Posts tagged with "cinema"

POP Montreal Poster via POP Montreal for use by 360 Magazine

Pop Montreal 2021

POP Montreal 2021 will be a hybrid festival, in-person and virtual. For in-person concerts, the current Covid-19 protocols will be applied and a health pass will be required at the entrance of the concerts. If you are planning to attend a performance, you must purchase your tickets online in advance. There will be no tickets available at the door.

We will also have our Art POP exhibition on the third floor of the Rialto, Puces POP at Église Saint-Denis, conferences and discussions with POP Symposium at the Rialto, Film POP at Cinéma Moderne and at L’Entrepôt77 (ciné-concert) as well as Kids POP at Parc Saint-Viateur.

Art POP

This year, Art POP will be hosting its annual group exhibition as well as several satellite events that will bring live performances, sound installations and poster campaigns into the public spaces surrounding POP’s headquarters at the Rialto Theatre complex. POP Reads, Montreal’s bilingual reading event, will be back again for a third edition with another great lineup of local writers and readers.

This year’s group show, Cover Story, will be mounted at Studio Rialto, the former dance studio turned temporary exhibition space. The exhibition will position the artist as an interrogative and investigative body that seeks to uncover lies, debunk cultural myths, and expose half truths. 

As a visitor to the exhibition space, you will interact with research made visible, historical reenactments, and illusory installations attempting to demonstrate the internal processes behind artistic truth telling. Once you’ve made your rounds of the exhibition, head up to the rooftop to catch an immersive audiovisual performance by artists Peter Hernández, Suzanne Kite and John-Elio Reitman.

Outside the walls of the Rialto complex, Art POP expands into the Mile End to bring the public Calling Planet Earth! Ligne d’alerte!, a series of roving, site-specific radio interventions curated by artists Emmanuel Madan and Martín Rodríguez. While walking through the neighbourhood, keep your eyes peeled for SEEKING, a public series of posters by artist Florence Yee, acting as playful advertisements that allude to what we may seek from our community: an old tradition, a memory, a feeling, justice. 

Film POP 

Just narrowly escaping the streaming fate of many 2021 festivals, this edition of Film POP returns to Cinéma Moderne for an explosive big-screen showcase of the year’s best in music cinema. From portraits of contemporary icons and all-but-forgotten pioneers to deeply personal, political and experimental works, this year’s programming is all about coming together and finding ways to look forward, beyond the past 18 months. 

This year’s highlights include David Wexler’s Disintegration Loops (2021), a documentary about William Basinski’s seminal album series on the 20th anniversary of the 9/11 attacks, Bobbi Jo Hart’s Fanny: The Right To Rock (2021), about one of the first all-female rock bands to know critical and commercial success, Les Blank’s newly restored I Went to the Dance (1989), the definitive film on South Louisiana’s Cajun and Creole/Zydeco music scene, and Jeremy Ungar & Ivaylo Getov’s Soy Cubana, about the Cuban acapella group the Vocal Vidas’ historic trip to perform in Los Angeles.

POP Symposium

This year’s POP Symposium aims to envision a post-pandemic future for the music industry and the performing arts at large and will move between big ideas, like how to create socially ethical arts industries, to the specifics, like how did anyone successfully release music without touring last year?

Along with many practical panels on artist development, Symposium will also be exploring ideas around liminality. Can lectures look like performances? Can histories be written through art? How can artists embody anti-gentrification in their practices?

Overall, we are excited for another hybrid edition of POP Symposium and we hope our audiences both at home and in the beautiful Rialto Hall will find a hopeful space for learning and sharing knowledge. 

Kids POP 

This year, Kids POP takes place Sunday, September 26th. Please join us and bring the noise!

Join children’s publisher The Secret Mountain for a picnic in the sun, a paper bag puppet parade, and an animated family concert! This activity-packed day will celebrate the release of a new musical picture book, A Picnic in the Sun by Christiane Duchesne, Jérôme Minière, and Marianne Ferrer.  

Start the day at Saint Viateur Park with a picnic and a paper bag puppet-building workshop. Then hit the road with your puppets for a festive puppet parade down Bernard Avenue—complete with a mini-marching band! And then, last but not least, settle in for the main event: a children’s concert at Rialto Theatre with performances by Clerel, Geneviéve Toupin, Jérôme Minière, and José Major! Plus, share a picture of your paper bag puppet with The Secret Mountain for a chance to see your creation brought to life—as a stuffed toy—by the studio-boutique Raplapla!

LGBT flag illustration by Symara Wilson for 360 Magazine

Outfest 2021

If you’re looking for new entertainment, good news: Outfest L.A 2021 has released the dates, venues, and lineup for its 39th film festival. Outfest LA is returning to in-person screenings more than a year and a half after the Covid-19 pandemic. With nearly 200 films in every genre, Outfest includes voices and stories from the entire queer community.

