Posts tagged with "art gallery"

Merde via Alyssa fo Alyssa Davis Gallery for use by 360 Magazine

Merde!

In the wake of the demise of NYC’s most wanted criminal art dealer comes Merde!

On May 26th, Alyssa Davis Gallery will host a gala like no other. They have outfitted the sprawling 13,000 sq. ft. venue to accommodate every partygoer’s pace. The guests will be welcomed with a full red carpet experience staffed with a professional photographer. The indoor stage features a premium sound system and lighting to host a genius lineup of music that will keep the dance floor going all night.

Beyond the dancefloor, guests will find multiple bars, spaces to lounge, a live sculpture auction, a video art program, and of course—an ice sculpture. Outside in a stunning courtyard, there will be space to roam, relax, smoke, enjoy food and drinks and get up close and personal with a series of 20+ live performances. Additionally, they are offering VIP packages including access to a VIP suite with a private bar and courtyard and an exhibition curated by Ludovica Capobianco.

Merde! is organized by Alyssa Davis, Genevieve Goffman and Rachel Rosheger.

Alyssa Davis Gallery

Since 2016, Alyssa Davis has exhibited out of her 11th floor corner apartment in a 1907 residential building at 2 Cornelia Street. The gallery has held 19 exhibitions with emerging artists, often presenting first solo shows and unique site-specific installations, Alyssa Davis Gallery’s last show, Abby Lloyd‘s “Goodbye Dolly,” was just spotlighted in The New York Times. “Goodbye Dolly” closed on April 3rd, 2022 along with the Cornelia St. location itself.

No Agency New York

No Agency is a talent management company representing the next generation of multitalented female and GNC artists. Their roster has been recognized in the worlds of music, fashion, visual art and video, featured in campaigns for brands from Apple to Alexander McQueen, in magazines from Vogue to King Kong, and even on Netflix. The agency has been covered by Vogue, Teen Vogue, Dazed, i-D and more.

SEIS via Kamila Baron of House of Baron for use by 360 Magazine

SEIS

Fashion designer Peter Cohen and co-founder Francisco Cohen announce the opening of SEIS, an art gallery/exhibition hall, next door to his manufacturing & design plant on 6th Ave and Washington Blvd. The new space endeavors to be a showplace for a range of visual expressions from South Africa and California. 

For its opening, SEIS presents the work of renowned LA light and space artist Peter Lodato in collaboration with the enchanting bronzes of the late, great Cape Town sculptor Bruce Arnott.

Designer Peter Cohen was called “LA’s best secret” by the LA Times, dressing celebrities like Oprah and producing consciously and ethically out of his Los Angeles atelier.  For more information about SEIS, click HERE.

IAM NYC Opening

IAM is the inverted experience of the self as reflected through the eyes of established and upcoming local and international artists. The museum’s mission is to showcase the various facades of New York City through an inverted perspective, forcing audiences to re-envision the city’s topologies and structures in a new and creative light.

The inverted museum welcomes its guests in the heart of Soho, one of New York City’s best-known neighborhoods for fine art and culture. The museum’s lobby acts as an orientation point, a place where individuals can gain more insight into various art installations and their historical relevance to the city. The IAM Inverted Art Museum encourages individuals to tap into the complex spectrum of human emotion while they traverse through an array of vibrant exhibition rooms. As they are guided through these thematic rooms, time halts, and guests become fully immersed in the singular moment of time as the visual storytelling of each exhibition unravels in front of them.

The uniqueness of IAM comes from the museum’s ability to capture a visual record of history, igniting feelings of nostalgia, happiness and curiosity in its audiences. Each room acts as a different urban landscape unfolding the various personalities of New York City. From the gritty to the luxurious, the uptown bound trains to the empty apartments in Billionaires Row, the unexpected nature of the inverted rooms can be described as physical surrealism, showing off the unanticipated and often illogical juxtapositions of the city’s identity. 

