Posts tagged with "filmmaker"

Insuficiente by Sael and Beele cover art from Black Koi Entertainment via NV Marketing and Public Relations, LLC by Nini Veras for use by 360 Magazine

Sael and Beele – Insuficiente

Sael and Beele join their talents for the release of “Insuficiente”

Available on all digital platforms

Argentina and Colombia come together to give life to “Insuficiente.” The voices of Sael and Beele make the perfect match to this song that brings a positive message into today’s society and is now available on all digital platforms.

Inspired by female empowerment, Sael and Beele wrote this song for all women who, at some point in their lives, have felt “insufficient” next to their partners.

The song was born under the wings of the record label Black Koi Entertainment, with the production of Sael and Taiko and the co-production of Sky Rompiendo. “Insuficiente” begins as a sensual urban ballad that later becomes a powerful reggaeton, with a dynamic and commercial rhythm.

The song premieres with its official music video, shot in the beautiful city of Medellín, Colombia, under the lens of filmmakers Film by Dave and Lucas Emiliani.

Sael is part of the new generation of urban music interpreters. He is currently receiving great support from his fans, allowing him to make his born-country Argentina proud of his talents. So far, Sael has more than 45 thousand subscribers on his YouTube channel and his music videos collect millions of views.

Insuficiente by Sael and Beele cover art from Black Koi Entertainment via NV Marketing and Public Relations, LLC by Nini Veras for use by 360 Magazine

Lauren Jenkins MILES ON ME PART 1 EP cover from Emily Ginsberg, Big Hassle Media for use by 360 Magazine

LAUREN JENKINS EP – MILES ON ME PART 1

“I will always be proud of my first record,” says Lauren Jenkins, “but MILES ON ME is what I hoped NO SAINT could be from start to finish.” MILES ON ME (told in three parts) picks up where NO SAINT left off, telling the unapologetic, brutally honest next chapter of Jenkins’ story.

In 2020 Jenkins and her then-record label parted ways, giving her an independence that she hadn’t had in nearly seven years. “I finally had the freedom to write, record, produce and tell my story exactly the way I wanted to,” she says. “It’s strange to hear your own voice and realize you’ve been whispering for a long time. With this realization, the sparks ignited. I called on my friends and collaborators to make this record with me, and it’s been one of the most beautiful processes of my life.”

Jenkins has been a touring artist since she was 15 years old. The Texas-born, Carolina-raised artist chose a life that would fit perfectly in the songs she writes: across countless smoky bars, fake IDs, and endless miles on the road, music has been her one constant companion. Named an “Artist to Watch” by the New York Times, Billboard, Rolling Stone, Pandora, and many more, she was also chosen as a member of the “Class of 2019” by influential radio DJ Bobby Bones, and made her TODAY Show debut as Elvis Duran’s Artist of the Month. An accomplished actress and filmmaker, Lauren wrote, produced, and starred in an original short film titled Running Out of Road that accompanied the release of her critically-acclaimed debut album, NO SAINT, on Big Machine Records. In May of 2020, she released “Ain’t That Hard,” her first song as a fully independent artist.

MILES ON ME, PART 1

Track Listing

  1. LIKE YOU FOUND ME
  2. SHE’S A STAR
  3. MILES ON ME (FEAT. DAVID RAMIREZ)
  4. MY OWN ADVICE
Image via Transmedia Group for 360 Magazine

Maryam Henein – Q×A

Here at 360 Magazine, we were lucky enough to be able to speak with acclaimed journalist and activist Maryam Henein. We got to speak with her about her controversial and brave ongoing investigations as well as her work with her company HoneyColony. Read the entire conversation below.

So, you have a reputation as the most censored woman, even more censored than Laura Loomer, what aspects of your investigations and reports do you think have led to this?

I started feeling the wrath of technofascism, which is a term that I’ve popularized, as early as 2017, and in this case, it was in regard to selling CBD before mostly being on the front lines. Now today, everyone and their mother sells CBD, but back then it was novel. I started feeling censored for sharing information on the health benefits of CBD. Initially, we got shut down several times by different merchant processors, including PayPal, Stripe, and QuickBooks. My first ban was PayPal back in 2018. Then as I started doing investigations into the politics of CBD, I experienced even more censorship. I was a victim of Google’s ‘Medic Update’ and my website, HoneyColony was buried. Then I started doing research into Google and I was already covering vaccine safety, which is not a topic that the mainstream embraces. I discovered that Google is basically a drug company. And I went and reached out to Google whistleblower Zach Vorhies when I came upon his disclosure. As a result of Google’s algorithmic changes, we lost 67% of our traffic on HoneyColony. I was getting 500,000 unique visitors a month on our magazine and that all went to hell. And then slowly, as I started covering the Coronavirus, given that medical freedom and health are my beats, I got censored even more for peddling supposed “medical misinformation” because YouTube takes its directives from the World Health Organization, a.k.a “China.” I started covering politics and today I’m shadow banned on Twitter. I’m on my second strike on my second YouTube channel and banned from PayPal, Kiva, and GoFundMe. Square booted me the day of the “Deadly Insurrection.” I was a part of their CBD beta program and had signed an NDA, and for absolutely no reason, we lost our account. We went four months without being able to generate money. I soon learned that Dorsey owned Square up until a few months ago. So, I have been digitally assassinated, or they’ve tried to digitally assassinate my voice and my work. Back in 2017, I was telling people, Roseanne Barr today, you tomorrow. Well, here we are.

The topics of your stories have a wide range of backgrounds, from police brutality to animal extinction. It is obvious these issues are near to your heart. What inspires you to move on to a new and wildly different topic or area?

Just to set the record straight. I’m not really looking at police brutality, per se, that’s a subtopic of this multilayered psycho that I call George Floyd. Sometimes I cover stories by accident. I caught a lie by CNN or a kind of lie rather than by the mainstream media and I was driven to learn the truth. I am driven to show people how the mainstream media lies and deceives and doesn’t give a shit about details or accuracy. As far as the bees, they flew into my life and kind of stuck. Pun intended. Bees are wonderful teachers, they feed us, and they are working for the greater good. So, I am not sure what triggers my interest other than injustice, or something that I see will impact people on a global scale and it’s very hard to decipher fact from fiction. So, one has to be discerning and there’s a lot of corruption out there from actual journalists that are supposed to share the news with you. So, I’m an eclectic person, a lot of interests, I’m an intellectual. And I’ve also really dedicated many years of my life to empowering people to be their own best health advocate, having suffered from a chronic illness. Consider that today more and more information regarding health and wellness is buried.