The nation’s leading LGBTQ+ festival will be held from August 13 to 22 in-person. Alternatively, for those at-risk or those who are outside of the Los Angeles area, Outfest also announced that nearly every film will be available for streaming as well. The 2021 LGBTQ film festival kicks off with an opening night screening of Everybody’s Talking About Jamie directed by Jonathan Butterell, marking the festival’s first outdoor gala taking place at the Hollywood Forever Cemetery. On August 22, Fanny: The Right to Rock directed by Bobbi Jo Hart will be the closing night film screening at the Orpheum Theatre.

The Platinum Section will be showcasing creators of experimental LGBTQ media and performance, featuring films such as Sundance hit We’re All Going to the World’s Fair and UK documentary Rebel Dykes. The Legacy section will feature screenings of classic LGBTQ features including The Incredibly True Adventures of Two Girls in Love by director Maria Maggenti.

Not just film screenings, the festival will also include special appearances by Max Harwood and others, with live performances by BeBe Zahara Benet and more. The fifth annual Trans and Non-Binary Summit will be presented, in addition to other special events. Outfest will also present memorial tributes to Outfest alum Ash Christian and icon Cloris Leachman.

General admission tickets are $16. More information on exact prices and films can be found on the official website.

Full list of film screenings and activities listed below:

OPENING NIGHT

EVERYBODY’S TALKING ABOUT JAMIE dir. Jonathan Butterell

Including Special in-person appearances planned by Max Harwood, Lauren Patel, Jonathan Butterell as well as Bianca del Rio.

CLOSING NIGHT

FANNY: THE RIGHT TO ROCK dir. Bobbi Jo Hart

Live reunion performance after the screening by Fanny, including members Jean Millington, June Millington, Alice de Buhr, and Brie Darling, joined by Patti Quattro and Lee Madeloni.

U.S. CENTERPIECE

THE NOVICE dir. Lauren Hadaway

DOCUMENTARY CENTERPIECE

BEING BEBE dir. Emily Branham

Special live performance by BeBe Zahara Benet.

SPECIAL TRIBUTE CENTERPIECE

THE SIXTH REEL (World Premiere) dir. Charles Busch, Carl Andress

Special memorial tribute to producer and Outfest alum Ash Christian, who passed away during the development of this film in 2020.

U.S. NARRATIVE

  • ALL BOYS AREN’T BLUE dir. Nathan Hale Williams
  • FIRSTNESS dir. by Brielle Brilliant
  • HOMEBODY (World Premiere) dir. Joseph Sackett
  • LANGUAGE LESSONS dir. Natalie Morales
  • MA BELLE, MY BEAUTY (Online Only) dir. Marion Hill
  • POTATO DREAMS OF AMERICA dir. Wes Hurley
  • SEE YOU THEN dir. Mari Walker
  • WE NEED TO DO SOMETHING dir. by Sean King O’Grady

INTERNATIONAL NARRATIVE

  • THE BEST FAMILIES dir. Javier Fuentes-León
  • BOY MEETS BOY dir. Daniel Sánchez
  • A DISTANT PLACE dir. Kun-Young Park
  • FIREBIRD dir. Peeter Rebane
  • JUMP, DARLING dir. Phil Connell Screening will be accompanied by a celebrity memorial tribute to Cloris Leachman, as well as a rare, pre-recorded introduction by Cloris Leachman herself
  • KNOCKING (Theatrical Only) dir. Frida Kempff
  • LEADING LADIES dir. Ruth Caudeli
  • LOVE, SPELLS, AND ALL THAT dir. Ümit Ünal
  • SWEETHEART dir. Marley Morrison

DOCUMENTARY

  • BOULEVARD! A HOLLYWOOD STORY (World Premiere) dir. Jeffrey Schwarz
  • CRYSTAL DIARIES dir. Enyce Smith and Gina Lamb
    GEMMEL AND TIM (World Premiere) dir. Michiel Thomas
  • EVERYTHING AT ONCE dir. Alberto Fuguet
    INVISIBLE dir. T.J. Parsell – including live performance by Mary Gauthier, Jess Leary, Dianne Davidson, and other members of the cast
  • LADY BUDS dir. Chris J. Russo – Sneak Preview Screening
  • MY NAME IS PAULI MURRAY dir. Betsy West and Julie Cohen
  • NO STRAIGHT LINES: THE RISE OF QUEER COMICS dir. Vivian Kleiman
  • NORTH BY CURRENT dir. Angelo Madsen Minax
  • RAW! UNCUT! VIDEO! Dir. by Alex Clausen and Ryan A. White
  • SEDIMENTS (International Premiere) dir. Adrián Silvestre

PLATINUM SECTION

  • SOCKS ON FIRE dir. Bo McGuire – Platinum Centerpiece, will include a pre-show drag performance emceed by director Bo McGuire
  • DEATH AND BOWLING (World Premiere) dir. Lyle Kash
  • REBEL DYKES dir. Harri Shanahan and Siân A. Williams
  • WE’RE ALL GOING TO THE WORLD’S FAIR dir. Jane Schoenbrun

PLATINUM SHORTS SHOWCASE (89 min.)

