Posts tagged with "electronic music"

CHACE -“BELATED SUFFOCATION” via 360 MAGAZINE

CHACE – BELATED SUFFOCATION

CHACE RELEASES DEBUT ALBUM

“BELATED SUFFOCATION”

LISTEN HERE

INCLUDES RECENT SINGLES “MARIYA” AND “IN MY HEAD

Billboard: “Shanghai-based Pop and Dance Music Prodigy”

COMPLEX: “Rapidly Rising”

VICE: “The Face of China’s Rising EDM Scene”

After four years of polishing, the all-around producer Chace’s first personal album the thought-provoking and psychedelic “Belated Suffocation” is out now via Astralwerks / Fabled Records. Listen HERE.

“Belated Suffocation” chronicles his creation and thoughts under this present time. It contains diversified electronic music styles with a complete conceptual framework and shows the multi-dimensional color of Chace. Filled with hypnotic production, bouncy beats, and magnetic vocals, Chace proves he’s in it for the long-haul. It contains recent singles “Mariya” and “In My Head.” From the lyrics, music creation, vocals, to the production behind the scenes, Chace does it all.

“46 Step” is the first prelude of the album. It lays the keynote for the whole album with mystery, announces the return of Chace, and opens the album with his unique personality.

“Cinematic” is one of the main tracks of the album. In his creation, Chace constantly surpasses himself, breaks through his original strength, plays the role of MV director for the first time, and participates in the production behind the scenes. The track explores the transition between virtuality and reality. The narrative texture of the film creates his own chace-house style.

“Mariya” is the centerpiece and heart and soul of his debut album. In the process of creation, Chace continues to surpass and challenge himself. “Mariya” continues the mysterious tone of the album’s previous singles and focuses on the track’s mood and psychedelic atmosphere. Chace still arranges the music, writes the lyrics, sings and produces everything himself.

Chace, Zhu Yihan, China’s hottest talented music producer, received global attention early on and became the first Chinese DJ to take the stage at iconic Belgian electronic music festival Tomorrowland. He is currently the guest music director of the new music program at the world’s leading hotel brand, W Hotel. Since releasing his debut EP Destination, Chace’s music – a delirious mix of evocative house, UK garage, and pop – has earned him praise from tastemakers across the world. Billboard dubbed him a “pop and dance music prodigy,” COMPLEX called him a “Rapidly rising producer,” and VICE stated that he’s “The face of China’s rising EDM scene.”

Following years of industry experience as a producer, DJ and band member, Chase established the HOWSHOOD label in 2019, and the MontiArk label last year, both of which are at the center of domestic electronic music. In the summer of 2020, Chace formed the Mandarin rock band with two friends, and with the band’s original album and members opened their first national tour with the theme of “Echo.” In 2021, Chase was named DJ MAG CHINA AWARDS Producer of the Year.

FOLLOW CHACE

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“ETERNITY” album cover art via Capitol Music Group for use by 360 Magazine

NURKO – ETERNITY

On August 19, 2022, New York producer NURKO returns with soaring new single Eternity” featuring Dayce Williams, out via Astralwerks. Listen to the dreamy floor-filler HERE. The single is NURKO‘s first release since signing to the boundary-pushing electronic music label.

The wistful track finds vocalist Williams desperately attempting to salvage a relationship. “Tell me what you mean, I’m in the in-between,” he sings. “Isn’t it obvious that I wanna do you right?” Meanwhile, NURKO‘s production is slow-burning, growing from stripped-back, angelic string plucks into a whirlwind build and cascading drop. It’s an explosive backdrop to match the chorus’ impassioned refrain: “I’m praying for eternity.” Dreamy yet hard-hitting, “Eternity” proves that NURKO is already a master of emotionally rich electronic music.

The track follows the release of Arrival Remixes, a collection of artist remixes stemming from NURKO‘s debut EP Arrival, released back in March. The original EP-which includes singles “Disappearing Now” featuring Chandler Leighton and “Lost Without You” with Crystal Skies and KnownAsNat-earned rave reviews from the dance world, with EDM Identity calling it a “heart-fluttering masterpiece.”

