Posts tagged with "media"

From Pain to Power: A REVOLT Special

Today, REVOLT announced its presentation of a new captivating documentary that takes a close look at the passionate struggle for social equality happening today, and the robust grassroots efforts propelling the movement forward. “From Pain to Power: A REVOLT Special” will premiere on Monday, October 26th.

“From Pain to Power: A REVOLT Special” spotlights the fight for social justice, starting at the March on Washington and spreading to the streets of Kentucky, Atlanta, and beyond. The film features intimate interviews with some of the most well-known celebrities and activists at the forefront of the social justice battle including: TipT.I.” Harris, Tamika Mallory, Mysonne, Ben Crump, Drumma Boy, Shabazz the OG, Dr. Frank Smith, Ms. Opal Lee, Linda Sarsour, Bridgett Floyd, Lonita Baker, Angela Williams, and Mothers of the Movement Kadiatou Diallo, Thelma Pannell-Dantzler, Sybrina Fulton, Wanda Johnson, Maria Hamilton, Gwenn Carr, and Tamika Palmer.

“Our resilience as Black people in America after centuries of oppression is nothing short of remarkable,” says activist Tamika Mallory. “We need to continue to archive our brilliance, our power and yes, even our pain, and REVOLT TV is the platform for our full stories.”

“We are honored that REVOLT saw that this is a critical moment in African American and civil rights history, and with T.I. leading the charge, this should be shown to the world,” says Steve Raze and Mac Mills, executive producers and CEOs of AGA Agency.

“After months of mass protests in the streets demanding social justice – and now a presidential election just weeks away – it’s obvious that we’re at a historic crossroads where systemic change is not only possible, but critically necessary,” says Detavio Samuels, Chief Operating Office at REVOLT. “From Pain to Power not only documents this moment in time, but charts our next steps forward. We couldn’t be any prouder to premiere this program on REVOLT.”

Watch the “From Pain to Power: A REVOLT Special” trailer here.

The pertinent documentary will arrive just weeks before the upcoming general election, a strong focus of REVOLT’s news coverage among its well-known “VOTE OR DIE” campaign, which aims to inspire increased voter engagement. Tonight, the network will present a special episode of REVOLT BLACK NEWSexamining the current political landscape at 9pm ET/6pm PT.

In this episode of REVOLT BLACK NEWS: “Pink Ribbons, Black Fists: Time For Action,” Eboni K Williams examines both the Democrat & Republican perspectives with less than two weeks until the general election. Black women behind the Biden-Harris campaign like Ashley Allison & Phillana Williams join, while Chris Prudhome breaks down Black support for Trump. Big Boi & Sleepy Brown stop by for a word on their new single & message. Danielle Young returns for Black Excellence Entertainment, and for Breast Cancer Awareness Month – Lyndsey Christian gives her personal account on beating triple-negative breast cancer. It’s time for some action!

Follow REVOLT TV on social media at @revolttv.

ABOUT REVOLT TV

REVOLT is unapologetically Hip Hop, leading and living Hip Hop culture. REVOLT is the voice of the culture across platforms, engaging Millennial and Gen Z audiences, on REVOLT.tv, across social, TV and live events, through original and live content. Attracting over 50 million young people, REVOLT is accessible 24/7 on digital, TV and on demand. Founded by Sean “Diddy” Combs, REVOLT launched in broadcast in October 2013 and is available on AT&T DirecTV platforms, Charter Spectrum, Comcast Xfinity, Verizon FiOS, CenturyLink, Altice/Suddenlink, Frontier Communications, Comporium and Cincinnati Bell, Atlantic Broadband, Mediacom, Hotwire, as well as OTT platforms AT&TV Now, Sling TV, Fubo TV and Philo TV. REVOLT is also available internationally in the Bahamas, Cayman Islands, Canada, Jamaica, Barbados, Nevis, Anguilla, Monserrat, Bermuda, Aruba, St. Maarten’s, Trinidad and the U.S.V.I. Check local listings at https://revolt.tv/listings.

