Posts tagged with "david bowie"

Tribute Betty White Cover via Tidal Wave Comics for use by 360 Magazine

Tribute: Betty White

Written by Michael Frizell and Patrick McCray and illustrated by Ramon Salas and Todd Tenant, this 30-page comic book is available digitally and in print and can be found on multiple platforms such as Amazon. The book will be available as a softback and hardcover book.

It says a lot about a person’s life and legacy if people think she died too soon at 99. “Tribute: Betty White” traces the extraordinary life of the actor, writer, wit, and humanitarian who has also been Hollywood’s most enduring ‘it girl’ for seven-plus decades. Tracing her life from the earliest days of television to her time on the Golden Girls and recent social media fame, the comic explores her love, drive, and enduring success. This is a bonus edition comic book biography on the life of icon Betty White. 

“The Tribute line of comic books tells the stories of the classic entertainers that have passed on,” says TidalWave‘s publisher, Darren G. Davis. “It is a way for us to honor these people who have made a difference in the world.”

“In a culture where getting old is often the death knell of a Hollywood career, Betty White was as popular as ever before her death. Why? What you saw is what you got, and her wit and charm shone through.” said writer Michael Frizell. 

There will also be two exclusive covers available at Comic Flea Market

TidalWave Productions has focused its biographies on past celebrities such as Carrie Fisher, Lucille Ball, David Bowie, Elizabeth Taylor, and more.

The media embraced the TRIBUTE comic line and featured on several television news outlets, including The Today Show, The View, E! News, The Tonight Show, and CNN. The series has also been featured in many publications such as Vanity Fair, MTV, Time, and Rolling Stone.

TidalWave Comics’ vast catalog of titles can be purchased in print on Amazon and downloaded on ComiXology, DriveThru Comics, Google Play, Overdrive, iTunes, Kindle, Biblioboard, Nook, Kobo and wherever eBooks are sold.

About TidalWave Comics

TidalWave is a multifaceted multimedia production company with the mission of delivering dynamic storytelling in a variety of forms by developing graphic and literary fiction and nonfiction, audio, film and more. The company’s wide range of diverse titles delight readers through its creative and innovative storytelling available in high-quality print and electronic formats.

TidalWave delivers a multimedia experience unparalleled in the burgeoning graphic fiction and nonfiction marketplace. Dynamic storytelling, coupled with groundbreaking art, delivers an experience like no other. Stories are told through multiple platforms and genres, gracing the pages of graphic novels, novelizations, engaging audio dramas and cutting-edge film projects. Diversity defines TidalWave’s offerings in the burgeoning pop-culture marketplace through its use of fresh voices and innovative storytellers.

As one of the top independent publishers of comic books and graphic novels, TidalWave unites cutting-edge art and engaging stories produced by the publishing industry’s most exciting artists and writers. Its extensive catalog of comic book titles includes the bestsellers “10th Muse” and “The Legend of Isis,” complemented by a line of young adult books and audiobooks.

TidalWave’s publishing partnerships include entertainment icon William Shatner (“TekWar Chronicles”), legendary filmmaker Ray Harryhausen (“Wrath of the Titans,” “Sinbad: Rogue of Mars,” “Jason and the Argonauts” and more), novelists S.E. Hinton (“The Puppy Sister”) and William F. Nolan (“Logan’s Run”), and celebrated actors Vincent Price (“Vincent Price Presents”), Dirk Benedict of the original “Battlestar Galactica” (“Dirk Benedict in the 25th Century”) and Adam West of 1966’s “Batman” fame (“The Mis-Adventures of Adam West”). TidalWave also publishes a highly successful line of biographical comics under the titles “Orbit,” “Fame,” “Beyond,” “Tribute,” “Female Force” and “Political Power.”

willow smith and harry hudson image via x8 for use by 360 magazine

Willow Smith and Harry Hudson – X8 Eyewear

Gen Z Icons Willow Smith and Harry Hudson Unveil an Eyewear Collection – the First Project of X8

X8 is a new venture company building a creative hub for artists and avatars who will meet In Real Life (IRL) and The Metaverse.

Gen Z stars Willow Smith and Harry Hudson are the faces of X8 Eyewear, the brainchild of X8, a paradigm shifting, creative projects platform, and seed-stage venture fund based in New York, Seoul, and Singapore.

X8 Eyewear draws its inspiration from psychoanalyst Carl Jung‘s Animus and Anima, a theory in analytical psychology that describes the feminine and masculine duality of our unconscious minds.

X8 created a 23-piece collection that transcends gender labels with fluid cool oversize shapes and architectural flourishes.

“I was honored to join the X8 Anima/Animus campaign because I loved the messaging of gender fluidity and the duality of masculine and feminine energies that I believe exists inside every one of us. I had so much fun shooting this concept with my dear friend, Harry,” said Smith, who is an actress, singer-songwriter, and talk show host known for her progressive personal style.

“I was inspired by X8’s creative vision of two forces working together in harmony with one another. A lot of my music has been about balancing the light, dark and the masculine, feminine energy of life, so that idea of true duality really spoke to me and made me want to be a part of this campaign. Also, shooting with my friend and genius Willow was too much fun,” said Hudson, 21, a singer-songwriter famous for documenting his battle with cancer on social media.

