Posts tagged with "art world"

MetaPhysical NFT Project + Physical Exhibition Powered by Bitski image via Cat Eschert at The Lede Company for use by 360 Magazine

Bitski’s NFT Project

MetaPhysical NFT Project + Physical Exhibition Powered by Bitski

“PHASE TWO” by blacksneakers, one of the ten works to be featured at “metaphysical ‘ shown below.

EVENT DETAILS

“Metaphysical”

Curated by Max Kulchinsky and Powered by Bitski

DorDor Gallery

45 Irving Ave, Brooklyn, NY 11237

Friday, July 23rd

7:00PM EST

RSVP here

OVERVIEW

A first of its kind in format, “metaphysical” will feature ten physical pieces shown at DorDor Gallery in Bushwick, New York alongside ten accompanying digital pieces as NFTs from a selection of the fastest growing North American creators in the NFT space, including established and emerging crypto-artists; such as blacksneakers, Noah Kocher, Sophie Sturdevant and Soulo Saint.

The digital pieces will be available here and displayed in a virtual Bitski gallery available online here. Bitski wallets are now integrated into OnCyber, so collectors and artists can display NFTs directly from their Bitski wallet in digital environments from temples to spaceships.

METAPHYSICAL POWERED BY BITSKI

Bitski has powered NFTs across a full breadth of worlds from art to entertainment to sport. Bitski’s relationship to the art world contrasts from other NFT platforms which act as curatorial gatekeepers. Instead, Bitski empowers all creators and customers to sell through their own channels, with easy-to-use features including automated minting, embedded storefronts and no crypto literacy required, amongst others.

Bitski is excited to support this special artist community and empower them with tools for the metaverse; including a digital storefront to sell their digital works in addition to their physical works, providing a new rev stream – alongside creating integrations with third party homes for their NFTs to have “life” outside their wallets.

Bitski’s relationship to the art industry is not new. One of Bitski’s case studies is the FEWOCiOUS NFT launch, where Bitski provided a platform for the artist and his inaugural collection. This NFT launch sold out and generated approximately $30K in sales, an early example of the rise of bidding wars in the art space.

In addition, the investors include some of the biggest names and most credible NFT experts in the art world, including Metapurse, purchasers of Beeple’s $69M NFT sold at Christie’s.

Art Exhibition illustration by Heather Skovlund for 360 Magazine

A Conversation with Grandmother Edna in Franklin County, PA

Franklin County Visitors Bureau Invites All to A Conversation with Grandmother Edna: Fabric Artist and Storyteller

Franklin County Visitors Bureau hosts Edna Williams, a fabric artist and storyteller, at the 11/30 Visitors Center on July 17.

Franklin County Visitors Bureau invites the public to A Conversation with Grandmother Edna: Fabric Artist and Storyteller on July 17 at 1 PM in the Great Room of the 11/30 Visitors Center, on the square in Chambersburg PA. Visitors can enjoy more than a dozen quilts and pillow covers, created by Grandmother Edna and learn how she expresses herself through art to tell stories of her life and America’s history. The art, called Pillow Talk is on display in the lobby of the Franklin County 11/30 Visitors Centers.

Williams hails from Baltimore and is displayed at the 11/30 Visitors Center through the Franklin County Visitors Bureau’s relationship with the African American Historical Association of Western Maryland.

I reach back to move forward. It is the only way to grow, said Grandmother Edna. Her Pillow Talk display includes stories that connect directly to her mother, father, and grandmother as well as highlight her meetings with poet Maya Angelou and actor Harry Belafonte. Others tell stories related to enslavement and civil justice. Williams believes storytelling is a means to connecting people and endorses the importance of history stating, Why create a mountain when you can cross a hill.

Pillow Talk is displayed as part of the Franklin County 11/30 Visitors Center’s Let The Journey Begin…People, Places, Possibilities. In addition to the storytelling quilts of Grandmother Edna, the exhibit looks at the quest for freedom from the earliest European settlers to the importance of the Pennsylvania Constitution’s Environmental Amendment.

A Conversation with Grandmother Edna is free and open to the public. Following the presentation, Grandmother Edna will offer a quilting and storytelling activity to participants who want to learn a little more. To reserve seating, please register here. A Conversation with Grandmother Edna is presented by the Franklin County Visitors Bureau as part of the July 17 Chambersburg Comes To Life Celebration, which includes the living history portrayal and light show depicting the 1864 Ransoming, Burning & Rebirth of Chambersburg.

