Posts tagged with "Global Society"

DJ Koze Remix Artwork via Infamous PR for use by 360 Magazine

Lakou Mizik × Joseph Ray

Anjunadeep warmly welcomes DJ Koze for his Anjunadeep debut with his remix of Lakou Mizik & Joseph Ray’s ’Sanba Yo Pran Pale’.

One of electronic music’s most beloved artists, DJ Koze runs the acclaimed Pampa Records, where he puts out his own music alongside material from the likes of Mano Le Tough, Axel Boman and Robag Wruhme. His 2018 album ‘Knock Knock’, released on Pampa, was named as Pitchfork’s 3rd best album of the year, whilst his single ‘Pick Up’ was named track of the year by both Resident Advisor and Mixmag. Known for his inventive production style, he has remixed Gorillaz, Mount Kimbie, Moderat and Lapsley, and collaborated with Róisín Murphy, Bon Iver, José González, Caribou and Matthew Dear.

’Sanba Yo Pran Pale’ is Kosi’s first remix in two years and is typically eclectic. Reimagining the traditional Vodou song as a summer dance anthem, warping and stretching the original vocals from Lakou Mizik’s Sanba Zao onto a bed of catchy rhythmic synths and warm enveloping bass. Ten minutes long, the original mix has a nostalgic analogue warmth that feels perfect for an Indian summer’s day. To celebrate the release, Anjunadeep is pressing a limited run of white label vinyl, which are available for pre-order now.

About Leave the Bones

’Sanba Yo Pran Pale’ is the first track off Lakou Mizik & Joseph Ray’s album Leave the Bones, and is a traditional Haitian song steeped in Vodou tradition: “The Sanbas are the poets and keepers of Haitian history and culture. They pass on their wisdom through song and story. ‘Sanba Yo Pran Pale’ is an invitation to the Sanbas to speak their truth whilst paying respect to the Vodou ‘Lwa’ or spirits.”

Referred to by NPR as a “mesmerizing, haunting and uplifting journey into the heart of Haitian culture”, Leave the Bones has accrued 1M streams on Spotify and Apple Music and has garnered a wealth of global support from the tastemakers such as BBC Radio 1, 6 Music, The Times, Billboard, Crack Magazine, Mixmag, Songlines, The New York Times, and Gilles Peterson’s Worldwide FM. It is out now, available digitally and as a 2 x 12” LP.

Ellaè Lisquè

Ellaé Lisqué Star-Studded Fashion Show

PHOTO CREDIT: RUBEN DELACT 

On Thursday, September 2nd, 360 Magazine attended the Ellaè Lisquè’s fashion show in Los Angeles for the debut of their “Birthday Collection.” Designer Maxie J. chose a desert inspired theme for the models to walk through wearing her latest designs. The melanated event was filled with stars such as Christian Combs, Sevyn Streeter (who performed), Chris Brown, Slick Woods, Amber Riley, Clermont Twins (who opened the show), and many more to celebrate the Black designer and her latest collection.

While many fashion enthusiasts continue to have conversations about inclusion in the fashion industry, the Los Angeles native took matters into her own hands and built a table of her own. With uncompromising ambition & talent, Maxie J. first gave birth to her love child Ellaè Lisquè in 2014-a line intentionally created to make women feel sexy, bossy and sophisticated.

The fashion show took place at LA’s premier nightclub, Exchange LA, with decor by Wright Productions. 360 degree cameras were setup around the event for guests to shoot interactive videos in their outfits and share to their social media platforms. The “Birthday Collection” was elegant and chic for women of all sizes and ethnicities.

For more information on Maxie J. & Ellaè Lisquè visit: https://ellaelisque.com

Sevyn Streeter

Sevyn Streeter wearing Ellaè Lisquè

Lil Wayne’s Uproar Music Festival

By: Krish Narsinghani

Hip-hop icon and entrepreneur, Lil Wayne, celebrated his lifestyle marijuana and clothing brand, GKUA on Friday, August 13th. 360 Magazine had the opportunity to attend the festival filled with dance, hip-hop music and eclectic art installations.