While this is Smith and Hudson’s first foray into working with eyewear, it isn’t for X8, which was recently co-founded by Won Lee, the former CEO and CCO of Gentle Monster USA—the South Korean eyewear company—overseeing its rapid rise as one of the biggest eyewear brands in the world.

ABOUT X8
X8 is at the nexus of all things creative (fashion, art, entertainment, technology) and the future. It is Co-founded by Won Lee from South Korea who, outside of his tenure at Gentle Monster, has had an eclectically creative background developing hospitality projects with mega real estate groups such as CBRE, Prodigy and Soho House, as well as a $50M Media/Light Art project in Jeju Island, South Korea, and Nikhil ‘Ra’ Sharma, an Indian entrepreneur, producer and creative projects specialist who has also had a diverse background working with brands such as Louis Vuitton and Chanel Beauté, producing shows with talents such as David Bowie and Prince, Executive Producing a film by Oscar nominated director Fernando Meirelles, and working on projects with personalities such as Silicon Valley icon Sean Parker (Napster, Facebook, Spotify) to Fashion photography legend, Ellen von Unwerth.

Lee (Creative Director, Real World) and Ra (Creative Director, Metaverse) will be working as brothers in arms to morph the present into the future; the real with the virtual. They will oversee two core teams—an artistic, creative, manufacturing team in South Korea; and the Metaverse, NFT, Gaming, AI, Future Tech Studios in India.

X8 is actively developing the X8 Neo-Circus (X8NC), a members-only creative hub/platform for artists, celebrities and influencers in Jeju, and Decentraland: the first decentralized metaverse. This will go hand in hand with a secret character-based NFT project driving the platform. All X8 products will be showcased and sold in X8NC—in both physical and digital forms.

X8 has collaborated with Xelpmoc Design & Technology, a BSE/NSE listed company (XELP:IN). They will join X8 to build X8M (X8 Metaverse) in India to develop and invest in technologies to scale the X8 proposition globally. The core team of X8M are Sandipan Chattopadhyay, Suman Bose and Monce C. Abraham. Sandipan is the founder and MD of Xelpmoc; the co-founder of MoneyControl; and the ex-CTO of Just Dial. Suman Bose—Director and Chief Evangelist at Xelpmoc—was the former Managing Director of Siemens Industry Software. Sandipan and Suman will spearhead the tech and investment strategies for X8M. Monce C. Abraham—Director at THEV—will be focusing on operations and growth strategies for X8M. Abraham, at 24 years of age, was the youngest individual ever to head Marketing and Research at IVCA (Indian Private Equity & Venture Capital Association).

X8’s mission is to empower those who dare to dismantle the past, unsettle the present, and create a new and more exciting world for all. “We do not think in boxes,” say Lee and Ra. The founders see a world which will be driven by cross-industry innovation where an electric car can be built from the ground-up. Such a universe brings together fashion/textiles design, digital art, sustainable materials science, AI tech, rocket science and automotive engineering and Metaverse gaming. “We are driven by a passion to discover the unknown and see the world through the eyes of the new generation and beyond. Today, we may be considered a special projects and venture capital company. Yet our vision is set on tomorrow. The future will define us.

X8’s venture fund is led by Lee-Woong Yeol, Honorable Chairman of Kolon Group, South Korea. A visionary, Lee has invested in a wide array of businesses and ideas with an intent to create a think-tank. He coalesces solutions, services and products of the future.

Other X8 ventures include the following: 1) SLFF Kaimin—a brand by the New York designer Kaimin—whose futuristic cyber goddess looks have been worn by some of the most outlandish women in entertainment including Björk and Lady Gaga. 2) KLAW—a new sneakers collection for the “universal activity of walking”. 3) 1PEACE—a conscientious fashion and textiles brand that upcycles deadstock for new use.

Saw Himself – Power Ballads

SAM HIMSELF FONDUE WESTERN’S INDIE ROCKER SHARES DEBUT ALBUM POWER BALLADS

NEW SINGLE “THE MISSING” IS OUT TODAY

LISTEN TO POWER BALLADS1

LISTEN TO POWER BALLADS

WATCH “THE MISSING”

WATCH “LA PAZ”

WATCH “WHAT IT’S WORTH”

WATCH “NOTHING LIKE THE NIGHT”

WATCH “CRY”

On the heels of his breakout year, Swiss indie rocker Sam Himself – New Yorker by choice,  Fondue Western baritone by trade – prepares to release his debut album, Power Ballads (October 8th). The Brooklyn-based songwriter, performer, and multi-instrumentalist has been sounding the bell for his first LP with a number of singles, most recently “La Paz” and “What Its Worth” which premiered via Under The Radar Magazine and was picked up by KCRWs Morning Becomes Eclectic and KEXPs The Morning Show, among others: as of September 2021, three out of four album singles remain on public and commercial rotation in Germany, France, Switzerland and elsewhere in Europe and the US.

Sam Himself’s full-length debut follows last year’s acclaimed EP Slow Drugs, the artist’s third, which – in addition to the international press, radio airplay, numerous DSP editorial features, and critical praise for the accompanying music videos – earned him the Swiss National Broadcasting Service’s Best Talent Award in 2020 and, in early 2021, a nomination for a Swiss Music Award, the most prestigious national prize of its kind in Sam’s home country.

