Posts tagged with "Capitol Music Group"

Running Artwork via Capitol Music Group for use by 360 Magazine

Martin Jensen × Cheat Codes × Theresa Rex – Running

Producer/DJ Martin Jensen kicks off 2022 with new collaboration “Running” alongside Los Angeles-based electronic trio Cheat Codes and Danish singer Theresa Rex. The single is the follow-up to Martin Jensen and Theresa Rex’s hit “Solo Dance.” Listen to “Running” HERE, out now via Astralwerks

The musical synergy from the collective artists on the collaboration is palpable as “Running” ignites into a primed dancefloor player. Addictive and memorable, thanks to warm piano tones and Theresa Rex’s vocal, which is snappy and is striking from the first listen.

Cheat Codes have expertly crafted countless electronic music anthems, spanning dance, pop, hip-hop, and alternative. A formula has seen them excel in the streaming world, clocking in over 6 billion total streams, amounting to them being one of the “Top 200 Most Listened to Artists in the World”. The LA-based trio that consists of Kevin Ford, Trevor Dahl, Matthew Russell has also collaborated with a string of high-profile artists that include Afrojack, Wiz Khalifa, Travis Barker, Tove Styrke and Demi Lovato.

Cheat Codes said, “We are excited to kick off 2022 with ‘Running’ alongside our friends Martin and Theresa, we wanted to bring as much positivity and vibrance into the production and accomplish something anthemic! We hope everyone had a Happy New Year and are ready to hit the ground RUNNING in 2022.”

Danish singer Theresa Rex is the voice behind numerous hits, working with great artists like Jonas Blue, Alle Farben, and Dimitri Vegas & Like Mike. However, perhaps her most significant success came in her team up with Martin Jensen on the wildly popular “Solo Dance,” Martin’s breakthrough single, which stands at over 653 million streams on Spotify alone. 

On the collaboration, Rex says, “It was so special working with Martin and the whole team again. It has been a moment since ‘Solo Dance’ came out, but I think that ‘Running’ is the perfect follow up and adding Cheat Codes to the mix has made it pure magic.”

Martin Jensen added, “The energy working with this whole team was incredible. Reuniting with Theresa meant we had to do something extraordinary, so who better to do that with than our good friends Cheat Codes.”

Jensen enjoyed a stellar 2020, capping off the year with two epic homecomings Me, Myself, Live shows in November, a year in the making and the evolution of his Me, Myself, Online shows launched during the lockdown to keep connected to his fans. Martin also returned for his second series as a judge on the Danish X-Factor series, where he remains the first DJ to do so. Martin also had a great year on the music front, receiving BBC Radio 1 support on his single “Can’t Come To The Phone” with Amber Van Day and N.F.I and releasing “Make My Mind Go,” with Rompasso, FAULHABER and JONASU.

BEAUZ – RAVE GAME

Beijing based dance duo BEAUZ release their new EP, RAVE GAME. Listen HERE. The EP contains three dancefloor hits, “RAVE GAME,“ “LOUD,“ and “WE GUCCI.“ The title track “RAVE GAME “ is a playful banger that signifies BEAUZ‘s ambition to go from the throne of dance pop to claiming royalty on the dance floor. With its memorable and hard-hitting bassline, this infectious tune chronicles the magic of festivals and the adventures within. BEAUZ collaborated with NINEONE#, one of China ‘s most popular singers/rappers on “RAVE GAME,“ mixing their party-ready beat backdrop with her velvety vocals.

About BEAUZ

Beijing based dance duo BEAUZ, (pronounced bowz), composed of BSY and JSY are versatile, classy rockstars who decide their own destiny. They have released hundreds of tracks and combining modern electronic music styles and Asian music elements, they broke music boundaries and introduced a brand-new music genre, PsyPop, to the EDM world.

In 2021, BEAUZ joined China‘s hit survival show Youth With You Season 3 as promising trainees. They made history as the first electronic music DJ duo to participate in the show. They performed their original song, “Heartbreaker,” on stage, which received countless support from fans, showcasing their recognizable voice and impressive singing skills. Through the show, they broadened their fan base and introduced electronic music to a bigger stage. The group later hit number 55 on DJ Mag‘s “Top 100 DJs poll,” marking the highest-ranking Asia act on the poll.

