PETERSEN AUTOMOTIVE MUSEUM CELEBRATES RUWITH NEW LUFTGEKÜHLT EXHIBIT SERIES
Opening May 15, 2021, the first of two exhibits in the Luftgekühlt curated series are a RUF-themed display with eight significant vehicles including a CTR3 ClubSport, a Turbo R Ltd and a 964 RCT EVO
The Petersen Automotive Museum has announced an upcoming two-part exhibit series curated in partnership with renowned Porsche-themed event organizers Luftgekühlt. The first special exhibition, called “Pfaffenhausen Speed Shop – The RUF Gallery,” will feature eight bespoke supercars and restomod classics from German manufacturer RUF. The second display, which is opening on Aug. 15, 2021, will explore the legacy of the Porsche 956 and 962 models.
In 1939, Alois Ruf Sr. founded AUTO RUF, a general service garage located in the Bavarian town of Pfaffenhausen, Germany. When his son, Alois Ruf Jr. assumed directorship of the company in 1974, it released the first RUF-enhanced Porsche. Since then, RUF has twice held the title of “World’s Fastest Production Car” with the BTR and CTR, its cars have been driven by millions in video games like Gran Turismo and it drifted into the hearts of enthusiasts with its famous video “Faszination on the Nürburgring.” RUF’s latest cars, including the CTR Anniversary and SCR, are designed, engineered and manufactured entirely by RUF using RUF parts including the chassis, engine, transmission and body.
“We are proud to partner with RUF to gather some of its most impressive vehicles in The Vault presented by Hagerty,” said Petersen Executive Director Terry L. Karges. “‘Pfaffenhausen Speed Shop – The RUF Gallery’ highlights the creativity and vision of Alois Ruf Jr. for one unparalleled celebration of every enthusiast’s favorite event, Luftgekühlt.”
“We are honored to be chosen for a dedicated exhibit at the Petersen,” said RUF Automobile Owner Alois Ruf. “From our beginnings in a small shop in Pfaffenhausen, Germany to the Petersen Automotive Museum in Los Angeles, we have only sought to bring joy through cars. We are grateful to both Luftgekühlt and the museum for helping us spread that joy.”
“Pfaffenhausen Speed Shop – The RUF Gallery” will open to the public May 15, 2021 and be on display in The Vault presented by Hagerty. The RUF vehicles on display will include a 1990 RUF CTR Yellowbird, a 2012 RUF CTR3 ClubSport, a 2007 RUF Turbo R Cabriolet, a 2016 RUF Turbo R Ltd, a 2016 RUF Ultimate, a 1994 RUF RCT EVO narrow body, a 1994 RUF RCT EVO wide body and a 2015 RUF RT12R.
Guests who would like to view the new RUF exhibit and visit the museum must purchase tickets in advance on the Petersen Automotive Museum website. Health and safety guidelines are being followed: face coverings are required (single-use face masks will be provided to those who do not have one); social distancing guidelines of at least six feet will be enforced with designated entrance and exit signs; hand sanitizing stations are available on each floor; and the museum has increased the frequency of routine cleaning.
About The Petersen Automotive Museum Foundation The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The museum is located at 6060 Wilshire Blvd. (at Fairfax) in Los Angeles, California 90036. For general information, call 323-930-CARS or visit Petersen Automotive Museum.
IMMERSIVE VAN GOGH AND DESIGNER DAVID KORINS (HAMILTON) JOIN FORCES TO CREATE THE LARGEST AND MOST ELABORATE ITERATION OF THE EXHIBIT
Slated to be Seen in 19 Cities Across North America in 2021, Immersive Van Gogh Brings the Artist’s Masterpieces to Life Via 500,000 Cubic Feet of Projections Indoors in New York
Hailed as “Mind-Blowing” (Toronto Star) and “Undeniably Impressive” (–Time Out Chicago)
Immersive Van Gogh, the highly-anticipated immersive art installation coming to New York this summer, announced today that Emmy Award-winning and Tony Award-nominated designer David Korins, known for his set designs featured in numerous Broadway hits including Hamilton and Dear Evan Hansen, will serve as Creative Director New York for the installation. Scheduled to open on June 10, a new block of tickets will go on sale to the public Saturday, April 24 at 10 a.m. ET. The New York location and further details, including a preview of David Korins’ designs, will be revealed at a virtual press event on Friday, April 23 at 10 am ET.
As the Official Card Sponsor of Immersive Van Gogh in New York, American Express® Card Members have exclusive pre-sale access to the new block of tickets before the general public beginning Monday, April 19 at 10 a.m. ET through Wednesday, April 21 at 9:59 a.m. ET here.
Korins will join creative team for Immersive Van Gogh, the original North American immersive celebration of Van Gogh’s art. The team includes Creator Massimiliano Siccardi; Composer Luca Longobardiand Art Director Vittorio Guidotti. This winning team will make Immersive Van Gogh the most impressive staging to date and the most expansive in the world, having already opened to tremendous acclaim in Toronto, Chicago and San Francisco, with additional openings scheduled for 16 cities across North America, including Los Angeles, Dallas, Denver, Las Vegas and more. Since its North American premiere in July 2020, more than 1 million tickets have been sold to Immersive Van Gogh, making it the most popular attraction currently in North America.
Immersive Van Gogh invites audiences to “step inside” the iconic works of post-Impressionist artist Vincent van Gogh, evoking his highly emotional and chaotic inner consciousness through art, light, music, movement and imagination. The gallery space offers patrons more than 500,000 cubic feet of animated projections. Renowned Creative Director Korins will create a custom design to fit the architecture of the exhibition’s New York home, adding elements to the gallery space as well as adjacent auxiliary elements. Korins will create numerous New York-specific installations, viewing platforms and high-tech, experiential and interactive elements previously unseen in any other venue.
“Immersive Van Gogh has been hailed as an entirely new way of encountering art and has been enthusiastically embraced by press and patrons in every city in which it currently is being presented,” said Producer Corey Ross. “Our New York exhibition will be by far our most ambitious. Not only do we have the talents of our ingenious Italian creative team, we also have David Korins bringing his distinct creative vision to the project to provide an unsurpassed guest experience.”
“This will be an event that New Yorkers and visitors can enjoy safely, quite literally surrounding themselves with the work of Vincent van Gogh, one of the greatest artists who ever lived,” added Producer Svetlana Dvoretsky.
“I am thrilled to be collaborating with the creative minds behind the Immersive Van Gogh exhibit to create a truly unique experience for the city of New York to enjoy and be inspired by,” said David Korins, Creative Director New York. “I have always been deeply moved when looking at Van Gogh’s paintings, which are universally beloved for their color and unique use of texture, or his transcendent ink drawings, and I’m humbled by the opportunity to develop an experience that will enhance the viewers’ time spent with his powerful art.”
It is expected that Immersive Van Gogh will be the first event of its magnitude since the start of the COVID-19 pandemic. “We have a track record of producing this event safely in numerous cities throughout North America,” said Co-Producer Irina Shabshis. “We hope that this will lift the spirits of so many New Yorkers, who have not had the opportunity to experience cultural attractions for the past year, with first-rate production values that will make this one of the top events in the city this summer,” added Co-Producer Maria Shclover.
“David Korins is a very experienced and creative; he is giving his professional and artistic contributions to the implementation of the New York venue that will host my creation Immersive Van Gogh“, said Creator Massimiliano Siccardi, “I have enormous respect for his creativity, and I feel that his vision will be able to excellently enhance the audience experience, priming their minds as they enter and exit our exhibit, and also creating architectural enhancements that will provide unique vantage points from which they can observe my work. Most of all, I know that David shares a deep appreciation of and respect for the work of Vincent van Gogh, and that he, like me, wants to pay homage to the brilliance of his body of work, a legacy that influenced us all in our individual development as artists.”
Immersive Van Gogh has received rave reviews from critics and patrons. The Chicago Tribune exclaimed “entire rooms pulse with imagery and emotional resonance.” The Toronto Sun declared, “the mind-blowing imagery, brings Van Gogh’s best work to life — including Sunflower, Irises, and The Starry Night — for a cathartic and liberating experience.” “Immersive Van Gogh ups the emotional ante,” Toronto Star stated, “I wondered: could projections of paintings on walls and floors be thrilling? The answer is ‘yes.’” Called a “completely new way of encountering art” by CTV and a “blockbuster digital experience that has taken the art world by storm” by Artnet News, the exhibit “cleverly embraces creativity,” according to Washington Post. The San Francisco Chronicle summed it up saying “It’s one hell of a way to wake up from our long pandemic art nap.”
The hour-long walk-through installation has been designed with health and safety as a priority. Admissions will be limited according to New York City’s capacity guidelines with touchless ticket-taking; temperature checks upon arrival; hand sanitizer stations and social distancing markers prominent throughout the venue; and digitally projected social distancing circles on the gallery floors to ensure appropriate spacing. All guests must wear a face covering at all times during their visit to Immersive Van Gogh.