Power Ballads marks the latest collaboration between Sam and his longtime producer, mixing engineer, and Second Beatle’ Daniel Schlett (The War On Drugs; Iggy Pop), as well as mastering legend Greg Calbi (Bruce Springsteen; David Bowie).

Early last year, Switzerland’s King of Tears Sam Himself was in Europe kicking off his spring tour when the pandemic foiled all live music plans – and Sam’s planned return to Brooklyn, NY, his chosen home of the past decade. Dangerously low on socks, musical equipment, and any real sense of when he’d be able to get back to the United States, Sam ended up staying in his native Switzerland for the remainder of 2020. The singer, songwriter, and multi-instrumentalist, exiled at home, spent those months in limbo writing and recording what would become his debut album, Power Balladswherever he could (including the attic of his mom’s house). When he made it back to New York in early 2021, Sam (after a period of self-quarantine) went straight to producer Daniel Schlett’s Strange Weather Studio in Brooklyn to finalize his new material, building on the recordings he had originally prepared as demos for his album.

Two songs on Power Ballads once again feature Sam’s Slow Drugs bandmates Josh Werner (bass – Ghostface Killah; CocoRosie) and Parker Kindred (drums – Jeff Buckley; Elliott Smith), among them the LP’s focus track The Missing. The work of Benjamin Noti (guitar – Steff La Cheffe) and Georg Dillier (bass – Anna Rossinelli), both members of Sam’s touring band, can also be heard on several tracks.

Beyond their contributions, however, Sam plays most of the instruments on Power Ballads himself, with producer Schlett adding sounds, textures and of course his singular mixing style (as heard recently e.g. on Iggy Pop’s cover of The Velvet Underground’s European Son). This reduced lineup, a consequence of the new practical realities of the pandemic, imbues Power Ballads with a sense of intimacy and artistic autonomy. Synths and programmed drums form the core of most of the album’s by turns minimalist and grand arrangements, while Sam’s signature baritone voice quite literally reaches new heights. Over the course of ten tracks, the artist grapples with the sources and limits of personal power – how much of it is taken for granted; what remains once it’s stripped away – unflinchingly honest and defiantly optimistic on his most vulnerable, most confident work to date.

Sam Himself is set to tour in support of his debut album well into the spring of next year, with some 30+ European dates in Switzerland, Germany, Austria, the Netherlands, and beyond (US-dates in planning).

As featured by SPIN MagazineUnder The RadarKEXPKCRWDanger Mouse JukeboxThe Wild HoneypieAmerican SongwriterThe Philadelphia GlobeConsequence of SoundVariance MagazineSwiss National Radiotelevision SRFDIFFUS Magazin (GE), and many more.

For more information about Sam Himself, visit his website or connect with him on social media @samhimself.

“Born in Switzerland and bred in Gotham, Sam Himself has won accolades in his homeland but has aspirations to conquer the world.”  SPIN Magazine

“Sam Himself uses a vocal power somewhere between Matt Berninger and San Fermins Allen Tate to sing songs of finding your place.”Consequence Of Sound

 “Smokey vocals, wistful reverie.”  Under The Radar

“His deep, rich vocals remind us of the beauty that exists even during the darkest times.”  The Wild Honey Pie

“Switzerlands King of Tears.”Victoria Turrian, Radio T vision Suisse

HALSEY - NEW ALBUM photo credit by Lucas Garrido use by 360 Magazine

HALSEY – NEW ALBUM

HALSEY’S IF I CANT HAVE LOVE, I WANT POWER – ENTERS CHARTS AT NO. 1

Halsey’s If I Cant Have Love, I Want Power – hailed as their best album yet by Pitchfork and Vulture and as “one of the best albums of the year”; by Billboard – debuts at No. 1 on Billboards Top Current Albums chart, marking their third consecutive release to top the tally. It’s the follow-up to the Platinum-certified Manic, released in January 2020. If I Cant Have Love, I Want Power also topped BillboardAlternative Albums, Vinyl Albums, and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart. It entered the Billboard 200 chart at No. 2. Download/stream HERE.

In an explosive first week at radio, “I am not a woman, I’m a god”; was #1 Most Added at Top 40 while “You asked for this” was #1 Most Added at the Alternative format. The official video for “I am not a woman, I’m a god” which can be viewed HERE, is from IMAX Experience: Halsey PresentsIf I Cant Have Love, I Want Power, which sold out in over 70 locations and grossed over $735K from limited showtimes around the globe. Deadline – examined the success of the screenings of this feature.

The GRAMMY-nominated, multi-Platinum artist reunited with producers Trent Reznor and Atticus Ross for an in-depth conversation about If I Cant Have Love, I Want Power, moderated by Lizzy Goodman. View’s HERE. Among the many topics they cover are the trust of Halsey’s fans, the untraditional path to releasing the album, and David Bowie. Halsey, who was recently named as Shazam’s Artist of the Week, also spoke at length with Apple Music’s Zane Lowe. Listen HERE.

