Posts tagged with "group"

Mel Quagrainie for use by 360 Magazine

People’s Choice Awards

The 2021 “People’s Choice Awards” were held on December 7, 2021, where the best in movies, television, music and pop culture were awarded exclusively by the votes of fans. The “People’s Choice Awards” were hosted by actor and comedian Kenan Thompson, and the award show broadcasted live from Barker Hangar in Santa Monica, CA on both NBC and E! at 9PM ET/PT.

Some performances that took place included a medley of Christina Aguilera’s top hits. The medley concluded with music from her new upcoming awaited Spanish-language album. Blake Shelton, too, performed his latest song “Come Back As A Country Boy,” and H.E.R. gave a melodic tribute to the Motown icon Marvin Gaye.

Honorees of the night included the Academy Award-winning actress, director and producer Halle Berry, who was named “The People’s Icon.” The one and only Dwayne ‘The Rock’ Johnson was honored with “The People’s Champion” award, and icon Kim Kardashian West received “The Fashion Icon” award. For the first time, the “Music Icon” award was given out and honored to Aguilera.

The 2021 “People’s Choice Awards” winners are as follows:

THE MOVIE OF 2021

Black Widow

THE COMEDY MOVIE OF 2021

Free Guy

THE ACTION MOVIE OF 2021

Shang-Chi and the Legend of the Ten Rings

THE DRAMA MOVIE OF 2021

Cruella

THE FAMILY MOVIE OF 2021

Luca

THE MALE MOVIE STAR OF 2021

Dwayne Johnson

THE FEMALE MOVIE STAR OF 2021

Scarlett Johansson

THE DRAMA MOVIE STAR OF 2021

Kevin Hart

THE COMEDY MOVIE STAR OF 2021

Dwayne Johnson

THE ACTION MOVIE STAR OF 2021

Simu Liu

THE SHOW OF 2021

Loki

THE DRAMA SHOW OF 2021

Grey’s Anatomy

THE COMEDY SHOW OF 2021

Never Have I Ever

THE REALITY SHOW OF 2021

Keeping Up With the Kardashians

THE COMPETITION SHOW OF 2021

The Voice

THE MALE TV STAR OF 2021

Tom Hiddleston

THE FEMALE TV STAR OF 2021

Ellen Pompeo

THE DRAMA TV STAR OF 2021

Chase Stokes

THE COMEDY TV STAR OF 2021

Selena Gomez

THE DAYTIME TALK SHOW OF 2021

The Ellen DeGeneres Show

THE NIGHTTIME TALK SHOW OF 2021

The Tonight Show Starring Jimmy Fallon

THE COMPETITION CONTESTANT OF 2021

JoJo Siwa

THE REALITY TV STAR OF 2021

Khloé Kardashian

THE BINGEWORTHY SHOW OF 2021

Squid Game

THE SCI-FI/FANTASY SHOW OF 2021

Lucifer

THE MALE ARTIST OF 2021

Lil Nas X

THE FEMALE ARTIST OF 2021

Adele

THE GROUP OF 2021

BTS

THE SONG OF 2021

Butter

THE ALBUM OF 2021

Sour

THE COUNTRY ARTIST OF 2021

Blake Shelton

THE LATIN ARTIST OF 2021

Bad Bunny

THE NEW ARTIST OF 2021

Olivia Rodrigo

THE MUSIC VIDEO OF 2021

Butter

THE COLLABORATION SONG OF 2021

STAY

THE SOCIAL STAR OF 2021

Britney Spears

THE POP SPECIAL OF 2021

Friends: The Reunion

THE COMEDY ACT OF 2021

Chelsea Handler: Vaccinated and Horny Tour

THE GAME CHANGER OF 2021

Simone Biles

THE POP PODCAST OF 2021

Anything Goes with Emma Chamberlain

Mary Wilson from Cathy Williams from UMe for use by 360 Magazine

Honoring Mary Wilson’s Memory – Black Music × Pride Month

Legendary artist/author and original and founding member of the Supremes, Mary Wilson was also known as a tireless advocate for the Black and LGBTQ+ communities. 

 

The Motown/UMe April release of Mary Wilson: Expanded Edition represented an ongoing effort to honor her memory and her passion for celebrating life through music. Her work to raise awareness of the need for tolerance and equality is especially poignant during June, which is dedicated to Black Music Month and Pride Month; her music provides a fitting backdrop to celebrations and events — from intimate events to large-scale community celebrations.  

