Posts tagged with "exhibit"

Glastress illustration done by Kaelen Felix for 360 MAGAZINE

2021 U.S. Premiere of Glasstress

Some of the world’s leading contemporary artists are invited to breathe new life into centuries-old glassmaking in Venice ― maestros of glassblowing from the legendary Berengo Studio residency help artists manifest their visions.

Among the 34 artists: Ai Weiwei, Fred Wilson, Joyce J. Scott, Jimmie Durham, Ugo Rondinone, Fiona Banner, Vik Muniz, Monica Bonvicini, Jake & Dinos Chapman, Laure Prouvost, Renate Bertlmann, Thomas Schütte, Loris Gréaud, and Erwin Wurm.

  • There is every reason this year to have a world view,” says Irvin Lippman, the Boca Raton Museum of Art’s Executive Director, as South Florida boldly ushers in the new year with the national premiere of Glasstress 2021 Boca Raton.
  • Three years in the making, with 2020 being such a challenging year to coordinate an international exhibition of this size and scope, the effort serves as an important reassurance that art is an essential and enduring part of humanity.”
  • “This is also a tribute to the resilience of Venice’s surviving the floods and continuing to make art through the pandemic,” adds Irvin Lippman.

The new exhibition runs January 27 through September 5, 2021 and the Museum will feature online initiatives for virtual viewing. Watch the video here featuring interviews with some of the artists in the new exhibition. The 34 artists in this new, never before seen edition of Glasstress were all invited by Adriano Berengo to work alongside his master glass artisans at the Berengo Studio on the island of Murano in the Venetian lagoon. Most of these works in glass have never been seen elsewhere, and were handpicked by Kathleen Goncharov, the Museum’s Senior Curator who traveled to Italy in 2019.

With incredible energy, the Studio has brought a new vision on how to stimulate today’s leading artists into thinking how the medium of glass can be made into dramatic and provocative works of contemporary art. Most of these artists have, during their careers, been invited to participate in the Venice Biennale. Some of the works were created during the pandemic lockdowns, with artists collaborating remotely via Zoom with their glass artisan partners after initial on-site work at the studio in Venice.

“Unlike the past and the present, what comes next for our world presents itself as constant possibility, always transforming as we move forward in time,” says Adriano Berengo. This concept of transformation has always held an affinity with glass, a medium which – as the name Glasstress suggests – exists in a state of constant tension. Life needs tension, it needs energy, and a vibrant exchange of ideas.”

The exhibition presents 34 new works that explore some of today’s pressing subjects, including human rights, climate change, racial justice, gender issues and politics. The Boca Raton Museum of Art has dedicated more than 6,500 square feet of exhibition space to this collection. A fully illustrated catalogue is also available.

The mission of Glasstress is to restore the visibility and reputation of Murano glass, after decades of closures of ancient, centuries-old glass furnaces. Instead of creating decorative objects with glass, these artists are invited to create original works, often on a massive scale. They collaborate with glass masters whose expertise has been developed over generations in Venice. Most of these artists have never worked with glass, so they unite their artistic ideas with the technical expertise of their skilled collaborators.

The results are breathtaking. The first installation visitors to the Museum will encounter is Sala Longhi by Fred Wilson. He created this series at Berengo Studio after the Biennale exhibited his work about Black residents of Venice from the Renaissance to the present. This installation features an ornate white chandelier with 29 glass panels that mirror 18th-century Venetian artist Pietro Longhi’s paintings. Instead of canvases, Wilson shows the viewer only the whites of the eyes of his Black subjects through cutouts in black reflective glass.

“We have brought Glasstress to countries around the world for ten years, seeking to expand and enliven international awareness of the variety and richness of contemporary artists using glass in their creative practices,” adds Adriano Berengo. “In the past, its place in the art world might have seemed uncertain. But now in this latest edition of Glasstress, the first after a global pandemic, one thing we know for certain: glass endures. Life is fragile, just as glass is fragile, yet in this fragility there is also strength.”

“It is in this spirit of experimentation that Glasstress Boca Raton 2021 explores the limitless potential of glassblowing. “We realize how far we have come as we approach the 60th anniversary of the American studio glass movement that launched in 1962 through the efforts of Harvey Littleton and Dominick Labino,” adds Irvin Lippman. “This presentation of Glasstress is also a tribute to them.”

This show also unveils the Museum’s new acquisition for its collection, created in the Berengo Studio – Glass Big Brother, a sculpture by Song Dong, one of contemporary Chinese art’s leading figures. The large-scale ceiling installation is 11 feet long and reaches all the way to the floor. Thirty surveillance cameras are ensconced from top to bottom, looking out at all directions around the chandelier.

The installation Rosemarie’s Divorce, by Renate Bertlmann, unites aspects from Rosemarie’s Baby (1983), her multi-part installation about the ambivalent relationship between mother and child, and Discordo Ergo Sum, a field of knife-roses she exhibited at the Venice Biennale in 2019. The monstrously enlarged glass pacifier is an image she has used since the mid-1970s referencing sexuality and motherhood. It is flanked by two knife-roses made of deep black glass.