Vulture observed, “Halsey is a total natural here, unafraid to share deep, dark thoughts with the listener, ready to cut loose amid the din of sinister synths and punishing guitars”. The New York Times noted, “Halsey and Nine Inch Nails have so much in common: skill at generating drama through sheer sound, along with a willingness to admit the worst.” Declaring the results “spectacular”, Stereogum said, “With each successive release, Halsey’s creative output got bolder, more inventive, more captivating.” SPIN noted,Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.”

Image via Republic Records for 360 Magazine

Coda Soundtrack

REPUBLIC RECORDS RELEASES CODA SOUNDTRACK FROM THE APPLE ORIGINAL FILM TODAY

FEATURES DUET OF MARVIN GAYE & TAMMI TERRELL’S YOU’RE ALL I NEED TO GET BY PERFORMED BY LEAD ACTRESS EMILIA JONES & CO-STAR FERDIA WALSH-PEELO

Watch the lyric video for You’re All I Need To Get By (Duet Version) HERE

Republic Records releases the CODA Soundtrack from the Apple Original Film, timed to the arrival of the highly-anticipated film in select theaters and on Apple TV+, today. Highlighting CODA’s extraordinary and heartfelt musical performances by lead actress, Emilia Jones (Lock & Key, Doctor Who), the soundtrack features a duet of Marvin Gaye & Tammi Terrell’s classic You’re All I Need To Get By by Emilia Jones & co-star Ferdia Walsh-Peelo (Sing Street, Vikings).

Listen to the CODA Soundtrack from the Apple Original FilmHERE and watch the lyric video for You’re All I Need To Get By (Duet Version) HERE.

The soundtrack showcases numerous Emilia Jones performances including original song Beyond The Shore and duets with co-star Ferdia Walsh-Peelo covering classic hits such as It’s Your Thing by The Isley Brothers, I Got The Music In Me by The Kiki Dee Band, Starman by David Bowie, and more. It also features timeless tracks, Something’s Got A Hold On Me by Etta James and I Fought The Law by The Clash. And, rounding out the eighteen song track list are score selections by composer Marius De Vries [Romeo + Juliet, Sucker Punch].

Apple Original Film CODA made its world premiere at the 2021 Sundance Film Festival where it won the U.S. Grand Jury Prize, U.S. Dramatic Audience Award, and a Special Jury Ensemble Cast Award. Director and writer Sian Heder also received Best Director in the U.S. Dramatic Section. In CODA, seventeen-year-old Ruby (Emilia Jones) is the sole hearing member of a deaf family—a CODA, child of deaf adults. Her life revolves around acting as interpreter for her parents (Marlee Matlin, Troy Kotsur) and working on the family’s struggling fishing boat every day before school with her father and older brother (Daniel Durant). But when Ruby joins her high school’s choir club, she discovers a gift for singing and soon finds herself drawn to her duet partner Miles (Ferdia Walsh-Peelo). Encouraged by her enthusiastic, tough-love choirmaster (Eugenio Derbez) to apply to a prestigious music school, Ruby finds herself torn between the obligations she feels to her family and the pursuit of her own dreams.

The film is playing in select theaters and streaming on Apple TV+ now. Watch the trailer for CODA HERE.

Tracklisting

  1. Something’s Got a Hold On Me – Etta James 
  2. One Thing I Know How To Do – Marius de Vries
  3. It’s Your Thing – Emilia Jones, Ferdia Walsh-Peelo, CODA Choir
  4. You’re All I Need To Get By – Marvin Gaye & Tammi Terrell
  5. I Fought The Law – The Clash 
  6. Mr. V’s Sonata – Marius de Vries 
  7. The Observer – Marius de Vries 
  8. Walk in the Woods / Belly Flop – Marius de Vries 
  9. The Log – Marius de Vries 
  10. Do You Ever Wish I Was Deaf? – Marius de Vries 
  11. I’ve Got the Music In Me – Emilia Jones, Ferdia Walsh-Peelo, CODA Choir
  12. Starman – Emilia Jones, Ferdia Walsh-Peelo, CODA Choir
  13. You’re All I Need To Get By (Duet Version) – Emilia Jones & Ferdia Walsh-Peelo
  14. Going To Boston – Marius de Vries 
  15. Both Sides Now – Emilia Jones
  16. Wait Wait Stop Stop – Marius de Vries 
  17. Beyond The Shore – Emilia Jones
  18. Ruby’s Theme – Marius de Vries
Photo via Jim Merlis of Big Hassle Media for use by 360 Magazine

THE RADICAL × JOSHUA HENRY

The Radical, a weekly podcast, hosted by Nick Terzo, wraps up its first year by welcoming Tony-winning musician-actor Joshua Henry tomorrow. The host and Henry, known for his work with Lin-Manuel Miranda on “Hamilton” and “In The Heights,” delve into a myriad of subjects including filming Miranda’s directorial debut “Tick Tick Boom”, the disappointment of a show-closing early, his family inspiring the songwriting on his new EP “Guaranteed”, and the physical and spiritual regimens that keep his performances energized.

Henry portrayed the lead role of Aaron Burr in the first U.S. tour of Hamilton, previously playing the role in the Chicago production that began performances in late September 2016. After Hamilton, Henry portrayed the lead role of Billy Bigelow in a Broadway revival of Carousel. Henry will release his debut album Grow on September 10th. More details on the album will be coming soon.