Your film, Vanishing of the Bees was a massive success, what inspired you to convert your journalism into film? 

At that point, I was already working on independent projects of many kinds as a researcher and a producer, I wanted to make my own project and I decided. George Langworthy and I decided to collaborate and then the bees flew into our lives, and I had just recovered from a near-death experience where I was given a second chance and I wanted to cover something that is pertaining to all of us because we all eat, and we all take bees for granted. I wanted to give back and be in service to make the most out of my life.

Your current cases and investigation on the George Floyd case, what inspired you to research and investigate on your own?

As I mentioned earlier that kind of accidentally fell into the story when Zach Vorhies, the Google whistleblower, asked me about a year ago in Costa Rica, while we were under lockdown to recreate the George Floyd kneeling on his neck. So, he asked me to put my knee on his neck. And I asked, who’s George Floyd?  I don’t think anyone’s going to ever ask that question again and I interviewed the medical examiner’s office because I said, if you really want to look at how he died, let’s look at the death certificate autopsy report. I was told that it would take weeks and weeks, and I found another local publication that had said the same thing. Then, the next thing I saw was CNN had put out this preliminary report. So, they were trying to sow discord in the narrative. Soon, we had this tale of two autopsies that emerged and with Benjamin Crump and Michael Baden on the scene, which raised some suspicions that I was collecting. I just didn’t tap out of the story, and I was covering it. The different hearings and such and keeping a close eye. Then I decided, well, I’m probably suited to write the most comprehensive book out there because I’ve looked under lots of rocks, and I’m very detail oriented. So, I will have a lot of very interesting factual tidbits to offer people to show what really happened, and not what the mainstream wanted you to see, and what the corrupt government officials wanted you to see by sitting on the camera, body worn camera for four months.

What do you think is the biggest misconception about the George Floyd case? And what is the source of that misinformation?

The sources, definitely the mainstream media and the government officials behind the narrative and their objectives, whether it’s to defund the police, to destabilize America, to give the illusion that there’s systemic racism across the country. So, the biggest misconception, which is not really a misconception, because Keith Ellison, after all of this, went on 60 minutes and stated that this had nothing to do with race. This case has nothing to do with race. And that’s how it was painted. And while it could have characteristics of police brutality, it had nothing to do with race. And then you have the Attorney General. He also puts this emphasis on the many talking points that I discovered or that are obvious, but he believes in what you see with your eyes. Well, that’s a crock of shit, hello, movie magic, hello, eyes can deceive you. So many things are happening behind the surface. And that’s part used to trick human beings and to have them make decisions based on a lack of proper information and emotion. If you don’t have all the information your perception is skewed and you’re not able to make a proper conclusion or decision. So just really like many multi layered SOPs are just great examples of the lies, whether you want to call it the deep state or the mainstream media, which is the deep state bitch. They work hand in hand to deceive the people.

We know you got to speak with medical examiners to the 911 transcriptsand other information concerning the police department’s handling of the case, what were you able to find? And what was the most shocking piece of evidence you can speak on?

Well, I’m still gathering, still conducting investigations. So right now, I’ve uncovered a cover up. I’m not quite sure what the cover entails if it entails an informant. Clearly, someone I’m trying to speak to is gatekeeping the story and I’ve found some lies. I’ve done 911 calls. Well, there’s three, one from the store and two of the bystanders to the bystanders. Those were released and featured in the trial, but the main call has not been released. And in Minnesota, there’s a statute that only the caller can release the call. So, what is the prosecution asked for those bystanders to release the call, not the call from cut foods. I know who made the call. I know who identified the people in the store. And I’ll leave it at that for now. I have also obtained the death certificate. Just basically showing that George Floyd died of a heart attack while being restrained not because of being restrained. That one word has a big impact and can be debated emotionally and viciously. Probably I’d like to just pose well would have George Floyd died if he had not gathered lots of drugs. In that position now, Derek apparently had his knee on the neck of a team for 17 minutes and not much smaller child person survived. George Floyd was at least six foot four, 230 pounds. It took for three people to restrain him. So, would he have died? Without the drugs? Would he have died without the knee on the neck? Maybe not. So that was interesting to see what the death certificate is. I’m, I’m still trying to obtain some other records. I’ve just obtained the actual archival exhibits pretrial exhibits, so it’s much clearer and I’m putting together a short documentary. 

What significance did the George Ford case have on you personally and your brand HoneyColony?

It has no impact on my brand HoneyColony. As far as on me it’s been very revealing to see how information in this day and age is scrubbed by the Ministry of Truth and if you’re not there, covering it, and paying attention to the details, you will probably be a victim of what I call narrative supremacy, and you’ll probably be bamboozled. I’ve seen people who are well versed in this case, repeat a slight of numbers. For instance, George Floyd was arrested for aggravated robbery. The tale says the woman was pregnant, but the actual court document that I’ve read does not saying anywhere that she was pregnant. So, I don’t know where that piece of the puzzle or sorry that that detail started. But you have to be very, very detail oriented and specific. So, it’s, it’s taught me more than more than ever reminded me how the media lies, and how you have to be paying attention and really look at details because they should matter.

What did you learn about George Floyd’s life that you think more people should know about?

Well, George Floyd isn’t innocent and that doesn’t justify his death. But George Floyd was a career criminal, he spent the last 20 years of his life in and out of jail, and he was, according to some, bad news. He has appeared in at least one porno; he’s pretended to be a part of the water department and dressed in costume to help carry out this robbery. And so, we know that he can kind of act, play act and take on different personas if need be. So, let’s just keep that in the back of our minds. I do believe he was not an evil, or rather, you know, I think Lester, his friend, was a much bigger stand back. So, he certainly apparently was meant to change America, as one person stated. I don’t know what that means, but he was not supposed to die, and he was supposed to change. So do what you will with those phrases right now. 

What was the most difficult part in gaining sources and information about George Floyd’s life and death?