The Italian artist Monica Bonvicini’s deeply psychological work addresses themes of sexuality, power, and relationships in male-oriented domains. Her visits to sadomasochist nightclubs with Gay male friends are the inspiration for Bonded. She won the prestigious Golden Lion award at the 1999 Venice Biennale. DNA HAS NO COLOR is a new statement from Nancy Burson that is a powerful work about the illegitimacy of racism. This is a continuation of the project that Zaha Hadid commissioned Burson to develop for the London Millennium Dome. Burson is known for biology-related work, including her use of cutting edge facial morphing technology for art that shows what individuals would look like as a different race.

The Pandemic Oculus, (2020), by Tim Tate, whose work explores the worlds of loss, memory, recovery, and hope. As an HIV-positive man, he lived through the worst of the AIDS epidemic during the 1980s and 1990s, and now through the current pandemic. In the Museum’s exhibition catalogue, the artist states that Pandemic Oculus also honors the many unsung heroes around the world: nurses, teachers, essential employees, grandparents caring for children so that parents can work, and so many more. Tate is the co-founder of the Washington Glass Studio in Washington, DC. He is also the co-moderator, along with William Warmus, of the 21st Century Glass group on Facebook, which has shared and discussed over 10,000 images of sculptural glass from around the world.

Erwin Wurm’s wry sense of humor permeates his most famous works and has served him well in creating a poignant cultural commentary throughout his career. Wurm produced this triad in cold hard glass at the Berengo Studio. They are smaller versions of the massive bronze sculpture of a hot water bottle with legs, Big Mutter, that he created for the Venice Biennale in 2020. In the exhibition catalogue, the show’s curator Kathleen Goncharov describes these “mothers” as neither warm nor comforting . . . their stubby little legs imply flight when called upon to be caregivers.

At the Berengo Studio, Jimmie Durham created a series of eight giant cougar heads suspended on metal armatures. Caught in suspension as they gaze at one another, their collective roar remains frozen between them. The cougar is one of the most sacred animals in Cherokee mythology, and the influence of Native-American culture vs. Western rationalism is evident in his work. The artist’s long trajectory includes his work during the civil rights movement and as a political organizer for the American Indian Movement. In 2019, Durham was the recipient of the Golden Lion for Lifetime Achievement award at the 58th Venice Biennale.

In the Museum’s exhibition catalogue, curator Kathleen Goncharov describes Prune Nourry as no stranger to illness . . . her work always dealing with science and bioethics from a feminist perspective, a focus that has intensified since her breast cancer diagnosis in 2018. At the Berengo Studio, she created River Woman, a transparent skeletal sculpture based on an anatomical drawing of the human vascular system. While its form may be human, the arteries resemble rivers, streams and trees that suffer in their own way too, from human abuse rather than disease.

Ugo Rondinone represented his home country in the Swiss Pavilion at the 52nd Venice Biennale (2007). In this work, the twelve glass horses cast in beautiful shades of blue all face different directions, creating delicate light games with their reflections and shadows in continuous motion. In the context of this installation, the reappearing motif of a horse (which has a long tradition in the history of art), evokes alienation and a subversive twist emblematic of Rondinone’s works.

Ai Weiwei's

DNA HAS NO COLOR, Nancy Burson (2019) for 360 Magazine

Purchase our Glasstress issue HERE.

Wink World illustration by Kaelen Felix for 360 magazine

Chris Wink Opens – Wink World: Portals Into The Infinite

Chris Wink, co-founder of Blue Man Group, announces the opening of “Wink World: Portals Into The Infinite” at AREA15. The attraction opens to the public today, Jan. 7, 2021.

This horizon-expanding, first-of-its-kind immersive art experience represents Wink’s most ambitious art and entertainment project since departing Blue Man Group in 2017. Drawing upon his well-honed skills as an experience designer, a music composer and overall purveyor of high-impact visual entertainment, the 1,500-square-foot experience takes the entertaining fusion of whimsy, color, art, technology and music he pioneered with Blue Man Group to the next level.

Wink World comprises a series of six infinity-mirror rooms, each one showcasing a stunning production number drawing upon Wink’s love of black light and other dazzling stage effects designed to evoke “life force” and inspire wonder. Wink’s penchant for transforming everyday objects into art or entertainment provides his delightful brand of dynamism to the experience, as ceiling fans transform into kinetic art and children’s toys like Slinkies and Hoberman Spheres become elevated into a chorus line of dancers and entertainers.

“Wink World will be a manifestation of my lifelong fascination with the transcendent power of the playful interaction of light, color and music,” said Wink. “I’m delighted to introduce everyone to this brand-new, multisensory art and entertainment concept.”

Tickets to enter “Wink World: Portals Into The Infinite” are $18 for adults, $13.50 for children. Locals with Nevada ID pay $14.50 for adults and $11 for children. Discounts are also available for seniors and members of the military. All prices include ChromaDepth 3-D glasses.

For more information about Wink World, click here or follow on Facebook and Instagram @WinkWorldOfficial.

ABOUT CHRIS WINK

Chris Wink is famously known for being the co-founding performer, writer, director and composer of Blue Man Group, the ground-breaking show combining theatrics, art, music and technology to create a wildly interactive, percussion-driven multi-media experience. He is an award-winning writer and performer, Grammy-nominated composer and a frequent public speaker on the subject of creativity. Wink is currently the director of content and cool s**t for AREA15 and brings a unique brand of creativity and decades of industry experience to numerous experiential activations. In his position, he serves as a global ambassador for the brand.

