Posts tagged with "media"

Protecting Your Mental Health During the Coronavirus Era with the Help of Telehealth

Experiencing feelings of isolation, panicking about the scarcity of resources, and fearing for one’s health can be overwhelming during this time of uncertainty. Due to the threat of Coronavirus, we are being forced to alter the way we interact with colleagues, friends, and family, shifting our work and social schedules. Meetings and gatherings have been postponed or outright canceled.

This leaves a gap. We are, at our core, inherently social, and loneliness can be as overwhelming as any other trauma.One result of this is many people are spending much more time in their own homes.

We need connection, and we can feel when it’s missing

Working from home is fast becoming a best practice for minimizing the potential spread of COVID-19 within the workplace. However, such a drastic change to your daily routine, coupled with the constant news cycle updates, can put a strain on your mental health. Rather than waiting “until things calm down” to see a therapist, it is worth exploring an emerging alternative to coming into a therapist’s office – Telehealth.

Teletherapy helps you maintain mental health

For years, telehealth (or teletherapy) has improved access to care for clients with mobility challenges and for those who live too far to travel to their preferred therapist. Now, teletherapy is becoming increasingly relevant as the number of remote workers, or people working from home, is surging.

Teletherapy reduces travel time to and from your therapist’s office, which makes it more convenient for the working professional. It also offers the benefit of being in a comfortable and familiar environment, which can often be helpful for self-expression and reflection.

HIPAA Compliant Teletherapy Offers Security

Some are reluctant to try telehealth because they feel that something would be missing from a face to face interaction. With a clear camera and high quality internet connection, we find that, in practice, clients get just as much out of remote therapy as in-person. Others may be concerned about privacy. If this is a concern, make sure your therapist is using a HIPAA Compliant service,  like Spruce Health or SimplePractice, that offers a secure connection. This way your data is protected.

If you are feeling overwhelmed by COVID-19, give me a call. I am a psychologist, and I can help you learn coping skills that will give you peace of mind during this challenging time. I also offer teletherapy sessions using a HIPAA compliant system.

About Dr. Crystal Clements

Sync PicDr. Crystal Clements is a psychologist who practices as a registered psychological assistant in Downtown Los Angeles at Here Counseling. She works with adults, adolescents, couples and families to treat depression, anxiety, grief, trauma, and relational issues.She loves what she does and is passionate about helping people feel good about themselves and life. Dr. Crystal earned a PhD in Clinical Psychology with an emphasis in Family Studies and MAs in Psychology and Christian Leadership from the Fuller Graduate School of Psychology. She earned a BA in Communications from the University of Pennsylvania. As part of her training, she completed an APA accredited internship in Health Service Psychology at California State University, Fullerton.

Contact her today for a free 15 minute consultation!

illustration, 360 MAGAZINE, Alejandra Villagra

The Decline of Black Media

Spokesperson for the Save Journalism Project, Nick Charles, has a new op-ed in the NY Daily News discussing the impact of Google and Facebook’s decimation of the news industry’s business model and specifically the decline of black media. What were traditionally spaces for communities of color to spread news and ideas are being forced to shutter their newsrooms because of big tech’s stranglehold on the industry, resulting in a lack of representation and a rapid decline of coverage for these communities.

As Charles explains, “revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide… Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.”

Charles’ op-ed is below and available online.

Some remember well the world where events, issues, policies and histories impacting black people were rarely acknowledged or reported by the mainstream press. In New York City, if it happened above 96th St., it wasn’t news. That began to change after the urban riots of the late 1960s and the Kerner Commission, which prompted mainstream media to begin hiring African-American reporters. African-American media, which had always filled the breach, did hemorrhage talent, but continued invaluable community coverage.

With the emergence of the internet, as legacy media, newspapers, magazines, radio and television news were joined by newer platforms and social media, there was always space to cover disasters like Hurricane Katrina as well as enduring environmental, racial and social injustices. But now that space is shrinking rapidly. McClatchy filing for bankruptcy is just the latest and most ominous example.