Immersive Van Gogh was designed by Creator and Italian film producer Massimiliano Siccardi, with original, mood-setting music, both original and curated, by Italian multimedia Composer Luca Longobardi, who provided a score that combines experimental electronic music with pure, ethereal and simple-seeming piano. Vittorio Guidotti is the Art Director. Siccardi and Longobardi are both pioneers of immersive digital art installations in Europe, where they created the world-renowned Van Gogh, Starry Night exhibition, among others. With approximately 100 state-of-the-art projectors illuminating over the exhibit space, visitors to Immersive Van Gogh will be encircled from head-to-toe in Van Gogh’s brushstrokes and colors, including animated details from works such as Self Portrait with Felt Hat (1888), The Bed-room in Arles (1889), Irises (1889) and The Starry Night (1889).
Tickets for the exhibition are on-sale now online and by phone. Tickets range in price from $29.99 for kids to $99.99 for VIP Flex tickets, which comes with priority access, flexible admission, a limited-edition poster, a souvenir laminate and a van Gogh cushion. Basic timed tickets are $49.99. The New York location will be revealed at a virtual press event on Friday, April 23 at 10 am ET. To RSVP and receive a link to the press event, click here.
The new block of tickets will go on sale to the public Saturday, April 24 at 10 a.m. ET.
For more information about Immersive Van Gogh, visit this website or call. Follow the exhibition on social media at @goghnyc on Facebook, Instagram or Twitter.
About Vincent van Gogh
Legendary Dutch painter Vincent van Gogh (1853 – 1890) is recognized as one of the world’s greatest and best loved artists. He was born in the Netherlands to his father, Theodorus van Gogh, and his mother, Anna Cornelia Carbentus, a moody artist whose love of nature, drawing and watercolors was passed on to her son. He worked at his uncle Cornelis’ art dealership when he had already been fluent in French, German and English, as well as his native Dutch. He fell in love with English culture when he was transferred to the Groupil Gallery in London in 1873.
During his short life he painted more than 2,000 artworks ranging from ordinary household items and self-portraits to surreal landscapes that inspire awe. Van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced expressionism in 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life.
He was tragically admitted to a psychiatric hospital after offering his severed ear to a woman at a local brothel. For hope, he turned to painting and nature, until one day when he went out to paint in the morning with a loaded pistol in his hand and reportedly shot himself in the chest. In his 37 years alive, Van Gogh only sold one painting, The Red Vineyards, to his brother Theo.
About the Creative Team
DAVID KORINS, Creative Director New York
David Korins is the award-winning Creative Director, Designer and Founder of his eponymous New York City based creative studio. In his two decades of creating omnidirectional experiences, he has, along with his expert team, reached hundreds of millions of people all over the world while helping the most influential brands, companies and individuals bring their stories to life. From stage to screen, museums to hospitality, experiential design to singular live events, Korins has traversed the landscape of world building and storytelling through almost every medium available. Korins created the worlds for the Tony Award-winning musicals Hamilton, Dear Evan Hansen and Beetlejuice: The Musical. He has also designed the set for the musical Mrs. Doubtfire as well as over 20 additional Broadway shows. Among numerous TV credits, Korins is the Production Designer for the 91st Annual Academy Awards and Grease: Live!, for which he received an Emmy Award.
Collaborators include Bruno Mars, Elton John, Lady Gaga, Kanye West, Mariah Carey, Andrea Bocelli, Sia, and Takashi Murakami, and presented at venues such as Madison Square Garden, Coachella, Gagosian, Lollapalooza, SXSW, and Sotheby’s. Brand partnerships include the NFL, Twitter, Google, Spotify, YouTube, and Microsoft. As the Creative Director for the USC Shoah Foundation, he has led the organization’s rebranding efforts, the creation of several new experiences, and state of the art testimonials. In 2019, through an ongoing collaboration with Sotheby’s, Korins unveiled a unique exhibit at their New York City headquarters in celebration of the company’s 275th Anniversary. In addition, he designed the Time Square restaurant Bond 45. His work has earned him an Emmy Award, three Tony nominations, Drama Desk, Lortel Awards, three Henry Hewes Design Awards, and an Obie Award for Sustained Excellence in Design.
MASSIMILIANO SICCARDI, Creator
Massimiliano Siccardi studied at the London School of Contemporary Dance of London. But in 1990, he left the world of dance to begin a new journey in the world of video art. Siccardi quickly became the artistic force behind several visual mise-en-scène for choreographers around the world. He also created video scenographies for numerous prestigious festivals and galas around the world. He also re-constructed the video mapping of the Basilica di Giotto and for the Teatro Petruzzelli of Bari, where one of his permanent installation’s virtually reconstruct the frescoes of the Cupola. Siccardi is also a celebrated photographer and has had photo ex-hibitions in Spoleto and Rome, to name a few. He is professor of digital image elaboration at the Accademia di Comunicazione e Immagine of Rome. In 2012, Siccardi received the prestigious International Award “Romaindanza” for his talent in the visual work of dance theatre. Since 2012, he has been artist in residence at the Carrières de Lumières – Atelier des Lumières where he authored the mise-en-scène of numerous immersive shows. He is currently creating projects within Italy as well as New York, Berlin, Leipzig and Rome.
LUCA LONGOBARDI, Composer
Italian composer and pianist Luca Longobardi is a classically trained musician who incorporates the contemporary electronic music into his pieces. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio resto-ration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières – Paris, Carrière does Lumières – Baux-de-Provence, Kunstkraftwerk – Leipzig). At his multimedia performances and in his recordings, strong experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.
About the Producing Team
The producers of Immersive Van Gogh New York are Corey Ross and Svetlana Dvoretsky, working with Co-Producers Maria Shclover and Irina Shabshis. Together they founded Immersive ArtSpace NY, LP to bring Immersive Van Gogh to New York.
Corey Ross is the founder of Starvox Entertainment which has ranked in Profit Magazine’s Fastest growing Canadian companies for 5 years in a row. The company produces and man-ages cross-over performing arts shows and exhibition including the Art of Banksy in London, Canada, the USA, Taiwan, and Japan. He is also a co-founder at Lighthouse Immersive – a company producing the Immersive Van Gogh in 19 North American cities and Illusionarium in Toronto.
Svetlana Dvoretsky is the founder of Toronto’s Show One Productions and a proud recipient of the Order of York by the Government of Canada for her “significant role in arts and culture.” Show One Productions is leading presenter of high-profile international artists in classical music, theater and dance. She is a co-founder of Lighthouse Immersive and co-producer of Immersive Van Gogh.
Maria Shclover and Irina Shabshis are the co-founders of Maestro Immersive Art. Shclover founded Maestro Artist Management in 2004, Shabshis in 2005 and together they have presented more than 1,000 theatrical and classical music performances across the United States, including projects with Michel Legrand, Mikhail Baryshnikov, John Malkovich and more. In 2012, Shclover and Shabshis formed a non-profit organization, Cherry Orchard Festival Foundation, presenting an annual international theatrical festival to audiences in New York City and beyond.
Red Bull has teamed up with the New Orleans Pelicans and renowned visual artist Brandan “Bmike” Odums for NOLA Has Wiiings, a project dedicated to replacing backboards at basketball courts throughout New Orleans.
Bmike selected eight local creatives to transform old local backboards into works of art, which will be on display starting this month at the New Orleans Pelicans’ Smoothie King Center and online at RedBull.com.
New Orleans locals can vote for their favorite backboard starting today via the Pelicans Mobile App or website. The artist with the most votes will have the opportunity to conceptualize and design a full art court that serves the New Orleans community.
Bmike’s custom backboard, for exhibit only, will be on display at Studio BE for the duration of the project.
NOLA Has Wiiings brings artists from around the city together to celebrate, brighten and educate communities through colorful displays of art that showcase NOLA’s unrivaled ability to rebound.
Ceaux, a New Orleans-born multidisciplinary artist, has created a backboard inspired by Harrell Park – located on the “Pigeon Town” side of Carrollton – and the color and playfulness that’s felt at playgrounds.
Ayo Scott, painter and son of nationally recognized artist John T. Scott, has created “Big Ol’ Lil Big Chief” in collaboration with Big Chief Terrence “T” Williams of the Black Hawk Hunters, which is inspired by the resilient spirit of the people of New Orleans.
Kara Crowley – Visual Artist, an artist who embraces black culture and positive representation in her own artistic interpretations, has created a backboard which showcases multiple hands expressing the message of unity.
Jessica Strahan, a self-taught painter and muralist native to and based in New Orleans, has created a backboard inspired by dance and its ability to take people through vibrant moments in time.
Marc Verrett / MarcFreshArt, a Baton Rouge based muralist, has created a backboard that illustrates a positive rise to overcome obstacles through imagery of a skull paired with colorful butterfly wings to represent the eternal drive to fly above.
Jade Meyers/THEARTISTJADE, Art director and founder of the art-based company, “J A D E 1 9 9 1,” has created a piece inspired by liberation, growing up in New Orleans, power, nature, Black culture and sports culture.
Bryan Brown, an artist whose work focuses on New Orleans culture, random but beautiful moments, and philosophy, has created “The Big Brain,” a representation of getting mentally healthy to unlock one’s true full potential.
1985 Poet; Artist: Monique Lorden, an artist and author and co-illustrator of “I Wish for Freedom,” a poetic picture book, was inspired by her memories of hooping at the park to create “Hoops Dreams and Poetry,” a visual story of childhood hope and community.
World’s First Physical NFT Installation, “Quantum Mirror” by Adrian Stein, Debuts in Chicago.
The Immersive Work Contextualizes the Nature of NFT Art in the Real World.