IAM recognizes that each unique piece of art acts as an entryway to the artist’s cultural, political, and socio-economic circumstances. Culture and art are created by ordinary people, and their collective experiences shape the perception of the world around them. Similarly, New York City’s art scene is multifaceted, a melting pot of artistic expression that transcends any physical bounds dictated by borders or bodies of water. The museum wishes to highlight each artist’s unique perception of the world through an inverted lens, encouraging its viewers to pause and digest each and every little detail that surrounds them. IAM hopes to be a place of inspiration for artists and visitors alike, allowing artists to create work as their full unique selves while promoting tolerance, respect, and equality.

Our exhibition rooms

  • IAM Statue of Liberty
  • Oversized Kids Bedroom
  • Authentic New York’s Antique Shop
  • Plasma Room inspired by Nikola Tesla
  • Diorama inspired by Stan Lee
  • LEGO® Bathroom

Exhibition rooms of New York Artists’ work

Staying true to its mission of visual storytelling, the IAM Inverted Art Museum is also prioritizing work installations by Ukrainian artists in the hopes of aiding those who are affected by the unjust war. A percentage of ticket purchases go towards rebuilding schools and helping kids in Ukraine. IAM works directly with a number of charities to ensure that all donations are going towards rebuilding Ukraine and aiding families in need. The museum will also hold an auction for a large-scale Ukrainian flag built out of lego blocks and 100% of the profits made from the auction will go towards war relief efforts in Ukraine.

The IAM Inverted Art Museum is also proud to be supporting Ukrainian artists seeking to come to the United States Under the O-1B visa, otherwise known as the Artists Visa. Selected artists will receive assistance with navigating through the O-1B petition process. Please note that we do not cover the cost of application fees or lawyers, rather we help applicants fill out their petitions as an alternative route to hiring a lawyer. Our team members have first-hand experience with applying for the O-1B visa and can help applicants with the completion of their own Visa application.

Although artists from all around the world are welcome to apply to this initiative on our website HERE, we are currently prioritizing Ukrainian artists.

Panel with a Striding Lion, Neo-Babylonian period, 605-562 BC, glazed ceramic. The Metropolitan Museum of Art, Fletcher Fund, 1931 via Cole Calhoun Getty Communications for use by 360 MAGAZINE

Getty’s MESOPOTAMIA

Getty’s online digital experience, MESOPOTAMIA, is now viewable in Arabic, French, Hindi, Mandarin Chinese, Spanish, and English. MESOPOTAMIA offers an intimate look at ancient objects from a recent exhibition at the Getty Villa, some dating up to 5,000 years old.

MESOPOTAMIA reimagines how art collections and archives can be experienced online, taking users on a journey that presents objects in lifelike detail. Visitors can simply scroll to tour the online experience at their own pace, accompanied by a narrative that details the symbolic, religious, and sometimes practical meanings and purposes of these ancient works of art.

Featured objects in MESOPOTAMIA were captured using photogrammetry and in some cases, additional LIDAR and structured light scanning to replicate every detail. This allows users to see nearly every wedge-shaped impression on a 4,000-year-old cuneiform tablet, or the hairline cracks on other ancient tablets. In one instance, users can see the bubbles in the glaze of a lion relief that once lined Babylon’s Ishtar Gate.

To give objects a sense of size, scale, and context, the feature situates the objects within their gallery setting, and strings the experience together using a Steadicam video capture. This creates the sense of floating through the space, from one highlight to another.

As technology continues to advance and audiences anticipate more dynamic visual experiences, Getty is committed to experimenting with innovative ways of visual storytelling,” says Serena Parr, immersive lead at Getty. “MESOPOTAMIA is an example of Getty’s goal to bridge the gap between ancient art history and online learning, and we hope global audiences will enjoy diving into this fascinating time period.

Other recent Getty digital experiences include Return to Palmyra12 Sunsets, and Bauhaus: Building the New Artist.