  • EXORCISMS AND OTHER SUPPLICATIONS dir. Georden West
  • DWARF PLANET dir. Adrian Chiarella
  • HYENA dir. Zinzi LeMond
  • BODIES OF DESIRE dir. Varsha Panikar and Saad Nawab
  • THE CROWN WITH A SHADOW dir. JB Ghuman
  • MAN OF MY DREAMS dir. Tristan Scott-Behrends
  • NSFW (ANGRY YELLOW MEAT) dir. Woohee Cho
  • CHILDHOODS dir. Aaron Biscombe
  • F1-100 dir. Emory Chao Johnson
  • REBEL dir. Jose Alfredo and Coker Jones Garcia
  • MONSTER GIRL dir. Jake Mcclellan and Eric Griffin
  • RUN OUT GROOVE dir. Paige Henderson
  • JUPITER & EUROPA dir. Milo Ferguson
  • IN THE AIR TONIGHT dir. Tito Soto

SPECIAL EVENTSLive performance elements are subject to change as policy around Los Angeles’ mask mandate evolves.

  • AIDS DIVA: THE LEGEND OF CONNIE NORMAN
  • BALONEY – Screening will be accompanied by a live Baloney show and a Q&A moderated by RuPaul’s Drag Race star BenDeLaCreme
  • THE EXTINCTION OF FIREFLIES dir. James Andrew Walsh
  • LA QUEENCIAÑERA (World Premiere) dir. Pedro Peira
  • THE LEGEND OF THE UNDERGROUND dir. Giselle Bailey, Nneka Onuorah – (Free Screening)
  • PROGNOSIS – NOTES ON LIVING dir. Debra Chasnoff
  • SHIT & CHAMPAGNE dir. D’Arcy Drollinger – Champagne White will host a ridiculous pre-show with members of the cast and the world’s trashiest “strippers”
  • THIS IS JESSICA dir. Andrea Meyerson
  • TRANS & NON-BINARY SUMMIT
  • OUTFEST SCREENWRITING LAB LIVE READ

EPISODICS

  • BOY CULTURE – Episodes 1 & 2
  • NOAH’S ARC: THE ‘RONA CHRONICLES
  • BRIDESMAN World Premiere
  • THR PRESENTS: WORK IN PROGRESS Season 2 – FREE EVENT

LEGACY

  • THE INCREDIBLY TRUE ADVENTURES OF TWO GIRLS IN LOVE dir. Maria Maggenti
  • QUINCEAÑERA (15TH ANNIVERSARY) dirs. Richard Glatzer & Wash Westmoreland
    Theatrical Only
  • VESTIDA DE AZUL (DRESSED IN BLUE) – U.S. Restoration Premiere! Theatrical Only