Entering the Los Angeles Memorial Colosseum, located in downtown near the University of Southern California, a sweep of emotions from past soccer games and music concerts floods your mind; the atmosphere feeling post-pandemic everyone itching to see a good show. The festival night kicked off with different dance troupes competing against one another showcasing hip hop dance sets getting the crowd fired up. Samantha Long, along with celebrated dancers Lil Buck and Jon Boogz, presided over the final rounds of the Uproar Dance Competition. Various artists came out to support Wayne along with Young Money acts and newcomers with astonishing potential. Artists included Young Money featuring Gudda Gudda, Cory Gunz, Lil Twist, Hoodie Baby, Euro, Jay Jones, Yaj Kader, & Mellow Rackz, Polo G, Big Latto and the legend, Lil Wayne, himself to headline.

The event took place right on the outskirts of the stadium (still within the grounds) providing an intimate vibe with pieces of art displayed near the concessions. CampNova gave away VIP live stream tickets with every purchase of GKUA Ultra Premium cannabis products available for sale HERE. The livestream was presented by Mandolin that had a booth setup explaining the VIP ticket giveaway and how to interact with the show online using various emojis that could appear on the big screen. Merch company, Rose in Good Faith, partnered with Young Money merch and featured quality tees with a minimalistic approach.

The GKUA Creative Director, Baqi Kopelman, also told Forbes, the August concert is the first of more Lil Wayne events at the L.A. Coliseum. GKUA recently entered an exclusive agreement with the venue to host 4/20 events, including in-person and virtual parties, performances and other events. Overall, the festival felt authentic with fans craving more Friday night immersive experiences thrown by the Grammy-award winning rapper and his ever-growing brand. Find more info for future events at UPROAR Hip Hop Festival.

More on Lil Wayne:

Lil Wayne began his career as a near-novelty, a preteen delivering hardcore Southern hip-hop. Through years of maturation and prolific output, during which the delivery of his humorous and wordplay-heavy rhymes gradually changed from ringing and pugnacious to stoned and rasped, he developed into a million-selling artist with a massive body of work, one so inventive and cunning that it makes his claim of being the “best rapper alive” worth considering. Wayne debuted at the age of 12, received his first platinum certification only five years later as a member of the Hot Boys, and immediately thereafter became a formidable solo artist with Tha Block Is Hot (1999), his first of 12 Top Ten albums on the Billboard 200. During a period of constant output entailing not just successful full-lengths but also reputation-building mixtapes and featured appearances on pop hits like Destiny’s Child‘s “Soldier” (2004), he reached mainstream superstar status with Tha Carter III (2008). A triple-platinum blockbuster, it spawned the number one pop hit “Lollipop” and the number six follow-up “A Milli,” and netted three Grammy awards, including Best Rap Album. Throughout the 2010s, despite numerous legal and creative battles, Wayne continued to be a regular presence on the upper reaches of the charts with albums such as Tha Carter IV (2011) and I Am Not a Human Being II (2013), additional smash singles as a headliner, and a continually lengthening list of collaborative hits, including the multi-platinum “Sucker for Pain” (for the Suicide Squad soundtrack in 2016) and “I’m the One” (headlined by DJ Khaled in 2017). Since the latter hit, Wayne has topped the Billboard 200 with the consecutive LPs Tha Carter V (2018) and Funeral (2020). 

More on Uproar Festival:

UPROAR Hip Hop Festival was created by Lil Wayne to promote his lifestyle brand at GKUA. Located at The Torch at the LA Memorial Coliseum with Lil Wayne, YoungMoney and Friends is a VIP Party + Performances with some of your favorite hiphop artists and special guests! UPROAR is a fully immersive experience with music, dancing, art, vendors, food/beverages, celebrities and all your friends. Imagine a summer night complete with heat at The Coliseum, which has been declared a National Historic Landmark, is an awe-inspiring site, and once you enter the gates of The Torch, the energy of UPROAR will be everywhere!

More on GKUA:

GKUA Ultra Premium Products featured include –

  • GKUA Ultra Premium Flower: Sourced from the most experienced growers, GKUA will produce strains that are very limited, incredibly potent and impossibly difficult to find…truly the best flower! Available at launch is HOLLYGROVE a unique strain for Lil Wayne and GKUA and UPROAR a very limited strain.
  • GKUA Ultra Premium Battery Technology: This new proprietary ceramic heating element and cutting-edge design is optimized to efficiently deliver vape in easily controllable doses while elevating the user experience. The battery technology combined with GKUA Ultra Premium THC or CBD oil is the future of vape.
  • GKUA THC Vape: Sourced from the best cannabis with all organic inputs, GKUA’s THC Vape is an exclusive formulation that carefully transforms the highest quality cannabis into potent THC vape oil. Independently lab tested and certified for purity. GKUA Ultra Premium vape oil, pure and potent.
  • GKUA Ultra Premium Concentrates: Intensely potent and flavorful, GKUA Ultra Premium Concentrates are sourced from the finest cannabis flower with off-the-chart THC levels created for dabbing or adding to flower. Potency you can taste and feel.

