Tripadvisor®, the world’s largest travel platform, has recognized the Newport Car Museum in Portsmouth, R.I. as a Travelers’ Choice™ Award winner for a second consecutive year and further distinguished the Museum as ranking among the top 10% of attractions worldwide in 2021.
“We have our incredible staff and docents to thank for this,” said Newport Car Museum Founder Gunther Buerman, “and of course we thank our fans from around the globe for spreading the word about their positive experiences here. If there is an overriding theme in the reviews, it’s that this is a happy place where everyone is welcome. The Museum’s design appeals to all, not just automobile enthusiasts; it’s an art gallery, not a spruced-up parking garage.”
“I know the past year has been extremely challenging for tourism businesses. The Travelers’ Choice Awards highlight the places that are consistently excellent–delivering quality experiences time and time again even while navigating changing customer expectations and new ways of working,” said Tripadvisor’s Chief Commercial Officer Kanika Soni.
The Newport Car Museum first opened its doors in 2017 and won almost immediate recognition from USA Today as one of America’s 10 Best New Attractions. The count for the Museum’s private collection of rare and coveted cars has grown to over 85, and the visual art galleries for these now number six: one each for World Cars, Corvettes, Ford/Shelby, Fin Cars, Mopars, and American Muscle Cars. In addition, visitors enjoy an equally fascinating Gift Shop, sometimes referred to as “the Seventh Gallery,” and a recently added Pop-Up Porsche Exhibit in the Museum’s Thunderbird Ballroom.
Upcoming at the Newport Car Museum’s iconic “Big Red Building”: Hoods Up Weekend (September 11-12, October 9-10, November 13-14), where engines on all the Museum’s cars are revealed for inspection; AutoFest 2021 (Sunday, October 3), with over 500 show cars, vendors, food trucks, music, valve cover racing, and more; German Car Weekend (October 9-10), where those showing their German car keys at the door receive admission discounts; and various car club visits, where the public is invited to join gatherings of like-minded car lovers in the Museum’s massive parking lot (where parking is free).
If you have ever seen photos of an Olympic athlete, you have no doubt seen Tim Tadder‘s work. As a photographer, he has captured the likes of Michael Phelps and Simone Biles. Recently, Tadder hosted an exhibition at Avant Gallery in New York City. 360 was given the opportunity to ask him about his artistic inspirations and his style.
How did you get into art? Was there a moment you realized you wanted to do art professionally?
I’ve always been involved in some capacity with art as a major thematic in my life. It was always what I most enjoyed in school, as a hobby, & just overall being creative. I left a career as a teacher and pursued photography as a craft and a creative expression form when I was 27, after realizing I needed to enjoy my occupation and creating was a massive part of that.
When did you realize art was the career choice for you? Was there a moment when you realized you were gaining recognition and success in the art world?
People see me as a highly creative photographer and artist. The way that I see the world has a particular point of view that is sought after. I think embracing that as who you are and what you do and how you perceive and see has value and therefore is a viable career once you can monetize that vision. Everything else falls into place from there.
People will collect and want to own a piece of your vision and hang it on a wall, which ultimately empowers you as an artist to continue to create and explore your vision knowing that you have the financial support in order to do so.
When ‘Nothing to See’ first was shared as large format prints, the response was overwhelming. It was at that point that I knew there was serious traction in a new marketplace, one that I had always dreamed of being a part of and was fortunate that this particular series of images was embraced by collectors and galleries.
How does knowing a multitude of art mediums help you with your artwork?
I come from a background of 20 years of creating advertising campaigns for the world’s biggest brands and our job is to create on demand art that sells a product. And in doing so, you learn to use all the tools at your disposal to make the most powerful image for that purpose. I have been able to use all of that skill and knowledge and channel it into my personal fine art work to create images that convey messages that are important to me and that should be heard around the world.
What do you look at to get inspiration to create?
Pre-COVID I attended a lot of art fairs and contemporary museums to look at trends, masters, & to find inspiration on how people explore visual presentation. I found that going to those events and seeing the art in person really helped me refine my message and refine my voice. In a COVID world, I try to follow artists on IG and Twitter who I’m inspired by and keep abreast of their new work and from there I try to find my own lane to blend out, be distinct, and be noticeable. Right now there’s so many rabbit holes that one can go down to find inspiration, whether it’s instagram or twitter or the NFT space.
You use bright and vibrant color schemes in your artwork, when and how did that start? What’s your process when deciding about the colors you will use?