ABOUT AREA15

AREA15, located minutes from the Las Vegas Strip, is the world’s first purpose-built experiential entertainment complex offering live events, immersive activations, monumental art installations, extraordinary design elements, unique retail, ground-breaking technology, bars and eateries and much more. With a growing collection of dynamic destinations including Dueling Axes, Emporium, Lost Spirits Distillery, Oddwood Bar, Wink World, Museum Fiasco, Rocket Fizz, Five Iron Golf, The Beast, a culinary experience by Todd English, and anchor experience, Meow Wolf’s Omega Mart, AREA15 is an ever-changing art, retail and entertainment destination attracting locals and tourists of all ages.

AREA15 represents a collaborative venture between real estate development firm Fisher Brothers and creative agency Beneville Studios, both of New York.

PUBLIC HEALTH NOTICE

AREA15 will follow the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 will be using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met.

CONNECT WITH WINK WORLD

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Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

Guggenheim Presents José Manuel Ballester

The Guggenheim Museum Bilbao presents José Manuel Ballester [2020/03/15], which will be open to the public over the next three months. The project consists of a series of photographs taken by the artist around the deserted streets of locked-down Bilbao last spring, exhibited alongside About the Guernica, 2009/2020 by Ballester, an emptied-out version of Picasso’s painting that conveys a contemporary perspective on the historical event and human tragedy.

This project as a whole offers a reflection on the consequences of serious events such as wars or pandemics. Thus, the dialogue between the ‘emptied out’ Guernica and the photographs of the apparently uninhabited city presents the viewer with an interesting and open reflection.

This project bears witness to the period of lockdown through a selection of large-scale photographs that reflect the deserted streets and spaces of Bilbao such as La Salve Bridge, Elcano, the Metro and Calle Bailén, casting an almost unreal image that could represent the current situation anywhere in the world.

In the words of Ballester, “The human absence on the streets created unusual images of totally empty roads, avenues, and squares, but the most disturbing part was knowing that all the inhabitants were there, that they were just a few meters from me, protected within the walls of their homes. Despite being so close, silence reigned supreme.”

This portrait of the uninhabited city has many parallels with the artistic vision José Manuel Ballester has been developing for years through his impressive series of works called Hidden Spaces, in which he reinterprets key paintings in the history of art devoid of their characters, giving them a new artistic and human sense.

About the Guernica is a photographic reproduction printed on linen, the same size as Picasso’s original canvas, digitally treated to empty the space of all its human characters. Thus, the architectural interior, with its interplay of light and shadow, remains a silent witness to the bombing of Gernika in 1937. Ballester shifts Picasso’s chosen time sequence to a later time, in which all of the protagonists have disappeared, but in which, in the artist’s words, “the signs of the inhuman remain, as do the flames of the fire that still burns, like the flower that blossoms from the sword”.

The experience provided within the museum itself is complemented by a digital project that develops the concept of emptiness so strongly present in Ballester’s work, accessible from the Museum’s website. In addition, a book has been published that includes the series of twenty photographs taken by the artist in the streets of Bilbao alongside his reinterpretation of Picasso’s work, with comments by Carlos del Amor.

A Collaborative Project

This project is presented to the public in a time of restrictions. After the lockdown and the Museum’s temporary closure last spring, current mobility constraints and economic difficulties make it hard for initiatives to move forward. It is in these challenging times when collaborations and the sum of efforts acquire new value, working together to make a project became a reality.

[2020/03/15] José Manuel Ballester would have been impossible without the generous collaboration of three companies: Estudios Durero has been responsible for the production of the large-scale photographic reproductions with special high-quality printing solutions, in addition to the creation and publication of a homonymous book; Giroa-Veolia has carried out the installation and lighting of the works in the special context that we are going through, and LIN3S has developed the digital experience that, for the first time in the Museum, shows in an innovative way not only the pieces presented in the Museum space but also some others by the artist that complete his project for the Guggenheim Museum Bilbao.

 Hidden Spaces in the Museum Collection

José Manuel Ballester’s intervention on Guernica and on the other works included in the Hidden Spaces series is, in his own words “an attempt to bring into the present moment the events that motivated the creation of these works and to equate them with the current conflicts that exist in the world. These are events that scandalize and move us, but, at the same time, they fade away in our consciousness when they are far away.”

“When you strip paintings of their characters, you’re faced with a desolate, absurd landscape that brings out the horror in the wake of human savagery,” said Ballester.

Three works by José Manuel Ballester belonging to the Hidden Spaces series are present in the Guggenheim Museum Bilbao Collection: The Third of May (2008), The Royal Palace (2009) and The Raft of the Medusa(2010). These works are reinterpretations, respectively, of The 3rd of May 1808 (1814) by Francisco de Goya, Las Meninas (1656) by Diego Velázquez, and The Raft of the Medusa (1818–19) by Théodore Géricault.

RELATED ACTIVITIES
Session of bertsos Hustuari Hitzak (Words about Emptying Out)
Renowned bertsolaris Andoni Egaña and Maialen Lujanbio will offer a session of bertsos from the Museum gallery that houses the work About the Guernica and José Manuel Ballester’s images of uninhabited spaces. This session will be accessible via streaming.

A Conversation- January 14
Artist José Manuel Ballester, curator Petra Joos, and journalist Carlos del Amor will discuss the most relevant aspects of this unique project in a talk that can be followed both in person at the Museum Auditorium and via streaming. The experience can be found here.