Well, it’s still currently difficult. I’m still under undertaking an investigation. And the hardest thing is people who can talk on behalf of Derek Chauvin. Nobody wants to say anything because they might wake up with a pig’s head on their doorstep. I’m not able to find any family members, very weird. So that’s been a challenge, contacting people from the force. I mean, I haven’t started trying to reach people on George Floyd’s side. I can tell you, for instance, I didn’t have any luck getting the initial second autopsy, independent from Michael Baden and Alicia Wilson. So where is that actual report? Was it just a verbal press release? He’s just the Hollywood medical examiner? Why wasn’t his autopsy even used in the trial of Derek Chauvin? Okay, sorry, I’ll just add that a lot of information has disappeared. I’ve been able to catch some of it because I was doing it in real time and when this first happened, but now it’s not like who owned that SUV Mercedes Benz. It’s not George. And you can’t find who the owner is. Although I do have a name. But yeah, so basically just information scrubbed, addresses. Very interesting that George lives in Texas at 3333. There’s a lot of three threes in this story. And six sixes.

Where can we learn more about you and your findings about the George Floyd case?

You can find me on my telegram channel at Truth Lives Here. Lady be on gab. And that book will be coming out next year. So, you can also contact me at Maryam@honeycolony.com 

Maryam Henein is an investigative journalist and functional medicine consultant. As founder and editor-in-chief of HoneyColony, an online magazine for health and wellness, she shares her wisdom with thousands of followers. She is also the director of the award-winning documentary film Vanishing of the Bees, narrated by Elliot Page. For more information, visit her website.  

HoneyColony is dedicated to cross-pollinating with companies who uphold high-quality standards that value planet, humanity, honesty, and fair-trade practices. HoneyColony is committed to unite the growing number of people adopting healthy lifestyles and seeking to cut through the hype and claims about natural products and remedies.  For more information, visit HoneyColony.

TT The Artist illustration by Heather Skovlund for 360 Magazine

TT the Artist × Netflix

TT THE ARTIST’S GROUNDBREAKING DOCUMENTARY

“DARK CITY BENEATH THE BEAT “

LANDS AT NETFLIX

Tedra Wilson A.K.A. TT The Artist Directorial Debut Produced by ColorCreative

Netflix has licensed multi-hyphenate director, Tedra Wilson a.k.a. TT The Artist’s, critically acclaimed debut documentary musical, DARK CITY BENEATH THE BEAT.  Winner of the Bushwick Film Festival for Best Feature Documentary 2020, the doc takes you on a journey about the rising Baltimore club music and dance culture.

The film is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all-original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate to its creative LGBTQ community and showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence. 

The film is a noted love letter to Baltimore that uplifts the narrative of the city and is produced by Issa Rae and Deniese Davis through their management production company ColorCreative. In addition to the Netflix premiere, TT will also be dropping its soundtrack through Issa Rae’s Raedio

The soundtrack, titled, Dark City Beneath The Beat Original Motion Picture Soundtrack is a fusion of Baltimore club music intermixed with poetry, hip hop, house, and soul. Executive produced by TT The Artist and Baltimore club music hero Mighty Mark, the eighteen track project features local artists on the rise from the “Charm City.”  The soundtrack is available on all digital streaming music platforms including Apple Music, Spotify, Tidal among others. The documentary feature will premiere on Netflix April 15, 2021.  

About TT The Artist:

TT The Artist is a multi-hyphenate filmmaker whose work is an intersection of music, art, fashion, and film. Her bold and colorful visual storytelling is influenced by her love for black cinema and narratives that expand the representation of women of color and LGBTQ stories on screen. TT The Artist has worked with influential DJs and producers in the music industry such as Grammy award winning producer Diplo. TT The Artist’s musical success in the television and the film sync world has secured her placements on The Chi, Twenties, Netflix’s Nappily Ever After, HBO’s hit series Insecure, and more. Stepping out of the recording studio and into the director’s chair, TT The Artist was selected as a shadow director for Insecure’ s highly anticipated season 4. TT has directed many of her own videos such as CENTER OF ATTENTIONPAYROLLBLACK HERSTORY, and WOAH. TT The Artist is also a participant in Powderkeg’s 2020 FUSE Program, founded by Paul Feig. Most recently, TT shot WHEW CHILE for Dai Burger, which debuted on Paper Magazine.

TT The Artist is represented by ColorCreative management and the law firm of Del, Shaw, Moonves, Tanaka, Finkelstein & Lezcano.

Tedra Wilson a.k.a. TT The Artist
Film Premiere illustration by Heather Skovlund for 360 Magazine

Twenty Pearls Premiere

COMCAST ANNOUNCES EXCLUSIVE PREMIERE OF
TWENTY PEARLS – A DOCUMENTARY EXAMINING THE STORIED HISTORY OF ALPHA KAPPA ALPHA SORORITY, INCORPORATED – ON ITS NEWLY LAUNCHED BLACK EXPERIENCE ON XFINITY CHANNEL

Comcast NBCUniversal is excited to announce the exclusive premiere of the documentary film “Twenty Pearls: The Story of Alpha Kappa Alpha Sorority, Incorporated”, arriving Friday, March 26 on its newly launched Black Experience on Xfinity Channel, available on X1, Flex, and on-the-go with the Xfinity Stream app.

From award-winning filmmaker Deborah Riley Draper, produced by Coffee Bluff Pictures, and narrated by Phylicia Rashād, Twenty Pearls closely examines the founding and legacy of the first Black sorority, Alpha Kappa Alpha Sorority, Incorporated, which is now regarded as one of the most significant and influential Black organizations in historyThe documentary tells a powerful story of sisterhood. In 1908, nine Black women enrolled at Howard University made one decision that would change the course of history. These college students created Alpha Kappa Alpha Sorority, Incorporated. For over 113 years, the sorority has influenced many of the most famous watershed moments in history.

Through narration, interviews, and rarely seen archival materials, the audience will see the sorority’s impact on World War II, NASA, Civil Rights, Women’s Rights, and Historically Black Colleges and Universities (HBCUs) culminating in the historic election of America’s first Black and South Asian woman Vice President. Twenty Pearls features interviews with members of the sorority including Vice President Kamala HarrisMiss Universe Ireland 2019 Fionnghuala O’ReillySmithsonian Secretary Lonnie Bunch III, Anna Eleanor Roosevelt Fierst, great-granddaughter of First Lady Eleanor Roosevelt, International President and CEO of Alpha Kappa Alpha Sorority, Incorporated Dr. Glenda Glover and many more.

