Posts tagged with "San Francisco"

Ballet by Rita Azar for 360 Magazine

CATHY MARSTON – SNOWBLIND

CATHY MARSTON’S SNOWBLIND REPLACES MRS. ROBINSON ON PROGRAM 05, APRIL 22–MAY 12, 2021

 

 Marston’s Mrs. Robinson will premiere in the 2022 Season

 

 Program 05 also features Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus

 

 San Francisco Ballet (SF Ballet) announces the postponement of Mrs. Robinson, Cathy Marston’s world premiere which was scheduled to debut on Program 05, April 22–May 12, until the 2022 Season. Mrs. Robinson was choreographed for the stage in the 2020 Season and was reimagined for film in the 2021 Digital Season. As COVID-19 related obstacles created unforeseen delays with the film capture at the War Memorial Opera House this month, Helgi Tomasson and SF Ballet made the joint decision with the American Guild of Musical Artists to postpone filming to put the health and safety of staff, crew, and artists at the forefront. An archival capture of Marston’s Snowblind, created for the 2018 Unbound Festival, will replace Mrs. Robinson for Program 05, which also includes archival captures of Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus. Members of the public can still see a short film “prelude” to Marston’s Mrs. Robinson, captured at the Fairmont San Francisco in November of 2020, beginning today through February 25 in a digital program featuring excerpts from SF Ballet’s January 14 Virtual Benefit. It will be available via YouTubeIGTVFacebook, and SF Ballet’s website.

 

San Francisco Ballet’s complete 2022 Season will be announced later this spring. Images of Program 05 are available at this link, and casting is available here.

 

ABOUT PROGRAM 05:

Helgi Tomasson’s 7 for Eight from 2004 is an “exceptionally musical Bach essay” (San Francisco Chronicle) highlighting a series of solo and ensemble numbers for eight dancers, set to portions of keyboard concertos by J.S. Bach. The 2021 Digital Season capture of 7 for Eight is from 2016, the last time the work was seen at SF Ballet, and features principal dancers Yuan Yuan Tan and Tiit Helimets, and former principal dancers Vanessa Zahorian, Gennadi Nedvigin, and Taras Domitro throughout. 7 for Eight is Tomasson’s second ballet set to Bach (his first, Aurora Polaris, premiered in 1991), and includes black-on-black costume designs by Sandra Woodall and lighting designs by David Finn. Martin West leads the SF Ballet Orchestra in 7 for Eight and throughout each ballet in Program 05.

 

Cathy Marston’s Snowblind “gripped from first moment to last” (San Francisco Chronicle) at its world premiere during the 2018 Unbound: A Festival of New Works. Based on Edith Wharton’s novella Ethan Frome (1911), Snowblind narrates a heart-rending love triangle between central characters Ethan Frome; his hypochondriac wife, Zeena; and Mattie, kin to Zeena, who captivates Frome after she’s hired to provide domestic support. The 2021 Digital Season stream was captured on April 25, 2018 at the War Memorial Opera House and includes principal dancers Sarah Van Patten as Zeena, Mathilde Froustey as Mattie, and Ulrik Birkkjaer as Ethan Frome. Philip Feeney arranged Snowblind’s music, which includes pieces by Wharton’s contemporaries Amy Beach and Arthur Foote, as well as Estonian composer Arvo Pärt. Snowblind includes scenic and costume designs by Patrick Kinmonth and lighting designs by James F. Ingalls.

 

Program 05 closes with David Dawson’s Anima Animus, the choreographer’s first commission for SF Ballet, also created for the Unbound festival in 2018. Set to Ezio Bosso’s “Esoconcerto,” Anima Animus is, as Dawson puts it, “physically emotional virtuosity combined to make something human,” playing on Jungian concepts to reveal the rich contrasts between male and female psyches. Anima Animus toured with SF Ballet to Sadler’s Wells Theatre in 2019 and was “easily one of the highlights” (Seeing Dance) of the Company’s four-program London performances. The 2021 Digital Season stream of Anima Animus was captured on April 25, 2018 and includes former principal dancers Maria Kochetkova, Sofiane Sylve, and Carlo Di Lanno, and current principal dancers Luke Ingham and Wei Wang among its cast of ten.

 

Tickets to Program 05 are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online at www.sfballet.org. Click here to view digital viewing tips.

 

PRODUCTION CREDITS

I. 7 for Eight
Captured on Saturday, January 30, 2016

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
Costume Design: Sandra Woodall
Lighting Design: David Finn
Rehearsal Assistant: Anita Paciotti

World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

II. Snowblind
Captured on Wednesday, April 25, 2018

Composers: Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt
Music arranged by: Philip Feeney
Choreographer: Cathy Marston
Scenic and Costume Design: Patrick Kinmonth
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Jenny Tattersall
Rehearsal Assistant: Anita Paciotti

Adaptation of Edith Wharton’s Ethan Frome by Cathy Marston and Patrick Kinmonth

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

III. Anima Animus
Captured on Wednesday, April 25, 2018

Composer: Ezio Bosso
Choreographer: David Dawson
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
Rehearsal Assistant: Felipe Diaz

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

TV2 illustration by Rita Azar for 360 Magazine

Brightback Reveals Shift in Subscription Economy

New Data Shows Permanent Turning Point for Subscription Services Industry Post-Pandemic and Strong Link Between Customer Satisfaction and Online Cancelation Flow.

Brightback released its State of Industry (SOI) report today, which revealed that 86% of respondents say they anticipate maintaining or even increasing their number of subscriptions over the course of 2021. Additional results include:

  • 98% now subscribe to streaming media (75% subscribe to two or more services, foreshadowing a greater propensity for hoppers to jump from service to service).
  • Up to 40% subscribe to online news, food, fitness, or curated box services.
  • 36% have subscribed to services since the onset of the pandemic that they would not have otherwise.

As retention remains the industry focus, the SOI report points to unexpected impacts of companies’ cancellation flow; suggesting that ease of cancellation influences a company’s re-engagement, brand perception, and more. According to the report, over 80% of consumers would be more likely to try or buy a new subscription if they could pause or cancel that service online. This data suggests subscription services should pivot to not only simplify their cancellation processes, but also to tout this for potential new customer acquisitions.

Netflix is considered to have the best cancellation experience: 23% of respondents ranked Netflix in the top spot for this category, more than 2x better than runner up Amazon at 10%. Additionally, the recent Netflix subscriber milestone of 200m further points to the link between company growth and ease of cancellation.