World’s largest Lindt chocolate shop and museum to open in Zurich, Switzerland as announced by 360 MAGAZINE and illustrated by KaelenFelix. .

World’s Largest Lindt Chocolate Shop

The Lindt Home of Chocolate, a 65,000-square-foot museum complete with interactive exhibitions, the world’s largest Lindt chocolate shop, a ‘Chocolateria’ and the world’s largest chocolate fountain, will open its doors in Zurich on September 13.

Designed by the Basel-based architectural firm Christ & Gantenbein, the contemporary, light-filled museum building in Zurich’s Kilchberg suburb will complement the historic Lindt and Sprüngli factory building, which dates back to 1899.

Multimedia chocolate exhibitions will cover the origins of the cocoa bean, the history of the production process and the food’s cultural legacy. In the ‘Chocolateria,’ participants can create their own masterpieces as Lindt Master Chocolatiers in training. The pièce de résistance is the chocolate fountain, standing more than 30 feet tall in the imposing entrance, the largest chocolate fountain in the world.

 Meg Lionel Murphy And the untitled space inside 360 MAGAZINE.

The Untitled Space × Meg Lionel Murphy

The Untitled Space is pleased to present an online solo show of works by artist Meg Lionel Murphy curated by Indira Cesarine. The Artsy online exclusive premiered on July 30th, 2020 and will be on view through October 31st, 2020.

Meg Lionel Murphy’s paintings are directly influenced by her own personal experiences, as she copes with debilitating PTSD from severe domestic violence. She works out of a little blue shack in a junk yard on her family’s property in Wisconsin, where she paints beautifully detailed, vivid works on paper, canvas and panel depicting heartbroken womxn that magically grow larger, stronger, and scarier than the world around them. Her work has been featured in a number of exhibitions including “Interior Violence” solo show at CoExhibitions Gallery, as well as group shows at Public Functionary and at the Other Art Fair, Los Angeles.

Lionel Murphy received degrees in Art, Art History, and English Literature from the University of Minnesota—Twin Cities, where she additionally studied classical oil painting in Florence, Italy. After college, Meg worked as a children’s illustrator and co-founded a literary and art magazine, Paper Darts. Meg also helped to run arts non-profit, Pollen Midwest, that uses storytelling and art to explore social justice movements. After leaving her career in publishing to focus on painting, Meg eventually moved to rural Wisconsin to focus on her art without distraction. She is currently working on her debut New York solo exhibition which will take place at The Untitled Space gallery in 2021.

Also available for online viewing;  “Lola Jiblazee: TRUE WORLD STORY,” “Tom Smith: STRIP,” and “Indira Cesarine: THE LABYRINTH.”

GALLERY HOURS
TUESDAY – FRIDAY 12 – 6PM
NO APPOINTMENT NECESSARY

ARTIST OPEN CALL 

SaveArtSpace + The Untitled Space + Art4Equality
Public Art Billboard Series + Exhibition

“Art4Equality x Life, Liberty & The Pursuit of Happiness”

Have your artwork on a billboard in NYC this Fall
Exhibit at The Untitled Space
Deadline to submit: August 10th

More information and application here.

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art, Onch, Vaughn Lowery, 360 Magazine

Corey Helford Gallery × ONCH

From July 11 – August 15, Corey Helford Gallery presents ONCH’s Sweet 16 Group Show with new works from over 40 artists

Downtown Los Angeles’ Corey Helford Gallery is teaming up with ‘wearable art’ designer and artist Onch to celebrate his brand’s 16th anniversary with a delicious “Sweet 16” group show.

Premiering Saturday, July 11th in Gallery 2, ONCH’s Sweet 16 Group Show, co-curated by Onch, will feature new works from over 40 artists, including works from his celebrity friends such as model, DJ, and businesswoman Paris Hilton, blogger and media personality Perez Hilton, actress and author Tori Spelling, actor Matt Bennett (Victorious, The Virginity Hit, and The Stanford Prison Experiment), and singer Carmit Bachar (The Pussycat Dolls). In addition, some of Onch’s most popular jewelry will be on display, including Rainbow Ice Cream Cone Necklace, famously rocked by Nicki Minaj to accept her VMA for Best Rapper of the Year, and the Lady Gaga-inspired “Meat-Lace” meat necklace which has been featured by the New York Post, Los Angeles Times, Huffington Post, In Touch Magazine, and Ripley’s Believe It or Not.

The Los Angeles-based artist is the creative force behind the “ONCH” brand (previously known as Onch Movement), designing ‘wearable art’ for a discerning VIP client list that includes Kate Moss, Paris Hilton, Kim Kardashian, and Nicki Minaj. Lollipops, chicken wings, bananas, ice cream cones and much more are transformed into ONCH accessories.

Regarding this special “Sweet 16” group exhibition, Onch shares: “This show has a very special place in my heart. Not only does it mark the coming of age for my career, I also get to celebrate with some incredibly talented artists and friends who have inspired me over the years. Each amazing artist will create a one-of-a-kind artwork inspired by some of my classic pieces. I am beyond humbled by and grateful for each of their contributions. Collectively, these new works will showcase a retrospective of how my wearable art has evolved from being handmade in my kitchen to what it is today.”

