Posts tagged with "movie"

DEATHBYROMY × "PROMISING YOUNG WOMAN"

DEATHBYROMY × “PROMISING YOUNG WOMAN”

Capitol Records released DeathbyRomy’s “Come and Play With Me,” a song she wrote and recorded for the Promising Young Woman: Original Motion Picture Soundtrack, which will be released on December 4. Listen HERE. In this Refinery29 feature, which accompanied the exclusive premiere of the song, DeathbyRomy talks about collaborating with Emerald Fennell, the film’s writer-director. Fennell also served as Executive Soundtrack Producer, teaming up with music supervisor Sue Jacobs and Capitol Records.

DeathbyRomy recalls, “Upon meeting Emerald we discovered we had a lot of similar music influences. For example, we were both big NIN fans and when I learned her favorite songs of mine were my favorite deep cuts, I knew we were gonna work together beautifully.” 

View the lyric video for “Come and Play With Me” HERE. “Come and Play With Me” is one of two cuts from the soundtrack that Variety highlighted in a recent feature about possible contenders for Best Original Song honors at the Oscars. DeathbyRomy wrote the track with Andy Rosen, who collaborated with her on Love u   to Death, her 2019 Capitol Records debut EP. The 20-year-old singer/songwriter pours both pain and euphoria into her catchy yet dark music, pitting electronic melodies and propulsive beats against hypnotic vocals and deeply personal lyrics. Her take on “It’s Raining Men” the iconic No. 1 dance anthem originally released by The Weather Girls in 1982   also appears on the soundtrack. Listen to “It’s Raining Men” HERE.

Focus Features will release the Sundance hit Promising Young Woman on Christmas Day, Friday, December 25, 2020 in theaters domestically. View the trailer HERE. Vice observed, “[Promising Young Woman] expertly uses femme pop songs to underscore its critically acclaimed twisted tale of trauma and revenge.” Refinery 29 said, “[the] soundtrack is full of daring, empowering and straight-up fun tracks.” Vanyaland praised CYN’s “Uh Oh” as “an infectious riff-cruiser of a tune that should jump off the screen as soon as it hits.”  Noted Idolator, “The ‘Promising Young Woman’ soundtrack is a dose of girl-power. Cyn already landed a breakthrough radio hit with  ‘Drinks.’ Don’t be too surprised if she does it all over again with ‘Uh Oh.'”

Those who pre-order the 16-track collection in digital format will instantly receive “Come and Play With Me” and  “It’s Raining Men” plus CYN’s “Uh Oh” and “Drinks” and Donna Missal’s interpretation of Cigarettes After Sex’s 2012 breakthrough single, “Nothing’s Gonna Hurt You Baby.”

The soundtrack also features previously unreleased tracks from MUNA and BLESSUS plus Carmen DeLeon’s cover of the Gerry Goffin-Carole King penned “He Hit Me (And It Felt Like A Kiss”). Charli XCX’s “Boys,” Paris Hilton’s “Stars Are Blind,” Sky Ferreira’s “Downhill Lullaby” and Juice Newton’s “Angel of the Morning” are among the previously released tracks that Fennell employs to subvert the audience’s expectations over the course of the film. Other featured artists include Maya B and Lily & Madeleine.

DaniLeigh - MOVIE with a visual album

DaniLeigh – “MOVIE” with a visual album

Billion-streaming, buzzworthy artist, dancer, choreographer DaniLeigh announced the arrival of her eagerly anticipated second album, MOVIE, available everywhere today via Def Jam Recordings.  

LISTEN TO MOVIE

WATCH MOVIE VISUAL ALBUM

WATCH MOVIE ALBUM TRAILER

MOVIE, with a Visual Album counterpart, collects DaniLeigh’s three recent singles and video successes comprising “Levi High” featuring Da Baby, (precursor to the “Levi High Challenge” TikTok compilation video); “Dominican Mami” featuring Fivio Foreign (whose sizzling video was shot on location in DaniLeigh’s ancestral Dominican Republic); and “Monique,” soundtrack of Finish Line’s high-profile #ShoesSoFresh campaign. In support of the campaign, DaniLeigh personally appeared in the Chapter 1 Parks Department  video with Caleb McLaughlin and Lil Durk, which has generated over 13 million YouTube views in its first three weeks out.