“Leading tech companies and subscription services understand that sheltered-in-place consumers want user experiences that make it easy to try, buy, use, and cancel online,” said Brightback CEO Guy Marion. “As more companies invest in digitizing their subscription experiences, they are using best practices to let customers quit online, with a concerted focus on retaining over acquiring customers.”

In the survey, a whopping 32% of respondents said that in the past 12 months they had changed their minds about cancellation after being offered an incentive. This finding should be encouraging for subscription businesses concerned about churn–at least a third of their cancellations can be prevented with well-timed, relevant offers.

The survey also shows the pandemic-driven growth of the subscription services industry is here to stay:

  • 8% anticipate having the same number of subscriptions 12 months from now.
  • 25% anticipate acquiring even more subscriptions within the following 12 months.
  • Only 14% of respondents anticipate having fewer subscription services by the end of 2021.

These findings suggest that the dramatic shifts in consumer behavior over the past year are permanent.

For the full findings, visit Brightback’s website.

About Brightback

Brightback is the first customer retention solution that automatically saves customers at the moment of cancelation. Trusted by high volume subscription businesses like MeUndies and Unbounce, Brightback helps retention leaders deflect churn with personalized cancelation experiences, optimize offboarding processes through testing and targeting and gather aggregated insights to drive product and company improvements. Headquartered in San Francisco, Brightback is a remote-first company with a team of subscription-industry veterans located across the United States.

 

Illustration for 360 Magazine by Rita Azar

San Francisco Ballet Virtual Benefit

San Francisco Ballet (SF Ballet) announces details for its first-ever virtual benefit, Leap Into the New Year, to be held online via Socio on Thursday, January 14, 2021 to mark the opening of SF Ballet’s historic 88th Digital Season.

With a performance curated by Artistic Director and Principal Choreographer Helgi Tomasson, the event includes delivered items, such as a meal, caviar, and gifts provided by McCalls Catering & Events; and wine provided by Rodney Strong Vineyards. The evening’s programming includes the SF Ballet performance debut of two of the Company’s new Principal Dancers, Nikisha Fogo and Julian MacKay, in the Act III pas de deux from Don Quixote, and an excerpt from a new work by Helgi Tomasson created on members of SF Ballet’s corps de ballet—click here to see a video about this work.

Leap Into the New Year also includes a newly produced prelude to Mrs. Robinson by Cathy Marston, featuring Principal Dancers Sarah Van Patten and Joseph Walsh, and excerpts from the Digital Season’s additional world premieres, Wooden Dimes by Danielle Rowe and a new work by Myles Thatcher. Complete programming and casting are included at the bottom of this release.

Proceeds from Leap Into the New Year will benefit a wide range of SF Ballet artistic initiatives, including new works, accessible digital content, scholarships and financial aid programs for San Francisco Ballet School students, and community education programs for youth, families, and seniors. The event begins at 6 pm with access to private virtual tables; a wine education session with the event’s wine sponsor, Rodney Strong Vineyards; and behind-the-scenes content from rehearsals, followed by a 7 pm performance.

Ticket holders at the Artistic Director, Principal, Producer, and Soloist levels will enjoy VIP programming, including the pas de deux from William Forsythe’s In the Middle, Somewhat Elevated, rehearsed by Forsythe on Soloist Sasha Mukhamedov and Principal Dancer Aaron Robison, and the White Swan Pas De Deux from Helgi Tomasson’s Swan Lake performed by Fogo and MacKay.

Under the direction of Music Director Martin West, San Francisco Ballet Orchestra recorded music for the event using approved safety protocols at Skywalker Studios, 25th Street Recording, and the SF Conservatory of Music, which was produced, engineered and mastered by Leslie Ann Jones.

The evening is hosted by SF Ballet Soloist Madison Keesler, who will be styled by Neiman Marcus. All table guests will enjoy a private, virtual meet-and-greet with a Company dancer during the event and will have access to a virtual social wall where they can share photography and messages with other benefit-goers. Artistic Director and Principal level table guests will also have the option to request an on-site, socially-distanced photo-op with Drew Altizer Photography.

Tickets to the event start at $3,000 for a pair of guests or $1,600 for a virtual table of four for ENCORE! members. Guests who wish to receive a meal, wine, and gifts delivered to their home day-of must RSVP by December 31, 2020. Reservations may be made online or by contacting Emma Lundberg, SF Ballet’s Special Events Manager, at elundberg@sfballet.org or 415.865.6629.

LEAP INTO THE NEW YEAR’S PERFORMANCE PROGRAM 

Premier Presenting Producer

Osterweis Capital Management 

Presenting Producers

Frederick and Shelby Gans

JPMorgan Chase & Co.

Linnea and George Roberts

Denise Littlefield Sobel

Excerpt from new work by Helgi Tomasson 

Composer: Jean Phillippe Rameau

Artistic Director Sponsor: Dr. Sunnie Evers

Featuring: JULIA ROWE, LEILI RACKOW, BIANCA TEIXERIA, NATASHA SHEEHAN

DIEGO CRUZ, LUCAS ERNI, LUCA FERRÒ, LLEYTON HO

Dedicated To… by Yuri Possokhov

Composer: Victor Osadchev

Artistic Director Sponsor: Jennifer and Steven Walske

Featuring: YUAN YUAN TAN 

Excerpt from Wooden Dimes, Danielle Rowe’s world premiere

Composer: James M. Stephenson

Artistic Director Sponsor: Alison and Michael Mauzé

Featuring: LUKE INGHAM, DORES ANDRÉ, MAX CAUTHORN 

Pas de Deux from Coppélia by Arthur Saint-Léon

Composer: Léo Delibes

Artistic Director Sponsors: Richard C. Barker; Yurie and Carl Pascarella

Featuring: MISA KURANAGA, ANGELO GRECO 

Excerpt from Myles Thatcher’s world premiere

Composer: Steve Reich

Artistic Director Sponsor: Christine Russell and Mark Schlesinger

CASTING TO BE ANNOUNCED 

Short film of Mrs. Robinson world premiere by Cathy Marston

Composer: Terry Davies

Artistic Director Sponsor: Fang and Gary Bridge

Featuring: SARAH VAN PATTEN, JOSEPH WALSH, LUKE INGHAM 

Act III Pas de Deux from Don Quixote by Alexander Gorsky and Marius Petipa

Staging and Additional Choreography by Helgi Tomasson and Yuri Possokhov

Composer: Ludwig Minkus

Artistic Director Sponsor: Diane B. Wilsey

Featuring: NIKISHA FOGO, JULIAN MACKAY

Pas de Deux from In the Middle, Somewhat Elevated by William Forsythe (VIP ONLY)

Composer: Thom Willems

Artistic Director Sponsor: James C. Hormel and Michael P. N. Hormel

Featuring: SASHA MUKHAMEDOV, AARON ROBISON

White Swan Pas De Deux from Swan Lake by Helgi Tomasson (VIP ONLY)

Composer: Peter Ilyich Tchaikovsky

Featuring: NIKISHA FOGO, JULIAN MACKAY

ABOUT HELGI TOMASSON

Helgi Tomasson, one of the most venerated classical dancers of his generation, embarks on his 36th season with San Francisco Ballet in 2021. Born in Iceland, he danced with Harkness Ballet, The Joffrey Ballet, and New York City Ballet, where he distinguished himself as a dancer of technical purity, musicality, and intelligence. Tomasson assumed leadership of SF Ballet in 1985. Under his direction, SF Ballet has become a company widely recognized as one of the finest in the world.