Vellum LA inside 360 MAGAZINE about NFT

VELLUM LA – NFT ART

Vellum LA, Los Angeles’s premier art gallery for NFT-backed digital art, has done a remarkable job bringing together a traditionally digital community in-person, uniting collectors and NFT-enthusiasts at their space on Melrose. Now, in pursuit of furthering their outreach and expanding their impact, the gallery has partnered with Artsy, the leading global online art marketplace, to present a truly unique collection of works that benefit Girls Who Code.

Curated by Artist and Writer Mieke Marple and Vellum LA’s Sinziana Velicescu, Artists Who Code is a selection of NFT backed generative artworks by women and non-binary artists. Responding to the public perception of the NFT world as a male-dominated space, the exhibition foregrounds the central role and major impact women and nonbinary creators have in digital art and technology.

Using generative art techniques such as AI and algorithms as empowering tools, the show explores the realm of possibilities for a new language in the realm of digital art and beyond.

Featuring works by Morehshin Allahyari, Cibelle Cavalli Bastos, IX Shells, Sofia Crespo, LIA, Marjan Moghaddam, Helena Sarin, Anne Spalter, Alida Sun, Ellie Pritts, and more, this group exhibition sits at the intersection of innovation and outreach, bringing together feats of personal accomplishment and furthering the NFT field as a whole.

In pursuit of true community building and honor of Women’s History Month, a portion of the proceeds from the auction will be donated to the non-profit Girls Who Code, in line with Artsy’s mission to empower women and non-binary creators during women’s history month.

*Image Credit: Art by Ellie Pritts

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Brooke Cashin for use by 360 MAGAZINE

Flore Drops “Unidentified Foreign Objects” NFTs

The one-of-a-kind, acclaimed artist Flore is joining forces with Art Angels to drop a new line of NFT designs on Nifty Gateway. The collection will release on Thursday, January 13, featuring a group of collectible pieces titled “Unidentified Foreign Objects.” Flore’s inspiration for the pieces of work stem from the Atomic Era, a period where curiosity of outer space ventures and mid-century modern design came together.

The collection of NFTs includes six assets with a physical piece that is currently held in the LA-based gallery of Art Angels. The drop is sure to attract collectors across the metaverse to engulf themselves in Flore’s point-of-view throughout the space-time continuum with six new UFOs. The physical piece of art will become that of the owner of the NFT ‘Invader.’

Art Angels

Art Angels is the admired, female-owned contemporary art gallery in Los Angeles. Known for their provocative style, collectors are attracted to the diverse collections of art at the gallery. The gallery has gained success swiftly, appealing to high-profile businesses and individuals, offering a VIP experience paired with a sociable vibe. Housing an array of avant-garde pieces by Hollywood elites like Elizabeth Taylor and Simon Cowell, Art Angels is a luxury brand that houses truly eccentric pieces of art.

Nightclub Gif by Reb Czukoski for use by 360 Magazine

MERGING VERSES NFT

The future of fashion is the merging of two verses, the virtual world (metaverse) and the physical world. We explore this through the unity of traditional photography and animation—where humans and AI co-exist.

The NFT world is something that is growing and still confusing for many people not directly involved in the producing and purchasing of these new age art pieces. 360 MAGAZINE was able to interview several people directly involved in the production side of NFTs, including producer and model Bee Davies and photographer Jacques Burga.

Interview with Bee Davies

  • What made you become interested in NFTs?

I became interested in NFTs when I started doing virtual production and realized that there was no marketplace for digital art. More than that, there was no fan base. We know famous photographers and people who collect their photographsbut there’s not the same kind of hype surrounding animators. An NFT marketplace not only legitimizes their work, but provides a platform that opens up the door for a whole new kind of collector.

  • How do you respond to people suggesting NFTs are overly expensive and pointless?

Couldn’t you say that about all collectibles? Digital art, like any art, is meant to be enjoyed; the NFT marketplaces and wallets allow you to do that much more easily.