 

Ms. Wilson believed in the power of music, especially the joy The Supremes brought to the world. She carried on that legacy throughout her career and right up to the days before her untimely passing in February, just weeks before the release of Mary Wilson: Expanded Edition.  

 

“The music was inclusive. It didn’t matter who you were, the music touched your soul. Music, to me, brought all the souls together. I’ve always said that Motown was an ambassador for love and for friendship because it brought people together.” – Mary Wilson in a 2015 interview with Pride Source.

Mary Wilson: Expanded Edition was originally announced to celebrate her 77th Birthday and honor her history and legacy with the first of her album projects. Ms. Wilson, who retained ownership of her solo recordings, wanted to make the album – and much more – available to her many fans around the world. Mary Wilson: Expanded Edition is a newly compiled version of her solo album, originally released by Motown in 1979, that will now be available on all digital platforms for the first time. Added to the album are eight incredible bonus tracks, four of them unreleased, including the legendary tracks recorded as a follow-up to the album produced by Gus Dudgeon (Elton John, Joan Armatrading, Chris Rea, et al). Featured as the lead single is a brand-new song, “Why Can’t We All Get Along,” produced by Richard Davis and co-written with Angelo Bond, who previously had great success as a co-writer with General Johnson and Greg Perry for “Bring The Boys Home.”

 

Mary Wilson, who had many fond memories around recording her solo debut, was so excited about the release of this album that, after finalizing details with UMe, she created an impromptu “teaser,” posting what was to be her final YouTube video. “I finally decided how to work with Universal, and they are going to release new Mary Wilson recordings,” she said. “Yes! At last! At last,” adding that the expanded version of the album, known by her and to fans as “Red Hot,” referring to its lead single, will include the Dudgeon productions – and something new. “It was four wonderful songs that were never released… and I also have some other songs, some surprising new songs… Thank you Universal for chiming in with me and helping this come true. Hopefully some of that will be out on my birthday, March 6th… I’ve got my fingers crossed.”

 

Sadly, the world mourned the sudden passing of Mary Wilson on February 8th, which also marked the 56th anniversary of The Supremes’ #1 hit, “Stop! In the Name Of Love.” She was a world-renowned singer, best-selling author, a humanitarian, artist rights advocate, philanthropist, cultural ambassador for the U.S. appointed by Colin Powell, but she was best known as a “Supreme.” She was the co-founder of the original Supremes, along with Diana Ross and Florence Ballard, which signed to Motown in January 1961, making this year their 60th anniversary. The group broke down barriers by becoming the world’s most popular female singing trio, with an unprecedented string of 12 number one hits, 33 top 40 singles, a record breaking 5 consecutive number ones, and the first number one album for a female group. Mary Wilson is the only member with the group from their signing in 1961 to their disbanding in 1977. Their legendary history is the foundation for dozens of books, movies, and even three Broadway musicals.

 

But the often-overlooked history is of the solo careers of Mary Wilson and Florence Ballard. Ballard had previously released an album on ABC Records while, upon leaving the Supremes, Mary Wilson released her self-titled solo album debut on Motown, her label for the previous 18 years. Mary Wilson had the potential of becoming a dance classic. Famed Motown Producer Hal Davis, known for #1 hits on the Jackson 5, Thelma Houston and Diana Ross crafted a lush disco album for Wilson, with six dance tracks and a mid-tempo ballad. Wilson recorded the album while pregnant with her youngest son, Raphael, and for the album’s cover shoot she was wrapped in a jacket to hide the pregnancy.

 

“Red Hot” was the obvious lead single. But just prior to the release of the album the infamous Disco Demolition Night took place at Comiskey Park in Chicago on July 12, 1979. The “Disco Sucks” movement impacted the release of Mary Wilson, and the single reached #85 on the dance chart and #95 on the R&B chart. This new collection retrieves for history the song’s rare 12” and 7” mixes, which were unique from the album’s version. Despite being loved by fans, and the release of a second single, “Pick Up the Pieces” in the U.K., the Mary Wilson album did not get the recognition it deserved.