Henry follows a wide breadth of artists interviewed including music producer, bassist, and television personality Randy Jackson, Rock n Roll Hall of Famers Ann Wilson (Heart) and Ilan Rubin (Nine Inch Nails), music pioneers John Doe, Rob Halford Bob Mould, Rufus Wainwright, TV composer Jonathan Wolff, radio pioneer Jason Bentley, songwriter and Toad The Wet Sprocket’s Glen Phillips and film supervisor Randall Poster.

With The Radical, Terzo reverse-engineers the creative process and its pathways to success. The show takes deep dives into the skills, tactics, and experiences of innovators and creators in fields such as Music, Film, Architecture, and Entrepreneurship. His guests are examples of the strength and ingenuity it takes to scale the many walls of resistance. He guides world-class artists, creatives, and entrepreneurs through their pivotal moments and stories.

Nick Terzo is a renowned leader in the entertainment industry with a proven track record in artist development, M&A, strategic partnerships, and creative leadership. Throughout his career, Terzo has served in executive and senior A&R roles at The Walt Disney Company, Sony Music Entertainment, and Warner Music Group. As founder of Radical MG Terzo advises rights holders and private equity funds on music catalog sales and acquisition strategies.

In the past few years, he has served as Vice President of Business Development & Operations for the international booking and artist management company, Madison House, and as Vice President of Strategy Development for music royalty finance platform, Royalty Exchange. Terzo has served on the SXSW Interactive Programming Board and as a mentor for the Thiel Foundation, Techstars Music, Boomtown Accelerator, and DreamIt Ventures.

The Radical podcast is produced by award-winning sound-mixer Sean O’Neil known for his work on the David Bowie: Finding Fame documentary.

The Radical podcast is available everywhere podcasts are available including Apple, Spotify, iHeart Radio, Amazon among others.

image from Tamara Simons for use by 360 Magazine

SAM HIMSELF — “WHAT IT’S WORTH”

“Sam Himself uses his vocal power to sing songs of finding your place.”Consequence Of Sound

“His deep, rich vocals remind us of the beauty that exists even during the darkest times.”The Wild Honey Pie

“The King of Tears.”Victoria Turrian, Radio Television Suisse

“Sam Himself’s baritone vocal provides a cool sensuality reminiscent of The National’s Matt Berninger combined with the soaring instrumentation of Future Islands.”Ears To Feed

The 2021 Swiss Music Awards nominee, Sam Himself’s, latest release is the third single leading up to his debut LP, Power Ballads, (due out in October) following album singles “Nothing Like the Nightand “Cry.” The new single, “What It’s Worth,” premiered exclusively with Under The Radar Magazine.

Sam’s latest single is the swan song to a past relationship that crumbled in the wake of his father’s death. This reckoning with the past was inspired by the Swiss-born artist’s unexpected homecoming in early 2020 after a decade of living in Brooklyn, NY:

“My own history caught up with me during my time back in Switzerland. That’s where I grew up, and living there again brought back a lot of memories; home doesn’t forget… One ghost I kept running into was that of an old relationship that fell apart when I lost my dad a few years ago. My hometown is the place where all of that happened, his death and all its casualties, and “What It’s Worth is about one of them.”

You can listen to “What It’s Worth” HERE. You can watch the accompanying lyric video HERE.

When the COVID-19 pandemic brought the world to a standstill early last year, Sam had just embarked on tour in Europe. Suddenly unable to return to his adopted home in New York City, Sam set up shop in his native Basel, Switzerland. At various locations including his mom’s attic, Sam spent the lockdown writing the ten new songs on his upcoming debut LP, Power Ballads. He finished recording the album as soon as he was able to return to NYC this past January, together with his longtime Second Beatle, producer and mixing engineer Daniel Schlett (The War on Drugs; Amen Dunes). The pair had most recently collaborated on Sam’s acclaimed 2020 EP Slow Drugs, which featured drummer Parker Kindred (Jeff Buckley; Elliott Smith) as well as bassist Josh Werner (Ghostface Killah; Iggy Pop), and earned Sam Himself the Swiss National Radio’s prestigious Best Talent Award that same year. You can watch the music video for the album’s title song, “Slow Drugs,” HERE.

Sam’s upcoming full-length debut was mastered by Greg Calbi (David Bowie; Bruce Springsteen) and will be supported by extensive touring this fall through winter 2022 in Switzerland, Germany, and beyond.

LYRICS TO “WHAT IT’S WORTH”:

I’m back where we broke

A lifetime ago

My clock’s still stuck right where it froze

The night your trail went cold

With a head full of ghosts

No one else close

Scared to the bone

With no one else to run from

All that’s buried here

I carry it everywhere

My arms too weak to keep an even pulse

Still I can’t stop holding on

With a head full of ghosts

No one else close

Scared to the bone

With no one else to run from

Heart full of holes

For what it’s worth

I couldn’t love you more

I came to take your place

And be the one who left that day

With both hands throwing ash into the flame

Like I don’t know it’s way too late

With a head full of ghosts

No one else close

Scared to the bone

With no one else to run from

Heart full of holes

For what it’s worth

I never loved you more

Tassia Zappia from Bryan Kehn from Republic Records Media for use by 360 Magazine

Tassia Zappia – When I Was Four

Increasing buzz following her critically acclaimed debut, Melbourne singer songwriter Tassia Zappia unveils a new single and music video entitled “When I Was Four” via Republic Records today. Listen to “When I Was Four” here. Watch the lyric video here.