SHORT FILMS

  • 1-888-5-BLUE-YOU dirs. Jake Mcclellan, Eric Griffin
  • 2 DOLLARS dir. Robin Cloud
  • ALL THOSE SENSATIONS IN MY BELLY dir. Marko Djeska
  • ALMOST A YEAR dir. Jamieson Baker
  • AND THEN dir. Ravenna Tran
  • ARE YOU STILL WATCHING? dirs. Tali Polichtuk, Kitty Chrystal, Alex Cardy
  • AT LAST dir. Lorena Gordon
  • AUTOETHNOGRAPHY dir. Iván Reina Ortiz
  • BEAUTIFUL THEY dir. Cloudy Rhodes
  • BEFORE THE ERUPTION dir. Roberto Pérez Toledo
  • BETWEEN US dir. Cailleah Scott-Grimes
  • BLACK BOY JOY dirs. Joshua Walker, Avery Archie
  • BODIES OF DESIRE dirs.Varsha Panikar, Saad Nawab
  • BOREKAS dir. Saleh Saadi
  • BRACHA dirs. Mickey Triest, Aaron Geva
  • BREAK IN dir. Alyssa Lerner
  • CHILDHOODS dir. Aaron Alexis
  • CHLOE MARY LYDIA dir. Megan Chumbley
  • COCOON LOVE dir. Xiaowen Wang
  • CODED dir. Ryan White
  • COMPLICATED dir. Isak Kohaly
  • COVID SUMMER dir. Todd Verow
  • DAISY BOY dir. Aj Knight, Darrin Bush
  • DREAMER dir. Stephanie Osuna-Hernandez
  • DUSTIN dir.Naïla Guiguet
  • DWARF PLANET dir. Adrian Chiarella
  • EDEN dir. Sven Spur
  • EGGSHELLS dir. Slava Doycheva
  • EXORCISMS AND OTHER SUPPLICATIONS dir. Georden West
  • F1-100 dir. Emory Chao Johnson
  • FAREWELL dir. Maria Åkesson
  • FERVOR dir. José Manuel Vélez
  • FISHBOWL dir. Jacqueline Chan
  • FISHERMAN dir. Nicky Miller
  • GAYME ON dir. Giovanni Adams
  • GIRL NIGHT STAND: CHAPTER TWO dir. Jenna Laurenzo
  • GIRLS & THE PARTY dir. Paloma Lopez
  • GIRLS SHOULDN’T WALK ALONE AT NIGHT dir. Katerine Martineau
  • GOD’S DAUGHTER DANCES dir. Sungbin BYUN
  • GRADUATION dir.Robin Wang
  • GROWING FANGS dir. Ann Marie Pace
  • HEADLOCK dir. Damon Laguna
  • HOMEGOING dir. Carlton Daniel JR.
  • HOT DREAMS dir. Darci Fulcher, Vaughn Greve
  • HOW MOVING dir. Owen Thiele
  • HOW TO BE QUEER dir. Monica Zanetti
  • HOW TO DIE YOUNG IN MANILA dir. Petersen Vargas
  • HOW TO RAISE A BLACK BOY dir. Justice Jamal Jones
  • HYENA dir. Zinzi LeMond
  • IN THE AIR TONIGHT dir. Tito Soto
  • IT WAS THE DOG THAT SAVED MY LIFE dirs. Adam Golub, Sylvaine Alfaro
  • IT’LL BE OVER SOON dir. Benjamin Rigby
  • JACK AND JO DON’T WANT TO DIE dir. Kantu Lentz
  • JUPITER & EUROPA dir. Milo Ferguson
  • KWÊSKOSÎW (SHE WHISTLES) dir. Thirza Cuthand
  • LITTLE MX. SUNSHINE dir. Alessandro Nori
  • LITTLE SKY dir. Jess X. Snow
  • LUV U CUZ dir. Eric Pumphrey
  • MAMA HAS A MUSTACHE dir. Sally Rubin
  • MIND OVER TIME dir. Will Holst
  • MOTHER BUNKER dir. George Metaxas
  • MOTTA dir. Nish Gera
  • MOUNTAIN LODGE dir. Jordan Wong
  • NARCISSISTER BREAST WORK dir. Narcissister
  • NI AQUÍ NI ALLÁ dir. Ley Comas
  • NIMZO dir. Adelina Anthony
  • NOOR & LAYLA dir. Fawzia Mirza
  • NSFW (ANGRY YELLOW MEAT) dir. Woohee Cho
  • NUCLEAR FAMILY dir. Faustine Crespy
  • OF SELF-BLESSING dir. golden lionheart collier
  • OLLIES ON THE MOON dir. Brittany Campbell
  • ONLY FOR THE NIGHT dir. LaQuan Lewis
  • OUR BED IS GREEN dir. Maggie Brennan
  • OVER MY DEAD BODY dir. Quinlan Orear
  • OVER MY DEAD BODY dir. Tamiah Bantum
  • PEACE dir. Adomako Aman
  • PINE dir. Bethany Michalski
  • PINK & BLUE dir. Carmen LoBue
  • PLAISIR dir. Molly Gillis
  • POOL BOY dir. Luke Willis
  • PRIVATE PHOTOS dir. Marcelo Grabowsky
  • PURE dir. Natalie Jasmine Harris
  • QUEER ISOLATION dir. Jordana Valerie Allen-Shim
  • QUINCEAÑERO dir. Justin Floyd
  • REBEL dir. Jose Alfredo Garcia
  • RIGHT TO TRY dir. Zeberiah Newman
  • ROADKILL dir. Aliza Brugger
  • RUN OUT GROOVE dir. Paige Henderson
  • RUTH dir. Beulah Pidakala
  • SEASICK dir. Lindsey Ryan
  • SENIOR PROM dir. Luisa Conlon
  • SMOKE, LILIES AND JADE dirs. Deondray and Quincy LeNear Gossfield
  • SQUISH dir. Xavier SERON
  • STEPHEN & JAMES: BEST GIRLFRIENDS dir. Dave Quantic
  • SUPREME dir. Youssef Youssef
  • SWIMMING TO THE END OF THE WORLD dir. Todd Verow
  • TAFFETA dir. Lovell Holder
  • TAFFY dir. Jon Crawford
  • THANK YOU FOR BEING HERE dir.Elizabeth Archer
  • THE BEAUTY PRESIDENT dir. Whitney Skauge
  • THE BINDING OF ITZIK dir. Anika Benkov
  • THE CROWN WITH A SHADOW dir. JB Ghuman, Jr.
  • THE DAILY WAR dir. Karla Legaspy
  • THE FUGITIVES dir. Dami Sainz Edwards
  • THE LIGHTS ARE ON, NO ONE’S HOME dir. Faye Ruiz
  • THE MAN OF MY DREAMS dir. Tristan Scott-Behrends
  • THE NIGHT TRAIN dir. Jerry Carlsson
  • THE NUMBER 12 dir. Jed Bell
  • THE RECORDER dir. Justine Lupe
  • THE SMALL THINGS dir. Natalie Jasmine Harris
  • THE WAY WE ARE dir. Amanda Ann-Min Wong
  • THE YOUNG KING dir. Larin Sullivan
  • THEY/THEM dir. Goldbloom Micomonaco
  • THƠ dirs. Jake Villadolid, Heather Muriel Nguyễn
  • TO THE FUTURE, WITH LOVE dir. Shaleece Haas
  • TRADE CENTER dir. Adam B Baran
  • UNLIVEABLE (INABITÁVEL) dir. Matheus Farias, Enock Carvalho
  • UNTIE dir. Lane Michael Stanley
  • VALIENTE (BRAVE) dir. Miguel Melo
  • VIRGIN MY ASS dir. Adar Sigler
  • WHAT’S LEFT INSIDE dir. Michael Varrati
1500 Sound Academy x ASU — Music Program for use by 360 Magazine