Nija – Don’t Say I Didn’t Warn You

Capitol Records recording artist Nija announced the January 28 release of her debut solo project, Don‘t Say I Didn‘t Warn You, and unveiled the album‘s cover artwork. Now available for pre-order/pre-save HERE, Don‘t Say I Didn‘t Warn You is a brash and self-assured work, an R&B project that takes cues from hip-hop‘s confidence and pairs it with a no-nonsense approach all Nija‘s own. It was executive produced by Jack Rochon.

“I‘m taking the power role,“ says Nija. “There‘s vulnerability in the music but it‘s a different approach. Instead of ‘oh, you hurt me,‘ it‘s like, ‘Damn, you did that to me? That‘s crazy. I‘ma move on but you fucked up for that.‘“

After dropping her first three singles in 2021 “Ease My Mind (Come Over),“ “Finesse“ and “On Call“  Nija has been dropping hints about the project by posting snippets on YouTube and TikTok and sharing playlists on Spotify and TIDAL. She‘s been named as one of Vevo DSCVR Artists To Watch 2022 and was tapped by Spotify to help launch its new Lyrics feature.

Born in New Jersey and now based in Los Angeles, Nija had written scores of Billboard Hot 100 hits before she had even turned 21 Rolling Stone called her “one of music‘s most sought-after songwriters.“ Now at 23,  the three-time GRAMMY Award-winning contributor is gaining widespread acclaim for  her own music and relishing in the freedom to fully express herself. People said, “the brain behind some of the biggest hits is  now ready to make a name for herself.“ VIBE hailed her as “a vocal talent whose sultry tone brings her lyrics to life.“

“There‘s a stigma against songwriters turning into artists because usually they give all their sauce away,“ says Nija. “But I‘ve always made sure I went above and beyond people‘s expectations, so don‘t say I didn‘t warn you about that.“

Arctic Lake via Scarlett Casciello for use by 360 Magazine

Arctic Lake – Breathe

English alternative pop duo Arctic Lake is back with the emotionally bare single “Breathe,” out now via Astralwerks. The slow-burning, gently driving song, produced by member Paul Holliman, comes with a fittingly evocative and intimate video. Listen to “Breathe” HERE and watch the video HERE.

“Breathe” finds vocalist Emma Foster pleading with a partner who’s closed off, she’s desperate for more connection, feeling suffocated by the relationship’s limitations. Shimmering synths slink around her voice as she asks, “Can I find what’s underneath, won’t you let me know you?” Eventually, a rush of vibrating electronics takes over, but not without her slipping in one more simple request: “I’m just wanting you to hold me.” The video for “Breathe” feels just as personal, with Foster front and center against a blood-red background, her soul-baring lyrics projected right on her face, exposing every vulnerability.

“Breathe” follows 2021’s electro-kissed single “Lonely,” Arctic Lake’s “steamiest track yet” according to House of Solo. The duo also recently built up a following with a handful of collaborations, like their ZHU team-up “Yours“, which peaked at #16 on Billboard’s Hot Dance/Electronic Songs chart, as well as the feel-good track, “House Music” with German DJ Boris Brejcha, and “Road” with producer Lane 8. But “Breathe” builds on Arctic Lake’s more minimalist, sultry soundscapes, which Tongue Tied Magazine describes as “breathtaking, electromagnetic anthems” that are “simply unmatched.”

Arctic Lake’s blend of emotional songwriting and inventive production has won the attention of fans and critics since they self-released their debut single, “Limits,” in 2015. Since then, their following has grown to over 1 million monthly listeners on Spotify. As they prepare more new music for 2022, Arctic Lake is ready to lure more listeners into their colorful world.

GirlzLuhDevs via Jen Rosenstein for use by 360 Magazine

GirlzLuhDev – Leg or Arm

Inland Empire rapper GirlzLuhDev‘s latest sensual single “Leg or Arm” brings a bit of summer warmth to the depths of winter. The track, which is out now on Capitol Records, is built around soft keyboards and West Coast bounce that provide a canvas for Dev’s mischievous and fun vocals. Listen HERE.