This special group exhibition will feature works from aica, Andy Adamson, Bei Badgirl, Bennett Slater, Brandi Milne, Bruce Parker, Chen-Dao Lee, Christybomb, Dan Lam, Dena Seiferling, Dewi Plass, DOSSHAUS, Eric Joyner, Erika Sanada, Ewa Prończuk-Kuziak, Hanna Jaeun, Harald Austad, Harumo Sato, Helice Wen, Jana Brike, Jesús Aguado, Jonathan Stein, Jourdan Joly, Josie Morway, Kii Arens, Kristen Liu-Wong, Luke Chueh, Malcolm Stuart, Messy Desk, Mizna Wada, Mori Chack of Gloomy Bear, Naoshi, No2Good, Mr. Ogay, ONCH, Simone Legno of Tokidoki, Yang Cao, and Yu Maeda; plus celebrities Carmit Bachar, Matt Bennett, Paris Hilton, Perez Hilton, Tori Spelling, and more.

ONCH’s Sweet 16 Group Show opens Saturday, July 11th in Gallery 2, alongside a solo show from Hikari Shimoda, entitled Silence and Affirmation, in the Main Gallery and a solo show from Tina Yu, entitled A Journey, in Gallery 3.

About ONCH:

Los Angeles-based Onch is the creative force behind the “ONCH” brand (previously known as Onch Movement), designing ‘wearable art’ for a discerning VIP client list that includes Kate Moss, Kim Kardashian, and Nicki Minaj, who famously rocked her Onch Rainbow Ice Cream Cone Necklace to accept the VMA for Best Rapper of the Year, and introduced the Pink Fried Chicken Wing Necklace at the iHeart Radio concert.

Onch’s career originally kicked off back when supermodel Moss was spotted out and about wearing his Bloody Razor Blade Necklace in L.A., before the designer was even old enough to buy booze legally. Following that illustrious intro, the fresh-faced fashion phenomenon was asked to provide the accessories for Heatherette’s LA Fashion Week show. He subsequently launched his long-term relationship with cult favorite Hello Kitty, which culminated in his recent role as designer for the brand’s first collection at Forever21, The Hello Kitty Forever jewelry collection. Hasbro, the global play and entertainment company, has also enlisted the edgy designer to bring some of their most beloved brands to life, choosing him for their very first jewelry collaborations for Mr. Potato Head and My Little Pony, not to mention asking Onch to create a 30 inch, not-so ‘Little Pony,’ currently touring the world at different toy conventions.

The trend-setter whose work was even featured in a bio-technology textbook and Italian Vogue has also made headlines for his more daring and unique designs, from his “Meat-Lace” meat necklace which was featured by the New York Post, Los Angeles Times, Huffington Post, In Touch Magazine, and Ripley’s Believe It or Not. In 2015, ONCH brand launched successful collaborations with DreamWorks Animation, Sanrio, Pokemon and Delias. As the featured artist for the 2016 LA Pride parade, West Hollywood’s annual LGBTQ+ pride event, Onch created the giant “LA PRIDE Building BLOCKS” art installation which was one of the most “Instagrammable” moments of the event. In Fall of 2016, Ford Motor Company asked ONCH to design a tiny home, dubbed a “Fungalow,” to help promote the launch of their new Ford Ecosport. In the Spring/Summer of 2019, six pieces featuring ONCH designs were on display at the Metropolitan Museum of Art (NY) for the exhibition CAMP: Notes on fashion.

About Corey Helford Gallery:

Corey Helford Gallery (CHG) was first established in 2006 by Jan Corey Helford and her husband, television producer and creator, Bruce Helford (The Conners, Anger Management, The Drew Carey Show, George Lopez) and has since evolved into one of the premier galleries of New Contemporary art. Its goals as an institution are the support and growth of young and emerging, to well-known and internationally established artists. CHG represents a diverse collection of international artists, primarily influenced by today’s pop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti and Street Art. CHG is located in Downtown Los Angeles in a robust 12,000 square foot building presenting new exhibitions approximately every six weeks.

Corey Helford Gallery is located at 571 S. Anderson St. Los Angeles, CA 90033 and normal hours are Tuesday – Saturday, from 12:00 pm – 6:00 pm. For more info and an upcoming exhibition schedule, visit CoreyHelfordGallery.com.

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Fahren Feingold

Fahren Feingold Exhibit – No End To Love

The Untitled Space presents FAHREN FEINGOLD “NO END TO LOVE” An Artsy Online Exhibit Exclusive

EXHIBITION ON VIEW April 14 – April 30th

*While the exhibition is live all artworks are an additional 19% off list price. Contact The Untitled Space for more info.*

VIEW NOW

The Untitled Space is pleased to present “NO END TO LOVE” a limited time Artsy online exclusive exhibit of works on paper by artist Fahren Feingold, launching on April 14th, and on view through April 30, 2020. While the exhibition is live all artworks are an additional 19% off list price. New works will be added daily!