To find out more about GKUA products and upcoming events, visit the website at gkua.com.

About GKUA Ultra Premium
Lil Wayne, artistic giant and connoisseur of cannabis, has created the ultimate cannabis brand, GKUA Ultra Premium. Lil Wayne provides inspiration to millions of people and now he is delivering it in one more form, the best high of your life. Produced from the finest cannabis, GKUA Ultra Premium products are Lil Wayne tasted and approved. GKUA strives to inspire artists and dreamers and supports the arts through collaborations with new artists in multiple mediums. GKUA Ultra Premium products are available in select California dispensaries and now across the US. For more information about GKUA Ultra Premium products and events, visit gku
a.com.

Photo via Jim Merlis of Big Hassle Media for use by 360 Magazine

THE RADICAL × JOSHUA HENRY

The Radical, a weekly podcast, hosted by Nick Terzo, wraps up its first year by welcoming Tony-winning musician-actor Joshua Henry tomorrow. The host and Henry, known for his work with Lin-Manuel Miranda on “Hamilton” and “In The Heights,” delve into a myriad of subjects including filming Miranda’s directorial debut “Tick Tick Boom”, the disappointment of a show-closing early, his family inspiring the songwriting on his new EP “Guaranteed”, and the physical and spiritual regimens that keep his performances energized.

Henry portrayed the lead role of Aaron Burr in the first U.S. tour of Hamilton, previously playing the role in the Chicago production that began performances in late September 2016. After Hamilton, Henry portrayed the lead role of Billy Bigelow in a Broadway revival of Carousel. Henry will release his debut album Grow on September 10th. More details on the album will be coming soon.

Henry follows a wide breadth of artists interviewed including music producer, bassist, and television personality Randy Jackson, Rock n Roll Hall of Famers Ann Wilson (Heart) and Ilan Rubin (Nine Inch Nails), music pioneers John Doe, Rob Halford Bob Mould, Rufus Wainwright, TV composer Jonathan Wolff, radio pioneer Jason Bentley, songwriter and Toad The Wet Sprocket’s Glen Phillips and film supervisor Randall Poster.

With The Radical, Terzo reverse-engineers the creative process and its pathways to success. The show takes deep dives into the skills, tactics, and experiences of innovators and creators in fields such as Music, Film, Architecture, and Entrepreneurship. His guests are examples of the strength and ingenuity it takes to scale the many walls of resistance. He guides world-class artists, creatives, and entrepreneurs through their pivotal moments and stories.

Nick Terzo is a renowned leader in the entertainment industry with a proven track record in artist development, M&A, strategic partnerships, and creative leadership. Throughout his career, Terzo has served in executive and senior A&R roles at The Walt Disney Company, Sony Music Entertainment, and Warner Music Group. As founder of Radical MG Terzo advises rights holders and private equity funds on music catalog sales and acquisition strategies.

In the past few years, he has served as Vice President of Business Development & Operations for the international booking and artist management company, Madison House, and as Vice President of Strategy Development for music royalty finance platform, Royalty Exchange. Terzo has served on the SXSW Interactive Programming Board and as a mentor for the Thiel Foundation, Techstars Music, Boomtown Accelerator, and DreamIt Ventures.

The Radical podcast is produced by award-winning sound-mixer Sean O’Neil known for his work on the David Bowie: Finding Fame documentary.

The Radical podcast is available everywhere podcasts are available including Apple, Spotify, iHeart Radio, Amazon among others.

Money illustration by Heather Skovlund for 360 Magazine

The Growth of Blockchain

Blockchain Companies hit $30.4B in Total Funding, a 44% Increase in a Year

The increasing number of organizations accepting cryptocurrency and the growing interest in blockchain technology continue driving the entire sector’s impressive growth. However, recent years have also witnessed a surge in the number of venture capitalists pouring money into blockchain companies.

According to data presented by BlockArabia.com, blockchain companies raised $30.4bn in total funding, a massive 44% increase in a year.