 

In 1980, Mary Wilson headed to Europe to record with Elton John’s producer, Gus Dudgeon. The late Dudgeon, who started as Decca Records’ in-house recording engineer, became a key creative collaborator with Elton John, producing seven No. 1 albums, in addition to creating masterworks with David Bowie, Joan Armatrading, Chris Rea, and many more.

 

Wilson wrote in her second autobiography, Supreme Faith: Someday We’ll Be Together, “I was very excited about these four songs. It wasn’t the formula disco of my first album. Two of the songs were big ballads. The other two were rock and roll in the style of Tina Turner’s mid-eighties hits; I was certainly ahead of the time.” Three of the four songs were never released. The fourth song, “You Dance My Heart Around the Stars,” first made available in 2015 on a collection of the co-writer’s, Steve Kalinich, a frequent collaborator of the Beach Boys, is considered one of Wilson’s finest performances. 

 

In 1986 Mary Wilson wrote her best-selling autobiography, Dreamgirl: My Life As A Supreme, followed by two more books, Supreme Faith: Someday We’ll Be Together, and Supreme Glamour. Although Mary continued to record and release music through the rest of her career, fans have continually requested to hear this music. These songs remain among the most requested items in the Motown catalog.

 

While recording more music over the last 10 years, Mary Wilson reconnected with Richard Davis, executive of Gold Forever Music, a publishing company established by Eddie Holland after leaving Motown. In the early days of Motown, Holland-Dozier-Holland was the songwriting team responsible for The Supremes’ string of hit records.

 

While Mary continued to record, she kept a journal with her most personal thoughts, perspective, outlook, philosophy on life, beliefs based on her experiences and topics of the day. Richard Davis discussed this song with Wilson. Mary told Davis and Bond that their lyrics were able to capture and articulate her feelings into song and help her tell her story. As she was watching and writing about her feelings about the political unrest and the division in the country, Mary felt strongly about releasing “Why Can’t We All Get Along,” now in the hopes of spreading a positive message through music.

 

TRACKLISTING:

Mary Wilson

Mary Wilson: Expanded Edition

 

1.   Red Hot (6:06)

2.   I’ve Got What You Need (5:08)

3.   You Make Me Feel So Good (5:51)

4.  (I Love A) Warm Summer Night  (4:07)

5.   Pick Up the Pieces * (5:01)

6.   You’re the Light That Guides My Way (3:18)

7.   Midnight Dancer (3:08)

 

#1-7: Produced by Hal Davis

* Co-Produced by Hal Davis & Bobby Belle

Originally issued as Motown M7-927 R1 (1979)

 

Bonus Tracks

 

The Red Hot Singles

8.   Red Hot 7” Single Version (3:53)

9.   Red Hot 12” Disco Version – Remixed by Rusty Garner (7:12)

10. Red Hot 12” B-Side Promo Version – Remixed by Rusty Garner (3:53) – previously unreleased commercially

 

The Gus Dudgeon Sessions – previously unreleased except **

11. You Dance My Heart Around the Stars** (4:34)

12. Love Talk (4:05)

13. Save Me (3:53)

14. Green River (3:36)

 

The Richard Davis Sessions – previously unreleased

15. Why Can’t We All Get Along Single version (4:50)

Guwop Reign courtesy of Republic records for use by 360 Magazine

Guwop Reign – Need Me

GUWOP REIGN OFFICIALLY RELEASES NEW SINGLE NEED ME

With numbers rising and buzz heating up, 17-year-old Boston-born and Atlanta-based rapper Guwop Reign drops a new single entitled “Need Me” today. It is available at all DSP’s via Galactic Records/Republic Records now.

Stream Need Me here

He initially teased the track on Soundcloud, and it sent fans into a frenzy as they clamored for a wide release. Flaunting sharp lyrics over an 8-bit beat, it showcases his inimitable flow and otherworldly melodies. He glides over this production towards an incisively catchy refrain. It also follows hot on the heels of fan favorites such as Forgot It and Super Pain.

Thus far, Guwop Reign has eclipsed 5 million-plus Soundcloud streams and earned glowing endorsements from tastemakers with Lyrical Lemonade crowning him one of 2020’s standout stars. Last year, he rolled through with a string of anthems, including Demeanor. Additionally, his fan favorite song Mulan 2 raked in a ton of streams. Lyrical Lemonade proclaimed, The Atlanta native’s massive range shines and he is able to easily manipulate pitch and cadence to keep his songs continually interesting and simultaneously sonically pleasing. Meanwhile, The Daily Chiefers commented, Atlanta’s own Guwop Reign is in the fast lane and firing off nothing but bangers in 2020.