Free Guy Soundtrack Released

The track list from the Free Guy Original Motion Picture Soundtrack was revealed today. With songs featured by Mariah Carey, Fred Astaire, Digital Underground, Mama Cass and more, the Free Guy soundtrack offers an eclectic mix of some of pop music’s greatest moments. The soundtrack also includes 4 score tracks by Emmy-nominated composer Christophe Beck (WandaVision, Frozen 2, Ant-Man and the Wasp). The Free Guy Original Score album is also available on August 11 and will be followed by the vinyl soundtrack album release on August 13. Listen to the Free Guy playlist HERE. “Free Guy“ opens August 13, 2021, only in theaters.

Free Guy Original Motion Picture Soundtrack track list follows:

1.    FANTASY – Performed by Mariah Carey 

2.    LEGENDZ – Performed by AG featuring Devvon Terrell 

3.    100 MILES AND RUNNING – Performed by Logic featuring Wale & John Lindahl 

4.    HUMPTY DANCE – Performed by Digital Underground 

5.    CHEEK TO CHEEK – Performed by Fred Astaire

6.    MAKE YOUR OWN KIND OF MUSIC – Performed by Mama Cass

7.    CAN’T TAKE MY EYES OFF YOU – Performed by Frankie Valli

8.    AIN’T NO STOPPIN’ US NOW – Performed by McFadden & Whitehead 

9.    THEME FROM “THE GREATEST AMERICAN HERO“ (BELIEVE IT OR NOT) –

Performed by Joey Scarbury

10. DON’T HAVE A GOOD DAY, HAVE A GREAT DAY (Score) – Music by Christophe Beck

11. IT’S ALL A LIE (Score) – Music by Christophe Beck

12. MILLIE (Score) – Music by Christophe Beck

13. GO TIME (Score) – Music by Christophe Beck  

About Free Guy

In Twentieth Century Studios’ epic adventure-comedy Free Guy, a bank teller who discovers he is actually a background player in an open-world video game, decides to become the hero of his own story: one he rewrites himself. Now in a world where there are no limits, he is determined to be the guy who saves his world his way before it is too late. Starring Ryan Reynolds, Jodie Comer, Lil Rel Howery, Joe Keery, Utkarsh Ambudkar and Taika Waititi, Free Guy is directed by Shawn Levy from a screenplay by Matt Lieberman and Zak Penn and a story by Lieberman. The film is produced by Ryan Reynolds, p.g.a., Shawn Levy, p.g.a., Sarah Schechter, Greg Berlanti and Adam Kolbrenner with Mary McLaglen, Josh McLaglen, George Dewey, Dan Levine and Michael Riley McGrath serving as executive producers.

Image via Jonathan Marder + Company for 360 Magazine

Havana Film Festival New York 2021

HAVANA FILM FESTIVAL NEW YORK IS BACK! 

SEPTEMBER 17-23, 2021

Celebrating Latin American Cinema since 2000

HFFNY returns to NYC in its 21st edition with Movie Premieres and Masterclasses

Showcasing top Latin talent at Village East Cinema and Instituto Cervantes

September 17-23, 2021 the 21st Havana Film Festival New York (HFFNY) is back in theaters, with an exceptional program of over 30 films from Cuba, Latin America, and the U.S. Featuring a diverse slate of films, HFFNY 2021 highlights the Cuban cultural legacy through its most inspiring creators in addition to new releases from across Latin America competing to win the Havana Star Prize in fiction and documentary. This year’s program also includes retrospectives, roundtables, and master classes guaranteed to open minds and start conversations.

The 21st HFFNY will showcase films from Argentina, Brazil, Chile, Colombia, Cuba, Guatemala, Mexico, Peru, Puerto Rico, Spain, and the United States. The festival offers a cinematic window into the multiple perspectives that make up the Latin American diaspora, and will foster an environment for industry professionals, film lovers, and Latinos to enrich and expand their vision of Latino culture. Filmmakers will join us from around the world to introduce audiences to their stories, interpretations, and approaches to the art of making movies.

Special guests to be announced. A full schedule of films will be announced August 11th. Visit

HFFNY’s website for regular updates.