An unfettered and thriving press is paramount, especially to otherwise forgotten communities. But what happens when outlets are forced to shutter because big tech chokes off advertising oxygen that is essential to the media’s survival?

Newspapers that adapted and survived the last digital revolution did so through advertising. But today’s digital ad market is dominated by Google and Facebook. Revenue from digital advertising, which used to go to news publishers, is more often than not in big tech’s pockets, leading to an unchecked balance of power and gaping holes in local news coverage nationwide.

Google recently announced it was doing away with third-party cookies by 2022, further jeopardizing the fate of the voices and publishers of communities of color. The move will hit smaller news outlets hard by substantially reducing the value of advertising on their websites. Most don’t have the kind of first-party information nor the kind of scale that will now be required to be valuable to digital advertisers.

Newsrooms across the country are experiencing layoffs at an alarming rate. In 2019, the media shed over 7,800 jobs. The number of black journalists and reporters in newsrooms has also been impacted, with the number of black journalists working at daily newspapers dropping by 40% since 1997. Countless colleagues have left the profession, taking with them their passion, expertise and the trust they amassed over years with community leaders, politicians and activists.

Unable to keep up with a business model steamrolled by the likes of Facebook and Google, the industry is reaching the point of no return. Big tech’s dominance over the digital ad market and unrivaled capacity to scale and monetize its platforms is having drastic effects on journalism as a whole — with especially profound impact on communities of color.

Black legacy outlets, home to some of the most committed journalists and activists in our country’s history, have been the bulwark of accountability for many when racial tensions kept even the government from its role in protecting its citizens. The Chicago Defender itself was one of the sparks in The Great Migration.

Alongside downsizing and retracting their print editions, examples like the Amsterdam News showed a 21% drop in circulation from 2014-2015; The Chicago Defender’s circulation fell by 18% in 2015. Not only are black communities losing their news outlets, black perspectives across the news industry are losing the spaces to voice their opinions.

Founded in 1943 and for decades a space for black communities to share the most pressing news and ideas of the time, Alabama’s longest-running black newspaper, the Mobile Beacon, reported it was planning to close its doors after 2019. It is one of many black legacy media icons in jeopardy.

Frederick Douglass once said: “Once you learn to read, you will be forever free.” Informing African-American communities should be put before Facebook and Google’s profits. People of color have worked and died so American democracy includes everyone. But there is no democracy, no freedom, without the fourth estate.

Charles, a freelance writer, works with Save Journalism Project.

Journalism in America is facing an existential threat from the monopolistic control of tech giants like Google, Facebook, and Apple. Big tech’s dominance over the digital advertising market and their unrivaled capacity to monetize its platforms are having drastic effects on journalism as a whole.

https://savejournalism.org/

ESPN, leadership dinner, 360 MAGAZINE

ESPN Leadership Dinner

On Thursday, November 14th at 6:30 PM ESPN celebrated today’s visionaries and their role on leveraging innovation to impact change. The dinner will take place ahead of Beyond Innovation – an annual event hosted by Beyond Sport, which will convene a series of leaders and innovators across sports, technology, government and education to inspire cross-sector discussion and partnership on innovative solutions to the global STEM workforce crisis.

Both Thursday’s dinner and Beyond Innovation are private, invite only events. Thursday’s dinner kicked things off and was headlined by David Goldstein of SpaceX. Goldstein will give his perspective on the tech space and the opportunity to advance, such as landscape, insights on where the tech world is sitting at the moment, what does it take to work as a leader in tech, and lightly touch on the sport angle and how they can connect/engage. 

Thursday night’s turnout was phenomenal at the iconic Dodger Stadium. Beyond Innovation started the topic of conversation about how important the role of sports and STEM education is to our community.

David Goldstein, retired Air Force colonel, gave a very motivating speech on what it takes to be a good leader.

“You need to inspire, engage and have grit in what you do to help others get to their destination and be able to pass that knowledge on to our upcoming leaders as well.”

