Posts tagged with "San Francisco"

Chloe Moriondo illustration by Heather Skovlund (photo credit: Jimmy Fontaine) for 360 Magazine

Chloe Moriondo × Blood Bunny

CHLOE MORIONDO DEBUTS NEW ALBUM BLOOD BUNNY RECORD CROWNED AS NEW YORK TIMES CRITIC’S PICK

BODYBAG OFFICIAL MUSIC VIDEO STREAMING NOW

NORTH AMERICAN FALL HEADLINE TOUR ON-SALE TODAY DATES KICK OFF SEPTEMBER 30TH IN CLEVELAND, OH

CHLOE MORIONDO BODYBAG OFFICIAL MUSIC VIDEO

18-year-old artist Chloe Moriondo has shared her major-label debut album Blood Bunny. The release is accompanied by an official video for track Bodybag, which is streaming now on Moriondo’s official YouTube channelBlood Bunny is available now on all streaming platforms via Public Consumption Recording Co./Fueled By Ramen.

In celebration of the record, Chloe Moriondo will embark on a fall headline tour, kicking off September 30th in Columbus, Ohio. The trek will make stops at The Roxy in Los Angeles, CA and New York City’s Bowery Ballroom before wrapping up with a home-state performance at El Club in Detroit, MI (tour itinerary attached). General on-sale begins today at 12pm local time. For up-to-date ticketing information, please visit the Chloe Moriondo website.

The New York Timescrowned the 13-track Blood Bunny a Critic’s Pick, and exclaimed On the robust and vividly plain-spoken ‘Blood Bunny,’ Moriondo is a pop-punk whiz, deftly hopping between musical approaches from spare to lushly produced, and emphasizing intimate, cut-to-the-bone lyrics. The Line of Best Fit hailed the record as Moriondo’s boldest, brightest and most ambitious project to date, while Dork Magazine raved, it’s obvious that [Blood Bunny] is a big deal in a five-star review. FLOOD Magazine praised the record’s intricate production blending cozy pop and rock riffs and UPROXX declared, Blood Bunny is a departure from the sound on Moriondo’s previous work, employing a full band to create alternative rock songs that sound absolutely massive with excellent songwriting.

Blood Bunny was heralded by the release of April single I Eat Boys, a deceptively breezy track inspired by the queer cult classic film Jennifer’s Body, twisting an instance of street harassment into a cannibalistic daydream. In addition to Éc;I Eat Boys,Éd; the albumfeatures previously released singles Manta Rays, GIRL ON TV, and I Want To Be With You, the latter of which was lauded by The New York Times as acutely observed bedroom pop served with a side of arena-emo triumph. Recently labeled one of 2021’s Artists To Watch by PEOPLE and NME, Chloe has racked up praise from BillboardUPROXXRefinery29them., E!, and more. The artist has also become a sought-after collaborator, recently appearing as a featured artist on tracks with Frances Forever, mxmtoon and Ricky Montgomery.

At age eighteen, Chloe Moriondo professes to be an internet kid, yet she tackles overwhelming infatuation, listless daydreams, and first love with keen empathy that’s unsearchable online. With her relatable, confessional lyrics and idiosyncratic humor, the singer-songwriter has built a devoted fanbase of millions, sharing her authentic self to create a genuine connection with her listeners.

CHLOE MORIONDO 2021 HEADLINE TOUR DATES

Thu, SEP 30 Mahalls Cleveland, OH

Fri, OCT 1 Bottom Lounge Chicago, IL

Sat, OCT 2 7th Street Entry Minneapolis, MN

Tue, OCT 5 Lost Lake Lounge Denver, CO

Thu, OCT 7 Kilby Court Salt Lake City, UT

Sat, OCT 9 Holocene Portland, OR

Sun, OCT 10 The Vera Project Seattle, WA

Tue, OCT 12 Rickshaw Stop San Francisco, CA

Thu, OCT 14 The Roxy Theatre Los Angeles, CA

Sat, OCT 16 House of Blues San Diego San Diego, CA

Sun, OCT 17 The Rebel Lounge Phoenix, AZ

Fri, NOV 12 Antone’s Austin, TX

Sat, NOV 13 The Secret Group Houston, TX

Sun, NOV 14 Dada Dallas Dallas, TX

Tue, NOV 16 The Basement East Nashville, TN

BLOOD BUNNY Tracklisting:

Rly Don’t Care

I Eat Boys

Manta Rays

GIRL ON TV

I Want To Be With You

Slacker

Take Your Time

Bodybag

Favorite Band

Samantha

Strawberry Blonde

Vapor

What If It Doesn’t End Well

Art by Heather Skovlund for use by 360 Magazine

AIDS Walk Virtual Event

Six Cities Will Join AIDS Walks Across America For “AIDS Walk: Live at Home”, A Blockbuster Television and Streaming Event, May 16

We are excited to share that AIDS Walk: Live at Home will be returning on May 16 for it’s annual blockbuster event. As the world’s largest and most visible HIV/AIDS fundraising event raising over $155 million in its 35 years – the 2021 virtual event will continue to fundraise for vital services for people most vulnerable to HIV and COVID-19. This year marks the largest event yet with six cities including New York, Milwaukee, San Francisco, Austin, New Orleans and Seattle all participating.

GMHC of New York, NY, and Vivent Health of Milwaukee, WI, announced that they will be collaborating with Austin, New Orleans, San Francisco, and Seattle in addition to New York and Milwaukee for this year’s star studded event. The televised and streaming of AIDS Walk: Live at Home, will be bigger than last year’s virtual event, with the culmination of the fundraising efforts of six AIDS Walk events which encompass all corners of the nation. Funds raised will principally benefit GMHC, Vivent Health, CrescentCare, AIDS Walk San Francisco Foundation, Lifelong, as well as supporting dozens of other AIDS organizations.

“As we mark the fortieth year of AIDS in America, we are inspired by the coming together of AIDS Walks from all across the United States. The local community partners and I are so very excited to continue to work alongside these outstanding participating organizations. Together, we will continue to fight as one for an end to the AIDS epidemic,” said Craig R. Miller,  the founder of the original AIDS Walks in the US, on behalf of the groups benefiting from this year’s event.