Investment Activity Soared by 515% YTD

By allowing digital information to be distributed but not copied, blockchain technology created the groundwork for the new type of internet. Although initially invented for the cryptocurrency Bitcoin, by improving online security and streamlining fundraising and payment options, blockchain technology was adopted by many companies across different industries.

The Crunchbase data showed 2018 was a record year for investment activity in the blockchain market, with companies raising around $10.7bn in funding rounds that year. However, the next two years brought a significant slowdown in venture capital funding.

In 2019, blockchain companies raised $4.3bn, with the cumulative funding amount rising to $20bn that year. However, statistics show 2020 brought even less fresh capital, with companies raising only $2.4bn.

After two challenging years for blockchain companies looking to attract investments and expand their business, investors flocked to this sector in 2021. In the first quarter, startups focusing on blockchain technology raised around $2.9bn, more than in all of 2020. The strong investment activity continued in the second quarter of the year, with companies raising another $4.1bn.

The Crunchbase data showed blockchain startups raised around $8bn YTD, a staggering 515% increase compared to a year ago period, and 20% more than in 2019 and 2020 combined.

US Blockchain Startups Raised $12.5B, more than European and Asian Companies Combined

Statistics show that US blockchain companies lead in the total value of investments, with $12.5bn in funding rounds so far. European companies hit $6.1B in total funding, half the value of their US peers, ranking as the second-leading region globally. Asian blockchain companies follow with $5.4B, respectively.

Analyzed by type of funding, initial coin offering ranked as the most popular way to raise fresh capital. Statistics show blockchain companies have raised $9.3bn through ICOs so far, more than any other funding type.

Series A funding rounds have brought in around $3.8bn so far. Series B and Series C funding rounds follow, with $2.6bn and $2.4bn, respectively.

The full story can be read HERE.

Lakou Mizik × Joseph Ray – Leave the Bones

Few albums manage to evoke a time and place with such startling effect as Leave the Bones, the unlikely collaboration between the multi-generational Haitian band Lakou Mizik and Grammy-winning electronic music artist Joseph Ray. Out today, the album has already garnered support from global tastemakers NPR, BBC Radio 3, BBC 6 Music, KCRW, KEXP, CRACK, Afropunk, Songlines, Worldwide FM, and many more.

 The album arrives after the release of three incredible singles and videos, “Ogou (Pran Ka Mwen)”, ‘Lamizè Pa Dou” and “Bade Zile”, offering a window into the beauty of the rich and vibrant culture of the Haitian people. The album precedes a range of high-profile remixes and a feature-length documentary out later this year. In what has been a tumultuous year for Haiti, Leave the Bones provides a unique insight into the creative heart of the island nation.

 “Haiti” is a word that conjures up a lot of images. It is a country judged by many, most of whom have never set foot on its shores. But its history is rich, its people proud and defiant, and nowhere is that more evident than in its music. Culture is what defines the country, its drums and Vaksins (horns) are symbols of freedom and pride, liberty and struggle, and the joy of dancing.

 Leave the Bones paints a musical portrait, a fresh glimpse of an oft misrepresented country. Through Vodou chants, chest-pounding Rara dance tunes and contemporary protest songs, the record conveys the listener to Haiti’s spiritual heart, a place that remains a compelling mystery for foreigners and a source of pride for every Haitian.

 Since its inception Lakou Mizik has sought to re-define people’s conceptions of Haiti through its music. The nine piece band, formed in 2010, is emblematic of the melting pot that is Haiti’s musical culture. Lakou’s figurehead, Sanba Zao, one of only ten original Sanba poets left, played a central role in Haiti’s Rasin (roots) movement of the 1980s which sought to re-imagine traditional Haitian Vodou music through radical experimentation with modern instruments. This spirit of Haiti’s rich musical history underpins Lakou Mizik today; a multi-generational genre-blending ensemble that plays traditional Haitian music with a punk energy and a deep sense of their heritage.

 Joseph Ray, a Grammy winner and founding member of the pioneering Platinum selling electronic music trio, NERO, had never heard of Lakou when he arrived in Haiti in 2015, having volunteered to teach a course at Haiti’s only music production and audio engineering school, the Artist’s Institute. Ray stumbled on Lakou at a tiny beach side club in Jakmel; the scene that night was frenetic and ecstatic, evocative of the spirit of Ray’s early electronic music clubbing experiences. The band’s organic power entranced Ray, who saw the possibility of merging his cinematic electronic production style with Lakou’s own traditional dance rhythms. Their subsequent six year journey led to Leave the Bones, teaching Ray more about himself and music than any other period in his life.