Jeff Langlois, 360 MAGAZINE, The Mill, LA, photography, fine arts

Jeff Langlois

It took a one-way road trip for Jeff Langlois to cultivate a passion for photography. The adventure to LA brought forth stunning deserts and mountainous peaks, as he drove from Minneapolis through the Rockies – in a 2002 Honda Civic; eager to jumpstart a career at a commercial house called The Mill. The best way to balance out the fast-paced, unpredictable, and ever-changing environment that is advertising, was to break away and see what the west coast really looks like. Traveling solo allowed him to arrive in beautiful destinations and wait for these locations to unveil their scenic characteristics. Jeff notes that the best shots always come unexpectedly. Now while still mainly shooting the outdoors, he plans just enough to get him out and moving around, but his best and most memorable shots come unexpectedly. It’s about showing up and being patient and receptive to what’s going on. 

K-POP CONTENT MEDIA APP

theQoos Inc. has launched a data-based media service app platform that targets English reading K-Pop fans. Through aggregating K-Pop content, theQoos attempts to lock-in users and create communities among K-Pop fans. theQoos Inc. was established in February 2019 with a Seoul office established in April. The venture founders are composed of experienced members from Kakao, Samsung Electronics and, YG Entertainment USA. An investment by SK Group, South Korea’s third largest conglomerate, was completed earlier this year.

2019 has been yet another record-breaking year for K-Pop with BLACKPINK signing to Interscope/Universal Records and being the first K-Pop girl-group to perform at Coachella. BTS became the first Korean act to perform on “Saturday Night Live” and followed up with performances on “The Late Show with Stephen Colbert,” “Good Morning America” and “The Voice.” A new study by Hyundai Research Institute found that the boy band is worth more than $3.6 billion yearly to Korea’s economy. Both acts contributed to the “Hallyu” (or Korean wave) fanbase which is estimated to grow to 100 million fans by 2020 and leading the way for other acts globally such as Monsta X and NCT. In the first half of 2019, there were over 50 concerts taking place in North America and as STYLE put it, “K-Pop is now more popular and profitable in the West than ever before.”

With the increased interest in K-Pop globally, theQoos set out to build a roadway for content by gathering as many select English-written sources of K-Pop into one feed. The idea is that fans who have an enthusiastic passion for K-Pop are called “theQoos” and want to consume all of the content that exists out there without having to search or open multiple applications. These content sources include K-Pop news sites, reputable global news sites that cover K-Pop, artists’ official social media, and YouTube but also fan-made content such as reaction videos, and fancam footage. Since many K-Pop fans usually find their news through K-Pop sites, theQoos also gathers in-depth coverage from respected major media outlets so users can see content they might not normally come across. theQoos also gathers album and concert reviews from various lesser known sites/blogs that deserve to be read as well as fan-made content that are meant to entertain and be enjoyed.

In 2018 BTS was the most tweeted about account worldwide and a tweet featuring BTS member J-Hope participating in the #InMyFeelingsChallenge was the Most Liked Tweet worldwide last year with 1.8 million Likes. Since K-Pop thrives on Twitter, we also gather many official and non-official Twitter accounts into our feed.

Users are able to “Save,” “Like,” and “Share” content but also organize the feed based on their favorite artist(s). Artist pages also include discography and links to music videos. theQoos promises this release to be their minimal viable product and has already planned for many features including in-app commenting and a community section so that Users can have “real interaction”.

MISSION STATEMENT:

theQoos is dedicated to encouraging the growth and distribution of, English language, K-Pop content, and to provide this content to fans free of charge. We want to build a bridge between K-Pop fans across the world and the content that exists in the universe. As the fan community continues to grow, we want to create a platform for them to engage with each other in a genuine way. By promoting users to enter their real information into their profiles we believe that real commentary and real interaction will create a positive space for K-Pop.

By learning who our users are and what their interests are in, we will be able to understand this community like no one has before us. Imagine a world in which every English reading K-Pop fan can freely view and share K-Pop content & be part of a community – which they can take with them, everywhere. theQoos: We are your gateway to the K-Pop Universe.