Tomasson has balanced devotion to the classics with an emphasis on new works, cultivating frequent collaborations and commissions with choreographers such as William Forsythe, Christopher Wheeldon, Alexei Ratmansky, Trey McIntyre, Cathy Marston, and Mark Morris, among many others. He has choreographed more than 50 works for the Company, including full-length productions of Swan LakeThe Sleeping BeautyRomeo & Juliet (taped for Lincoln Center at the Movies’ Great American Dance), Giselle, and Nutcracker (taped for PBS’s Great Performances).

He conceptualized the 1995 UNited We Dance festival, in which SF Ballet hosted 12 international companies; the 2008 New Works Festival, which included 10 world premieres by 10 acclaimed choreographers; and 2018 Unbound: A Festival of New Works. Tomasson has also connected SF Ballet to the world, through co-commissions with companies including American Ballet Theatre, The Royal Ballet, and Dutch National Ballet; and major tours to Paris, London, New York City, China, and his native Iceland. In 2020, Tomasson received the San Francisco Arts Medallion, created by the Museum of Performance + Design to recognize those individuals whose leadership, action, and generosity have benefited the cultural life of the San Francisco Bay Area.   

ABOUT THE SAN FRANCISCO BALLET

San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia.

SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

Vaughn Lowery illustration by Allison Christensen for his book Move Like Water x Be Fluid produced by 360 MAGAZINE

MLWXBF

Move Like Water × Be Fluid

By Katrina Tiktinsky

Vaughn Lowery, founder and publisher of 360 MAGAZINE, is set to release his first book this month. Move Like Water × Be Fluid is a stunning memoir documenting the author’s journey from a childhood in the Detroit projects to a successful career in fashion and media. The arc of this remarkable passage twists and turns in surprising ways, ensuring readers will believe in the concept that this life truly is what you make it. The text will debut as an exclusive multi-volume installation within 360 MAGAZINE and marks the inception of the brand’s foray into publishing.

This provocative coming-of-age story explores the power of branding strategy, a technique the writer developed at an early age and carried with him throughout his lifetime. Lowery, from the time he was a young child, is able to comprehend that one’s innate, individual self is their greatest commodity in life. Through the highs and lows that inform his experience, he stays true to that ideal. Lowery puts forward a raw and compelling narrative of a child, and later a man, who repeatedly picks himself up, reimagines his life, and finds innovative ways to move forward. The self-empowerment so emblematic in Lowery’s character and story promotes readers to adopt the author’s tactics in their own lives.

The influence of prominent civil rights leader Joseph Lowery, the writer’s grandfather, is prevalent in this work. A beacon for both hope and progress during the Civil Rights Movement, the legacy of Joseph Lowery weighs heavily on the narrator. This, along with his upbringing and existence as a black man in America, make Lowery both introspective and contextually aware when it comes to race. Moreover, draws parallels between the movement his grandfather championed and led, and the Black Lives Matter movement of today, exposing the failures of our system and calling for meaningful, systemic change. Both Joseph and Vaughn Lowery are members of the first intercollegiate historically African American organization Alpha Phi Alpha. Lowery simultaneously considers the work he can do, as a singular human being, to forward social justice causes in his day-to-day life and interactions with others. 

In 1920, his grandmother, Agnes Christine Moore Lowery (the little girl in the blue dress, also a member of Alpha Kappa Alpha), came with her grandmother to become the first black to vote in Tennessee. The kids’ book, The Big Day, depicts their journey the day she voted, now available on Amazon here.

Photo of LaJUNE by Armon Hayes for 360 Magazine

Photo: Armon Hayes, Talent: LaJUNE

360 Magazine is also now selling one of a kind home goods via Chairish, a curated marketplace for the best in vintage and contemporary furniture, decor and art. Check out this piece designed by 360’s founder Vaughn Lowery.

In the year 2020, which has been afflicted with an overwhelming amount of change, there has never been a timelier moment for insight from a man like Lowery. As mentioned, Lowery’s deep ties and connections to racial justice in America feels incredibly relevant, as do his thoughts on digital media, something Lowery pioneered years before COVID-19 forced the world hurriedly online. Constantly at the forefront of social change, Move Like Water × Be Fluid offers an understanding of the current moment, yet looks forward to the possibility of an evolved, cosmopolitan world. One that Lowery aspires to through all his works, including this installation and 360 MAGAZINE.

As we follow the author through grade school, high school and on through Cornell University, we collect advice from a myriad of powerful secondary characters. From all walks of life, these secondary support systems offer Lowery the push he needs to continue on striving towards something better. We watch Lowery model the work ethic of his admired older sister, gain confidence from an encouraging teacher, change the trajectory of his life due to a neighborhood mentor, and learn from the critique of a Residential Advisor. This self-help-book stands apart for never failing to appreciate the importance of an individual’s support system. Fittingly, while the book catalogues Lowery’s journey to success, it inspires and encourages readers in the same way Lowery’s community uplifted him – to take action towards a meaningful life.

Comparable titles to Move Like Water × Be Fluid include other stories of individuals who later turned to publishing their experiences in self-help books. Numerous celebrity examples include Becoming by Michelle Obama, Shoe Dog by Phil Knight, or The Path Made Clear by Oprah Winfrey. These titles, as well as Lowery’s first book, all feature introspection and explanations regarding the course of the authors’ lives. 

The following descriptions outlines the chapter-by-chapter journey within Move Like Water × Be Fluid.

Chapter 1: The beginning of Lowery’s journey is marked by his complicated childhood in Detroit, distinctly connected to his sense of place and community. Financial struggles and surroundings reminiscent of the song “Gangsta’s Paradise,” as well as the author’s early experience with assault contextualize the course of Lowery’s life.