Music encodes life’s most important lessons. Beneath the beats and between the bars, Guwop Reign confronts the struggles of youth, depression, anxiety, friends-turned-into-foes, and relationships with a level of wisdom and perspective that belies his 16 years. The Boston-born and Atlanta-based rapper flows with the intensity of an open wound as he tightly grips each melody. Streamed nearly four million times on Soundcloud, Reign built an avid fan base with one independent anthem after another including Money Talk, Fly, and No Love plus tastemaker praise from Lyrical Lemonade and Elevator Magazine. Landing a deal with Galactic Records in partnership with Republic Records the young prodigy released his single Mulan 2 in 2020 and is prepared to make his full-length debut for the label. Drawing on diverse influences such as Tupac, Future, Young Thug, and Rihanna, he asserts himself as a melodic hip-hop force ready for the spotlight.

Follow Guwop Reign via Instagram, Soundcloud, Spotify and YouTube.

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it also comprised innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Fire in Little Africa artwork courtesy of Capitol Music Group for use by 360 Magazine

Fire in Little Africa Announces Tracklist

FIRE IN LITTLE AFRICA ALBUM ART & TRACK LIST REVEALED + CHARLIE WILSON ANNOUNCED AS GUEST FEATURE, SET FOR MAY 28 RELEASE VIA MOTOWN RECORDS/BLACK FORUM IN PARTNERSHIP WITH THE BOB DYLAN CENTER AND WOODY GUTHRIE CENTER, Album Brings Fresh And Important Perspective To The 1921 Tulsa Race Massacre And Celebrates The City’s Vibrant Hip Hop Scene

Visit the official Fire in Little Africa website here!

Fire in Little Africa, a groundbreaking album of original material, written and recorded by a collective of Oklahoma hip hop artists to commemorate the 100th anniversary of the Tulsa Race Massacre, will be released on May 28 by Motown Records/Black Forum in partnership with Tulsa’s Bob Dylan Center and Woody Guthrie Center.

The 21-track collection gets to the truth of what happened on May 31 and June 1, 1921 when a white mob descended on the streets of Greenwood, then a prosperous Tulsa neighborhood known as Black Wall Street, and burned down the business district, destroying roughly 1,500 homes, killing hundreds and leaving thousands of Black Tulsans homeless. For years, this historic, albeit dire, chapter was left out of classrooms and textbooks as the city attempted to erase this part of its past. The artists heard on Fire in Little Africa get to the truth through urgent songs, recalling stories told and stories lived in hope to usher in a new era for Tulsa as they help the community process this generational trauma through music.

‘Fire in Little Africa’ is a powerful and timely project that provides a platform and outlet for the incredibly talented and thriving music community of Tulsa, Oklahoma, said Motown Records Chairman & CEO Ethiopia Habtemariam. Carrying the legacy of the Black Wall Street community, Fire in Little Africa is a body of work filled with purpose and prolific storytelling. I am honored and feel privileged to have Motown Records/Black Forum partner with Dr. View, the Bob Dylan Center and Guthrie Center to release this impactful hip-hop album.

Track List:

  1. Elevator
  2. City of Dreams
  3. Shining
  4. Descendants
  5. Regardless
  6. Party Plane (feat. Charlie Wilson)
  7. Been Through It All
  8. Drowning
  9. Our World
  10. Top Down
  11. Creme of the Crop
  12. Thug Town Skit
  13. Watchu On
  14. P.O.D.
  15. Reparations
  16. P.O.D. Pt. II
  17. Raw Cocaine
  18. The Rain
  19. North Tulsa Got Something to Say
  20. Brunch at the Brady
  21. Young & Free

I am honored to be a part of the ‘Fire In Little Africa’ album featuring the musical contributions of young talented local artists from my hometown of Tulsa, Oklahoma. This tragedy has been suppressed for generations. Charlie Wilson continues, Growing up in Tulsa we named our band, The GAP Band, after Greenwood, Archer and Pine Streets, the wealthiest and most successful African American community in the United States in the early 20th century. I am proud to see a new generation of talented Tulsans continue to tell the story of our ancestors. They are opening the door for many generations to come by shedding light not only on the race massacre but the excellence of the Black Wall Street and Greenwood community.