As NFTs Have the Capability to be Infinitely Reproduced, “Quantum Mirror” Explores the Concept of Infinite Consciousness in the Digital Era.
In recent months, Non-fungible tokens (NFTs) have rushed the cryptocurrency scene and taken the art world by storm. This new way of buying and selling digital art using blockchain technology has disrupted the art market and created overnight sensations out of formerly obscure artists such as Mike Winkelmann, also known as Beeple, who recently sold a collage of his digital works for the staggering sum of $69.3 million. Another rising artist in the new media art world, Adrian Stein, is unveiling what he describes as the world’s first immersive NFT installation in Chicago’s contemporary art gallery ARTSPACE 8.
“Quantum Mirror,” a 300-square-foot immersive installation, is an environment where the digital and physical worlds of art merge and multiply in a kaleidoscopic array created by over 150 mirrored surfaces. In-person visitors can see their own reflection infinitely juxtaposed alongside Stein’s digital works of human figures, which will be screened within the mirrored installation and accompanied by resonate soundtracks.
Stein’s digital art, available as NFTs that can be acquired via online marketplace Mintable, are displayed on screens in the center of the installation, representing the original copy of each NFT. These images are then reproduced within the geometrically mirrored walls, representing how NFTs exist online: they commonly have a single “original” with the ability to be infinitely duplicated. The installation acts as a physical representation of our virtual environment, using light and reflections to visualize how human consciousness and the economy have become entangled in a network of blockchains and social media.
Speaking to humanity’s deep dependence on technology, the installation lays inactive without its virtual core, in the same way as modern consciousness would be paralyzed without virtual connection – representing how everyday human life has crossed over to become a spectrum between raw humanity and cyborg consciousness.
“This work is meant to continue the conversation that Yayoi Kuzama began with her infinity rooms, by recontextualizing it into the digital world of artists like Beeple” said artist Adrian Stein. “As Kuzama’s work encourages the viewer to contemplate their place in the never-ending cosmos, “Quantum Mirror” encourages the viewer to contemplate their digital existence within the never-ending world online.”
The installation is viewable at ARTSPACE 8 on the third floor of 900 N. Michigan, starting March 20 through late April and viewable Monday through Saturday from 12:30 – 5:30pm at no charge. Online registration is required through this website, allowing ten people in the gallery at a time while following COVID-19 safety guidelines. More of Stein’s artwork can be viewed on Instagram.
ABOUT ADRIAN STEIN
Guatemalan-born, Chicago-based new media artist Adrian Stein seeks to understand how humans view themselves through the many mirrors viewed in everyday life which reveal the borders, glass walls, and masks built between one another in the process.
By representing the human form as a prismatic lens in constant shift, dynamically morphed and affected by the medium it is inhabiting, Stein’s work engages the concept that different states of consciousness give rise to different views of the self, elaborating on how perceived identities can create a hybrid existence that merges both virtual and physical personas.
Through the use of colloquial digital languages and visual commonalities, he seeks to create an aesthetic medium to reveal how his own duality as a Guatemalan-born American has given rise to a hybrid identity, forcing him to exist in both places at the same time.
ABOUT ARTSPACE 8
The 14,000 square foot gallery is located in Chicago’s Gold Coast neighborhood, specializing in contemporary fine art showing a number of paintings, prints, sculpture, and works on paper from emerging and established artists, based both locally and abroad. ARTSPACE 8 prides itself on taking a democratic approach to its affluent surroundings, engaging experienced collectors and the masses alike in the viewing and collecting of intriguing artworks through highly-curated exhibitions and events.
In honor of World Art Day on April 15, 2021, here are some of the best destinations and hotels for curated art experiences from around the world. Whether it be an outdoor mural scene, a hotel’s private art collection, an artist-in-residence program, or new exhibits scattered throughout a country, there are many ways to celebrate World Art Day! And while safe travel may not be possible yet for everyone, virtual experiences are a great way to show appreciation and support.
Known as “The Pink Palace” from its iconic pastel exterior since 1885, it’s the interior of Hamilton Princess that is inside the hotel that makes it fit for royalty. A little-known secret is that the property is home to one of the most comprehensive contemporary art collections in the world. The vast and ever-evolving collection has an estimated multi-million dollar value. There really is no other resort where you can see an 18 ft tall KAWS sculpture or an original Banksy up close. Hamilton Princess has created the Escape Artist Package which includes a private tour of the contemporary art collection including pieces by Jeff Koons, Damien Hirst, Takashi Murakami, Banksy, KAWS, Julian Opie, Yayoi Kusama, and Ai Wei Wei , complimentary passes to the island’s art museums with private tours upon request, complimentary Twizy electric car rental to get to and from the museums, and an assortment of art-inspired amenities and gifts, including a limited edition Mari Andrew print.
Quickly becoming a museum mecca with 30+ museums in the destination, downtown St. Pete also boasts over 500 outdoor murals created by local and international artists throughout the hip Central Arts District. The newest additions are showcased during the annual mural festival SHINE St. Pete and can be experienced with a guided walking tour. This alfresco art experience has also been modified for COVID-19 safety as travelers can now discover them independently with this comprehensive, ever-growing list and through the app, PixelStix. And not to be forgotten, the most popular museum in the destination, The Dalí Museum, will continue to host the immersive Van Gogh Alive exhibit through June 13, 2021. The exhibition features more than 3,000 Van Gogh images at an enormous scale, viewed through high-definition projectors and synchronized to a powerful classical score. Advanced-purchase, timed-tickets are required to visit.
Known as Rhode Island’s creative capital, Providence is one of the country’s most diverse and vibrant cities for the arts, due in large part as the home to The Rhode Island of School of Design (RISD) which cultivates a creative community. Providence’s artistic offerings are best experienced on foot via Avenue Concept, Rhode Island’s first privately funded public art program. They offer two self-guided tours offering comprehensive stops with dozens of murals and sculptures to visit in Downtown and South Side/West End. As of August, a new latinx-led public art banner project honoring the healthcare workers who have helped manage the COVID-19 crisis has launched throughout the city.
The National WWII Museum’s newest special exhibit “SOLDIER | ARTIST: Trench Art in World War II” explores the unique military pastime of creating art, souvenirs and tools out of the discarded materials and waste of war. Featuring more than 150 artifacts, many of which have never been exhibited, the collection also includes a background on the creators, providing a rare glimpse into the circumstances of war and the ingenuity and resourcefulness of servicemembers in the field. Such items range from souvenirs, such as ashtrays and jewelry made by servicemembers for their loved ones at home, to forbidden items like radios and musical instruments made by prisoners of war. The exhibition will be open to the public through January 2, 2022.
Opening in April 2021, Daxton Hotel features a monochromatic palette in rich, saturated color to showcase avant-garde lighting and furniture in bold shapes. This backdrop is juxtaposed with an art collection of over 400 pieces curated from across the world by Saatchi Art. The thoughtful collection is inspired by the street art found throughout the city of nearby Detroit and reflects the movement and energy of Motor City’s local scene. In addition to the distinctive art originating from across the world including Peru, Macedonia and South Korea, each guestroom is outfitted with a custom headboard backdrop from local floral muralist, Ouizi. Art in public spaces includes the restaurant Madam’s large-scale painting series of 12’ portraits in a feminine, a suspended wire installation in the conference room encouraging dialogue, a full-sized mechanical horse and 9’ pink metallic bunny. Art tours for the building are offered the first Friday of the month, providing the opportunity to engage and experience some of the Daxton Hotel’s significant works.
Located just 45 minutes outside of NYC, the 159 room MC Hotel is at the intersection of culture and community in the heart of Montclair’s thriving artistic community. With art curated from established and up-and-coming artists in every room, the hotel is part art gallery, part meeting place. Currently on display are pieces from painters Ryan Chin and Siona Benjamin-Kruge as well as mixed-media artist Basia Goszczynska to name a few. At guest check-in, travelers will be met by a sculpture of a flower from Karen Kimmel that stretches across two walls. The sculpture features textiles that were meticulously hand-punched then painted onsite. On the lobby wall of the bar, guests will see a sculpture from Goszczynska which is made from salvaged oyster farming bags, marine rope and steel wire. He also continues this unique interpretation of upcycling to shelves of the bar which displays Rainbow Collections, a piece featuring crowdsourced microplastics and salvaged baby food jars.
Within a two-hour drive of New York and an hour drive of Philadelphia, head toward the Las Vegas of the East Coast known for its bustling boardwalk, glitzy high-rise resorts, five-star restaurants, four-mile-long boardwalk, and six-mile-long beach. In search of an indulgent escape, this fast-paced resort is an art lover’s dream. Borgata Hotel Casino & Spa features numerous extravagant glass sculptures that seem to drip effortlessly from the ceiling and rise majestically from the resort’s floor. Those colorful works of art are none other than world-famous Chihuly glass, created by master craftsman Dale Chihuly, and some of our guests come to our resort just to take in the signature pieces by the American artist. Borgata Hotel Casino & Spa houses a number of stunning Chihuly pieces across the property, from the main entrance of the casino to the corridor connecting Borgata to The Water Club. Take a look at the gallery of Borgata Hotel Casino & Spa’s Chihuly, and the next time you visit, play a game of trying to find all of the signature artwork throughout the resort. As the artist himself one said, “Glass has the ability, more than any other material, to bring joy and a certain happiness to people.” Chihuly, who was born in Washington in 1941, has had countless exhibitions of his work across the globe, from Venice to London to the Netherlands, and blew his own glass until he had a tragic car accident in 1976. Afterwards, due to challenges with his eyesight, Chihuly began serving as a director of a team of artists, who have created hundreds of massive glass installations found in buildings across the globe.