NURKO broke through in 2021 with the biggest song of his career so far, “Sideways.” The collaboration with ILLENIUM and Valerie Broussard has already logged over 30 million Spotify streams. Fans can experience NURKO‘s cathartic tracks in person as he continues his cross-country U.S. travels. In addition to dates at Morrison, Colorado’s Red Rocks Amphitheatre and Hollywood’s Academy LA, he’ll be playing festivals including Bass Canyon, Lost Lands, Groove Cruise Cabo, and Freaky Deaky. Find the full list of tour dates HERE.

THE SMILE-DEBUT NORTH AMERICAN TOUR 2022

THE SMILETHOM YORKE, JONNY GREENWOOD & TOM SKINNERDEBUT NORTH AMERICAN TOUR 2022

First Ever U.S. & Canada Dates On Sale To The Public From June 17

COMING TO THE SHRINE AUDITORIUM IN LOS ANGLES ON DECEMBER 21, 2022

With their current UK/Europe tour underway, including a recent UK performance described by Clash Magazine as “a masterclass and a privilege to behold,” The Smile has expanded its 2022 tour to include an extensive North American run which will stop at the Shrine Auditorium in Los Angeles, CA on December 21, 2022.

Tickets go on sale Friday, June 17 at 10 am PT via. AXS.com. For further information, pre-sales, etc., go to thesmiletheband.com.

Thom Yorke, Jonny Greenwood and Tom Skinner’s first tour of the U.S. and Canada as The Smile comes in support of the new band’s debut album, A Light for Attracting Attention, which was released digitally May 13 (and will be available in physical formats June 17th), via XL Recordings to unanimous accolades including:

“A leaner take on Radiohead’s longstanding thoughts of alienation and malaise, pushing rhythm into the foreground.”- THE New York Times

“A remarkably assured debut, The Smile contain multitudes.”- PASTE

“Alternately combats the horrors of modern life with roiling anger and Zen-like serenity.”- PITCHFORK

“Alternately combats the horrors of modern life with roiling anger and Zen-like serenity.”- ROLLING STONE

“A most welcome vibe flip from musicians who absolutely refuse to shy away from the unknown.”- SPIN

“Sounds impeccable, perfectly balancing the delicacies of Greenwood’s circular, minor-key licks and Yorke’s choir-boy trilling with the more bombastic elements of the orchestra and brass sections. Skinner is too good of a drummer to be reduced to mere sideman… His spirited syncopations echo throughout the record, giving the music a relentless pull even when the music slows to an atmospheric, piano-based crawl.”- UPROXX

“An exceptional record… inhabiting a sound world of its own.”- THE WALL STREET JOURNAL

Produced by Nigel Godrich and featuring additional critically acclaimed singles “You Will Never Work In Television Again,” “Skrting On The Surface,” “Panavision,” “Free In The Knowledge” and “Thin Thing.”

A Light For Attracting Attention features strings by the London Contemporary Orchestra and a full brass section of contemporary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde. The Smile began their 2022 European tour on May 16th in Croatia with UK dates in London, Edinburgh, and Manchester, before heading back into Europe, finishing their headline shows in Taormina, Sicily, on July 20thand with a final UK date in London’s All Points East on 28th August.

CONNECT WITH THE SMILE:

Official Website Instagram | Twitter | Spotify

FOR GOLDENVOICE, PLEASE CONTACT:

Daniela Hunt I dhunt@goldenvoice

www.Goldenvoice.com

YVONTI artist photo via Johannes Timander (Flick Agency) for use by 360 MAGAZINE

YVONTI × MVRE

Electric Dance music phenomenon YVONTI has caught the attention of countless for their distinctive take on concealing their identity. Though mask mandates have slowly been lifted in the year 2022, YVONTI keeps themselves hidden by wearing a mask. That’s right; this artist’s true identity has been kept completely secret.

So, why exactly do they do it? Why did this choose this route for their career?

YVONTI decided to hide their identity to take a stand in opposition to societal norms, forcing audiences to throw away preconceptions revolving around race, gender and sexuality. In hopes to remind audiences that it doesn’t matter who you are or what you look like, the true matter at hands matters is the music that is being produced. An artist unlike any other that we’ve seen modernly, YVONTI continues to break boundaries.

