Posts tagged with "Post Malone"

Lana Love via Ashley Osborn for use by 360 Magazine

Lana Love – Loaded Gun

Upcoming alt-pop sensation Lana Love has shared her newest single and music video “Loaded Gun.” Backed by a choir of electric and acoustic guitars, Lana’s single underscores the internal battle she faces within herself, as the different sides of her identity are at odds with each other. Fans can watch the music video for “Loaded Gun,” premiering now on Aesthetic Magazine, HERE.

On the new single, Lana shares, “If Post Malone and Lady Gaga (Joanne era) had a song baby, she would be “Loaded Gun”. Production-wise, every element was live recorded from analog to digital. The trap beat was created with trigger pulls, spinning spurs, a 1960s saloon piano, Post Malone inspired 808s, an anti-chorus ear-gasm, and original background vocals we kept in from the demo I recorded in my bedroom. I truly believe Matt Genovese is the only producer who could’ve accomplished this sound in the way he did.”

She continues, “This song is about shooting yourself in the foot just when things start to get good. We all have a dark side that gets to us sometimes—a classic self-sabotage story. The lyrics shine a light on that self-defeating behavior pattern in faith that we have power to change the narrative of who wins.”

The music video for “Loaded Gun” conjures up images of classic western films with a space age twist, finding Lana as a lone ranger in a desert and battling a dark hologram of herself.

“The music video was heavily inspired by my pandemic-induced Star Wars/Mandalorian binge,” Lana admits.

Fans can pre-save “Loaded Gun” ahead of its release tomorrow HERE

Lana Love has announced that her self-titled EP will be released on October 1. Completely self-owned, this EP will share the story of Lana’s turbulent experience in the music industry featuring a plethora of genre shifts, fervent heartbreak, and medical stress.

Every once in a blue moon an artist emerges with an undeniable arsenal of talents and embarrassment of riches, and such is the case with contemporary pop artist Lana Love. The Atlanta-born juggernaut fully embodies the spirit of being multifaceted as a singer, songwriter, classically trained pianist/musician, trained dancer, actor and burgeoning entrepreneur.

About Lana Love

The genesis for Lana‘s musical journey started in Naples, Florida as a precocious 4-year old who was obsessed with Andrew Lloyd Weber’s iconic “Phantom of The Opera” and started playing the song, “Music of the Night,” by ear on piano in her living room. From that auspicious beginning, Lana has been immersed in honing and expressing her artistry in every medium available. By age 7, she had written her first song. She later studied music at the University of Florida and the American Music Theater and Dramatic Academy in New York.

In her late teens, she was featured in several musical productions as a singer/actor/dancer produced by Disney and Nickelodeon that were presented internationally in over 20 countries throughout Europe. Back in the US she has amassed a number of television credits on programs that were broadcast by HBO, Warner Brothers, Discovery Channel, YouTube and Telemundo. She has also opened for mega rappers like Snoop Dogg and Wu Tang Clan, among others, dabbled in EDM and been a featured guest artist on RAF MC’s Latin dance track, “Baila.”

Currently, Lana is the epitome of a female entrepreneur in a male-dominated field. Between finally owning 100% of her masters and joining the ranks alongside the few women that have broken the digital currency barrier with an NFT venture on the horizon, Lana is a lyricist for the Netflix documentary Malinche, written by Nacho Cano and orchestrated by Hans Zimmer.

An entrepreneur and businesswoman at heart, Lana Love’s story continues to exponentially blossom. She is spreading the one message she holds most dearly: everything, absolutely everything, is LOVE.

image from MacKenzie Reynolds for use by 360 Magazine

Pokémon 25: The Red EP RELEASE

ZHU Remixes All Three Tracks For Pokémon 25: The Blue EP, Out Later This Month

The Dual Releases Honor a Pokémon Tradition As 25th Anniversary Celebration Continues

Three new artists have joined Pokémon’s 25th-anniversary celebration: Vince Staples, Cyn and ZHU. Staples and Cyn contribute exclusive new songs to Pokémon 25: The Red EP, which was released today. Available HERE, the EP also features Mabel’s song “Take It Home,” which was unveiled last month. View Pokémon 25: The Red EP visualizers on YouTube HERE.

