With this Bank of America card — the only one to make our list — you’ll get $300 in statement credit when you spend at least $3,000 during your first 90 days.

You can also earn 3 percent cash back in a category of your choice, as well as 2 percent cash back on dining and unlimited 1 percent cash back on other purchases. Moreover, you’ll face no annual fee, and perhaps best of all, your cash rewards never expire.

Capital One Spark Cash for Business

When you sign up for the Spark Cash for Business card, you earn a $500 cash bonus as long as you spend $5,000 in your first three months. Plus, you’ll receive $1,500 when you spend $50,000 within your account’s first six months.

As for cash back incentives, cardholders get unlimited 2 percent cash back on every purchase without any restrictions whatsoever. You also won’t have to deal with foreign transaction fees or an annual fee for the first year.

Capital One Spark Miles for Business

If you’re the type of professional who does a lot of traveling, then this Capital One card might be for you. If you spend $5,000 in your first three months, you’ll receive 50,000 bonus miles. Or if you spend $50,000 in six months, you’ll get a staggering 150,000 bonus miles.

You’ll also receive unlimited double miles per dollar for unlimited, unrestricted purchases or five times the miles on any hotel and rental car bookings. And, yes, there’s no annual fee in the first year.

Capital One Spark Cash Select for Business

The last Capital One card to make our list has a lot to offer. First, cardholders get an unlimited 1.5 percent cash back incentive on unrestricted business purchases.

You’ll also get a one-time $200 cash bonus if you spend $3,000 in the first three months of your account’s life. Moreover, you receive 0 percent intro APR for 12 months, no annual fee and no foreign transaction fees.

Chase Ink Business Unlimited Credit Card

For the detail-oriented business owner, Chase has several notable business credit cards on the market. This one offers $500 bonus cash back after a $3,000 expense in the first three months.

But it also features unlimited 1.5 percent cash back on every business purchase you make. If you need something a little more robust, stay tuned. But the Business Unlimited card has all the basics covered.

Chase Ink Business Cash Credit Card

With the Business Cash card, Chase account holders get the same $500 bonus cash back as the Business Unlimited card. But they also have access to 5 percent cash back on the first $25,000 spent at office supply stores and on telecommunications services.

Moreover, you earn 2 percent cash back on the first $25,000 in expenses on gas stations and restaurants each year. For the business owner with a higher budget, this card is the perfect option.

Chase Ink Business Preferred Credit Card

Cardholders with this Chase card earn 80,000 in bonus points once they spend $5,000 on any purchases in the first three months of their account.

The Business Preferred card also offers 3 points for every dollar of the first $150,000 spent on travel and select business purchases. For all other purchases, there is an even point match for every dollar spent.

Discover It Business Card

New customers with this credit card receive an unlimited cash back match for every dollar spent in the account’s first year.

In addition, you earn 1.5 percent cash back on every dollar you put toward any purchases. Plus, there’s no annual fee, accessible customer service and a free credit score just for being a customer.

Choosing the Best Business Credit Card for You

So there you have it: our 2020 best business credit cards. Choosing the best one for you is going to depend on your unique business needs, from your overall budget to how often you travel and whether or not you’ll be making foreign transactions. For comparison’s sake, take a look at Incfile’s Top Credit Cards of 2019. With so much to consider, selecting a business credit card is not an easy decision. Hopefully, this glimpse at what’s out on the market has inspired you to find the perfect one for your business needs. Make 2020 the best year yet for your business!

This article was originally published on the Incfile Blog.

Dustin Ray leads business development and growth initiatives at Incfile, a national incorporation service company specializing in business formation and small business services. Founded in 2004, Incfile makes it possible to start a business with a $0 formation + state fee and has assisted in the formation of more than 250,000 corporations and LLCs.

The Pride Pump, Ruthie Davis, Palm Springs Life Magazine, Project Runway, Billy Porter, Laverne Cox, Vaughn Lowery, 360 MAGAZINE, LGBT, alternative lifestyle, culture, gay

The Pride Pump

Ruthie Davis is expanding the love with her inclusive designs. The Pride Pump and Rainbow Jogger all boast an impressive extended gender fluid size range! The styles are priced from $400 – $550 and are offered in sizes 35 to 43! The Pride Pump and the Rainbow Jogger drop in May!