Chapter 2: A childhood mood, coupled with the realization of his intelligence, swiftly changed the direction of Lowery’s life. Following a move to New Jersey to live with his older sister, Lowery’s early experiences of racism shine a light on his passion for racial justice today. The opportunity to participate in an honored education program again changes the trajectory Lowery follows.

Chapter 3: This chapter offers insight into the ups and downs of high school, a narrative many are familiar with. Yet, Lowery’s poised observations throughout the chapter reflect his early understanding of the world.

Chapter 4: After a remarkable yet complex journey through high school, Lowery achieves the first of many dreams by gaining the chance to attend Cornell University in New York. At Cornell, he is able to expand his understanding of self and what he hopes to accomplish.

Chapter 5: Saks Fifth Avenue recruits Lowery to work in their corporate office, marking Lowery’s first foray into the world of economics and fashion. The advice he gains from mentors in the field prompts him to shift towards a career in acting and modeling, supplemented by working in the Medicare Department of U.S. Healthcare.

Chapter 6: New York, in all its hectic nature, pointed Lowery west towards California where he could further capitalize on his talents in the entertainment industry.

Chapter 7: This chapter details one of the events in Lowery’s life for which he is best known: his commercials as “Joe Boxer Guy” that overwhelmed the nation. Following ups and downs in Los Angeles, this success cemented Lowery’s understanding of his own talents as well as his ties to L.A.

Chapter 8: Following an offensive home invasion, Lowery pivots to continue embracing what life throws at him with appearances on NBC’s “Scrubs” and “America’s Next Top Model.”

Chapter 9: With plenty of capital and the space to complement his next steps, Lowery founded 360 MAGAZINE in 2008, powering through the tidal wave that was the recession all due to his own brains and the belief in his product and brand.

Chapter 10: After another painful reminder of the inadequacies of the justice system in America due to an unjust prison stay, Lowery’s comprehension of what is truly important is once again realigned. Despite his negative experiences, his magazine is able to be on the cutting edge of the Los Angeles scene.

Chapter 11: The number 360 is ubiquitous to Lowery – one embodies the other. His appreciation for both his own capabilities and expertise, as well as the ones of others, assures his magazine and brand are constantly evolving. 

Chapter 12: Thinking on the future following the tragic death of a friend, Lowery is nowhere near finished and is more than ready to continue is many metamorphoses. He now exists in a space where he strives to empower others, all around the world. 360.

Move Like Water x Be Fluid, by Vaughn Lowery, is available this month exclusively on the 360 MAGAZINE’s website. 360 MAGAZINE has received numerous accolades, and has recently been featured on Dancing with the Stars. Stay in touch by following both Lowery (@vaughnlowery) and 360 (@360magazine)

Additionally Vaughn has an audio book titled, “Say Uncle: The Story of Vaughn Lowery” which loosely based on his childhood. It is available for here on Amazon Music. For additional info on Vaughn Lowery visit Wikipedia and IMDb.

Parris Goebel joins MasterClass

MasterClass × Parris Goebel – Creativity in Choreography

Justin Bieber, Jennifer Lopez and Rihanna. Janet Jackson, Ciara, and Jason Derulo. Nicki Minaj, Blackpink, and Shakira. Parris Goebel, the renowned choreographer, has worked with them all.

MasterClass, the streaming platform where anyone can learn from the world’s best across a wide range of subjects, today announced that award-winning choreographer Parris Goebel—known for her powerful work for some of the biggest names in the music industry—will teach a class on Creativity in Choreography. For the first time ever, Goebel will not only reveal her process for creating viral dance sensations, but also share insights on how to unlock creativity and turn goals into reality. Goebel’s class is now available exclusively on MasterClass, where subscribers get unlimited access to all 90+ instructors with an annual membership.

“Parris has choreographed for some of the biggest names in the music industry,” said David Rogier, founder and CEO of MasterClass. “Her MasterClass teaches us how to unleash the creative being within—it is both a how-to and a how-to-be, offering invaluable lessons and inspiration for anyone looking to find their creative voice.”

A New Zealand native, Goebel found her love of dance at the age of 10 before she formed the all-female dance group ReQuest, and later opened her own studio, the Palace Dance Studio, in Auckland. In 2012, she caught the eye of global superstar Jennifer Lopez, who hired Goebel to choreograph some numbers for her “Dance Again” world tour. Goebel went on to choreograph and direct Justin Bieber’s global hit video for “Sorry,” currently holding more than 3.3 billion views on YouTube; it’s one of the 13 videos she directed that make up Bieber’s “Purpose: The Movement” series. Now one of the most coveted choreographers of all time, Goebel has worked with some of the most iconic artists, including Janet Jackson and Nicki Minaj. She’s also worked extensively with Rihanna for more than five years, collaborating on the singer’s Savage X Fenty show, which led to a 2020 Emmy nomination for Goebel. She dominated headlines when she released her own dance video for Bieber’s 2020 single “Yummy,” followed by choreographing Jennifer Lopez’s halftime show for Super Bowl LIV, which showcased members of her award-winning dance crew, the Royal Family. Goebel is set to direct her first feature film “Murder on the Dance Floor,” which is an adaptation of her acclaimed street-dance-based production.

“I always knew that I wanted to create things that inspired young people and I turned that into my superpower,” Goebel said. “In my MasterClass, I’ll share the secrets and techniques to my creative process because when you can express confidence as a leader, choreographer and director, it’s contagious.”

Designed for anyone who wants to find their creative voice, Goebel’s MasterClass will give members a unique window into her creative process, from the inner work she has done to hone her style to a breakdown of how she choreographs and directs live dance performances and music videos. Through honest and vulnerable storytelling, Goebel will open up about her personal journey, from starting a studio at age 17 to pursuing her passion around the world, sharing insights on how to unlock creativity, develop your brand and harness the power of what makes you unique. Goebel will show members how to find their unique voice by letting their spirit go free, allowing them to unleash the creative being within.

For members looking to elevate their skills as a choreographer or music video director, Goebel will break down how to choreograph a large-scale dance routine, including selecting music, building choreography, adding dynamics and perfecting every detail and movement. Goebel will give members rare access to never-before-seen case studies of some of her most iconic choreography for Justin Bieber’s “Sorry” and Ciara’s “Level Up,” offering tips on how to work with artists, approach directing for the screen, casting and finding the best camera angles. Members will not only discover how to use dance and creativity to become masters in any field, they will also come away feeling inspired to find their own voice.