  • What is your favorite NFT?

The one I produced with Jacques for 360, because it exemplifies the merging of the real world and the metaverse.

  • Was it odd to see yourself become an NFT?

Not at all. Since the dawn of social media we have all had virtual versions of ourselves, this is just an overt way of expressing it.

  • What are your biggest artistic inspirations?

I would like to create and produce a completely virtual fashion show for the industry’s top fashion houses (this means AI talent, virtual runways, and digital clothing/accessories…as well as an audience attending in VR). And of course, mint every bit of the digital experience so it can be enjoyed in the metaverse for eternity.

  • What are some upcoming projects you’re looking forward to?

I have a bunch of NFTs that will be dropping soon that I’ve collaborated on with different animatorssome of which feature the actors from the SciFi TV Pilot I created.

Interview w/ Jacques Burga

  • What made you become interested in NFTs?

It’s a whole new way of making business. I enjoy pushing boundaries when it comes to projects related to my field. It also makes me feel there’s always a next step to follow and to explore disciplines that I wasn’t precisely an expert in.

  • How do you respond to people suggesting NFTs are overly expensive and pointless?

To keep the mind open to new ways of mixing technology and creativity may be good advice.

  • What are your inspirations as a photographer?

I am inspired by People and Beauty

  • Why did you decide to blend photographic elements with virtual ones?

Our world has become very virtual. Photography gets elevated when it’s blend with other disciplines such as Art or Technology (virtuality.)

  • What is your relationship with digital artwork?

I’m working on digital projects related to Fashion and NFT. My relationship is continuously growing.

  • When did you become interested in photography?

When I left an internship at a high profile magazine in Paris and decided to become independent and nurture my desire to create fashion.

  • What, in your opinion, is your best piece of artwork/photography?

I cherish every project since it is composed of pieces that create a nice puzzle for me.

  • What projects can we expect to see from you in the future?

I will always want to explore and collaborate with new technologies and artists that share my vision of fashion and people.

NFTs available on OpenSea.

MEET THE TEAM

Media Partner: 360 MAGAZINE

Studio: Daylight Studio

Producer: Bee Davies / Hive Global Media

Photographer: Jacques Burga

Make-up Artist: Sarah Tweedy

Hair Stylist: Christine McManemi

Wardrobe Stylist: Yash Joshi

NFT Marketplace: Opensea

Digital Designer: Edward Harber

Model: Bee Davies 

Animator: Vizzee

Virtual Model Creator: Vizzee

Metaverse Creators: Vizzee / Mercedes Luna Larrahona / Zoë Jane Bernet

PA: Stefanie Murza / Aleko Syntelis

nft image for use by 360 magazine
nft image for use by 360 magazine
nft image for use by 360 magazine
nft image for use by 360 magazine
nft image for use by 360 magazine
nft image for use by 360 magazine
Green Car by Mina Tocalini

Newport Car Museum Named Travelers’ Choice

Tripadvisor®, the world’s largest travel platform, has recognized the Newport Car Museum in Portsmouth, R.I. as a Travelers’ Choice™ Award winner for a second consecutive year and further distinguished the Museum as ranking among the top 10% of attractions worldwide in 2021.

“We have our incredible staff and docents to thank for this,” said Newport Car Museum Founder Gunther Buerman, “and of course we thank our fans from around the globe for spreading the word about their positive experiences here. If there is an overriding theme in the reviews, it’s that this is a happy place where everyone is welcome. The Museum’s design appeals to all, not just automobile enthusiasts; it’s an art gallery, not a spruced-up parking garage.”

“I know the past year has been extremely challenging for tourism businesses. The Travelers’ Choice Awards highlight the places that are consistently excellent–delivering quality experiences time and time again even while navigating changing customer expectations and new ways of working,” said Tripadvisor’s Chief Commercial Officer Kanika Soni. 