 
Watch the Twenty Pearls trailer hereTrailer
 

“This is an extraordinary time to look back at our past to serve our future,” added filmmaker Deborah Riley Draper. “A future where Black women are centered. Helming this documentary love letter to the founders of Alpha Kappa Alpha, the generations of women that followed in their footsteps, and to all Black women everywhere is an honor. This is an important history for all of us to know and understand.”

“We’re thrilled to work with award-winning filmmaker, Deborah Riley Draper, and Alpha Kappa Alpha Sorority to bring this exclusive premiere to the Black Experience on Xfinity channel, furthering our company-wide mission of investing in and showcasing authentic Black stories and culture,” said Keesha Boyd, Executive Director, Multicultural Video & Entertainment, Xfinity Consumer Services. “We launched this channel to help facilitate the discovery of stories like Twenty Pearls while providing a platform for emerging Black content creators.”

“Telling our own story is essential to preserving our history and uplifting the culture,” said Alpha Kappa Alpha International President and CEO Dr. Glenda Glover. “Alpha Kappa Alpha Sorority, Incorporated’s remarkable 113-year journey which began on the campus of Howard University is punctuated by stories of history makers, ceiling breakers, public servants, and ordinary women who have changed the course of American history.  Through this beautifully written and narrated odyssey, this film highlights in undeniable ways the vision, courage, tenacity, determination, and power of Black women while putting to bed the age-old questions about the relevance of Historically Black Colleges and Universities and the Divine Nine sororities and fraternities.”

Black Experience on Xfinity is a first-of-its-kind destination of Black entertainment, movies, TV shows, news, and more. It features high-quality content from many of Xfinity’s existing network partners, at no additional cost, while investing millions of dollars in fostering and showcasing emerging Black content creators. The channel is the only one of its kind endorsed by the African American Film Critics Association (AAFCA), the world’s largest group of Black film critics that gives annual awards for excellence in film and television. Available at home on Xfinity X1 and Flex, and on-the-go with the Xfinity Stream app, the Black Experience on Xfinity will entertain, educate and uplift, featuring Black actors, writers, producers and directors. At home, Xfinity subscribers can visit channel 1622 or simply say “Black Experience” into the Voice Remote to instantly enjoy the ultimate in Black storytelling.

Visit Xfinity to learn more about the Black Experience on Xfinity and other Black programming available on X1, Flex, and the Xfinity Stream app. Visit Alpha Kappa Alpha Sorority, Incorporated to learn more about Twenty Pearls, which premieres on March 26 on Xfinity and is free for subscribers, and will be available nationwide, on-demand, starting on March 30, 2021.

Illustration by Gabrielle Archuleta for 360 Magazine

Oscars 2021, Only Kind of White

By Dana Feeney

The nominations for the 2021 Oscars have finally been announced. In June 2020 it was announced that the awards show would be postponed due to the Coronavirus pandemic. The Oscars were originally scheduled for February 21 but they will now be on April 25. The award show is run by the Academy of Motion Pictures, which was founded in the 1930s. This is the third time in Oscar’s history that the show has been postponed: the first time was in 1968 after the assassination of Dr. Martin Luther King Jr. and the second in 1981 due to an assassination attempt on President Ronald Reagan.

Despite the Coronavirus pandemic, there are many incredible films that have been created in the past year. This is the first time in Oscars history that the Academy will allow streaming films meaning films that did not have a box office debut. According to the Academy announcement last April, it will be a one time exception made to the eligibility rules due to the COVID-19 pandemic and the resulting theater closures. This makes films like 2021 awards season powerhouse Borat Subsequent Moviefilm, which exclusively premiered on Amazon Prime Video, eligible for award nominations.

Landmarks in Diversity

This is the first time in the Academy’s history that two women have been nominated for Best Director; Chloé Zhao for “Nomadland” and Emerald Fennell for “Promising Young Woman.”  Zhao is the first woman of color to be nominated for Best Director at the Oscars. She is also the first woman to ever receive four nominations in one year. 

This is the first time that the Best Actor category is not majority white. Steven Yeun was the first Asian American to be nominated for Best Actor for his role in “Minari“. Also nominated for Best Actor, Riz Ahmed is the first person of Pakistani descent and the first Muslim person ever nominated for an acting Oscar for his performance in “Sound of Metal.” They are nominated alongside Chadwick Boseman for “Ma Rainey’s Black Bottom,” Anthony Hopkins for “The Father” and Gary Oldman for “Mank.” Chadwick Boseman is the first black actor to be nominated for a posthumous Oscar and may be the first black actor to win a posthumous Oscar considering his Golden Globes win

Many black filmmakers and professionals made history this year including Mia Neal and Jamika Wilson, who are the first Black women nominated for best makeup and hairstyling for their work on “Ma Rainey’s Black Bottom.” Additionally, “Judas and the Black Messiah” is the first movie with an all-Black producing team, Shaka King, Charles D. King and Ryan Coogler, to be nominated for best picture. Daniel Kaluuya and LaKeith Stanfield’s acting nominations for “Judas and the Black Messiah” marks the first time two Black actors from the same film were nominated. “Judas and the Black Messiah” now holds the record for most Black nominees ever from the same film with 10 nominations compared to the past record which was “The Color Purple” with 7 nominations.

The best actress nominees include Viola Davis for “Ma Rainey’s Black Bottom” who is now the most nominated Black actress ever and Andra Day for her performance in “The United States vs. Billie Holiday.” The best supporting actor nominees include Daniel Kaluuya for “Judas and the Black Messiah”, Leslie Odom Jr. for “One Night in Miami…” and LaKeith Stanfield for “Judas and the Black Messiah.” Additionally, Yuh-Jung Youn, who is nominated for Best Supporting Actress for “Minari”, is the first Korean person ever nominated for an acting Oscar.

