Posts tagged with "trailer"

Frank Pena for 360 Magazine

Jonte’ Moaning × Brian Thomas

360 Magazine had the opportunity to collaborate with Jonte’ Moaning and Brian Thomas for an editorial fashion shoot that encompasses the new age of fashion. The incredibly talented duo worked together to produce a photoshoot that displays high fashion and uniqueness. The creative director of the shoot was Franklin Peña and the production was done by Brian Rubiano

This shoot features two exquisite looks which Moaning carries off flawlessly. The chained shirt, paired with leather shorts and unique, gladiator boots creates a modern-day, stylish armor. The second look features a silver overcoat with red and black dripping detail falling from the jacket’s shoulders. When paired with this statement red and grey hat, the look comes together effortlessly. 

Jonte’ Moaning has been a pioneer for the entertainment industry worldwide. He has influenced major pop artists with his unique discography. His work can recently be seen in the Black is King film which was directed, written and executively produced by Beyoncé. Jonte’ has been of major importance for the LGTBQ+ community and has broken down barriers for men to explore their gender expression. 

Jonte’ is best known for taking part in curating the iconic “Sasha Fierce” persona of BeyoncéAlthough, he has also worked closely with a number of other notable artists such as Janet Jackson, Cassie, Tamar Braxton, Blackpink and many more.

Jonte’ released his first solo single, “Bitch You Betta” in 2008 and has continued to release music from there. The artist has stated that he was inspired to work on his solo career while he was working alongside performing artists and felt that he “could do it better.”

As a performer, Jonte’ is known for his androgynous look and trademark high heels which challenge classic gender norms. He has worked into the elite status and continues to produce music that embodies all he represents. His music, along with his style makes waves within the entertainment industry and this editorial shoot is no different. 

You can read more about Jonte’s successful career on his website, HelloJonte.com.

The photographer for the shoot, Brian Thomas, is an astound choreographer and photographer who is best known for working with legend Michael Jackson. Throughout his career, he has gained a great deal of experience and works closely with a variety of performing artists. Thomas also owns Spinkick Pictures in New York City, which produces extraordinary films. 

Thomas has had major success in the directing industry and some of his credits include “Amy’s Victory Dance,” an award-winning documentary as well as, “Follow, Lead, Love” and “P.S. Love Robby,” two documentaries currently in production. He also directed the short film, “Dark Matter” which features dancer Desmond Richardson

Thomas has also won the GLAM award for various music videos including “Higher Love,” which stares Carishma. He has also worked as the Associate Director for the Cirque du Soleil  Flash mob Time Square performance. 

As well as being an accredited director, Thomas has choreographed for many notable stars. He has worked with stars such as Michael Jackson, Mary J. Blige, Pink, Whitney Houston, Usher, Jason Durelo and Alicia Keys, all giant names within the music industry. He has also worked closely with stars like Destiny’s Child, Jamie Foxx, Mya, Brian McKnight, Deborah Cox, India Arie, Liza Minnelli, Gloria Gaynor and Marc Anthony to produce stellar choreography. 

Thomas has also choreographed for companies such as Sesame Street, The Electric Company, New York City Knicks Dancers, Brooklynettes, Optimum triple play, Are We There Yet, and numerous other TV and live stage events.

Thomas explained that his mission is to promote empathy through his work with Visual Art. He wants to further conversations about Equality, Representation, and Diversity which he certainly does with his films.   

Read more about Brian Thomas and his success on his website, http://brianthomasfilms.com/

The creative direction of the shoot was executed by Franklin Peña, a professional dancer and fashion model from New York City. He has always been heavily involved in the entertainment industry and in 2016 decided to make the move from the Bronx to Los Angeles. There, he appeared on E Network’s reality show, What Happens at The Abbey. This series takes a glance inside of The Abbey in West Hollywood, which is known as the “Best Gay Bar in the World.” The show follows the workers of the bar as they interact with celebrities and navigate love and drama. 

Pena was also tapped by 360 Magazine as a red carpet correspondent in 2017. He continues to grow his success working with a variety of other creatives in the industry. 

This shoot was produced by Brian Rubiano. As a first-generation immigrant from the Philippines, Brian Rubiano has gained success as an actor and producer. He also started “Humanize It,” his own Film Production and Brand Strategy consultation company. 

