Posts tagged with "exhibit"

Paul Gallico via Yousef Karsh for use by 360 Magazine

Paul Gallico Exhibit

Chiswick Auctions is thrilled to offer the library and private estate of one of the greatest storytellers and writers of the 20th century, Paul Gallico (1897-1976). The celebrated American-born novelist, screenwriter and journalist is renowned for the writing of a number of significant works, including his most well-known book, The Snow Goose, a short novel that achieved much acclaim and was later made into a film and broadcast on BBC TV.

The film was created from a screenplay by Gallico and featured Jenny Agutter and Richard Harris. It was so popular that it won a Golden Globe for ‘Best Movie Made for TV’ and was nominated for both a BAFTA and an Emmy, with Agutter winning ‘Outstanding Supporting Actress’. It didn’t end there, as in 1976, Spike Milligan narrated an edited version, with music by Ed Welch, issued on RCA records in 1990 (a copy of which is offered in the sale amongst a collection of First Editions of Gallico’s work Lot 96 Estimate for group lot £200-£300).

Another of his most popular works, The Poseidon Adventure, which was written in 1969, led to a hugely successful film adaptation in 1972 and a TV remake in 2005 and a further adaptation in 2006. Works relating to The Poseidon Adventure are offered in the sale, such as a set of Uncorrected Proof Copies by Gallico (Lot 113 Estimate £250-£350) and a collection of 32 volumes used by Paul Gallico in researching his novels The Poseidon Adventure and Beyond the Poseidon Adventure on topics such as knots, shipping law, diving, sea planes and cooking on ships, occasionally featuring the author’s annotations and labels (Lot 114 Estimate £80-£120). A First Edition of The Poseidon Adventure is included in a collection of Gallico’s First editions (Lot 96 estimate £200-£300) and a collection of original promotional material from 20th Century Fox, for the film of the same name, that was based on Gallico’s book (Lot 115 Estimate £150-£200). The latest film adaptation of one of his books is already being hotly anticipated and will be released this year, based on his book Mrs. ‘Arris Goes to New York (two copies of which are offered in the sale as part of group lots 95 and 96).

Among some hugely exciting pieces in his collection is a fascinating range of Gallico’s own work, as well as personal notes, press cuttings, personal artifacts including his trusty typewriters, his leather Abercrombie & Fitch flying jacket from his time as a war correspondent, a range of his highly popular books and insightful notes that offer us a glimpse into the man behind his writings, as well as some rare First Editions by significant writers and great friends of his. While the sale is primarily an auction of Books and Works on Paper, furniture, original art and posters will also feature. The sale is titled Books & Works on Paper including Contents from the Estate of Paul Gallico and will take place at Chiswick Auctions on Thursday, 27th January 2022.

About Paul Gallico

Paul Gallico (1897-1976) was one of the great storytellers and writers of the 20th century. Journalist, novelist, screenwriter, he was born in New York and died in Monaco, but spent much of his life living in Saltram in Devon, England. Gallico is known for writing a number of major books and films of the mid-20th century and is still highly prized.

Jean Debufet art via The Guggenheim Museum for use by 360 Magazine

Jean Debufet: Ardent Celebration

The Guggenheim Museum Bilbao presents Jean Dubuffet: Ardent Celebration, sponsored by BBK, an exhibition surveying the defining decades of the career of Jean Dubuffet, spanning his first years of committed artistic production in the 1940s through his final fully developed series, completed in 1984. The exhibition is drawn primarily from the rich holdings of the Solomon R. Guggenheim Museum, New York, and supplemented by important selections from the Peggy Guggenheim Collection, Venice. At the end of World War II, Jean Dubuffet (b. 1901, Le Havre, France; d. 1985, Paris) began exhibiting paintings that defied entrenched artistic values. He rejected principles of decorum and classical beauty, along with pretensions of expertise. Instead, he looked to the commonplace and the unheralded, employing crude materials, mundane subjects, and a style that spurned any outward sign of academic training. In this approach, Dubuffet was challenging norms that he believed obstructed authentic expression and devalued everyday experience. However, his goal was not only to reveal how threadbare cultural conventions were; he also wanted to illustrate the vitality of life freed from them. As he once claimed, “I would like people to see my work as a rehabilitation of scorned values and… make no mistake about it, a work of ardent celebration.” 

Dubuffet was committed to this aim throughout his career, though he continually transformed the means he used to pursue it. He tested different mediums, including painting, drawing, collage, lithography, sculpture, and performance. Meanwhile, he moved fluidly between figuration and abstraction, explored multiple compositional strategies, and periodically reinvented his palette. Throughout these changes, Dubuffet’s work stayed grounded in its dedication to sharing new and revitalizing perspectives with viewers, as well as its refusal of convention. Jean Dubuffet: Ardent Celebration will focus on this celebratory impulse, as it offers an overview of the breadth of Dubuffet’s production. The ability to present a full survey of the artist’s career largely from the collection of New York’s Guggenheim Museum is thanks to the close relationship the museum established with Dubuffet. The museum hosted three major exhibitions on the artist during his lifetime, including Jean Dubuffet 1962– 66 (1966), Jean Dubuffet: A Retrospective (1973), and Jean Dubuffet: A Retrospective Glance at Eighty (1981). The institution also collected his work in depth, beginning with the acquisition of the Door with Couch Grass (Porte au chiendent) (1957) in 1959. 

About Jean Debufet 

Dubuffet was born in Le Havre, France, in 1901. At seventeen, he began studies at Académie Julian, a respected art school. However, he soon became disenchanted with the curriculum’s distance from real-world concerns and dropped out. In the following years, he remained engaged with the creative community in Paris, circulating with artists like Raoul Dufy, Juan Gris, Fernand Legér, André Masson, and Suzanne Valadon. In 1923, he came across the work of the visionary artist Clémentine Ripoche, and the next year, he discovered Dr. Hanz Prinzhorn’s book Artistry of the Mentally Ill. These two encounters began Dubuffet’s life-long, integral engagement with art made by psychics, children, and people experiencing mental illness— a kind of artistic production he would later term “Art Brut.” For much of the 1920s and 1930s, Dubuffet worked in his family’s wine distribution business. It was not until 1942, at the age of forty-one, while living in Nazi-occupied Paris, that he decided to devote himself to being an artist. The works he made in the ensuing years were a direct challenge to commonly held ideals about beauty, skill, and the elevated status of art, as revealed in Miss Cholera (Miss Choléra) and Will to Power (Volonté de Puissance), both made in January of 1946. Dubuffet complemented this production with publications and talks in which he explicated his belief that the mechanisms of mainstream culture were moribund, stifling, and should be cast aside. Alongside his clear criticality, Dubuffet was experimenting with alternate paths forward, paths that he believed would lead to more fruitful, genuine modes of expression. During the 1940s and 1950s, he invited audiences to fundamentally reconsider the concept of beauty and demonstrated how worthy of admiration ordinary things could be. His work of this era delights in the qualities of quotidian and base materials. To emphasize the physicality of his paint, he used additives like lime, cement, or sand to thicken his oil paint into a paste he called “haute pâte.” With this medium, he could create deeply textured, complex surfaces, and he could shape his compositions in more immediately physical ways. Dubuffet sometimes went a step further in his explorations of materials, using found objects like rocks, rope, and, later, aluminum foil in his paintings. In parallel, he sought to overthrow socially enforced notions of beauty with nontraditional choices of subjects and the inventive ways in which he depicted them. This goal is particularly apparent in his early portraits, like Portrait of Soldier Lucien Geominne (Portrait du soldat Lucien Geominne) (1950) and his series of nudes, Ladies’ Bodies (Corps de Dames) (1950–51), but it extends to his depictions of frequently ignored objects, including dilapidated walls, rustic doors, soil, and rocks. From 1962 into the 1970s, Dubuffet pursued his most extended body of work, the Hourloupe cycle. These paintings and sculptures are distinguished by networks of interlocked cells, many filled with parallel stripes, most often in red, blue, and white. Though this cycle marks a significant stylistic shift, it continues Dubuffet’s commitment to constructively realigning his and his audiences’ engagement with art and the world more broadly. With the Hourloupe, cycle, which is represented in this exhibition with the works Nunc Stans (1965) and Bidon l’Esbroufe (1967), Dubuffet established a vocabulary that enabled him to create and explore an ever-expanding, fantastical universe, unified by its shared visual expression. It also allowed him to more pointedly take on phenomenological and epistemological issues. The intricacy of the patterning can lead to visual ambiguity, especially when multiple pieces are seen together. This enigmatic quality suggests the transience of what seems permanent and the contingency of an object’s supposedly defining form. Together these effects occasion a rethinking of the relationship between perception and reality, an aim that was of deep importance to the artist. For the last decade of his life, Dubuffet continued to focus on the workings of the mind, especially as they relate to the external world. By drawing attention to these mental functions, he hoped to inspire new, liberated ways of thinking. In the Theaters of Memory (Théâtres de mémoire) series (1975–79), Dubuffet established a vocabulary for expressing how the mind mixes perception, memories, and concepts as it tries to make sense of events and surroundings. His last two series, Sights (Mires) (1983–84) and Non-Places (Non-lieuxs) (1984), represented in this exhibition by Sight G 132 (Kowloon) (Mire G 132 [Kowloon]) (1983), and Given (Donnée) (1984), respectively, are characterized by tangles of lines and are largely absent of recognizable imagery. With these paintings, Dubuffet considered what experience would be like if the mind did not sort the outside world into preconceived, socially defined categories—extending even to the distinction between the real and imagined. Free of such constraints, the artist believed people would be able to access new, limitless possibilities of experience and creativity.

Newport Car Museum photo for use by 360 Magazine

Newport Car Museum

Established as a cherished attraction for car lovers, the Newport Car Museum in Portsmouth, R.I. has become a business success story like no other in the car world. Despite bringing in tourists from other popular landmarks in Newport like the Gilded Age Mansions and the seaside attractions of Newport, the Museum has set itself aside as an established and longstanding attraction in Rhode Island.

Opened just four and a half years ago, the number of visitors that the Museum has drawn in in just 2021 alone is exponential. Nearly 50,000 people have been welcomed into the museum this past year, and the numbers are expected to only continue to rise in the coming new year. Throughout the short period that the Museum has been opened, it has won numerous awards and has been compared to other top celebrated car museums like Florida’s Rev Institute and California’s Peterson Automotive Museum. In 2021, the Newport Car Museum was named amongst the Top 10% of Attractions Worldwide and was presented with the Tripadvisor® Travelers’ Choice award.

Gunther Buerman and his wife Maggie Buerman started the museum in June of 2017. The Buerman’s poured their heart and soul into accomplishing the success story of the Museum thus far. Gunther Buerman states, “Our hope always has been to put smiles on our visitors’ faces, and so far, we have been successful.”

The Buerman’s admit that they did not know how the public would react to the Museum, and just how they would truly convey their collection of unique and exotic cars as a true museum. The first step in opening up the Museum started with obtaining a space fit to house the cars that they had, but a space that would also allow them to grow the collection. The facility that they bestowed upon was a past missile manufacturing facility on the campus of Raytheon Technologies. The building, coming in at a whopping 114,000 square feet, came with 17 acres of grounds. The building itself had to be reconfigured and constructed to support the Buerman’s then collection of 65 cars. The 17 acres was transformed into grounds that would allow for the Museum to hold varying events like car clubs and shows. That ground eventually also was turned into a free parking lot for visitors with the ability to hold up to 300 cars.

Now, the Museum’s exhibit encompasses over 80,000 square feet and consists of 85 cars in six various Galleries – Ford/Shelby, Corvettes, World Cars, Fin Cars, American Muscle and Mopars – with a Pop-Up Porsche Exhibit as well. Distinct enrichments that encompass the Museum include specially made artwork, historical videos and a collection of Mid-Century Modern furniture, which works as seating. The Museum even has a gift shop that contains various items made just for car lovers.

“The Museum is now sought out directly by those traveling to New England looking for experiences that mean something to them,” said Buerman on the significance of the Museum and its visitors. “Our audience is in large part car aficionados and art lovers. Some have travelled to see as many different car museums as they can in this country, and they tell us how amazed they are at what they find here. They appreciate the art gallery ambience, the beauty of the cars and the rich automotive history represented by each decade of design, starting with the early 1950s and finishing with new models from the 21st Century.”

The Newport Car Museum is open on a daily basis from 10-5. Tickets can be bought at the door of the Museum, or online at www.newportcarmuseum.org.

Regular admission: $18/adults; $15/Seniors, Military, Students; $8/Ages 5-15 (with an adult); Free/Ages 4 and under (with an adult)

art basel image for use by 360 magazine

“SKIN IN THE GAME ART TALK & BRUNCH”

CADILLAC HOTEL & BEACH CLUB HOSTED ART TALK AND BRUNCH DURING MIAMI ART WEEK, CELEBRATING “SKIN IN THE GAME” EXHIBIT  

MODERATED BY ZOE LUKOV AND BEN LEE RITCHIE HANDLER, PANEL FEATURED ARTISTS ISABELLE ALBUQERQUE AND RAUL DE NIEVES

Independent curator Zoe Lukov and Ben Lee Ritchie Handler, Global Director of Nicodim Gallery moderated a spirited, invitation-only panel discussion during Miami Art Week at iconic oceanfront property Cadillac Hotel & Beach Club, located at 3925 Collins Avenue.

Artists Isabelle Albuquerque and Raúl de Nieves participated in a candid conversation about their inspirations, artistic processes, and techniques over brunch at the Art Deco waterfront hotel on Friday, December 3. The private event was in celebration of “Skin in the Game,” an exhibition of work by 35 diverse artists, curated by Lukov, about touch, transmission, and skin – the potential, vulnerability and contained therein — as a boundary to protect from danger or as a porous border to receive.

In attendance were Nicodim Gallery owner Mihai Nicodim; Desert X President and Founder Susan Davis; Desert X Artistic Director Neville Wakefield; artists Devin B. Johnson, Alicia Adamerovich, Nicolette Mishkan, Orlando Estrada, and Allison Eden; interior designer and celebrity chef Travis London; gallerist Ana Cristea; art collector Walid Wahab; philanthropist Jenni Coba; and actress and model Celesta Hodge, among others.

“Artists create channels to the divine, that take us to another level,” said Lukov, in conversation with the panel. Nicodim Gallery’s Handler commented on “the performance and ritual of making the magic” [of art], adding cheekily, “What I like about this exhibition is that it’s not afraid to be a little dirty.” Artist Isabelle Albuquerque, a Los Angeles-based sculptor and performer, spoke of “sculpture as a memory,” a vehicle “to remember what an experience feels like.” Raúl de Nieves, a New York-based interdisciplinary artist, performer, and musician, likened art to “a celebratory skin” that provides “something to believe in, to manifest the strength within us.”

ABOUT CADILLAC HOTEL & BEACH CLUB

Cadillac Hotel & Beach Club is an oceanfront luxury hotel inspired by the 1940s Italian Riviera with a preserved Art Deco aesthetic. A Miami Beach icon, this Autograph Collection hotel is recognized as one of Miami Beach’s original Art Deco hotels. Overlooking the Atlantic Ocean with beach and city views, Cadillac is located in the heart of Mid Beach and features 357 guestrooms and suites as well as two distinct dining outlets — Donna Mare Trattoria and Bungalow by the Sea, a seaside-inspired destination just off the Miami Beach boardwalk. The hotel offers beachside and pool service at two pools — one for adults only and one family pool. Cadillac provides guests with unparalleled, tailored concierge services, several dining options and more. Cadillac encourages and facilitates genuine connections and unforgettable moments for guests of all ages, across generations, for locals and travelers alike. This is Miami Beach done differently.

ABOUT ZOE LUKOV

Zoe Lukov is a curator, producer, and writer. Formerly chief curator of Faena Art in Miami Beach and in Buenos Aires, Lukov conceived of and produced both the first and second Faena Festivals in 2018 and 2019. In addition, she organized major solo exhibits by internationally recognized artists throughout the Faena Districts. She is a founding board member of Desert X, the non-profit site-specific exhibition based in California and recently produced a documentary about Desert X 2021 that made its premiere at the Getty Museum and broadcasts on PBS in November. She produces independent curatorial projects, among them the well-received Fair, an alternative, all-women, non-commercial art fair that took place in Miami at Brickell City Centre in 2017. She got her start in the art world working for Rashida Bumbray at The Kitchen in New York, Jeffrey Deitch at MOCA Los Angeles and Franklin Sirmans on Prospect 3, the New Orleans biennial. She is a Fulbright scholar and a graduate of Oberlin College.

ABOUT SKIN IN THE GAME

Skin in the Game, an exhibition of work by 35 diverse artists, curated by Zoe Lukov and presented by Palm Heights, is a collective offering. The exhibition is about touch, transmission, and skin—the potential, vulnerability and risk contained therein—as a boundary to protect from danger or as a porous border to receive. It seeks to establish a dialogue with the erotic and has through lines that touch on game, color, race, the hunt, sport, religious iconography and competition. The exhibition, which is free and open to the public, will be on view from November 29 – December 10, 2021.

ABOUT BEN LEE RICH HANDLER

Ben Lee Ritchie Handler is the Global Director at Nicodim. Since starting with the gallery in 2017, Ritchie Handler and his drag alter-ego Olivia Neutron Bomb have curated a number of genre and dimension-bending exhibitions, including PAPA RAGAZZE!, Nicodim Los Angeles and Galeria Nicodim, Bucharest, 2020–2021; Hollywood Babylon: A Re-Inauguration of the Pleasure Dome (with Jeffrey Deitch), Jeffrey Deitch, Nicodim, and AUTRE Magazine, Los Angeles (2020); TRANS WORLD, Nicodim Los Angeles and Galeria Nicodim, Bucharest, 2019; BioPerversity (with John Knuth), Nicodim Los Angeles, 2018; and Homeward Bound (with Oliver M. Furth), Nicodim Los Angeles, 2017. Prior to Nicodim, he curated FLASH FLASH FLASH: An Exhibition As Tattoo Parlor for Gagosian, in which contemporary artists were commissioned to create original tattoo designs which were then permanently inked and numbered on the bodies of patrons in editions of six at MoMA PS1, New York, The Geffen Contemporary at MoCA, Los Angeles, and SFMoMA, San Francisco.

ABOUT NICODIM 

Nicodim opened its first gallery in 2006. With locations in Los Angeles, Bucharest, and New York, the gallery and its international roster of artists share a common interest in reassessing art history from an outsider’s perspective and challenging its established framework. Nicodim’s roster includes Isabelle Albuquerque, Razvan Boar, Michiel Ceulers, John Duncan, Dominique Fung, Adrian Ghenie, Georgina Gratrix, Devin B. Johnson, Hortensia Mi Kafchin, Philipp Kremer, Larry Madrigal, Ciprian Muresan, Simphiwe Ndzube, Katherina Olschbaur, Jorge Peris, Daniel Pitín, Cristian Raduta, Mosie Romney, Serban Savu, Moffat Takadiwa, Hugo Wilson, Robert Yarber, and Zhou Yilun.

ABOUT ISABELLE ALBUQUERQUE

Isabelle Albuquerque is a Los Angeles-based sculptor and performer. In Orgy for 10 People in One Body, her current project, Albuquerque casts and 3D scans her own body to create ten headless, human-scaled figures that unpack deeply personal and poetic moments from her life set against history, myth, and wider contemporary socio-political movements. The work explores emergent systems of intrapersonal communion from outside the body, invoking collective identity, transhumanism, plurality, love, loss of self, relocation of memory, pleasure, and power. Sextet, Albuquerque’s critically acclaimed first solo exhibition with Nicodim, opened in September of 2020 with six sculptures from the series. Recent exhibitions include The Emerald Tablet, Jeffrey Deitch, Los Angeles (2021); Nuestrxs Putxs, Human Resources, Los Angeles (2021); PAPA RAGAZZE!, Nicodim Upstairs, Los Angeles (2021); When You Waked Up the Buffalo, Nicodim Los Angeles (2020); Hollywood Babylon: A Re-Inauguration of the Pleasure Dome, Jeffrey Deitch, Nicodim, and AUTRE Magazine, Los Angeles (2020); and Skin Stealers, Nicodim Los Angeles (2019). Her work will be featured in the upcoming “Skin in the Game” exhibit, curated by Zoe Lukov in Miami Beach, FL, from November 29 to December 10, 2021. 

ABOUT RAUL DE NIEVES

Raúl de Nieves is a New York based, Mexican interdisciplinary artist, performer, and musician whose multifaceted practice includes stained-glass-style narrative paintings, animated performances, densely adorned figurative sculptures encrusted with bangles, beads, bells, sequins, and other homespun materials. His sculptural, installation, and performance pieces make reference to religious iconography, mythology, and BDSM in conjunction with Mexican tradition and drag culture in order to explore themes of transformation and the mutability of sexuality.

WonderWorks Unveils Fall Programs

WonderWorks Panama City Beach Unveils Fall Programs, Includes Art Contest and National STEM Day

WonderWorks Panama City Beach offers over 100 interactive exhibits for guests to explore and enjoy all year long. This fall, the attraction is focused on bringing their guests even more science-based learning opportunities. WonderWorks will be offering fun, educational programs for students and families this fall, such as the annual art contest, National STEM Day festivities, and a Saturdays in Space virtual “Ask An Astronaut” program.

“Fall is always an exciting time of year for us because we get to host incredible programs for our community such as our FLO-ART art contest and our National STEM Day program,” said Michael Walsingham, general manager of WonderWorks Panama City Beach. “Students love getting to see their work on display at the upside-down house, and we’re excited to welcome a new class of artists to the gallery.”

Students and families have a variety of ways to engage at WonderWorks this fall, including with these new programs and exhibits:

FLO-ART: This fall, WonderWorks will be opening applications for its North Florida Youth Art Gallery. This year’s theme is “Imagination.” Submissions are currently being accepted online only. The deadline to apply is Wednesday, December 15, 2021. Local artists will have their work displayed in the gallery for a full year, and winners will receive free tickets to WonderWorks to see their work on display. To enter the contest or read the submission guidelines, visit the site: Here.

Saturdays in Space – Every Saturday during October, guests and followers will get the chance to learn more about life in space and the career of an astronaut through the Ask an Astronaut Q&A series. Dr. Don Thomas, a former NASA astronaut, will be answering questions that were submitted by teachers and students in the community. His video responses will be posted each week for viewers to tune in on the WonderWorks’ YouTube Channel: Here.

National STEM Day – WonderWorks will be honoring this special day for the second year in a row. To highlight the importance of STEM, there will be fun science labs and experiments throughout the building all day on Monday, November 8, 2021. The labs will give people a chance to learn more about pressure, temperature, density, origami, and more.

“Fall is also a great time for our local schools to book a field trip to give their students a hands-on way to make a connection with science,” added Walsingham. “We look forward to providing the community with a fun and interactive fall.”

WonderWorks Panama City Beach offers many STEM-related exhibits and activities all year long. There are also demonstrations, activities, virtual learning labs, science fair partnerships, homeschool days, and more. In addition to offering families hands-on learning opportunities, they also provide educational field trips for schools and student groups. To get more information about WonderWorks’ STEM programs, visit their website: Here.

Hiking created by Ho Szemui from 360 for use by 360 Magazine

Machu Picchu Exhibition

World Premiere Exhibition, Machu Picchu and the Golden Empires of Peru, to Open October 16th at the Boca Raton Museum of Art. South Florida is the First Stop on an International Tour Featuring 192 Priceless Andean Objects and the First-Ever Virtual Reality Expedition of Machu Picchu.

The new blockbuster experience will feature the first-ever virtual reality expedition of Machu Picchu, recorded in 2020 during the unprecedented closure of the site during the pandemic. World Premiere Exhibition, Machu Picchu and the Golden Empires of Peru, to Open October 16th at the Boca Raton Museum of Art. South Florida is the First Stop on an International Tour Featuring 192 Priceless Andean Objects and the First-Ever Virtual Reality Expedition of Machu Picchu. On Saturday, October 16th, the eagerly anticipated Machu Picchu and the Golden Empires of Peru open its inaugural stop of the upcoming global tour at the Boca Raton Museum of Art. 

The world premiere engagement will encompass the entire museum. This exhibition features the most impressive collection of Andean gold and silver artifacts to ever travel the world, alongside technological breakthroughs in virtual reality. After its limited run in Boca Raton, the exhibition will leave the U.S. to embark on an international tour. Tickets at BocaMuseum.org/Golden. The unprecedented Virtual Reality sights and sounds of Machu Picchu, captured during a rare time in history when the UNESCO Heritage Site was closed during the pandemic.

This all-new, immersive museum experience will transport visitors to the jewel of the only cradle of civilization in the Southern Hemisphere, the Incan city of Machu Picchu ‒ voted one of the new seven wonders of the world. Many of these stunning 192 priceless artifacts are from royal tombs, including spectacular objects that belonged to noble Andean lords, some of which have never been seen before out of Peru. This collection of art of ancient America is on loan from Museo Larco in Lima, Peru, and Museo de Sitio Manuel Chávez Ballón in Aguas Calientes, Peru.

The experience will also feature the first-ever virtual reality expedition of Machu Picchu, recorded in 2020 during the unprecedented closure of the site during the pandemic. It was the first time in recent history this majestic City in the Sky was completely empty, filmed using state-of-the-art drone-VR technology. “It is an honor to premier Machu Picchu and the Golden Empires of Peru and to partner with such esteemed cultural institutions to bring this exhibition to the United States,” said Irvin Lippman, Executive Director of the Boca Raton Museum of Art. 

“We look forward to introducing South Florida and the world to the wonders of Machu Picchu and the power and beauty of the Inca civilization for what promises to be a memorable exhibition,” said Irvin Lippman, the Executive Director of the Boca Raton Museum of Art. The groundbreaking virtual reality motion chairs are fully equipped with premium multi-sensory stimulation features: high-resolution six degrees of freedom (6-DOF) VR headsets, haptic feedback on the backseats, scent dispensers, and 360-degree rotation. “Through this unprecedented experience, visitors will come face-to-face with history in a whole new way,” said Executive Chairman & Group Chief Executive Officer of Cityneon, Ron Tan. “We are excited to bring to the market this immersive exhibition for guests to encounter the ancient cultures who lived in this impressive fortress 7,000 feet above sea level in the Andes Mountains.”

The groundbreaking virtual reality motion chairs are fully equipped with premium multi-sensory stimulation features: high-resolution six degrees of freedom (6-DOF) VR headsets, haptic feedback on the backseats, scent dispensers, and 360-degree rotation. These breathtaking virtual reality vistas of the mythical landmark are a passageway for museum guests on an astonishing journey to this UNESCO World Heritage Site. 360 Magazine is excited to see how this movie is filmed. 

Andean societies dominated a substantial segment of South America for over 3,000 years through the reign of the Incan Empire. Visitors will behold the marvels of engineering that sheltered a truly spiritual civilization and the ornate riches they once cherished. Nestled in a cloud forest, this great Inca Empire’s enduring symbol of architectural prowess is protected by twin sacred mountains and is invisible from below. Further adding to its unrivaled beauty, the flourishing landscape of Machu Picchu has restored much of the original biodiversity that it enjoyed in Incan times through a recent reforestation initiative.

Machu Picchu and the Golden Empires of Peru will showcase Peruvian culture’s rich histories and traditions to the public like never before. Machu Picchu and the Golden Empires of Peru will showcase Peruvian culture’s rich histories and traditions to the public like never before. Guided throughout the exhibition by Ai Apaec, a mythical Andean hero, visitors will gain a window into transformation through the forces of nature that result in his death and subsequent rebirth. In this exotic land, nothing is fixed and beings can change from one form to another.

Throughout this dramatically staged expedition, the sounds of roaring jaguars, screaming macaws, and torrential rainfall surround visitors as they unravel the mysteries of Andean cosmology and marvel at the sophistication of Andean artists. Throughout this dramatically staged expedition, the sounds of roaring jaguars, screaming macaws, and torrential rainfall surround visitors. “We’ve been working around the clock to bring to South Florida a truly awe-inspiring exhibition,” said President of World Heritage Exhibitions, Anthony Tann.

“A production like this has never before been on tour. Beyond the stunning collection of Andean artifacts, the team delivered a virtual reality experience that will make you feel as though you are walking through the stone fortress at Machu Picchu.” The exhibition will start its limited run in Boca Raton before leaving the U.S. and embarking on an international tour. Ticket prices start at $19.95.

A portion of every ticket sold goes to the Inkaterra Asociación, a non-profit organization vital to the conservation of the Amazonian forests, and to the Ministry of Culture of Peru. Follow #BocaStrikesGold on social media for ongoing announcements about special events. Cityneon presents the exhibition; it is produced by World Heritage Exhibitions.

Helmut Jahn photo by CAC for use by 360 Magazine

HELMUT JAHN: LIFE + ARCHITECTURE

Chicago Architecture Center Announces HELMUT JAHN: LIFE + ARCHITECTURE

A Design Retrospective Opening July 23 in CAC’s Skyscraper Gallery

New exhibit part of an international outpouring of appreciation for Jahn’s design legacy following his death in May

The Chicago Architecture Center (CAC) announces HELMUT JAHN: LIFE + ARCHITECTURE, a career design retrospective of Helmut Jahn’s innovative work that has left an enduring legacy around the world and in his adopted home of Chicago. The exhibit, organized after Jahn’s death in May, will include numerous scale models of Jahn’s pathbreaking designs throughout his career. HELMUT JAHN: LIFE + ARCHITECTURE opens on July 23 and runs through October.

Helmut Jahn and Chicago were made for one another,” said Lynn Osmond, President and CEO of the CAC. “Helmut’s larger-than-life persona and his inventive and surprisingly original buildings remade Chicago in the 1980s. His brash designs and relentless pursuit of excellence invigorated Chicago, helping the architectural community move confidently beyond mid-century modernism. Helmut was, in turn, embraced by ‘the city of big shoulders.’”

HELMUT JAHN: LIFE + ARCHITECTURE will include personal and professional items generously loaned by Helmut Jahn’s family and firm. Visitors to CAC’s Skyscraper Gallery will see scale models of some of Jahn’s most recent designs, including 1000M (Chicago) and Pritzker Military Archives (Somers, Wisconsin) currently under construction. Visitors will also see scale models of buildings designed at key points in Jahn’s career, including Post Tower (Bonn, 2002), Sony Center (Berlin, 2000) and the James R. Thompson Center (Chicago, 1985). Together, these buildings, represented by scale models in the exhibit, introduce visitors to Jahn’s enduring design legacy.

Helmut was a great mentor.” said Tom Lee, Principal, Eastman Lee Architects. “He had a profound influence on me and my career and that of so many other architects in the city and around the world.”

The Thompson Center, an example of innovative post-modern design, is in the news as it is currently to be sold by the State of Illinois without protection for its historic design. A nomination to the National Register of Historic Places seeks historic tax credits for incentivizing adaptive reuse, but this process is still ongoing. To support a debate on the future of The Thompson Center, the CAC and the Chicago Architectural Club created the James R. Thompson Center Design Competition that challenges architects to envision a new future for Jahn’s post-modern masterpiece. The winning designs will be exhibited at the CAC in late summer.

With a burst of shattering, curving and bulging glass in a rainbow of colors, Helmut Jahn danced onto the international architecture scene in the 1980s, translating the discipline of Chicago Modernism into new programs and forms while melting and fragmenting its grids into a post-disco delight of shaped buildings,” said Aaron Betsky, Director of the School of Architecture + Design at Virginia Tech. “We better save the Thompson Center, which is not only one of his greatest designs, but one of the few true celebrations of government as a public good.

HELMUT JAHN: LIFE + ARCHITECTURE caps the CAC’s 2021 reopening with all-new and updated exhibits in its 10,000 square feet of galleries. The Chicago Gallery, home to the Chicago City Model Experience, is completely overhauled with new displays on Current Chicago Projects, Chicago’s neighborhoods and the new exhibit, Housing for a Changing Nation.

The CAC’s spring 2021 reopening began with the April launch of new CAC Walking Tours and the Chicago Architecture Foundation Center (CAFC) River Cruise aboard Chicago’s First Lady. Both walking tours and the river cruise have been popular options for Chicagoans and visitors eager to rediscover the beauty and inspiration of Chicago architecture.

For updates on offerings visit the official website. 

About the Chicago Architecture Center

The Chicago Architecture Center (CAC) is a nonprofit organization founded in 1966, dedicated to inspiring people to discover why design matters. A national leader in architecture and design education, the CAC offers tours, programs, exhibitions and more that are part of a dynamic journey of lifelong learning.

Opened to the public in 2018, its riverfront location is in the heart of the city, where Michigan Avenue meets the Chicago River, featuring nearly 10,000 square feet of exhibition space with views of a century of iconic skyscrapers.

Through partnerships with schools and youth-serving organizations, the CAC reaches approximately 30,000 K–12 students annually, while teacher workshops provide educators with tools and resources they need to advance STEM curricula in their classrooms. Committed to serving under-represented communities in construction, engineering and design professions, the CAC offers many of its education programs—and all of its programs for teens—at no cost to participants.

CAC programs for adults and members include talks with acclaimed authors and practicing architects, in-depth presentations on issues and trends in urbanism, and classes unlocking subjects related to the built environment

Proceeds from programs, tours and the CAC Design Store, as well as from grants, sponsorships and donations, support its educational mission. Visit architecture.org to learn more and follow Chicago Architecture Center’s Instagram and #chiarchitecture on social media.