Ruthie Davis’ long list of celebrity fans include Billy Porter and Laverne Cox. Billy Porter rocked the LOVE Pump on the cover of Palm Springs Life Magazine, while longtime fan Laverne last stunned in custom heels on an episode of Project Runway.

UNTITLED SPACE x Miss Meatface

JOIN THE UNTITLED SPACE & FLEUR DU MAL for cocktails and a performance with MISS MEATFACE

Saturday, February 8th 3-6pm RSVP REQUIRED: events@untitled-space.com (All RSVPs must be confirmed)

Miss Meatface “Peep Show”— A Solo Exhibition Presented by Fleur Du Mal In collaboration with The Untitled Space

EXHIBITION ON VIEW: December 11, 2019 – February 14, 2020, 175 Mott Street, NYC

Hours: Daily 12-7pm (except Sunday 12-6pm)

Miss Meatface “Demure Debutante” featured in “Peep Show” The Untitled Space is pleased to present a solo exhibition of works by artist Kat Toronto aka Miss Meatface, presented in collaboration with Fleur Du Mal. From December 11, 2019 – February 14, 2020 a selection of her photography including unique Polaroids, photographic prints on aluminum and photo printed ceramics will be on view at their lower east side pop-up gallery, “Peep Show” located at 175 Mott Street in Manhattan.

Kat Toronto aka “Miss Meatface” is a multidisciplinary artist hailing from the San Francisco Bay Area who works in performance-based photography. She uses her often unsettling and surreal images to explore cultural ideals of feminine beauty and the objectification of women in a feminist society by toying with the push and pull of dominance and submission, as well as the acts of revealing and concealing. Diagnosed with a rare form of cervical cancer in 2010 that eventually led to a full hysterectomy in 2013, Kat uses the name “Miss Meatface” as an artistic and spiritual catalyst to delve into a complex set of questions about where she now fits into society as a woman. Kat currently resides in London, England.

MORE INFO HERE

Art 4 Equality

Paddle8 Auction

Now live for bidding through February 11th at 5pm EST

The Untitled Space is pleased to present a benefit auction supporting Art4Equality in partnership with Paddle 8 which is now live for bidding until February 11, 2020.

The Art4Equality x Paddle8 Benefit Auction features more than 200 artworks by over 60 artists including Reisha Perlmutter, Hiba Schahbaz, Fahren Feingold, Indira Cesarine, Karen Bystedt, Kat Toronto aka Miss Meatface, Grace Graupe-Pillard, Sarah Maple, Rebecca Leveille, Tara Lewis, Tina Maria Elena Bak, Lynn Bianchi, Leah Schrager, Katie Commodore, Annika Connor, Alexandra Rubinstein, Trina Merry, Victoria Selbach, and among many others coming together to raise funds for Art4Equality’s future programing and gender equality focused projects. Artist Reisha Perlmutter Featured in Art4Equality Benefit Paddle8 Auction.

ART4EQUALITY x PADDLE8 AUCTION ARTISTS

Alex Janero, Alexandra Rubinstein, Allie Fuller, Allison Hill-Egdar, Anna Cone, Anna Sampson, Anne Barlinckhoff, Annika Connor, Buket Savci, Cabell Molina, Camilla Marie Dahl, Cara Lien, Cavanagh Foyle, Dafna Steinberg, Danielle Siegelbaum, Dara Vandor, Dolly Faibyshev, Dominique Vitali, Elisa Garcia de la Huerta, Elisa Valenti, Ellen Stagg, Elsa Keefe, Fahren Feingold, Grace Graupe-Pillard, Hiba Schahbaz, Indira Cesarine, Ismael Guerrier, Jessica So Ren Tang, Judy Polstra, Karen Bystedt x Brad Branson, Kat Toronto aka Miss Meatface, Katie Commodore, Katy Itter, Katya Zvereva, Kaya Deckelbaum, Lauren Rinaldi, Leah Schrager, Lindsey Guile, Logan White, Lynn Bianchi, Mairi-Luise Tabbakh, Marcelo Daldoce, Meegan Barnes, Michael Liani, Natasha Wright, Nichole Washington, Peter Beard, Rachel Marks, Rebecca Leveille, Reisha Perlmutter, Robin Tewes, Sarah Maple, Sarah Weber, Savannah Spirit, Sebastian Perinotti, Shaina Craft, Shamona Stokes, Shohei Kondo, Stephanie Hanes, Tara Lewis, Tina Maria Elena Bak, Trina Merry, and Victoria Selbach.