On the autobiographical track, her voice glides over soft piano as she details her journey from humble beginnings in Australia to the door of a seemingly impossible dream. The momentum builds towards a powerhouse hook evocative of her range. The accompanying video begins with a grainy confessional by Tassia as she explains her resolve to make this dream real. The clip follows her alone through Los Angeles before intercutting original home video footage of her performing as a kid. It all culminates on an uplifting finale.

Tassia introduced herself with her very first single “You Don’t Want Me.” Right out of the gate, it amassed playlist support from the territories around the world. Additionally, the debut received widespread acclaim with press raving, “We already know it’s going to be on heavy rotation for us.”

Right now, she’s preparing her debut EP for release this year. Stay tuned!

Tassia Zappia, Italian born in Melbourne, doesn’t gloss over the little things in her music. She approaches her lyrics with a keen eye for detail only amplified by her show-stopping delivery, outsized vocal flare, and free spirit. Listening to the Australian singer and songwriter can feel like being in the room right next to her during some momentous turning point.

As a kid, Tassia discovered Elvis Presley, Aretha Franklin, Barbra Streisand, and Frank Sinatra through her parents, developing an appreciation for “super old school classics.” Feeling like an outsider, she turned to poetry and music. By 12-years-old, she began writing songs. She discovered Amy Winehouse and Lauryn Hill and incorporated all of these inspirations into a raw, unfiltered, and soulful style. In 2019, she took a trip to Los Angeles for a music camp that wasn’t all it was cracked up to be. Instead, it “felt like Fyre Fest,” but she ended up with her first break, nevertheless. After performing her original composition “WHEN I WAS FOUR” during a visit from chart-topping songwriter Heidi Rojas [Little Mix, Cheryl Cole], she left the audience in tears. Rojas asked for Tassia’s phone number, and they met for coffee a few days later. The following day Heidi took Tassia to a session with Lauren Christy, formerly of The Matrix [Avril Lavigne, David Bowie, Dua Lipa, Bebe Rexha, Rihanna], and this led to Tassia signing a development deal with Heidi and Lauren’s production company. Along the way, she inked a deal with Republic and crafted her debut single “You Don’t Want Me.”

“Tassia Zappia wastes no time to prove just how powerful her voice is with those high notes, reminiscent of the late Amy Winehouse, in the opening measures in ‘You Don’t Want Me.’” – The Honey Pop
“…she’s going to take over the world by storm” – Alfitude
“Tassia Zappia is making sure your first impression of her music is a spicy one” – PLNKWIFI

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Mary Wilson from Cathy Williams from UMe for use by 360 Magazine

Honoring Mary Wilson’s Memory – Black Music × Pride Month

Legendary artist/author and original and founding member of the Supremes, Mary Wilson was also known as a tireless advocate for the Black and LGBTQ+ communities. 

 

The Motown/UMe April release of Mary Wilson: Expanded Edition represented an ongoing effort to honor her memory and her passion for celebrating life through music. Her work to raise awareness of the need for tolerance and equality is especially poignant during June, which is dedicated to Black Music Month and Pride Month; her music provides a fitting backdrop to celebrations and events — from intimate events to large-scale community celebrations.  

 

Ms. Wilson believed in the power of music, especially the joy The Supremes brought to the world. She carried on that legacy throughout her career and right up to the days before her untimely passing in February, just weeks before the release of Mary Wilson: Expanded Edition.  

 

“The music was inclusive. It didn’t matter who you were, the music touched your soul. Music, to me, brought all the souls together. I’ve always said that Motown was an ambassador for love and for friendship because it brought people together.” – Mary Wilson in a 2015 interview with Pride Source.

Mary Wilson: Expanded Edition was originally announced to celebrate her 77th Birthday and honor her history and legacy with the first of her album projects. Ms. Wilson, who retained ownership of her solo recordings, wanted to make the album – and much more – available to her many fans around the world. Mary Wilson: Expanded Edition is a newly compiled version of her solo album, originally released by Motown in 1979, that will now be available on all digital platforms for the first time. Added to the album are eight incredible bonus tracks, four of them unreleased, including the legendary tracks recorded as a follow-up to the album produced by Gus Dudgeon (Elton John, Joan Armatrading, Chris Rea, et al). Featured as the lead single is a brand-new song, “Why Can’t We All Get Along,” produced by Richard Davis and co-written with Angelo Bond, who previously had great success as a co-writer with General Johnson and Greg Perry for “Bring The Boys Home.”

 

Mary Wilson, who had many fond memories around recording her solo debut, was so excited about the release of this album that, after finalizing details with UMe, she created an impromptu “teaser,” posting what was to be her final YouTube video. “I finally decided how to work with Universal, and they are going to release new Mary Wilson recordings,” she said. “Yes! At last! At last,” adding that the expanded version of the album, known by her and to fans as “Red Hot,” referring to its lead single, will include the Dudgeon productions – and something new. “It was four wonderful songs that were never released… and I also have some other songs, some surprising new songs… Thank you Universal for chiming in with me and helping this come true. Hopefully some of that will be out on my birthday, March 6th… I’ve got my fingers crossed.”