Ray had initially wanted to sample the band, and overlay them on traditional 4×4 electronic beats, but he realized this approach would not evoke the spirit he was so captivated by. Lakou’s organic style needed more room to stretch and breathe, and the album became far more collaborative and deeper in scope. Ray was forced to rethink his approach, learning how to produce and engineer for a nine piece band. He incorporated new time signatures to capture Lakou’s complex drum patterns, lacing in 1930s field recordings from ethnomusicologist Alan Lomax and replacing synth sounds with Mbrias and conch shell samples that he stretched. 

By way of preview, Leave the Bones weaves us through the euphoric swagger of No Rival! and the the mystical underworld of Bade Zile (Under the Island), yet offers lessons for the living, reminding us we should not underestimate those who seem easy to walk upon on Zeb Atè (Grass of the Earth), and that we are all one people, Nou Tout Se Moun.

Leave the Bones is a record that sounds like it could come from nowhere else, and while its rhythms undoubtedly possess a universal danceability, their meaning and depth are also unique to Haiti. It’s powerful to imagine these tracks being played on dancefloors in Miami, London or Ibiza, transporting people from around the world, inviting them to dance, celebrate and get lost in the richness of Haiti, if only for a moment.

Kitt Wakely to Perform at Zankel Hall

Oklahoma City-based songwriter/composer/arranger/producer Kitt Wakeley is bringing his Symphony of Sinners and Saints to Carnegie Hall’s Zankel Hall for a special orchestral rock concert on Mon., Oct. 11 at 7:30 p.m. This epic performance will spotlight compositions from Wakeley’s latest chart-topping album, Symphony of Sinners and Saints, which debuted at No. 1 on the June 5 Billboard “Classical Albums” and No. 1 on the “Classical Crossover Albums” charts. 

For this special NYC performance, Wakeley has assembled a live band featuring the album’s bassist Ryan Miller, drummer Brent Berry, guitarist Jay Gleason, as well as featured electric violinist Irene Fong, featured electric cellist Marta Bagratuni, a string quartet, five-piece brass ensemble, and 10-member choir. Wakeley will lead the band on piano and keyboards. Opening the show is guest pianist, Tania Stavreva. 

Tickets for the performance are on sale now HERE

Wakeley said, “Playing Carnegie Hall is a dream come true for so many artists, including myself. I’m excited to share my latest project with live audiences, as we find our way back to normalcy. I’m confident the audience will leave feeling motivated and entertained by the incredible musicians that will accompany me on stage.”

Boasting a cinematic hybrid of orchestral music, rock, and EDM, featuring stunning compositions, heavy guitar riffs, and thundering drums, the album Symphony of Sinners and Saints was released on May 21 by Studio Seven Media. With Wakeley on synths and piano, the album features the talents of guitar legend Joe Satriani on two tracks; celebrated UK ensemble the Royal Philharmonic Orchestra (RPO); guitarists Andy Timmons (Danger Danger, Pink, Olivia Newton-John), Paige Harwell, and Daniel Uribe; Grammy-nominated pianist Paul Loomis; the London Voices choir (Paul McCartney, Luciano Pavarotti, the Hunger Games series) and Dallas’ Gospel of Light Choir; plus, the aforementioned Miller and Berry. Symphony of Sinners and Saints was recorded in October 2020 at London’s famed Abbey Road Studios. At those sessions, the RPO was conducted by Cliff Masterson (Little Mix, Kylie Minogue, Il Divo, Oasis). The album was co-produced, engineered, and mixed by three-time Grammy Award-winner Tre Nagella (Lady Gaga, Blake Shelton, Snoop Dogg) at Luminous Sound Studios in Dallas, TX.