Watercolor artist Fahren Feingold imparts an ethereal quality to her unique works depicting the female form. Her watercolors featuring bold feminine nudes reference imagery from early 20th century French erotica, vintage American magazines from the 70s and 80s, and today’s Internet girls. The Los Angeles native moved to New York at the age of seventeen to study at the Parsons School of Design. After earning her BFA between Parsons and Glasgow School of Art, she worked as a fashion designer for top brands including Ralph Lauren, Nicole Miller, and J.Crew, among others. In 2016, her dreamy watercolors caught the eye of the legendary Nick Knight, who commissioned her to illustrate Paris Fashion Week for SHOW Studio. Since then, her work has been featured in numerous international exhibitions including “Moving Kate,” curated by Nick Knight for the SHOW Studio in London and The Mass in Tokyo; “The Vulgar” at The Barbican in London, curated by Judith Clark and Adam Phillips; “Red Hot Wicked” at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows “UPRISE / ANGRY WOMEN” and “SECRET GARDEN” curated by Indira Cesarine and “LIFEFORCE” curated by Kelsey and Remy Bennett.

Celebrated as “a trailblazing artist on a meteoric rise” by Vogue, her watercolors have steadily gained recognition from collectors and critics alike for their sensitive, dreamlike colors, graceful brush strokes, and rendition of the female nude. Through her erotic depictions, Feingold gives new voices to women of the past and present while exploring larger notions of women in contemporary society. She had a solo show curated by Indira Cesarine at The Untitled Space in September of 2017, as well as a solo show presented by the gallery in collaboration with brand Fleur du Mal in 2018 titled “The Peep Show”. Her work was featured at SPRING/BREAK Art Show in both the “EDEN” (2019) and “(Hotel) XX” (2018) exhibitions presented by The Untitled Space, and was recently featured at Sotheby’s New York for the annual “Take Home A Nude” benefit exhibit and auction in October 2019.

PREVIOUS EXHIBITIONS NOW ON VIEW ONLINE

INDIRA CESARINE “THE LABYRINTH”

Indira Cesarine created an immersive installation featuring photography, sculpture, video art, and mixed media works. The gallery was transformed into a maze through which viewers could experience her contemporary female gaze on Surrealism, a theme the artist has been exploring through a variety of mediums over the past several decades. “THE LABYRINTH” is a surreal odyssey that reveals through its passages a kaleidoscopic universe of subconscious realities bound by the contrasts of hyperrealism and ethereal symbolism. “THE LABYRINTH” explores the juxtaposition of contrasting opposites, dimension, distortion, and the power of light to engage and reflect on our own stream of consciousness while provoking the tangibility of perceived realities. The result is a journey through our fantasies and expectations, rendered through the lens of dreams and desires. “THE LABYRINTH” exhibition and installation feature Cesarine’s most recent body of work, as well as select works from her “Goddess”, “Les Fleurs du Mal”, “Pandora’s Box” and “ONLY YOU” series. Experience the works online in our viewing room!

JESSICA LICHTENSTEIN “DO THEY MAKE A SOUND?”

For SPRING/BREAK Art Show 2020, Lichtenstein’s immersive installation ponders the question, “If a tree falls in the forest, do they make a sound?” The exhibition presented a forest scene, with trees falling and leaves, in the form of female figures, scattering. The viewer became fully engaged in her conceptual landscape which featured snippets of news carved into the trees like love notes. The floor became a reflection of the scene with paper leaves in the shape of girls echoing statements as well as the voices, the “sounds” of these women. To create her environment the artist built the landscape with layers upon layers of images, a bombardment of colors and characters. The viewer was able to explore and discover unique details throughout the scene that played with notions of perception, including hidden moments and words that with closer view reveal themselves.

NICHOLE WASHINGTON “REBELLIOUS BLACK GIRL”

Nichole Washington is a visual artist known for her mixed media artworks exploring feminine strength, spirituality and identity. In 2016 she graduated from School of Visual Arts where she earned a master’s degree in digital photography. Her work has been exhibited in galleries and institutions across the United States including the Charles H. Wright Museum of African American History. In 2017 she was one of ten recipients of the Enfoco Photography Fellowship. Washington’s work is featured in the inaugural issue of “MFON: Women Photographers of the African Diaspora” and has been featured in several benefit auctions including The Heliotrope Foundation, Groundswell and Art4Equality. Her work has been exhibited in a number of group shows at The Untitled Space including BODY BEAUTIFUL, IRL: Investigating Reality, ONE YEAR OF RESISTANCE, and SHE INSPIRES.

In her latest exhibition, Nichole Washington pushes the boundaries of her identity by creating portraits that are bold, non-conforming and liberated. She uses manipulated photographs and bold paint strokes to figuratively and literally break out of “the box” of normative behavior. Through this process she creates super-heroine characters that exist in an imagined space meant for healing and transformation.

OPEN CALL FOR ARTISTS

Submission Deadline April 26, 2020

Applications are now open for our first Online Solo Show Open Call!

The Untitled Space invites artists to apply for an Online Solo Exhibition presented by the gallery which will run from May 14 – August 14th. The exhibition will include an online viewing room of the exhibition on our website, online exclusive of the exhibition on Artsy, as well as special coverage of the exhibition on a variety of media outlets including The Untitled Magazine among others. The exhibition will additionally include a hardcover printed exhibit catalogue which will be cross-published online, as well as coverage in our social media channels.

The Untitled Space is looking for an artist with an exceptional body of work for this unique opportunity. Artists who submit may also be considered for future opportunities with The Untitled Space such as international art fairs, group shows, and future solo shows at the gallery.