View the trailer here:

https://youtu.be/A9TczekUE3M

ABOUT MASTERCLASS:

Launched in 2015, MasterClass is the streaming platform where anyone can learn from the world’s best. With an annual membership, subscribers get unlimited access to 90+ instructors and classes across a wide range of subjects, including Arts & Entertainment, Business, Design & Style, Sports & Gaming, Writing and more. Step into Anna Wintour’s office, Ron Finley’s garden and Neil Gaiman’s writing retreat. Get inspired by RuPaul, perfect your pitch with Shonda Rhimes, and discover your inner negotiator with Chris Voss. Each class features about 20 video lessons, at an average of 10 minutes per lesson. You can learn on your own terms—in bite-size pieces or in a single binge. Cinematic visuals and close-up, hands-on demonstrations make you feel like you’re one-on-one with the instructors, while the downloadable instructor guides help reinforce your learning. Stream thousands of lessons anywhere, anytime, on mobile, tablet, desktop, Apple TV®, Android™ TV, Amazon Fire TV® and Roku® players and devices.

Follow MasterClass:

Twitter @masterclass

Instagram @masterclass

Facebook @masterclassofficial

 Follow Parris Goebel

Twitter @ParrisGoebel

Instagram @ParrisGoebel

Facebook @ParrisProject 

MasterClass × Queer Eye’s Tan France Teach Style

MasterClass, the streaming platform that makes it possible for anyone to learn from the best, announced today that esteemed fashion designer, television personality, and author Tan France will teach a class on style for everyone. France will teach members confidence-boosting tips and tricks to discover their own personal style.

VIEW NEW TRAILER HERE

Now available at MasterClass.com, members can subscribe for unlimited access to all new and existing 85+ classes through the All-Access Pass. MasterClass categories include business, culinary arts, film & television, music & entertainment, photography, sports and more.

“[France’s] mastery lies in his ability to transform people’s lives through personal style, self-discovery, and confidence,” said David Rogier, co-founder and CEO of MasterClass. “His MasterClass peels back the curtain on his process and offers practical tips for members to come away feeling inspired to find and develop their own style to feel like the best version of themselves.”

France started his career working for some of the world’s leading brands before launching his own successful women’s clothing company, Kingdom & State. Best known for his role as fashion expert for the Netflix series Queer Eye, he became one of the first openly gay Muslim and South Asian men on a mainstream television program. France is also the host of the digital series Dressing Funny, where he styles some of the world’s most popular comedians. In 2019, France released his memoir, Naturally Tan, which became a New York Times bestseller in Hardcover Nonfiction and a Sunday Times bestseller in the U.K. France resides in Salt Lake City, Utah, with his husband, Rob France.

“An investment in style is an investment in yourself and your happiness,” said France. “I’m excited to help members find their own confidence by looking into their closet and discovering who they want to be and how they want to feel. It’s different from anything I’ve ever done before.”

For members who are just beginning to approach style for the first time or those who feel stuck in a style rut, France’s MasterClass offers practical tips on how to find and develop their own personal style to feel like the best versions of themselves. Drawing from his experience styling on and off camera for the past 20 years, France dives into the fundamentals of style focusing on two easy-to-follow rules⁠—knowing proportions and knowing yourself. Building on the foundational tools of proportion and fit, he also explores how to create a capsule wardrobe and how to confidently mix and match color, pattern, and texture. Members will learn practical lessons on how to shop for clothes, dress for work, and navigate fashion trends as well as get a behind-the-scenes look at how France works his transformational magic on Queer Eye. Through simple, straightforward guidelines, members will leave feeling inspired to find the most stylish, confident version of themselves.

France’s MasterClass joins the 85+ classes taught by world-renowned instructors on culinary arts, photography, writing, performance, and much more. Each MasterClass has digestible video lessons sized to fit into any part of your day and cinematic visuals with close-up, hands-on demonstrations that make you feel one-on-one with the instructor. The All-Access Pass gives you access to every MasterClass and new ones as they launch. Learn on the go with mobile apps or in the comfort of your home with Apple TV®, Amazon Fire TV, Android TV and Roku® devices. Subscribe to greatness at MasterClass.com.

ABOUT MASTERCLASS:

Founded in 2015, MasterClass is the streaming platform that makes it possible for anyone to learn from the best. With MasterClass, step into Kelly Wearstler’s design studio, Ron Finley’s garden, and Neil Gaiman’s writing retreat. Improve your serve with Serena Williams, perfect your pitch with Shonda Rhimes, and leave the atmosphere with Chris Hadfield. Hundreds of classes from 85+ of today’s most brilliant minds are available anytime, anywhere, on iOS, Android, desktop, Apple TV, Amazon Fire TV, Android TV, and Roku devices with the All-Access Pass ($180/year). Subscribe to greatness with MasterClass.

MasterClass’s current roster of courses includes:

Business, Politics & Society: Jane Goodall (conservation), Bob Woodward (investigative journalism), Karl Rove and David Axelrod (political campaign strategy), Paul Krugman (economics and society), Howard Schultz (business leadership), Anna Wintour (creativity and leadership), Sara Blakely (self-made entrepreneurship), Bob Iger (strategy and leadership), Doris Kearns Goodwin (U.S. presidential history and leadership), Chris Voss (art of negotiation), Goodby and Silverstein (advertising and creativity), RuPaul (self-expression and authenticity), Robin Roberts (effective and authentic communication)

Culinary Arts: Gordon Ramsay (cooking), Alice Waters (home cooking), Thomas Keller (cooking techniques), Wolfgang Puck (cooking), Dominique Ansel (French pastry), James Suckling (wine appreciation), Aaron Franklin (Texas BBQ), Massimo Bottura (Italian cooking), Gabriela Cámara (Mexican cooking), Lynnette Marrero and Ryan Chetiyawardana (mixology), Ron Finley (gardening)

Film & TV: Werner Herzog (filmmaking), Martin Scorsese (filmmaking), Ron Howard (directing), Spike Lee (filmmaking), Mira Nair (independent filmmaking), Jodie Foster (filmmaking), Ken Burns (documentary filmmaking), Helen Mirren (acting), Samuel L. Jackson (acting), Judd Apatow (comedy), Aaron Sorkin (screenwriting), Natalie Portman (acting), David Lynch (creativity and filmmaking)

Lifestyle: Bobbi Brown (makeup and beauty), Kelly Wearstler (interior design), Brandon McMillan (dog training), Tan France (style)