LOUIS THE CHILD – NEW SINGLE “SELF-CARE” WITH MUSIC VIDEO

Today, Chicago-bred production duo Louis The Child releases their brand-new single entitled “Self-Care” with alt-pop band, COIN, along with the music video. Fresh off the heels of their recently released 19-track mixtape, Candy 2, “Self-Care” with COIN is an upbeat, feel-good song that encourages the practice of self-love and the idea that it is acceptable for people to take care of their own needs and to not sacrifice personal well-being in order to please others. Louis The Child’s “Self-Care” with COIN is available now at all digital retail providers via Interscope Records.

Louis The Child says about the track, “When COIN sent us the demo for ‘Self-Care,’, we loved it. It had an infectious, funky vibe and a beautiful message. We were immediately stoked to add our drums, synths, instruments and arrangement ideas and turn the song into a jam! We’re excited for you to hear it. Turn it up and dance!”

COIN notes, “This year, we tried to stop looking left and right before crossing the street (metaphorically). Trust yourself – others won’t until you do. Remove fear and judgment, this year, and maybe forever find inner light and love to beam out to the world. Free your mind. Do it for yourself. The chorus vocal is an iPhone voice memo backstage at a festival in Memphis — mindlessly free. We felt this was perfectly fitting for COIN’s first ever collaboration.”

Click HERE to watch the music video for “Self-Care” with COIN.

About Louis The Child

Louis The Child float through electronic, pop, and alternative with wide-eyed wonder, adventurous spirit, and the elation of being present. Since 2013, the Chicago-bred duo—Freddy Kennett and Robby Hauldren—have popped off as a phenomenon streamed upwards of 600 million times and endorsed by pop royalty such as Taylor Swift and Lorde. “Go” notably soundtracked an Apple iPad commercial in 2017, while their breakthrough “Better Not” with WAFIA earned a gold certification from the RIAA and powered the 2018 Kids At Play EP. Along the way, the boys packed hallowed venues such as Red Rocks Amphitheatre in Morrison, CO and New York’s Terminal 5 where they sold out a three-night stand. In addition, Louis The Child made explosive appearances at Coachella, Lollapalooza, Bonnaroo, Electric Forest, and beyond. Not to mention, they garnered acclaim from Billboard, Rolling Stone, People Magazine, Hypebeast, Dancing Astronaut, covered the Summer 2020 Issue of DJ Times, and more. In 2020, they unveil their full-length debut the aptly titled Here For Now [Interscope]. Over the course of the record, the group deliver 14 anthemic affirmations of a universal truth, including “Every Color” with Foster The People, “Little Things” with Quin XCII and Chelsea Cutler, and the single “Big Love” with EarthGang.

About COIN

Since the arrival of their 2016 breakthrough single “Talk Too Much,” COIN have continually turned out sublimely catchy alt-pop, equally built on effervescent hooks and an understated complexity. With that dynamic earning them a passionate following, the Nashville-based trio have spent much of the past few years bringing their sing-along-heavy live set to frenzied crowds all across the globe. On their latest album, Dreamland, COIN embraced their pop instincts more fully than ever, dreaming up some of their most sonically adventurous yet emotionally direct batch of songs to date.

COIN is currently gearing up to release their new EP Indigo-Violetout on October 22nd. Additionally, it’s the first of a 3-part project called Rainbow MixTape, each conceptualized by moods represented by the colors in the title. The EP’s are set to continue rolling out over the next several months.

Retail: https://smarturl.it/SelfCareLTC

Amazon: https://smarturl.it/SelfCareLTC/amazonunlimited

Apple Music: https://smarturl.it/SelfCareLTC/applemusic

Deezer: https://smarturl.it/SelfCareLTC/deezer

iTunes: https://smarturl.it/SelfCareLTC/itunes

Pandora: https://smarturl.it/SelfCareLTC/pandora

Spotify: https://smarturl.it/SelfCareLTC/spotify

For more information on Louis The Child, visit: http://www.louisthechild.com/https://www.facebook.com/LouisTheChild/https://www.instagram.com/louisthechildhttps://twitter.com/LouisTheChild

Laura Basset is the co-founder of the Save Journalism Project

Laura Bassett QxA

Laura Bassett is co-founder of the Save Journalism Project. She was formerly a senior culture and politics reporter at HuffPost before being laid off in 2019. She currently writes for GQ Magazine, the Washington Post, Rolling Stone, Marie Claire, the Daily Beast, and other publications. Along with John Stanton, she began the Save Journalism project after losing her job, when she became interested in why so many great news publishers were beginning to go under and having to lay off staff.