AIDS Walk: Live at Home will also feature performances and appearances by a select list of talent, who themselves have a history of association with HIV/AIDS charities, including: Tony, Emmy and Grammy Award winning trailblazer, Billy Porter; Tony and Grammy Award winning actress Heather Headley; Oscar, Tony, Grammy and Emmy Award winning legend, Rita Moreno; actor, singer, writer, producer, director and activist Tony Goldwyn; singer and actress Liz Callaway; actor and singer Alex Newell; Golden Globe and Oscar nominated, choreographer and community activist Rosie Perez; actor, designer and host Carson Kressley; actor, author and activist George Takei; and the stars from the Emmy award winning “RuPaul’s Drag Race”. 

With live segments planned, including “Viewing Parties” from New York’s iconic Central Park Boathouse and the National AIDS Memorial Grove in San Francisco’s Golden Gate Park, AIDS Walk: Live at Home will be broadcast on ABC7/KGO-TV in the Bay Area and streamed live on CBSN and AIDSWalk.net.

“AIDS Walk: Live at Home will reflect the strength and individual character of all six landmark events and the communities that embrace them year after year,” said Kelsey Louie, CEO of GMHC, Isaac Rodriguez of the AIDS Walk San Francisco Foundation, and Craig R. Miller, Founder of the AIDS Walks in New York and San Francisco among other cities.

“Vivent Health is pleased to join with the nation’s most visible HIV/AIDS fundraising events,” said Michael Gifford, President and CEO at Vivent Health. “Through partnership with AIDS Walk Wisconsin and AIDS Walk Austin – both part of the Vivent Health family – we will connect with other cities in our shared goal to end HIV/AIDS.”

“In Washington State and around the country, we continue to see Black, Latinx and Indigenous communities disproportionately impacted by new HIV cases,” said Claire Neal, Lifelong CEO. “We are excited to work hand-in-hand with like-minded organizations throughout the nation collaborating on AIDS Walk: Live at Home.”

“This is a brilliant opportunity for us to participate in a wide-scale effort that brings attention to the HIV crisis that still looms in this country,” said Noel Twilbeck, CEO of CrescentCare in New Orleans. “Together, our voices will be heard as one. HIV eradication is within our grasp.”  

“As our nation’s only federally-designated memorial to AIDS and as stewards of the AIDS Quilt, we are honored to host this virtual Live at Home event in our beloved National AIDS Memorial Grove with the backdrop of Quilt displays to serve as inspiration and hope to all the walkers and their sponsors.”   said John Cunningham, the Memorial’s Executive Director.

“The AIDS Walk events in each of the participating cities have their own unique characteristics. But the clients we serve all face very similar challenges. It makes sense for us to come together as one community and to unite some of the nation’s most powerful and effective AIDS fundraisers from all regions of the country.” said Louie. 

“In doing this work, we have been brought together by one pandemic even as we continue to fight another. The public’s recent revelations about racism, bias and hate in America are in fact at the heart of what AIDS Walks have been working to expose, confront and change for decades.” said Miller. “We have long stood, walked and marched to oppose the racist, sexist, homophobic and transphobic disparities that persist in America and throughout our healthcare and criminal justice systems. Protecting people who have been singled out, harassed, scapegoated and underserved is what we do. It is our legacy and it remains our commitment.”  

Art in the Garden illustration by Heather Skovlund for 360 Magazine

Calling All Art-Fanatics!

Calling All Art-Fanatics: 18 Exciting Art Happenings Across the Country

Destinations News:

California

  • Presidio “My Park Moment” Photo Contest: The Presidio in San Francisco has launched “My Park Moment” photo contest, where the public can submit a photo of their favorite park memory through May 28—a family picnic, a camping trip, their last hike in the Presidio or anything else they love to do in their favorite park. This fall, approximately 400 photos will be selected for a free and family-friendly outdoor photo show at the future home of the Presidio Tunnel Tops. Debuting in spring 2022, the Presidio Tunnel Tops project, comprising 14 acres of new national park land—will be an iconic “must see” San Francisco destination. 
  • LACMA Partners with Snapchat: Los Angeles County Museum of Art (LACMA) and Snapchat recently debuted the “Monumental Perspectives” experience, which brings together artists and technologists to create virtual monuments that explore some of the histories of local communities in an effort to highlight perspectives from across the region. Visitors can experience the augmented reality monuments online or at site-specific locations across Los Angeles including LACMA’s Wilshire Boulevard campus, Los Angeles Memorial Coliseum and more. 
  • Napa Wrap Art and Art Walk: Napa Wrap Art is a new outdoor public art project debuting this spring, featuring transformed utility boxes into works of art around Downtown Napa. Thirteen regional artists were selected to create diverse designs that provide an opportunity to turn ordinary objects into something special that both locals and visitors can enjoy. Later this summer, Downtown Napa will welcome a new rotation of the Napa Art Walk sculptures – a true outdoor treasure hunt for art that is a perfect activity for kids of all ages. 
  • Desert X: The third installment of the internationally acclaimed biennial desert art exhibition returned in 2021 through May 16. The 2021 Desert X artist lineup includes a diverse group of 13 artists ranging from locals like Kim Stringfellow to international representatives like Zahrah Alghamdi. Visitors can explore new outdoor art installations across the desert region for an exciting socially distant experience.

Texas

  • San Antonio’s McNay Art Museum just opened Limitless! Five Women Reshape Contemporary Art, which includes an ever-popular infinity mirror room installation. San Antonio Museum of Art opened No Ocean Between Us, featuring art from Latin American artists of Asian descent, while the Briscoe Western Art Museum will open Still in the Saddle: A New History of the Hollywood Western in time for Memorial Day Weekend.
  • Designed by Steven Holl Architects, the Nancy and Rich Kinder Building at the Houston Museum of Fine Arts completes a decade-long campus redevelopment project. Opened to the public in late 2020, the building finishes a trio of spaces that make up one of the largest art museums in the country. On the first floor is a black-box gallery dedicated to immersive installations. Second-floor galleries highlight photography, decorative arts, prints and drawings, and the top floor features thematic exhibitions on art from the 1960s onward. Additionally, the space features a 215-seat theater and a fine dining restaurant. 
  • The Dallas Museum of Art recently unveiled Cubism in Color: The Still Lifes of Juan Gris, the first US exhibition in over 35 years dedicated to the Spanish artist Juan Gris, this exhibition reconsiders the legacy of this important yet underappreciated modernist master. Co-organized by the Dallas Museum of Art and the Baltimore Museum of Art, Cubism in Color: The Still Lifes of Juan Gris highlights the artist’s pioneering and revolutionary contributions to the Cubist movement by focusing on his fascination with subjects drawn from everyday life.