 

Sadly, the world mourned the sudden passing of Mary Wilson on February 8th, which also marked the 56th anniversary of The Supremes’ #1 hit, “Stop! In the Name Of Love.” She was a world-renowned singer, best-selling author, a humanitarian, artist rights advocate, philanthropist, cultural ambassador for the U.S. appointed by Colin Powell, but she was best known as a “Supreme.” She was the co-founder of the original Supremes, along with Diana Ross and Florence Ballard, which signed to Motown in January 1961, making this year their 60th anniversary. The group broke down barriers by becoming the world’s most popular female singing trio, with an unprecedented string of 12 number one hits, 33 top 40 singles, a record breaking 5 consecutive number ones, and the first number one album for a female group. Mary Wilson is the only member with the group from their signing in 1961 to their disbanding in 1977. Their legendary history is the foundation for dozens of books, movies, and even three Broadway musicals.

 

But the often-overlooked history is of the solo careers of Mary Wilson and Florence Ballard. Ballard had previously released an album on ABC Records while, upon leaving the Supremes, Mary Wilson released her self-titled solo album debut on Motown, her label for the previous 18 years. Mary Wilson had the potential of becoming a dance classic. Famed Motown Producer Hal Davis, known for #1 hits on the Jackson 5, Thelma Houston and Diana Ross crafted a lush disco album for Wilson, with six dance tracks and a mid-tempo ballad. Wilson recorded the album while pregnant with her youngest son, Raphael, and for the album’s cover shoot she was wrapped in a jacket to hide the pregnancy.

 

“Red Hot” was the obvious lead single. But just prior to the release of the album the infamous Disco Demolition Night took place at Comiskey Park in Chicago on July 12, 1979. The “Disco Sucks” movement impacted the release of Mary Wilson, and the single reached #85 on the dance chart and #95 on the R&B chart. This new collection retrieves for history the song’s rare 12” and 7” mixes, which were unique from the album’s version. Despite being loved by fans, and the release of a second single, “Pick Up the Pieces” in the U.K., the Mary Wilson album did not get the recognition it deserved.

 

In 1980, Mary Wilson headed to Europe to record with Elton John’s producer, Gus Dudgeon. The late Dudgeon, who started as Decca Records’ in-house recording engineer, became a key creative collaborator with Elton John, producing seven No. 1 albums, in addition to creating masterworks with David Bowie, Joan Armatrading, Chris Rea, and many more.

 

Wilson wrote in her second autobiography, Supreme Faith: Someday We’ll Be Together, “I was very excited about these four songs. It wasn’t the formula disco of my first album. Two of the songs were big ballads. The other two were rock and roll in the style of Tina Turner’s mid-eighties hits; I was certainly ahead of the time.” Three of the four songs were never released. The fourth song, “You Dance My Heart Around the Stars,” first made available in 2015 on a collection of the co-writer’s, Steve Kalinich, a frequent collaborator of the Beach Boys, is considered one of Wilson’s finest performances. 

 

In 1986 Mary Wilson wrote her best-selling autobiography, Dreamgirl: My Life As A Supreme, followed by two more books, Supreme Faith: Someday We’ll Be Together, and Supreme Glamour. Although Mary continued to record and release music through the rest of her career, fans have continually requested to hear this music. These songs remain among the most requested items in the Motown catalog.

 

While recording more music over the last 10 years, Mary Wilson reconnected with Richard Davis, executive of Gold Forever Music, a publishing company established by Eddie Holland after leaving Motown. In the early days of Motown, Holland-Dozier-Holland was the songwriting team responsible for The Supremes’ string of hit records.

 

While Mary continued to record, she kept a journal with her most personal thoughts, perspective, outlook, philosophy on life, beliefs based on her experiences and topics of the day. Richard Davis discussed this song with Wilson. Mary told Davis and Bond that their lyrics were able to capture and articulate her feelings into song and help her tell her story. As she was watching and writing about her feelings about the political unrest and the division in the country, Mary felt strongly about releasing “Why Can’t We All Get Along,” now in the hopes of spreading a positive message through music.

 

TRACKLISTING:

Mary Wilson

Mary Wilson: Expanded Edition

 

1.   Red Hot (6:06)

2.   I’ve Got What You Need (5:08)

3.   You Make Me Feel So Good (5:51)

4.  (I Love A) Warm Summer Night  (4:07)

5.   Pick Up the Pieces * (5:01)

6.   You’re the Light That Guides My Way (3:18)

7.   Midnight Dancer (3:08)

 

#1-7: Produced by Hal Davis

* Co-Produced by Hal Davis & Bobby Belle

Originally issued as Motown M7-927 R1 (1979)

 

Bonus Tracks

 

The Red Hot Singles

8.   Red Hot 7” Single Version (3:53)

9.   Red Hot 12” Disco Version – Remixed by Rusty Garner (7:12)

10. Red Hot 12” B-Side Promo Version – Remixed by Rusty Garner (3:53) – previously unreleased commercially

 

The Gus Dudgeon Sessions – previously unreleased except **

11. You Dance My Heart Around the Stars** (4:34)

12. Love Talk (4:05)

13. Save Me (3:53)

14. Green River (3:36)

 

The Richard Davis Sessions – previously unreleased

15. Why Can’t We All Get Along Single version (4:50)

Heather Skovlund Music illustration 360 Magazine

The Don Was Motor City Playlist

Music Icon Don Was to Launch Weekly Show, “The Don Was Motor City Playlist,” on Detroit’s NPR Station, 101.9 WDET-FM and streaming worldwide beginning 10 pm, April 16, 2021.