Reflecting the longstanding tradition of dual releases for the core Pokémon video game series, with each featuring nuanced differences from the other, and paying homage to the original Pokémon Red and Pokémon Blue video games, Pokémon 25: The Blue EP will follow later this month. It will feature remixes of The Red EP songs by GRAMMY-nominated recording artist ZHU, who is fresh off the release of his third album, DREAMLAND 2021, and a sold-out, six-night stand at Colorado’s Red Rocks Amphitheater.

The songs from The Red EP will appear on the upcoming P25 Music compilation album, which will be released this autumn by Capitol Records as part of a massive, yearlong music campaign from The Pokémon Company International in partnership with Universal Music Group. ZHU’s remixes will be included on the digital edition of the album. Vince Staples, Cyn and ZHU take their places alongside fellow P25 artists Katy Perry, Post Malone, J Balvin and Mabel.

On the atmospheric, melodic “Got ‘Em,” Vince Staples faces life’s challenges head-on, drawing inspiration from iconic Pokémon characters Mew and Raichu. Staples recently released his self-titled, fourth album out now via Blacksmith Recordings/Motown Records. Garnering positive reviews from Rolling Stone, Pitchfork, NPR Music and NME among others, the LP debuted as the No. 1 Current Rap Album and landed at No. 21 on the Billboard 200 Chart week of release. Staples is also currently working on bringing his dramedy, The Vince Staples Show, to Netflix.

“I’ve always been a fan of Pokémon, so it was particularly special to be asked to take part in this 25th-anniversary celebration,” said Vince Staples. “I’m excited for people to hear ‘Got ‘Em,’ and hope the song resonates with fans, especially those who grew up with Pokémon like I did.”

Cyn—who is signed to Katy Perry’s Unsub Records and recently contributed two songs to the soundtrack for the Oscar-winning film Promising Young Woman—offers up “Wonderful,” a shimmering song that celebrates friendship and the joy of being alive.

Cyn shares, “I am so excited to release one of my favorite songs I’ve ever written, ‘Wonderful,’ in celebration of 25 years of Pokémon! This song is special to me because I feel it comments on growing pains while also emphasizing a destination of grace and a beautiful journey to it—eggs hatch when they want to or in other words, when they are ready. When I wrote this song, my newborn baby son was in the room—I can hear the influence of becoming a new mother in the music, it will always ring special for me.”

“The Pokémon Red and Pokémon Blue video games introduced the world to Pokémon 25 years ago and we wanted to recognize that important part of the franchise in our 25th-anniversary celebrations within the P25 Music campaign,” said Colin Palmer, vice president of marketing, The Pokémon Company International. “Pokémon fans will appreciate the nod to the first Pokémon video games with these EPs, while music fans will enjoy new songs and remixes from exciting artists on these dual collections.”

The Red EP kicks off with “Take It Home,” an original song from BRIT Award recipient Mabel. PAPER Magazine noted, “to say it’s a bop would be a complete understatement—‘Take It Home’ is packed with bright and buoyant beats.” The official video, People Magazine observed, “finds the star chasing Jigglypuff into a Wonderland-style dreamworld full of colorful ensembles and pop star choreography.”

Fans can keep up with the latest news for P25 Music and more celebrations across the franchise on Pokémon’s 25th-anniversary website. Pokémon 25: The Blue EP can be pre-saved HERE.

Pokémon and music fans are invited to join the conversation online with @Pokemon and #Pokemon25.

Pokémon 25: The Red EP Tracklist:

1. Mabel – Take It Home

2. Cyn — Wonderful

3. Vince Staples — Got ‘Em

image for use by 360 Magazine

Mabel — Photo Credit: Ashley Verse

image for use by 360 Magazine

Vince Staples — Photo Credit: Tyree Harris

image for use by 360 Magazine

ZHU — Photo Credit: Joey Vitalari

image for use by 360 Magazine

Cyn — Photo Credit: Jerry Maestas

Mabel TakeItHome Artwork-final by Ashley Verse from MacKenzie Reynolds, Capitol Music Group for use by 360 Magazine

MABEL × POKÉMON – NEW SONG × VIDEO – TAKE IT HOME

Pokémon’s 25th-anniversary celebration continues with the release of “Take It Home,” a new song from BRIT Award recipient Mabel, who recorded it exclusively for the upcoming P25 Music compilation album. With an infectious beat and bright, summery vibe, the song celebrates being the kind of friend that others can count on. It was produced by Tommy Brown (Kanye West, Ariana Grande) and Mr. Franks (Ariana Grande, Justin Bieber). Listen to “Take It Home” here. The compilation, which will be released this autumn by Capitol Records, is part of a massive, yearlong music campaign from The Pokémon Company International in partnership with Universal Music Group.