Rapid City, South Dakota

  • “Legends in Light” Laser Show at Crazy Horse Memorial – Beginning Memorial Day weekend and occurring nightly through Labor Day, the “Legends in Light” laser show at Crazy Horse Memorial turns the carved mountainside into a 500-foot remarkable display. Each night at 9:30 p.m., viewers can take in the story and rich heritage of Native Americans.The show presents colorful animations and features music with choreographed lasers and sound effects.  
  • Gift From Mother Earth Art Show – Every June, Crazy Horse Memorial hosts The Gift From Mother Earth Art Show – an exhibition that celebrates a blend of arts and crafts that represent Native American cultures and the New West. From Friday June 18th – Sunday June 20th, artists of custom-made clothing, jewelry and other similar items will showcase their pieces starting at 8 a.m. each day. 
  • Native POP: People of the Plains – Featuring original Native work by established and emerging Native American Artists, Native POP is a one-day fine art show located in Main Street Square in downtown Rapid City. This cultural celebration will take place on Tuesday, July 20 from 9:00 a.m. to 8 pm. and will feature Native culture bearers sharing their Native knowledge and artistry. Visitors to Rapid City can also experience Native American art, culture and history at Prairie Edge or Journey Museum and open-air murals painted by local artists at Art Alley throughout the summer. 

St. Pete/Clearwater, Florida

From museums devoted to big-name artists to incredible street murals adorning the buildings around St. Pete’s Central Avenue, art—and the cultures it celebrates—is all around in St. Pete/Clearwater. Spring/Summer 2021 is an exciting season for St. Pete art, with new exhibitions, venues, and events to explore. 

  • From Margins to Mainstays at Museum of Fine Arts St. Pete – This exhibition, on display April 24 – September 26, features masterworks from MFA’s photography collection that were made by artists whose careers and personal lives were sidelined, ignored, or impacted by their gender, race, sexuality, or nationality. From Margins to Mainstays illustrates how the canon of photography has changed since the medium first began being shown in museums in the 1940s, with particular emphasis on rectifying the small percentage of women and artists of color historically acquired by and displayed in public collections. The exhibition includes works by Berenice Abbott, Lotte Jacobi, Carrie Mae Weems, Lee Miller, Cornelius Marion Battey, James Van Der Zee, and Manuel Álvarez Bravo.
  • Fairgrounds St. Pete at The Factory – Art enthusiasts will fall in love with The Factory, an 8-warehouse St. Pete arts center spread over 6.5 acres in the heart of the Warehouse Arts District. Fairgrounds St. Pete, opening Spring 2021 at The Factory, is a 15,000 square foot artist-made environment. Fairgrounds functions as an immersive, choose-your-own-adventure experience where visitors are invited to explore a world of playful art and technology exhibits that highlight weird, wacky, and wonderful Florida. The inaugural installation gives 60+ local and nationally recognized artists a platform to showcase their work and experiment with the unexpected. Fairgrounds aims to compensate artists fairly for their contributions by paying not only for their work, but also a portion of the profits from ticket sales while their work is on view. Through exhibits, events, workshops, and creative education programs, Fairgrounds will be a leader for arts innovation and an economic engine for local artists and craftspeople.

Hotel/Attraction News:

Estancia La Jolla Hotel & Spa

Kicking off in May, Estancia La Jolla Hotel & Spa has partnered with local artists and galleries to create the “Art in the Garden” exhibit. The gallery spread out across the property’s 10 acres of gardens will be open to both guests and the local community, free of charge, and Estancia will be providing a guided art brochure that showcases the various pieces and maps them out across the property. Art pieces including murals, statues and galleries have been created and provided by locals including Channin Fulton, Stefanie Bales, Billy Pease, Thomas J. Galleries and more.

New Orleans – The National WWII Museum

The National WWII Museum’s newest special exhibit “SOLDIER | ARTIST: Trench Art in World War II” explores the unique military pastime of creating art, souvenirs and tools out of the discarded materials and waste of war. Featuring more than 150 artifacts, many of which have never been exhibited, the collection also includes a background on the creators, providing a rare glimpse into the circumstances of war and the ingenuity and resourcefulness of servicemembers in the field. Such items range from souvenirs, such as ashtrays and jewelry made by servicemembers for their loved ones at home, to forbidden items like radios and musical instruments made by prisoners of war. The exhibition will be open to the public through January 2, 2022.

Daxton Hotel – Birmingham, Michigan

Daxton Hotel has opened its doors in the affluent community of Birmingham, a city 30 minutes north of Detroit. The hotel features a minimalist-luxe design with more than 400 original pieces of cutting-edge art curated from around the world by renowned  Saatchi Art. The incredible collection of mixed media brings whimsical and energetic flair throughout as vibrant colors flood spaces throughout the hotel, featuring a chartreuse lobby, deep-burgundy guest rooms and lavender parlors, an ideal composition juxtaposed with the art collection, avant-garde architectural lighting and furniture in bold shapes. Daxton Hotel brings a blend of provocative yet sophisticated style, offering artistic freedom of expression throughout the use of light rays, shadows and reflections creating an ethereal mood. The hotel offers a Beauty + Bubbles event, where visitors get an intimate tour of the public art collection curated by Saatchi Art on the first Friday of every month. The tour features work from 160 artists representing nearly 40 countries. The artwork crosses multiple mediums including painting, photography, collage, drawing and sculpture of some of the best international, national and regional artists.

The MC Hotel – Montclair, NJ

Located just 45 minutes outside of NYC, the 159 room MC Hotel is at the intersection of culture and community in the heart of Montclair’s thriving artistic community. With art curated from established and up-and-coming artists in every room, the hotel is part art gallery, part meeting place. Currently on display are pieces from painters Ryan Chin and Siona Benjamin-Kruge as well as mixed-media artist Basia Goszczynska to name a few. At guest check-in travelers will be met by a sculpture of a flower from Karen Kimmel that stretches across two walls. The sculpture features textiles that were meticulously hand-punched then painted onsite. On the lobby wall of the bar guests will see a sculpture from Goszczynska which is made from salvaged oyster farming bags, marine rope and steel wire. He also continues this unique interpretation of upcycling to shelves of the bar which displays Rainbow Collections, a piece featuring crowdsourced microplastics and salvaged baby food jars.