How Big Tech Is Destroying Our Press

Ahead of today’s House Judiciary Hearing, the Save Journalism Project held a press call with Rep. Mark DeSaulnier (CA-11); journalists Laura Bassett, laid off by HuffPost; and John Stanton, laid off by BuzzFeed; and Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times.

The monopolistic power of big tech companies like Google, Facebook, and Apple is destroying the economic model of the entire journalism industry, whether its traditional circulation newspapers or digital news outlet.

 This week’s hearing on how digital platforms affect news organizations marks the much-needed return of congressional antitrust scrutiny to big tech companies, which have gained a monopolistic position that lets them dominate the digital advertising marketplace and distribute massive amounts of content from news publishers on their platforms without paying to produce the content. 

Rep. Mark DeSaulnier (CA-11) said, “I don’t think there’s anything more important right now than this issue. Being from the Bay Area, I have been to every big tech company. After meeting with them, I think it’s time to make it easier for licensing like the music and movie industries have done. We are members of Congress, you are journalists, and we have to keep an appropriate Constitutional distance, but there are policy proposals in our legislation that protect the freedom of the press and are necessary to keep the industry alive. When I was first elected to the Concord City Council there was a reporter who was consistently in the front row keeping officials accountable. His presence made local government work, and it is vital that we protect the journalism industry to make sure leaders are kept accountable and communities are informed.”

Laura Bassett, a reporter who was laid off by HuffPost, commented, “In the first few months of 2019, I was one of about 2,400 journalists and media staffers who lost our jobs. Even though I was aware the cuts were coming, it was still shocking to be laid off after nearly a decade in my newsroom. The reason for the mass layoffs, I found out, was that Big Tech companies like Google and Facebook are dominating the digital ad market, swallowing about 60 percent of all revenue and making it difficult for journalism to survive. News publishers are being forced to give a cut of their ad revenue to these companies- revenue that would otherwise go to hiring journalists. Because a well-funded news media is vital to a healthy democracy, the public needs to be aware of Big Tech’s death grip on publishers. At the House Judiciary Hearing today, lawmakers in Congress need to address this bipartisan issue and find legislative solutions that regulate tech giants and restore fairness to the digital ad market. Journalists are taught not to be the story, but as Big Tech’s digital ad monopoly benefits off of our revenue streams, it’s incumbent upon us to fight for the future of our industry. One or two companies should not have the power to cripple the free press.”

“After 20 years of covering Congress and the White House for BuzzFeed, I found out layoffs were coming in a tweet from the Wall Street Journal,” said John Stanton, former Buzzfeed Washington Bureau Chief before being laid off. “Despite the great work my colleagues and I were doing for the publication, there simply wasn’t enough money. Because stories that lead to changes in state and federal law, jailing of criminals and exposing wrongdoing — cost money. Money that is increasingly gobbled up by Google and Facebook. To try to survive, slashes had to be made. To entire desks. The reason advertising revenue has fallen so steeply is that Google and Facebook dominate the digital ad market, consuming more than 60 percent of all revenue. And their share is growing, because they devour nine out of every ten new dollars that are spent on digital advertising. Big Tech’s monopoly has a death grip on publishers. Congress needs to be discussing how to regulate this imbalance and restore competitive fairness in the digital market.”

Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times, added, “We all believe journalism is central to democracy. Newspapers have experienced a decline not in the past five years, not in the past ten or fifteen years, but in the past seventy-five years. Newspapers have been declining since World War II. The problem is that we are essentially sitting on a 200 year-old product, but are trying to compete with new and changing technologies. Newspapers have maintained a monopoly for over 200 years. This is how people historically gained all their information; how they found where to buy clothing, where to buy their groceries, and where they got their news. With the change in how society works, all we have is the news. In order to solve this problem, we need a multi-pronged approach. We need to engage in philanthropy, which my company is already focused on this aspect. We need newspapers with benevolent leaders, not the leaders that we have at some major news organizations now. We need support from legislators. And, we need people paying for the news. We need a lot of support from a lot of different places in order to make this work.”