As expected, the nominations for the Oscars have many familiar titles from the Golden Globes nominations. You can read more about this year’s Golden Globes here. It’ll be interesting to see how the Oscars winners compare to the Golden Globes winners considering last year’s parallel with Parasite’s Oscars win for Best Picture versus it’s Golden Globes snub.

This year’s nominations are as diverse as the Oscars have ever been, though the bar still is on the floor considering the nominees are still predominantly old, white, and male. In 2020 the Oscars earned the hastag, #OscarsSoWhite so The influx of recognition for minorities is significant in comparison. For reference last year the only non-white person nominated was Cynthia Erivo, who was nominated for Best Actress. 

The Academy is working on improving their organization and have increased the number of female identifying members from 25% in 2015 to 33% in 2020, and increased members from racial and ethnic minorities, from 10% in 2015 to 19% in 2020. Considering the significant lack of diversity and recognition in categories like Best Picture and the lack of representation for Latinx individuals almost entirely, the Academy still has a way to go til its awards actually recognize and represent the diversity of the film community. 

Full List of 2021 Oscar Nominations

Similar to college basketball’s March Madness brackets, we highly recommend making Oscars ballots. It’s a super fun way to engage in awards shows which tend to be pretty monotonous and motivates people to actually watch the nominated films.

ACTOR IN A LEADING ROLE

NOMINEES:

RIZ AHMED

Sound of Metal

CHADWICK BOSEMAN

Ma Rainey’s Black Bottom

ANTHONY HOPKINS

The Father

GARY OLDMAN

Mank

STEVEN YEUN

Minari

ACTOR IN A SUPPORTING ROLE

NOMINEES:

SACHA BARON COHEN

The Trial of the Chicago 7

DANIEL KALUUYA

Judas and the Black Messiah

LESLIE ODOM, JR.

One Night in Miami…

PAUL RACI

Sound of Metal

LAKEITH STANFIELD

Judas and the Black Messiah

ACTRESS IN A LEADING ROLE

NOMINEES:

VIOLA DAVIS

Ma Rainey’s Black Bottom

ANDRA DAY

The United States vs. Billie Holiday

VANESSA KIRBY

Pieces of a Woman

FRANCES MCDORMAND

Nomadland

CAREY MULLIGAN

Promising Young Woman

ACTRESS IN A SUPPORTING ROLE

NOMINEES:

MARIA BAKALOVA

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan

GLENN CLOSE

Hillbilly Elegy

OLIVIA COLMAN

The Father

AMANDA SEYFRIED

Mank

YUH-JUNG YOUN

Minari

ANIMATED FEATURE FILM

NOMINEES:

ONWARD

Dan Scanlon and Kori Rae

OVER THE MOON

Glen Keane, Gennie Rim and Peilin Chou

A SHAUN THE SHEEP MOVIE: FARMAGEDDON

Richard Phelan, Will Becher, and Paul Kewley

SOUL

Pete Docter and Dana Murray

WOLFWALKERS

Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

CINEMATOGRAPHY

NOMINEES:

JUDAS AND THE BLACK MESSIAH

Sean Bobbitt

MANK

Erik Messerschmidt

NEWS OF THE WORLD

Dariusz Wolski

NOMADLAND

Joshua James Richards

THE TRIAL OF THE CHICAGO 7

Phedon Papamichael

COSTUME DESIGN

NOMINEES:

EMMA

Alexandra Byrne

MA RAINEY’S BLACK BOTTOM

Ann Roth

MANK

Trish Summerville

MULAN

Bina Daigeler

PINOCCHIO

Massimo Cantini Parrini

DIRECTING

NOMINEES:

ANOTHER ROUND

Thomas Vinterberg

MANK

David Fincher

MINARI

Lee Isaac Chung

NOMADLAND

Chloé Zhao

PROMISING YOUNG WOMAN

Emerald Fennell

DOCUMENTARY (FEATURE)

NOMINEES:

COLLECTIVE

Alexander Nanau and Bianca Oana

CRIP CAMP

Nicole Newnham, Jim LeBrecht and Sara Bolder

THE MOLE AGENT

Maite Alberdi and Marcela Santibáñez

MY OCTOPUS TEACHER

Pippa Ehrlich, James Reed, and Craig Foster

TIME

Garrett Bradley, Lauren Domino, and Kellen Quinn

DOCUMENTARY (SHORT SUBJECT)

NOMINEES:

COLETTE

Anthony Giacchino and Alice Doyard

A CONCERTO IS A CONVERSATION

Ben Proudfoot and Kris Bowers

DO NOT SPLIT

Anders Hammer and Charlotte Cook

HUNGER WARD

Skye Fitzgerald and Michael Scheuerman

A LOVE SONG FOR LATASHA

Sophia Nahli Allison and Janice Duncan

FILM EDITING

NOMINEES:

THE FATHER

Yorgos Lamprinos

NOMADLAND

Chloé Zhao

PROMISING YOUNG WOMAN

Frédéric Thoraval

SOUND OF METAL

Mikkel E. G. Nielsen

THE TRIAL OF THE CHICAGO 7

Alan Baumgarten

INTERNATIONAL FEATURE FILM

NOMINEES:

ANOTHER ROUND

Denmark

BETTER DAYS

Hong Kong

COLLECTIVE

Romania

THE MAN WHO SOLD HIS SKIN

Tunisia

QUO VADIS, AIDA?

Bosnia and Herzegovina

MAKEUP AND HAIRSTYLING

NOMINEES:

EMMA

Marese Langan, Laura Allen and Claudia Stolze

HILLBILLY ELEGY

Eryn Krueger Mekash, Matthew Mungle, and Patricia Dehaney

MA RAINEY’S BLACK BOTTOM

Sergio Lopez-Rivera, Mia Neal, and Jamika Wilson

MANK

Gigi Williams, Kimberley Spiteri, and Colleen LaBaff

PINOCCHIO

Mark Coulier, Dalia Colli and Francesco Pegoretti

MUSIC (ORIGINAL SCORE)

NOMINEES:

DA 5 BLOODS

Terence Blanchard

MANK

Trent Reznor and Atticus Ross

MINARI

Emile Mosseri

NEWS OF THE WORLD

James Newton Howard

SOUL

Trent Reznor, Atticus Ross and Jon Batiste

MUSIC (ORIGINAL SONG)

NOMINEES:

FIGHT FOR YOU

from Judas and the Black Messiah; Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

HEAR MY VOICE

from The Trial of the Chicago 7; Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

HUSAVIK

from Eurovision Song Contest: The Story of Fire Saga; Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

IO SÌ (SEEN)

from The Life Ahead (La Vita Davanti a Se); Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

SPEAK NOW

from One Night in Miami…; Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

BEST PICTURE

NOMINEES:

THE FATHER

David Parfitt, Jean-Louis Livi, and Philippe Carcassonne, Producers

JUDAS AND THE BLACK MESSIAH

Shaka King, Charles D. King, and Ryan Coogler, Producers

MANK

Ceán Chaffin, Eric Roth, and Douglas Urbanski, Producers

MINARI

Christina Oh, Producer

NOMADLAND

Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, and Chloé Zhao, Producers

PROMISING YOUNG WOMAN

Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara, Producers

SOUND OF METAL

Bert Hamelinck and Sacha Ben Harroche, Producers

THE TRIAL OF THE CHICAGO 7

Marc Platt and Stuart Besser, Producers

PRODUCTION DESIGN

NOMINEES:

THE FATHER

Production Design: Peter Francis; Set Decoration: Cathy Featherstone

MA RAINEY’S BLACK BOTTOM

Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

MANK

Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

NEWS OF THE WORLD

Production Design: David Crank; Set Decoration: Elizabeth Keenan

TENET

Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

SHORT FILM (ANIMATED)

NOMINEES:

BURROW

Madeline Sharafian and Michael Capbarat

GENIUS LOCI

Adrien Mérigeau and Amaury Ovise

IF ANYTHING HAPPENS I LOVE YOU

Will McCormack and Michael Govier

OPERA

Erick Oh

YES-PEOPLE

Gísli Darri Halldórsson and Arnar Gunnarsson

SHORT FILM (LIVE ACTION)

NOMINEES:

FEELING THROUGH

Doug Roland and Susan Ruzenski

THE LETTER ROOM

Elvira Lind and Sofia Sondervan

THE PRESENT

Farah Nabulsi and Ossama Bawardi

TWO DISTANT STRANGERS

Travon Free and Martin Desmond Roe

WHITE EYE

Tomer Shushan and Shira Hochman

SOUND

NOMINEES

GREYHOUND

Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

MANK

Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

NEWS OF THE WORLD

Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

SOUL

Ren Klyce, Coya Elliott, and David Parker

SOUND OF METAL

Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

VISUAL EFFECTS

NOMINEES:

LOVE AND MONSTERS

Matt Sloan, Genevieve Camilleri, Matt Everitt, and Brian Cox

THE MIDNIGHT SKY

Matthew Kasmir, Christopher Lawrence, Max Solomon, and David Watkins

MULAN

Sean Faden, Anders Langlands, Seth Maury, and Steve Ingram

THE ONE AND ONLY IVAN

Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

TENET

Andrew Jackson, David Lee, Andrew Lockley, and Scott Fisher

WRITING (ADAPTED SCREENPLAY)

NOMINEES:

BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN

Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

THE FATHER

Screenplay by Christopher Hampton and Florian Zeller

NOMADLAND

Written for the screen by Chloé Zhao

ONE NIGHT IN MIAMI…

Screenplay by Kemp Powers

THE WHITE TIGER

Written for the screen by Ramin Bahrani

WRITING (ORIGINAL SCREENPLAY)

NOMINEES:

JUDAS AND THE BLACK MESSIAH

Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

MINARI

Written by Lee Isaac Chung

PROMISING YOUNG WOMAN

Written by Emerald Fennell

SOUND OF METAL

Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

THE TRIAL OF THE CHICAGO 7

Written by Aaron Sorkin

Book illustration by Heather Skovlund for 360 Magazine

Idris Elba × HarperCollins

Iconic and multi-award-winning actor, musician, filmmaker, and activist Idris Elba has signed a global multi-book deal with HarperCollins to publish a range of children’s books launching in 2022.

In a major UK/US co-publication deal, world rights were acquired by Ann-Janine Murtagh, Executive Publisher, HCCB UK, and Suzanne Murphy, President, and Publisher, HCCB US, from Crystal Mahey-Morgan at OWN IT! Entertainment Ltd.

Publishing will include picture books and fiction featuring a character and world imagined and developed by Idris and his writing partner Robyn Charteris, who has written numerous live-action drama, pre-school and animation programs for BBC, Channel 4, the Jim Henson Company, and Endemol as well as educational theatre for schools. Idris Elba said, “I feel privileged to have the opportunity to bring stories inspired by my daughter to life with my incredible partner Robyn Charteris, and the powerhouse team at HarperCollins.”

Executive Publisher HCCB UK, Ann-Janine Murtagh said, “Idris Elba is one of the most iconic and multi-talented creatives of his generation and I am delighted that he is joining the HarperCollins Children’s Books list. From the outset, Idris had a very clear vision of the characters and stories he has imagined and is passionate about creating books that will appeal to all children. Robyn Charteris has a fantastic track record in writing for children, working with some of the biggest producers of children’s entertainment, and I am hugely excited to also welcome her to the world of children’s books. I feel privileged that Idris has entrusted us to bring his stories to life and I cannot wait to share them with children across the globe.”

President and Publisher HCCB US, Suzanne Murphy said, “Idris Elba is a creative force, who has many wonderful stories to tell. We are honored to be working with him and with Robyn Charteris to bring Idris’s rich and imaginative storytelling to the world of children’s books, and we are thrilled to welcome them to the HarperCollins family.”

IDRIS ELBA

Golden Globe and SAG winning Idris Elba captivates audiences as an actor, producer, and director, and continually secures his position as the one to watch in Hollywood. He is the first actor to receive dual SAG awards in one evening.

Idris’s career skyrocketed on the small screen in some of the UK’s top-rated shows. Soon after, he landed the role of Stringer Bell in HBO’s critically acclaimed series The Wire (NAACP Image Award nomination). In 2010, Idris landed the title role on the BBC mini-series Luther, which earned him a Golden Globe, SAG Award, and four Emmy nominations. In 2005, he began his film career; his credits include American Gangster (Golden Globe nomination), Mandela: The Long Walk to Freedom (Golden Globe nomination), Beasts of No Nation (SAG Award, Golden Globe nomination), and the Oscar-nominated film Molly’s Game.  He can be seen this April in the Netflix film Concrete Cowboy, which he also produced, and this summer will be starring in The Suicide Squad 2.  Other upcoming films include The Harder They Fall and Three Thousand Years of Longing.