Adding in the likes of Swedish Dance Pop Music producer/artist MVRE, we see the two powerhouses collaborate on YVONTI’s latest single “Looking For Me” with a fresh remixed track. The track is full of modern, reimagined pop and dance music influences, showcasing the duos true mutual power.

MVRE, too, stands up for what is truly important to him through his musical endeavors. As a member of the LGBTQ+ community, MVRE has continued to voice how he often grew up with no other artists inside of the Electric Dance music category that he truly connected with. Speaking on such important topics has cemented himself as an advocate within the musical realm.

The 360 team had the opportunity to chat with both YVONTI and MVRE about their artistic careers.

When speaking with YVONTI, we were able to learn more about their reasoning behind the choice to conceal their identity, their musical inspirations and so much more. Let’s dive in.

Q: When did you know that you wanted to pursue a career in music?

A: Music has been a key part of my life for as long as I can remember. In my teens I discovered Electronic Dance Music and fell in love. After that I started producing and realized I wanted to pursue a career in music.

Q: What artists do you look up to the most?

A: I feel quite connected to bands like The Beatles when it comes to my message but musically my inspiration comes from artists like Avicii, Swedish House Mafia, Marshmello, among others.

Q: Tell us a little more about your decision to mask your identity as an artist, and when did you make that artistic decision for your brand?

A: I believe that many uprising issues in the world revolves around preconceptions about colour, sexuality, gender, etc. and I’ve seen it affect the music industry as well. I want people to judge me for my music not judge me for the way I look or the way I act. People are different and if there was more acceptance around the differences there would be fewer conflicts. Strong forces are clearly trying to polarize our society and have so far succeeded since friends/families now can become enemies solely based on different political views. Though I understand that emotions are powerful in questions like these, it shouldn’t ruin those important relationships. I want to be a force to counter the polarization that is connected to preconceptions by letting people judge my music not my person. My plan is to reveal my identity in the future to prove my point.

Q: What type of artist would you describe yourself as? What genres are your favorite to create for?

A: My roots come from the EDM genre but recently I’ve enjoyed producing more pop-like music as well as hiphop.

Q: What does music mean for YVONTI?

A: When I was young, music took me to another place where I could escape reality for a while. I believe that many people feel the same as me, an example is when we’re on a bus or plane and we plug in our headsets and listen to music to escape the less entertaining reality. It’s a way to ”capture the moment” even when the moment isn’t the most enjoyable one. In these situations (and everywhere else) you can choose music after your current mood in order to make yourself feel the way you want to feel. Music is powerful, it can help people in all kinds of situations and my goal is to play a part in my listeners life by creating music that connects them to their emotions.

Q: Will YVONTI’s identity ever be revealed?

A: As noted above I will reveal my identity in the future and if you pay attention you might notice when I start dropping clues on who I am.

Q: What’s next for YVONTI?

A: We’re soon revealing my next release which I am really excited about and more news will follow shortly after. Stay tuned!

360 then got to speak with MVRE about their early beginnings, what LGBTQ+ representation truly means to them and about diversification in the electronic music scene. Let’s take a look at what they had to say.

Q: What was it like growing up in a small town with a lack of diversity and inclusion?

A: I guess you never think of it much as a kid cause all you know is your hometown, but as I got older I slowly started to realize that I didn’t relate that much to the people around me and that there were a few too many that I didn’t share views or values with. Anything that stood out in any way wasn’t really received or accepted particularly well amongst (not all but) most people. I do love my hometown and growing up there, but as with all small towns, however charming, people have a tendency to become cut off and conservative in a way. It’s very sheltered if you don’t actively venture out to see and experience “the real world”.

Q: Did you admire/look up to any artists while growing up that have influenced your artistic career?

A: I think Blink 182 were my first idols going into my early teens and pop punk was the first genre that I really fell in love with. I think I picked up a lot of my way of playing guitar from pop punk, something that I’ve carried over into my EDM productions. I always try to incorporate at least some guitar! Justice was a huge inspiration for getting into electronic music and still holds a special place in my heart and I’ll never forget the first time I heard Swedish House Mafia or Skrillex. I think that speaks a lot for how varied my productions can be, I really take inspiration from most music I like in some way.