The exhibit opportunity is open to submissions until April 26, 2020

APPLY NOW

ABOUT THE UNTITLED SPACE

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary-pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committed to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art as well as special events aligned with our creative vision.

“HOOKED ON A FEELING” by Fahren Feingold

“Dysmorphic Dystopia”

“STAY GOLD”

Harley-Davidson Museum, Milwaukee, 360 MAGAZINE

Harley-Davidson Museum

When autumn arrives, look to the Harley-Davidson Museum to keep the good times rolling. New exhibits, family-friendly fun and more promise to deliver miles and miles of smiles. Whether it’s opening the doors for Gallery Night or bringing hundreds of fitness fans to campus for a Spartan workout, the H-D Museum has something for everyone this month.

NEW INSTALLATIONS
“Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory” (open now)
A recently recovered cache of architectural drawings includes plans for the original Juneau Avenue facility. The pencil drawings, along with archival photographs, demonstrate the whirlwind pace of the company’s early growth. While building an international business—going from producing just over 1,000 motorcycles in 1909 to manufacturing 27,000 motorcycles in 1920—the company’s Milwaukee factory experienced near-constant expansion. Construction through this relatively brief period created the buildings that today, a century later, are still the proud home of Harley-Davidson.
“Building a Milwaukee Icon” provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.”

Experience Gallery: Model Year 2020 Harley-Davidson motorcycles
Always a favorite photo opportunity for riders and non-riders alike, the H-D Museum’s Experience Gallery has been revamped to feature five 2020 Harley-Davidson motorcycles – including the all-new, all-electric LiveWire™!

Custom Culture Installation: “Blackbird”
Blackbird, from the minds of Bobby Greene and Justin Walls, pays homage to Joe Petrali’s 1936 EL landspeed motorcycle. Elements of Petrali’s machine are imitated in this contemporary custom bike. Both vehicles use Harley-Davidson handlebars and forks made for board trackers; both have hillclimber frames; and their wheels are the same design and size. On display for a limited time, race fans will be thrilled to get an up-close look at this tribute to historic motorcycle landspeed racing.   

EVENTS
$10 Tuesday are back!
Don’t forget: Museum admission on Tuesdays from October through April is just $10, no reservation required. And kids are just two for $10, too! Plus, a Hamilton gets you the delicious chef’s choice Taco Tuesdays at MOTOR Bar & Restaurant.

Free admission during Gallery Night
Friday, Oct. 18, 5-9 p.m.
Visit the H-D Museum for FREE on Friday, Oct. 18. Presented by the Historic Third Ward Association, Gallery Night & Day is the two-day premier art event in Milwaukee for both the experienced artist and beginning admirer. Tonight, be sure to check out “Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory.” Free Friday night Museum admission from 5-9 p.m.; regular Museum admission applies on Saturday.

Spartan Workout Tour
Saturday, Oct. 26, 8-9:30 a.m.
Unleash your inner Spartan! The H-D Museum is hosting a free, 90-minute workout catered to all fitness levels and led by a certified Spartan SGX Coach in Milwaukee on the grounds of the world-famous Harley-Davidson Museum. The Spartan Workout Tour is extremely doable and productive for any and all levels of fitness. Our certified Spartan SGX Coaches will lead you in a workout that helps everyone from beginners to workout fanatics take it up a notch. You’ll meet new friends. You’ll get helpful tips, practical new training techniques, and even a special “Spartan Workout Tour” T-shirt to commemorate the fun. And just like you, the freebies don’t stop when the workout is done. Show your workout T-shirt and get free admission to the H-D Museum. Experience the thrills and heart-pumping adrenaline that Harley-Davidson – the Official Motorcycle of Spartan US – has built over 116 years. We’re here to help racers get revved up!

Skulloween Bike Night
Thursday, Oct. 31, 5-9 p.m.
It’s time. After a summer full of hitting Milwaukee’s favorite hotspots, the Wisconsin Ale Trail will make one final stop at the Harley-Davidson Museum for Skulloween Bike Night (5-9 p.m. on Thursday, October 31st) where one lucky person will ride off on a brand-new Harley-Davidson! Join the fun and it could be you who holds the keys to this Great American Freedom Machine at the end of the night.
Qualifiers from Harley-Davidson events throughout the summer will have a chance to see if it’s their key that gets the motor running on this Harley-Davidson motorcycle. But even if you didn’t enter previously, you still have a chance to win as one lucky entrant will be drawn at Skulloween Bike Night. Come on down for your chance to win the prize of a lifetime and enjoy a night of rolling sculptures, music and loads of great prizes!