The playful official video for “Take It Home” finds Mabel trying to unwind in her hotel room after a busy day. Flipping through the channels on the television, she’s delighted to find a Pokémon channel. Comforted by the beloved characters, she falls asleep. In her dream, she follows a Jigglypuff down the hallway and together they explore the hotel, which has been transformed into a dark yet sparkling dreamworld. Mabel takes the stage, joined by a troupe of dancers, and a Pikachu makes a cameo appearance. View the video, which was directed by Sophia Ray (Ella Eyre, Little Mix, Amber Mark) and shot at London’s iconic Savoy Hotel, here.

“I’ve been a fan of Pokémon for years, so I jumped at the opportunity to join the P25 program,” said Mabel. “I had so much fun working with Pikachu and my all-time favorite Pokémon, Jigglypuff, for the “Take It Home” video. I hope the fans love the song as much as I loved working on it to celebrate 25 years of Pokémon!”

Mabel’s incredible talent and pop sensibilities add a massive layer of fun to Pokémon’s P25 Music campaign, celebrating 25 years of Pokémon,” said Colin Palmer, vice president of marketing, The Pokémon Company International. “Music fans are going to love ‘Take it Home’ and Pokémon fans will be delighted to see a Jigglypuff, known for being a bubbly Pokémon who also loves to sing, featured in Mabel’s vibrant video. It’s a pitch-perfect collaborative match for our 25th-anniversary celebration.”

Mabel is the latest artist to join the P25 Music Program, taking her place alongside Katy Perry, who contributed the new original song, “Electric,” Post Malone, who put his own stamp on the Hootie & the Blowfish hit “Only Wanna Be With You” and J Balvin. Mabel recently released her first new single of 2021, “Let Them Know,” a spirited anthem about projecting confidence even in times of trouble.

Fans can keep up with the latest news for P25 Music and more celebrations across the franchise on Pokémon’s 25th anniversary website at Pokemon.com/25Pokémon 25: The Album can be pre-saved here.

Pokémon and music fans are invited to join the conversation online with @Pokemon and #Pokemon25.

About Pokémon

The Pokémon Company International, a subsidiary of The Pokémon Company in Japan, manages the property outside of Asia and is responsible for brand management, licensing and marketing, the Pokémon Trading Card Game, the animated TV series, home entertainment, and the official Pokémon website. Pokémon was launched in Japan in 1996 and today is one of the most popular children’s entertainment properties in the world. For more information, visit Pokémon.

About Mabel

In the last year or so alone, Mabel has won the BRIT Award for Best Female Solo Artist, surpassed four billion streams and 2.2 million adjusted album sales for first album, High Expectations –  the biggest-selling debut by a British woman in 2019 – and added to her formidable catalogue of smash hits like “Don’t Call Me Up” with three more top 10s under lockdown. Futuristic, fearless and feel-good, her first single of 2021, “Let Them Know,” marked the unmistakable arrival of a new era and mindset for Mabel. If High Expectations documented a coming-of-age (and the fact you may actually spend a lifetime figuring it all out), her new material finds Mabel emboldened with experience. Her girl-next-door candor remains, but in embracing dance music’s generational ethos of expression, liberation and inclusion, you witness a woman moving firmly to her own beat. The Guardian hailed Mabel as a “warrior queen” and Vogue praised her as “unflinchingly honest, earnestly positive, and resolutely single-minded.”

About Capitol Music Group

Capitol Music Group (CMG) is comprised of Capitol Records, Blue Note Records, Astralwerks, Harvest Records and Capitol Christian Music Group, as well as Capitol Studios and Virgin Music Label and Artist Services. Capitol Music Group is based in Hollywood, California within the iconic Capitol Tower.