Stevie Dr. View Johnson, PhD, Manager, Education & Diversity Outreach at the Woody Guthrie Center | Bob Dylan Center and the album’s executive producer added, ‘Fire in Little Africa’ has evolved into a communal hip hop movement and we’re excited that we get to share the flavor, history and legacy of Black Wall Street with the world, in collaboration with the amazing leadership of the Motown/Black Forum family. We’re grateful for Ethiopia’s foresight in providing us an opportunity to share our important stories with the world. There are Black Wall Streets across the diaspora and we unequivocally know that Fire in Little Africa will inspire many people. In the words of Steph Simon, ‘everything is us.’

In this feature, Rolling Stone noted, ‘Fire in Little Africa’ is poised to teach the world about that long-suppressed history, from locals who grew up in a community that still lives with the aftermath of the massacre. Just as important, the artists involved in the project also hope it serves as a launching-pad moment for Tulsa’s hip-hop scene, which has long flown under the national radar.

The album was recorded in Greenwood over a five-day period in March 2020. Studios were set up at the Greenwood Cultural Center and other locations, including the former home of 1921 massacre mastermind/KKK leader Tate Brady. The house is now owned by former NFL first-round draft pick and Tulsa native Felix Jones. The Tulsa World was on hand to speak with the artists involved in the historic sessions. Read the article here and check out the accompanying video here.

Fireside with Dr. View is a weekly podcast featuring Dr. View in conversation with thought leaders in activism, academia and culture, centered on the movement behind the Fire in Little Africa music. Listen to Fireside with Dr. View here. Hosts Ali Shaw and Doc Free sit down with Fire in Little Africa artists, Tulsa community leaders and national voices for conversations on music and culture in the Fire in Little Africa podcast, which can be found here.

Located in the Tulsa Arts District, the Woody Guthrie Center opened in 2013. The Bob Dylan Center is expected to open on the same block within the next year. Both are projects of the George Kaiser Family Foundation, the primary funder for Fire in Little Africa. The album is chronicled in a documentary film, which will be released later this year.

Fire in Little Africa marks the first new material released by Black Forum since the label’s relaunch earlier this year. Black Forum originally debuted in 1970 with Dr. Martin Luther King Jr.’s Why I Oppose The War In Vietnam, which won a GRAMMY Award for Best Spoken Word Album. The label reissued Dr. King’s influential speech earlier this year.

Make sure to follow Fire in Little Africa via their YouTube, Instagram and Facebook

music, note, orange, black

Daam – Black Lambo

ABOUT DAAM:

DAAM is the animated supergroup comprised of Kaen (Kai-ehn) and Melo-Dee. The intergalactic journeys of DAAM will be told through their lens within an animated world.

The story begins where Kaen has reached a point of his life where he wants to explore. He gets intel that Earth was vacant more than ever as a result of self-isolation. Kaen, shoots down from outside of earth in a lightning bolt form and crashes right in the middle of a guitar center. As for Melo-Dee, he fell out of his own world by mistake and has catapulted into the galaxy crashing into earth as well. He lands right in the middle of an abandoned church where there is nothing but an old broken piano and microphone. The story unfolds of their newfound friendship and passion for music.

Their first song as DAAM is “Black Lambo”, a song where the idea of feeling like you’re literally in the 80s music vehicle and soon as that beat drops you’ve travelled through time right to the present with the RnB vocal, trap infused sonic. Kaen and Melo-Dee will exist animated in visuals. Join us as they begin to get to know Earth while releasing music tracks into and EP this Fall.

Bronson, 360 MAGAZINE

BRONSON – DAWN

BRONSON Release New Emotive Single “DAWN”

Featuring Totally Enormous Extinct Dinosaurs

Following Debut Singles “HEART ATTACK (feat. lau.ra)” and “VAULTS”

All to Appear on Their Self-Titled Album Out August 7

Via Foreign Family Collective and Ninja Tune

 

Listen to “DAWN (feat. Totally Enormous Extinct Dinosaurs)”

Following widespread acclaim for their new joint project BRONSON, GRAMMY-nominated duo Harrison Mills and Clayton Knight of ODESZA, and ARIA-platinum selling Australian producer Tom Stell of Golden Features, today released their next single, “DAWN (feat. Totally Enormous Extinct Dinosaurs).” Paired with sweepingly cinematic production, the British producer’s celestial vocals evoke a renewed sense of hope and purpose, inspiring a near-spiritual experience upon first listen. A revelatory moment, “DAWN” appears as the final track on BRONSON’s self-titled debut album, due out in full August 7 on Foreign Family Collective and Ninja Tune.