  1. How did you first get interested in journalism and politics and have these always been passions of yours?

I’ve always had a passion for writing, but wasn’t sure what direction it would take. I was in a graduate program for English Literature in 2008, thinking I wanted to go on and do a Ph.D. when Obama first ran for president. I became kind of obsessed with the election and started blogging on the side, and then I realized I enjoyed doing my politics blog a lot more than I enjoyed sitting in a library writing research papers that only one or two people would read. So I applied for a reporting internship at HuffPost, and the rest is history!

  1. Which are some of the biggest issues with modern journalism and how have they coincided with your career so far?

I think there are three big ones: Lack of diversity in newsrooms, the question of what objectivity in political journalism means in the age of Trump, and the financial/existential crisis facing the industry as a result of the digital age and big tech’s monopoly on ad revenue. The last one affected me the most directly, as I was laid off in 2019 after ten years at HuffPost. The site just wasn’t generating enough profits, having to compete with tech giants like Google and Facebook for ad money, and I lost my job along with scores of other journalists. I never expected to be freelancing for the first time, involuntarily, in the middle of my career, but it has proven to be a great exercise for my writing.

  1. What have been the most valuable skills/pieces of knowledge that you have learned from working at HuffPost?

I never went to journalism school, so most of what I know about reporting I learned at HuffPost. I learned how to write a compelling lede and nut graf, how to draw interesting things out people in interviews, how to show both sides of an issue without necessarily drawing a moral equivalence between them. I learned how to build source relationships and hustle for scoops. And I developed a deeper knowledge of politics and my particular beat, which for a long time was women’s rights issues. I learned how to own up to mistakes immediately and correct them in a transparent way, how to accept constructive criticism, and how to tune out the internet trolls and harassment. All the basics!

  1. What motivated you to co-found the Save Journalism Project and what made it special as an initial idea?

John Stanton, formerly of BuzzFeed, and I were laid off the same week in January of 2019. It was very unexpected for both of us: He was the Washington Bureau chief at the time, and I was a senior politics reporter. There seemed to be very little rhyme or reason to who was laid off that year; news outlets were forced to cut hundreds of staffers and had to make some really tough decisions. At the same time, local newspapers like the New Orleans Times-Picayune were going under entirely. We could see that our whole industry was facing a potentially fatal financial crisis, and we felt like if we didn’t fight for it ourselves, we didn’t know who would. So this project was born.

  1. How can you and your teamwork with or against big tech companies to improve the integrity of news?

Big tech companies are the financial competitors to news publishers, and it isn’t a fair fight right now. They gobble up about two-thirds of the digital ad market, leaving very little money for the actual content creators and publishers from which they also profit. Right now, we are looking to Congress and federal and state antitrust regulators to conduct antitrust investigations into the big four– Google, Facebook, Apple and Amazon–and hoping that when they see the devastating impact those companies are having on newspapers, they will break them up and/or regulate them and create a more even playing field.

  1. In the era of fake news and heavy media bias, how can technology be used for the greater good in terms of addressing populations?

“Fake news” is a term the president has thrown at real news outlets because he doesn’t like their coverage of him. By and large, the news stories he calls “fake” are true and factual. But the internet does have an actual fake news problem, which is the disinformation that fringe activists and bad actors spread online, particularly on Facebook and Twitter. I think social media platforms have a massive responsibility to closely monitor and regulate the false propaganda raging through their sites, especially close to election time.

  1. In your opinion, how do you see the future of journalism and how can the Save Journalism Project be a part of this future?

I don’t know what I see for the future of journalism because, especially since COVID, we are on an extremely troubling trajectory. What I hope to see in the future of journalism is a sustainable business model– one in which people are happy to pay for news, and one in which news publishers and magazines don’t have to compete with Google in a David and Goliath-type situation for ad money to survive. And ideally, newsrooms can stop firing and start re-hiring again, because so much talent has been lost in the past few years.