Opportunity for Entertainment Professionals

Great entertainment requires authentic stories and genuine representation of all people. This includes diverse people with physical, cognitive, sensory, mental health and other disabilities. Hence, RespectAbility, the nonprofit that produced The Hollywood Disability Inclusion Toolkit, is thrilled to offer an innovative lab series for emerging entertainment talent, as well as a track for mid-level career professionals. This 5-week, nine-session summer lab program is for people with disabilities and/or strong disability connections interested in development, production, and post-production, including careers as writers, directors, producers, cinematographers, animators, and other production roles.

“What we see on screen influences how we act in real life, but that is dependent on filmmakers choosing to include individuals with disabilities in diverse and accurate portrayals, which then helps remove the stigmas that currently exist about interacting with individuals with disabilities,” said Program Director Lauren Appelbaum, who leads RespectAbility’s Hollywood Inclusion efforts as the organization’s vice president, communications. “One purpose of this program is to continue building the talent pipeline of young professionals with disabilities looking to work behind the scenes. We do not want anyone to have an excuse that they could not find a writer, editor or any other position with a disability.”

Several sessions will meet at various studios where program participants will have the opportunity to learn about possible career paths and have networking opportunities. Furthermore, entertainment professionals in positions of power to hire will meet a group of qualified individuals and potentially shift their mindsets in equity goals for hiring. After all, opening the inclusion umbrella is the right thing to do as well as economically smart given that the disability market is valued at more than $1 trillion. According to Nielsen Research, Americans with disabilities represent the third largest market behind Baby Boomers and the mature market.

The remaining sessions will meet at RespectAbility’s partner locations around the city. Each lab session will include guest speakers and leaders in the industry, including from Bunim/Murray Productions, GLAAD, LeVar Burton Media, Producers Guild of America, Sundance Institute, Writers Guild of America West and more.

Faculty Advisors, who have been helping to develop the curriculum as well as in recruiting and evaluating participants, include: Karim Ahmad (Director, Outreach & Inclusion, Sundance Institute), Deborah Calla(Chair, Diversity Committee, Producers Guild of America; Media Access Awards), Elaine Hall (Founder, The Miracle Project), Diana Elizabeth Jordan (Actor/Director/Producer, Performing Arts Studio West), Sue Obeidi (Director, Hollywood Bureau, Muslim Public Affairs Council), Jonathan Murray (Founder and Executive Consultant, Bunim-Murray), David Renaud (Writer, The Good Doctor), Donna Walton (Founder, The Divas With Disabilities Project), Delbert Whetter (Chief Operating Officer & Head of Business Affairs, Exodus Film Group), and Gail Williamson (Talent Agent, KMR Diversity Department). In addition, Tatiana Lee, an actress, model and social influencer who is a wheelchair user with Spina bifida, will be assisting with this program.

RespectAbility’s President Jennifer Laszlo Mizrahi added, “Entertainment contributes to our values and ideals. With just 2.1 percent of scripted television characters having disabilities, compared to 25 percent of American adults having a disability, we will continue to work with entertainment leaders to promote positive, accurate, diverse and inclusive media portrayals on TV and in film.”

This program is made possible with support by Comcast NBCUniversalJonathan Murray, and The Walt Disney Company.

Learn more and apply: www.respectability.org/respectability-la-lab.

Pininfarina Battista Electric Hypercar

Pininfarina Battista Electric Hypercar Debuts in North America

The Battista represents a new reality for electric car desirability in cities, in suburbs and on circuits

Automobili Pininfarina launched its stunning pure-electric 1,900hp Battista hypercar in North America – just one year after the company was introduced at the 2018 Rome Formula E race. Shown in the days leading up to the New York Auto Show, the production-ready model was debuted during an exclusive, invite-only event at Studio 525 in Chelsea by Michael Perschke, CEO and Luca Borgogno, Design Director.