Q: When did you decide to pursue creating dance pop music? Did you grow up listening to the genre?

A: No, not really. Like I mentioned, I got into Pop Punk early and from that more Punk and Metal as I started to play in bands. It wasn’t until High School when I heard Justice and similar acts that I started to dabble in making electronic music, though I knew nothing about how to do it. At the end of High School I had gotten into more House music and Dubstep as well and I had my first few DJ-gigs at small clubs. I practiced my productions and my sound started to slowly move towards the Dance Pop-ish sound it has today and 10+ years later here I am, still learning haha! MVRE didn’t come around until around 2017, which was when I decided that I wanted to get more serious about my music.

Q: How important is it for the youth, specifically LGBTQ, to see themselves in the people that they look up to the most?

A: I think it’s very important! It’s about feeling validated, that you belong and knowing you can achieve your dreams, the way you want, just the way you are. Seeing someone “like you” that you look up to can mean a lot.

Q: Do you think that the electronic music scene is making steps towards diversification, or do you think that there’s a long way to go?

A: Yes I do, I think that it’s moving in the right direction. You see more female DJs and artist-producers now than 10 years ago, and more LGBTQ representation too. The mainstream EDM scene is still very “straight-male” dominated, but again, I think it’s moving in the right direction. The more diversity in any genre or field, the more vibrant and meaningful the experience can be for everyone and we all learn and grow from it.

Q: What does electronic music mean to you?

A: I think it’s such a wide and interesting span of sounds, emotions and expressions. You can go deep and vibey, dark and distorted, uplifting and melodic and everything in between. To me I think electronic music is both freedom and constraint at the same time. I can express myself really freely and genuinely, but I also want to make you move, to dance, and that keeps me grounded in a way.

Q: What can we expect from MVRE in the future?

A: A lot of new music, I’m really excited for the projects coming up! Also it would be really fun to get out and start playing shows again. Nothing is in the books yet but who knows what the future holds!

Day Club Palm Springs PR photo via Infamous PR for use by 360 MAGAZINE

Day Club Palm Springs

Day Club reveals their return to Palm Springs featuring a star-studded lineup for both weekends of Coachella, April 15-17 and April 22-24. Taking place at the Hilton Hotel Palm Springs, pioneers in dance music are suiting up to take Coachella weekend by storm with extravagant poolside celebrations.

The first Friday sees performances from the up-and-coming pop icons Kim Petras and Carolina Polacheck as they rock out with exclusive Day Club DJ sets. The weekend continues Saturday with DJ sets from the Grammy-nominated Madeon and Young art label head TOKiMONSTA.

Los Angeles South Night Club takes over on Sunday during weekend number one, with Australia’s Dom Dolla and Chicago’s John Summit.

The second weekend of Coachella kicks off with impeccable DJing from Duck Sauce, comprised of A-Track and Armand Van Helden, and Sydney’s own Hayden James. Louis The Child showcases their unique DJ set soundtracks on Saturday. The weekend closes out with house music French DJ/producer Tchami and house music artist VNSSA.

Joining forces with the small batch craft Austrian brand NEFT Vodka, Day Club promises to supply top cocktails to the pool party series. Notarized for their savory taste, NEFT ensures their vodka packaging is top-of-the-line and “ready to go wherever and whenever you are.”

Passes to Day Club’s extravaganza go on sale Friday, March 4 at 12pm PT. Single day GA tickets begin at $25, while weekend passes begin at $70. Each event is 21+, and for more information visit HERE.