Listen to “DAWN (feat. Totally Enormous Extinct Dinosaurs)” here.

BRONSON share how “DAWN” came together: “Creatively, we respect Orlando (Totally Enormous Extinct Dinosaurs) so much. When we started the writing process for “DAWN”, it was with the intent to fill in the gap of what was missing on the record. We came to him with an initial idea for the track, and in turn, he listened to parts of the record, made sense of its themes both sonically and conceptually and started to write over what became what “DAWN” is now. Not only do the lyrics provide this renewed sense of hope, but his vocals compliment the tone and energy of the song perfectly – “DAWN” is a song meant to take you on a journey and explore various concepts and emotions of the record. We couldn’t think of a more fitting song to end the album with.”

Debuted earlier this year, BRONSON formed out of the personal connection that Mills and Knight shared with Stell, fueled by a calling to pursue new creative frontiers beyond their respective projects. After three years of trading sounds across time zones and continents, the product of those collective efforts culminated in 2018 when the trio spent a week in the remote reaches of Berry, Australia, recording what would later become their first album. The project strikes a beautiful balance between intense, emotive instrumentals and cathartic, melodic vocal tracks. In addition to Totally Enormous Extinct Dinosaurs and lau.ra, Gallant lends his voice to the album as a guest feature.

Further exploring their underground sensibilities, BRONSON’s self-titled debut album arrives August 7 via Foreign Family Collective and Ninja Tune. It is available now to pre-order and pre-save digitally. Pre-order the physical LP at the official BRONSON store.

Connect with BRONSON

Website | Facebook | Instagram | Twitter | Spotify | Apple | SoundCloud | YouTube

NCT 127, 360 MAGAZINE

NCT 127 – LIVE CONCERT

This Saturday, May 16, at 11 pm PT (Sunday, May 17 at 2 am ET), NCT 127 will perform a live concert, NCT 127 – Beyond the Origin, which will be streamed to over 200 countries across the globe in real-time. The show is part of the groundbreaking new concert streaming series via SM Entertainment and Naver V LIVE, Beyond LIVE. Subtitles will be available in several different languages for viewers all around the world. Tickets are available for purchase within the V LIVE app and online, and special bundles are also available. Check HERE for more details.

Fans who tune into NCT 127 – Beyond the Origin will get to see the Seoul-based pop powerhouse perform their brand-new song “Punch” days before its release. “Punch” is the single from their upcoming deluxe repackage The 2nd Album Repackage ‘NCT #127 Neo Zone: The Final Round,’ out digitally May 19 via SM Entertainment Co., Ltd. with Capitol Music Group/ Caroline. Physical albums will be released June 12 in the U.S., and preorder is available HERE.

In addition, as a result of receiving the most fan engagement during the group’s Neo Zone Chart Show—which showcased previews of the original album’s tracks before they were released—NCT 127 will perform the fan-favorite song “Boom” for the first time ever. After massive numbers of fans crashed the Neo Zone Chart Show website, NCT 127 – Beyond the Origin can expect the same online reaction and excitement.

For the safety of fans, artists, and staff, NCT 127 have indefinitely postponed their North American headline tour dates, formerly scheduled to begin at Madison Square Garden in New York City on June 5. Due to the uncertain circumstances and the inability to confirm future dates at this time, customers who have purchased tickets will receive a full refund from the point of purchase.

As an alternative, NCT 127 – Beyond the Origin provides fans with a way to enjoy their live show from the safety of their homes. Following the group’s completely sold-out 2019 arena tour, viewers can look forward to an outstanding performance showcasing unparalleled camera work, digital fan interaction, AR technology, 3D graphics augmented in real-time, and a variety of virtual, colorful backdrops. Broadcast on Naver’s V LIVE app, Beyond LIVE introduces a new era of live shows and highlights a growth potential for the concert business. While most offline concerts of popular K-pop groups draw an average audience of 10,000 people, K-pop colleagues SuperM’s April 25 Beyond LIVE show, SuperM – Beyond the Future, brought in upwards of 75,000 paid viewers.