Artists that record for CMG labels include: The Beach Boys, The Beatles, Beck, Bee Gees, Jon Bellion, Rosanne Cash, Christine and the Queens, FLETCHER, Neil Diamond, Halsey, Don Henley, Hillsong United, Niall Horan, Lewis Capaldi, Charles Lloyd, tobyMac, Paul McCartney, NF, Norah Jones, Katy Perry, Gregory Porter, Maggie Rogers, Calum Scott, Bob Seger, Troye Sivan and Chris Tomlin. For the U.S.: Disclosure, Empire Of The Sun, and Sam Smith.

 

Post Malone image provided by Republic Records for use by 360 MAGAZINE

Post Malone × Motley Crew

GRAMMY® Award-nominated diamond-certified Dallas, TX maverick Post Malone unveils a new track entitled “Motley Crew” today.

Listen to “Motley Crew”—HERE.

It’s his first new original music of the year – the lead track from a companion project to a forthcoming documentary, coming soon. Once again, he delivers the perfect anthem to rage to, living up to the title of “Motley Crew” like only Post can.

Malone also released a video for the track directed by Cole Bennett and co-produced by DreVision Media. Shot at Auto Club Speedway, the video features NASCAR stars Denny Hamlin and Bubba Wallace. Other notable guest appearances include Big Sean, French Montana, Kerwin Frost, LoveLeo, SAINt JHN, Ty Dolla $ign, Tyga, Pressa, Trinidad James, Tyla Yaweh and Tommy Lee.

Watch Official “Motley Crew” Music Video –HERE.

WWE x Rolling Loud image provided by Ivy Awino for use by 360 MAGAZINE.

Rolling Loud x WWE

Call it the ultimate mashup.

The newly announced partnership between Rolling Loud and WWE will see hip-hop’s biggest names performing alongside WWE SmackDown wrestling. This partnership is the first of its kind. No other time in history has seen a collaboration between wrestling and a large-scale music festival.

This is how it’s basically going to go down. On July 23, SmackDown will feature a split FOX broadcast with two matches being held at Hard Rock Stadium in Miami (same venue as Rolling Loud) while the rest are at the Rocket Mortgage Fieldhouse in Cleveland.

I’m honestly extremely intrigued by the thought of A$AP ROCKY, Travis Scott, and Post Malone performing in between or alongside a LIVE wrestling match. With that caliber of a lineup, concert-deprived fans, and throw in some of the world’s most entertaining wrestlers? The energy all around is bound to be ELECTRIFYING.

So what does this mean for the future of collaborations between live music and sporting events?

I think the opportunities are endless. But before I go any further, I should clarify that while I am an enthusiast of the virtual space – I don’t foresee in-person gatherings becoming null and void, ever. There’s just something that comes with having human energy together collectively in one space. Let’s explore a few of my ideas.

Most sporting venues also double as concert venues. Could this be the beginning of seeing mega venues that could concurrently host a live music and sporting event? I see this being easily achieved even more specifically in the world of e-sports.

Or even take for example the current format of sporting events. In some capacity, small-scope performances already take place during sporting events i.e. halftime, national anthem singers, etc. Might we start to see longer pre or post-game concerts? To reference a basketball analogy, a 2 for 1? Will we see tours scheduled around team calendars? A league that is primed to do this would be Ice Cube’s Big 3.

Not all people who go to live music and sporting events go to actually listen to music or watch the game. They go to socialize and network. They may possibly have been enticed by promotions or a giveaway. They may simply want to make an impression or maybe they are big fans of an artist or team after all. No matter the circumstance, I think the ultimate draw to such collaborative efforts is the fusion of audiences and the power of sport and music to unite.

As told on WWE.com, “WWE has a rich history of integrating music into all aspects of its brand and collaborating with some of the most celebrated artists in the world. Over the years, world-renowned hip-hop artists including Snoop Dogg, Diddy, Three 6 Mafia, MGK, Wale, and many others have performed at WWE’s biggest events.”

I know that I have a bias but music has always played a very important role in sports and vice versa. I think it was Drake that said “Damn, I swear sports and music are so synonymous. ‘Cause, we want to be them, and they want to be us.”LOL!