Artist Allie Fuller Featured in Art4Equality Paddle8 Benefit Auction

ABOUT ART4EQUALITY

Art4Equality is an initiative supporting gender equality themed art exhibitions and special projects including films and public art by female identifying artists and allies. The mission of Art4Equality is to create empowering artwork and exhibitions that can impact social change, raise awareness and inspire our community. Art4Equality additionally facilitates opportunities by providing mentorship to female identifying artists, as well as special programming such as panel discussions, performances, and educational art events. Art4Equality empowers by creating a platform for progress. By supporting the work of underrepresented and marginalized artists, Art4Equality demonstrates the value, quality, and diversity of their contributions to the community, encourages an inclusive dialogue, and promotes equality for all. Art4Equality is a sponsored initiative of Fractured Atlas, a non-profit 501(c)(3) arts service organization. Tax-deductible donations are accepted online. Learn More:

READ MORE ABOUT ART4EQUALITY

GIRLTALKHQ “Art Exhibition & Auction Raising Money To Advance Gender Equality & The Female Gaze In The Arts”

ART & OBJECT “Art4Equality Offers New Opportunities for Female Artists”

BLUSH MAGAZINE “The Untitled Space Unveils the Art4Equality X Paddle8 Benefit Auction to Support Female Artists in the Industry”

WSI Magazine “Art4Equality Benefit Group Show”

ARTSY “Art4Equality Benefit Group Show”

THE UNTITLED MAGAZINE “Art4Equality Launches Inaugural Benefit Art Auction With Reception At The Untitled Space”

ARTRABBIT “Art4Equality Benefit Group Show”

CURATED BY GIRLS “Art4Equality x Paddle8 Benefit Auction”

Have an artwork you have an eye on? Make an appointment to view in person at the gallery! Contact us at info@untitled-space.com

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary-pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committed to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art as well as special events aligned with our creative vision. Website

VISIT US ON ARTSY

Stay up-to-date on our artists and shows.

Copyright © 2018, The Untitled Space, All rights reserved

Vilnius Lithuania: Hidden Gem for Travelers

Vilnius, the capital of Lithuania, is launching a new campaign that is making fun of its own obscurity among travel destinations globally. The campaign, called “Vilnius: Amazing Wherever You Think It Is,” follows the tradition of the award-winning “Vilnius – the G-spot of Europe” campaign, which claimed that “nobody knows where it is, but when you find it – it’s amazing.”

The idea to use the city’s obscurity as a tool to draw more tourists is also backed by data. According to the 2019 study, done by Go Vilnius, the official development agency of the city which initiated the campaign, only 5% of Brits, 3% of Germans, and 6% of Israelis know more than the name and the approximate location of Vilnius.

A campaign-dedicated website will ask visitors to guess where Vilnius is for a chance of winning a trip to the city while being informed of myriad reasons why Vilnius is amazing. Both locals and tourists agree that Vilnius has a lot to offer in terms of culture, history, nature, and food. The city seems to be immersed in a forest, thanks to its parks, tree-lined streets, and actual forests surrounding it. It’s a walkable city – locals and tourists usually reach all their central destinations on foot. Those who like to fly, won’t be disappointed either – in Vilnius, you can fly over the city center in a hot air balloon, admiring its picturesque medieval streets, Baroque churches and open squares. Vilnius is also diverse in its architecture and neighborhoods – no wonder it is being chosen as a preferred filming location to such popular series as Chernobyl and War and Peace.

Besides the website, the campaign will consist of a video clip in which people on the streets of Berlin are asked if they know where Vilnius is. In this playful clip, the Lithuanian capital is placed everywhere from the Americas to Africa – everywhere but in its actual location. The video will be spread through online platforms along with advertising campaigns in target markets and selected media outlets. Finally, billboards in London, Liverpool and Berlin will portray Vilnius reimagined in various fantasy worlds.