I’ve always been attracted to bold use of color. It’s been a monochord in my commercial work since my career began. For me that’s an instinctual choice. To use bold colors to help story tell. In choosing, a lot of it comes from instinct and a lot comes from what those colors represent. For ‘Nothing to See,’ I chose the bed, black, & white hues because they were historically represented of fascist banners and that collection was born out of a desire to create iconic, anti-fascist imagery.
You photograph both still-lives (mostly mannequins) and people. Is there one you prefer to photograph? What led to you choosing a humanoid inanimate object as your main subject in many photos/series?
I choose to use real people and not mannequins. I select models that have very androgynous, mannequin-esque features because I want my images to represent humankind and not just a type of individual, which sometimes comes from casting talent with defining characteristics. It’s not a picture of someone, it’s a picture of something.
You edit with high contrast, high-saturation as your signature style. What drew you to this editing style?
Instinctive choices. It’s how I see, it’s how I visualize, it’s what I as an artist feel is beautiful. It wasn’t a choice to follow a trend, it was my own visual aesthetic.
Paradigm Gallery is pleased to present Immigrant Mentality, a solo show of new paintings, illustrations, and an installation by artist Sean 9 Lugo. Though Lugo’s work is fueled by his own personal stories and childhood, Immigrant Mentality expresses the shared elements and emotions that Lugo feels are part of the immigrant experience. The back of the exhibition is dedicated to a large-scale installation of an art bodega, composed primarily of handmade “merchandise.” Immigrant Mentality will be on view from July 23–August 22, 2021 with a virtual preview on July 22nd and an in-person opening reception on July 23rd, both at 5:30pm. RSVP is required.
The exhibition is designed to encompass a broad perspective on the culture, community, and values of immigrant families, emphasizing the experience of Hispanic and Latinx immigrants in the United States. The show is centered around 14 new paintings, many of which are based on a trip Lugo took to the Dominican Republic in 2015, including a few directly modeled on photographs the artist took himself. Lugo was inspired by the warmth and selflessness of the people he met living in poverty there. The work El Rey is made on a canvas created entirely of cigar boxes from the Caribbean. On top of the boxes, Lugo painted a Dominican man holding two kittens in his lap; he manifests the man as a king, living his fullest life, relaxing in his own kingdom after years of struggle, finally satisfied.
Immigrant Mentality honors Lugo’s mom, Lulu, who came from Cuba to the United States and worked as a house cleaner to provide a better life for her family; Lulu embodied the drive, work ethic, and generosity that Lugo sees as representative of the “immigrant mindset.” Blue (Lulu’s favorite color) is prominent in the works and represents her presence throughout the exhibition. While the artist’s earlier art reflected the unique circumstances of his life on the streets, this new work is intended to resonate with anyone who has lived as an immigrant or was raised by immigrant parents anywhere in the world.
To harken back to the artist’s early community in New Jersey, a tribute to local neighborhood bodegas, known as papi stores in Philadelphia, will be installed in the gallery, complete with a soda machine, chip rack, toilet paper, and even a wooden bodega cat. Lugo sees the bodega as family—the owners knew him, saw him grow up, and took care of him. By bringing the bodega into the gallery, the artist acknowledges the central and familial role that the space and people have played in his life. To stay true to the bodega experience, all of the pieces within the installation will be reasonably priced. Included are $20 stickers and snack packs to $200 comic books with original art covers. The comic books’ delicate illustrations feature Lugo’s signature style, which playfully reimagines iconic, original comic book figures and covers. The bodega also has a dedicated space for a makeshift shrine, which pays tribute to Puerto Rican astrologer Walter Mercado, and features votive prayer candles and Lugo’s painting, Mucho Mucho Amor.
Immigrant Mentality marks a new chapter in Lugo’s artistic oeuvre as he tackles topics that are both deeply personal and widely shared. In presenting this work, he hopes to honor his past, connect with fellow immigrant families, and teach those who were not raised by and among immigrants about the distinct culture and mindset that comes with leaving your life behind and starting over somewhere new.
The Miami Design District announces the debut of several new installations and initiatives for their current season of art programming.
SPECIAL SUNSET PUBLIC ART TOURS
Immerse yourself in the Miami Design District’s rich art and architecture. Experience the neighborhood like never before alongside resident expert Thom Wheeler Castillo. Visit Emmett Moore’s The Grotto, Apollo Projects ‘Landed’, April Bey’s Fringe Project installation, and more.