  1. Why is it so important that our country defends the freedom of the press and how can this freedom lead to a more functional democracy?

We’re at the nexus of several historic national crises at the moment, including a deadly pandemic, so journalism–especially local journalism–has never been more important to get life-saving information across to the people and to hold powerful people and institutions to account. At the same time, we have a president attacking the press and encouraging violence against us, along with these devastating financial issues. Without a robust and thriving free press, no one is there to uncover corruption and expose the lies of politicians and inform the electorate and just, basically, keep people aware of what’s happening in their communities and the world at large. That in itself is a massive threat to democracy.

  1. What kinds of opportunities do you have for people who may want to get more involved with the Save Journalism Project?

Please contact us! We’re looking for help raising money, we’re funding freelance stories on local news deserts, and we can always use the voices of other journalists who would like to fight with us to save this industry.

  1. Do you have any clear goals or visions for expanding this Project’s influence, and if so, what are they?

Our primary focus and objective are on policymakers. We aim to get U.S. lawmakers and regulators to address the exploitation of the online marketplace by Google and Facebook which gives them an unfair advantage in the competition for digital advertising revenue. Antitrust regulators in Australia and the U.K. have begun to take these kinds of steps that are necessary and we are encouraged that their American counterparts appear to be on the verge of similar actions.

It is only after the distortions of the marketplace have been addressed that we can rebuild a sustainable business model for journalism in the digital age, particularly local news. Given our focus on policymakers, we are more supporters rather than drivers of changes in the industry. We do not favor any specific model for what kind of journalism industry emerges from these multiple ongoing crises, only that we believe it must include a viable method for news outlets to monetize their content through advertising.

Marvel The Pull List

Marvel – The Pull List

MARVEL’S THE PULL LIST UNVEILS EXCLUSIVE PREVIEWS FOR UPCOMING MARVEL COMICS IN OCTOBER

Today, Marvel released its special edition of THE PULL LIST, unveiling exclusive information for the hottest books coming to comic shops this October!

Tucker Markus took the reins of this special previews announcement solo, presenting the first look at a few bleeding-edge Marvel comics, with info all about new series, art, and creative teams heading to your local comic shop in three months! This special previews announcement gave viewers a first look at the highly anticipated X-Men crossover, X OF SWORDS and the celebration of 50 years of Conan the Barbarian’s Marvel Comics legacy in CONAN THE BARBARIAN #15 THE OFFICIAL HANDBOOK OF THE CONAN UNIVERSE ANNIVERSARY EDITION. This latest episode also teased new eras for both the Fantastic Four in FANTASTIC FOUR #25 and Captain Marvel in CAPTAIN MARVEL #25 and exciting starts for the brand new WEREWOLF BY NIGHT and the new CHAMPIONS. The Pull List also shed light on KING IN BLACK, the next chapter in Donny Cates and Ryan Stegman’s landmark run on VENOM coming in December!

For more information, check out this special episode of Marvel’s PULL LIST. Tune in to Marvel’s Pull List each week for more exclusive news and reveals.

Video 

X OF SWORDS: STASIS #1
Written by TINI HOWARD & JONATHAN HICKMAN
Art by PEPE LARRAZ & MAHMUD ASRAR
Cover by PEPE LARRAZ

THE OFFICIAL HANDBOOK OF THE CONAN UNIVERSE ANNIVERSARY EDITION
Written by ALAN ZELENETZ
Cover by MICHAEL KALUTA

CONAN THE BARBARIAN #15
Written by JIM ZUB
Art by ROGÊ ANTÔNIO
Cover by E.M. GIST

FANTASTIC FOUR #25
Written by DAN SLOTT
Art by R.B. SILVA
Cover by MARK BROOKS

CAPTAIN MARVEL #22
Written by KELLY THOMPSON
Art by LEE GARBETT
Cover by JORGE MOLIN

WEREWOLF BY NIGHT #1
Written by TABOO & BENJAMIN JACKENDOFF
Art by SCOT EATON
COVER by MIKE MCKONE

CHAMPIONS #1
Written by EVE L. EWING
Art by SIMONE DI MEO

KING IN BLACK #1
Written by DONNY CATES
Art and Cover by RYAN STEGMAN

To find a comic shop near you, visit HERE

About Marvel Entertainment:

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

South of Eden Dancing With Fire

South of Eden – “Dancing With Fire”

SOUTH OF EDEN RELEASES OFFICIAL MUSIC VIDEO FOR “DANCING WITH FIRE”

After their announcement that they have officially signed to Lava/Republic Records, Columbus, OH four-piece South of Eden release the official music video to their new single “Dancing With Fire.”