According to the director of Go Vilnius, Inga Romanovskienė, the idea was to turn the city’s disadvantage of being a lesser-known European capital into an entertaining, fun campaign, in which Vilnius laughs at its obscurity. 

“Vilnius is continuing the course of presenting itself as an easygoing yet daring city, unafraid to laugh at its faults and break free from certain norms. Our goal is to show that no matter where people think Vilnius is located, it is a great place to go visit,” said Ms Romanovskienė.

The new campaign certainly has big shoes to fill, as its predecessor, the “Vilnius – the G-spot of Europe” campaign, was exceptionally successful at drawing attention from the global audience, making headlines in major outlets across the globe. The previous campaign was also named as the best ad campaign at the International Travel & Tourism Awards by World Travel Market in London.

The “Vilnius: Amazing Wherever You Think It Is” campaign launches on February 3rd. The campaign was created by Bechtle and Milzarajs ad agency.

ABOUT GO VILNIUS

Go Vilnius is the official tourism and business development agency of the City of Vilnius. The agency provides visitors, investors, relocating talent, entrepreneurs and businesses with all the essential information they need to know about the Lithuanian capital. Go Vilnius offers information on everything from real estate to leisure activities in Vilnius, simplifying the process of travelling, relocating to, or investing in Vilnius.

Sofia Vergara x LA Art Show

SOFIA VERGARA TO HOST 25th ANNUAL LA ART SHOW OPENING NIGHT GALA

Proceeds From Star-Studded Event Will Benefit St. Jude Children’s Research Hospital

OPENING NIGHT PREMIERE
Wednesday, February 5, 2020
Red Card & Patrons Preview | 6pm – 11pm
Opening Night Premiere | 8pm – 11pm

SHOW HOURS
Thursday, February 6, 2020 | 11am – 7pm
Friday, February 7, 2020 | 11am – 7pm
Saturday, February 8, 2020 | 11am – 7pm
Sunday, February 9, 2020 | 11am – 5pm

LOS ANGELES CONVENTION CENTER – SOUTH HALL
1201 South Figueroa Street
Los Angeles, CA 90015

The 25th Annual LA Art Show is proud to announce that actress Sofia Vergara will be the official host of the 2020 Opening Night Premiere Gala being held at the Los Angeles Convention Center on Wednesday Feb. 5 from 8 – 11 pm. The beloved Colombian actress is known for her role as Gloria Delgado on the ABC television series Modern Family. The long-running, multiple-Emmy award-winning series is currently in its 11 and final season.

Proceeds from the event will benefit St. Jude Children’s Research Hospital for the sixth year in a row. Thanks to generous donors, families never receive a bill from St. Jude for treatment, travel, housing or food – because all a family should worry about is helping their children live.

All proceeds from the sale of Patron and Vanguard tickets and 15 percent of sales of Friend tickets will go directly to the charity. All attendees of the Opening Night Premiere party are supporting the lifesaving mission of St. Jude: Finding cures. Saving children. ®

In addition to food, beverages, live music and art, gala attendees will be given a special sneak peek of the LA Art Show’s 200,000 square foot of programming featuring more than 100 galleries from 18 countries. They will have first dibs to explore DIVERSEartLA, a celebration of pride in LA’s cultural diversity, view Oscar-nominated Kazuhiro Tsuji’s three-dimensional portraits of legendary, historical figures and get up close to 25 years of red carpet dresses designed by Sue Wong (and worn by stars like Anne Hathaway, Jessica Biel, Minnie Driver and others).

The LA Art Show returns to the Los Angeles Convention Center from Feb. 6 – 9. As the city (and west coast’s) largest art fair, and one of the most diversely programmed in the world, the LA Art Show features a comprehensive lineup of exhibitors not only in contemporary and modern art, but also classical and other specialized art scenes that often command their own dedicated shows.

DIVERSEARTLA 2020
“The Birth of the Niemand” by Viktor Freso
DIVERSEartLA showcase will be a full on celebration of pride in LA’s cultural diversity. This special programming section within the fair is dedicated to exhibiting the institutions, artists and non-profits from Southern California, around the Pacific Rim, and beyond, donating 20,000 square feet of exhibition space to the participating organizations. The work is not for sale.