Behind the camera, Idris made his feature-film directorial debut at the 2018 Sundance Film Festival with Yardie. In 2013, he founded his production company, Green Door Pictures, to champion diversity of thought. With Green Door, Idris released the documentary Mandela, My Dad and Me, produced the TV mini-series Guerrilla for Showtime, and created, produced, and appears in the Sky comedy series In the Long Run. He also created, produced, and starred in the Netflix comedy series Turn Up Charlie.

ROBYN CHARTERIS

Robyn began her career writing educational theatre for schools and charitable organizations internationally before graduating to television. For television she has written on numerous live-action drama, pre-school, and animation programs for the BBC, Channel 4, the Jim Henson Company, Channel 5, Initial Kids (Endemol), Carlton TV, Gullane, Hit Entertainment, Granada, SABC, Urban Brew, Disney, and M-Net.

Her credits include a BAFTA-winning children’s drama series for CBBC, creating and writing one of the first original 52-episode pre-school series for the launch of the digital channel CBeebies, creative consultancy for Mattel Toys and Lego, and a master’s degree in Playwriting.

ABOUT HARPERCOLLINS
HarperCollins UK is a division of HarperCollinsPublishers, the second-largest consumer book publisher in the world, with operations in 17 countries, and was named Publisher of the Year at the British Book Awards 2018. With over two hundred years of history and more than 120 unique imprints around the world, HarperCollins publishes approximately 10,000 new books every year, in 16 languages, and has a print and digital catalog of more than 200,000 titles. Writing across dozens of genres, HarperCollins authors include winners of the Nobel Prize, the Pulitzer Prize, the National Book Award, the Newbery and Caldecott Medals, and the Man Booker Prize. HarperCollins UK has offices in London, Glasgow, Honley, and Manchester and can be found online.

HARPERCOLLINS CHILDREN’S BOOKS, UK 

HarperCollins Children’s Books, unprecedented three times winner of Children’s Publisher of the Year (2014, 2015, 2016), is one of the leading publishers of children’s books, recognized for nurturing new talent as well as boasting a reputable list of established bestselling authors. Respected worldwide for its tradition of publishing quality, award-winning books for young readers, HarperCollins is home to many children’s classics, including The Chronicles of Narnia, Mary Poppins, the Paddington stories, The Cat in the Hat, and The Tiger Who Came to Tea, and to some of the biggest names in children’s literature past and present, including Judith Kerr, David Walliams, Lauren Child, David Baddiel, Oliver Jeffers, and Michael Morpurgo.

HARPERCOLLINS CHILDREN’S BOOKS, US: 

HarperCollins Children’s Books is one of the leading publishers of children’s and teen books. Respected worldwide for its tradition of publishing quality, award-winning books for young readers, HarperCollins is home to many timeless treasures and bestsellers such as Charlotte’s Web, Goodnight Moon, Where the Sidewalk Ends, Where the Wild Things Are and The Hate U Give; series including the Chronicles of Narnia, Ramona, Warriors, A Series of Unfortunate Events, Pete the Cat, Fancy Nancy, Divergent and Red Queen; and graphic and illustrated novels such as Nimona, Invisible Emmie and New Kid. Consistently at the forefront of digital innovation, HarperCollins Children’s Books delights readers through engaging storytelling across a variety of formats and platforms, including the largest young adult (YA) book community, Epic Reads. HarperCollins Children’s Books is a division of HarperCollinsPublishers, which is the second-largest consumer book publisher in the world, has operations in 17 countries, and is a subsidiary of News Corp.

You can visit HarperCollins Children’s Books at HarperCollins Children, Epic Reads, and at HarperCollinsPublishers.

filmfest illustration by Gabrielle Marchan for 360 Magazine

Acting Success Through the Pandemic

Yuval David hasn’t let COVID-19 holt his career at all. The actor, producer and filmmaker, whose mission is to entertain, uplift and inspire has remained very busy and successful during the pandemic, and he wants to share his secrets for success with fellow actors.

Yuval currently has a number of projects in the works. He’s completed a highly anticipated documentary film, filmed and completed an episode of his award-winning man-on-the-street series, “One Actor Short,” and now he is virtually acting in a horror film. In addition, in his ‘free time’ he’s been the keynote speaker for very worthy advocacy causes supporting the LGBTQ and Jewish communities.

As an actor, Yuval has played major roles in studio and independent films, television, theatre, web, digital media, and voice overs. These include, “What Would You Do” (ABC), “Madam Secretary” (CBS), “The Michael J Fox Show” (NBC), “Beauty and the Beast” (Disney), in addition to productions with HBO, Comedy Central, DreamWorks, AFI, and theatres across the globe.

Even despite his personal COVID-19 illness last spring, Yuval continued to keep his career moving ahead by staying true to his creative process.

Here are Yuval’s tips for how to maintain success during the pandemic:

  1. Be tenacious. Don’t wait for your agents and managers to get work for you. While they are there to support your career with more work, you must be ambitious and seek opportunities for yourself every day.
  2. Respect, and be respected. Never let anyone disrespect you as an actor. The best directors, producers, and casting directors treat actors with respectfully. Don’t sacrifice your personal standards here, ever.
  3. Practice ‘identity politics’. You, as a person, are your own brand. Represent your identity authentically by creating and owning your own narrative and seeking out roles that complement who you are personally, as well as your acting skills. Pro Tip: Ask yourself questions such as “what triggers and activates you,” in order to develop your narrative.
  4. Take Yourself Seriously. Treat your creative career as a business and invest wisely along the way.
  5. Define your process. That is your brand at the end of the day.

Yuval’s exceptional work as a filmmaker has been screened at more than 60 film festivals and taken home nearly 50 awards from international film festivals, including The Big Apple Film Festival, New York International Film Festival, NewFilmmakers Film Festival, NYC Independent Film Festival, Hollywood Just4Shorts Film Festival, Top Shorts Film Festival, Vegas CineFest International Film Festival, IndieFest, Accolade Global, American Picture, Atlanta Film Festival, and Global Webisode Festival, just to name a few.