The Franklin County Visitors Bureau invites all to explore Franklin County PA and enjoy trails of history, arts and architecture, recreation, natural beauty, fresh foods, and the warm hospitality of communities like Chambersburg, Greencastle, Mercersburg, Shippensburg, and Waynesboro. Franklin County PA is located just north of the Mason Dixon Line and is an easy drive from Washington DC, Philadelphia, and Pittsburgh. Discover more and plan a visit at their website or by contacting 866-646-(8060).

Q×A with Grandmother Edna 

By: Emily Bunn

Showcasing over a dozen quilts and pillow covers, Grandmother Edna weaves stories of her own life and chronicles American history into her fabric fashioning. The complex interweaving of Edna’s own life fluidly connects with the United States’ grappling with enslavement, civil justice, and the quest for freedom. Depicting familial relations, as well as Edna’s encounters with Maya Angelou and Harry Belafonte, Grandmother Edna brings history to life with her quilting and storytelling. 360 Magazine spoke with the artist about the success of “Pillow Talk”, what inspires her to create art, and her upcoming CD release.

When did you begin creating fabric art?

Really, I mentally began in the 1950’s [while] sitting on a stairway watching my grandmother quilting. Then, maybe somewhere around the late 80’s, I decided to pick my poems up from midnight brown paper bags writings to hand sewn quilting.

What first got you interested in American history?

Being Black in the 50’s going with my grandmother to be the help/maid. And, in the 60’s, attending an all white school.

If you were to create fabric art to express our current moment in time, what would that design look like?

I have a new quilt on exhibit titled: “There Was A Time When The Universe Was FREE.”

What inspired you to start selling your quilted creations, pillow covers, and fabric art?

First of all, my quilts will never be for sale. My pillow covers sales will I hope help fund my free educational mobile classroom called “A Grandmother’s Pilgrimage, INC.” and my Grace Wisher Reparation Recovery Youth Scholarship Fund, LLC. 

What inspired the name “pillow talk” for your exhibition?

I travel through the country as an invisible soul, no one seems to listen to anything I had to say. I decided to create a nightcap to relax the busy minds of everyone–and just maybe they would have time to hear me.

What has the reaction to “pillow talk” been like?

Amazing, fresh. It’s a newness in the art world.

What has working with the The Franklin County Visitors Bureau and The African American Historical Association of Western Maryland been like?

Exciting, cool and [represents] that change is coming, History being over-hauled. Janet and Ron have been great to partner with. I hope this [exhibit] will … improve that culture sock everyone keep avoiding in this America.

Your fabric art often reflects stories from your own life. What milestones from your life have you felt were most important to include in your artwork?

It’s that front door entry thing for me. The lost traditions of my people.

Are you currently working on any exciting fabric art projects that you can reveal to 360 Magazine’s readers?

Yes, I have my new CD on release. I have a file cabinet packed with poems to be quilted. I have faith the money will come. It’s appears to be easy, but it’s very hard to get paid for a job very well done. This is all fun and relaxing for me. I tell everyone to Just sew your emotions. Thanks 360 Magazine for this new media.

Illustration for 360 Magazine art story

How Technology Makes Learning Art More Accessible To Aspiring Artists

The art world is constantly evolving and moving forward towards adapting to the use of the latest technology. Throughout history, the development of the latest technology has been eyed with suspicion by members of the mainstream arts sector before the new eventually becomes normal. The arts are an area that has always adapted to the use of new technologies, whether it was the introduction of photography in the late-19th-century or computer-aided design in the last three decades.

What we have seen on educational sites, such as Learning Cloud New Zealand, was an uptick in the number of art students in the role social media is playing in the modern art sector. Museums and public galleries are taking their collections online to give every person the chance to enjoy artworks by famous artists and those they may not have heard of. Galleries and museums are looking to switch their collections to the online sector to allow more people to explore and learn about art. For students and academics looking to take part in the academic study of art history and specific artists, the ability to turn to Instagram or the online collections of galleries and museums makes it easier to view as many artworks as possible from the comfort of their home, office, or desk.

Looking back at the history of art is just one way the development of technology has shifted towards the delivery of information online. There are many ways technology can change the artistic world, including the ability to allow artists from around the world to find new ways of working. In the past, those affected by disabilities were unable to take part in the practical study of the arts because of the restraints placed on their movements. However, the evolution of technology has allowed the majority of people to feel they can now enjoy the chance to build a career using the latest in technology.

The challenge for many people with some form of disability when they are exploring art through the use of technology is to develop a better way of understanding art. Those who are visually-impaired are among the individuals who are being given the chance to learn about art through the use of technology. Visually-impaired individuals are given the chance to enjoy art through descriptive words designed to create an image in the mind.