LOCATION: Palm Court Plaza 140 NE 39th St, Miami, FL 33137
DATES: Takes place the first and last Sunday of every month at 6 PM
ArtLife is an innovative contemporary art gallery and lifestyle brand with a focus on contemporary, pop and street art. The gallery was founded by veteran Art Advisor and Manager, Avery Andon in 2015, as one of the first online-only international Blue-Chip art galleries. Given the high momentum Miami is currently experiencing, the team felt it was the right time to debut this temporary pop-up in the Miami Design District. ArtLife has created a space where visitors can be immersed in works by some of the world’s most celebrated artists including Andy Warhol, Keith Hering, and Banksy. Additionally, ArtLife also provides the opportunity for visitors to experience works by a range of up-and-coming artists such as Cory Van Lew and Jannie Holmes. ArtLife Gallery will be on view through the end of June.
LOCATION: 180 NE 40th St, Miami, FL 33137
DATES: Month of June 2021 (Sunday – Thursday 11am-6pm/ Friday & Saturday 11am-8pm)
QUINAZ STUDIO’S BAY STORE
Using only materials sourced from Biscayne Bay and the Miami River, artist/designer James Quinaz transforms trash into treasure for BAY STORE. Part exhibition, part performance, BAY STORE invites you to watch the design process as Quinaz navigates the detritus in our waterways to produce thoughtful, functional furniture before your eyes. BAY STORE asks the viewer to consider the cost of excess and reckon with a society that litters its priceless natural landscapes with cheap plastics, foams, and other harmful waste. Visitors will have the opportunity to watch the artist work, learn about the issues facing South Florida’s precious aquatic resources, and purchase one-of-a-kind pieces from the gallery. 10% of the proceeds will be donated to nonprofits working to keep our bay and ocean clean.
LOCATION: Sweetbird South, 92 NE 40th St, Miami, FL 33137
DATES: June 24th – July 25th
NEW WORLD SCHOOL OF ARTS PRESENTS UNSPECIFIC VOID: 2021 BFA EXHIBITION
NWSA presents the 2021 Bachelor of Fine Arts Exhibition. Despite the challenges the pandemic has brought, the students persevered and continued to work in makeshift studios at home and produced an incredible body of work. The work included in the exhibition ranges from documentation of the pandemic to heartbreak to futuristic imagination, among other themes. The exhibition culminates these young artists’ academic training at the school and will present a wide range of media and themes. Twenty-eight recent graduates will participate in the exhibition.
LOCATION: Moore Building, 191 NE 40th St, Miami, FL 33137
DATES: June 21st – July 11th
“THE GROTTO” BY EMMETT MOORE
Part fiction, part reality, The Grotto is an immersive installation comprised of faux coral boulders sculpted into a secluded lounge, inspired by coral rock quarries and the mythology surrounding the fictional identities that form around these places, where the young and the marginalized gather to sequester themselves and share pleasures. The Grotto also takes cues from local sites such as the Coral Castle and the Venetian Pool where the quarrying of coral rock acquiesced to a mystical landscape, and a fantasy Venetian enclave. Each a tropical fantasy created by man in an effort to transport visitors to an otherworldly place. The Grotto is part pavilion, part folly, where one can escape from everyday life. Emmett Moore’s Grotto Lounge is on permanent display.
LOCATION: 3920 NE 2nd Ave., Miami, Florida, 33137
DATES: Permanent display
APOLLO PROJECTS ‘LANDED’
Apollo ‘Landed’ is the initial iteration of the first plant exhibition to take place in Miami Design District. All artists involved were invited to create, with nature as collaborator and muse, bringing attention to a living, shifting climate and all her inhabitants. From May to July, this pop-up will be hosting activations and installations, focused on reconnecting with the environments around us, where locals are invited to create art, with nature as their muse.
LOCATION: 151 Northeast 41st Street, Suite 12, Miami, Florida 33137
DATES: May 2021 – July 2021
JADE ALLEY FILMS 2021
A collaborative year-long art video feature, Jade Alley Films: 2021 features four artist video selections by the District’s key institutions, including Locust Projects, de la Cruz Collection, and ICA Miami. From April 1 to June 30, the Miami Design District will feature ‘Outage’ by Philadelphia-based artists: Jennifer Levonian and Eva Wylie. Originally commissioned and premiered by Locust Projects in 2019, Outage is a video that utilizes Levonian’s signature cut-paper animation technique, which incorporates deftly rendered watercolors into short films that wryly depict prescient social narratives and Eva Wylie’s unique printmaking techniques. The single-channel animation was made from over 3,000 frames and more than 275 screens were used to create pieces for the animation.
BREAKWATER BENCH BY AMLGMTD
Ideated by design duo AMLgMTD, the Breakwater Bench is a system of individual benches inspired by the lapping ebb and flow pattern of waves. The slight shift in the repetition of a single element creates movement between the open and closed sections within the design. This simple use of geometry causes playful shadows to appear where the light filters through the open structure.