The 2nd Album ‘NCT #127 Neo Zone’ debuted on March 6 at No. 5 on the Billboard 200 and quickly made its way to the No. 1 spot on Billboard’s Top Albums chart and the No. 2 spot on Billboard’s Artist 100 chart. The music video for the album’s first single, “Kick It,” has over 45 million views, standing out among an album “…full of tracks that showcase NCT 127’s diverse skillset, shining a spotlight on each of the members’ artistic strengths as performers and songwriters,” according to Billboard. “Neo Zone is NCT 127 at its best. It checks off all the boxes,” said Consequence of Sound. Rolling Stone said, “The ability to seamlessly slide in and out of genres while experimenting with different sounds is what makes NCT 127 stand out among a crowded field of competitors.”

(Photo by SM ENTERTAINMENT)

Of monsters and men, 360 MAGAZINE

Of Monsters and Men – CIRCLES

Icelandic quintet Of Monsters and Men released today an Amazon Original Cover of Post Malone’s “Circles.” The track is available to stream and purchase only on Amazon Music, HERE.

In the past few weeks the band have been teasing the track on socials with photos taken at their studio in Iceland (shot by Chad Moore, see here) and today posted a teaser to the song featuring footage of the recording process and scenic views of Iceland. See the song teaser here!

“We recorded this version of Post Malone’s ‘Circles’ in our studio in Iceland in February,” the band stated. “We are fans of Post and love the song. It’s cool how his songs can take on entirely different feelings in a new context. We are excited to share our take on the song and hope everyone can listen at home and stay safe and healthy.”

Of Monsters And Men released their third studio album Fever Dream last year via Republic Records. It featured their latest hit single “Alligator” which reached #1 on Billboard’s Adult Alternative chart. Fever Dream debuted at #9 on the Billboard Top 200 chart and was met with widespread critical acclaim from The Line of Best FitConsequence of SoundNMEPasteBillboard, and NPR Music’s All Songs Considered who stated “Of Monsters and Men is a really terrific band. If you’ve ever seen them live, there is tremendous energy and joy and spirit in what they do. This record Fever Dream is terrific.” They also performed on The Tonight Show with Jimmy FallonJimmy Kimmel Live, and The Ellen DeGeneres Show.

Amazon Music listeners can find Of Monsters And Men’s cover of “Circles” on the Fresh Alternative playlist, Amazon Music’s global stage for alternative fans to find new releases from established acts or discover their next favorite band. Customers can also simply ask, “Alexa play the Amazon Original by Of Monsters And Men” in the Amazon Music app for iOS and Android and on Alexa-enabled devices. In addition to the new track, Amazon Music listeners can access hundreds of Amazon Originals featuring both emerging and established artists across numerous genres, available to stream and purchase only on Amazon Music.

Little Mix – Break Up Song

The new era of Little Mix begins today with the release of their new single “Break Up Song.”

Listen HERE and watch the lyric video HERE

Written by Little Mix’s own Jade, Perrie and Leigh-Anne with Kamille, Frank Nobel and Linus Nordstrom, “Break Up Song” is an anthem about getting over a relationship, featuring an indelible melody and swirling 80’s synths, all wrapped up in another of the band’s trademark stunning vocal performances.

Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall have established themselves as the world’s biggest girl band – they have sold over 50 million records worldwide, collected over 17 million Spotify listeners, received over 3 billion YouTube views, and collated 12 billion streams worldwide. 
2019 witnessed Little Mix win their second Brit Award – this time for Best British Video for “Woman Like Me,” and perform the same song live at the Brits. They also won two Global Awards for Best Group and Best Song, followed by their 4th EMA Award for Best UK & Ireland Act.

This year Little Mix launched a brand new TV series for BBC One, Little Mix The Search. The series, made by ModestTV, will see the band creating bands and becoming mentors to a new wave of talent. The singers who make it into new bands will live together and gain access to Little Mix’s inner circle who have contributed to their phenomenal success, including vocal coaches, songwriters, producers and stylists.