For 2020, DIVERSEARTLA will be expanded to embrace and celebrate those art institutions and art collectors who support LA’s newest and largest iteration of art community, as well as to create a strong conversation around a variety of events and programs. Thus serving as a platform and resource for diversity best practices and leadership, including all of Los Angeles’s communities.

So far, 2020 lineup for DIVERSEartLA includes LACMA, The Broad, Japanese American National Museum, La Neomudejar Museum from Madrid, MOLAA, Art Al Limite, LA Art Association, the UCLA Chicano Studies Research Center, and many others. For the first time ever, work will be presented by the Danubiana Museum of Bratislava, as will a special exhibition from the collection of Homeira Goldstein, and more. Proving to be popular in years past, the performance programming for the 2020 DIVERSEartLA includes work by PSJM Collective from Spain and artist Miss Art World, presented by the LA Art Association.

2020 HIGHLIGHTS

ICONOCLASTS
By Kazu Hiro
Presented by Copro Gallery

Kazu Hiro is a contemporary hyperrealist sculptor living and working in Los Angeles. After working 25 years as a special effects makeup artist in Hollywood, Kazu decisively shifted focus in 2012, dedicating himself semi-full time to fine art sculpture. Using resin, platinum silicone, and many other materials, Kazu constructs three-dimensional portraits in a scale two times life size. Kazu has received numerous accolades throughout his career including an Academy Award in 2018 for his work in the film “Darkest Hour” helping good friend, actor, Gary Oldman to portray Winston Churchill. Kazu Hiro’s newest hyperreal portrait sculpture will be unveiled at the LA Art Show in Copro Gallery’s booth, alongside a retrospective of several of his past works. The artist will be in attendance at select times throughout the fair.

The Sue Wong Signature
By Sue Wong
Sue Wong never fails to astonish, employing the revered age-old couture techniques implemented by the finest Couture houses in Europe, and evoking the allure and glamour of various eras such as Weimar Berlin, 1930s Shanghai, Precode Hollywood and Manhattan’s gilded Jazz Age. While often adopting vintage style, every design belongs in the now and is decidedly very Sue Wong; exquisite fabrics shimmering with incandescent beads, unique embroideries and layered textures embellished with passementerie and soutache combine to create works of art that are graceful, elegant, unique and timelessly beautiful. The 2020 LA Art Show will be taking place the same weekend as Tinseltown’s premiere awards ceremony: the Oscars. It’s only appropriate to celebrate with 25 years of the iconic style of Sue Wong in a new FASHION section of programming, featuring nearly a dozen gowns worn on red carpets by Hollywood stars like Anne Hathaway, Kim Kardashian, Jessica Biel, Minnie Driver, Reba McEntire, Tyra Banks and more.

The M.C. Escher Experience
By M.C. Escher
Presented by Walker Fine Art

Exploring the intersection of art, mathematics, science and poetry, Escher’s work has fascinated and astounded generations of artists, architects, mathematicians, musicians and designers alike. Over 40 years, Walker Fine Art has assembled the largest collection of Escher works in the world, and will showcase the “rarest of the rare” at the 25th Annual LA Art Show. The M.C. Escher experience runs the span of his entire career, and will include rarely seen lithographs, wood cuts, engravings, and mezzotints, as well as the artist’s iconic custom furniture. Many of these will be shown in California for the first time ever. In addition to seeing the artist’s work up close, LA Art Show attendees will have the opportunity to become Escher. A special photo-booth will recreate his iconic sphere self portrait with you in the reflection.

ALPHACUBE
By Lorenzo Marini
Curated by Sabino Maria Frassà
Presented by Bruce Lurie Gallery

After Milan, Venice and Dubay Lorenzo presents his new art-installation ALPHACUBE in the USA. Curator Sabino Maria Frassà explains that AlphaCube turns that paradigm of the white cube as the best form for conveying contemporary art. The artwork is a large white cube, that immerses guests in a space animated by letters, light and sound.

The white cube rises in space like something alien, as much in form as in content: while it is obvious that the artist has a certain fascination for Dadaism and Futurism, which he reinterprets and actualizes, it also cannot be denied that the focus of the installation is not an aesthetic satisfaction but a social and cultural stimulus.