Music & Entertainment: Steve Martin (comedy), Christina Aguilera (singing), Usher (performance), Reba McEntire (country music), Herbie Hancock (jazz), Deadmau5 (music production), Armin van Buuren (dance music), Hans Zimmer (film scoring), Tom Morello (electric guitar), Carlos Santana (art and soul of guitar), Timbaland (producing and beatmaking), Penn & Teller (magic), Itzhak Perlman (violin), Danny Elfman (music for film), Sheila E. (drumming and percussion), Jake Shimabukuro (ukulele)

Writing: James Patterson (writing), Shonda Rhimes (writing for television), David Mamet (dramatic writing), Judy Blume (writing), Malcolm Gladwell (writing), R.L. Stine (writing for young audiences), Margaret Atwood (creative writing), Dan Brown (writing thrillers), Neil Gaiman (storytelling), Billy Collins (poetry), David Baldacci (writing thrillers), Joyce Carol Oates (short story writing), David Sedaris (storytelling and humor)

Design, Photography & Fashion: Frank Gehry (architecture), Diane von Furstenberg (how to build a fashion brand), Annie Leibovitz (photography), Marc Jacobs (fashion design), Jimmy Chin (adventure photography), Will Wright (game design)

Sports & Games: Serena Williams (tennis), Stephen Curry (shooting, ball-handling, and scoring), Garry Kasparov (chess), Daniel Negreanu (poker), Phil Ivey (poker strategy), Simone Biles (gymnastics), Misty Copeland (ballet), Tony Hawk (skateboarding)

Science & Technology: Chris Hadfield (space exploration), Neil deGrasse Tyson (scientific thinking and communication)

For more information, please visit www.masterclass.com.

Paxti’s Pizza Porter Ranch Signature Dish

Patxi’s Pizza Porter Ranch

By Krishan Narsinghani

Established in San Francisco, Patxi’s Pizza opened up it’s second SoCal location in Porter Ranch, California at the end of July. The patio has ample seating while following strict six feet social distancing guidelines. Having tried Chicago deep dish several times, Patxi’s recipe does not disappoint. Try mix and matching signature favorites like the half Spinach Pesto (vegetarian) and half Old Chicago Style (meat) on one pie. The sauce is zesty and packs a flavorful punch reminiscent of that in Little Italy. Pro tip from the servers – try a little honey on the crust! The new obsession.

Patxi’s Pizza is best known for its deep-dish but other favorites include Thin Crust Pizzas, Signature Piadina’s, and Dessert Pizzas (try the apple one). After one meal, you’ll be converted to their foodie fanbase. The restaurant will host indoor seating for up to 80 guests when it is safe to do so and is currently utilizing their two patios that seat up to 40 guests for safe, patio dining. Not to mention, it’s conveniently located at The Vineyards Shopping Mall so you can walk off those calories and shop in the area.

Early favorites at Patxi’s Porter Ranch include the Chicken Tikka Masala, a deep-dish pizza with spicy tikka masala sauce, spinach, herb-roasted chicken, red onion, roasted garlic, tomatoes and cilantro. Guests have also been loving the 100% Vegan Deep-Dish Pizza. The homemade sauce and dough are already vegan-friendly, but to our surprise, top-off your pie with gooey vegan mozzarella cheese.

Something special about the ambiance arouses when entering the dining establsihment which took a moment to figure out. The impressive service from not only the server but also the owner of this branch made not only guests, but also his staff, feel important and attended. From their exceptional service to homemade sauce and dough to the gooey cheeses, it’s time we all join the Patxi’s family.

See Patxi’s featured in LA’s Best COVID Curbside Restaurants.

Kamala Harris illustration done by Mina Tocalini of 360 MAGAZINE.

Joe Biden × Kamala Harris

Presidential candidate Joe Biden has declared California Senator Kamala Harris his Vice President running mate. Former Vice President Joe Biden’s selection of Senator Kamala Harris Harris shows Biden doubling down on his long history of excessive law enforcement and support for the war on drugs. 

In a year of national uprising against police violence, Kamala Harris who spent 25 years in law enforcement is an ironic selection. Her campaign for president ended quickly as she dropped out of the race two months before the Iowa Caucus and three days before the filing deadline to be on the ballot in her home state of California, where she was behind in the polls. Part of her decline was caused by voter dismay at her reversal on Medicare For All, when she flip-flopped to a policy that subsidized private health insurance and misleadingly continued to call it Medicare for All.

While Joe Biden was the principal legislative architect of the drug war and mass incarceration from his time on the Senate Judiciary Committee, Harris’s record as a prosecutor and Attorney General was as a foot soldier in the drug war and mass incarceration. As the San Francisco District Attorney drug-related prosecutions increased from 56 percent in 2003 to 74 percent in 2006. In 2019, she admitted smoking marijuana in college but while Attorney General of California from 2011-2017, Harris sent at least 1,560 people to prison over marijuana-related offenses. In 2014, a week after the New York Times called for legal marijuana, Harris laughed when asked if she supported it. Now, she supports ending federal laws against marijuana, a position not held by Biden.

While Biden sponsored mandatory sentencing, Harris defended one of the worst mandatory sentencing laws in the US, California’s ‘three strikes law’ that also applied to “minor” felonies. She campaigned against a voter initiative that would have reformed this to require serious or violent felonies for life sentences. Harris did not take a position on two ballot initiatives in 2012 and 2014 that would have reduced punishment for low-level crimes and given judges more flexibility at sentencing. Both initiatives passed without her support.

After the killing of Michael Brown in Ferguson, MO, police accountability was on the agenda in the California legislature. Harris refused to take a position on racial profiling by police. As Attorney General she refused to investigate highly questionable police shootings in Los Angeles 2014 and in San Francisco in 2015.

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Ballerina illustration done by Mina Tocalini of 360 MAGAZINE.

SF Ballet Release Film

San Francisco Ballet announces the premiere of Dance of Dreams, a new dance film directed by Benjamin Millepied, featuring San Francisco Ballet dancers performing choreography by Justin Peck, Dwight Rhoden, Janie Taylor, and Christopher Wheeldon. Filmed in iconic San Francisco locations including the Palace of Fine Arts and the Golden Gate National Recreation Area, the new six-minute film is set to “Scène D’Amour” by Bernard Hermann from Vertigo, Alfred Hitchcock’s San Francisco–based thriller film from 1958, played by members of SF Ballet Orchestra. “The connection of this company to the people of San Francisco is so strong. It’s a die-hard audience,” says director Benjamin Millepied. “Dance of Dreams is a moment of dancing, a moment of reconnecting dancers to the city and the thing they love most.” Click here to see the film trailer. “Here in San Francisco, we’re still sheltering in place and I wanted to explore new work under these circumstances. Dance of Dreams celebrates San Francisco, while giving our dancers the freedom to move outdoors in some of the most beautiful landscapes in the Bay Area, and with choreography by some of the finest choreographers of our time,” says SF Ballet Artistic Director Helgi Tomasson. “Benjamin [Millepied] felt like a natural fit to direct this project. I am thrilled to be able to work with him in a capacity that integrates his background in film and cinematography with dance.” 