“The Don Was Motor City Playlist,” hosted by Don Was and WDET Music Host Ann Delisi will feature playlists curated by Was and tales from his more than 30-year career as a musician and producer.

Blue Note Records President, six-time Grammy Award Winner and music industry powerhouse Don Was is launching a weekly broadcast program Friday, April 16 in his hometown of Detroit. On the new two-hour show, The Don Was Motor City Playlist, Was will dig deep into his music archives to curate playlists and share personal stories about the artists whose songs he features. The show will pay homage to the Motor City and artists with whom he works and loves. It will be broadcast on Detroit’s NPR station, WDET 101.9 FM and available to stream on WDET’s website, the WDET mobile app, and on smart speakers.

The show will air every Friday from 10 pm–midnight and will be hosted by Was along with producer and co-host, Detroit radio personality Ann Delisi.

“This show is really different in that it is completely freeform,” says Was. “The format will be an old school stream of consciousness; diverse with songs that I love and want to share with listeners. It’s been really fun to make the playlists. I get to do this show from my birthplace of Detroit with the great Ann Delisi. You will hear stories about The Stones. Stories about Dylan. Stories about Bonnie Raitt and Iggy Pop. Stories about Detroit.”

The name of every playlist will be inspired by Don Was’ history in Detroit. As listeners tune in from around the world, they will hear commentary about the Motor City and its rich musical and cultural histories. Dubbed, “the most exciting city in America” by the New York Times, Detroit is the birthplace of Was, Jack White, Big Sean, Alice Cooper, Eminem, Elvin Jones, Pepper Adams, Marcus Belgrave, James Carter, Carl Craig, Alberta Adams and many others.

“Don Was is a genuine and fascinating storyteller who will give listeners intimate insight into music makers. Don is a Detroit treasure and so is Ann Delisi. We are thrilled that Don and Ann will be teaming up to create The Don Was Motor City Playlist on WDET,” says Mary Zatina, General Manager of WDET. It’s a perfect trio — “Don’s energy and talent in the music industry is in a league of its own. Ann, whose ear is to the ground in music of every genre, both share the ability to deeply engage listeners as they narrate stories and anecdotes about music making. The third leg of the formula is WDET — a one-of-a-kind radio station known for innovation and eclectic offerings that inform and delight audiences in metro Detroit and around the globe.” WDET, which has been on the air for 73 years, is Detroit’s flagship National Public Radio Station.

Delisi has been a Detroit broadcaster and producer for more than 35 years. Her show Essential Music is a treasured go-to for listeners to discover new music as well as look back at landmark albums, musical moments and the musicians who created them. She has interviewed everyone from David Bowie to Adele to White House Photographer Pete Souza. Dedicated to exploring the creative spirit that drives artists, Delisi said the idea to partner with Was came up in one of their many conversations over dinner.

Ann recounts the story of how the Don Was Motor City Playlist came about–“We were having dinner in Detroit when he was in town for the Concert of Colors global music festival. He talked about listening to WDET and the late night show “Jazz Today” hosted by Bud Spangler. He said that his dream was to do a show like that and play songs that were his personal favorites – from any genre and from era. Months later, I suggested to my WDET colleagues that Don should host a show on WDET and everyone loved the idea.”

WDET Program Director Joan Isabella says, “Don and Ann have a deep love of music and reverence for the artists who create it. Ann is a savvy interviewer and as his co-host, she will ask questions about his work that listeners will relish. The Don Was Motor City Playlist provides a platform for Don to share his life experiences as a musician, producer and record label president. Having heard many of Don’s stories throughout the years, I know it’s going to be a blast for the listeners.”

A pivotal moment in developing the show’s potential occurred years ago when Was visited WDET to be interviewed by Delisi, only for the show to be preempted due to a national emergency press conference.

“Back in 2012, our live interview was preempted, so we ended up recording a lengthy interview in a small studio sharing stories and talking about music. In the years that followed, I began working with Don on the Concert of Colors and we would always talk about music. Little did we know that all of those conversations were preparing us for this show,” says Delisi.

“I’ve been going through my record collection, music from Detroit and beyond, on and off Blue Note,” says Was. “Maybe some music that hasn’t been released from Was (Not Was), but I’m modest with this show, I haven’t decided that part yet.”

Fans can hope.

For more than 70 years, from our Midtown Detroit location on the campus of Wayne State University, WDET-FM 101.9, Detroit’s NPR station, has delivered a unique mix of news, conversation, special programs and music programming. Our 48,000-watt broadcast signal reaches a 70-mile radius across all of southeast Michigan, northwest Ohio and southwest Ontario. It expands nationally through our live stream, website, mobile app and podcasts. WDET-FM 101.9 is a community service of Wayne State University. Support for WDET comes from Wayne State, the Corporation for Public Broadcasting, local foundations, and through private donors and corporate underwriting.