Watch the official music video for “Dancing With Fire” HERE!

On the music video the band said “ ‘We wanted this to be a personality piece, and with all of us in quarantine we knew the best way to do that was to show what we have accomplished leading up to this release. John Payne, our media man, has been following us around for the last two years! The best thing to show with raw music is raw footage.” The song’s official music video follows the band through months on the road including the band’s first label performance (look out for a cameo by LAVA’s own Jason Flom). It includes footage from South of Eden HQ in Columbus, OH and shows the band in their natural habitat.

Rip-roaring riffs abound on this incendiary and irresistible anthem. Helmed by GRAMMY® Award-winning producer Greg Wells [Adele, Twenty One Pilots, Deftones], hyper-charged guitars and thunderous percussion collide with towering falsetto as the refrain soars to the heavens and back. Emerging with a scorching sound of their own, the boys siphon grunge melody into classic rock-style virtuosity with unapologetic attitude and a whole lot of grit. On the song the band noted: “We knew we wanted our first release to showcase our personalities, both in the music and the visual. “‘Dancing With Fire’ is just that; personality. It’s a song about conflict, and to us that conflict is being a bunch of twenty-two-year-olds attempting to make it as a rock band in unprecedented times. We’re excited to see how people interpret the song into their own lives.”

Listen to “Dancing With Fire” HERE (via LAVA/Republic Records.)

South Of Eden—Ehab Omran [lead vocals, acoustic guitar], Justin Young [lead guitar, vocals], Tom McCullough [drums], and Nick Frantianne [bass]—channel timeless rock ‘n’ roll energy through a modern perspective. Making waves as they shared bills with Puddle of Mudd and Red Sun Rising, graced the stage of rock mecca Sonic Temple and Epicenter in 2019, and recently performing with everyone from Foo Fighters to System of A Down. LAVA founder Jason Flom caught wind of the band and signed them the same year. Now, the group reinvigorate rock on their forthcoming 2020 debut for LAVA/Republic Records.

ABOUT LAVA RECORDS:

Lava Records is an artist-first label that offers the best of all worlds: the attention and commitment of an indie and the global reach and capabilities of the world’s largest music company through its partnership with Republic/Universal. Originally founded in 1995 by Jason Flom, Lava has been the home to many multi-platinum superstars, Grammy winners, and critical darlings. With a proud heritage and eyes fixed on the future, the label is now home to phenomenal artists including Greta Van Fleet, Hero the Band, Jessie J, and Lorde.

ABOUT REPUBLIC RECORDS:

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Talkwalker – Most Loved Brands

No Ordinary Love – From Sirius to Hyatt, New Report Draws Consistent Findings on Sentiment vs. Engagement in Capturing Brand Affection

Who do you love? Consumers clearly have their favorites when it comes to brands and international social media analytics firm Talkwalker has the data to prove the most loved brands on social media. But just because a brand is mentioned more often in social media, doesn’t mean that it will always trend higher in terms of how consumers feel about that brand.

Talkwalker used a quarter billion conversations around 781 brands in 28 different industries to create its Brand Love Story 2020 report, identifying the 50 most loved brands from across the world, through the power of social listening and highlighting just what these brands do to be loved. Talkwalker measured social media mentions that are specific symptoms of a brand that generates actual love from its social media fans. Analysts studied everything from consumer engagement and sentiment in both social media and the news, as well as the percentage of mentions that were categorized as related to “joy” and the percentage of mentions that contain love-related words. So brands were actually rewarded for a higher percentage of joyful mentions, and love-related keywords.