Rubiano has worked closely with Brian Thomas on many similar films for Spinkick Pictures. Rubiano worked as the Post-Production Producer for both the Award-Winning feature documentary “Amy’s Victory Dance” and the short film “Dark Matter,” both of which Thomas also worked on. 

Rubiano has a goal to use his platform, skills & knowledge in order to help artists and the creative community to expand their brand’s purpose. He aspires to be a vessel to the voiceless, marginalized & underrepresented by using film production as his medium.

You can keep up with Moaning, Thomas, Peña and Rubiano on their Instagrams. 

Model: Jonte’ Moaning 

Photographer: Brian Thomas 

Creative Direction: Franklin Peña

Producer: Brian Rubiano

Frank Pena for 360 Magazine

Frank Pena for 360 Magazine

King in Black: Return of the Valkyries

Jan. 2021 is hitting hard with the return of the Marvel Universe’s finest warriors, the Valkyries, in the brand new King in Black: Return of the Valkyries.

The story is written by Jason Aaron and Torunn Grønbekk with Nina Vakueva providing the art. The stars of the series will be Jane Foster, Dani Moonstar and Hildegarde, and a brand new Valkyrie will be introduced and given an origin story.

The Asgardians will face off against Knull, who seeks to overtake the Nine Realms with his unrelenting darkness. As Knull moves throughout the galaxy, it becomes evident that only the Valkyries and their new secret weapon are equipped to deal with him. What is their weapon, and is it enough to help them fend off Knull and save the universe?

It all comes to a head Jan. 6, but you can see never-before-seen art in the stunning trailer for King in Black: Return of the Valkyries by clicking right here.

Grønbekk called the Valkyries “powerful women who navigate both the spaces of the living and the dead,” adding that they are just inherently interesting to her.

“The role demands a perspective on life and battle that is quite unique; they see the whole picture, always, and when you combine that with the great humanity you find in characters like Jane Foster and Dani Moonstar, you get something really special,” Grønbekk said. “It takes courage to see the world through the eyes of a Valkyrie (especially when that world is under attack by Knull!), and that makes for complex and exciting stories of the kind I want to tell.”

This is the Valkyries greatest era, and it’s available for purchase on comic book shop shelves everywhere Jan. 6.

To find a comic book shop near you, you can click right here.

You can follow Torunn Grønbekk on Twitter and Instagram, Jason Aaron on Twitter and Instagram and Nina Vakueva on Twitter and Instagram

You can learn more about Marvel by clicking right here, and you can follow them on Twitter and Instagram.

DEATHBYROMY × "PROMISING YOUNG WOMAN"

DEATHBYROMY × “PROMISING YOUNG WOMAN”

Capitol Records released DeathbyRomy’s “Come and Play With Me,” a song she wrote and recorded for the Promising Young Woman: Original Motion Picture Soundtrack, which will be released on December 4. Listen HERE. In this Refinery29 feature, which accompanied the exclusive premiere of the song, DeathbyRomy talks about collaborating with Emerald Fennell, the film’s writer-director. Fennell also served as Executive Soundtrack Producer, teaming up with music supervisor Sue Jacobs and Capitol Records.

DeathbyRomy recalls, “Upon meeting Emerald we discovered we had a lot of similar music influences. For example, we were both big NIN fans and when I learned her favorite songs of mine were my favorite deep cuts, I knew we were gonna work together beautifully.” 

View the lyric video for “Come and Play With Me” HERE. “Come and Play With Me” is one of two cuts from the soundtrack that Variety highlighted in a recent feature about possible contenders for Best Original Song honors at the Oscars. DeathbyRomy wrote the track with Andy Rosen, who collaborated with her on Love u   to Death, her 2019 Capitol Records debut EP. The 20-year-old singer/songwriter pours both pain and euphoria into her catchy yet dark music, pitting electronic melodies and propulsive beats against hypnotic vocals and deeply personal lyrics. Her take on “It’s Raining Men” the iconic No. 1 dance anthem originally released by The Weather Girls in 1982   also appears on the soundtrack. Listen to “It’s Raining Men” HERE.