I will definitely be tuned in on the 23 to see how this looks like in actuality. I am also eager to see the continuation in the development of how to further collaborate across the music and sports landscapes from the live production and programming standpoint.

Illustration By Alex Bogdan for use of 360 Magazine

The Unsung Heroes Behind Your Favorite Songs

By Deborah Fairchild

Maybe you commute to work listening to The Weeknd’s “Save Your Tears,” or you make chores around the house more palatable with a little assistance from the sounds of Drake or Billie Eilish.

If you follow popular music at all, you almost certainly are aware of those performers as well as many other big names in the business, such as Post Malone, Lizzo and Ariana Grande.

And when you think of their songs, you likely think of them.

But recorded music is not the work of just one person, no matter how talented and charismatic that person is on stage. Backup musicians, producers, songwriters, engineers and others also play significant if often unheralded roles in coaxing into existence those tunes that, as some have said, become the soundtracks for our lives.

To get an idea of the plethora of people whose efforts go into your cherished songs, take a journey through the credits for country singer Luke Combs’ album “What You See is What You Get.” Roughly 40 people earn a mention, from drummer Jerry Roe to engineer Alex Gilson to mastering assistant Megan Peterson. Luke may be the focus for country music fans who listen to the album’s songs, but it becomes clear pretty quickly that he is not doing it all by himself, as he likely would tell you.

That list of names connected to the album is more than just a formal acknowledgement to those who lend their talents to the final product. In the music industry, credits are part of the resume, so building an accurate record of who contributed to what is crucial for everyone involved. If, for example, you do digital editing, you want to be able to say you worked on Luke Combs’ album – or Drake’s or Taylor Swift’s – and you want to have the credit listed to prove it. That will help pave the way for more job opportunities down the line.

And, of course, there’s the not-so-small matter of the paycheck. Most people are drawn to the music industry because it’s something they enjoy, but they need to pay bills like anyone else. Yet, unless someone is keeping an accurate record of who contributed to the work, that pay might not make its way to the correct and deserving person’s bank account.

So, credits are important on many levels and they are something I take seriously, as you might imagine since my company, VEVA Sound, helps musicians store and organize their projects through our VEVA Collect digital platform.

But I’m also confident that the average music fan doesn’t spend as much time as I do contemplating the many, many people who deserve some credit for popular – or even obscure – songs. In fairness, the tendency to overlook behind-the-scenes people is probably true in a lot of other industries as well.

Books often include an acknowledgements page, or pages, where the author names editors, researchers, literary agents, librarians or anyone else who helped make the book a reality. Many readers, though, just skim the acknowledgments or skip them altogether. Movies end with not just a cast list, but an extensive cataloging of anyone who remotely had a hand in creating the movie, from key grips to gaffers. Unfortunately, moviegoers often mosey toward the exit as the credits begin to roll rather than stick around to check out all the names. That is, they leave unless they suspect the director included a bonus post-credits scene, as the Marvel movies tend to do, and even then they may pay little attention to the names.

Such realities may leave people thinking, “Who cares about credits anyway?”

Plenty of folks, that’s who.

But it was thinking along those lines that got those of us at VEVA Sound to begin wondering if there was something we might be able to do to create more awareness around music credits to make sure they – and the people behind them – don’t get overlooked.

What came out of that was a Credits Are Cool™ campaign that raises money for charity while at the same time emphasizing just how important those people behind the scenes are to the songs that keep music lovers humming, dancing and smiling.

To pull off the Credits Are Cool effort, we collaborated with a number of musical artists to create hoodies, t-shirts and sweatshirts with the name and image of a song on the front. On the back is a list of people who contributed to the song. In a sense, we are trying to create a movement, proclaiming that we should celebrate everyone who was involved in making music – not just the performers whose names are on a marquee.

Artists whose songs appear on the Credits Are Cool clothing include Sam Tinnesz, Wendy Moten, Sonia Leigh, Hailey Steele, Right Said Fred, Ty Herndon, Jamie O’Neal, Shelly Fairchild, Teke Teke, Whiskey Wolves of the West, and Tayla Lynn, granddaughter of Loretta Lynn.

Maybe through this initiative, in some small way, those who listen to music will take a moment to think about the fact that recorded music is a much more collaborative effort than they might ever have imagined. It could even open up career ideas for young people who love music and would like to work in the industry, but didn’t realize that there’s room for people other than the talented vocalist and the guitar hero.