BET Awards “Best New Artist” nominee and Rolling Stone Breakthrough Artist DaniLeigh crossed over the prestigious 1 billion cumulative global streams threshold with her RIAA platinum smash singles “Lil Bebe” remix featuring Lil Baby (2018), and “Easy” remix featuring Chris Brown (2019).  

MOVIE by DaniLeigh – tracklisting:

  1. “Superstar”
  2. “Situations
  3. “My Terms” featuring PND
  4. “Put U On”
  5. “Bullshit”
  6. “Mistreated”
  7. “Monique”
  8. “Dominican Mami” featuring Fivio Foreign
  9. “Levi High” featuring DaBaby 
  10. “Diamonds On Me” featuring Gunna & Yella
  11. “Famous”
  12. “Keeper”
  13. “Above And Beyond”
  14. “Baby Say”
  15. “I Wish” featuring Ty 
  16. “Last Night”

 ABOUT DANILEIGH:

DaniLeigh has quietly become an inescapable force in music, fashion, and culture, at large. Beyond amassing 1 billion combined global streams and building an audience of over 3 million Instagram followers and 1 million YouTube subscribers, the 25-year old platinum songstress was named a Rolling Stone Breakthrough Artist, while HIGHSNOBIETY christened her “one of the most forward-thinking artists in the game,” and Refinery29 described her as “a fly girl who knows without a doubt that she’s fly, but doesn’t care if you agree.” Born Danielle Curiel to Dominican parents in Miami, she emerged under the watch of royalty when Prince handpicked her to direct the 2013 music video for “Breakfast Can Wait.”  The late legend acted as her mentor as she developed a signature style.

Upon signing to Def Jam in 2017, she dropped the single “Can’t Relate” (featuring YBN, Nahmir, and YG). Her debut EP, Summer With Friends, (September 2017) contained “Lurkin’” (heard on Season 2 of the HBO series Insecure); and “All I Know” featuring Kes. Her Shiggy-created version of Drake’s #InMyFeelingsdance challenge went viral, raking in over 10 million Instagram views. Her 2018 debut album The Plan, set DaniLeigh on her way to over 1 billion combined global streams for her RIAA platinum smash singles “Lil Bebe” remix featuring Lil Baby (which marked her debut television performance on Seth Myers), and “Easy” remix featuring Chris Brown, which earned a 2019 BET Soul Train Award nomination for Best Dance Performance.

After the October 2019 release of “Cravin'” featuring G-Eazy, DaniLeigh surprised fans with My Present, a 4-song EP of brand new tracks that was a personal gift to herself on the day of her 25th birthday, December 20, 2019.  In the midst of the 2020 pandemic that ensued came two late-spring smash collabos, “Levi High” featuring Da Baby, followed quickly by the sizzling “Dominican Mami” featuring Fivio Foreign, and “Monique,” soundtrack of Finish Line’s high-profile #ShoesSoFresh campaign.  In conjunction with the campaign, she appeared in the Chapter 1 Parks Department video with Caleb McLaughlin (from Stranger Things) and Lil Durk, which generated over 11 million YouTube views in its first two weeks out.  All three single + video releases would be included on DaniLeigh’s second album, MOVIE, (November 2020), a 16-song release accompanied by a visual album counterpart that will undoubtedly live up to its title as her biggest and boldest body of work yet.

“DaniLeigh Wants to Get You Out of Your Feelings and Onto the Dance Floor.” – COMPLEX 

“This is a fly girl who knows without a doubt that she’s fly, but doesn’t care if you agree.” – Refinery29 

“She’s got the laid-back cool of an It Girl and the swagger of a rap star on stage, and her dance moves please crowds.” – Harper’s Bazaar

FOLLOW DANILEIGH:

WEBSITE | FACEBOOK | TWITTER | INSTAGRAM

Sfera Ebbasta releases film to Amazon Prime – FAMOSO with new single – Bottiglie Prive

Italy’s most-streamed artist, Sfera Ebbasta, releases his Amazon Prime movie, FAMOSO, and new single “Bottiglie Prive” via Republic Records.