LEGO Mystery Mural
Nov. 2 & 3, 10 a.m.-6 p.m.
The Harley-Davidson Museum and LEGO invite all Milwaukeeans to make your mark on a piece of Harley-Davidson history. Visit the H-D Museum on Saturday, Nov. 2 and Sunday, Nov. 3 as an 11-foot-by-4-foot mural is built by you … yes, you! Kids of all ages are welcome to pop into the H-D Museum lobby to snap LEGO bricks into place and help build the mural that will remain on display until spring. Kids 17 and under will get free admission to the H-D Museum this weekend to help spark those creative juices. Plus, the new Family Fun Guide shines a spotlight on all the kid-friendly fun to be had on campus.
But the merrymaking doesn’t stop there. Kids ages 3-7 will be able to take a spin on the all-new H-D™ IRONe™ electric balance bikes. Dress for the weather and experience the thrill of these twist-and-go bicycles in Motorcycle Plaza. Plus, one lucky winner will ride off on an H-D IRONe bicycle! Airbrush tattoos, hands-on activities and specials at MOTOR Bar & Restaurant (did someone say Build-Your-Own Mac & Cheese, Hot Coco Station and a Build-Your-Own Bloody Mary bar?) promise to bring ear-to-ear smiles to all. Support your community with the 8th Annual #DWYD Toy & Book Drive. Donate a Toy or Book to the Milwaukee Child Advocacy Center (MCAC) in affiliation with Children’s Hospital of Wisconsin and receive 15% off at MOTOR® Bar & Restaurant. H-D® Fat Boy® motorcycle LEGO Kits available in the Shop along with apparel customization.

SAVE THE DATES
Veterans Day Appreciation
Friday, Nov. 9 – Sunday, Nov. 11, 10 a.m.-6 p.m.

Black Friday Beerfest
Friday, Nov. 29, 4-7 p.m. (VIP entry at 3 p.m.)

Happy Harley Days
Dec. 7, 14 and 21, 10 a.m.-6p.m.

About the Harley-Davidson Museum

A walk through the Harley-Davidson Museum® is a walk through the history of America. With an unrivaled collection of Harley-Davidson® motorcycles and memorabilia, a 20-acre, park-like campus, and a calendar full of activities, the H-D Museum™ is one of Milwaukee’s top tourist destinations for visitors from around the globe. A visit to the H-D Museum™ is an experience that will stay with you for a lifetime. Make your plans to visit the Harley-Davidson Museum® at h-dmuseum.com.

Camille Hannah, Olsen Gruin, art, design, 360 MAGAZINE, Australia

Camille Hannah

Olsen Gruin is pleased to present The Sixteen Pleasures, a solo exhibition by Australian artist Camille HannahThe Sixteen Pleasures will be on view at Olsen Gruin from October 9 – November 9, 2019. The exhibition design leads viewers with subtle intensity through a dynamic installation of variously scaled paintings and mirrors. During this journey, reflected glimpses of the self coalesce with Hannah’s paintings, creating spillage between the territories that define body and artwork. Enveloped and embraced within these abstract landscapes, viewers experience a bodily extension: a potent sensation which exceeds rational grasp.

By traversing this alluring amalgamation of imagery, the viewer becomes both witness and participant in the creation of these compelling ‘virtual’ paintings. These seductive, enigmatic images of desire echo the artist’s ongoing explorations around the expansive, unbounded nature of female desire and of the carnal disruption inherent to perceptual experience in the digital realm.

The Sixteen Pleasures also evokes the sensory experience of film, video and the mesmerizing back-lit screens that saturate our modern world. It is richly infused with the artist’s extensive enquiries into art history, philosophy, poetry, sexuality and contemporary culture, filtered through the personal narrative of each individual viewer. With this exhibition Hannah aims to create a boundless, all-encompassing landscape in which the viewer is captivated by an exhilarating and thought-provoking, physiological experience.

Camille Hannah attained a Masters of Fine Art by Research in 2013 and a Bachelor of Arts (Honours) degree in 2010, at the Victorian College of the Arts, University of Melbourne, Australia where she was the recipient of an Australian Postgraduate Scholarship Award. In 2018 she won the Wyndham Art Prize, and in 2017 was selected as a finalist for the Arte Laguna Prize, Nappa Arsenale, Venice, Italy and as winner of the Special Exhibition Prize of a solo exhibition at Galerie Isabelle Lesmeister, Regensburg, Germany in 2018. In 2015 she was selected by an international jury to win the T.I.N.A. Art Prize, Maurizio Caldirola Arte Contemporanea, Milan, Italy, and was a finalist & winner of the People’s Choice Award in the Gold Coast Art Prize, Qld, Australia. Hannah was shortlisted in 2014 for Contemporary Visions V, Beers Contemporary Gallery, London, and in 2012 she won the Kozica-O’Callaghan Award for Painting. Other awards include the Premio Ora Art Prize, Italy 2013 International Catalogue and being shortlisted for the Arte Laguna Art Prize, Venice Arsenale, Italy and the Wynne Prize, Art Gallery of NSW, 2012.

360 MAGAZINE, nyfw

Fashionable Art

By Armon Hayes × Vaughn Lowery

A decade ago, a collection of 35mm slides from the 80s and 90s capturing New York fashion would be rediscovered by set designer Gaetane Bertol. With relentless research, she understood the value of the contents to be a treasure to share with the world. In 2008, the untimely fire of fashion journalist Yuriko Tomita’s NYC apartment, birthed an opportunity for Tzili Charney. She decided to curate a photographic exhibition alongside of fashion historian Ya’ara Keydar.  

Before the launch of NYFW, 360 Magazine visited ZAZ10z for a preview of the exhibition. The installation is presented in the foyer of the iconic building which once served as home to some of the most prestigious designers in America (Donna Karan, Ralph Lauren and Marc Jacobs). The exhibition is free and open to the public from September 5, 2019 until January 20, 2020. It showcases runway images of the youthful fashionistas and supermodels of the era: Kate Moss, Cindy Crawford and Naomi Campbell. Enjoy the interactive art in real-time as you impart on design history and culture.