The Newport Car Museum first opened its doors in 2017 and won almost immediate recognition from USA Today as one of America’s 10 Best New Attractions. The count for the Museum’s private collection of rare and coveted cars has grown to over 85, and the visual art galleries for these now number six: one each for World Cars, Corvettes, Ford/Shelby, Fin Cars, Mopars, and American Muscle Cars. In addition, visitors enjoy an equally fascinating Gift Shop, sometimes referred to as “the Seventh Gallery,” and a recently added Pop-Up Porsche Exhibit in the Museum’s Thunderbird Ballroom.

Fall Events 

Upcoming at the Newport Car Museum’s iconic “Big Red Building”: Hoods Up Weekend (September 11-12, October 9-10, November 13-14), where engines on all the Museum’s cars are revealed for inspection; AutoFest 2021 (Sunday, October 3), with over 500 show cars, vendors, food trucks, music, valve cover racing, and more; German Car Weekend (October 9-10), where those showing their German car keys at the door receive admission discounts; and various car club visits, where the public is invited to join gatherings of like-minded car lovers in the Museum’s massive parking lot (where parking is free).

All events are posted on their website and on Facebook and Instagram.

Optimistic Vivacity via Tim Tadder for use by 360 Magazine

Interview with Tim Tadder

If you have ever seen photos of an Olympic athlete, you have no doubt seen Tim Tadder‘s work. As a photographer, he has captured the likes of Michael Phelps and Simone Biles. Recently, Tadder hosted an exhibition at Avant Gallery in New York City. 360 was given the opportunity to ask him about his artistic inspirations and his style.

How did you get into art? Was there a moment you realized you wanted to do art professionally?

I’ve always been involved in some capacity with art as a major thematic in my life. It was always what I most enjoyed in school, as a hobby, & just overall being creative. I left a career as a teacher and pursued photography as a craft and a creative expression form when I was 27, after realizing I needed to enjoy my occupation and creating was a massive part of that. 

When did you realize art was the career choice for you? Was there a moment when you realized you were gaining recognition and success in the art world?

People see me as a highly creative photographer and artist. The way that I see the world has a particular point of view that is sought after. I think embracing that as who you are and what you do and how you perceive and see has value and therefore is a viable career once you can monetize that vision. Everything else falls into place from there. 

People will collect and want to own a piece of your vision and hang it on a wall, which ultimately empowers you as an artist to continue to create and explore your vision knowing that you have the financial support in order to do so. 

When ‘Nothing to See’ first was shared as large format prints, the response was overwhelming. It was at that point that I knew there was serious traction in a new marketplace, one that I had always dreamed of being a part of and was fortunate that this particular series of images was embraced by collectors and galleries. 

How does knowing a multitude of art mediums help you with your artwork?

I come from a background of 20 years of creating advertising campaigns for the world’s biggest brands and our job is to create on demand art that sells a product. And in doing so, you learn to use all the tools at your disposal to make the most powerful image for that purpose. I have been able to use all of that skill and knowledge and channel it into my personal fine art work to create images that convey messages that are important to me and that should be heard around the world. 

What do you look at to get inspiration to create?

Pre-COVID I attended a lot of art fairs and contemporary museums to look at trends, masters, & to find inspiration on how people explore visual presentation. I found that going to those events and seeing the art in person really helped me refine my message and refine my voice. In a COVID world, I try to follow artists on IG and Twitter who I’m inspired by and keep abreast of their new work and from there I try to find my own lane to blend out, be distinct, and be noticeable. Right now there’s so many rabbit holes that one can go down to find inspiration, whether it’s instagram or twitter or the NFT space.

You use bright and vibrant color schemes in your artwork, when and how did that start? What’s your process when deciding about the colors you will use?  

I’ve always been attracted to bold use of color. It’s been a monochord in my commercial work since my career began. For me that’s an instinctual choice. To use bold colors to help story tell. In choosing, a lot of it comes from instinct and a lot comes from what those colors represent. For ‘Nothing to See,’ I chose the bed, black, & white hues because they were historically represented of fascist banners and that collection was born out of a desire to create iconic, anti-fascist imagery. 