During the event, one of only 150 Battistas, painted in a stunning Grigio Luserna satin-grey carbon with Blu Iconica design accents, was on display. The world-first car was revealed to an excited audience of car collectors, supercar owners, business leaders, automotive influencers and members of the media.

To celebrate its arrival in the world’s biggest market for both supercars and electric cars, a new film of the Battista in action, driving through the streets of New York has been released.

“The Battista’s arrival in New York is a proud moment for the entire Automobili Pininfarina team, as we can finally begin to bring the next generation of hypercars to discerning customers throughout North America” said Perschke. “We’re quite confident that this is the car that makes the United States fall in love with ultra-high-performance electric vehicles.”

Pulling from traditions of Italian design and European engineering, alongside the latest in cutting- edge technology, the company is entering a previously unoccupied market segment with great potential. The new demand for high performance zero-emission vehicles, driven by the increasing emissions regulations in the urban centers of major global cities, puts the Pininfarina Battista at the forefront of a growing trend in the ultra-luxury automobile market.

The Battista’s showing in New York coincides with the beginning of Pininfarina’s search for strategic partners to execute the next phase of its development plans. Following the enthusiastic reception of the Battista, Pininfarina plans to launch a full range of high-end, zero emissions SUVs, broadening its consumer reach in the luxury electric vehicle market.

Deliveries of the Battista to North American clients begin in late 2020, with over half the allocation already reserved.

Follow Automobili Pininfarina on Social Media

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Refinery29’s Style Out There

WATCH NOW: EPISODE FOUR OF REFINERY29’s ORIGINAL SERIES

Style Out There

Style Out There, Refinery29’s award-winning video series is back with the fourth episode of season 3. With over 26 million views, host and journalist Connie Wang digs into the way clothing has given women a way to speak out, look within, and identify the forces that limit their potential. Through these stories, Wang discovers the powerful way fashion illuminates social and political issues, ranging from the connection between sexy clothing and sexual assault to instances when cultural appropriation can actually be both useful and productive.

Episode Four of Style Out There is Now Available on Refinery29.com

In episode four, Connie Wang explores the all-female teams in the equestrian sport Escaramuza, which is a treasured Mexican tradition melding riding, fashion, and national identity. But for the athletes living in America, there’s an added vulnerability in literally wearing their Mexican pride on their sleeves.  

Episode Four Highlights

On Making Women Confident

“I say it’s contributed because practicing Charrería, and more in the United States, it magnifies and gives you a confidence as a Mexican to be able to open all the doors, remove all the barriers and not fear anything.” – Frine, Coach, Real De Valle

On Escaramuza Telling a Story from the Past

“Charging through the arena like true warriors Las Coronelas De Illinois are poised, powerful and in control. As I watch them spin in layers of crinoline Vision of Adelitas from centuries ago it occurs to me that, today, this sport and its pageantry really tells a story about the grace and bravery of these women who dedicate their lives to it.”

“On top of their horses, in these dresses, Escaramuza like Mireya are proudly announcing who they are and where they belong.” – Connie Wang, Host

On the Dress Being a Symbol of Pride

“Ever since the elections,  I do feel that wearing the Escaramuza dress is more than just  wearing team gear it’s more like sending a message and proving that I am proud of being Mexican-American .” – Mireya, Las Coronelas De Illinois

Style Out There will premiere new episodes every week on Refinery29’s YouTube channel, exploring Japanese Cholas subculture in Nagoya, the rise of Afrofuturism across the globe, the American Escaramuzas, and Jamaica’s dancehall queens.

Please let us know if you are able to share this with your readers or if you would like to speak with Connie about the series or the reporting.

About Refinery29

Refinery29 is the leading media and entertainment company focused on women. Through a variety of lifestyle stories, original video programming, social, shareable content, and live experiences, Refinery29 provides its audience with the inspiration and tools to discover and pursue a more independent, stylish, and informed life. Please visit www.refinery29.com/en-us, www.refinery29.com/en-ca, www.refinery29.uk and www.refinery29.de for more information and to browse content.

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai