Posts tagged with "digital age"

Sondra Perry photo via Travis Matthews for use by 360 MAGAZINE

ROLLS-ROYCE MUSE PROGRAMME

Lineage for a Phantom Zone marks an important milestone in Rolls-Royce’s creative history. The newly commissioned work by artist Sondra Perry, sees Muse, the Rolls-Royce Art Programme’s inaugural award, the Dream Commission, come to fruition. Initiated to advance the medium of moving image art, the Dream Commission has consisted of a two-year process during which leading lights of the artistic world selected Sondra Perry to create an entirely new work. I am pleased to confirm this work will be shown at the prestigious Fondation Beyeler in Switzerland, before travelling to Serpentine, London. On behalf of Rolls-Royce, I congratulate Sondra Perry on this exciting commission, and we look forward to sharing her installation this year.”

Chief Executive Officer of Rolls-Royce Motor Cars, Torsten Müller-Ötvös.

American artist Sondra Perry joins forces with the Rolls-Royce Art Programme Muse to produce the immersive experience known as Lineage for a Phantom Zone. The program was shaped in support of the Dream Commission, and will open for one full month from February 13 to March 13 at Foundation Beyeler, Switzerland.

One of the most powerful mediums in art today is moving image art. This new program promises to embrace and highlight nothing but that, with film, animation, artificial intelligence and virtual reality pieces incorporated throughout the course. The emergence of social media combined with the affects of the COVID-19 pandemic have altered our world as we knew it, pushing for the rise of the digital age.

In support of the Dream Commission, Rolls-Royce aims to back developing artists in the field of art creation. The establishment of this new platform of moving image artwork expands the realm that we previously knew. With constant visualization of revolutionizing technical and conceptual boundaries, Rolls-Royce fulfills this through their exploration in cooperation with the Dream Commission.

May 2021 Dream Commission winner Sondra Perry works as a moving medium artist specializing in pieces relating to the topics of race, identity and technology. Perry received this honor out of a limited four differing artists in the same field, chosen by a Jury of modern-day art figures. Lineage for a Phantom Zone navigates through Perry’s journey of life highlighting the importance of dreaming. The philosophies of memory, lineage and longing are touched as well, explored through sensory elements that induce the physical, emotional and mental feelings of dreaming.

The 2022 inaugural Dream Commission was made possible through cooperation with Fondation Beyeler, Basel and Serpentine, London.

Explore Dream Commission content HERE.

Heather Skovlund computer illustration for use by 360 Magazine

CSR In The Digital Age: With 360 Magazine

By: Kai Yeo

“We’re all connected through culture. Basically, we all must learn to adapt. We learn more through traveling and seeing more. When you’re in a different environment, everybody must love and laugh and dance. I don’t need to know your language. But companies need to focus on connecting everyone through love, not war.” – Vaughn Lowery

Corporate Social Responsibility (CSR) has been around for years, with its’ roots being found as early as the 18th Century. In my CSR research assignment before, I wrote that “the key idea of CSR is for companies to pursue pro-social objectives and promote volunteerism among employees (such as through donating to charity and participating in volunteer work), as well as by minimizing environmental externalities.” As an international student trying to find my career path in the United States, I find that company CSR is one of the first few things I look for when finding a suitable company to work with: how genuine they are and how much they care for their employees. The process of researching and writing my essay on CSR in the modern day and CSR within my internship site provided me with the valuable opportunity not only to learn about an important business topic, but also allowed me to develop a better understanding of what it is.

For my CSR Interview, I got the opportunity to speak on the phone with my supervisor Vaughn Lowery. His career started from “humble beginnings in Detroit to a full scholarship in Cornell University under the ILR program. From there, he became active in modeling, acting, and producing screenplays.” Now, Vaughn is the publisher and founder of leading fashion and lifestyle magazine, 360 Magazine, which is also my internship site. His job involves fostering relationships within the community and being an editorial director that curates and oversees content for all columns of the magazine. The position also entails making sure that Apple News, LinkedIn, Twitter, and all other news sites are updated. As a pop culture and design magazine, it is important to constantly be up to date with relevant content and breaking news. Being a quarterly publication, 360 is also working on their summer magazine issue. Vaughn mentions that with COVID making everything digital, the team has been working on expanding the business: creating a self-publishing division, developing e-commerce, getting sponsors, and most importantly, waiting for things to start opening back up.

With a background in studying business and company culture, Vaughn says that his education helped him design a company culture that made sense, “Transparency, cool kids, intelligence. I wanted a space for comfort regardless of race, age, and religion. Education was not the answer to my business but a part of the process to help with preparing for my magazine. The most important thing is life experiences, there are no books on it.” Vaughn emphasizes sending people in his company for events and communicating with clientele because “you can’t speak about things you don’t know.” COVID has made jobs in the media a little more mundane, but he’s excited about things opening back up and is hopeful for the future. Without in-person experiences, it is hard to understand the inner workings of media companies with everything being digitally produced.

Vaughn defines Corporate Social Responsibility at 360 Magazine as “having an environment that is inviting and inclusive, especially showcasing inclusivity.” As a magazine that promotes culture and lifestyle, it is important that everyone he works with is aware of what is going on in the world that we live in and what is happening with minority populations. He speaks about being the only African American in a lot of his school and work experiences, and he created 360 with the ideal of having more minorities and women working in his company: “We all live in the same world… and some people don’t know that. But we need representation and for people to see us. It’s not on us to educate them, but it’s on us to speak up.” 360 avidly speaks up for diversity (#metoo) and openly supports nonprofit organizations.

When asked about how veritable he thinks big companies are with CSR movements, he says that they’re doing it for a myriad of reasons. Companies get away with more stuff as a corporation, “But the responsibility is about being genuine. The board of directors and Zoom calls and the whole spiel. If they’re trying to just make money, revenue principals are not true to themselves. 360 was founded on real culture. The diversity is important. It is what it is.”

“Your company diversity is a reflection of the world, we’ve been doing this since the start of 360, we’ve been ahead of the trend.” The magazine has always featured drag queens, people who are transgender, and minorities, “This is very important when doing events and stuff, it’s a big family. We have less than 50 people. And it’s important for our clients to know that we have each other and rely on each other. That we know how to respect one another and appreciate each other, despite all odds.” Vaughn believes that diversity and inclusion of people of color has always been important, and he emphasizes that 360 will keep pushing these agendas and morals as long as he’s the head of the company. I see this in his effort to get everyone together (even if it is just on Zoom for now) to celebrate big articles, book releases, sponsorships, and so on.

As I type this interview essay, I find two key points to really reflect on: 1) assumptions about company morale and 2) why diversity is so important to me.

1) I think back on everyone else I’ve spoken to during my time as an intern here with 360, and I find that these core values that Vaughn spoke about with me are reflected in all the conversations I’ve had with him and other employees. Coming from a very structured, patriarchal Asian background, I came into this internship thinking that it would be like all my previous experiences (they talk of diversity, but it’s never really executed once you’re a part of it – school projects, internships, part-time jobs, and so on). However, no one in the company has been curt or condescending when speaking with me, and they truly mean it when they point out mistakes and gently correct me. Maybe it is because of the way I was brought up, or the environment I was most familiar in, but these good intentions had me on my toes for the first couple weeks I was here, and I’m honestly still getting used to it.

2) With the rise of Asian hate crimes in the past year, I find myself turning very reclusive and immediately trying to find fault with people when something brushes me the wrong way (though sometimes it really is a racist comment or remark). It’s been difficult having to correct people when they say my name wrong or trying to explain my culture when these simple things can so easily be looked up online. I’ve been very lucky growing up well-traveled and seeing different parts of the world, and I understand that not everyone has that privilege, but how far does “I don’t know” get you in the digital age? I need to work in a company where people are willing to learn and grow new perspectives, and I see this quality in Vaughn too as he speaks about his loneliness as the only African American in his industry when he was first starting out.

After 45 minutes of talking about diversity and the whole CSR conversation winding down, Vaughn tells me to keep doing what I love, “Understanding the industry through work experiences is how you’ll get in. It’s constantly changing.” He talks about learning to forecast and foreshadow and having connections at arms’ reach. By the end of our conversation, I felt that I learnt a lot and could have a clearer vision of what I wanted out of this internship. I’ve had the opportunities to go for company events (for brands including Lillet, Chinese Laundry, Rockstar Original, etc.), though I would really like to be able to go to a CSR event in the near future to promote these same values that I share with 360 Magazine.