Fitler Club is Philadelphia’s ultimate “work/stay/play” destination, where hotel guests are granted exclusive access to all the club’s amenities for the duration of their stay. The club encompasses 136,000 square feet and includes a world-class gym and spa, a 14-room boutique hotel (The Rooms at Fitler Club), collaborative workspace (Offsite), indoor pool and a movie theater. Art lovers will enjoy the Fitler Club’s Collection, which has works by famous artists featured throughout the property. The collection includes pieces by Damien Hirst, Alex Katz, Hiroshi Sugimoto, Pamela Hanson, Mel Bochner and more. Fitler Club’s Artist In Residence program, bringing the work of Philadelphia artists, acclaimed and up-and-coming, to people’s everyday lives. Fitler Club assembled a vast collection by local artists, within a non-traditional gallery space that is Offsite, Fitler Club’s expansive workspace. Artists include King Saladeen, Eileen Neff, Elizabeth Osborn and more. Each of the artworks are on loan by the artists and every piece is for sale. In addition, those who are unable to visit the gallery in person can still enjoy the collection through an interactive virtual experience on the club’s website, which gives information on each piece located throughout the property.
California is gearing up for a culturally enriching year, as various art happenings are slated to open throughout 2021. Peppered across the state, here are some key art events that visitors may enjoy for a uniquely artistic and local experience, showcasing the history and vibrancy of California:
Desert X + Outdoor Art in Greater Palm Springs: The third installment of the internationally acclaimed biennial art exhibition, Desert X, returns in 2021, starting March 12 through May 16. The 2021artist lineup includes a diverse group of 13 artists ranging from locals like Kim Stringfellow to international representatives like Zahrah Alghamdi. Visitors can explore these new outdoor art installations across the desert region for an exciting socially distant experience. While in the region, be sure to check out the region’s booming art scene by walking or driving through various neighborhoods to check out artworks like the “PS I Love You” Sculpture, permanent pieces created for Coachella Music Festival, like “Etherea” and more. Find additional outdoor art in the Greater Palm Springs area here.
The Oakland Museum of California (OMCA): The OMCA will unveil its newly refreshed garden and outdoor amphitheater space in spring 2021 as part of its multi-phased campus improvement project. This beautiful renovation will include updated outdoor sculptures, revitalized landscaping with native California plantings, new ADA accessible ramps and a permanent stage for outdoor performances- encompassing the Bay Area’s natural beauty.
Santa Barbara Museum of Art:The Santa Barbara Museum of Art will reveal a new, multi-floor wing in spring 2021 that will be home to new photography and contemporary art galleries, as well as renovated galleries, as part of its multi- year, $50 million renovation. The museum hired Kupiec Architects’ Bob Kupiec, who is known for his projects at the Metropolitan Museum of Art in New York, Times Square, Bryant Park and more.
Carmel Mission:To mark Carmel Mission’s upcoming 250th anniversary, the Carmel Mission Foundation is renovating the Mission’s main entrance and restoring a 100-year-old adobe museum that sits adjacent to the renowned Basilica. Additionally, The Harry Downie Museum at Carmel Mission is also planned to open in October 2021, showcasing “the Evolution of Carmel Mission” photography exhibit.
San Francisco Music Hall of Fame:Slated for this spring, the halls of the music-themed Music City Hotel will feature a gallery of transcendent local musicians including a curated collection of photographs from Getty Images, The San Francisco Chronicle and numerous local, respected photographers. A dozen local and national music writers were hired to create original one-of-a-kind gallery text that accompanies each photo. Visitors can listen to a playlist of songs by artists featured in the gallery, which includes a guided audio tour with local DJ Mike Waterman.
The art in Texas is top notch, specifically noting the art of the major cities along with other safe havens for creatives such as Marfa and which have recently gained traction. A few examples of the major cities and more of the unknown include:
San Angelo, an oasis in West Texas off the beaten path, has quickly grown as a Texas art hub, with a lot of the art outdoors and accessible to the community at all times. Highlights like the Chicken Farm Art Center, where local artists are set up in refurbished farm buildings, as well as Paintbrush Alley, where over 50 artists have donated their time to create artwork in the downtown alley, are stand-alone destinations worth checking out when in San Angelo. Lastly, the Pop Art Museum which is also outdoor murals has been positively received by the community, with 31 pieces done by local artists throughout a former bowling alley, including a piece from James Gill who worked directly with Andy Warhol at the forefront of the Pop Art movement.
The diversity and affordability of Houston has created an internationally acclaimed art scene, home to graffiti parks, modern museums and everything in between. Highlights include:
James Turrell’s Skyspace Structure, an interactive installation which will test your perception of light and color. Wednesday through Monday weekly, the “Twilight Epiphany” sequence will take place, changing colors of lights from the built-in LED system. Guests can peer through the roof’s square-shaped aperture and into the darkening sky. Admission is free and seat reservation can be made in advance
Sawyer Yards, a creative campus located in Houston’s historic First Ward is set in a working train yard and made its home in a former industrial complex with several rice silos at the complex’s center. On the second Saturday of each month, the warehouses are open to the public allowing for individuals to meet the artists and explore their work, varying from paintings to sculptures to jewelry.
Many people don’t often think of Dallas as an art-centric destination, but the cosmopolitan city is home to the largest contiguous urban arts district in the nation. Though to experience art in Dallas one never has to enter a gallery; during a quick trek through any of the city’s walkable neighborhoods murals and iconic sculptures will reveal themselves. Here are a few:
Fair Park is home to many well-known works of public art, but the Crystal Chandelier at the Music Hall, by artist William Martin is often cited as a favorite.
Dallas City Hall Plaza boasts the large bronze sculpture The Dallas Piece by renowned British sculptor Henry Moore. It was given to the City in 1978 by W.R. Hawn in memory of his wife.
Deep Ellum is known for its eye-catching murals. The murals give life to otherwise mundane walls and buildings and reflect the life and times of the residents. As a result, Deep Ellum has evolved into its own exhibition of sorts and visitors have enjoyed exploring and discovering them all. Click here for a look at some of the murals and this map provides directions.
Sensei Lāna’i, A Four Seasons Resort
Set within the secluded island’s 90,000 acres, Sensei Lāna’i, A Four Seasons Resort is a one-of-a-kind wellness retreat, founded by Larry Ellison and Dr. David Agus, with the goal of helping people live longer healthier lives. At the heart of the retreat is the Sensei Way, which distills preventive health science, data and research into three simple paths for everyday living: move, nourish, and rest. These principles go beyond just healthy eating and exercise, encouraging guests to nourish their mind, body and soul, starting with an extensive art collection that inspires a creative spirit and enhances relaxation. With design envisioned by Todd-Avery Lenahan of TAL-Studio, the resort blends a sense of seclusion with wide open spaces surrounded by the forests in the spiritual uplands of Lāna’i. Intentionally placed among expansive garden foliage, the retreat houses a premier outdoor sculpture garden that includes larger-than-life pieces from renowned artists like Botero, Plensa, Lobo and more. As guests venture further, Ju Ming’s “Tai Chi Arch” opens to an onsen garden and Robert Indiana’s iconic “Imperial LOVE” sculpture ignites a sense of joy and rejuvenation. The artwork throughout the hotel was commissioned expressly for the retreat and here, art-loving guests will encounter these pieces for the very first time, stimulating thought and reflection. Other featured artists include David Ellis, Miya Ando, Haure Shimomoto, Sky Pape, Brooks Shane Salzwedel and Lauren Collin.
Rapid City, South Dakota
In the small town of Rapid City, South Dakota, where there’s no shortage of bucket list outdoor art experiences, you’ll find Art Alley,a functioning alley that was transformed into a place for artists to create and share their work with the public. The walls are covered in pieces from local artists, many anonymous, and are constantly changing as new works pop up, providing a new experience every visit. Before this area became known as Art Alley, local artists used to hang canvas artworks on the walls and eventually this evolved into painting murals. It wasn’t until a group of passionate artists and community members worked with city officials to nurture this organic art form into the Art Alley we know today. Other art-centric experiences in Rapid City include the City of Presidents, a collection of life-size bronze sculptures of past presidents placed along the city’s streets and sidewalks, the Dahl Arts Center and more.
Since opening its doors in 2016 the 124-room luxury lifestyle hotel has provided an unmistakable all-Minnesotan experience in the bustling North Loop neighborhood of Minneapolis. The former farm implements showroom and warehouse built in 1897 has been reborn as a cultural center for the community retaining its original brick and timber rustic charm. Immersing guests in Minneapolis, the hotel offers unique experiences with Minnesotan flair such as a monthly music series, Alley KAT! Perkins Pop Up Concert in the adjacent alley with season 6 The Voice semi-finalist Kat Perkins. The visual art of the area is on display through regularly rotating installations of local artists. The current collection includes works from Minneapolis-based artists Roko and Toni Gallo reflecting the beauty and talent within the area.