One of the key metrics the report studied was engagement – the number of posts mentioning those brands – and sentiment – how people feel about those mentions based on likes, comments and shares. Generally, as engagement goes higher, sentiment drops, as brands open themselves to a wider audience and more criticism. However, in compiling this data, Talkwalker found that loved brands broke this trend, with either exceptionally high engagement or sentiment or both.

“There’s a clear pattern across all these brands,” says Todd Grossman, CEO Americas for Talkwalker. “As engagement goes up – more people react to a brand – the more overall sentiment drops – the more those interactions are negative. There were 25 brands with over 100 million engagements – the biggest brands in the world. Not one has a net sentiment over 75%.”

This report compares engagement rates of brands and their competitors. If a brand posts a great deal, it will get a lot of engagement, but a competitor can get that same engagement through fewer posts. Engagement rate is the total engagement divided by total followers or total views. The higher the number, the better. Overall, for all brands, the average net sentiment is 61.5% and average engagement rate is 8.32.

“Virality is great – it helps brands get content to more people,” adds Grossman.  “But it also opens those brands up to a bigger risk, with an increased chance of negative comments or responses. Companies must monitor their viral content constantly, and respond to detractors quickly, to prevent unwanted backlash.”

Talkwalker studied brands in a number of industries, including airlines, automotive, broadcasters, eCommerce, fashion and beauty, finance, food, hospitality, household, insurance, investment, leisure, manufacturing and engineering, medical, mining and utilities,pharmaceutical, professional services, retail, software and technology, and telecoms.

In the travel industry, 27 airlines, hotels and cruise lines were considered and studied for the final list and  the seven who made the Top 50 Loved Brands overcame the challenge of high engagement, but low sentiment, whereas the others suffered in the rankings due to that measure.

“Across the travel industry, regardless of whether it’s airlines, hotels or cruises, social media can be a double-edged sword,” adds Grossman. “It’s easier to tweet a complaint publicly than register it to customer service over the phone or at the desk. Companies invariably try to take these conversations private, but consumers understand it’s in their best interest to keep things public. Other viewers can very easily relate, and are quick to judge these responses.”

For example, an Atlanta Marriott (40th on the U.S. list) where LSU players stayed before playing in a playoff game last year, ran out of beer 25 hours before kickoff – and on this thread generated 134 comments and more than 6,000 engagements along with another 225 on a Reddit thread that quoted this Tweet. While hosting the team is an honor for the brand, not meeting fans and guests needs is a failed moment.

Another example exists as Talkwalker studied 11 broadcasters and found a high engagement rate, but low sentiment, as evidenced by this Twitter thread. In the period studied Sirius had 47,000 social media mentions, of which 23 percent (1,100) were positive. In that same period they generated nearly 22,000 engagements of which 13,700 occurred on negative or neutral posts. 9,900 engagements came from the 1,100 positive mentions.

In the period studied Sirius had 47,000 social media mentions, of which 23 percent (1,100) were positive. In that same period they generated nearly 22,000 engagements of which 13,700 occurred on negative or neutral posts. 9,900 engagements came from the 1,100 positive mentions.

Moreover, In the period studied, across all mentions (news and social – totaling 5,300) the Sirius brand generated nearly 81,300 engagements. However, 78,200 of those engagements are occurring on posts that are classified as “not positive”, either neutral or negative!

“People love to engage with their favorite shows, sharing and liking content associated with their fanbase,” Grossman notes. “But sentiment is tough. A new show can promote positive sentiment, but a cancelation or disappointing ending to a series, can easily drag the sentiment of the brand down.”

About Talkwalker:

Talkwalker is a social listening and analytics company that empowers over 2,000 brands and agencies to optimize the impact of their communication efforts.

We provide companies with an easy-to-use platform to protect, measure, and promote their brands worldwide, across all communication channels. Talkwalker’s state-of-the-art social media analytics platform use AI-powered technology to monitor and analyze online conversations in real-time across social networks, news websites, blogs and forums in 187 languages.

Talkwalker has offices in New York, Luxembourg, San Francisco, Frankfurt, and Singapore. It is also the home of Talkwalker Alerts, a free alerting service used by over 500,000 communications and marketing professionals worldwide.