Crossroads Hotel – Kansas City, MO

With 2,000 square foot dedicated to public art, local artists and artists with historic ties to Kansas City, Crossroads is not just community-driven but art-driven. The gallery program is a thoughtful effort to reflect and contribute to the surrounding art district. Exhibitions, artist commissions, performances and unexpected artist-driven experiences intimately connect visitors to the creative scene thriving in the area. Along with the public gallery and local creative contributions to the interiors, amenities and delicacies, Crossroads is thrilled to support an artist in residence program. Curated by Hesse McGraw (director at Contemporary Arts Museum Houston) and Kansas City’s el dorado inc., the hotel’s architecture firm, the program provides another meaningful way for Crossroads to contribute to and support the artistic, social and cultural flourishing happening in the city. Current artist in residence Nick Miller is showcasing Wild Stallion, is a sculptural installation representing unseen and unstoppable algorithmic forces of technological innovation done with duct tape. Previous exhibits have come from Peggy Noland whose car makeovers are nothing short legendary and Glyneisha Johnson whose Watering Place paidhomage to the plants as a source of refuge for Black, Brown and Indigenous people.

Hewing HotelMinneapolis, MN

Since opening its doors in 2016 the 124-room luxury lifestyle Hewing Hotel has provided an unmistakable all-Minnesotan experience in the bustling North Loop neighborhood of Minneapolis. The former farm implements showroom and warehouse built in 1897 has been reborn as a cultural center for the community retaining its original brick and timber rustic charm. Immersing guests in Minneapolis, the hotel offers unique experiences with Minnesotan flair such as a monthly music series, Alley KAT! Perkins Pop Up Concert in the adjacent alley with season 6 The Voice semi-finalist Kat Perkins. The visual art of the area is on display through regularly rotating installations of local artists. The current collection includes works from Minneapolis-based artists Roko and Toni Gallo reflecting the beauty and talent within the area.

Kaelen Felix illustrates motorcycle article for 360 magazine

5 Vital Things to Do After a San Francisco Motorcycle Accident

According to the National Highway Traffic Safety Administration (NHTSA), 4,985 motorcyclists passed away in motor vehicle accidents in 2018. This statistic sounds scary, but not all crashes are fatal accidents.

Riding a motorcycle is a thrilling experience, and part of that thrill is the perceived danger. You can enjoy the ride more when you’re prepared.

Keep these tips in mind, so you know what to do when involved in a San Francisco motorcycle accident.

  1. Safety First

Before you or anyone else does anything, you should make sure that everyone is safe. If possible, remove yourself from the road and the path of traffic. This helps prevent further danger and accidents.

If your motorcycle and other vehicles are moveable, get them off the road too. Don’t leave the scene of the accident, but take them out of the path of traffic.

  1. Don’t Remove Your Gear

After an accident, you and your body can go into shock. Adrenaline starts pumping through your body and prevents you from feeling any pain. Because of this, you won’t be aware of the injuries you may have suffered.

Do not remove your protective gear. This can make injuries worse. The paramedics that arrive at the scene will help you remove the gear and administer immediate medical care.

  1. Call the Authorities

Call 911 and alert the authorities so that a police officer can come out and make an official report. This will make submitting an insurance claim easier. It’ll also ensure that both parties obtain the correct insurance information from everyone involved.

If there are injuries, paramedics will also come to the scene. This will ensure anyone who’s injured gets the medical care that they require.

  1. Gather Evidence

Take pictures of everything and gather as much evidence as you can while at the accident scene. Motorcycles tend to get the automatic blame for accidents. Having evidence of the vehicle damage, current weather conditions, and the accident location will help you make your case later.

Obtain a copy of the police report. This is the official documentation of the accident, and the insurance companies will require it.

  1. Contact an Attorney

After the accident, reach out to an attorney. Some car accident and personal injury attorneys, like Sweet Lawyers, specialize in motorcycle accidents. They can advise you of your rights and help you make a claim to the insurance company.

The insurance company will make an initial offer, but it’s often the lowest amount possible. Hiring an attorney as soon as possible means you have an experienced representative on your side looking out for your best interests. Let the lawyer negotiate with the insurance company for you.

Be Prepared For a San Francisco Motorcycle Accident

You drive as safely as possible and practice defensive driving on your morning commute. However, you can’t totally prevent an accident from happening. Should you become involved in a San Francisco motorcycle accident, these five tips will help you stay prepared.

Check out our other articles that can give you more advice and guidance on handling all of life’s situations.

Marijuana illustration by Heather Skovlund for 360 Magazine

The Best Cities to Get Stoned

It’s been a busy year so far for the cannabis industry: In recent weeks, New York, Virginia, and New Jersey legalized recreational marijuana for adults — with four other states, and even the federal government, possibly joining soon.

In light of these rapid changes — and 4/20 around the corner — the most important question to ask right now is: Which of America’s weed meccas promise to enhance your cannabis experience?

LawnStarter ranked 2021’s Best Cities to Get Stoned by comparing 94 U.S. cities (where recreational marijuana is currently legal) based on 12 key indicators of a smoking good time. Among them: The volume of Google searches for “marijuana” and “weed,” access to dispensaries and head shops, and availability of 420-friendly lodging and smoking lounges.

Check out the top 20 stoner cities below, followed by some highlights and lowlights from Lawnstarter’s report.

Best Cities to Get Stoned

1 Denver, CO

2 Los Angeles, CA

3 San Francisco, CA

4 Fullerton, CA

5 Garden Grove, CA

6 Glendale, CA

7 Colorado Springs, CO

8 Boston, MA

9 Portland, OR

10 Las Vegas, NV

11 Orange, CA

12 Detroit, MI

13 Torrance, CA

14 Santa Ana, CA

15 Pasadena, CA

16 Huntington Beach, CA

17 Anaheim, CA

18 Lakewood, CO

19 Ontario, CA

20 Worcester, MA

Highlights and Lowlights

Denver: The Mile High City 

Denver takes the weed cake in our ranking as America’s pot capital. With Colorado leading the nation’s recreational cannabis reform movement in 2012, it’s safe to say being a first mover really has its advantages.

Denver dominates the social environment category, with more 420-friendly lodging establishments and social consumption lounges. Where Denver falls short: the number of dispensaries and head shops and Google search popularity.

Colorado Springs and Lakewood also finished on a high note, at Nos. 7 and 18 overall, respectively. Only Fort Collins, in 63rd place, didn’t fare as well.

California: The State of High

Five Golden State cities landed in the top 10, a dozen in the top 20, and 20 in the top 30, and … you get the point: California is the “it” place for stoners, with the Los Angeles metro sweeping the popularity and supply access categories.