LOCATION: Palm Court, 140 NE 39th Street, 2nd Floor
The Aston Martin Residences Miami is creating a permanent art gallery on the 52nd floor of the luxury tower, which is due for completion at the end of next year. The Art Gallery celebrates a love of beauty and an appreciation of art in all forms, values shared by developer G&G Business Developments and its partner Aston Martin.
Ahead of its completion, the Aston Martin Residences’ Art Gallery is launching virtually and will showcase a renowned artist online every two months. To launch the virtual gallery, a 3D immersive experience, the Aston Martin Residences has partnered with British artist and acclaimed photographer Julian Lennon to present an exclusive exhibition of hand-picked images from his personal collections. The virtual Art Gallery and inaugural exhibit, titled “Vision,” can now be seen by visiting this website.
Germán Coto, CEO of G&G Business Developments, said: “Art and design are woven into the soul of the Aston Martin Residences. Every decision we make is born from an intrinsic love of beauty and meticulous attention to detail. We imagine residents will fill their homes with beautiful artworks, and we’re creating the Art Gallery to offer a secluded and exclusive space for our owners to immerse themselves in an ever-changing canvas of contemporary art. We’ll present works from established artists and emerging talents that make our hearts beat faster, and we hope the Art Gallery will inspire residents in their daily lives.”
He also said: “We’re 70% sold, and we know that our residents appreciate art. It’s this love of art together with a desire for the highest quality finishes, light-filled spaces, and of course, the stunning waterside location that has attracted clients to the Aston Martin Residences Miami.”
For Lennon, capturing moments through photography is an intimate experience. “I aim, through my photography, to grant the viewer intimate access to the lives and locations of my subjects, as well as insight into my own personal journey,” he said. “In a city as vibrant and diverse as Miami, I invite the residents to draw a relationship to their own lives in these images, and to take part in my mission to unite us through empathy in the lives of others.”
Julian Lennon’s fine art photography exhibition, “Vision,” the first to be presented by the Aston Martin Residences’ Art Gallery, can now be seen virtually, ahead of the physical opening in 2022.
INTRODUCING ASTON MARTIN RESIDENCES MIAMI SIGNATURE COLLECTION
Signature Collection penthouses and residences revealed at prestigious Miami waterfront development
The Signature Collection is the next level of luxury at the Aston Martin Residences Miami
Aston Martin Residences Miami on target to complete construction at the end of 2022
Aston Martin Residences Miami, located on the exclusive Miami waterfront, has revealed its Signature Collection of seven penthouses and Line 01 ocean facing residences. Signature Collection is a personal invitation to the ultimate members-only community with unparalleled access and exclusivity at its core.
Contemporary architecture blends with art, and art blends seamlessly with design throughout the magnificent sail-shaped luxury development. The elegant homes are harmonious inside, while floor to ceiling windows afford uninterrupted views of the ocean and Biscayne Bay.
All seven one-level penthouses in the Signature Collection, starting on the 56th floor, are a minimum of 8,800 sq. ft. Prices range from $16.7 million to $25 million. The 38 Line 01 Signature Residences, starting on the 15th floor, offer a minimum of 3,600 sq. ft. of interior space facing the ocean and start at $5,525,000.
Signature Collection owners will enjoy an array of privileges, including a dedicated butler service and priority access to the Aston Martin Residences private superyacht marina. While the Art Gallery located on the 52 floor will create a secluded space for residents to appreciate an ever-changing canvas of contemporary art.
Germán Coto, CEO of G&G Business Developments, said: ‘I’m delighted to announce the Signature Collection and share the very first images of the penthouses. They’re the pinnacle of luxury and elegance, style and beauty, and the result of an inspirational collaboration between our architects and the Aston Martin Design Team. The Signature Collection is complemented by a specially-commissioned bespoke Aston Martin DB11 Coupe or DBX Riverwalk Editions, which will enhance the Aston Martin lifestyle for our owners.’
‘From the start, this project has been a labor of love, and I’m extremely proud of the passion and drive of everyone involved. We adapted to continue working safely throughout the pandemic and have reached floor 56 of 66 on schedule. The whole team is fully focused on completing the construction of our waterside jewel by the end of next year.’
Aston Martin Chief Creative Officer, Marek Reichman, said: ‘The Signature Collection is the next level of luxury; the best of elegant living. When we designed the interior, we focused on the beauty of perfect proportions, affording the same attention to detail that goes into every Aston Martin. Fine craftsmanship, with an emphasis on comfort for the living spaces and bold, pioneering design for the amenity areas, has created an astonishingly beautiful development. Aston Martin Residences Miami is our first global real estate venture, Reichman continued. I think we have shown that good design is good design, whatever the medium. This is something that really excites us as a brand.’