The dizzy, intimate production of “Leg or Arm” feels like a dreamy afternoon in the California sun. It’s pure warmth, an escape from the troubles of the world. Dev flows like a breeze, sipping Shirley Temples, messing around with a girl, and playfully wondering if he’ll end up being talked about in her groupchat. When he croons about “riding round with blicky and designer clothes,” it sounds less like a threat than a positive affirmation. Dev places gangsta tropes in new contexts, making every bar feel like a celebration. He’s the fun-loving ball of energy and melody that rap needs, next in a lineage of West Coast rap-singers.

“Leg or Arm” follows a hot streak of memorable singles from Dev, including the pounding “Gas Me Up” and the somber “Dead Bro.” This track kicks off a new year for the 18-year-old rising star as he continues to build on the success that began with 2020’s “Tooka,” which launched him to the national stage and earned him a deal with Capitol. The game needs rappers as charismatic as Dev, and with each passing track, he’s proving that he’s rare indeed. Dev has amassed over 34 million streams in the U.S. alone.

About GirlzLuhDev

GirlzLuhDev is a rapper, singer, ex-basketball star, and quite possibly America’s next great hitmaker. Oh, and he’s a senior in high school. The 18-year-old artist from California’s Inland Empire is a year into making music but has already landed a viral hit, the raunchy but blissed out “Tooka.” Supported by simple beats and rich keys, he parlays his youthful energy into a bright blend of bars, warbled melodies, and ad-libs that sound like smack talk beamed down from a distant planet. Its sun-baked West Coast Street rap meets the wonky charm of a kid with nothing to lose. Signed to Capitol Records, Dev has his sights set on the national spotlight.

The Don Composite image via Capitol Music Group for use by 360 Magazine

Jax Jones × System.inc × Stefflon Don – The Don

BRIT and GRAMMY nominated producer, DJ, multi-instrumentalist Jax Jones joins forces with System.inc and British rapper Stefflon Don on their new dance record “The Don.” Released in partnership with Astralwerks and Jax’s own record label WUGD with System.Inc signed to the roster, “The Don” is a fusion of sounds with Steff’s inimitable flow paired with a big bassline beat merging rap and dance for a club ready cut. Listen HERE.

Speaking of the single, Jax said System.Inc and I bonded over a shared love of X Presidents ‘Diamond Rings,’ and earlier in the month we made this track in the studio. I played it to Steff, and she loved it. We went into the studio the next day to write the song and cut the vocal. The way she delivered both the hard rap and the singing elements were amazing. She is the Don! This one was a few weeks from studio to release. When something feels good, best not to overthink it. Put it out.”

“The Don” exemplifies the ethos of Jax‘s new label with authentic collaboration at the heart of all his music. Having longstanding ties with both collaborators the track blends genres and sounds to push the binaries of traditional dance music.

Created ‘by artists, for artists.’ WUGD showcases the next generation of multi-genre talent and offers its roster full creative control, integrity, and investment. WUGD champions emerging artists, unique projects from established talent, and collaborations with multi-discipline creatives including the label’s manifesto which has been created with LGBTQ+ activist, model, and spoken word poet Kai Isaiah Jamal. Watch HERE.

About Jax Jones

Ivor Novello, Grammy and BRIT nominated DJ, producer and multi-instrumentalist Jax Jones has amassed over 11 million monthly Spotify listeners as well as surpassing three million single sales and 4 billion streams. Working with the likes of Mabel, Years and Years, Martin Solveig, RAYE, Stefflon Don, MNEK and Madison Beer, his last record ‘Snacks’ was named the bestselling dance album of 2019. Jax has become a mainstay in modern British music and continues to create genre defying music for both the charts and specialist dance scene.

About WUGD

Created ‘by artists, for artists’, WUGD aims to showcase the next generation of multi-genre talent and offer its roster full creative control, integrity, and investment. WUGD will champion emerging artists, unique projects from established talent, and collaborations with multi-discipline creatives including the label’s manifesto which has been created with LGBTQ+ activist, model, and spoken word poet Kai Isaiah Jamal. Watch HERE.

Black Music Month via Alex Bogdan for use by 360 Magazine

Asiahn – Fall Back

R&B singer/songwriter Asiahn turns up the heat while taking it slow on her sultry new single, Fall Back, out today. Since the 80s / Motown Records. The track, an age-old tale of falling too hard and too fast, comes alongside a wine-soaked video that follows the intimate push-and-pull between two not-yet-official lovers. Watch the video.