Mesoamerican, South American and Indigenous influences are reflected in Costa Rica’s rich art history and colorful culture. Visitors can explore Costa Rica’s capital city and cultural hub of San José which is home to some of the country’s most important art museums, consisting of diverse collections of painting, drawing, sculpture, pottery, wood carvings and more.
Museo de Arte Costarricense: The Costa Rican Art Museum offers free admission and boasts a permanent fine arts collection of over 6,000 pieces from Costa Rican artists, spanning almost two centuries. One of the most intriguing displays at the museum is the outdoor sculpture garden, where visitors can see works by renowned Costa Rican artists like Jorge Jiménez Deredia, Edgar and Francisco Zuñiga, José Sancho and Max Jiménez.
Museo de Arte y Diseño Contemporáneo: Costa Rica’s Museum of Contemporary Art and Design (MADC) is situated on the site of the country’s old national liquor factory. MADC has four exhibition rooms for rotating and permanent collections of contemporary hispanic art, an auditorium and an open-air terrace for performances and events. There are approximately 900 pieces housed in the museum’s permanent collections. Currently on display at MADC is the “Inferno Tropical” special exhibition, which consists of works by six Latin American women artists from Costa Rica, Cuba, Venezuela, Panama and Brazil. Inferno Tropical is part of a series of exhibitions called “Female Voices of Latin America,” representing the largest mega-exhibition of living Latin American women artists in recent times.
Presented by The Waitukubuli Artist Association (WAA) “WhoOosh!! 2” virtual exhibit is the first of its kind in Dominica, showcasing photography, sculptures and paintings created by local artists. The exhibit was filmed using a 360° camera in the abandoned Roseau Anglican Church, which was devastated by Hurricane Maria in 2017. The exhibit is an immersive experience that allows the audience to experience this real place from afar. Just like in a video game, virtual attendees can look around in any direction, interact with objects and people and examine the art up close. The exhibition is themed around the impacts that recent hurricanes have had on the artists’ way of life, interpreting their very own experience of resilience in various artistic forms. To attend, head to kubuliarts.com.
With its brightly-colored bustling laneways, world-class theater district and inspiring art and cultural museums, Melbourne is a city fit to fulfill any art-lovers dreams. The city’s laneways are works of art in themselves while also leading inquisitive city strollers into quirky bars, old-school restaurants and hipster eateries, and hidden art galleries where there’s even more art to absorb. Those looking for a grander stage can find jaw-dropping performances in Melbourne’s theater and musical stages like the Princess Theater and Her Majesty’s Theatre in the East End Theatre District, or the inventive Malthouse Theatre. Melbourne’s art museums span the gamut – from Aboriginal art at the Birrarung Gallery or Ian Potter Centre, to modern and contemporary art at the Australian Centre for Contemporary Art or National Gallery of Victoria. When it comes to art – whether it be public, modern, Aborginal or performance – there’s always something inspiring to view in Melbourne, Australia.
Known as South America’s capital of culture, Buenos Aires, Argentina, was appointed as UNESCO’s first City of Design with the opening of the Metropolitan Design Center. Not only that, but the city was also the birthplace of Tango, which first originated in Buenos Aires dance halls in the 1880s. Now, travelers can witness world-class tango each year during the city’s International Tango Festival and World Cup. In 2013, Argentinian artist Alfredo Segatori painted what was then the longest mural in the world, located in Barracas. And, finally, if you didn’t need more artistic inspiration to visit this lively city, Buenos Aires also hosts the world’s most important collections of Latin American art. The Museum of Latin American Art is home to the Fundación Costantini art collection which consists of 400+ masterpieces including paintings, sculptures, photography, and engravings by famous 20-century Latin American artists.
After a Year of Pandemic Closure, WonderWorks Syracuse Reopens with a New Exhibit
The moment so many people have patiently waited for is here. WonderWorks Syracuse will officially reopen on March 26, 2021. While Canyon Climb ropes course re-opened in August 2020, WonderWorks has been closed for nearly a year due to the pandemic. With the reopening, WonderWorks will have new rules and covid safety measures to help keep people safe and socially distanced.
“We are thrilled to be able to get our doors back open and welcome people to come on in,” says Nicole Montgomery, general manager of WonderWorks Syracuse. “We know that people are ready to get out and do things, and we offer a great mix of fun and educational activities, with something for everyone in the family.”
Some of the changes that patrons can expect when visiting WonderWorks Syracuse include:
Being cashless. Be sure to bring an electronic form of payment or purchase your tickets online ahead of time because WonderWorks will no longer be accepting cash.
WonderWorks is reopening on a reservation basis only, which will keep its capacity to 50 people. It will only be allowing 50 people inside every 30 minutes.
The hours will be limited to start with, which is currently noon–6 p.m. on Wednesday, Thursday, and Sunday, and 11 a.m.–7 p.m. on Friday and Saturday. Tickets will be available for advanced sale soon.
There will be COVID measures taken, such as staff health screenings and guest temperature checks before entering. Additionally, guests over the age of two must wear a face covering and everyone must adhere to social distancing of six feet.
WonderWorks is providing sanitizer stations throughout.
“Come on out and have some fun,” added Montgomery. “We have a lot to offer, including ropes courses, laser tag, rides, science exhibits and more.”
WonderWorks reopens with its newest exhibit that incorporates student artists. CNY Art: New York Youth Art Galleryheld its first annual contest, the winning masterpieces will be on display for a year.
WonderWorks ropes course, called Canyon Climb, is the world’s largest suspended indoor ropes course. It offers three levels and 81 obstacles. Additional attractions include laser tag, where people can have fun strapping on a laser tag vest and competing in a fast-paced, action-packed battle of laser tag, a 4D XD motion theater, and various fun and educational zones. The zones focus on weather, light and sound, physical challenges, space discovery, imagination and art.
WonderWorks Syracuse recently launched some educational programs, including virtual learning labs and homeschool days. It also offers group rates, scouting programs, sensory days, birthday parties and corporate events.
To see a full list of COVID-19 safety measures being taken, visit the site.
For more information or to purchase tickets, visit the site.
For information on the exhibit, CNY Art: New York Youth Art Gallery, visit their website.
WonderWorks, a science-focused indoor amusement park, combines both education and entertainment into one venue. With over 100 hands-on exhibits, there is something unique and challenging for all ages. Feel the power of 71 mph hurricane-force winds in the Hurricane Shack. Make life-sized bubbles in the Bubble Lab. Get the NASA treatment and experience zero gravity in our Astronaut Training Gyro. Nail it by lying on the death-defying Bed of Nails. WonderWorks is located in Orlando, Pigeon Forge, Panama City Beach, Myrtle Beach, Syracuse and Branson. For more information, visit their website and follow on Facebook, Twitter, and Instagram.
360 Magazine is live at the NYBG KUSAMA Cosmic Nature Media Preview featuring Japanese artist Yayoi Kusama. The KUSAMA Garden and Gallery Pass include access to all of the outdoor and indoor installations (1-9), Haupt Conservatory, Everett Children’s Adventure Garden, Tram Tour, and Garden grounds. The installations include:
Pumpkins Screaming About Love Beyond Infinity
Mertz Library Building Gallery
Paintings, collages, early sketches, other works
Haupt Conservatory Galleries
Horticultural displays, tropical and desert collections
KUSAMA Garden Pass includes access to all outdoor installations (6-9), Everett Children’s Adventure Garden, and Garden grounds:
I Want to Fly to the Universe
Ascension of Polka Dots on the Trees
In addition, Infinity Mirrored Room – Illusion Inside the Heart: Exterior now on view to all ticket holders; interior access planned to begin this summer; separate timed-entry ticket required for interior access. More information is available on the NYBG website.
Garden Navigator – Explore the one million plants across NYBG’s 250 acres and find what you want to see. Visit the website for the navigation tool.
Forest Bathing: A meditative audio experience – Be fully present on this self-guided tour. Bathe your senses in the sights, smells, sounds, and sensations of the Thain Forest.
Audio Tours – Look for signs with instructions at stops throughout the Garden to learn about specific plants, gardens, and collections.
My Day At The Garden: Family Guide – Embark on an adventure with their kids and family activity guide, available at any ticket window or on the website.
Spring For Nature – 10 a.m. – 5:30 p.m. Kids of all ages can take a closer look at the wonders of plants and animals across the Everett Children’s Adventure Garden.
Bloomberg Connect App – Featuring audio tours, detailed plant images, and more; there’s something for everyone to enjoy. Free download available here.
Tickets Go on Sale to the Public on March 16, 2021, for The New York Botanical Garden’s Exclusive Presentation of KUSAMA: Cosmic Nature Featuring New Work by Celebrated Artist Yayoi Kusama
The exhibition, related programs, and accompanying publication reveal Kusama’s lifelong fascination with the natural world and its countless manifestations beginning in her childhood spent in the greenhouses and fields of her family’s seed nursery in Matsumoto, Japan. The exhibition includes works from throughout Kusama’s prolific career and multifaceted practice. By integrating seasonal horticultural displays, KUSAMA: Cosmic Nature further illuminates the power of nature that pervades the artist’s practice and dynamic body of work.