FESTIVAL HIGHLIGHTS 

SCREENINGS AND FREE EVENTS

From a nostalgic tale of a childhood in Havana to an absurdist Argentinian drama in which a listless millennial sets out on a series of short encounters as the world flirts with possible apocalypse, HFFNY has a movie for everyone. Films will be screened during the afternoons and evenings with FREE panels at 11AM on Saturday and Sunday. Masterclasses, retrospectives, and other special events will be presented in partnership with local cultural organizations and educational institutions, free of charge and open to the public.

TRIBUTES TO THOSE WE LOST

In recognition of two Cuban filmmakers that we lost this year, Juan Carlos Tabío (1943-2021) and Enrique Pineda Barnet (1933-2021) the Havana Film Festival New York is celebrating their contributions to the field of filmmaking with screenings of the newly restored versions of some of their earlier films.

  • Se Permuta / House for Swap

Juan Carlos Tabío | Cuba | Fiction | 1983 | 103min

A charming farce about Cuba’s housing shortage, and the first sitcom produced by Cuba’s film

institute, it was widely received as a hilarious guide to the heart of Cuban society.

  • Giselle

Enrique Pineda Barnet | Cuba | Docu-Fiction | 1965 | 90min

A thrilling performance film that follows Cuba’s immortal ballerina, Alicia Alonso, in her

acclaimed portrayal of Giselle in the eponymous ballet that made her an international star

A SPECIAL PRESENTATION OF CLASSIC CINEMA

  • The Newsreels – Santiago Álvarez (ICAIC)

Produced weekly by Cuba’s foremost montage filmmaker from 1960 to 1990, these newsreels

captured Cuban revolutionary history and world events from a distinctly Latin American populist

perspective.

BOX OFFICE AND DISCOUNTS

HFFNY offers ticket discounts to students and senior citizens, and through its selection of Festival passes. It also advertises time-limited reduced price sales for screenings and events on its social media pages. For more information, follow us on social media at @hffny and visit the website.

HFFNY FESTIVAL VENUES

Village East Cinema: 181-189 2nd Ave, New York, NY 10003

Instituto Cervantes: 211 E 49th Street, New York, NY 10017

HFFNY Virtual Cinema. Follow HFFNY via Facebook, Twitter and Instagram.

Film festival illustration by Kaelen Felix for 360 Magazine

Savantis Supports Cinema Week to Promote Return of Theaters

Savantis Supports Inaugural Cinema Week to Promote the Return to Live Entertainment for Moviegoers

Savantis supports Cinema Week’s mission to enhance the moviegoing experience with its cloud-based, omnichannel Intelligent Entertainment Suite built on SAP.

Savantis, a leading provider of end-to-end solutions and support for the digital transformation of cinemas and entertainment venues, announced that they are pleased to support the inaugural Cinema Week campaign, a six-day nationwide event designed to energize moviegoers and encourage audiences to support local movie theaters. With a mission to celebrate the culture of going to the movies, the campaign showcases exclusive in-theater content, activations, giveaways, special offers for loyalty members, and celebrity guests with activities varying depending on the location. Cinema Week takes place June 22 to 27 across the US.

Savantis is proud to sponsor the first-ever Cinema Week, an exciting nationwide initiative to re-engage audiences and revive the cinema industry following a difficult and challenging year, during most of which theaters remained closed due to Covid-19, said Keith Hontz, CEO and President of Savantis. Both Cinema Week and Savantis are aligned in their mission to enhance the customer experience for moviegoers, so we felt very strongly that we must get involved and help preserve the culture, and the magic, of going to the movies, continued Hontz.

In November last year, Savantis announced the launch of its Intelligent Entertainment Suite (IES) omnichannel solution specifically developed for the entertainment industry as a flexible and scalable alternative to Vista and other legacy cinema management software. The application is fully integrated with SAP Commerce and SAP Cloud Platform, which delivers an unparalleled digital experience for end consumers of B2C enterprises.

IES offers a broad range of benefits, modern features, and functions for streamlined cinema management including rapid implementation with little to no downtime, seasonal scalability, and real-time business intelligence metrics, such as sales, cash office, venue occupancy, operations, and more. Hontz further explained that innovations such as: End-to-end contactless interactions, self-service kiosk ordering, personalized loyalty offers, and seamless, omnichannel engagement all work to enhance the moviegoer experience, attract new customers, and keep loyal guests coming back.

With its more than 25 consumer-facing and back-office accelerators, IES allows B2C businesses to build their brand and create lasting relationships with patrons while operations run more efficiently. IES by Savantis is available on the SAP Store, the digital marketplace for SAP partner offerings.