Located at 300 Biscayne Boulevard Way and now 75% sold, the Aston Martin Residences Miami is well on its way to completion at the end of next year.
For further information, visit Aston Martin Residences’ website.
About Aston Martin Residences Miami:
Aston Martin Residences Miami is a luxury residential tower developed by global property developer G&G Business Developments. It is located at 300 Biscayne Boulevard Way on the Downtown Miami waterfront where the Miami River meets Biscayne Bay. The project marks Aston Martin’s first real estate venture and the iconic brand’s expansion into luxury residential design. Designed by Revuelta Architecture and Bodas Miani Anger, the striking 66-story sail-shaped tower features 391 luxury residences and penthouses priced from the $750,000s to upwards of $50 million. Construction is due for completion at the end of next year. To learn more, please visit HERE.
About G&G Business Developments:
Headquartered in Miami, G&G Business Developments was founded and is managed by key members of the Coto family. The company has quickly established success in global real estate as a developer, owner and investor, bringing its visionary business strategy to this competitive market. Known for financial strength and stability, G&G is committed to developing innovative, luxury projects that mix the latest technology with uncompromising design, delivering exceptional results by creating unique residential and business properties with long-term value.
PHANTOM ORIBE: A BESPOKE ROLLS-ROYCE PHANTOM IN COLLABORATION WITH HERMÈS
“This magnificent expression of our pinnacle product represents a landmark for Rolls-Royce Motor Cars, bringing together two houses with more than three centuries’ combined experience and heritage. It is the result of a deep, genuine collaboration between the Houses of Rolls-Royce and Hermès, in which designers, materials specialists and skilled craftspeople worked side by side to create a truly one-of-a-kind Phantom. It has been an extraordinary privilege to unite on such a creatively challenging, technically demanding commission and bring our client’s remarkable vision so beautifully to life.”
–Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars
“This unique Phantom is a fusion of East and West, ancient and modern, serenity and exhilaration. It was a great creative and cultural exchange working with Hermès; we learned a great deal from each other. It is always a pleasure when a client brings us a bold, clear and imaginative vision, and a great thrill to see it realised so perfectly.”
–Michael Bryden, Lead Designer, Rolls-Royce Bespoke Collective
Rolls-Royce Motor Cars has co-created a magnificent Bespoke Phantom in a unique collaboration with Hermès. Designed and handcrafted by a combined team of Bespoke specialists at the Home of Rolls-Royce at Goodwood, West Sussex, and Hermès in Paris, Phantom Oribe reflects the personality and passions of its owner, Japanese entrepreneur Yusaku Maezawa. The client envisioned the car as a ‘land jet’, bringing the serene exclusivity of private air travel to the road.
The car’s striking two-tone exterior matches the characteristic green and cream glazes of antique Japanese Oribe ware, of which Maezawa-san is a prominent collector. The upper part is finished in Oribe Green, a fully Bespoke color created exclusively for the client; in an unusual move, Rolls-Royce has made the paint available for use on the client’s private jet the Phantom will be paired with. Developed over many months by specialists in the Surface Finish Centre at Goodwood, it perfectly captures the lustrous, deep-green glaze that characterizes these 16 century ceramics. The effect is beautifully completed by the cream-white lower section.
The Oribe ware-inspired colorway harmoniously continues through the interior, created and realized through a true meeting of minds between Hermès designers and craftspeople in Paris, and the Rolls-Royce Bespoke Collective of designers, engineers and craftspeople at Goodwood in West Sussex. Together, they applied their shared expertise and ingenuity to ensure every individual component embodies the finest traditions of both houses.
The interior is finished predominantly in Hermès Enea Green leather, extending to details that include the immediate touch-points of the client; for example, the steering wheel, duchess handles, gear selector and the rotary controls for the motor car’s climate settings.
The Hermès leather flows around the upper instrument panel, interior pillars and parcel shelf. It also enrobes less visible surfaces including the glove compartment and luggage compartment lining, centre console, decanter stowage compartment and Champagne cooler. In a sign of the project’s truly collaborative nature, and the two makers’ mutual esteem, the glove compartment lid is embossed with the signature Habillé par Hermès Paris.
Delicate Hermès piping adorns the headrest cushions and calf supports of the rear seats, while soft Seashell White accents and matching lambswool floor mats create a sense of light and space throughout.