Among the top 10 overall are Fullerton, Garden Grove, and Glendale — all earning the highest grades in popularity and supply access — plus San Francisco at No. 3.

While no California city won every single metric, chances are you can find anything and everything cannabis-related in the state. It is, after all, the true reform pioneer: The state was first to legalize medical marijuana, in 1996.

Doobie Newbies

Cities in the newest states to join the league of fun-weed states — Arizona, Illinois, New Jersey, and New York — for the most part placed in the bottom third of our ranking. For example, Tucson, Arizona, landed at No. 85; Rockford, Illinois, at No. 91; Newark, New Jersey, at No. 90; and New York City at No. 77.

But two cities are riding on their recent high: Chicago — propelled by an abundance of marijuana tours and events — at No. 28, and Paterson, New Jersey — with the most residents searching for weed online — at No 46. Apparently, stoners here have waited long enough and aren’t wasting any more time.

The full ranking and analysis can be found on Lawnstarter’s website.

DARA OF JASENOVAC by 101 Studios for use by 360 Magazine

DARA OF JASENOVAC

COMING TO NEW YORK CITY AND SAN FRANCISCO THEATERS THIS FRIDAY, MARCH 12TH:

DARA OF JASENOVAC

STARRING: BILJANA CEKIC

DIRECTED BY: PREDRAG PETER ANTONIJEVIC

Playing starting this Friday, March 12 in New York City at Village East by Angelika | 181-189 2nd Avenue AMC Empire 25 | 234 W. 42nd Street, In San Francisco at Landmark Embarcadero | 1 Embarcadero Center.

“An essential and little-known story that needs to be seen.”

Scott Mantz, KTLA

“A brutal and powerful portrait of human nature gone mad.”

Frank Avella, AWARDS DAILY

In 1940s Croatia, 10-year-old Dara (Biljana Cekic) comes face-to-face with the horrors of the Holocaust era after she is sent with her mother and siblings to the concentration camp complex known as Jasenovac. Overseen by vicious emissaries of the fascist Ustase government, the facility, the only operational death camp during World War II not created or run by the Germans, is tasked with murdering Serbs, Jews and Roma people and re-educating the few children deemed worthy of rehabilitation. As unspeakable atrocities unfold all around her, young Dara must summon tremendous courage to protect her infant brother from a terrible fate, to safeguard her own survival and to plot a precarious path toward freedom.

WATCH THE TRAILER HERE

CAST: Biljana Cekic, Anja Stanic, Zlatan Vidovic, Luka Saranovic, Jakov Saranovic, Simon Saranovic, Sandra Ljubojevic, Nikola Radulj, Rajko Lukac, Vesna Kljajic Ristovic, Nikolina Friganovic, Igor Dordevic, Natasa Ninkovic, Marko Pipic

DIRECTOR: Predrag Peter Antonijevic

SCREENPLAY BY: Natasa Drakulic

PRODUCED BY: Maksa Catovic, Predrag Peter Antonijevic

EXECUTIVE PRODUCED BY: Michael Berenbaum, Petar Vukasinovic, Misa Reljic

Running Time: 130 minutes

Distributor: 101 Studios

Ballet by Rita Azar for 360 Magazine

CATHY MARSTON – SNOWBLIND

CATHY MARSTON’S SNOWBLIND REPLACES MRS. ROBINSON ON PROGRAM 05, APRIL 22–MAY 12, 2021

 

 Marston’s Mrs. Robinson will premiere in the 2022 Season

 

 Program 05 also features Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus

 

 San Francisco Ballet (SF Ballet) announces the postponement of Mrs. Robinson, Cathy Marston’s world premiere which was scheduled to debut on Program 05, April 22–May 12, until the 2022 Season. Mrs. Robinson was choreographed for the stage in the 2020 Season and was reimagined for film in the 2021 Digital Season. As COVID-19 related obstacles created unforeseen delays with the film capture at the War Memorial Opera House this month, Helgi Tomasson and SF Ballet made the joint decision with the American Guild of Musical Artists to postpone filming to put the health and safety of staff, crew, and artists at the forefront. An archival capture of Marston’s Snowblind, created for the 2018 Unbound Festival, will replace Mrs. Robinson for Program 05, which also includes archival captures of Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus. Members of the public can still see a short film “prelude” to Marston’s Mrs. Robinson, captured at the Fairmont San Francisco in November of 2020, beginning today through February 25 in a digital program featuring excerpts from SF Ballet’s January 14 Virtual Benefit. It will be available via YouTubeIGTVFacebook, and SF Ballet’s website.

 

San Francisco Ballet’s complete 2022 Season will be announced later this spring. Images of Program 05 are available at this link, and casting is available here.

 

ABOUT PROGRAM 05:

Helgi Tomasson’s 7 for Eight from 2004 is an “exceptionally musical Bach essay” (San Francisco Chronicle) highlighting a series of solo and ensemble numbers for eight dancers, set to portions of keyboard concertos by J.S. Bach. The 2021 Digital Season capture of 7 for Eight is from 2016, the last time the work was seen at SF Ballet, and features principal dancers Yuan Yuan Tan and Tiit Helimets, and former principal dancers Vanessa Zahorian, Gennadi Nedvigin, and Taras Domitro throughout. 7 for Eight is Tomasson’s second ballet set to Bach (his first, Aurora Polaris, premiered in 1991), and includes black-on-black costume designs by Sandra Woodall and lighting designs by David Finn. Martin West leads the SF Ballet Orchestra in 7 for Eight and throughout each ballet in Program 05.

 

Cathy Marston’s Snowblind “gripped from first moment to last” (San Francisco Chronicle) at its world premiere during the 2018 Unbound: A Festival of New Works. Based on Edith Wharton’s novella Ethan Frome (1911), Snowblind narrates a heart-rending love triangle between central characters Ethan Frome; his hypochondriac wife, Zeena; and Mattie, kin to Zeena, who captivates Frome after she’s hired to provide domestic support. The 2021 Digital Season stream was captured on April 25, 2018 at the War Memorial Opera House and includes principal dancers Sarah Van Patten as Zeena, Mathilde Froustey as Mattie, and Ulrik Birkkjaer as Ethan Frome. Philip Feeney arranged Snowblind’s music, which includes pieces by Wharton’s contemporaries Amy Beach and Arthur Foote, as well as Estonian composer Arvo Pärt. Snowblind includes scenic and costume designs by Patrick Kinmonth and lighting designs by James F. Ingalls.