Dance of Dreams offers a glimpse of San Francisco as the city enters its fifth month of shelter-in-place restrictions. The film is choreographed for six dancers, including solos for Principal Dancers Joseph Walsh and Frances Chung, choreographed by Peck and Taylor, respectively; and pas de deux for Soloists Ellen Rose Hummel and Daniel Deivison-Oliveira, choreographed by Rhoden, and Soloist Madison Keesler and Principal Dancer Benjamin Freemantle, choreographed by Wheeldon. SF Ballet Orchestra Music Director Martin West mixed and mastered the recording, which incorporates more than 150 tracks recorded remotely by more than 60 musicians from the Orchestra. With this project, the Company enters an era of unprecedented digital engagement via uncharted territories, grappling with what is lost while ushering in new future possibilities. Millepied and all of the choreographers generously donated their time, working remotely from their respective locales.

The film begins with Joseph Walsh on the grounds of the iconic San Francisco Art Institute in movements that suggest a yearning for what the past and future hold: community, connection, and love. Shifting to an evening scene beside the Golden Gate Bridge, San Francisco’s foggy weather greets Hummel and Deivison-Oliveira, leading to Chung in solitude against the rugged shores of Sausalito. Among the swells and sonorities of Hermann’s “Scène D’Amour,” the film ends at the Palace of Fine Arts, a location featured in the film Vertigo. Keesler and Freemantle offer a closing pas de deux—an ode to perseverance through challenging times.

Social distancing rules were observed during the filming process, and the pas de deux are danced by dancers who have been sheltered in place together. Dance of Dreams will be available to the public at 12 noon U.S. PDT on August 13, 2020 on SF Ballet @ Home, YouTube, Facebook, and IGTV.

Millepied and Tomasson’s professional relationship began two decades ago at New York City Ballet (NYCB), when Millepied danced a principal role in Tomasson’s Prism as part of NYCB’s 2000 Diamond Project IV. Millepied began choreographing while at New York City Ballet and created his first work for SF Ballet—set to John Adams’ “The Chairman Dances”—in 2017. He is now Artistic Director of L.A. Dance Project, and his career has expanded to include filmmaking; he founded The Amoveo Company, a multimedia production company, in 2012. For Dance of Dreams, Millepied selected the music and settings; Tomasson invited the participation of the four choreographers whose work the film features.

Director Benjamin Millepied is a choreographer, filmmaker, and artistic director distinguished by his career as a dancer at New York City Ballet and his growing body of creative work. Born in Bordeaux, France, Millepied trained with his mother, Catherine Flori; at the Conservatoire National de Lyon; and at the School of American Ballet before becoming a principal dancer with New York City Ballet. His choreography is performed by New York City Ballet, Paris Opera Ballet, San Francisco Ballet, American Ballet Theatre, Berlin Staatsoper, Mariinsky Ballet, among many others, and was featured in Darren Aronofsky’s award-winning film Black Swan, in which he also starred. Millepied founded the L.A. Dance Project in 2012. In 2013, he was appointed director of Paris Opera Ballet, where he was the subject of the documentary film Reset. He returned to Los Angeles in 2016 to focus on L.A. Dance Project and his own choreography and filmmaking. Among many awards and honors, Millepied was made a Chevalier of the Order of Arts and Letters by the French Ministry of Culture. 

Choreographer Justin Peck is Resident Choreographer and Artistic Advisor with New York City Ballet (NYCB). Peck joined NYCB in 2006 and was promoted to Soloist in 2013. He began choreographing in 2009 at the New York Choreographic Institute. In 2014, after the creation of Everywhere We Go, Peck was appointed Resident Choreographer of NYCB. He also served as a member of NYCB’s interim artistic team from December 2017 until his appointment as Artistic Advisor in February 2019. He has created more than 30 ballets, which have been performed by Paris Opera Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet, L.A. Dance Project, Dutch National Ballet, The Joffrey Ballet, Houston Ballet, and Pennsylvania Ballet. In 2014, Peck was the subject of the documentary Ballet 422, which followed him as he created Paz de la Jolla, NYCB’s 422nd original dance. Peck choreographed the 2018 Broadway revival of Carousel, for which he was awarded the 2018 Tony Award for Best Choreography. In addition, Peck choreographed the feature film Red Sparrow, and will be creating new choreography for the upcoming film remake of West Side Story, directed by Steven Spielberg. His Rodeo: Four Dance Episodes won the Bessie Award for Outstanding Production in 2015. Peck created his first work for SF Ballet, In the Countenance of Kings, in 2017. His second work for the Company—Hurry Up, We’re Dreaming—was created for the 2018 Unbound: A.

Choreographer Dwight Rhoden is founding artistic director and resident choreographer of Complexions Contemporary Ballet. Born in Dayton, Ohio, he performed with Dayton Contemporary Dance Company, Les Ballets Jazz De Montréal, and as a principal dancer with Alvin Ailey American Dance Theater. He has choreographed for New York City Ballet, Alvin Ailey American Dance Theater, Aspen Santa Fe Ballet, BalletMet, Colorado Ballet, Dance Theatre of Harlem, Dayton Contemporary Dance Company, The Joffrey Ballet, Miami City Ballet, Pennsylvania Ballet, Philadanco, Pittsburgh Ballet Theater, The Washington Ballet, Ballet Nice Mediterranean, Rome Opera Ballet, and Tulsa Ballet, among others. Rhoden has directed and choreographed for television, film, and theater, including So You Think You Can Dance, Cirque du Soleil, world tours for Prince and Lenny Kravitz, and the feature film One Last Dance. Rhoden was nominated for a Benois de la Danse Award for his The Great Gatsby for the Mariinsky Ballet. He’s been an artist in residence at USC Kaufman, Boston Conservatory, The Juilliard School, New York University, and Southern Methodist University. Honors include a New York Foundation for the Arts award, induction in the NYFA Hall of Fame, the Choo-San Goh Award for Choreography, and an Honorary Doctorate from Boston Conservatory. Rhoden created LET’S BEGIN AT THE END, his first work for SF Ballet, for Unbound: A Festival of New Works in 2018.