Yes, credits really are cool because they are not just about seeing your name in lights. They are about how you get work in the ever-competitive music industry.

About Deborah Fairchild

Deborah Fairchild, president of VEVA Sound, started her career with the company as an archival engineer in 2004. In the past 16 years she has risen to lead the company in all facets of the business. She has grown VEVA into a global entity servicing major labels in North America and Europe, establishing offices in New York, Los Angeles, and London in addition to the company’s headquarters in Nashville. Fairchild has kept VEVA at the forefront of technology and continues to evolve and adapt VEVA’s services and technology to assist the needs of their extensive client base. She advises many label executives, producers, engineers and artists seeking archival and asset management solutions.

Jessia Press Image by William Arcand via Republic Records for use by 360 Magazine

Jessia x I Should Quit

Rising Canadian pop star and songwriter Jessia released the official video for her new single, I Should Quit.

Directed by Nina Kramer, the carefree video highlights Jessia’s struggle to accept her friends’ advice to stop making impulsive bad choices, while knowing that she should quit but in reality admits she has no intention of doing so. On the track, Jessia says “I’m really good at giving advice but not always good at taking it. I know what I SHOULD do but what’s the fun in always playing it safe? Sometimes you just need to fully accept that you are a hot mess.” 

Recently, Jessia was featured as Billboard Magazine’s Chartbreaker for the month of June. Her CRIA Gold-certified body acceptance anthem I’m not Pretty is currently Top 5 at Hot AC radio in Canada and features GRAMMY® Award-nominated artist Bebe Rexha on the official remix version of the track released last month. “I’m not Pretty” recently crossed 100 million+ streams and this week tops the Billboard Canada Emerging Artists Chart for the SEVENTH consecutive week at #1. 

I’m Not Pretty initially exploded on Tik Tok when Jessia introduced the a cappella hook of the song by sharing, “I don’t know if this is total trash, or if it’s actually a bop.” Turns out it was the latter, as the clip racked up 1 million views in a day. The candid lyrics describe a journey towards self-love and the emotions one can feel while on its path – a message that has instantly resonated with audiences all over the world. 

In addition to early support from international tastemakers, Grammy award-winning singer, songwriter, and producer Ryan Tedder personally reached out to Jessia upon hearing the song to champion her work and collaborate. Together they are putting the finishing touches on more new music—due out soon.

2021 TOUR DATES

July 1 – Lights On Canada Day – Ottawa, ON

July 31 – Lollapalooza – Chicago, IL

October 30 – Outside Lands Festival – San Francisco, CA

ABOUT REPUBLIC RECORDS

Republic Records is Jessia‘s artistic home. A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Katy Perry illustration by Heather Skovlund for 360 Magazine

Katy Perry × Electric

FAN CLUB TICKET PRESALE LAUNCHES TODAY FOR KATY PERRY’S PLAY AT THE THEATRE AT RESORTS WORLD LAS VEGAS

Katy’s First-Ever Las Vegas Residency Opens December 29, 2021 And Includes New Year’s Eve And New Year’s Day Performances

The fan club ticket presale for Katy Perry’s PLAY her first-ever Las Vegas residency launches today, May 17, at 10am PST. As its name suggests, the eight-show run at The Theatre at Resorts World Las Vegaswill offer audiences a much-needed break from the intense times of the past year. Packed with hits from throughout Katy’s career, the shows will deliver a transcendent sensory experience with vibrant visuals and numerous surprises. PLAY will open on Wednesday, December 29, and include exclusive New Year’s Eve and New Year’s Day performances.

“I think we’re all ready to play and what better place to play than Las Vegas? says Katy Perry. Vegas is in my blood. My grandmother was a seamstress for showgirls and my aunt was a dancer in the Folies Berg before she became an ordained minister. I’m excited to carry on the family tradition and bring a bold, playful experience to audiences who, like me, have been yearning for the communal experience of live entertainment.”.

Dates for Katy Perry’s PLAY are as follows:

December 29, 31, 2021

January 1, 7-8, 12, 14-15, 2022

Tickets, plus VIP and premium ticket packages, for all eight shows will go on sale to the public beginning Monday, May 24 at 10 a.m. PDT at AXS.