WATCH FILM HERE

STREAM SINGLE HERE

In support of Sfera Ebbasta’s upcoming FAMOSO album releasing on November 20th, this week the 5x Platinum artist unveiled his movie on Amazon Prime which showcases his larger-than-life rap career. The movie is available globally with subtitles in English, Spanish, French, and German.

Bottiglie Prive” which translates to Bottles and VIP Rooms rides in on an alluring wave of anticipation. The lyrics profess Sfera’s sincere intentions while contrasting with his famous lifestyle. Fans are eagerly awaiting Sfera’s upcoming album, FAMOSO which features his international peers J Balvin, Future, Offset, Lil Mosey, and has production by London On Da Track, Steve Aoki, and Diplo amongst others.

About Sfera Ebbasta:

Italian rapper Gionata Boschetti (aka Sfera Ebbasta) was born and raised in Cinisello Balsamo, Italy in 1992, a fact that he often referenced in his music. At the young of 13, his father passed away, leaving Sfera responsible for his mother and sister — a responsibility he coped with by writing rhymes. Together with his friend and producer Charlie Charles, they founded their own brand, Billionheadz, through which they released merchandise and music; their first release was a mixtape titled XDVR Reloaded. Cinisello Balsamo — or Ciny as they referred to it — was located just outside of Milan, and in order to further pursue their dreams, both Sfera and Charlie moved to the bigger city, giving them access to a wider variety of media opportunities.

By 2016, Sfera released his debut self-titled album; this time through publication deals with Universal and Def Jam. Sfera Ebbasta featured two collaborative tracks with French rapper SCH, “Balenciaga” and “CartineCartier.” In 2018, his album Rockstar launched him into the most Italian streamed artist ever, with over 700 million streams, 5 Platinum plaques, and collabs like Quavo, Tinie Tempah, Rich The Kid, Lary Over, and Miami Yacine. Additionally, for the first time ever, he had seven tracks on the 200 Global Spotify Chart. Since then he hasn’t stopped, collaborating with massive Italian and international artists.

Follow Sfera Ebbasta on Instagram, Twitter, Youtube, and Spotify

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd, Zendaya and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (J Balvin and Karol G) and Hollywood Records. In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Promising Young Woman Soundtrack Visual

Promising Young Woman Soundtrack

On December 4, Capitol Records will release the Promising Young Woman: Original Motion Picture Soundtrack. The soundtrack is already generating a buzz, with Variety predicting Oscar nominations for Best Original Song for three of its tracks. This album’s release precedes the exciting release of the soundtrack’s film. Following the early December release of the soundtrack, Focus Features will release Promising Young Woman on Christmas Day.

Director Emerald Fennell brings a fascinating story of revenge to the screen with Promising Young Woman. Originally premiering to huge acclaim in Sundance earlier this year, Fennell’s film stars Carey Mulligan and Bo Burnham along with an ensemble cast that includes Laverne Cox, Alison Brie, Connie Britton, Jennifer Coolidge, Max Greenfield, Christopher Mintz-Plasse, Chris Lowell, Sam Richardson, Molly Shannon, and Clancy Brown. Everyone said Cassie, played by Carey Mulligan, was a promising young woman until a mysterious event abruptly derailed her future. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past in this thrilling and wildly entertaining story.

Fennell also served as Executive Soundtrack Producer, teaming up with music supervisor Sue Jacobs and Capitol Records to create what The Daily Beast describes as “a pop music soundtrack that could only be described as glorious.” Promising Young Woman’s soundtrack continues to receive praise from well respected sources. Specifically, Vice reported that the film “expertly uses femme pop songs to underscore its critically acclaimed twisted tale of trauma and revenge.” In another review, IndieWire noted, “The film is filled with inspired soundtrack choices – a strings-heavy take on Britney Spears’ ‘Toxic’ teases before it reveals itself at the perfect moment, and an amusing use of an ‘It’s Raining Men’ cover sells Fennell’s pitch-black sense of humor early on.” In general, the musical covers of popular pop songs offers one of the film’s greatest musical choices.