Multiple outdoor installations, including monumental sculptures of flora transform the Garden’s 250-acre landscape and the visitor experience. Her signature polka-dotted organic forms and mesmerizing paintings of plants and flowers are also represented. Recent vivid observations of nature, shown alongside earlier works that have never been publicly exhibited and those that are presented for the first time in the United States, trace Kusama’s connection to the natural world throughout her career.
Among the works created for and debuting in the exhibition are:
Dancing Pumpkin (2020), a monumental sculpture presented on the Haupt Conservatory Lawn.
I Want to Fly to the Universe (2020), a 13-foot-high biomorphic form presented in the Visitor Center; and,
Infinity Mirrored Room Illusion Inside the Heart(2020), an outdoor installation reflecting its environs.
Spectacular seasonal displays complement the artworks on view, making each visit unique as new plantings, textures, and palettes are introduced. Glorious outdoor displays of tulips and irises in spring give way to dahlias and sunflowers in summer, and masses of pumpkins and autumnal flowers in fall. In and around the Conservatory, Kusama’s plant-inspired polka-dotted sculptures are nestled among meadow grasses, bellflowers, water lilies, and other plantings. Stunning floral presentations bring to life one of Kusama’s paintings on view in the Mertz Library Building through a seasonal progression of violas, salvias, zinnias, and other colorful annuals. In fall, displays of meticulously trained kiku (Japanese for chrysanthemum), one of that country’s most heralded fall-flowering plants) will create a dramatic finale for the Conservatory displays.
KUSAMA: Cosmic Nature guest curator Mika Yoshitake, Ph.D., said, Kusama, cosmic nature is a life force that integrates the terrestrial and celestial orders of the universe from both the micro- and macrocosmic perspectives she investigates in her practice. Her explorations evoke meanings that are both personal and universal. Nature is not only a central source of inspiration, but also integral to the visceral effects of Kusama’s artistic language in which organic growth and the proliferation of life are made ever-present.
In the Garden
On the Conservatory Lawn, visitors encounter the monumental Dancing Pumpkin, a 16-foot-high bronze sculpture painted in black and yellow. Both playful and powerful, it is sited in an immersive landscape of river birches, flowering plants, grasses, and ferns. The setting is inspired by the sculpture itself and the birch forests near Kusama’s childhood home.
Visitors can marvel at the bright, purple-tentacled floral form with a vivid yellow primordial face of I Want to Fly to the Universe in the Visitor Center Reflecting Pool, and then behold Ascension of Polka Dots on the Trees (2002/2021), where soaring trees adorned in vibrant red with white polka dots pop in the landscape along Garden Way.
Narcissus Garden (1966/2021), 1,400 stainless steel spheres each nearly 12 inches in diameter, is installed in the 230-foot-long water feature of the Native Plant Garden. The reflective orbs float on the water’s surface, moved by wind and currents, each mirroring the environment around them to captivating effect.
With interior access planned to begin this summer, Kusama’s new Infinity Mirrored Room will operate per New York State and City guidelines for social distancing and visitor safety. The installation, Infinity Mirrored Room Illusion Inside the Heart (2020), responds to natural light through colored glass throughout the day and seasons. Reflecting the seasonality of NYBGߣs landscape, the exterior will be on view with the opening of the exhibition. A separate timed-entry ticket will be required for limited-capacity access.
In the Galleries
In Flower Obsession, visitors may apply coral-colored floral stickers to the furniture and household objects. Over the course of the exhibition, the accumulating stickers will transform the greenhouse. Through works like this, Kusama employs the repeating patterns and forms of flowers to represent the concepts of obliteration, infinity, and eternity.
Three galleries in the Conservatory feature a horticultural celebration of Kusama’s self-proclaimed biophilia. My Soul Blooms Forever (2019), colossal polka-dotted flowers made of stainless steel and painted in dramatic colors, greet visitors under the recently restored dome of the Palms of the World Gallery.
In the Seasonal Exhibition Galleries, the pink-and-gold mosaic Starry Pumpkin (2015) is featured in a woodland garden of foliage and flowers chosen to harmonize with the sculpture’s pink polka dots. Using Kusama’s vibrant painting Alone, Buried in a Flower Garden (2014) as inspiration, NYBG horticulturists have designed a living work of art to mimic the painting’s bold shapes and colors, with plantings changed seasonally. The patchwork of shapes in the painting reads as garden beds seen from above.
In the Conservatory Courtyard Hardy Pool, the exuberantly colored and patterned sculpture Hymn of Life Tulips (2007) depicting outsized, fiberglass flowers are positioned among water lilies and other seasonal aquatic plantings. The Courtyard also features plantings including an array of tulips in spring and colorful annuals in summer that complement the dynamic sculpture on display.
Pumpkins Screaming About Love Beyond Infinity (2017) comprises a glass cube reflecting an infinity of glowing polka-dotted pumpkins within it. The work, one of Kusama’s signature mirrored environments, is installed in the Visitor Center Gallery. Viewed from the outside, the installation changes over time as pumpkins illuminate and then fade to darkness in a meditative choreography. Kusama has said of pumpkins, My pumpkins, beloved of all the plants in the world. When I see pumpkins, I cannot efface the joy of them being my everything, nor the awe I hold them in.
On display in the Library Building, Kusama’s 1945 sketchbook reveals the 16-year-old artist’s keen eye for detail in some 50 drawings capturing the bloom cycle of tree peonies. This work is an early product of a lifelong connection with the natural world that has inspired her practice across mediums. It also portends avant-garde ideas she developed while living in New York City between 1958 and 1973, as a contemporary of Joseph Cornell, Eva Hesse, Donald Judd, and Claes Oldenburg, and continues to explore rigorously today.
The Library Building presentation also features examples of her botanical drawings, works on paper, biomorphic collages, assemblage boxes, sculptures, and paintings on canvas depicting flora and its limitless variety of patterns.
Kusama’s considerable body of performance works is represented in the Ross Gallery by a projection of Walking Piece (ca. 1966/2021), a performance in which Kusama walked the streets of New York City wearing a bright-pink floral kimono and carrying an umbrella decorated with artificial flowers. Art historians have analyzed Walking Piece as a carefully calculated representation of the artist’s ethnicity and gender, one that was intended to demand attention.
From monumental polka-dotted pumpkin sculptures to abstract paintings that resemble cells magnified thousands of times, Kusama’s works suggest the patterns that can be observed all around us. The self-guided Patterns in Nature Tour, featured on the Bloomberg Connects mobile app, examines the visible and microscopic patterns found in nature. Visitors will discover what the patterns of leaf placement, flower petals, and magnified laboratory specimens reveal about what makes species unique as well as how all living things are connected at the genomic level.
Karen Daubmann, Vice President for Exhibitions and Audience Engagement at the Garden, said, “We are delighted to mount this very special exhibition this year, having postponed it in 2020 due to the pandemic. Yayoi Kusama kindly shared a message with us. On March 6, 2021, she wrote, in part, Dancing through our universe are noble souls whose magnificent forms are saturated with mystery. I invite you to explore the endlessly expanding ode to the beauty of love that is my art. We look forward to sharing her singular vision at the nexus of art, nature, and the cosmos at the Garden site uniquely suited for this once-in-a-lifetime presentation.
Programs and Publication
KUSAMA: Cosmic Nature is accompanied by a roster of public programs for all ages, including pop-up performances by musicians, jugglers, and puppeteers; self-guided Kids Get Cosmic; activities in the Everett Children’s Adventure Garden; and more. Signature exhibition merchandise is available for purchase at NYBG Shop.
Coming in summer 2021, a fully illustrated exhibition catalogue, co-published with Rizzoli Electa, will include essays by KUSAMA: Cosmic Nature guest curator Mika Yoshitake, art historian Jenni Sorkin, curator Alexandra Munroe, and other contributors, including curators and a scientist from NYBG. The publication will focus on Kusama’s lifelong engagement with nature and the ways her interest in nature and plants has formed her career-long investigation of themes of the cosmos and the interconnectedness of all living things. Images of works displayed in The New York Botanical Garden landscape will be featured.
Since reopening July 28, 2020, the Garden has incorporated safety measures based on best practices and guidelines from health authorities and government agencies. Admission to the Garden is currently available through the advance purchase of timed tickets. Visit the website for more information.
KUSAMA: Cosmic Nature has a new, limited, timed-entry ticketing system to stagger visitors arrivals and promote social distancing. Advance purchase of timed tickets is required and will be confirmed by e-mail with the option to print or download a mobile ticket.
The following options are available:
KUSAMA Garden & Gallery Pass includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds and access to the Enid A. Haupt Conservatory, installations in the LuEsther T. Mertz Library Building and Ross Gallery, as well as interior access to Flower Obsession and Pumpkins Screaming About Love Beyond Infinity in the Visitor Center Gallery, plus the Tram Tour and Garden features including the Everett Children’s Adventure Garden and outdoor collections.
KUSAMA Garden Pass (Non-NYC Residents) includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.
KUSAMA Garden Pass (NYC Residents) includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.
A separate timed-entry ticket will be required to access the interior of Infinity Mirrored Room Illusion Inside the Heart. More information will be provided as it becomes available.
NYBG welcomes Bronx Health Care Heroes and Bronx Neighbors to KUSAMA: Cosmic Nature with complimentary tickets. Communities in the Bronx are among the most severely impacted by COVID-19 in New York City. Through these community access initiatives, the Garden seeks to acknowledge, with gratitude, the dedication, strength, and resilience of Bronx frontline health care workers and residents. Additional information about these initiatives is available at this website.