Focus Features will release the Sundance hit Promising Young Woman on Christmas Day, Friday, December 25, 2020 in theaters domestically. View the trailer HERE. Vice observed, “[Promising Young Woman] expertly uses femme pop songs to underscore its critically acclaimed twisted tale of trauma and revenge.” Refinery 29 said, “[the] soundtrack is full of daring, empowering and straight-up fun tracks.” Vanyaland praised CYN’s “Uh Oh” as “an infectious riff-cruiser of a tune that should jump off the screen as soon as it hits.”  Noted Idolator, “The ‘Promising Young Woman’ soundtrack is a dose of girl-power. Cyn already landed a breakthrough radio hit with  ‘Drinks.’ Don’t be too surprised if she does it all over again with ‘Uh Oh.'”

Those who pre-order the 16-track collection in digital format will instantly receive “Come and Play With Me” and  “It’s Raining Men” plus CYN’s “Uh Oh” and “Drinks” and Donna Missal’s interpretation of Cigarettes After Sex’s 2012 breakthrough single, “Nothing’s Gonna Hurt You Baby.”

The soundtrack also features previously unreleased tracks from MUNA and BLESSUS plus Carmen DeLeon’s cover of the Gerry Goffin-Carole King penned “He Hit Me (And It Felt Like A Kiss”). Charli XCX’s “Boys,” Paris Hilton’s “Stars Are Blind,” Sky Ferreira’s “Downhill Lullaby” and Juice Newton’s “Angel of the Morning” are among the previously released tracks that Fennell employs to subvert the audience’s expectations over the course of the film. Other featured artists include Maya B and Lily & Madeleine.

“The Tax Collector”

by Justin Lyons

2020 sure has been an interesting year for movies. We’ve missed our fair share of big releases, but here we are in September with a new film from David Ayer, a director who has seemingly taken nothing but criticism over the past half decade. Maybe some of that has been warranted, maybe some of it hasn’t, but here he stands with a new movie available for rent.

Ayer is re-teaming with Shia LaBeouf, whom he directed in one of the best performances of his career in 2014’s “Fury.” LaBeouf is past the point of only being recognized for the “Transformers” series. He’s truly one of the most gifted actors working right now, and this nice, little roll he’s found himself on since exiting Michael Bay’s billion dollar franchise has solidified him as a top tier talent.

He’s coming off a fantastic 2019 with “Honey Boy” and “The Peanut Butter Falcon,” so it was no surprise seeing him marketed as a co-lead in “The Tax Collector.” It was, however, a shock to see him in a supporting role in the film itself, and that’s the movie’s biggest problem.

It might be better said that the movie’s biggest problem is that none of the characters, aside from LaBeouf’s character, called Creeper, are very interesting. Each and every one is built upon a foundation that we’re familiar with, including those in other David Ayer movies. Their principles and motivations never sincerely stand out.

David, the main character played by Bobby Soto, drives around Los Angeles collecting a percentage of gang profits for his boss, a man called Wizard. He does it to protect and provide for his non-gang-affiliated family, who are in fact good. When Wizard’s ex-rival returns to town, dead set on taking over Los Angeles, David’s allegiances and strength are put to the test.

Again, we’ve seen that before, so viewing it again, in a mostly predictable manner that doesn’t make “The Tax Collector” stand out among memories of other gang movies and stories, doesn’t let it resonate. It never pushes for that emotional connection to the characters or story that I was looking for. Possibly the most unfortunate part is that there’s evidence of potential here. There is potential in these characters and in this world that makes me think there’s a decent movie in here somewhere, but it needed more time to give the characters the life and development they deserved.

The story itself also feels disjointed in an effort to develop the relationships with characters, even though those relationships don’t benefit from the sacrificing of story. Most beats, particularly toward the end of the film, seem to just happen without express purpose. There is a guiding narrative pushing David against the rival gang leader, but most events in the story don’t have the build up that I had hoped for. Things just kind of occur without any rhyme or reason. We have a character whom we’re supposed to immediately latch onto and a character whom we’re supposed to immediately hate, and none of the story beats ever allow the characters to breathe and change.

Each scene is also played at the highest possible level. Subtlety isn’t always a synonym for high quality, but constant high octane sequences never helped David’s character. Despite being a lover of action sequences, I found myself more intrigued by David’s moments with his family. He shows the struggle of balancing his roles as a protector and as a “tax collector,” but it’s never enough to round out the character.