Protecting Your Mental Health During the Coronavirus Era with the Help of Telehealth

Experiencing feelings of isolation, panicking about the scarcity of resources, and fearing for one’s health can be overwhelming during this time of uncertainty. Due to the threat of Coronavirus, we are being forced to alter the way we interact with colleagues, friends, and family, shifting our work and social schedules. Meetings and gatherings have been postponed or outright canceled.

This leaves a gap. We are, at our core, inherently social, and loneliness can be as overwhelming as any other trauma.One result of this is many people are spending much more time in their own homes.

We need connection, and we can feel when it’s missing

Working from home is fast becoming a best practice for minimizing the potential spread of COVID-19 within the workplace. However, such a drastic change to your daily routine, coupled with the constant news cycle updates, can put a strain on your mental health. Rather than waiting “until things calm down” to see a therapist, it is worth exploring an emerging alternative to coming into a therapist’s office – Telehealth.

Teletherapy helps you maintain mental health

For years, telehealth (or teletherapy) has improved access to care for clients with mobility challenges and for those who live too far to travel to their preferred therapist. Now, teletherapy is becoming increasingly relevant as the number of remote workers, or people working from home, is surging.

Teletherapy reduces travel time to and from your therapist’s office, which makes it more convenient for the working professional. It also offers the benefit of being in a comfortable and familiar environment, which can often be helpful for self-expression and reflection.

HIPAA Compliant Teletherapy Offers Security

Some are reluctant to try telehealth because they feel that something would be missing from a face to face interaction. With a clear camera and high quality internet connection, we find that, in practice, clients get just as much out of remote therapy as in-person. Others may be concerned about privacy. If this is a concern, make sure your therapist is using a HIPAA Compliant service,  like Spruce Health or SimplePractice, that offers a secure connection. This way your data is protected.

If you are feeling overwhelmed by COVID-19, give me a call. I am a psychologist, and I can help you learn coping skills that will give you peace of mind during this challenging time. I also offer teletherapy sessions using a HIPAA compliant system.

About Dr. Crystal Clements

Sync PicDr. Crystal Clements is a psychologist who practices as a registered psychological assistant in Downtown Los Angeles at Here Counseling. She works with adults, adolescents, couples and families to treat depression, anxiety, grief, trauma, and relational issues.She loves what she does and is passionate about helping people feel good about themselves and life. Dr. Crystal earned a PhD in Clinical Psychology with an emphasis in Family Studies and MAs in Psychology and Christian Leadership from the Fuller Graduate School of Psychology. She earned a BA in Communications from the University of Pennsylvania. As part of her training, she completed an APA accredited internship in Health Service Psychology at California State University, Fullerton.

Contact her today for a free 15 minute consultation!

illustration, 360 MAGAZINE, Alejandra Villagra

The Decline of Black Media

Spokesperson for the Save Journalism Project, Nick Charles, has a new op-ed in the NY Daily News discussing the impact of Google and Facebook’s decimation of the news industry’s business model and specifically the decline of black media. What were traditionally spaces for communities of color to spread news and ideas are being forced to shutter their newsrooms because of big tech’s stranglehold on the industry, resulting in a lack of representation and a rapid decline of coverage for these communities.

As Charles explains, “revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide… Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.”

Charles’ op-ed is below and available online.

Some remember well the world where events, issues, policies and histories impacting black people were rarely acknowledged or reported by the mainstream press. In New York City, if it happened above 96th St., it wasn’t news. That began to change after the urban riots of the late 1960s and the Kerner Commission, which prompted mainstream media to begin hiring African-American reporters. African-American media, which had always filled the breach, did hemorrhage talent, but continued invaluable community coverage.

With the emergence of the internet, as legacy media, newspapers, magazines, radio and television news were joined by newer platforms and social media, there was always space to cover disasters like Hurricane Katrina as well as enduring environmental, racial and social injustices. But now that space is shrinking rapidly. McClatchy filing for bankruptcy is just the latest and most ominous example.

An unfettered and thriving press is paramount, especially to otherwise forgotten communities. But what happens when outlets are forced to shutter because big tech chokes off advertising oxygen that is essential to the media’s survival?

Newspapers that adapted and survived the last digital revolution did so through advertising. But today’s digital ad market is dominated by Google and Facebook. Revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide.