Citi is the official presale credit card of the headliner opening engagements at The Theatre at Resorts World Las Vegas. Citi cardmembers will have access to purchase presale tickets from Tuesday, May 18, at 10 a.m. PDT to Sunday, May 23 at 10 p.m. PDT through the Citi Entertainment program. For complete presale details, visit Citi Entertainment.

Katy who has amassed a cumulative 50 billion streams alongside worldwide sales of over 48 million adjusted albums and 135 million tracks is one of the founding headliners at Resorts World Las Vegas. the Strip’s new 3,500-room luxury destination, which opens June 24. The Theatre at Resorts World Las Vegas, a 5,000-capacity, world-class theatre will open its doors in November 2021 and is exclusively programmed and operated by Concerts West / AEG Presents. A joint development between Resorts World Las Vegas and AEG Presents, the multi-level venue will be home to Las Vegas’s largest and tallest performance stage, with the furthest seat only 150 feet from the stage.

Celebrating joy and resilience, Katy’s PLAY shows will echo the themes of her new album, SMILE, which the Los Angeles Times hailed as quintessentially Perry: buoyant, playful, neon pop. USA Today observed, Perry’s newfound joy and contentment come through on much of Smile, which contains some of her catchiest and most carefree songs since 2013’s Prism. Last week, Katy unveiled her collaboration for, Electric, which she recorded exclusively for Pokemon 25: The Album, which celebrates the 25th anniversary of Pokemon.

KATY PERRY UNVEILS NEW SINGLE AND VIDEO “ELECTRIC” IN COLLABORATION WITH POKEMON

Track Is From Pokemon 25: The Album Compilation, Set For Fall 2021 Release

Limited Edition Electric Merchandise Line Launches Today

View Music Video Here

Pokemon’s 25th-anniversary celebration continues with today’s release of iconic recording artist Katy Perry’s new single and video, Electric. Katy, whose love for all things Pokemon dates back to childhood, when she played the original video games on her Game Boy, created the track especially for Pokemon 25: The Album, which will be released this fall by Universal Music Group’s Capitol Records. There’s no reason that this life can’t be electric, sings Katy in the anthemic track, which celebrates the joy inherent in pursuing a dream, buoyed by the love and support of friends. Katy’s collaborators on the song include The Monsters & Strangerz and Jon Bellion who teamed up with her on Daisies, a song from her new album Smile and Bruce Weigner. Listen to Electric here.

The official video for Electric helmed by Carlos Lopez Estrada, who directed the Disney feature film Raya and the Last Dragon received a YouTube Premiere with a fan watch party earlier today. The clip follows Katy and Pikachu as they take time out to enjoy nature and reflect on how they have evolved over the years. After a day of exploring, the pair stop at a lighthouse to meditate. Falling into a reverie, they’re taken back in time to the earliest days of Katy’s career. Thanks to encouragement from her friend Pikachu, Katy goes from busking at a farmer’s market to her first club performance. View the video, which was shot in Hawaii, here.

When I visited the Pokemon Café 9; while touring Japan, I got so nostalgic. It took me back to my junior high years. So, when I got the call to be a part of the 25th anniversary celebration alongside Post Malone and J Balvin, I was elated, says Katy Perry. The song’s themes resilience, igniting your inner light have guided my life and also parallel Pokemon’s story and characters. Pikachu is the evolved form of Pichu, so in the video, you see the younger version of me with Pichu and myself in the present day with Pikachu. We both evolve yet retain a sense of playfulness.

Katy Perry has created a vibrant anthem to help us celebrate 25 years of Pokemon with Electric, an amazing song about recognizing one’s own journeys and evolving, said Colin Palmer, vice president of marketing, The Pokemon Company International. We also hope fans around the world enjoy seeing Pikachu team up with Katy in the music video for Electric’s which is a wonderful visual accompaniment to the inspirational song.

A playful Electric-themed merchandise collection was also unveiled today. Explore the offerings of the limited edition line here: Katy Perry Electric Merch . It’s all part of P25 Music, a massive, yearlong music campaign from The Pokemon Company International in partnership with Universal Music Group. Fans can keep up with the latest news for P25 Music and more celebrations across the franchise on Pokemon’s 25th anniversary website at Pokemon 25. The upcoming P25 Music compilation album can be pre-saved at Capital Records.