To read more about Vaughn Lowery, please visit his Wikipedia and IMBD.

album artwork by RHYME SO for use by 360 Magazine

RHYME SO – POSEABLE

RHYME SO Drop Striking New Video POSEABLE, latest video from Japanese-Australian experimental dance-pop duo

RHYME SO – a Japanese-Australian experimental dance-pop duo – have released a wildly creative new music video POSEABLE via 88INFINITY. It’s their latest video since 2020’s Fashion Blogger, and a taste of what’s to come from one of music’s most fascinating enigmas.

The video, which was partly shot in a capsule hotel in Tokyo, pokes fun at society’s compulsive obsession with digital validity, hopping from one Instagram-worthy pose to another. The visual includes a cameo from Mari Natsuki, the beloved Japanese actress known for her maternal roles in Studio Ghibli’s Spirited Away and the Japanese remake of Bewitched. Assuming the role of the tastemaking grandma, Mari embodies the song’s refrain “or grandma sends you home,” an ode to grandma’s unyielding sense of what’s good and what’s not.

“The message of POSEABLE is about going back to the roots and honoring Grandma’s sense and allowing her to be the tastemaker, as she knows what’s up when it comes to quality and the original recipe for success,” RHYME says.

At a time when the music industry is as saturated as ever, sometimes it’s not about chasing trends, but making yourself truly unique; something RHYME SO embraces to the utmost.

“We both got better at what we set out to do, and many things have happened that have re-assured us we are on the right track,” RHYME adds.

RHYME SO consists of OG Japanese dance producer Shinichi Osawa (aka SO, best known from his other artist project Mondo Grosso) and Australian-born rapper/poet/model RHYME. Shinichi and RHYME met at a party in Tokyo several years back and before long they became involved both musically and romantically. They’ve dubbed their music Blank Post Genre, a concept centered around creating a blank canvas in response to a digital age overflowing with information. It’s a way for a sonic refresh, allowing Osawa and RHYME to craft rumbling dance music complete with lyrics poking fun at modern life.

POSEABLE is RHYME SO’s latest release on 88INFINITY, a sub-label of 88rising, perhaps the preeminent Asian record label in the world. RHYME SO’s hypnotic debut single Just Used Music Again appeared on 88rising’s 2019 compilation “Head In The Clouds II”, which they followed up with Fashion Blogger, another iconic music video depicting a fictional figure skating contest, guest starring MILK from Ru Paul’s Drag Race.

POSEABLE is well suited for dancefloor mayhem and RHYME SO looks forward to bringing their refreshingly unique, cutting-edge brand of dance music stateside in the coming months.

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HACK Is Here To Help

Hack, a full-stack laptop designed to teach kids to code by enabling them to hack games, settings and apps, is announcing the launch of its pre-release beta.
Hack is the only laptop designed for everyday use that has a unique superpower – the benefit of inspiring kids to learn how to Hack. Using the flip-to-hack feature, kids can edit parameters, immediately see their changes and develop familiarity with basic coding in an authentic and safe environment. Built on the Linux-based Endless Operating System, kids access source code and use a real sandbox for learning how to code.
The award-winning ASUS laptop comes with all the apps and tools families need for everyday use, including Chrome, Calculator, Skype, Office Suite, Scratch, Spotify, Steam and more. Recognizing that many parents are eager to introduce STEM to their children and give them a computer of their own, Hack is a dual-purpose laptop great for everyday use and STEM education, for $299. What’s more, it is a safe, ad-free and virus-resistant computer with parental controls. Hack is the screen time that parents should feel good about for their kids.
“As a parent and passionate tech executive I am excited to empower the next generation with digital literacy, creative problem-solving skills and an understanding of how to engage consciously with the world. In turn, we hope to enable and inspire children to create innovative and exciting opportunities for themselves and others,” stated Roberta Antunes CEO of Hack.
Hack characters, based on computer science luminaries including Ada Lovelace and Mary Jackson, guide players through immersive adventures and provide them with new coding challenges every month. For $9.99 per month, Hack families will access an unfolding adventure story and learning quests, and hackable levels that unlock as the player’s skills improve. As the child evolves, so does the product. The first 12 months of the content subscription are free for launch customers.
To participate in the Hack beta, visit hack-computer.com and signup for the waitlist. Pre-orders for the public release on January 24th are also available on Amazon.