In addition to the two chart-topping album positions, Symphony of Sinners and Saints debuted on six more Billboard charts that week, including No. 2 on “Heatseekers,” No. 12 on “Hard Rock Albums,” No. 13 on “Top Current Album Sales,” No. 14 on “Top Album Sales,” No. 47 on “Independent Albums,” and No. 50 on “Top Rock Albums.” Previously, three of the album’s singles, “Forgive Me” featuring Joe Satriani, “Sinners and Saints,” and “Conflicted,” also featuring Satriani, all hit the top position on Billboard’s “Hard Rock Digital Song Sales” chart. In addition, “Forgive Me,” also charted at No. 9 on the “Rock Digital Song Sales” chart and No. 19 on the “Hot Hard Rock Songs Chart.” His second single, “Sinners and Saints,” debuted at No. 4 on the “Rock Digital Song Sales” chart and No. 15 on the “Hot Hard Rock Songs” chart. His first single, “Conflicted” also debuted No. 6 on the “Rock Digital Song Sales” chart, and No. 18 on the “Hot Hard Rock Songs” chart.

Airplane illustration by Heather Skovlund for 360 Magazine

THE FUTURE OF TRAVEL PLANNING

By: Andrew Shibuya

As the world has remained in their homes this past year and a half, traveling abroad seems to be the light at the end of a very long tunnel for many. While globetrotters stayed home bound and planned their trips for the second restrictions lifted, the travel industry underwent a rapid and drastic transformation. As such, many experts claim that travel – and particularly global travel  – will be forever changed.

In the midst of the pandemic and the ubiquitous desire to be anywhere but home, travel destinations have begun to accommodate traveler’s concerns in the face of the virus. In some cases, it was changing the distance between tables in a restaurant or limiting the capacity of occupants in a hotel. In other cases, however, the only changes were claims of improvements or safer accommodations. While many hotels and restaurants truly began taking necessary precautions, some did not adapt – despite claiming to.

And such, in the age of the internet and modernity’s obsession with bureaucracy, innumerable COVID safety certificates – some valid, and some pure and simple money grabs – were born. Resultantly, the great saturation of these valuable assurances ultimately renders them to be valueless. For even the avid travelers and eagle-eyed among us, such certifications will likely prove to be a nuisance at best, and a health concern at worst.

In the travel industry, the remaining agencies have sought various solutions to this issue of verifying credibility. What happens when someone who is particularly at risk for COVID is infected by the virus at a supposedly safe hotel? Why even take these risks at all?

This past week, 360 Magazine attended an event with several travel experts who discussed this very issue and presented potential solutions. Though the situation is troubling and promises to only get worse, experts are beginning to craft plans and act against this rubber-stamping.

Terrence Suero of Buffalo-based travel agency Toca Travel has a promising and apt response to this new strain of scammers. While he is confident that the world will never return to its pre-pandemic state, Suero understands that travel is an essential part of many people’s lives. Even now, just months after the commencement of vaccine distribution, Americans have started to travel. While most are now staying within United States’ borders, some are wandering to more distant corners of the globe.

But, every new strain and ensuing restriction springs new doubts and trouble for the average traveler. And for travel agents, their work has only gotten more difficult–not only in the face of these conditions, but also regarding the endless onslaught of dubious safety certifications. To this end, Suero has started Safe Travel Pathways – a new endeavor that he hopes will eradicate, or at the very least assuage, travelers’ health concerns related to COVID.

Safe Travel Pathways at its core is an open-source directory of vetted hospitality companies. The company hopes to begin its directory abroad in Costa Rica, and if successful, to gradually expand globally. Behind Safe Travel Pathways is Suero’s ethos as a travel agent: to treat travelers as adults. His aim is simply to provide helpful and accurate information, with the goal being that travelers can make their own informed decisions.

The main criteria for Safe Travel Pathways’ approval includes adherence to internationally accepted health standards, a third-party audit system that can determine the provided level of safety and strict governance. Safe Travel Pathways uses a grading system from one to five that considers various accreditations, verified safety precautions, and guidelines to evaluate companies. The idea behind this system evinces once more Suero’s desire to allow travelers to choose their own itinerary in light of the safety information provided. While certain places may receive lower scores than others, Suero acknowledges that some people are more comfortable than others regarding COVID safety precautions.

However, Suero has more than just coronavirus in mind. His future offerings likely will include restaurants and other accommodations that have been vetted for specific allergens and other necessary health considerations. Suero was careful to note that most travel agents are not health specialists. With these future additions, he hopes to assuage as many health concerns as possible, for both travel agents and travelers. Such other future additions may highlight businesses that are accessible, sustainable, or accommodating for similar travel concerns.