Weekend One
Friday, April 15: Kim Petras (DJ Set) w/ Caroline Polachek (DJ Set) & Friends
Saturday, April 16: Madeon (DJ Set) w/ TOKiMONSTA (DJ Set) & Friends
Sunday, April 17: Sound Presents: Dom Dolla & John Summit

Weekend Two
Friday, April 22: Duck Sauce w/ Hayden James (DJ Set) & Friends
Saturday, April 23: Louis the Child (DJ Set) & Friends
Sunday, April 24: Tchami w/ VNSSA & Friends

Day Club Palm Springs lineup flyer via Infamous PR for use by 360 MAGAZINE

BEAUZ – RAVE GAME

Beijing based dance duo BEAUZ release their new EP, RAVE GAME. Listen HERE. The EP contains three dancefloor hits, “RAVE GAME,“ “LOUD,“ and “WE GUCCI.“ The title track “RAVE GAME “ is a playful banger that signifies BEAUZ‘s ambition to go from the throne of dance pop to claiming royalty on the dance floor. With its memorable and hard-hitting bassline, this infectious tune chronicles the magic of festivals and the adventures within. BEAUZ collaborated with NINEONE#, one of China ‘s most popular singers/rappers on “RAVE GAME,“ mixing their party-ready beat backdrop with her velvety vocals.

About BEAUZ

Beijing based dance duo BEAUZ, (pronounced bowz), composed of BSY and JSY are versatile, classy rockstars who decide their own destiny. They have released hundreds of tracks and combining modern electronic music styles and Asian music elements, they broke music boundaries and introduced a brand-new music genre, PsyPop, to the EDM world.

In 2021, BEAUZ joined China‘s hit survival show Youth With You Season 3 as promising trainees. They made history as the first electronic music DJ duo to participate in the show. They performed their original song, “Heartbreaker,” on stage, which received countless support from fans, showcasing their recognizable voice and impressive singing skills. Through the show, they broadened their fan base and introduced electronic music to a bigger stage. The group later hit number 55 on DJ Mag‘s “Top 100 DJs poll,” marking the highest-ranking Asia act on the poll.

Nikki Crystal Umusic for use by 360 MAGAZINE

Alison Wonderland × Fear of Dying

Admired electronic music artist Alison Wonderland unveiled her most recent single and video “Fear of Dying.” Listen HERE.

Written and produced by Alison, throughout the song she navigates the worries that are attached with the feeling of fear attached with losing someone you truly love. The music video, directed by Brandon Dremer, follows the process of Alison facing her past to start a new chapter in her life. Through the video, she takes a ride through the streets of Los Angeles with the 2018 purple-haired version of herself that surfaced from her album Awake. Watch the video HERE.

Fear of Dying” follows Alison’s single “Fuck U Love U,” which was praised by Billboard. For the upcoming year of 2022, Alison has revealed various festival dates including Ultra and an April 1 show she will be headlining at the Shrine Expo Hall in Los Angeles. Tickets for the Shrine show can be purchased HERE.

Alison Wonderland has been in the electronic music scene since 2009, and has had quite the career thus far. From being awarded the Highest Female DJ Billing Ever at Coachella, reaching the No.1 spot on the Billboard Top Dance/Electronic Albums chart twice in a row (with her albums Run and Awake) to headlining sold out festivals around the world; Alison is a respected artist working in the industry.

Quinn Tucker for use by 360 MAGAZINE

CRSSD Announces Spring Festival Lineup

CRSSD just announced the return of their spring festival at Waterfront Park in San Diego, March 5-6, 2022. The spring edition of the festival returns for the first time since 2020 and has promised a lineup full of stellar electronic music. The lineup consists of the British indie pop band Glass Animals, the electrifying duo SOFI TUKKER and so many more incredible electronic music artists. See the full list of performers below.

The oceanfront venue that Waterfront Park occupies sets the festival up for a weekend full of unique soundtracks and experiences. Attendees look forward to the phenomenal view that the venue showcases, paired with three stages that stage varying genres and performers. Ocean View, The Palms and City Steps make up the stages at Waterfront Park, and each separately showcase contrasting styles of music and performers.

The spring festival offers experiences beyond the stage performances, with craft food and cocktail vendors available throughout the event. CRSSD also has a record shop in partnership with LA’s Stellar Remnant for attendees to shop for their choice records. Fans can, too, test gear at Tech Center and venture through Downtown San Diego prior or preceding to the show. CRSSD After Dark programming to be announced.

Tickets go on sale January 5, 2022, at 11am PT. CRSSD is a 21+ festival.