You photograph both still-lives (mostly mannequins) and people. Is there one you prefer to photograph? What led to you choosing a humanoid inanimate object as your main subject in many photos/series? 

I choose to use real people and not mannequins. I select models that have very androgynous, mannequin-esque features because I want my images to represent humankind and not just a type of individual, which sometimes comes from casting talent with defining characteristics. It’s not a picture of someone, it’s a picture of something

You edit with high contrast, high-saturation as your signature style. What drew you to this editing style?

Instinctive choices. It’s how I see, it’s how I visualize, it’s what I as an artist feel is beautiful. It wasn’t a choice to follow a trend, it was my own visual aesthetic.

Peluca via Sean 9 Lugo for use by 360 Magazine

Sean 9 Lugo – Immigrant Mentality

Paradigm Gallery is pleased to present Immigrant Mentality, a solo show of new paintings, illustrations, and an installation by artist Sean 9 Lugo. Though Lugo’s work is fueled by his own personal stories and childhood, Immigrant Mentality expresses the shared elements and emotions that Lugo feels are part of the immigrant experience. The back of the exhibition is dedicated to a large-scale installation of an art bodega, composed primarily of handmade “merchandise.” Immigrant Mentality will be on view from July 23–August 22, 2021 with a virtual preview on July 22nd and an in-person opening reception on July 23rd, both at 5:30pm. RSVP is required.

The exhibition is designed to encompass a broad perspective on the culture, community, and values of immigrant families, emphasizing the experience of Hispanic and Latinx immigrants in the United States. The show is centered around 14 new paintings, many of which are based on a trip Lugo took to the Dominican Republic in 2015, including a few directly modeled on photographs the artist took himself. Lugo was inspired by the warmth and selflessness of the people he met living in poverty there. The work El Rey is made on a canvas created entirely of cigar boxes from the Caribbean. On top of the boxes, Lugo painted a Dominican man holding two kittens in his lap; he manifests the man as a king, living his fullest life, relaxing in his own kingdom after years of struggle, finally satisfied.

Immigrant Mentality honors Lugo’s mom, Lulu, who came from Cuba to the United States and worked as a house cleaner to provide a better life for her family; Lulu embodied the drive, work ethic, and generosity that Lugo sees as representative of the “immigrant mindset.” Blue (Lulu’s favorite color) is prominent in the works and represents her presence throughout the exhibition. While the artist’s earlier art reflected the unique circumstances of his life on the streets, this new work is intended to resonate with anyone who has lived as an immigrant or was raised by immigrant parents anywhere in the world.

To harken back to the artist’s early community in New Jersey, a tribute to local neighborhood bodegas, known as papi stores in Philadelphia, will be installed in the gallery, complete with a soda machine, chip rack, toilet paper, and even a wooden bodega cat. Lugo sees the bodega as family—the owners knew him, saw him grow up, and took care of him. By bringing the bodega into the gallery, the artist acknowledges the central and familial role that the space and people have played in his life. To stay true to the bodega experience, all of the pieces within the installation will be reasonably priced. Included are $20 stickers and snack packs to $200 comic books with original art covers. The comic books’ delicate illustrations feature Lugo’s signature style, which playfully reimagines iconic, original comic book figures and covers. The bodega also has a dedicated space for a makeshift shrine, which pays tribute to Puerto Rican astrologer Walter Mercado, and features votive prayer candles and Lugo’s painting, Mucho Mucho Amor.

Immigrant Mentality marks a new chapter in Lugo’s artistic oeuvre as he tackles topics that are both deeply personal and widely shared. In presenting this work, he hopes to honor his past, connect with fellow immigrant families, and teach those who were not raised by and among immigrants about the distinct culture and mindset that comes with leaving your life behind and starting over somewhere new.