Digital art is taking the canvas onto the screens of mobile devices and laptop screens to give those in far-flung areas of the world the chance to perfect their artistic talent. Teachers can be located almost anywhere in the world to provide advice and support as the artist works from their home location. Even in schools, the development of technology is taking out of the use of traditional media and into the digital realm. Adding the arts to STEM courses has been positive for millions of students and led to the development of STEAM classes that focus on technology. For most students, the use of digital technology is an accompaniment to the traditional media used for classes at all levels.

The Art World in Haiti

AYITI Gallery is pleased to present the works of seven talented Haitian artists carefully selected for their ingenuity, their originality, their narrative and their artistic potential. Our artists represent the new wave of International Inspirational artists that is currently flowing the market. They respond to the rising demand of new art that inspires and educates. They invite the viewer to think deeply and explore a new visionary realm. Our artists are messengers and healers. They express a state of consciousness that transcends a reality. Intuitive, they speak with their soul and push the boundaries commonly known of the art world. Their creative imagination rooted in their identity has preserved the authenticity of their art and freed them from the western norms. Fresh, elegant, avant-garde, colourful and mindful, their art has a unique voice. The quality and originality of their work reminds us Picasso, Dali, Basquiat, Bosch, Breton, or Bruegel the Elder. All are dedicated to an established and mature style and create masterpieces after masterpieces. All have the potential to be the art masters of tomorrow. They are permanently exhibiting in the UK.

AYITI Gallery is a brand name of THE smARTest PROJECT LTD, a certified social art enterprise founded in 2015 that initially supports (isolated) genius artists from Haiti to exhibit and sell their work to a global audience, live and thrive from their art. Over the years, we have pioneered with success the introduction of Haitian art in London. We have increased the visibility of our artists and the value of their art. We have revealed up-and-coming masters and highlighted the emergence of a new trend. We have shown that other form of creativity exist beyond the mainstreamed art. We have created a precedent that revealed a huge niche market for our artists, and furthermore for International Inspirational artists. The potential is significant and the supply of rare and fascinating art is endless. We are present in two thriving markets (African art and its diaspora; and Outsider art) which are triggering a breakthrough in the global art market encouraging collectors to invest now in our artists. We have a long-term vision that goes beyond Haiti, aiming to change the life of thousands through arts, and exploring new collaboration in and beyond the art world to further the vision of our artists and diffuse more Inspirational art in our daily life.

Despite their undeniable talent and their unique sense of creativity, an infinite number of International Artists have limited access to the International Art scene. Their geographic location, their economic situation, their anonymity, the absence of art education background, the nonconformity of their art and their disconnection with the art world isolate these artists from the main international art hubs. The art market has become somehow elitist and conservative. It favours artists who have sufficient financial means to show their work, artists who are able or are enough proactive to market themselves online and offline, artists who have pursued art studies, artists who follow trends and respond to the commercial demand of the market, or artists who live in western countries. It brings artists to compete with one another on an economic basis and rejects a vast majority of talented artists worldwide. It limits the endless variety and originality that International Artists could show to the world, it distorts the true meaning that originates from the creation of art, it narrows the notion of art itself influencing the regard, the taste and the decisions of the general public, and it promotes the duplication of art and artists. The art market has created a replicable business model that runs out of steam and seeks new inspiration. Art is more than a product. It’s a vision, the introspection of a soul, a universal language connecting cultures and individuals together. Art is an invitation to travel. We are meant to bring change and explore alternatives to nurture the infinite potential of International Art and the creative vision of Inspirational Artists.

▪ We believe in artists first

▪ We believe in art as an act of self-expression, with no rules, intuitive, expressive, initiatory, meaningful, and the inner soul as the main driving source of inspiration

▪ We believe in an art that inspires, instructs and provides emotions to people, that opens minds and mentalities, that influences practices and policies, that expresses a message, a feeling, a state of consciousness, that transcends a reality

▪ We believe in equal opportunities for all talented, creative and inspiring artists to show their work worldwide no matter their origin, their background, their status, their renown or their connection to the art world

▪ We believe that the renown of an artist be based on his/her talent, originality, creativity, the aesthetic of his/her work, the deepness and pureness of his/her inspiration

▪ We believe in new technologies to bring the vision of Inspirational Artists to life

▪ We believe in collaboration instead of competition, bringing in diversity into unity, encouraging the collective rather than the individual

▪ We believe in more Inspirational Art in our daily life to stimulate collective consciousness, taking art out of the traditional art premises.