For a taste of the praised music and to prepare your viewing of Promising Young Woman, preorder your Promising Young Woman: Original Motion Picture Soundtrack here.

From Pain to Power: A REVOLT Special

Today, REVOLT announced its presentation of a new captivating documentary that takes a close look at the passionate struggle for social equality happening today, and the robust grassroots efforts propelling the movement forward. “From Pain to Power: A REVOLT Special” will premiere on Monday, October 26th.

“From Pain to Power: A REVOLT Special” spotlights the fight for social justice, starting at the March on Washington and spreading to the streets of Kentucky, Atlanta, and beyond. The film features intimate interviews with some of the most well-known celebrities and activists at the forefront of the social justice battle including: TipT.I.” Harris, Tamika Mallory, Mysonne, Ben Crump, Drumma Boy, Shabazz the OG, Dr. Frank Smith, Ms. Opal Lee, Linda Sarsour, Bridgett Floyd, Lonita Baker, Angela Williams, and Mothers of the Movement Kadiatou Diallo, Thelma Pannell-Dantzler, Sybrina Fulton, Wanda Johnson, Maria Hamilton, Gwenn Carr, and Tamika Palmer.

“Our resilience as Black people in America after centuries of oppression is nothing short of remarkable,” says activist Tamika Mallory. “We need to continue to archive our brilliance, our power and yes, even our pain, and REVOLT TV is the platform for our full stories.”

“We are honored that REVOLT saw that this is a critical moment in African American and civil rights history, and with T.I. leading the charge, this should be shown to the world,” says Steve Raze and Mac Mills, executive producers and CEOs of AGA Agency.

“After months of mass protests in the streets demanding social justice – and now a presidential election just weeks away – it’s obvious that we’re at a historic crossroads where systemic change is not only possible, but critically necessary,” says Detavio Samuels, Chief Operating Office at REVOLT. “From Pain to Power not only documents this moment in time, but charts our next steps forward. We couldn’t be any prouder to premiere this program on REVOLT.”

Watch the “From Pain to Power: A REVOLT Special” trailer here.

The pertinent documentary will arrive just weeks before the upcoming general election, a strong focus of REVOLT’s news coverage among its well-known “VOTE OR DIE” campaign, which aims to inspire increased voter engagement. Tonight, the network will present a special episode of REVOLT BLACK NEWSexamining the current political landscape at 9pm ET/6pm PT.

In this episode of REVOLT BLACK NEWS: “Pink Ribbons, Black Fists: Time For Action,” Eboni K Williams examines both the Democrat & Republican perspectives with less than two weeks until the general election. Black women behind the Biden-Harris campaign like Ashley Allison & Phillana Williams join, while Chris Prudhome breaks down Black support for Trump. Big Boi & Sleepy Brown stop by for a word on their new single & message. Danielle Young returns for Black Excellence Entertainment, and for Breast Cancer Awareness Month – Lyndsey Christian gives her personal account on beating triple-negative breast cancer. It’s time for some action!

Follow REVOLT TV on social media at @revolttv.

ABOUT REVOLT TV

REVOLT is unapologetically Hip Hop, leading and living Hip Hop culture. REVOLT is the voice of the culture across platforms, engaging Millennial and Gen Z audiences, on REVOLT.tv, across social, TV and live events, through original and live content. Attracting over 50 million young people, REVOLT is accessible 24/7 on digital, TV and on demand. Founded by Sean “Diddy” Combs, REVOLT launched in broadcast in October 2013 and is available on AT&T DirecTV platforms, Charter Spectrum, Comcast Xfinity, Verizon FiOS, CenturyLink, Altice/Suddenlink, Frontier Communications, Comporium and Cincinnati Bell, Atlantic Broadband, Mediacom, Hotwire, as well as OTT platforms AT&TV Now, Sling TV, Fubo TV and Philo TV. REVOLT is also available internationally in the Bahamas, Cayman Islands, Canada, Jamaica, Barbados, Nevis, Anguilla, Monserrat, Bermuda, Aruba, St. Maarten’s, Trinidad and the U.S.V.I. Check local listings at https://revolt.tv/listings.