It feels like Ayer is going through the motions, which is disappointing from a director who has obvious talent. He didn’t fall into the screenplay for “Training Day,” and he surely didn’t accidentally direct “Fury” and “End of Watch” with the skill and charisma of those films. That filmmaking talent is in there, but in going back to a story reminiscent of his earlier work, it appears he is recycling his own techniques. Even the visual look of the movie, which Ayer typically excels with, feels bland. He does pull a couple of visual tricks from his repertoire in flashbacks and high-intensity action sequences, but the flashbacks feel played out, and one specific moment of slow motion was enough to pull me out of a movie that appeared to go for gritty reality.

There are positives to take away from “The Tax Collector.” Again, Shia LaBeouf is immensely talented, and that shows in this film. Every single time he’s on-screen, it’s tough to look away. He does take a supporting role in the movie, but he steals the show right out of Bobby Soto’s hands. Some of that is due to the writing as Creeper is a far more compellingly written character than David, but LaBeouf commits so hard to every single word, and he’s an absolute blast to watch.

The scenes in which David and Creeper drive around Los Angeles, spewing mostly throwaway dialogue, are easily the most fun in the film. Creeper is the muscle of the duo, but I enjoyed his humanity. I have to credit LaBeouf because when Creeper is thinking, it’s easy to watch the wheels in his brain spin. He has these survival instincts, and he’s skilled with weapons and intimidation tactics, but he’s not a robot. He diets, meditates and wants to be included in David’s personal life.

“The Tax Collector” isn’t memorably bad. It’s just not memorable at all, and that is the most frustrating thing about the film. There is potential in the story, the characters and the story world, but it’s so easy to think of scenes that should have been cut in favor of scenes that should have been added. There’s also so much inspiration behind Creeper, but he’s not the focus of the film, which I think would have made the movie much more engaging.

There comes a certain point in the film where nothing is left to care about, and the story revisits a relationship that doesn’t feel earned. Had it spent more time developing that relationship, I might have been invested in the final act, but one short sequence and one small show of good faith wasn’t enough to make me believe that some of these characters would show the support they’re asked to show. Nevertheless, I’m happy to discuss Shia LaBeouf in a positive way. Maybe with that tattoo on his chest forever he’d be better suited in a similar role as a lead performer.

“The Tax Collector” is streaming now on Amazon.

WATCH: Loafy Official Trailer | New Adult Animated Series Premieres Across Comedy Central

Loafy Series Premiere

Comedy Central today released the official trailer for “Loafy”, the original, improvised animated digital series created, written and voiced by Bobby Moynihan (“Saturday Night Live”, “Mr Mayor”), who also executive produces the series alongside Luke Kelly-Clyne and Kevin Healey’s Big Breakfast, a recent acquisition of Propagate Content. The eight-episode series will roll out across all Comedy Central digital and social platforms beginning August 8.

The animated comedy features a weed-dealing manatee who runs a drug empire from his water tank at the Center Park Zoo and features the voices of an all-star guest cast including Cecily Strong, Taran Killam, Kevin Smith, Jay Pharoah, Nina West, Ron Funches, Tom Green, Jason Mewes, Hannah Simone, Eugene Cordero, Will McGlaughlin, Shannon O’Neill and more.

Beyonce – Black Is King

By Eamonn Burke

Last week, Beyonce released the second trailer for her upcoming film Black is King, set to release on July 31. The production is a visual album that will feature multiple celebrity cameos including Jay-Z and Lupita Nyong’o, as seen in the trailer. Coming one year after Disney’s lasted adaption of the The Lion King, the film spins the old story into a tale of a young kings ascendence into power that represents the journey of black families worldwide. Although the new trailer is not much longer than the previous teaser, it offers a deeper look into the story: “Life is a set of choices. Lead, or be led astray. Follow your light, or lose it” Beyoncé’s opening voiceover says.

Beyonce called the project a “labor of love” and adds that “The events of 2020 have made the film’s vision and message even more relevant.” However, the film has not gone without controversy. Many have criticized the film for cultural appropriation and for “romanticizing Africa.” One such critic is black feminist Jade Bentil at the University of Oxford, who tweeted this statement:

“The repeated tropes/symbolic gestures that homogenise & essentialise thousands of African cultures in service of securing the terrain for Black capitalist possibilities & futures is tired.”

Other criticisms include glorifying African cultures inappropriately and creating false aesthetics. Scenes from the trailer such as Beyonce riding a horse dressed in animal hide and her excessive jewelry have created controversy about how she is portraying African culture.