As she’s proven before, Asiahn has a keen ability to dissect every emotion and stage of romance with a vulnerability that’s immediately felt. On Fall Back she boldly takes the reins, and sounds more convincing than ever. I just want to drive you crazy,she teases, over sizzling synth, bursts of sax, and glistening harp. But she’s not here to seduceߞnot yet.

Remarkably, Asiahn wrote Fall Back in about 15 minutes alongside producer Dreek Beatz. The story behind the song is, well, true, she laughs. I know we’ve all been in a situation where we’re trying to get to know someone casually. Then, of course, she falls in love anyways. It’s a song telling that person to fall back, you doing too much. Let’s just get to know each other and see if getting serious is even something we want to do. The video shows that conversation in action, from flirty Post-it notes to a playfully tipsy tete-a-tete.

A fan of all things futuristic and tech, Asiahn has teamed up with Verizon, Capitol Music Group (CMG) and Motown Records to give fans a new way to experience a music video. Using the ASIAHN app, fans can extend Asiahn’s “Fall Back” music video into their living rooms with Augmented Reality (AR). As the video plays on their TV or laptop, they can toggle between an ambient AR experience that plays in sync with the video and a volumetric capture (360-degree capture) of Asiahn dancing to her song in their room. The ASIAHN app, available September 29th on the Google Play and Apple ap stores, is the second project in Verizon and Capitol Music Group/Motown’s Emerging Tech and Emerging Artist Series.

Fall Back continues the Los Angeles-based artist’s transition from lovesick songstress to empowered star, as showcased on her Motown debut, The Interlude EP, released earlier this year. The EP debuted on multiple Billboard charts and earned Asiahn Billboard‘s Emerging Artist Spotlight, started at #33 on Apple Music Charts, and received support from fans and critics like Halle Berry, Lena Waithe, Keke Palmer, to American Songwriter Essence,Nylon,Refinery29, MarieClaire, and many more.

Asiahn will also be playing the title character in the upcoming Netflix animated series, Karma’s World, created by Ludacris. The show tells the story of a girl finding her voice and using it to change the world. Sounds like the ideal role for this 3x-Grammy-nominated talent who continues her steady rise, which includes being named Pandora’s Artist to Watch 2021, participating in Live Nation’s Black History Month, and Tidal Sessions performances.

The Greeting Committee – Dandelion

Today marks the long-anticipated release of Dandelion, the sophomore album from Kansas City-based alt-rock band The Greeting Committee. Released via Harvest Records, Dandelion finds the four-piece working with esteemed producer Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes) and mixer Dave Fridmann (The Flaming Lips, Tame Impala), delivering a moody and mercurial sound perfectly suited to the album’s emotional terrain. To celebrate Dandelion’s arrival, The Greeting Committee have also shared the video for Make Out, one of the album’s more lighthearted moments. Go listen to Dandelion, and check out the video for Make Out 

The follow-up to The Greeting Committee’s acclaimed 2018 debut album This Is It, Dandelion documents a particularly painful period in the life of frontwoman Addie Sartino, including the grief and inertia she experienced after a devastating breakup. Most of these songs are about feeling like you’re watching your life instead of living it: just going through the motions and feeling stuck and wanting to break out of that, but not really knowing how, she says.

Despite its often-brutal honesty, Dandelion radiates an irrepressible and unbridled energy, thanks in part to the joyful chemistry that The Greeting Committee bring to every track. To that end, the band selected the album’s title due to its suggestion of an unlikely hope. Dandelions are weeds, but depending on your perspective, you can shrug them off or you can choose to see them as a sort of beautiful flower, similar to how we have the choice in what we see in ourselves, says Sartino.

With its fuzzed-out riffs and pogo-ready rhythms, Make Out serves as a bold departure from Dandelion’s heavy-hearted tone. Co-directed by the band and Malik Lemon, the track’s outrageous video finds guitarist Brandon Yangmi facing off in a fantastically chaotic wrestling match featuring Wrestle Yr Friends (a queer wrestling collective based in Kansas City). With Sartino and bassist Pierce Turcotte playing the part of the match’s commentators, the visual makes for a brilliant counterpart to the free-spirited mood of Make Out. For the most part I like to get deep and uncomfortable in my lyrics, but this song is like the Antichrist of that, Sartino says. It’s somewhat of a true tale, about a girl who stuck her tongue out at me at a show in East Virginia and used to send me selfies where she’s in her rollerblades or eating pickles. It was the first time after my breakup that I thought, Maybe I’ll be okay. Maybe life can be fun again, and I won’t be sad forever.