 

Program 05 closes with David Dawson’s Anima Animus, the choreographer’s first commission for SF Ballet, also created for the Unbound festival in 2018. Set to Ezio Bosso’s “Esoconcerto,” Anima Animus is, as Dawson puts it, “physically emotional virtuosity combined to make something human,” playing on Jungian concepts to reveal the rich contrasts between male and female psyches. Anima Animus toured with SF Ballet to Sadler’s Wells Theatre in 2019 and was “easily one of the highlights” (Seeing Dance) of the Company’s four-program London performances. The 2021 Digital Season stream of Anima Animus was captured on April 25, 2018 and includes former principal dancers Maria Kochetkova, Sofiane Sylve, and Carlo Di Lanno, and current principal dancers Luke Ingham and Wei Wang among its cast of ten.

 

Tickets to Program 05 are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online at www.sfballet.org. Click here to view digital viewing tips.

 

PRODUCTION CREDITS

I. 7 for Eight
Captured on Saturday, January 30, 2016

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
Costume Design: Sandra Woodall
Lighting Design: David Finn
Rehearsal Assistant: Anita Paciotti

World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

II. Snowblind
Captured on Wednesday, April 25, 2018

Composers: Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt
Music arranged by: Philip Feeney
Choreographer: Cathy Marston
Scenic and Costume Design: Patrick Kinmonth
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Jenny Tattersall
Rehearsal Assistant: Anita Paciotti

Adaptation of Edith Wharton’s Ethan Frome by Cathy Marston and Patrick Kinmonth

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

III. Anima Animus
Captured on Wednesday, April 25, 2018

Composer: Ezio Bosso
Choreographer: David Dawson
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
Rehearsal Assistant: Felipe Diaz

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

TV2 illustration by Rita Azar for 360 Magazine

Brightback Reveals Shift in Subscription Economy

New Data Shows Permanent Turning Point for Subscription Services Industry Post-Pandemic and Strong Link Between Customer Satisfaction and Online Cancelation Flow.

Brightback released its State of Industry (SOI) report today, which revealed that 86% of respondents say they anticipate maintaining or even increasing their number of subscriptions over the course of 2021. Additional results include:

  • 98% now subscribe to streaming media (75% subscribe to two or more services, foreshadowing a greater propensity for hoppers to jump from service to service).
  • Up to 40% subscribe to online news, food, fitness, or curated box services.
  • 36% have subscribed to services since the onset of the pandemic that they would not have otherwise.

As retention remains the industry focus, the SOI report points to unexpected impacts of companies’ cancellation flow; suggesting that ease of cancellation influences a company’s re-engagement, brand perception, and more. According to the report, over 80% of consumers would be more likely to try or buy a new subscription if they could pause or cancel that service online. This data suggests subscription services should pivot to not only simplify their cancellation processes, but also to tout this for potential new customer acquisitions.

Netflix is considered to have the best cancellation experience: 23% of respondents ranked Netflix in the top spot for this category, more than 2x better than runner up Amazon at 10%. Additionally, the recent Netflix subscriber milestone of 200m further points to the link between company growth and ease of cancellation.

“Leading tech companies and subscription services understand that sheltered-in-place consumers want user experiences that make it easy to try, buy, use, and cancel online,” said Brightback CEO Guy Marion. “As more companies invest in digitizing their subscription experiences, they are using best practices to let customers quit online, with a concerted focus on retaining over acquiring customers.”

In the survey, a whopping 32% of respondents said that in the past 12 months they had changed their minds about cancellation after being offered an incentive. This finding should be encouraging for subscription businesses concerned about churn–at least a third of their cancellations can be prevented with well-timed, relevant offers.

The survey also shows the pandemic-driven growth of the subscription services industry is here to stay:

  • 8% anticipate having the same number of subscriptions 12 months from now.
  • 25% anticipate acquiring even more subscriptions within the following 12 months.
  • Only 14% of respondents anticipate having fewer subscription services by the end of 2021.

These findings suggest that the dramatic shifts in consumer behavior over the past year are permanent.

For the full findings, visit Brightback’s website.

About Brightback

Brightback is the first customer retention solution that automatically saves customers at the moment of cancelation. Trusted by high volume subscription businesses like MeUndies and Unbounce, Brightback helps retention leaders deflect churn with personalized cancelation experiences, optimize offboarding processes through testing and targeting and gather aggregated insights to drive product and company improvements. Headquartered in San Francisco, Brightback is a remote-first company with a team of subscription-industry veterans located across the United States.

 

Illustration for 360 Magazine by Rita Azar

San Francisco Ballet Virtual Benefit

San Francisco Ballet (SF Ballet) announces details for its first-ever virtual benefit, Leap Into the New Year, to be held online via Socio on Thursday, January 14, 2021 to mark the opening of SF Ballet’s historic 88th Digital Season.

With a performance curated by Artistic Director and Principal Choreographer Helgi Tomasson, the event includes delivered items, such as a meal, caviar, and gifts provided by McCalls Catering & Events; and wine provided by Rodney Strong Vineyards. The evening’s programming includes the SF Ballet performance debut of two of the Company’s new Principal Dancers, Nikisha Fogo and Julian MacKay, in the Act III pas de deux from Don Quixote, and an excerpt from a new work by Helgi Tomasson created on members of SF Ballet’s corps de ballet—click here to see a video about this work.

Leap Into the New Year also includes a newly produced prelude to Mrs. Robinson by Cathy Marston, featuring Principal Dancers Sarah Van Patten and Joseph Walsh, and excerpts from the Digital Season’s additional world premieres, Wooden Dimes by Danielle Rowe and a new work by Myles Thatcher. Complete programming and casting are included at the bottom of this release.

Proceeds from Leap Into the New Year will benefit a wide range of SF Ballet artistic initiatives, including new works, accessible digital content, scholarships and financial aid programs for San Francisco Ballet School students, and community education programs for youth, families, and seniors. The event begins at 6 pm with access to private virtual tables; a wine education session with the event’s wine sponsor, Rodney Strong Vineyards; and behind-the-scenes content from rehearsals, followed by a 7 pm performance.

Ticket holders at the Artistic Director, Principal, Producer, and Soloist levels will enjoy VIP programming, including the pas de deux from William Forsythe’s In the Middle, Somewhat Elevated, rehearsed by Forsythe on Soloist Sasha Mukhamedov and Principal Dancer Aaron Robison, and the White Swan Pas De Deux from Helgi Tomasson’s Swan Lake performed by Fogo and MacKay.