Visit NYBG for additional ticketing information and pricing and to sign up for e-mail alerts about the exhibition.
Exhibition on view April 10—October 31, 2021. Tickets available at nybg.org/kusama
http://nybg.orgAdvance, timed tickets go on sale to the public on March 16 for The New York Botanical Garden (NYBG) 2021 exhibition KUSAMA: Cosmic Nature, featuring work by internationally celebrated Japanese artist Yayoi Kusama. NYBG is the exclusive venue for KUSAMA: Cosmic Nature. On view April 10 through October 31, 2021, the exhibition will be installed across the Garden’s 250-acre landscape, in and around the Enid A. Haupt Conservatory, and in the LuEsther T. Mertz Library Building. Highlights include new works made especially for NYBG. Spectacular seasonal horticultural displays will complement the artworks and an array of programs and activities will make each visit unique. Pictured above, Hymn of Life-Tulips, 2007, will be displayed in the Conservatory Courtyard Hardy Pool.
Visit nybg.org/kusama for additional ticketing information and nybg.org for more information about NYBG’s offerings.
About The New York Botanical Garden
Founded in 1891, The New York Botanical Garden is the most comprehensive botanical garden in the world and an integral part of the cultural fabric of New York City, anchored in the Bronx. Visitors come to the Garden to connect with nature for joy, beauty, and respite, and for renowned plant-based exhibitions, music and dance, and poetry and lectures. Innovative children’s education programs promote environmental sustainability and nutrition awareness, graduate programs educate the next generation of botanists, while engaging classes inspire adults to remain lifelong learners. The 250-acre verdant landscape—which includes a 50-acre, old-growth forest—and the landmark Enid A. Haupt Conservatory support living collections of more than one million plants. Unparalleled resources are also held in the LuEsther T. Mertz Library, the world’s most important botanical and horticultural library with 11 million archival items spanning ten centuries, and William and Lynda Steere Herbarium, the largest in the Western Hemisphere with 7.8 million plant and fungal specimens. Committed to protecting the planet’s biodiversity and natural resources, Garden scientists work on-site in cutting-edge molecular labs and in areas worldwide where biodiversity is most at risk.
KUSAMA: Cosmic Nature is presented by:
Major Sponsors: Tom and Janet Montag and MetLife Foundation
Generous support provided by: Citi and Delta Air Lines
Digital experience provided by: Bloomberg Philanthropies
Additional support provided by: Arthur F. and Alice E. Adams Charitable Foundation
This project is supported in part by an award from the National Endowment for the Arts; and The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature
Exhibitions in the Enid A. Haupt Conservatory are made possible by the Estate of Enid A. Haupt.
LuESTHER T. MERTZ CHARITABLE TRUST: Providing leadership support for year-round
programming at NYBG
The New York Botanical Garden is located at 2900 Southern Boulevard, Bronx, New York 10458. For more information, visit nybg.org
The New York Botanical Garden is located on property owned in full by the City of New York, and its operation is made possible in part by public funds provided through the New York City Department of Cultural Affairs. A portion of the Garden’s general operating funds is provided by The New York City Council and The New York State Office of Parks, Recreation, and Historic Preservation. The Bronx Borough President and Bronx elected representatives in the City Council and State Legislature provide leadership funding.
Some of the world’s leading contemporary artists are invited to breathe new life into centuries-old glassmaking in Venice ― maestros of glassblowing from the legendary Berengo Studio residency help artists manifest their visions.
Among the 34 artists: Ai Weiwei, Fred Wilson, Joyce J. Scott, Jimmie Durham, Ugo Rondinone, Fiona Banner, Vik Muniz, Monica Bonvicini, Jake & Dinos Chapman, Laure Prouvost, Renate Bertlmann, Thomas Schütte, Loris Gréaud, and Erwin Wurm.
“There is every reason this year to have a world view,” says Irvin Lippman, the Boca Raton Museum of Art’s Executive Director, as South Florida boldly ushers in the new year with the national premiere of Glasstress 2021 Boca Raton.
“Three years in the making, with 2020 being such a challenging year to coordinate an international exhibition of this size and scope, the effort serves as an important reassurance that art is an essential and enduring part of humanity.”
“This is also a tribute to the resilience of Venice’s surviving the floods and continuing to make art through the pandemic,” adds Irvin Lippman.
The new exhibition runs January 27 through September 5, 2021 and the Museum will feature online initiatives for virtual viewing. Watch the video here featuring interviews with some of the artists in the new exhibition. The 34 artists in this new, never before seen edition of Glasstress were all invited by Adriano Berengo to work alongside his master glass artisans at the Berengo Studio on the island of Murano in the Venetian lagoon. Most of these works in glass have never been seen elsewhere, and were handpicked by Kathleen Goncharov, the Museum’s Senior Curator who traveled to Italy in 2019.
With incredible energy, the Studio has brought a new vision on how to stimulate today’s leading artists into thinking how the medium of glass can be made into dramatic and provocative works of contemporary art. Most of these artists have, during their careers, been invited to participate in the Venice Biennale. Some of the works were created during the pandemic lockdowns, with artists collaborating remotely via Zoom with their glass artisan partners after initial on-site work at the studio in Venice.
“Unlike the past and the present, what comes next for our world presents itself as constant possibility, always transforming as we move forward in time,” says Adriano Berengo. “This concept of transformation has always held an affinity with glass, a medium which – as the name Glasstress suggests – exists in a state of constant tension. Life needs tension, it needs energy, and a vibrant exchange of ideas.”
The exhibition presents 34 new works that explore some of today’s pressing subjects, including human rights, climate change, racial justice, gender issues and politics. The Boca Raton Museum of Art has dedicated more than 6,500 square feet of exhibition space to this collection. A fully illustrated catalogue is also available.
The mission of Glasstress is to restore the visibility and reputation of Murano glass, after decades of closures of ancient, centuries-old glass furnaces. Instead of creating decorative objects with glass, these artists are invited to create original works, often on a massive scale. They collaborate with glass masters whose expertise has been developed over generations in Venice. Most of these artists have never worked with glass, so they unite their artistic ideas with the technical expertise of their skilled collaborators.
The results are breathtaking. The first installation visitors to the Museum will encounter is Sala Longhi by Fred Wilson. He created this series at Berengo Studio after the Biennale exhibited his work about Black residents of Venice from the Renaissance to the present. This installation features an ornate white chandelier with 29 glass panels that mirror 18th-century Venetian artist Pietro Longhi’s paintings. Instead of canvases, Wilson shows the viewer only the whites of the eyes of his Black subjects through cutouts in black reflective glass.
“We have brought Glasstress to countries around the world for ten years, seeking to expand and enliven international awareness of the variety and richness of contemporary artists using glass in their creative practices,” adds Adriano Berengo. “In the past, its place in the art world might have seemed uncertain. But now in this latest edition of Glasstress, the first after a global pandemic, one thing we know for certain: glass endures. Life is fragile, just as glass is fragile, yet in this fragility there is also strength.”
“It is in this spirit of experimentation that Glasstress Boca Raton 2021 explores the limitless potential of glassblowing. “We realize how far we have come as we approach the 60th anniversary of the American studio glass movement that launched in 1962 through the efforts of Harvey Littleton and Dominick Labino,” adds Irvin Lippman. “This presentation of Glasstress is also a tribute to them.”
This show also unveils the Museum’s new acquisition for its collection, created in the Berengo Studio – Glass Big Brother, a sculpture by Song Dong, one of contemporary Chinese art’s leading figures. The large-scale ceiling installation is 11 feet long and reaches all the way to the floor. Thirty surveillance cameras are ensconced from top to bottom, looking out at all directions around the chandelier.
The installation Rosemarie’s Divorce, by Renate Bertlmann, unites aspects from Rosemarie’s Baby (1983), her multi-part installation about the ambivalent relationship between mother and child, and Discordo Ergo Sum, a field of knife-roses she exhibited at the Venice Biennale in 2019. The monstrously enlarged glass pacifier is an image she has used since the mid-1970s referencing sexuality and motherhood. It is flanked by two knife-roses made of deep black glass.
The Italian artist Monica Bonvicini’s deeply psychological work addresses themes of sexuality, power, and relationships in male-oriented domains. Her visits to sadomasochist nightclubs with Gay male friends are the inspiration for Bonded. She won the prestigious Golden Lion award at the 1999 Venice Biennale. DNA HAS NO COLOR is a new statement from Nancy Burson that is a powerful work about the illegitimacy of racism. This is a continuation of the project that Zaha Hadid commissioned Burson to develop for the London Millennium Dome. Burson is known for biology-related work, including her use of cutting edge facial morphing technology for art that shows what individuals would look like as a different race.
The Pandemic Oculus, (2020), by Tim Tate, whose work explores the worlds of loss, memory, recovery, and hope. As an HIV-positive man, he lived through the worst of the AIDS epidemic during the 1980s and 1990s, and now through the current pandemic. In the Museum’s exhibition catalogue, the artist states that Pandemic Oculus also honors the many unsung heroes around the world: nurses, teachers, essential employees, grandparents caring for children so that parents can work, and so many more. Tate is the co-founder of the Washington Glass Studio in Washington, DC. He is also the co-moderator, along with William Warmus, of the 21st Century Glass group on Facebook, which has shared and discussed over 10,000 images of sculptural glass from around the world.