In creating the tracklist for Dandelion, The Greeting Committee made a point of leading their listeners on a cathartic emotional journey. I wanted the record to really show the healing process, starting at a place of desperation and eventually getting to the point of being willing to accept reality, says Sartino. Hailed by Clash as a raw portrayal of post-break-up poignance, the album-opening lead single Can I Leave Me Too? perfectly captures the confusion of heartbreak, while its follow-up Float Away examines how depression warps our self-image. (Released in July, the track earned acclaim from Pop Matters, who likened its sonic elements to the haunted carousel all our minds seem to be stuck riding lately.) And on Ada an August release praised by Earmilk, who noted the band’s warm, welcoming, and vibrant indie rock sound. The Greeting Committee offer up a LGBTQ anthem inspired by a trans woman they befriended years ago, as well as Sartino’s own experience in coming out.

Closing out with the piano-laced reverie of Ten, Dandelion ultimately fulfills The Greeting Committee’s mission of providing their audience with an undeniable sense of emotional solidarity. Over the years we’ve had people come up to us at shows and tell us that our music has saved their lives, which is something we take very seriously, says Sartino. It’s really special to be part of the soundtrack to someone else’s experience, and we want to continue being a source of comfort to our fans and help them understand that they’re not alone.

In celebration of the album release, the band will be on Travis Mills’ Beats 1 Apple Music show and will also collaborate with Fender for a signed guitar giveaway and social takeover.

Tracklist for Dandelion by The Greeting Committee

  1. Can I Leave Me Too?
  2. Float Away
  3. Dandelion
  4. Bird Hall
  5. Make Out
  6. So It Must Be True
  7. Wrapped Inside Of Your Arms
  8. Ada
  9. How Long?
  10. Ten
Toosii x Latto - Photo Credit_ Shaquille Kokumo from Nikki Crystal, Capitol Music Group for use by 360 Magazine

TOOSII × LATTO DROP FEEL-GOOD VIDEO – 5’5

Syracuse-born, North Carolina-raised rapper Toosii returns today with a nostalgic video for his hit single, “5’5” featuring Latto. The track is a standout from Toosii’s new mixtape, Thank You For Believing (The Manifestation), out now via South Coast Music Group/Capitol Records. The visual finds Toosii getting romantic and dancing at a throwback house party-all baggy pants, bucket hats, and hoop earrings. It’s a cheerful clip for the feel-good rap track. Watch the video for “5’5” here.

Toosii’s latest ode to love finds the rapper moving from a quick flow to melodic bars. The video for “5’5” – directed by Joan Pabon, produced by Andreas Garcia and shot in Atlanta – stars Toosii at a bumping house party when his “angel” makes her way in. The two shoot pool, take turns at the keg, and find some chemistry on the dancefloor. Latto makes an appearance for her stellar verse, and together, the two take the party outside where they can more freely show off their moves.

“5’5” follows the video for “spin music” with Fivio Foreign, the first single from Thank You For Believing (The Manifestation), the deluxe version of Toosii’s acclaimed 2021 mixtape. The “spin music” visual mirrors the song’s kinetic energy, jumping between scenes of ATVs, parties, and bedrooms in a dizzying array of lenses, camera angles, and special effects. VIBE wrote that the track “finds the two New Yorkers delivering what could be the city’s latest drill anthem.”

The “5’5” video continues Toosii’s unbelievable run from a grinding upstart to becoming a globally celebrated rapper. Earlier this year, he surpassed one billion streams, proof his music is resonating. And now, with a proven ability to consistently churn out diverse, vivid, and affecting music, Toosii shows no signs of slowing down. His charisma and screen presence are obvious in the video for “5’5,” marking another stunning performance from one of rap’s most exciting young artists.