The interior is also replete with examples of Rolls-Royce Bespoke design and handcraftsmanship. Wooden speaker frets, for example, are formed by meticulously perforating the Open Pore Royal Walnut veneer applied to the doors, creating a seamless, textured aesthetic and delicate haptics. Open Pore Royal Walnut is additionally applied to the center and rear consoles and picnic table backs; in another first for Rolls-Royce, the interior features Hermès ‘Toile H’ canvas on the door armrests, center and rear consoles and, most notably, the signature headliner.
Hermès brings its distinctive equestrian heritage and innovative craftsmanship know-how to the car, with the leather upholstery created using stitching and edge-painting techniques originally employed by master saddlers. For Phantom’s Gallery, a feature unique to Rolls-Royce, that runs the length of the motor car’s fascia, Hermès commissioned an artwork based on a design by the celebrated French artist and illustrator Pierre Péron (1905–1988) who created many of the House’s iconic scarves. The work, inspired by the famous Hermès horse motif, is hand-painted on Open Pore Royal Walnut and is presented as though staged in an art gallery, behind glass.
Torsten Müller-Ötvös added, “This majestic and tasteful Rolls-Royce Phantom demonstrates what is possible when talented people from two of the world’s great houses work closely together alongside a far-sighted, inspirational client like Maezawa-san. It is a meeting of minds, expertise, visions and skill that represents the very best of our respective craftspeople and capabilities.”
*Photographer: Oribe Ware photographs by Kaoru Yamada
Artwork is often the center of a home and brings life and character to a space. As time progresses, artwork trends change and as the new season approaches new art trends are arising.
With the start of a new year, Desino is excited to present the graphic art trending this spring! Abstract art is at the forefront for the coming season, with organic shapes, arches and geometric lines adding an artsy element to our walls. Check out the latest graphic prints created by our very own Design Studio.
The rounded arch can be spotted through architectural history, and this year the classic curved shape is leading the way in the interior world. Arched furniture, doorways and home accessories are being spotted everywhere! This spring we’ll be decorating our walls with arched designs that bring a classic and stylish feel to our homes. Many people have used the arched design as a makeshift headboard, a DIY that blends in with the trends.
For abstract art lovers, the organic shapes coming this spring are the perfect addition to your walls! Featuring warm, earthy tones, this graphic art featuring soft shapes and curves will bring a fresh feel to your gallery wall. These pair perfectly with less abstract pieces of art and tie together any gallery wall.
In contrast to the abstract art trending right now, figurative art is coming on strong this season. With a more simplistic approach to this art style, we’re loving these simple portrait drawings honoring our human shapes. These pieces of art encapsulate the beauty of human features.
Monochrome art complements all kinds of interior styles and this season we’re embracing these geometric patterns in black and white. A great choice if you want a modern accent piece for your wall, these graphic prints will look great in minimalist and colorful homes alike. Pairing these with silhouettes, as seen in the gallery wall below, instantly creates a beautiful contemporary wall.
WonderWorks Myrtle Beach announces its youth art contest winners. ART-OLINA: Youth Art Gallery of the Carolinas, located inside WonderWorks Myrtle Beach, will display the winning pieces for a year. The winners also each receive four complimentary tickets to WonderWorks to visit the art gallery and see their work on display. The winners of this year’s art contest are:
Dawson, 12th Grade, Socastee High School, Art Title: COVID19 Self Portrait
Rori, 8th Grade, Loris Middle School, Art Title: The Dream
Erin, 7th Grade, Bob Jones Academy, Art Title: Free to Dream
Corbin, 8th Grade, Black Water Middle School, Art Title: Right and Left State of Mind
Addysyn, 6th Grade, Bryson Middle School, Art Title: Mind on Me
Anna, 5th Grade, Waccamaw Elementary School, Art Title: Light through the Dark
Kaylee, 6th Grade, St. James Intermediate School, Art Title: Thinking About Art in Space
Weston, 3rd Grade, Aynor Elementary School, Art Title: In the Wild
Adayln, 1st Grade, Carolina Forest Elementary School, Art Title: Thinking
“We received a lot of great artwork from the youth in our community,” explains Robert Stinnett, general manager at WonderWorks Myrtle Beach. “We are happy to be able to have some of it on display for the next year. This is a great way to honor our young artists and to inspire others.”
Submissions for the art contest were accepted through December 18, 2020, with the winning submissions going on display January 22, 2021. The theme for this year’s contest was “Time to Think,” which encouraged young artists to think and express their thoughts through art. All of the artwork focused on being unique in concept, design, and execution. All winning artwork will help expand the illusion art gallery in a special section created to highlight local area youth art.