Netflix article about Idris Elba illustration by Kaelen Felix for 360 MAGAZINE.

Netflix – The Take

By Cassandra Yany

Netflix has fixed a technical issue that left many viewers confused while watching one of the streaming service’s latest releases. 

The 2016 film The Take starring Idris Elba was added to Netflix’s library Wednesday. The partly-French film had a bug with the subtitles where only the English lines were captioned and the French lines remained untranslated.

Subscribers quickly took to Twitter to alert Netflix of the issue. One user wrote, “Okay just finished The Take on Netflix and I’m very confused as to why the English subtitles were not included. Half the movie was in French.” Another said, “You can’t watch The Take on @Netflix unless you are past Level 5 French on Rosetta Stone.”

Despite this issue, the film currently holds the no. 3 spot in the Netflix ‘Top 10,’ sitting higher than the streaming service’s most recent original film The Devil All The Time. Netflix resolved the problem as of Monday afternoon and the movie now includes translations of the scenes in French.

The film— known internationally as Bastille Day, according to Essence— stars Idris Elba and “Game of Thrones’” Richard Madden. Forbes reports that the film was set to be released in Europe in early 2016, but was pushed back later in the year due to the 2015 Paris terrorist attacks. It was pulled out of theaters days after its July release due to the truck attack in Nice.

The film was not popular in the U.S., as it was only shown in 100 theaters nationwide. It earned just over $50,000 from its release in the states. 

According to television and film news outlet Looper, the action film is about a pickpocket (Richard Madden) who steals a woman’s bag that contains a bomb, intended to go off in an empty building. He disposes of it and the explosion kills four people. He is then taken into custody by a CIA agent (Idris Elba), who quickly realizes that Madden’s character did not mean to take part in the attack. They learn that it was part of a plan by a group of corrupt police officers to rob the French National Bank. The two team up to clear the pickpocket’s name and stop the officers.

Despite the criticism over incorrect subtitling, it seems that the movie is finally getting the attention that it missed during its original release in 2016.

“The Tax Collector”

by Justin Lyons

2020 sure has been an interesting year for movies. We’ve missed our fair share of big releases, but here we are in September with a new film from David Ayer, a director who has seemingly taken nothing but criticism over the past half decade. Maybe some of that has been warranted, maybe some of it hasn’t, but here he stands with a new movie available for rent.

Ayer is re-teaming with Shia LaBeouf, whom he directed in one of the best performances of his career in 2014’s “Fury.” LaBeouf is past the point of only being recognized for the “Transformers” series. He’s truly one of the most gifted actors working right now, and this nice, little roll he’s found himself on since exiting Michael Bay’s billion dollar franchise has solidified him as a top tier talent.

He’s coming off a fantastic 2019 with “Honey Boy” and “The Peanut Butter Falcon,” so it was no surprise seeing him marketed as a co-lead in “The Tax Collector.” It was, however, a shock to see him in a supporting role in the film itself, and that’s the movie’s biggest problem.

It might be better said that the movie’s biggest problem is that none of the characters, aside from LaBeouf’s character, called Creeper, are very interesting. Each and every one is built upon a foundation that we’re familiar with, including those in other David Ayer movies. Their principles and motivations never sincerely stand out.

David, the main character played by Bobby Soto, drives around Los Angeles collecting a percentage of gang profits for his boss, a man called Wizard. He does it to protect and provide for his non-gang-affiliated family, who are in fact good. When Wizard’s ex-rival returns to town, dead set on taking over Los Angeles, David’s allegiances and strength are put to the test.

Again, we’ve seen that before, so viewing it again, in a mostly predictable manner that doesn’t make “The Tax Collector” stand out among memories of other gang movies and stories, doesn’t let it resonate. It never pushes for that emotional connection to the characters or story that I was looking for. Possibly the most unfortunate part is that there’s evidence of potential here. There is potential in these characters and in this world that makes me think there’s a decent movie in here somewhere, but it needed more time to give the characters the life and development they deserved.