This summer Little Mix will be going on tour playing at stadiums across the UK in June and July, including a massive headline show at London’s iconic Hyde Park for British Summertime on July 6.

The Unfits, 360 MAGAZINE, Shayan Asgharnia

Rising artist UNFITS on their first single “Satisfy Me” and working with legendary producer Emily Haynie

The music industry is a fickle beast. There are so many bands that spend years on the touring circuit pushing to build a fanbase, without ever seeing success. And then, on the other hand, there are some artists that hit it out of the park on their first up at bat, thanks to a combination of talent, ambition, and a myriad other factor that can be difficult to pin down. 

UNFITS are a band that seem destined for overnight success. Led by vocalist El Sueño and collaborator Eric Scullin – both of whom have written and recorded with artists like RZA (Wu Tang Clan) and the legendary emcee Royce da 5’9 — the band has been on a wild trajectory over the past few months, amassing a major following nearly overnight thanks to the success of their first single “Satisfy Me.” Recorded by Grammy winning producer Emily Haynie — known for his work with Kanye West, Lana Del Rey, Eminem, Kid Cudi, and Lady Gaga — “Satisfy Me” has already received more than 1.2 million streams and will be featured on the band’s debut album, slated for release later this year. 

Listen to “Satisfy Me” by UNFITS on Spotify – http://open.spotify.com/artist/3OOBfhRysJwpfrT8TmSxQV?si=q4_lAsVhSkKKTNO1aamZYQ

We spoke with El Sueño about the band’s rise to success, the new single “Satisfy Me,” and the upcoming music video for the song, which was shot in 7 countries around the world with a cast of social media celebrities like The Real Tarzann and Jay Alvarrez.

360 Magazine: Tell us a little bit about your background. When did you start writing music?

El Sueño: I started writing music when I was 10 years old on acoustic guitar and piano…mostly inspired by Bob Dylan and The Clash.

360 Magazine: You’ve already worked with some impressive artists during your career. What was it like collaborating with RZA? Did seeing his process inform how you work?

El Sueño: Hearing RZA tell us stories about New York City’s five boroughs, getting shot at, and ultimately using the power of music as his way out resonated deeply. Music is sometimes more than just an artistic medium, it’s a redemption. RZA’s process deeply affected our creativity and fearlessness about being artists.

360 Magazine: We love “Satisfy Me.” Can you tell us a little bit about the song? What was it like working with Emile Haynie?

El Sueño: “Satisfy me” is how I felt after visiting 50 countries, and feeling like I had seen everything in excess, but still searching for something to be satiated.

I wrote the song while drinking tequila in the back of a tour bus in less than 10 minutes and recorded it on my iPhone. It somehow found its way to Emile Haynie, who called me and asked me to meet him at Charlie Chaplin’s old studio to produce the song. At first when I heard Emile Haynie wanted to work on it I thought it was a prank. He had produced two of my favorite artists of all time (Lana Del Rey and Kanye West). It was like the Beethoven of pop and culture calling to work. Incredibly honored and grateful to be able to learn from him and work on new music now.

360 Magazine: You shot the music video for “Satisfy Me” in seven countries around the world. What was the shoot like? Can you tell us anything about the video?

El Sueño: I love film and am inspired by Ridley Scott and Christopher Nolan. So I decided to take a stab at directing the music video. Nothing could have prepared us for going  with the team into war zones in Ukraine, and shark infested waters in Moorea. I think this is the first music video where we actually had a real strong chance of actually dying while we were shooting it.

360 Magazine: How did you connect with The Real Tarzann and Jay Alvarrez?

El Sueño: I met the Real Tarzann and Jay Alvarrez in Bora Bora for Saving The Reefs. We hit it off and have become close friends, and we’re now shooting a reality show.

360 Magazine: You have just released your first single with The UNFITS. What are your aspirations and plans for 2020?

El Sueño: I want to take music fans on a musical journey through our upcoming album and live on the road. All I want to do in life is connect with other people and share the redemption I found in music with the world.

360 Magazine: Is there anything else you would like our readers to know?

El Sueño: Don’t be a little glitch.

http://open.spotify.com/artist/3OOBfhRysJwpfrT8TmSxQV?si=q4_lAsVhSkKKTNO1aamZYQ

http://www.instagram.com/theunfits/

*Photo by Shayan Asgharnia