Encouraging youth to engage in art comes with many benefits. According to the National Endowment for the Arts, youth that engage in arts do better in school, are more optimistic, less likely to try drugs, and have higher school attachment. Additionally, youth who engage in art tend to have a higher quality of life, reduced stress and make them feel more involved in the community.
“Art is one of the things that we focus on here at WonderWorks Myrtle Beach,” added Stinnett. “We are happy to offer the area’s young artists a chance to have their artwork on display. Combine that with all the other family fun we offer, and it’s a winning combination.”
WonderWorks Myrtle Beach programs include the WonderWorks WonderKids event, ART-OLINA Young Artist’s Gallery of the Carolinas, online science worksheets, sensory days, group rates, birthday parties and a homeschool program.
WonderWorks Myrtle Beach offers a variety of STEM- related activities, including virtual learning labs, science fair partnerships, on-site exhibits, activities and more. To learn more about the program, visit the site here. To learn more about the most recent career highlight, visit the site.
WonderWorks Myrtle Beach has COVID-19 safety measures in place. They include reduced hours, enhanced cleaning, spatial distancing protocols, employee health screenings and employee personal protective equipment (PPE).
WonderWorks, a science-focused indoor amusement park, combines education and entertainment. With over 100 hands-on exhibits, there is something unique and challenging for all ages. Feel the power of 84-mph hurricane-force winds in the Hurricane Shack. Make huge, life-sized bubbles in the Bubble Lab. Get the NASA treatment in our Astronaut Training Gyro and experience zero gravity. Nail it by lying on the death-defying Bed of Nails. Conquer your fear of heights on our indoor Glow-In-The-Dark Ropes Course. WonderWorks is open 365 days a year and hosts birthday parties and special events.
The Untitled Space is pleased to present “Katie Commodore: Between Friends and Lovers” solo exhibition opening on November 21st, and on view through December 12, 2020. Curated by Indira Cesarine, “Katie Commodore: Between Friends and Lovers” debuts a series of large scale erotically charged figurative tapestries, created with detailed adornments and unique embroideries, along with a number of her signature portraits in gouache, miniature watercolor paintings on ivory, as well as works on paper including intaglio etchings, metallic foil cutouts, and photogravure prints. Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends. In 2000 Commodore received her BFA in illustration from Maryland Institute College of Art. In 2004 she obtained her MFA in printmaking from Rhode Island School of Design where she is currently an adjunct professor.
“Katie Commodore: Between Friends and Lovers”
A Solo Exhibition
Presented by The Untitled Space
THE UNTITLED SPACE
45 Lispenard Street, NYC 10013
*RSVP* Due to COVID, there will be limited capacity inside the gallery, and guests are required to wear masks. RSVP Required via Registration Link. All RSVPs will be confirmed. Thank you in advance. RSVP REGISTRATION LINK
EXHIBITION ON VIEW
November 21– December 12, 2020
“Everyone is my friend and they are allowing me to be a witness to their love, which in turn is then celebrated by everyone that sees it.” Over the past few years, Katie Commodore’s artwork has concentrated on depicting real people’s sexuality, although not necessarily their sexual preferences, but rather sexuality in the broader sense. Her intimate portraits address what is it that makes them feel sexy, how they express that physically, and how it evolves over the years for them as individuals. “We change our clothes every season; our physical appearance through body modification, losing weight, gaining weight, tattoos, etc; we change our kinks and sexual preferences partner to partner, year to year. Our sexuality, and how we feel about it, is in constant flux; the same way that we redecorate our homes, change the wallpaper and curtains, change the sheets.” States the artist on her portraits. Commodore likens this subtle change in how her friends express themselves to the way society also expresses its collective self through decorative patterns. “In a roundabout way, it can be looked at as a meter of a population’s ‘sexuality’ – the public expression of the private. Bright colors, vibrant patterns, clean lines, and minimal decoration all provide a window into the personalities that chose or created them. Historians and anthropologists often use the decorative remnants (pots, jewelry, frescos, etc.) of past cultures to gain valuable insight into the lives of the people that created them, the same sort of cultural portrait can be drawn from our design choices today.”
Throughout the years, she has focused on various mediums including drawing, painting, printmaking, textiles, and scrimshaw. She has often emphasized materials that are not considered “fine art” but were rather thought of as women’s “hobbies” and in so doing highlights their traditional merit. A majority of her artwork is portraits of her friends during their most erotic moments, acting as a celebration of personal power, beauty, and sexuality. It is a subtle, but often rich moment that shows the kink, sexual fulfillment, and the sexual interests of those closest to her. “Any activity that helps someone express their sexuality is beautiful, to be supported, and worthy of being immortalized in art.” She states of her sexually charged portraits which depict real people in the moment, captured through private photo sessions with the artist which are used as references for her paintings or prints.