The story itself also feels disjointed in an effort to develop the relationships with characters, even though those relationships don’t benefit from the sacrificing of story. Most beats, particularly toward the end of the film, seem to just happen without express purpose. There is a guiding narrative pushing David against the rival gang leader, but most events in the story don’t have the build up that I had hoped for. Things just kind of occur without any rhyme or reason. We have a character whom we’re supposed to immediately latch onto and a character whom we’re supposed to immediately hate, and none of the story beats ever allow the characters to breathe and change.

Each scene is also played at the highest possible level. Subtlety isn’t always a synonym for high quality, but constant high octane sequences never helped David’s character. Despite being a lover of action sequences, I found myself more intrigued by David’s moments with his family. He shows the struggle of balancing his roles as a protector and as a “tax collector,” but it’s never enough to round out the character.

It feels like Ayer is going through the motions, which is disappointing from a director who has obvious talent. He didn’t fall into the screenplay for “Training Day,” and he surely didn’t accidentally direct “Fury” and “End of Watch” with the skill and charisma of those films. That filmmaking talent is in there, but in going back to a story reminiscent of his earlier work, it appears he is recycling his own techniques. Even the visual look of the movie, which Ayer typically excels with, feels bland. He does pull a couple of visual tricks from his repertoire in flashbacks and high-intensity action sequences, but the flashbacks feel played out, and one specific moment of slow motion was enough to pull me out of a movie that appeared to go for gritty reality.

There are positives to take away from “The Tax Collector.” Again, Shia LaBeouf is immensely talented, and that shows in this film. Every single time he’s on-screen, it’s tough to look away. He does take a supporting role in the movie, but he steals the show right out of Bobby Soto’s hands. Some of that is due to the writing as Creeper is a far more compellingly written character than David, but LaBeouf commits so hard to every single word, and he’s an absolute blast to watch.

The scenes in which David and Creeper drive around Los Angeles, spewing mostly throwaway dialogue, are easily the most fun in the film. Creeper is the muscle of the duo, but I enjoyed his humanity. I have to credit LaBeouf because when Creeper is thinking, it’s easy to watch the wheels in his brain spin. He has these survival instincts, and he’s skilled with weapons and intimidation tactics, but he’s not a robot. He diets, meditates and wants to be included in David’s personal life.

“The Tax Collector” isn’t memorably bad. It’s just not memorable at all, and that is the most frustrating thing about the film. There is potential in the story, the characters and the story world, but it’s so easy to think of scenes that should have been cut in favor of scenes that should have been added. There’s also so much inspiration behind Creeper, but he’s not the focus of the film, which I think would have made the movie much more engaging.

There comes a certain point in the film where nothing is left to care about, and the story revisits a relationship that doesn’t feel earned. Had it spent more time developing that relationship, I might have been invested in the final act, but one short sequence and one small show of good faith wasn’t enough to make me believe that some of these characters would show the support they’re asked to show. Nevertheless, I’m happy to discuss Shia LaBeouf in a positive way. Maybe with that tattoo on his chest forever he’d be better suited in a similar role as a lead performer.

“The Tax Collector” is streaming now on Amazon.

Bts illustration by Kaelen Felix for 360 magazine.

Break The Silence: The Movie

By Thais Jacomassi 

Two years after 2018’s film Burn The Stage: The Movie, BTS are giving an exclusive look behind the scenes of their 2018-2019 Love Yourself Tour in a sequel documentary titled, Break The Silence: The Movie.

This new film comes after what has been a year of great success for the South Korean group who started off 2020 with the release of their seventh album, Map of the Soul: 7, landing them the No.1 album on the Billboard 200 chart. This was followed by a Grammy Performance of “Seoul Town Road Remix” alongside Lil Nas and others. And just weeks ago, the group’s first entirely English single, “Dynamite”, broke records by becoming the first song by a Kpop group to debut as the number one slot on the Billboard 100 chart. Needless to say, BTS has become a household in Western media.