Under the direction of Music Director Martin West, San Francisco Ballet Orchestra recorded music for the event using approved safety protocols at Skywalker Studios, 25th Street Recording, and the SF Conservatory of Music, which was produced, engineered and mastered by Leslie Ann Jones.

The evening is hosted by SF Ballet Soloist Madison Keesler, who will be styled by Neiman Marcus. All table guests will enjoy a private, virtual meet-and-greet with a Company dancer during the event and will have access to a virtual social wall where they can share photography and messages with other benefit-goers. Artistic Director and Principal level table guests will also have the option to request an on-site, socially-distanced photo-op with Drew Altizer Photography.

Tickets to the event start at $3,000 for a pair of guests or $1,600 for a virtual table of four for ENCORE! members. Guests who wish to receive a meal, wine, and gifts delivered to their home day-of must RSVP by December 31, 2020. Reservations may be made online or by contacting Emma Lundberg, SF Ballet’s Special Events Manager, at elundberg@sfballet.org or 415.865.6629.

LEAP INTO THE NEW YEAR’S PERFORMANCE PROGRAM 

Premier Presenting Producer

Osterweis Capital Management 

Presenting Producers

Frederick and Shelby Gans

JPMorgan Chase & Co.

Linnea and George Roberts

Denise Littlefield Sobel

Excerpt from new work by Helgi Tomasson 

Composer: Jean Phillippe Rameau

Artistic Director Sponsor: Dr. Sunnie Evers

Featuring: JULIA ROWE, LEILI RACKOW, BIANCA TEIXERIA, NATASHA SHEEHAN

DIEGO CRUZ, LUCAS ERNI, LUCA FERRÒ, LLEYTON HO

Dedicated To… by Yuri Possokhov

Composer: Victor Osadchev

Artistic Director Sponsor: Jennifer and Steven Walske

Featuring: YUAN YUAN TAN 

Excerpt from Wooden Dimes, Danielle Rowe’s world premiere

Composer: James M. Stephenson

Artistic Director Sponsor: Alison and Michael Mauzé

Featuring: LUKE INGHAM, DORES ANDRÉ, MAX CAUTHORN 

Pas de Deux from Coppélia by Arthur Saint-Léon

Composer: Léo Delibes

Artistic Director Sponsors: Richard C. Barker; Yurie and Carl Pascarella

Featuring: MISA KURANAGA, ANGELO GRECO 

Excerpt from Myles Thatcher’s world premiere

Composer: Steve Reich

Artistic Director Sponsor: Christine Russell and Mark Schlesinger

CASTING TO BE ANNOUNCED 

Short film of Mrs. Robinson world premiere by Cathy Marston

Composer: Terry Davies

Artistic Director Sponsor: Fang and Gary Bridge

Featuring: SARAH VAN PATTEN, JOSEPH WALSH, LUKE INGHAM 

Act III Pas de Deux from Don Quixote by Alexander Gorsky and Marius Petipa

Staging and Additional Choreography by Helgi Tomasson and Yuri Possokhov

Composer: Ludwig Minkus

Artistic Director Sponsor: Diane B. Wilsey

Featuring: NIKISHA FOGO, JULIAN MACKAY

Pas de Deux from In the Middle, Somewhat Elevated by William Forsythe (VIP ONLY)

Composer: Thom Willems

Artistic Director Sponsor: James C. Hormel and Michael P. N. Hormel

Featuring: SASHA MUKHAMEDOV, AARON ROBISON

White Swan Pas De Deux from Swan Lake by Helgi Tomasson (VIP ONLY)

Composer: Peter Ilyich Tchaikovsky

Featuring: NIKISHA FOGO, JULIAN MACKAY

ABOUT HELGI TOMASSON

Helgi Tomasson, one of the most venerated classical dancers of his generation, embarks on his 36th season with San Francisco Ballet in 2021. Born in Iceland, he danced with Harkness Ballet, The Joffrey Ballet, and New York City Ballet, where he distinguished himself as a dancer of technical purity, musicality, and intelligence. Tomasson assumed leadership of SF Ballet in 1985. Under his direction, SF Ballet has become a company widely recognized as one of the finest in the world.

Tomasson has balanced devotion to the classics with an emphasis on new works, cultivating frequent collaborations and commissions with choreographers such as William Forsythe, Christopher Wheeldon, Alexei Ratmansky, Trey McIntyre, Cathy Marston, and Mark Morris, among many others. He has choreographed more than 50 works for the Company, including full-length productions of Swan LakeThe Sleeping BeautyRomeo & Juliet (taped for Lincoln Center at the Movies’ Great American Dance), Giselle, and Nutcracker (taped for PBS’s Great Performances).

He conceptualized the 1995 UNited We Dance festival, in which SF Ballet hosted 12 international companies; the 2008 New Works Festival, which included 10 world premieres by 10 acclaimed choreographers; and 2018 Unbound: A Festival of New Works. Tomasson has also connected SF Ballet to the world, through co-commissions with companies including American Ballet Theatre, The Royal Ballet, and Dutch National Ballet; and major tours to Paris, London, New York City, China, and his native Iceland. In 2020, Tomasson received the San Francisco Arts Medallion, created by the Museum of Performance + Design to recognize those individuals whose leadership, action, and generosity have benefited the cultural life of the San Francisco Bay Area.   

ABOUT THE SAN FRANCISCO BALLET

San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia.

SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

Vaughn Lowery illustration by Allison Christensen for his book Move Like Water x Be Fluid produced by 360 MAGAZINE

MLWXBF

Move Like Water × Be Fluid

By Katrina Tiktinsky

Vaughn Lowery, founder and publisher of 360 MAGAZINE, is set to release his first book this month. Move Like Water × Be Fluid is a stunning memoir documenting the author’s journey from a childhood in the Detroit projects to a successful career in fashion and media. The arc of this remarkable passage twists and turns in surprising ways, ensuring readers will believe in the concept that this life truly is what you make it. The text will debut as an exclusive multi-volume installation within 360 MAGAZINE and marks the inception of the brand’s foray into publishing.