About Savantis

Since 1999, Savantis has been helping companies drive strategic initiatives for sustainable growth by delivering end-to-end solutions that integrate with world-leading business software from SAP. A leading strategic implementation partner within the SAP ecosystem, specialising in expert consulting, outsourcing, and IT staffing, Savantis has earned a reputation for delivering successful and cost-effective IT projects for its clients. Savantis enables organizations to operate more efficiently by solving challenges through digital innovation with the expertise of its people and the quality of its products and services. Through co-innovation, and by using the most advanced technologies to support organization’s digital transformation, Savantis offers solutions for businesses in all SAP-defined core industry segments. Savantis supports the complete enterprise SAP application portfolio – CRM and Customer Experience, ERP and Finance, and Business Technology Platform – and has industry-leading expertise in SAP S/4HANA, SAP CX, and other innovative technologies for retail, alcohol beverage, cinema, entertainment, high-tech, manufacturing, and more.

Savantis has two distinct business units, SAP GLOBAL SOLUTIONS and SAP STAFFING. Intelligent Industry Solutions and Intelligent Industry Portfolios of industry-specific solutions and services provide targeted Customer Experience and Enterprise Consulting, Cloud and Support Outsourcing, and Staffing Solutions, which are exclusively focused on engaging with clients to ensure their success. Headquartered in Exton, Pennsylvania, US, Savantis has a global team of over 750 employees servicing 280 customers worldwide. Visit Savantis’ website to learn more.

SAP and other SAP products and services mentioned herein as well as their respective logos are trademarks or registered trademarks of SAP SE in Germany and other countries. Please see SAP’s copyright guidelines for additional trademark information and notices. All other product and service names mentioned are the trademarks of their respective companies.

About Cinema Week

The Cinema Week campaign was launched to celebrate and preserve the culture of going to the movies by giving both a collective point in time to rally around. Cinema Week is a five-day nationwide event designed to energize moviegoers and is inclusive of exhibitors of all sizes. It showcases exclusive in-theater content curated and shared with the in-theater movie-going audience first, pop-up red carpets, and early access screenings.

Art by Kaelen of 360 Magazine for use by 360 Magazine

A Father’s Legacy Plays For One Night

A Fathers Legacy, the Inspirational Story of Faith, Family & Redemption, Arrives in Cinemas for a One-Night Only Event, Film Releasing Just Before Fathers Day on June 17

After a great reception on the festival circuit, Cinedigm and Fathom Events announced today that the inspirational film A Father’s Legacy will arrive in theaters for a one night event on June 17, just in time for Father’s Day Weekend. After the movie, the event features a conversation with Director/Star Jason Mac and Pastor Brannon Shortt from Bayside Church about the importance of fatherhood, how the choices you make have consequences and additional key takeaways from the film.

A Father’s Legacy is an inspirational story that touches on family, redemption and loyalty as it follows a young man (Jason Mac) on the run after an armed robbery. Hiding from the law, he sets out to find the father he never knew. Venturing further away from the city streets, he finds himself at the secluded home of a stranger (Tobin Bell). As the days pass and the secrets about their past are revealed, they learn that they might not have been looking for each other…but they may have been brought together for a reason. 

This film was born out of one of the most difficult times in my life, says Writer/Director Jason Mac. My father was my protector; a guardian I knew would always be there, and then one day he wasn’t. The loss forced me to look inside and really explore what it was to be a father. Too many young men have no male role model growing up, so I hope that becomes a lesson and learning from this film. 

A Father’s Legacy is a fictionalized story but heavy with the emotions of Mac’s own experiences. The film stars acting legend Tobin Bell (Saw Franchise, The Firm), Jason Mac (The Vampire Diaries, Criminal Minds), Rebeca Robles (Reprisal, Ambitions) and Gregory Alan Williams (Remember the Titans). A Father’s Legacy was produced by Mac and John Lerchen, under his Forever Safe Productions banner.

As we celebrate Father’s Day, Fathom Events is pleased to partner with Cinedigm and bring this powerful story to the big screen, said Ray Nutt, Fathom Events CEO. The timing could not be better to release this film with its strong themes and lessons surrounding fatherhood.

The theater going experience is about community, and the enjoyment that comes from experiencing stories with our friends and family, said Yolanda Macias, Chief Content Officer at Cinedigm. Working with Fathom has given us the opportunity to share ‘A Father’s Legacy’ with audiences all over the country. It is a story of redemption and unlikely kinship, and it challenges us to look at the relationships we have built in our life. We could not think of a better way to honor Father’s Day than by sharing this film with our audiences.

A Father’s Legacy (previously titled The Old Man & The Pond) was the Official Selection of the Heartland International Film Festival and the Official Selection of the Soho International Film Festival.

Fathom Events and Cinedigm will screen A Father’s Legacy in movie theaters nationwide on Thursday, June 17 at 7:00 p.m. local time. For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change).

Official Synopsis

An inspirational story of family, loyalty and redemption. After years of searching for his father, a young man, on the run from the law, finds his way into the life of a secluded old man in the woods. As the days go by and secrets about their past are revealed, they realize they may not have been looking for each other but they were brought together for a reason.

Purchase Tickets

Tickets are available at Fanthom’s website or at participating theater box offices

Watch the trailer for A Father’s Legacy here!