Calum Scott via Tom Cockram for use by 360 Magazine

Calum Scott – Biblical ASL Version

Multi-platinum-selling singer/songwriter Calum Scott has created an American Sign Language (ASL) version of his recent single “Biblical,” a stunning and soulful ballad that premiered in June. Made in collaboration with the Tony Award-winning Deaf West Theatre, (David Kurs, Artistic Director), the ASL version of “Biblical” encompasses a powerfully moving video in which the U.K.-based artist and several performers interpret the track’s deeply personal storytelling. Check out “Biblical (American Sign Language Version In Collaboration with Deaf West Theatre)” HERE.  

“It is incredibly important for me to reach as many people as possible with my music so when the opportunity came about to work with the Deaf community, I was so excited to collaborate,” says Scott. “I feel immense gratitude to know that my music continues to transcend language across the world and not only did I want to have a sign language version of the song but I also wanted to learn how to sign it myself to connect directly with my fans in this often underrepresented community.”

Beautifully shot in black and white, the ASL version of “Biblical” opens on Scott spelling out the song’s title in ASL. From there, the visual focuses on a series of actors as they each offer up an impassioned interpretation of “Biblical” and its heartfelt expression of unconditional love. As revealed by Giovanni Maucere (the video’s ASL director), each frame was meticulously crafted to enhance the song’s impact among members of the Deaf community.

“It is my honor to collaborate with Deaf West Theatre and Calum Scott,” says Maucere. “I knew that we could bring a new facet to the song by expressing the beauty and honesty of the song through ASL. Deaf people experience music in various ways, and in this video ASL is layered with camera movement and lighting in a way that we can begin to feel Calum’s story. This music video is a true expression of honest and accessible storytelling.”

Partly recorded at the legendary Abbey Road Studios (and accompanied by a spellbinding video), “Biblical” marks the first single from Scott’s forthcoming sophomore album. Due later this year, the album will follow his 2018 full-length debut Only Human, a widely acclaimed release that hit No. 1 on the iTunes album chart in 21 countries across the globe, in addition to selling more than 3.6 million in adjusted album sales and amassing over 7.5 billion combined streams.

Last month, Scott appeared on “TODAY” to discuss the inspiration behind “Biblical” and deliver a soul-stirring performance of the track. Check out the clip HERE.

With the release of the ASL version of “Biblical,” Scott has moved forward with his ambition of making music that fosters a profound sense of community and connection. “Having seen how my music had reacted with people over the last three years, it gave me an opportunity to absorb what I had experienced, to mature and become an artist with a mission,” says Scott. “I want to create something for people to feel seen, heard, and represented.”

About Calum Scott

With the arrival of his 2018 debut album Only Human, U.K.-based singer/songwriter Calum Scott landed at No. 1 on the iTunes album chart in over 20 countries around the world, amassing over 7.5 billion total global streams and counting. Now certified platinum or gold in 21 countries, Only Human includes his platinum-selling smash “You Are The Reason,” a track that cracked the top 25 on Spotify’s US Viral 50 and hit the top 10 on iTunes single charts in 38 countries. The album also features Scott’s stripped-back, platinum-certified cover of Robyn’s “Dancing On My Own,” which earned a Brit Award nomination in the category of Best British Single. His first new music since Only Human, Scott’s new single “Biblical” marks an exciting evolution of his artistry, bringing even more raw emotion to his soulful and timeless sound. With its title referring to “a love of biblical proportions that transcends everyone and everything,” according to Scott, the piano-laced ballad is the first song released from his highly anticipated sophomore album due early 2022. Over the last few years, his songs have appeared on countless TV shows (including American Idol, The Voice, So You Think You Can Dance, Grey’s Anatomy, and many more), while Scott has performed on such shows as Late Night with Seth Meyers, Ellen, Good Morning America, Live with Kelly and Ryan, and Dancing With The Stars, among others. In addition, he garnered acclaim from outlets including Billboard (who hailed his “stunningly pure voice”), The Huffington Post (who stated that “Scott makes an impressive splash, compelling”), and Ones to Watch (who noted that Scott’s music “elegantly transforms pain into beauty”).

About Deaf West Theatre

Committed to innovation, collaboration, training, and brand activism, Tony Award-winning Deaf West Theatre is the artistic bridge between the Deaf and hearing worlds. Founded in Los Angeles in 1991, Deaf West engages artists and audiences in unparalleled theater and media experiences inspired by Deaf culture and the expressive power of sign language and spoken English. For more information and ways to support, click HERE.