Safe Travel Pathway’s test run is starting soon in Costa Rica to gain a greater understanding of its capability and viability as an international travel database. Suero hopes to soon expand into Europe and South America with the help of travel bureaus, which validate businesses on a local level. The database is free and accessible to all, with certain features limited to travel agents or agencies.

As the world reopens, much is still left unclear. With each new strain and constantly shifting guidelines, creating travel plans can be unnecessarily convoluted and stressful. Though the world may never return to “normal,” tools like Safe Travel Pathways can hopefully move us in the right direction.

 

Painting by Meg Lionel Murphy via The Untitled Space for use by 360 MAGAZINE

MEG LIONEL MURPHY × TRAUMATICA DRAMATICA

LAST DAYS TO VIEW MEG LIONEL MURPHY’s “TRAUMATICA DRAMATICA”

The exhibition is on display from June 5th to July 3rd, 2021 at The Untitled Space in New York City.

Curated by Indira Cesarine, “Traumatica Dramatica” debuts the latest series of Murphy’s vibrant and emotionally charged paintings. Lionel Murphy’s paintings are directly influenced by her own personal experiences, as she copes with debilitating PTSD from severe domestic violence. She works out of a little blue shack in a junkyard on her family’s property in Wisconsin, where she paints detailed, vivid works on paper and panel depicting heartbroken giants that magically grow larger, stronger, and scarier than the world around them. Forbes has also recently featured Meg Lionel Murphy’s “Traumatica Dramatica”. Read their full article HERE.

Her solo exhibition “Traumatica Dramatica” addresses violence against women from her own perspective as well as the historical precedent of emotional and physical violence against women throughout the canon of art history. “The idea of violence haunts me, and I try to etch that subject into even the pinkest of paint,“ she has stated of her visceral portraits. Lionel Murphy depicts through her vivid brush strokes and intricate imagery a reverie through which the viewer can get lost with each poetic detail. Her paintings of the female form as giantess unconquerable figures address their experiences of pain, trauma, and healing as well as their interactions with the environments they consume as they assert their power. Her work depicts a reverence for fragility and humanity while examining questions about whiteness, gender, sexuality, class, sacrifice, pain, sickness, loneliness, and most of all—violence and its haunting memories.

Head over to Artsy to check out the viewing room for “Traumatica Dramatica” by artist Meg Lionel Murphy.

Enter the viewing room HERE and view the available artwork HERE.

Brunch Tacos at Lanea

Brunch at Lanea

By Krishan Narsinghani

360 Magazine had the opportunity to try LA’s Premier Cocktail Bar & Taqueria, Lanea. This west side delight is opened up for indoor or outdoor dining at their quaint patio. With a small wooden boat plopped center-adjacent and arcade games at the bar, guests are quickly struck with a beach-y, hip atmosphere as they enter the establishment.

The early afternoon brunch began outdoors as we grabbed a seat, scanned a QR code for digital menus (seen at most LA restaurants post-pandemic) and were settled in by the waiter for authentic Mexican cuisine and drinks. If you are looking to quench your thirst, the margarita flights are immaculately made for a diverse pallet. The 360 favorite out of the four margs served had to be the Spicy Margarita (JAJA Tequila, Habanero Honey, Fresh Lime). It had the perfect amount of spice alongside The Chainsmoker’s JAJA tequila – must try! Other handcrafted margs include the Picante Coast Highway (Nosotros Blanco, passionfruit, ginger, habanero honey, citrus), SOCALienta Margarita (Cazadores Blanco, Thai Chili, Serrano, Habanero Honey, Pineapple, Citrus) and the Classic Marg.

After trying the brunch tacos, we decided that they should be an item kept at all taquerias. Huevos Con Chorizo and the Huevos Con Veggie, which included sauteed spinach and mushrooms, did not disappoint. Brunch is served until 2pm. Off the lunch section, the street style Barbacoa taco used lamb that had been wrapped in agave leaves and pit-roasted underground for 36 hours. Tenderized meat with their spicy homemade salsas will have you in a food coma before leaving the restaurant. Mouth-watering is an understatement when thinking back to the burrito with added flavors and toppings. Choose any of the proteins, or substitute for beyond meat.

Overall, the service is refreshing and a great eatery to start or end a beach day. Lanea is located at 217 Broadway, Santa Monica, CA, and is open for indoor and outdoor dining, takeout, and delivery. Lunch is available on Thursdays and Fridays, with DJs spinning on Fridays and Saturdays starting at 8 p.m.