Google recently announced it was doing away with third-party cookies by 2022, further jeopardizing the fate of the voices and publishers of communities of color. The move will hit smaller news outlets hard by substantially reducing the value of advertising on their websites. Most don’t have the kind of first-party information nor the kind of scale that will now be required to be valuable to digital advertisers.

Newsrooms across the country are experiencing layoffs at an alarming rate. In 2019, the media shed over 7,800 jobs. The number of black journalists and reporters in newsrooms has also been impacted, with the number of black journalists working at daily newspapers dropping by 40% since 1997. Countless colleagues have left the profession, taking with them their passion, expertise and the trust they amassed over years with community leaders, politicians and activists.

Unable to keep up with a business model steamrolled by the likes of Facebook and Google, the industry is reaching the point of no return. Big tech’s dominance over the digital ad market and unrivaled capacity to scale and monetize its platforms is having drastic effects on journalism as a whole — with especially profound impact on communities of color.

Black legacy outlets, home to some of the most committed journalists and activists in our country’s history, have been the bulwark of accountability for many when racial tensions kept even the government from its role in protecting its citizens. The Chicago Defender itself was one of the sparks in The Great Migration.

Alongside downsizing and retracting their print editions, examples like the Amsterdam News showed a 21% drop in circulation from 2014-2015; The Chicago Defender’s circulation fell by 18% in 2015. Not only are black communities losing their news outlets, black perspectives across the news industry are losing the spaces to voice their opinions.

Founded in 1943 and for decades a space for black communities to share the most pressing news and ideas of the time, Alabama’s longest-running black newspaper, the Mobile Beacon, reported it was planning to close its doors after 2019. It is one of many black legacy media icons in jeopardy.

Frederick Douglass once said: “Once you learn to read, you will be forever free.” Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.

Charles, a freelance writer, works with Save Journalism Project.

Journalism in America is facing an existential threat from the monopolistic control of tech giants like Google, Facebook, and Apple. Big tech’s dominance over the digital advertising market and their unrivaled capacity to monetize its platforms are having drastic effects on journalism as a whole.

http://savejournalism.org/

ESPN, leadership dinner, 360 MAGAZINE

ESPN Leadership Dinner

On Thursday, November 14th at 6:30 PM ESPN celebrated today’s visionaries and their role on leveraging innovation to impact change. The dinner will take place ahead of Beyond Innovation – an annual event hosted by Beyond Sport, which will convene a series of leaders and innovators across sports, technology, government and education to inspire cross-sector discussion and partnership on innovative solutions to the global STEM workforce crisis.

Both Thursday’s dinner and Beyond Innovation are private, invite only events. Thursday’s dinner kicked things off and was headlined by David Goldstein of SpaceX. Goldstein will give his perspective on the tech space and the opportunity to advance, such as landscape, insights on where the tech world is sitting at the moment, what does it take to work as a leader in tech, and lightly touch on the sport angle and how they can connect/engage. 

Thursday night’s turnout was phenomenal at the iconic Dodger Stadium. Beyond Innovation started the topic of conversation about how important the role of sports and STEM education is to our community.

David Goldstein, retired Air Force colonel, gave a very motivating speech on what it takes to be a good leader.

“You need to inspire, engage and have grit in what you do to help others get to their destination and be able to pass that knowledge on to our upcoming leaders as well.”

Jeff Langlois, 360 MAGAZINE, The Mill, LA, photography, fine arts

Jeff Langlois

It took a one-way road trip for Jeff Langlois to cultivate a passion for photography. The adventure to LA brought forth stunning deserts and mountainous peaks, as he drove from Minneapolis through the Rockies – in a 2002 Honda Civic; eager to jumpstart a career at a commercial house called The Mill. The best way to balance out the fast-paced, unpredictable, and ever-changing environment that is advertising, was to break away and see what the west coast really looks like. Traveling solo allowed him to arrive in beautiful destinations and wait for these locations to unveil their scenic characteristics. Jeff notes that the best shots always come unexpectedly. Now while still mainly shooting the outdoors, he plans just enough to get him out and moving around, but his best and most memorable shots come unexpectedly. It’s about showing up and being patient and receptive to what’s going on.