Break The Silence is a concert film following the boys – comprised of RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook – through the Love Yourself: Speak Yourself World Tour which took place in Los Angeles, Chicago, New York, São Paulo, London, Seoul, and many more cities from May 4 to October 29, 2019. This stadium tour marked BTS as the first Korean group to perform at Wembley Stadium. According to Billboard, the Love Yourself World Tour ranked No. 3 on the Billboard’s 2019 Year End Top 40 Tours chart with 1.6 million tickets sold and a worldwide gross value of $196.4 million.

On Thursday, September 10, BigHit entertainment released a minute long teaser showcasing the seven members in their remarkable stage outfits with the song “Magic Shop”, from the Love Yourself :Tear album, playing in the background as a moving movie poster ending on the final image of member’s silhouettes on the stage.

Watch the teaser HERE

Break The Silence: The Movie will have limited screenings across the globe starting on September 10 and again in two weeks on September 24. Tickets are already on sale and fans can search for their local participating theatres on the movie’s official website.

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“Clouds” Premieres Oct. 16 on Disney+

Seventeen-year old Zach Sobiech captured the hearts of people everywhere when his original song “Clouds” debuted and instantly became a viral sensation in 2012. In the new Disney+ original movie “Clouds,” premiering on Friday, October 16, the world will be inspired once again by Zach’s musical legacy and his story about the resilience of the human spirit. Directed by Justin Baldoni, the movie is based on the book “Clouds: A Memoir” by Zach’s mother, Laura Sobiech.

Inspired by an incredible true story, “Clouds” is a poignant and beautiful look at the heartbreaking duality of life and a testament to what can happen when you start to live as if each day might be your last. Zach Sobiech (Fin Argus) is a fun-loving high school student with raw musical talent living with osteosarcoma, a rare bone cancer. At the start of his senior year, he is ready to take on the world, however when he receives the news that the disease has spread, he and his best friend and songwriting partner, Sammy (Sabrina Carpenter), decide to spend Zach’s limited time following their dreams. With the help of Zach’s mentor and teacher, Mr. Weaver (Lil Rel Howery), Zach and Sammy are given the chance of a lifetime and are offered a record deal. Along with the support of the love of his life, Amy (Madison Iseman) and his parents, Rob and Laura (Tom Everett Scott and Neve Campbell); Zach embarks on an unforgettable journey about friendship, love and the power of music.

Clouds” is directed by Justin Baldoni and produced by Andrew Lazar, Justin Baldoni and Casey La Scala. Kara Holden wrote the screenplay with a story by Casey La Scala & Patrick Kopka and Kara Holden. The movie is produced by Wayfarer Studios, Warner Bros. Pictures and Mad Chance / La Scala Films.

About Disney+

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. As part of Disney’s Direct-to-Consumer and International (DTCI) segment, Disney+ is available on most internet-connected devices and offers commercial-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content. Alongside unprecedented access to Disney’s incredible library of film and television entertainment, the service is also the exclusive streaming home for the latest releases from The Walt Disney Studios. Disney+ is available as part of a bundle offer that gives subscribers access to Disney+, Hulu (ad-supported), and ESPN+. Visit DisneyPlus.com to subscribe and/or learn more about the service.

Watch the trailer now https://www.youtube.com/watch?v=OWEgUhWU4g4&feature=youtu.be

Atlantis Attacks #4 and #5

Previously announced issues of ATLANTIS ATTACKS will be available at your local comic shop later this year! Written by Grek Pak with art by Ario Anindito, ATLANTIS ATTACKS #4 will hit shores this November, and the war rages on in December with ATLANTIS ATTACKS #5.

The armies of Atlantis face the Agents of Atlas when a terrible secret incurs the wrath of Namor. With the fate of the world hanging in the balance, destinies will be revealed in this titanic tale of love and betrayal featuring Amadeus Cho, Silk, Wave, Shang-Chi, and more! Don’t miss the startling conclusion of this epic clash when ATLANTIS ATTACKS continues this November!

ATLANTIS ATTACKS #4 (of 5)

Written by GREG PAK

Art by ARIO ANINDITO 

Cover by CARLO PAGULAYAN

ATLANTIS ATTACKS #5 (of 5)

Written by GREG PAK 

Art by ARIO ANINDITO 

COVER BY ARIO ANINDITO

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.