Choreographer Janie Taylor is a dancer and stager with L.A. Dance Project and a former principal dancer with New York City Ballet. Born in Houston, she trained in Texas and Louisiana before attending the School of American Ballet in New York, where she received the Mae L. Wien Award. She joined New York City Ballet in 1998, and was promoted to soloist in 2001 and principal dancer in 2005. Taylor appeared in the 2000 feature film Center Stage. Since retiring from the New York City Ballet in 2014, she has staged ballets on companies around the world. She has also started a career in design, creating costumes for New York City Ballet and L.A. Dance Project. In 2016, she joined L.A. Dance Project as a dancer and rehearsal director. 

Choreographer Christopher Wheeldon, OBE, trained at The Royal Ballet School and danced with The Royal Ballet and New York City Ballet (NYCB). Wheeldon was named NYCB’s first resident choreographer in 2001 and has since created works for many of the world’s major ballet companies. He founded Morphoses/The Wheeldon Company in 2007. Wheeldon now serves as artistic associate of The Royal Ballet, where choreography credits include Alice’s Adventures in Wonderland and The Winter’s Tale. He choreographed Dance of the Hours for Ponchielli’s La Gioconda and Richard Eyre’s Carmen for the Metropolitan Opera, as well as a special excerpt for the London 2012 Olympics Closing Ceremony, ballet sequences for the film Center Stage, and the Broadway musical Sweet Smell of Success. In 2014, Wheeldon directed and choreographed the musical An American in Paris, for which he won the Tony Award for Best Choreography and Outer Critics Circle Award for Best Choreography and Direction. Other recent credits include a reimagination of The Nutcracker for The Joffrey Ballet, a gala presentation of Lerner & Loewe’s Brigadoon starring Kelli O’Hara and Patrick Wilson at New York City Center, the premiere of Corybantic Games with The Royal Ballet, and productions of Alice’s Adventures in Wonderland in Tokyo, The Winter’s Tale with The Bolshoi Ballet, and a re-staged version of Cinderella for the English National Ballet at The Royal Albert Hall. Among Wheeldon’s awards are two Olivier awards for Aeternum and Polyphonia, and two Benois de la Danse awards for Cinderella and The Winter’s Tale, as well as the Martin E. Segal Award, American Choreography Award, a Dance Magazine Award, multiple London Critics’ Circle Awards, and the Léonide Massine Prize for new choreography. In 2016, Wheeldon was named an OBE and made an Honorary Fellow of American Academy of Arts and Sciences. 

San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

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Tyga illustration done by Mina Tocalini of 360 MAGAZINE.

Tyga Bites

Grammy-nominated hip-hop artist, Tyga, joins forces with renowned restaurateur Robert Earl and Earl’s son Robbie, for the launch of TYGA BITES, a celebrity-owned virtual dining concept. Now available through Grubhub, TYGA BITES is a delivery-only concept that specializes in antibiotic-free, oven-baked, boneless chicken bites. Grubhub will be offering free delivery on orders of $15 or more for the entire month of August to new and existing customers on their first purchase of TYGA BITES*.

With the idea conceived by Tyga, Earl paired the artist with acclaimed chef, author, and TV personality, Eric Greenspan, to create a carefully crafted, bite-sized all-natural chicken that’s baked, not fried. Tyga curated TYGA BITES by adding his own specialty spice dusts that sprinkle the chicken with the right amount of sweet and spice, along with a wide variety of dipping sauces to further enhance the flavors.

“I wanted to make sure the whole menu, flavors, and even the packaging was on point,” said Tyga. “The bites are baked just right; choose a dip then take a sip! I even threw in some chocolate chip cookies for dessert.”

TYGA BITES’ online menu offers crispy, oven-baked chicken bites in three different spice dusts including Black Garlic, Lemon Black Pepper, and Peri-Peri, a mix of tangy, sweet and spicy. The bites will also be served with the option of twelve different dips, along with regular or sweet potato Tyga Tots, chocolate chip cookies, and beverages.

“Tyga has been an inspiration to collaborate with on this brand—his instincts are spot-on,” said Robert Earl, Founder of Virtual Dining Concepts. “Consumers can now enjoy TYGA BITES at home through our partnership with Grubhub, offering contact-free delivery for everyone’s added comfort and peace of mind.”

“Today begins the independent restaurant revolution,” Robbie Earl elaborates. “We have created a blueprint that restaurants can truly benefit from with our VACs (virtual additional concepts). We are offering restaurateurs the opportunity to operate a second brand within their existing brick and mortar location, increasing their bottom line by also becoming a virtual kitchen owner.”

“Working with our partners at Virtual Dining Concepts on the new TYGA BITES brand, we have the exciting opportunity to provide our diners a new variety to choose from when ordering in,” stated Kevin Kearns, Senior Vice President, Restaurant Network at Grubhub. “We’re thrilled to give independent restaurants on our platform the opportunity to increase their total business by working with TYGA BITES, and by adding new locations across the country for our diners to try – it’s a win, win for everyone.”

TYGA BITES is now available in more than 30 major markets across the country, and with the support of independent restaurants, it is projected to have contracts with up to 500 locations by the end of August. Consumers based in Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, Denver, Las Vegas, Houston, Washington D.C., Austin, Seattle, Salt Lake City, Pittsburgh, Albuquerque, Sacramento, St. Paul, Kansas City, Scottsdale, Columbus, Minneapolis, and Louisville are among the first wave with many additional locations opening soon.

A delivery-only virtual restaurant launched by Grammy-nominated recording artist Tyga and restaurateur Robert Earl, TYGA BITES taps into kitchens of existing brick-and-mortar restaurants located across the U.S. and is delivered to your door thru Grubhub. The menu features tender chicken that is baked and flavored with a choice of seasoning dusts, accompanied with a wide selection of dipping sauces, sides, and cookies. TYGA BITES initial rollout includes the following cities: Los Angeles, New York, Boston, San Francisco, Phoenix, Chicago, Philadelphia, and Denver. Additional locations will be added regularly. Consumers looking for a location near them should search for TYGA BITES on the Grubhub app. For more information please follow us @eattygabites on Instagram, Twitter, and Facebook.

Grubhub is a leading online and mobile food-ordering and delivery marketplace with the largest and most comprehensive network of restaurant partners, as well as nearly 24 million active diners. Dedicated to connecting diners with the food they love from their favorite local restaurants, Grubhub elevates food ordering through innovative restaurant technology, easy-to-use platforms and an improved delivery experience. Grubhub features nearly 300,000 restaurants and is proud to partner with more than 200,000 of these restaurants in over 4,000 U.S. cities. The Grubhub portfolio of brands includes Grubhub, Seamless, LevelUp, AllMenus and MenuPages.

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