United Terminal by Rainer Viertlbock for use by 360 Magazine

50 West by Rainer Viertlbock for use by 360 Magazine

Pritzker Military draft by Helmut Jahn for use by 360 Magazine

WYN 317’s new “Mystery in Little Haiti” Mural by SONNI from Quinn Edgar for use by 360 Magazine

WYN 317 Hosting Two Artists – CHNK × Sonni

WYN 317 debuted the latest works of not one, but two iconic artists this past Saturday night, July 10. CHNK and Sonni, presented at this double feature gallery opening. While munching on Frankenfurters Gourmet Dogs and drinking Deep Eddy Vodka the attendees got to experience two very different artists.

CHNK, a local artist, who takes everyday objects and adds his own twist with bright colors to add emotions and movement to the art, opened a pop-up retail experience, adding collectible merch and whimsy to WYN’s hip corner in Little Haiti.

Sprinkling in a little mystery, WYN 317 welcomed Argentina native Sonni, presenting “Mystery in Little Haiti ” a story of isolation, with the help of dry wit, humor, and pop culture references.

This boldly colorful double-feature will be running through Summer at WYN 317 and we would love to have visit the gallery to tour the two new installations at WYN 317.

About CHNK:

CHNK is a prolific mixed media artist from South Florida bringing complex illustrations, fresh color and an emotional perspective to deteriorating everyday objects. After his portfolio submission was rejected six years ago by Maryland Institute College of Arts, he decided to dedicate his energy to being the most active and self-improved creative he could be. Today his work has been featured in over 50 group shows and live art events nationally. CHNK has been a resident of Bailey Contemporary Arts (BaCA) since August of 2016. CHNK is influenced by graffiti aesthetics, classic comic books, typography, grotesque raw emotional imagery, and social human interaction.

About Sonni:

Sonni was born in Buenos Aires, Argentina, where he studied graphic design and worked as an Art Director for animation and film companies, he resides in Brooklyn, New York. In his art, he is constantly searching for that lost moment in adolescence where adventure makes dreams a reality, where the imagination and playing develop invisible forces to re-capture those lost memories from your childhood. He works with different mediums that include paper and pencil, illustrator, acrylic on canvas, and wooden sculptures. Yet, his passion is to paint murals in public spaces, finding that dialogue with the public through primary colors and playfulness!

He was dubbed CHNK by his father at the age of 11 during a graffiti jam in Fort Lauderdale. His works generally consist of spray paint, acrylic, ink, enamel, textiles and found objects. CHNK’s vibrant murals and commissioned artworks can be found throughout South Florida and online.

ABOUT WYN 317:

WYN 317 is a gallery designed to spotlight Miami’s unique urban landscape by providing a local’s touch. It’s an authentic space where fresh, up-and-coming, mid-career, and established native and international artists intersect with local legends. Highlighting aesthetics ranging from the area’s graffiti culture to a wide array of vibrant pop art influences, this exhibition and event venue takes pride in delivering art cultivated in Miami neighborhoods. WYN 317 provides a perspective that keeps you connected to the community.

Art Exhibition illustration by Heather Skovlund for 360 Magazine

A Conversation with Grandmother Edna in Franklin County, PA

Franklin County Visitors Bureau Invites All to A Conversation with Grandmother Edna: Fabric Artist and Storyteller

Franklin County Visitors Bureau hosts Edna Williams, a fabric artist and storyteller, at the 11/30 Visitors Center on July 17.

Franklin County Visitors Bureau invites the public to A Conversation with Grandmother Edna: Fabric Artist and Storyteller on July 17 at 1 PM in the Great Room of the 11/30 Visitors Center, on the square in Chambersburg PA. Visitors can enjoy more than a dozen quilts and pillow covers, created by Grandmother Edna and learn how she expresses herself through art to tell stories of her life and America’s history. The art, called Pillow Talk is on display in the lobby of the Franklin County 11/30 Visitors Centers.

Williams hails from Baltimore and is displayed at the 11/30 Visitors Center through the Franklin County Visitors Bureau’s relationship with the African American Historical Association of Western Maryland.

I reach back to move forward. It is the only way to grow, said Grandmother Edna. Her Pillow Talk display includes stories that connect directly to her mother, father, and grandmother as well as highlight her meetings with poet Maya Angelou and actor Harry Belafonte. Others tell stories related to enslavement and civil justice. Williams believes storytelling is a means to connecting people and endorses the importance of history stating, Why create a mountain when you can cross a hill.

Pillow Talk is displayed as part of the Franklin County 11/30 Visitors Center’s Let The Journey Begin…People, Places, Possibilities. In addition to the storytelling quilts of Grandmother Edna, the exhibit looks at the quest for freedom from the earliest European settlers to the importance of the Pennsylvania Constitution’s Environmental Amendment.

A Conversation with Grandmother Edna is free and open to the public. Following the presentation, Grandmother Edna will offer a quilting and storytelling activity to participants who want to learn a little more. To reserve seating, please register here. A Conversation with Grandmother Edna is presented by the Franklin County Visitors Bureau as part of the July 17 Chambersburg Comes To Life Celebration, which includes the living history portrayal and light show depicting the 1864 Ransoming, Burning & Rebirth of Chambersburg.

The Franklin County Visitors Bureau invites all to explore Franklin County PA and enjoy trails of history, arts and architecture, recreation, natural beauty, fresh foods, and the warm hospitality of communities like Chambersburg, Greencastle, Mercersburg, Shippensburg, and Waynesboro. Franklin County PA is located just north of the Mason Dixon Line and is an easy drive from Washington DC, Philadelphia, and Pittsburgh. Discover more and plan a visit at their website or by contacting 866-646-(8060).