Erwin Wurm’s wry sense of humor permeates his most famous works and has served him well in creating a poignant cultural commentary throughout his career. Wurm produced this triad in cold hard glass at the Berengo Studio. They are smaller versions of the massive bronze sculpture of a hot water bottle with legs, Big Mutter, that he created for the Venice Biennale in 2020. In the exhibition catalogue, the show’s curator Kathleen Goncharov describes these “mothers” as neither warm nor comforting . . . their stubby little legs imply flight when called upon to be caregivers.
At the Berengo Studio, Jimmie Durham created a series of eight giant cougar heads suspended on metal armatures. Caught in suspension as they gaze at one another, their collective roar remains frozen between them. The cougar is one of the most sacred animals in Cherokee mythology, and the influence of Native-American culture vs. Western rationalism is evident in his work. The artist’s long trajectory includes his work during the civil rights movement and as a political organizer for the American Indian Movement. In 2019, Durham was the recipient of the GoldenLion for Lifetime Achievement award at the 58th Venice Biennale.
In the Museum’s exhibition catalogue, curator Kathleen Goncharov describes Prune Nourry as no stranger to illness . . . her work always dealing with science and bioethics from a feminist perspective, a focus that has intensified since her breast cancer diagnosis in 2018. At the Berengo Studio, she created River Woman, a transparent skeletal sculpture based on an anatomical drawing of the human vascular system. While its form may be human, the arteries resemble rivers, streams and trees that suffer in their own way too, from human abuse rather than disease.
Ugo Rondinone represented his home country in the Swiss Pavilion at the 52nd Venice Biennale (2007). In this work, the twelve glass horses cast in beautiful shades of blue all face different directions, creating delicate light games with their reflections and shadows in continuous motion. In the context of this installation, the reappearing motif of a horse (which has a long tradition in the history of art), evokes alienation and a subversive twist emblematic of Rondinone’s works.
Chris Wink, co-founder of Blue Man Group, announces the opening of “Wink World: Portals Into The Infinite” at AREA15. The attraction opens to the public today, Jan. 7, 2021.
This horizon-expanding, first-of-its-kind immersive art experience represents Wink’s most ambitious art and entertainment project since departing Blue Man Group in 2017. Drawing upon his well-honed skills as an experience designer, a music composer and overall purveyor of high-impact visual entertainment, the 1,500-square-foot experience takes the entertaining fusion of whimsy, color, art, technology and music he pioneered with Blue Man Group to the next level.
Wink World comprises a series of six infinity-mirror rooms, each one showcasing a stunning production number drawing upon Wink’s love of black light and other dazzling stage effects designed to evoke “life force” and inspire wonder. Wink’s penchant for transforming everyday objects into art or entertainment provides his delightful brand of dynamism to the experience, as ceiling fans transform into kinetic art and children’s toys like Slinkies and Hoberman Spheres become elevated into a chorus line of dancers and entertainers.
“Wink World will be a manifestation of my lifelong fascination with the transcendent power of the playful interaction of light, color and music,” said Wink. “I’m delighted to introduce everyone to this brand-new, multisensory art and entertainment concept.”
Tickets to enter “Wink World: Portals Into The Infinite” are $18 for adults, $13.50 for children. Locals with Nevada ID pay $14.50 for adults and $11 for children. Discounts are also available for seniors and members of the military. All prices include ChromaDepth 3-D glasses.
For more information about Wink World, click here or follow on Facebook and Instagram @WinkWorldOfficial.
ABOUT CHRIS WINK
Chris Wink is famously known for being the co-founding performer, writer, director and composer of Blue Man Group, the ground-breaking show combining theatrics, art, music and technology to create a wildly interactive, percussion-driven multi-media experience. He is an award-winning writer and performer, Grammy-nominated composer and a frequent public speaker on the subject of creativity. Wink is currently the director of content and cool s**t for AREA15 and brings a unique brand of creativity and decades of industry experience to numerous experiential activations. In his position, he serves as a global ambassador for the brand.
AREA15, located minutes from the Las Vegas Strip, is the world’s first purpose-built experiential entertainment complex offering live events, immersive activations, monumental art installations, extraordinary design elements, unique retail, ground-breaking technology, bars and eateries and much more. With a growing collection of dynamic destinations including Dueling Axes, Emporium, Lost Spirits Distillery, Oddwood Bar, Wink World, Museum Fiasco, Rocket Fizz, Five Iron Golf, The Beast, a culinary experience by Todd English, and anchor experience, Meow Wolf’s Omega Mart, AREA15 is an ever-changing art, retail and entertainment destination attracting locals and tourists of all ages.
AREA15 represents a collaborative venture between real estate development firm Fisher Brothers and creative agency Beneville Studios, both of New York.
PUBLIC HEALTH NOTICE
AREA15 will follow the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 will be using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met.
The Guggenheim Museum Bilbao presents José Manuel Ballester [2020/03/15], which will be open to the public over the next three months. The project consists of a series of photographs taken by the artist around the deserted streets of locked-down Bilbao last spring, exhibited alongside About the Guernica, 2009/2020 by Ballester, an emptied-out version of Picasso’s painting that conveys a contemporary perspective on the historical event and human tragedy.
This project as a whole offers a reflection on the consequences of serious events such as wars or pandemics. Thus, the dialogue between the ‘emptied out’ Guernica and the photographs of the apparently uninhabited city presents the viewer with an interesting and open reflection.
This project bears witness to the period of lockdown through a selection of large-scale photographs that reflect the deserted streets and spaces of Bilbao such as La Salve Bridge, Elcano, the Metro and Calle Bailén, casting an almost unreal image that could represent the current situation anywhere in the world.
In the words of Ballester, “The human absence on the streets created unusual images of totally empty roads, avenues, and squares, but the most disturbing part was knowing that all the inhabitants were there, that they were just a few meters from me, protected within the walls of their homes. Despite being so close, silence reigned supreme.”
This portrait of the uninhabited city has many parallels with the artistic vision José Manuel Ballester has been developing for years through his impressive series of works called Hidden Spaces, in which he reinterprets key paintings in the history of art devoid of their characters, giving them a new artistic and human sense.
About the Guernica is a photographic reproduction printed on linen, the same size as Picasso’s original canvas, digitally treated to empty the space of all its human characters. Thus, the architectural interior, with its interplay of light and shadow, remains a silent witness to the bombing of Gernika in 1937. Ballester shifts Picasso’s chosen time sequence to a later time, in which all of the protagonists have disappeared, but in which, in the artist’s words, “the signs of the inhuman remain, as do the flames of the fire that still burns, like the flower that blossoms from the sword”.
The experience provided within the museum itself is complemented by a digital project that develops the concept of emptiness so strongly present in Ballester’s work, accessible from the Museum’s website. In addition, a book has been published that includes the series of twenty photographs taken by the artist in the streets of Bilbao alongside his reinterpretation of Picasso’s work, with comments by Carlos del Amor.
A Collaborative Project
This project is presented to the public in a time of restrictions. After the lockdown and the Museum’s temporary closure last spring, current mobility constraints and economic difficulties make it hard for initiatives to move forward. It is in these challenging times when collaborations and the sum of efforts acquire new value, working together to make a project became a reality.
[2020/03/15] José Manuel Ballester would have been impossible without the generous collaboration of three companies: Estudios Durero has been responsible for the production of the large-scale photographic reproductions with special high-quality printing solutions, in addition to the creation and publication of a homonymous book; Giroa-Veolia has carried out the installation and lighting of the works in the special context that we are going through, and LIN3S has developed the digital experience that, for the first time in the Museum, shows in an innovative way not only the pieces presented in the Museum space but also some others by the artist that complete his project for the Guggenheim Museum Bilbao.
Hidden Spaces in the Museum Collection
José Manuel Ballester’s intervention on Guernica and on the other works included in the Hidden Spaces series is, in his own words “an attempt to bring into the present moment the events that motivated the creation of these works and to equate them with the current conflicts that exist in the world. These are events that scandalize and move us, but, at the same time, they fade away in our consciousness when they are far away.”
“When you strip paintings of their characters, you’re faced with a desolate, absurd landscape that brings out the horror in the wake of human savagery,” said Ballester.
Three works by José Manuel Ballester belonging to the Hidden Spaces series are present in the Guggenheim Museum Bilbao Collection: The Third of May (2008), The Royal Palace (2009) and The Raft of the Medusa(2010). These works are reinterpretations, respectively, of The 3rd of May 1808 (1814) by Francisco de Goya, Las Meninas (1656) by Diego Velázquez, and The Raft of the Medusa (1818–19) by Théodore Géricault.
RELATED ACTIVITIES Session of bertsosHustuari Hitzak (Words about Emptying Out)
Renowned bertsolaris Andoni Egaña and Maialen Lujanbio will offer a session of bertsos from the Museum gallery that houses the work About the Guernica and José Manuel Ballester’s images of uninhabited spaces. This session will be accessible via streaming.
A Conversation- January 14
Artist José Manuel Ballester, curator Petra Joos, and journalist Carlos del Amor will discuss the most relevant aspects of this unique project in a talk that can be followed both in person at the Museum Auditorium and via streaming. The experience can be found here.
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