360 Magazine, Maestro

Maestro #1

Almost 30 years ago in the landmark story FUTURE IMPERFECT, legendary INCREDIBLE HULK scribe Peter David and superstar artist George Pérez introduced Marvel fans to a far-future version of the Hulk known as Maestro – the master of what remains of the world. Ever since, the mystery about how this villainous version of Bruce Banner came to be remained untold but next month, Peter David returns to reveal Maestro’s shocking origin in MAESTRO #1! With astounding art by Dale Keown and Germán Peralta, this series will answer questions that have haunted fans for decades about the fall of earth and the rise of Maestro! Get your first look at this highly anticipated launch in the MAESTRO trailer and discover the secrets of one of the Hulk’s greatest foes when MAESTRO #1 hits the stands this August!

MAESTRO #1 by Peter David, Dale Keown, and Germán Peralta is on sale this August in comic shops, on the Marvel Comics App, and on Marvel.com!

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

Cable #1 Trailer

ENCOUNTER BIG SWORDS, BIG MONSTERS, AND EVEN BIGGER STAKES IN THE CABLE
#1 TRAILER

It’s a new dawn for mutantkind’s toughest soldier. Not quite the grizzled old war veteran from them future but still just as rebellious and hardheaded, Cable is back in a new solo series. See Nathan Summers confront his destiny in the CABLE #1 trailer featuring Editor Jordan D. White, Assistant Editor Annalisse Bisa, and writer Gerry Duggan.

WATCH TRAILER HERE

On sale now, CABLE #1 is delighting fans with its high dose of action, fun, and shocking twists. Duggan’s writing combined with Phil Noto’s iconic art results in a high energy adventure where readers will get to see one of Marvel’s most famous X-Men in an exciting and revelatory way.

“This is the story of a young soldier who hasn’t seen the world end a bunch so he’s more fun and untethered,” Duggan says. “[Phil Noto] and I have the same ideas for Cable. I think we’re gonna surprise some people. If you think you know Cable, you don’t.”

CABLE #1 by Gerry Duggan and Phil Noto is on sale now in comic shops, on the Marvel Comics App, and on Marvel.com! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook.

About Marvel Entertainment
Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media. For more information visit Marvel.com

Spider-man, J.J. Abrams, Marvel, 360 MAGAZINE

J.J. Abrams × Marvel

J.J. ABRAMS, THE MODERN MASTER OF MYSTERY, MAKES HIS MARK ON MARVEL IN THE SPIDER-MAN #1 TRAILER!

The All-Star team of J.J. Abrams, Henry Abrams, and Sara Pichelli assembles for this sensational series!

J.J. Abrams takes the webbed wonder to new heights when he and his son Henry partner with legendary spider-artist Sara Pichelli for a Spider-Man story like you’ve never seen before! Cadaverous, a terrifying new villain, will force Spidey to make some of the hardest choices of his life. Can he protect MJ, Manhattan…or even himself? Check out this brand new trailer for SPIDER-MAN #1 featuring Executive Editor Nick Lowe and writers J.J. and Henry Abrams!  

“Having these geniuses working together on Spider-Man, the greatest fictional character of all time, couldn’t be better,” Lowe exclaimed, a sentiment shared by the Abrams. “We knew [Sara Pichelli’s] stuff – she’s a genius,” J.J. added. “The fact that we got Sara to do this book was the luckiest gift of all time.”

Henry Abrams went on to shed more light on the creative team’s thinking behind the scenes. “Spider-Man in general has been one of the most interesting super hero characters to me – how when he gets stronger, his problems get bigger,” he said. “A large focus on our series was [Spider-Man] as a person and not just him as a mask. So how does he deal with these real issues? It’s been a pleasure exploring that.”

“Cadaverous is one of the most terrifying Spider-Man villains of all time – and that’s saying something,” Lowe warned. “Spidey has faced the Green Goblin, Carnage, Venom, and Cadaverous might be even scarier and a little bit grosser than any of them.”

 SPIDER-MAN #1arrives September 18 in comic shops, on the Marvel Comics App, and on Marvel.com! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook.

Dave East stars in New Hulu Series “WU-TANG: An American Saga”

WATCH THE NEW TRAILER HERE