Commodore was diagnosed with Multiple Sclerosis in 2007, which forced her to adjust her artistic practice. Her diagnosis motivated her to explore ways of maintaining the vibrant patterns and detail that she’s known for while not having to rely completely on her super fine motor skills. “Right before I was diagnosed with MS my artwork got much more detailed and pattern-based, and I think that was an unconscious reaction to the fact that I was losing my super-fine motor skills. Since then, I’ve adapted my studio practice to accommodate what I can and cannot do. I don’t draw with a pencil or pen as much anymore, paint brushes are more forgiving when it comes to small hand tremors. I do much more planning and sketching in the computer. Embroidery has been a real change that allows me to maintain the compulsive marking and patterns while there’s no need for perfect hand-eye coordination.”
Her latest series of large-scale figurative tapestries are ripe with intricate details. In a continuation of her signature style she presents bold figures against dramatically complex patterns, pushing the visuals into the realm of surreal erotic fantasies. The sheer scale of the works heightens the drama in a cinematic manner with the life-sized figures taking center stage. “Tandem to creating miniatures and paintings with vivid patterns, I’ve always been interested in creating life-sized portraiture. In grad school I did a series of life-sized relief prints and over the years I’ve done several life-sized drawings that I then spent months filling in with patterns. There was always something about portraying my models in a completely relatable scale that took the image from something precious to something actually more personal, the viewer can feel their gaze and the energy in their pose, feel their weight and almost come away feeling like they know the model in real life. Several years ago, I wanted to have custom tapestries made to reference the historical value of tapestries while giving tribute to the fact that often women were the actual makers of the tapestries which were usually designed by men. My digitally woven textiles start out as drawings in my computer. Like my works on paper, the patterns are historical wallpaper and fabric designs that range from the medieval to contemporary examples. I embroider on them, adding appliques (chine collé, if you will), bejeweling and beading away for hours, turning them into monoprints. I’m creating something new that combines the immediate gratification of print on demand fabricated works with the meditative, time consuming craft of embroidery and fiber arts. I juxtapose mass-produced elements with the uniqueness of each piece, elevating each patch and plastic bead to something more substantial.” She also introduces a number of text works in fiber that complement the series with their adventurously powerful statements.
Katie Commodore has exhibited throughout the United States and Europe, including England, Italy, Germany, and Greece. She has had solo exhibitions at Baby Grand, NYC, and SHAG, Brooklyn. Her work has been previously featured in a number of group shows presented by The Untitled Space including “(Hotel) XX” at Spring/Break Art Show, “IRL: Investigating Reality” and “Secret Garden”. Other notable exhibitions include “FEMME” presented by Spoke Art and Juxtapoz Magazine, SCOPE Art Fair, “StitchFetish 6” at The Hive Gallery, and “Facing the Walls” at The VETs Gallery. Residencies include ChaNorth, Pine Plains, New York; Red Light Design, Amsterdam, Holland; and One Night Residency, London, England. She is currently the Administrative Director of Crux, LCA, a cooperative of Black XR Creatives and Producers that focuses on Black storytelling and creating a foothold in the burgeoning vocabulary of new media of VR and creating Black wealth. Commodore has been featured in a number of publications including The New York Times and Dazed Digital, among others. She currently lives and works in Providence, Rhode Island.
The Robert Grunenberg Art Gallery announces their upcoming solo exhibition by Brandon Lipchik. The show will open on Wednesday, September 9th, 2020 and will be available until October 24th, 2020 in Berlin. In response to regulations concerning COVID-19, the gallery is monitoring the situation and will adjust the opening event according to the rules of conduct. Please stay tuned.
Brandon Lipchik’s work investigates the process of digital collage and painting within subjects of the male nude, queer identity, and Americana. He is often thought about in context with other contemporary painters which investigates identity between the sum of both real and digital spaces. Lipchik uses 3-D modeling software and other digital tools to reconstruct and re-stage figurative settings as a means to begin the painting process. During the process of translation between digital compositions to paintings, Lipchik emphasizes the importance of discovering new possibilities with paint as influenced by digital screens. Opposed to reproducing the flatness that the digital screen provides, Lipchik emphasizes areas of tactile and physical qualities of paint to simultaneously engage in a dialogue between tactility of real-world experience and the flatness and immateriality of digital spaces.