This provocative coming-of-age story explores the power of branding strategy, a technique the writer developed at an early age and carried with him throughout his lifetime. Lowery, from the time he was a young child, is able to comprehend that one’s innate, individual self is their greatest commodity in life. Through the highs and lows that inform his experience, he stays true to that ideal. Lowery puts forward a raw and compelling narrative of a child, and later a man, who repeatedly picks himself up, reimagines his life, and finds innovative ways to move forward. The self-empowerment so emblematic in Lowery’s character and story promotes readers to adopt the author’s tactics in their own lives.

The influence of prominent civil rights leader Joseph Lowery, the writer’s grandfather, is prevalent in this work. A beacon for both hope and progress during the Civil Rights Movement, the legacy of Joseph Lowery weighs heavily on the narrator. This, along with his upbringing and existence as a black man in America, make Lowery both introspective and contextually aware when it comes to race. Moreover, draws parallels between the movement his grandfather championed and led, and the Black Lives Matter movement of today, exposing the failures of our system and calling for meaningful, systemic change. Both Joseph and Vaughn Lowery are members of the first intercollegiate historically African American organization Alpha Phi Alpha. Lowery simultaneously considers the work he can do, as a singular human being, to forward social justice causes in his day-to-day life and interactions with others. 

In 1920, his grandmother, Agnes Christine Moore Lowery (the little girl in the blue dress, also a member of Alpha Kappa Alpha), came with her grandmother to become the first black to vote in Tennessee. The kids’ book, The Big Day, depicts their journey the day she voted, now available on Amazon here.

Photo of LaJUNE by Armon Hayes for 360 Magazine

Photo: Armon Hayes, Talent: LaJUNE

360 Magazine is also now selling one of a kind home goods via Chairish, a curated marketplace for the best in vintage and contemporary furniture, decor and art. Check out this piece designed by 360’s founder Vaughn Lowery.

In the year 2020, which has been afflicted with an overwhelming amount of change, there has never been a timelier moment for insight from a man like Lowery. As mentioned, Lowery’s deep ties and connections to racial justice in America feels incredibly relevant, as do his thoughts on digital media, something Lowery pioneered years before COVID-19 forced the world hurriedly online. Constantly at the forefront of social change, Move Like Water × Be Fluid offers an understanding of the current moment, yet looks forward to the possibility of an evolved, cosmopolitan world. One that Lowery aspires to through all his works, including this installation and 360 MAGAZINE.

As we follow the author through grade school, high school and on through Cornell University, we collect advice from a myriad of powerful secondary characters. From all walks of life, these secondary support systems offer Lowery the push he needs to continue on striving towards something better. We watch Lowery model the work ethic of his admired older sister, gain confidence from an encouraging teacher, change the trajectory of his life due to a neighborhood mentor, and learn from the critique of a Residential Advisor. This self-help-book stands apart for never failing to appreciate the importance of an individual’s support system. Fittingly, while the book catalogues Lowery’s journey to success, it inspires and encourages readers in the same way Lowery’s community uplifted him – to take action towards a meaningful life.

Comparable titles to Move Like Water × Be Fluid include other stories of individuals who later turned to publishing their experiences in self-help books. Numerous celebrity examples include Becoming by Michelle Obama, Shoe Dog by Phil Knight, or The Path Made Clear by Oprah Winfrey. These titles, as well as Lowery’s first book, all feature introspection and explanations regarding the course of the authors’ lives. 

The following descriptions outlines the chapter-by-chapter journey within Move Like Water × Be Fluid.

Chapter 1: The beginning of Lowery’s journey is marked by his complicated childhood in Detroit, distinctly connected to his sense of place and community. Financial struggles and surroundings reminiscent of the song “Gangsta’s Paradise,” as well as the author’s early experience with assault contextualize the course of Lowery’s life.

Chapter 2: A childhood mood, coupled with the realization of his intelligence, swiftly changed the direction of Lowery’s life. Following a move to New Jersey to live with his older sister, Lowery’s early experiences of racism shine a light on his passion for racial justice today. The opportunity to participate in an honored education program again changes the trajectory Lowery follows.

Chapter 3: This chapter offers insight into the ups and downs of high school, a narrative many are familiar with. Yet, Lowery’s poised observations throughout the chapter reflect his early understanding of the world.

Chapter 4: After a remarkable yet complex journey through high school, Lowery achieves the first of many dreams by gaining the chance to attend Cornell University in New York. At Cornell, he is able to expand his understanding of self and what he hopes to accomplish.

Chapter 5: Saks Fifth Avenue recruits Lowery to work in their corporate office, marking Lowery’s first foray into the world of economics and fashion. The advice he gains from mentors in the field prompts him to shift towards a career in acting and modeling, supplemented by working in the Medicare Department of U.S. Healthcare.

Chapter 6: New York, in all its hectic nature, pointed Lowery west towards California where he could further capitalize on his talents in the entertainment industry.

Chapter 7: This chapter details one of the events in Lowery’s life for which he is best known: his commercials as “Joe Boxer Guy” that overwhelmed the nation. Following ups and downs in Los Angeles, this success cemented Lowery’s understanding of his own talents as well as his ties to L.A.

Chapter 8: Following an offensive home invasion, Lowery pivots to continue embracing what life throws at him with appearances on NBC’s “Scrubs” and “America’s Next Top Model.”

Chapter 9: With plenty of capital and the space to complement his next steps, Lowery founded 360 MAGAZINE in 2008, powering through the tidal wave that was the recession all due to his own brains and the belief in his product and brand.

Chapter 10: After another painful reminder of the inadequacies of the justice system in America due to an unjust prison stay, Lowery’s comprehension of what is truly important is once again realigned. Despite his negative experiences, his magazine is able to be on the cutting edge of the Los Angeles scene.

Chapter 11: The number 360 is ubiquitous to Lowery – one embodies the other. His appreciation for both his own capabilities and expertise, as well as the ones of others, assures his magazine and brand are constantly evolving. 

Chapter 12: Thinking on the future following the tragic death of a friend, Lowery is nowhere near finished and is more than ready to continue is many metamorphoses. He now exists in a space where he strives to empower others, all around the world. 360.

Move Like Water x Be Fluid, by Vaughn Lowery, is available this month exclusively on the 360 MAGAZINE’s website. 360 MAGAZINE has received numerous accolades, and has recently been featured on Dancing with the Stars. Stay in touch by following both Lowery (@vaughnlowery) and 360 (@360magazine)

Additionally Vaughn has an audio book titled, “Say Uncle: The Story of Vaughn Lowery” which loosely based on his childhood. It is available for here on Amazon Music. For additional info on Vaughn Lowery visit Wikipedia and IMDb.