Q×A with Grandmother Edna 

By: Emily Bunn

Showcasing over a dozen quilts and pillow covers, Grandmother Edna weaves stories of her own life and chronicles American history into her fabric fashioning. The complex interweaving of Edna’s own life fluidly connects with the United States’ grappling with enslavement, civil justice, and the quest for freedom. Depicting familial relations, as well as Edna’s encounters with Maya Angelou and Harry Belafonte, Grandmother Edna brings history to life with her quilting and storytelling. 360 Magazine spoke with the artist about the success of “Pillow Talk”, what inspires her to create art, and her upcoming CD release.

When did you begin creating fabric art?

Really, I mentally began in the 1950’s [while] sitting on a stairway watching my grandmother quilting. Then, maybe somewhere around the late 80’s, I decided to pick my poems up from midnight brown paper bags writings to hand sewn quilting.

What first got you interested in American history?

Being Black in the 50’s going with my grandmother to be the help/maid. And, in the 60’s, attending an all white school.

If you were to create fabric art to express our current moment in time, what would that design look like?

I have a new quilt on exhibit titled: “There Was A Time When The Universe Was FREE.”

What inspired you to start selling your quilted creations, pillow covers, and fabric art?

First of all, my quilts will never be for sale. My pillow covers sales will I hope help fund my free educational mobile classroom called “A Grandmother’s Pilgrimage, INC.” and my Grace Wisher Reparation Recovery Youth Scholarship Fund, LLC. 

What inspired the name “pillow talk” for your exhibition?

I travel through the country as an invisible soul, no one seems to listen to anything I had to say. I decided to create a nightcap to relax the busy minds of everyone–and just maybe they would have time to hear me.

What has the reaction to “pillow talk” been like?

Amazing, fresh. It’s a newness in the art world.

What has working with the The Franklin County Visitors Bureau and The African American Historical Association of Western Maryland been like?

Exciting, cool and [represents] that change is coming, History being over-hauled. Janet and Ron have been great to partner with. I hope this [exhibit] will … improve that culture sock everyone keep avoiding in this America.

Your fabric art often reflects stories from your own life. What milestones from your life have you felt were most important to include in your artwork?

It’s that front door entry thing for me. The lost traditions of my people.

Are you currently working on any exciting fabric art projects that you can reveal to 360 Magazine’s readers?

Yes, I have my new CD on release. I have a file cabinet packed with poems to be quilted. I have faith the money will come. It’s appears to be easy, but it’s very hard to get paid for a job very well done. This is all fun and relaxing for me. I tell everyone to Just sew your emotions. Thanks 360 Magazine for this new media.

The Peterson Automotive Museum illustration by Heather Skovlund for 360 Magazine

Petersen Automotive Museum

PETERSEN AUTOMOTIVE MUSEUM CELEBRATES RUWITH NEW LUFTGEKÜHLT EXHIBIT SERIES

Opening May 15, 2021, the first of two exhibits in the Luftgekühlt curated series are a RUF-themed display with eight significant vehicles including a CTR3 ClubSport, a Turbo R Ltd and a 964 RCT EVO

The Petersen Automotive Museum has announced an upcoming two-part exhibit series curated in partnership with renowned Porsche-themed event organizers Luftgekühlt. The first special exhibition, called “Pfaffenhausen Speed Shop – The RUF Gallery,” will feature eight bespoke supercars and restomod classics from German manufacturer RUF. The second display, which is opening on Aug. 15, 2021, will explore the legacy of the Porsche 956 and 962 models. 
 
In 1939, Alois Ruf Sr. founded AUTO RUF, a general service garage located in the Bavarian town of Pfaffenhausen, Germany. When his son, Alois Ruf Jr. assumed directorship of the company in 1974, it released the first RUF-enhanced Porsche. Since then, RUF has twice held the title of “World’s Fastest Production Car” with the BTR and CTR, its cars have been driven by millions in video games like Gran Turismo and it drifted into the hearts of enthusiasts with its famous video “Faszination on the Nürburgring.” RUF’s latest cars, including the CTR Anniversary and SCR, are designed, engineered and manufactured entirely by RUF using RUF parts including the chassis, engine, transmission and body.
 
“We are proud to partner with RUF to gather some of its most impressive vehicles in The Vault presented by Hagerty,” said Petersen Executive Director Terry L. Karges. “‘Pfaffenhausen Speed Shop – The RUF Gallery’ highlights the creativity and vision of Alois Ruf Jr. for one unparalleled celebration of every enthusiast’s favorite event, Luftgekühlt.”

“We are honored to be chosen for a dedicated exhibit at the Petersen,” said RUF Automobile Owner Alois Ruf. “From our beginnings in a small shop in Pfaffenhausen, Germany to the Petersen Automotive Museum in Los Angeles, we have only sought to bring joy through cars. We are grateful to both Luftgekühlt and the museum for helping us spread that joy.”
 
“Pfaffenhausen Speed Shop – The RUF Gallery” will open to the public May 15, 2021 and be on display in The Vault presented by Hagerty. The RUF vehicles on display will include a 1990 RUF CTR Yellowbird, a 2012 RUF CTR3 ClubSport, a 2007 RUF Turbo R Cabriolet, a 2016 RUF Turbo R Ltd, a 2016 RUF Ultimate, a 1994 RUF RCT EVO narrow body, a 1994 RUF RCT EVO wide body and a 2015 RUF RT12R.
 
Guests who would like to view the new RUF exhibit and visit the museum must purchase tickets in advance on the Petersen Automotive Museum website. Health and safety guidelines are being followed: face coverings are required (single-use face masks will be provided to those who do not have one); social distancing guidelines of at least six feet will be enforced with designated entrance and exit signs; hand sanitizing stations are available on each floor; and the museum has increased the frequency of routine cleaning.
 
For more information, please visit Petersen Automotive Museum.

About The Petersen Automotive Museum Foundation
The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The museum is located at 6060 Wilshire Blvd. (at Fairfax) in Los Angeles, California 90036. For general information, call 323-930-CARS or visit Petersen Automotive Museum.