CRSSD Spring 2022 Lineup (ABC):
070 Shake
Absolute.
Adam Beyer
Ben UFO b2b Joy Orbison
Blu DeTiger
Cautious Clay
Chet Faker
Dan Shake
Eli Brown
Felix Da Housecat
Four Tet
Franc Moody
Get Real
Glass Animals
Gorgon City
Ilario Alicante
Jeff Mills
Joris Voorn
Kyle Watson
Lastlings
Maxinne
Danilo Plessow (MCDE)
Miane
Nina Kraviz b2b Helena Hauff
Parcels
PAX
Sam Paganini
SG Lewis
SOFI TUKKER live
+ More To Be Announced

AW via Jared Tinetti for use by 360 Magazine

Allison Wonderland – Fuck U Love U

Alison Wonderland, one of electronic music’s most adored producer/DJ’s, closes out 2021 with her new single “Fuck U Love U.” The song is a masterclass in tension and relief with a tough as nails hook and Alison’s stargazing, fragile vocals more ‘upfront’ than ever. Listen HERE and watch the lyric video, which was directed by electro-pop singer/producer/songwriter Elohim, HERE.

Excitement hit fever pitch after Alison teased the track at her multi-night sold out Red Rocks shows and her strong performance at Lollapalooza. “Fuck U Love U,” inspired by the sounds of Kanye and Whyte Fang, is a soaring and spiritual track which highlights themes of polarity and duality of man as Alison sings of her journey through the music industry. 

Alongside writing, recording, and producing furiously from lockdown, 2020/2021 has been far from a write-off for Alison. She created a five-star sanctuary in Animal Crossing, talked paranormal stuff with Loserfruit on Twitch, did a number of acclaimed sets from lockdown e.g., Digital Mirage + Lollapalooza, continued producing her globally broadcast radio show Radio Wonderland plus started a side hustle as a Youtuber. Earlier this year Alison ventured into the NFT space going live with a fantasy themed NFT project called ‘Wonderquest.’ You can read more about it: HERE.  Alison sold over $3 MILLION AUD in the initial sale and for a period the collection was Top 20 in the world. One of the rare “dragons” originally sold for $350 AUD now sells for over 10K AUD.

About Alison Wonderland

Since emerging in 2009, Alison Wonderland‘s sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella,” captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively (debut album ‘Run’ and sophomore album ‘Awake), headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and clocked upwards of 500   million streams.

Grinding it out with regular night club sets around Australia and a series of remixes for everyone from Little Dragon to Justin Bieber, she ignited an international splash in 2015 with the full-length debut, Run. Not only did it reach gold status down under, but it earned a pair of nominations at the ARIA Awards. Arriving with a bang, she made her live introduction stateside at Coachella. Fast forward to 2017, she achieved the “Best New Artist” honor at the first-ever Electronic Dance Music Awards, while her remix of Dua Lipa’s “New Rules” soared to #1 on the Billboard Dance Charts.

Alison‘s 2018 sophomore effort, Awake, levelled up every element. She joined forces with an all-star cast of collaborators such as Joel Little [Lorde], Illangelo [The Weeknd], Party Favor [Mad Decent], and longtime cohort Lido. She teamed up with innovators including Chief Keef on “Dreamy Dragon” and Trippie Redd on “High.” The record became the multi-talented phenomenon’s second straight #1 bow on the Billboard Top Dance/Electronic Albums Chart as “Church” leapt past the 14 million-mark on Spotify in a few months’ time, leading her to become Billboard Dance’s ‘Breakout Artist of 2018’ and the magazine’s 2019 Dance Issue cover star.

In 2019, between headline slots at festivals around the world, Alison also played her own headline concerts which sold over 100,000 tickets globally ߝ most recently selling out two acclaimed shows at the Red Rocks Amphitheatre in Colorado (filmed in multi-camera 4K VR) in addition to producing and self-promoting her own worldwide ‘Wonderland Warehouse Project’ tour.

Simultaneously, Alison’s Radio Wonderland show clocked 5 million-plus iTunes downloads as well as broadcasting to over 20 countries and featuring prominently on the Sirius XM channel Diplo’s Revolution.