3/11: Requiem And Revival
By Sogen Chiba
Presented by Gallery Kitai

On March 11, 2011, the most powerful earthquake ever recorded in the history of Japan occurred off the Pacific coast of Tōhoku. The earthquake triggered powerful tsunami waves that killed over 19,000 people. Premiering originally at the Tokyo Metropolitan Art Museum, Sogen Chiba’s 3/11 Requiem and Revival work transcribes newspaper reports of the Great East Japan Earthquake in large-scale calligraphy murals.

For the 25th annual LA Art Show, Chiba has created a never-before seen work in this series. Nearly a decade has passed since the tragic events of 3/11, so the lessons learned from the event are now fading. In this exhibition, Chiba seeks to record the memories of unimaginable disaster, and consider how we can move beyond them. Chiba himself is from the disaster-hit Ishinomaki district, and has used his indomitable spirit to move beyond misfortune and challenge himself to create works and imagery that can only be expressed in calligraphy. The artist will be performing each day at the LA Art Show.

EAST ASIAN INK SHOWCASE
Ink painting originated in East Asia as the tradition of using carbon-based black ink and calligraphic brush painting techniques, and has continued to evolve as the basis for much contemporary works in the region. Ink is as synonymous with painting in the East as oil is with painting in the West. From traditional and historical, to contemporary, to avant-garde, the LA Art Show offers the largest showcase of ink painting of any art fair outside of Asia. This a unique opportunity to appreciate the rich spectrum of ink painting styles. Learn more here:

The Maize Project
By Eric Johnson
Presented by Fabrik Projects Gallery

The “Maize Project” abstractly represents a lodge pole-like structure. In the Native American culture, the lodge pole is a gathering place and the title and shape of the sculpture references a section of an ear of maize corn. For Johnson, this alludes to his Native American heritage and also is a call to raise awareness to issues of global hunger, alternative fuel, and corn’s complicated relationship to our food supply. The piece is assembled from more than 300 individually cast polyester resin units—”kernels,” as he calls them. The kernels were made in Johnson’s studio with assistance from various artists, friends and community members. The communal project took several years to complete. Participants were invited to select resin colors, sequencing of pours, and encase small objects or messages into the kernels. Customization ranges from the light hearted (candy corn) to the profound (baby teeth of a lost child).

DIALOGS LA & PERFORMANCE SCHEDULE
Returning for the 7th year in a row, the DIALOGS LA series of conversations will connect audiences directly to the artists, curators, and other art world luminaires involved in the LA Art Show.

Live art demonstrations by renowned ink painter Sogen Chiba, and sculptor Ichitaka Kamiji are also scheduled throughout the fair. Attendees will also be able to see and interact with performances by Miss Artworld and PSJM Collective. For the first time ever, the DIALOGS LA booth will be screening The Edge of Paradise: Taylor Camp Kaua’i 1969-1977 on Friday and Saturday as well.

HIGHLIGHT
Saturday, Feb 8 / 4pm / A Conversation With Gronk & Sellars
Moderated by Marisa Caichiolo

Two legendary L.A.-based artists will discuss their theatrical and opera collaborations around the world over the last three decades. Gronk and Sellars will also share their experience and thoughts on the role of art in a time of profound social upheaval and inequity. The conversation will take place on Gronk’s installation Pyramids, a full-size mock-up of a theatrical stage that Gronk will be painting throughout the run of the LA Art Show. Pyramids re-imagines Gronk’s 2013 set design for Sellar’s Purcell’s “The Indian Queen,” an innovative updating of the 1695 semi-opera. For the LA Art Show, Gronk brings the piece into 2020, while also providing visitors with a behind-the-curtain view of his artistic practice. Rather than enter a theater where the stage is already set, visitors will be able to interact with the artist, participating in the process of making a “political theater” for our contemporary moment. Gronk is a featured artist in DIVERSEartLA, where his project brings together elements of his lifelong work as a painter, muralist, performance artist, set designer, sculptor, and printmaker. His expansive art flows out of his DTLA studio into the hallway, where the resulting 40-foot long wall mural has been declared a city landmark. Peter Sellars is a renowned theater, opera, and festival director. He is co-organizer of the exhibition Inside the Mask, on Central American masks after the Conquista, which opens at the Hammer Museum on February 15.

About the LA Art Show
The LA Art Show creates one of the largest international art fairs in the United States providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trend setters, influencers and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points. www.LAartshow.com