Drive-In screening pop up article illustration by Gabrielle Archuleta for 360 MAGAZINE

Drive-In at the Ebell of LA

Drive-In screening awards-eligible films across LA & launches this weekend @ Ebell of Los Angeles
 
Necessity drives awards-eligible filmmaker Phyllis Stuart to create the Your Consideration Drive-In Screening Series for the awards season.
 
With the 2021 awards season in full swing and theaters still shuttered, awards voters are left to judge competing films at home via an online link this season. It’s not ideal. So one awards-eligible filmmaker, Phyllis Stuart (Wild Daze) launched a series the Your Consideration Drive-In screening series to give voters a place to experience films the way their creators intended them to be seen on the big screen. Their Drive-In will follow all public health and safety requirements as mandated by the Los Angeles County Department of Public Health and the City of Los Angeles.
 
Awards voters are inundated with online voting links Stuart said, so motivated by The old proverb: Needs Must When The Devil Drives, aim to give my film a fighting chance to reach voters and offer other awards-eligible filmmakers a place to envelop audiences Conveniently located pop-up locations keep voters close to home while allowing them to watch films.
 
WHAT: Your Consideration Drive-in Screening Series for film awards voters
WHERE: VARIOUS / FIRST VENUE: THE EBELL OF LOS ANGELES: East Parking Lot @742 S. Lucerne Blvd. LA CA 90005
WHEN: Opening Night January 30th & 31st at 7 P.M.
HOW: Adhering to the 2021 awards outreach rules, all Your Consideration Drive-In Screening invitations will be emailed to awards voters from participating studios and campaign publicists, who will each host their own screenings
 
Like a traveling treasure hunt, the Your Consideration pop-up drive-in screening series allows Los Angeles film awards voter audiences the chance to travel short distances to see awards-eligible films on a big screen, from the safety of their own vehicles. Says its founder, Phyllis Stuart, always loved scavenger hunts as a kid, and since we must still socially distance this is a safe way to witness cinematic splendor together.
 
The first two nights of the series will take place at The Ebell of Los Angeles on January 30th and 31st with Stuart’s feature-length documentary Wild Daze. Thereafter, until April 2021 studio awards-eligible films will run at three Your Consideration Drive-In venues.
 
Director of Special Events, Anessa Birkemeier believes supporting the documentary work of a female filmmaker like “Wild Daze” director Phyllis Stuart aligns with the mission at The Ebell of Los Angeles: To participate in and encourage the educational, cultural, and social growth of the diverse LA community. The venue parking lot with 150 spaces at 742 S. Lucerne Blvd., sits directly across from the clubhouse, where the Your Consideration Drive-In will launch. Ms. Birkemeier added, “The Ebell of Los Angeles is excited to host a drive-in experience that connects our community and supports the film industry.”
 
ABOUT YOUR CONSIDERATION DRIVE-IN SCREENING SERIES
Featuring a 40-foot inflatable screen with a 30,000 lumen Barco projector and FM transmitted audio, the pop-up drive-in accommodates 75 to 150 vehicles for evening film screenings beginning January 30th through April 2021. The series offers film awards, voters, the opportunity to watch awards-eligible films on the big screen in a charming Los Angeles cinematic environment. For more venue details visit HERE and to book a screening visit HERE.
 
ABOUT THE EBELL OF LOS ANGELES
The Ebell of Los Angeles is home to the Wilshire Ebell Women’s Club, an active club that began in 1894. In 1927 the women built their historic landmark in the mid-Wilshire area of Los Angeles. The 75,000 square foot property includes a tri-level clubhouse and the 1,238-seat Wilshire Ebell Theatre that has hosted top artists including Cher and Stevie Wonder and lectures by world leaders like Dr. Jill Biden. Judy Garland was discovered on the Broadway-style stage while performing as Baby Frances Gumm. Revenue from the Theatre, private events, film and TV&  productions fund the operations so that the Ebell women can continue their social and philanthropic work in the community. The Ebell will serve as one of three venues for the Your Consideration Drive-In screening series.
 
ABOUT WILD DAZE THE MOVIE
Under the banner of Light Productions (The Women’s Image Awards, 50 Years of Funny Females), filmmaker Phyllis Stuart forges an awards-eligible documentary Wild Daze, a project six years in the making, fueled by a fierce desire to save African wildlife, while protecting the women, children and forest peoples whose fates are tied up with the survival of the continent’s most iconic and majestic animals. Visit www.wilddazethemovie.com and follow developments on Facebook, Instagram, and Twitter. Trailer HERE.
Stephen Friedman, 360 MAGAZINE, Ovation TV

STEPHEN FRIEDMAN

Was born in South Africa, with his European heritage coming from France and Latvia. He started surfing at the age of 11 and by 16 he turned pro and started traveling the globe and competing on the world surf tour. After 5 years competing full time, injury halted his career, but it wasn’t long before he was scouted by some of the world’s top modelling agencies and was on the road travelling full time again appearing in numerous campaigns and commercials worldwide.

Establishing his name in the South African media, they labeled Stephen as ‘the next big thing’ that will come out of South Africa. To all the media Stephen has appeared in all over the world, Cosmopolitan Magazine voted Stephen as one of the 101 hottest men alive of the world in their annual poll. But he really made his mark in the television and film industry by creating, producing and selling his first title – (“The Blueprint”) – to Fox Networks at the age of 23.  A subsequent move to London resulted in the founding of his company Save Your Day Films, as he slowly started to make his mark in the TV and film industry as an exciting Producer to look out for. He Just Wrapped up filming season 2 of his successful series Chasing The Sun that he once again appeared in front of the camera as the host and as the Executive producer alongside Ovation TV and Journy backing his series.

Now days he is based between LA and London. He is currently busy with several other TV series that are in production named Model Kitchen, World Unknown, Here I Come, as well as 2 kids TV series Found Home Farms and an animation series named Jaye the Psychologist Dog. With even more titles he has lined from factual, scripted, kids and even a feature film, the next few years are going to be an exciting time for him and his production company Save Your Day Films. To sum up Stephen, he gets to push his own swing in life.

C/o Stephen on Ovation TV.