About Fathom Events

Fathom is a recognized leader in the entertainment industry as one of the top distributors of content to movie theaters in North America. Owned by AMC Entertainment Inc. (NYSE: AMC); Cinemark Holdings, Inc. (NYSE: CNK); and Regal Cinemas, a subsidiary of the Cineworld Group (LSE: CINE.L)., Fathom operates the largest cinema distribution network, delivering a wide variety of programming and experiences to cinema audiences in all of the top U.S. markets and to more than 45 countries. For more information, visit Fathom’s website

About Cinedigm

For more than twenty years, Cinedigm (NASDAQ: CIDM) has led the digital transformation of the entertainment industry. Today, Cinedigm entertains hundreds of millions of consumers around the globe by providing premium content, streaming channels and technology services to the world’s largest media, technology and retail companies. For more information, visit Cinedigm’s website.

Regal via Regal Cinemas for use by 360 Magazine

Regal Cinemas’ Reopen with New Locations in L.A.

As Covid regulations are decreasing and more and more people are getting vaccinated, regulations are starting to decrease and people are starting to go outside again, including to the local movie theatres.  Regal Cinemas is reopening, and is also proud to announce 3 additional locations will open in the Los Angeles area, with one in Camarillo, one in Irvine, and one in Hemet. These theatres will open Friday, May 21. 

Lionsgate’s Spiral, a horror movie and Saw spinoff,  will headline the new movies including Angelina Jolie and Nicholas Hoult’s new thriller: Those Who Wish Me Dead and Guy Ritchie’s Wrath of Man along with a full slate of additional titles. Future releases opening in the coming weeks include A Quiet Place Part II, Cruella and F9.

Reopening plans include a wide range of health and safety measures that adhere to the CinemaSafe protocol and guidelines, which have been created by the National Association of Theatre Owners (NATO) in order to help prevent Covid outbreaks in theatres.

About Regal

Regal, a subsidiary of the Cineworld Group, operates one of the largest and most geographically diverse theatre circuits in the United States, consisting of 6,979 screens in 526 theatres in 42 states along with the District of Columbia and Guam as of February 28, 2021. The size, reach and quality of the company’s theatre circuit provides its patrons with a convenient and enjoyable moviegoing experience. They are committed to being “The Best Place to Watch a Movie!” Additional information is available on Regal’s website, which can be found HERE.

GRAND OPENING DELAYED at REGAL NORTH HOLLYWOOD & 4DX

WHAT: Due to unforeseen circumstances, we regret to inform you that the official opening scheduled for today, Friday, May 21, of the Regal North Hollywood has been postponed. We look forward to officially opening the doors in the coming days and will follow up accordingly when we have the official date.

WHERE: Regal North Hollywood & 4DX                                                        (3251 20th Avenue, San Francisco, CA 94132)

Manuel Cirauqui, curator; Alex Reynols, artist ana Juan Ignacio Vidarte, Director General of the Guggenheim Museum Bilbao ©FMGB, Guggenheim Bilbao Museoa, Bilbao 2021 for 360 Magazine

New Exhibition From Alex Reynolds

Dates: February 19–June 13, 2021

Curator: Manuel Cirauqui

Film & Video gallery (103)

Alex Reynolds – There is a Law, There is a Hand, There is a Song.

From February 19 to June 13, 2021, the Guggenheim Museum Bilbao will be presenting Alex Reynolds. There is a Law, There is a Hand, There is a Song, the first exhibition of 2021 in the Film & Video gallery, a space that the Museum reserves for key works in video art, film, and the artistic languages associated with the moving image.

This time, three recent works by Alex Reynolds (b. 1978, Bilbao) will be featured. Reynolds is known for her constant exploration of our modes of relation and affection, especially in their manifestations through cinematic language. The work The Hand that Sings (2021), recently co-produced by the Guggenheim Museum Bilbao, will be shown in an international premiere in the main gallery as part of this exhibition.

Created by Reynolds in collaboration with Swedish choreographer Alma Södeberg, The Hand that Sings builds a web of connecting gestures, voices, and images in time. These elements seem to mimic each other in open sequences and chain reactions: from the almost ritual-like extraction of oak bark in Extremadura during the annual cork harvest, to the act of peeling an orange before a small fire or the act of washing someone’s hand; from the tremor of leaves to the trembling of a voice, along with the flapping of a bird’s wings in the distance, or again, the feedback loop between the performer’s chant and hand movements. Words in Spanish and English are traded on a rooftop as we get a glimpse of the Palace of Justice in the Brussels skyline. The Hand that Sings is an evocative, sensorial work that focuses on details and contemplation. Bodies, the landscape, and the camera act in reciprocal harmony.

Alex Reynolds Alma SOderberg La mano que cant for use by 360 Magazine

lex Reynolds Alma SOderberg La mano que canta for use by 360 Magazine

3 Alex Reynolds Alma SOderberg La mano que canta for use by 360 Magazine

Homecoming

Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

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