Post Image via Carey Cavaney for Blaze PR for use by 360 Magazine

Monster Energy × Post Malone

Monster Energy is giving 10 lucky grand prize winners an exclusive virtual fan experience with Post Malone and 15 first prize winners the new Xbox Series X console. Entries may be submitted now through August 31, 2021 by uploading Monster Energy receipts HERE.

“Monster Energy is excited to welcome Post Malone to our team,” said Monster Energy’s CMO Dan McHugh. “Post Malone is the perfect addition to our team of award-winning talent. We look forward to growing together through our partnership.”

At 25 years old, multi-platinum recording artist Post Malone has already had multiple No. 1’s on the Billboard charts and recently became the youngest artist in history to earn three RIAA Diamond Certified singles. This is on top of his nine Grammy nominations and nine American Music Awards including “Top Artist.”

“I am pumped to team up with Monster Energy and look forward to continuing to kick ass and having fun together,” said Malone.

Powered by the company’s unique energy blend, Monster Energy continues to fuel the music industry’s biggest names. For more information on Monster Energy, click HERE.

About Monster Energy

Based in Corona, California, Monster Energy is the leading marketer of energy drinks and alternative beverages. Refusing to acknowledge the traditional, Monster Energy supports the scene and sport. Whether motocross, off-road, NASCAR, MMA, BMX, surf, snowboard, ski, skateboard, or the rock and roll lifestyle, Monster Energy is a brand that believes in authenticity and the core of what its sports, athletes and musicians represent. More than a drink, it’s the way of life lived by music artists, athletes, sports, believers and fans.

D-Nice, 2 Chainz, Jack Harlow illustration by Heather Skovlund for 360 Magazine

D-Nice × 2 Chainz × Jack Harlow

D-NICE, 2 CHAINZ AND JACK HARLOW ANNOUNCED AS HEADLINE ACTS FOR THIS YEAR’S REIMAGINED ‘PREAKNESS LIVE’ AT PREAKNESS 146 ON SATURDAY, MAY 15th 

1/ST EXPERIENCE Celebrates the Return of Live Music with New Entertainment Experience Boasting a World-Class Lineup of Artists & Performers to Broadcast Live in Part on NBC During the Race Day Broadcast and on D-Nice’s #ClubQuarantine 

D-Nice’s #ClubQuarantine to Live Stream Second Screen JockeyCam Experience as Part of Preakness LIVE 

1/ST, owners of the legendary Preakness Stakes, together with 1/ST EXPERIENCE, leaders in blending the worlds of sports, entertainment and hospitality through uniquely curated events, announce Preakness LIVE, a wholly reimagined entertainment experience for Preakness 146.

Taking place on Saturday, May 15, Preakness LIVE will feature legendary DJ, D-NiceNAACP Image Awards Entertainer of The Year, 2 ChainzGrammy Award-winning rapper and 2020 breakout rapper Jack Harlow. Excerpts of Preakness LIVE performances will be shown on NBC during the live race day broadcast from 5:00 p.m. – 7:00 p.m. ET and live on D-Nice’s #ClubQuarantine Instagram. In addition to the live music excitement of Preakness LIVE, D-Nice’s #ClubQuarantine will live stream the Preakness 146 JockeyCam, a thrilling “second screen experience” that will give fans at home a real-time view of what it is like to be a jockey riding in the Preakness Stakes (G1). 

Says D-Nice, “”Performing at this year’s Preakness LIVE alongside 2 Chainz and Jack Harlow is a full circle moment.  Last year at this time, I was performing at the nation’s first full-scale, socially distant drive-in concert exclusively for frontline workers at 1/ST Preakness At Home’s Drive-InFieldFest. Now, we are able to come together live for my biggest in-person performance since the pandemic with Preakness LIVE, plus share the experience with my fans all over the world on my #ClubQuarantine Instagram. I’m excited to bring my energy and lift people’s spirits in this safe and socially-distant live experience.”

Last May during the pandemic, 1/ST EXPERIENCE reimagined the live entertainment experience with the nation’s first full-scale, socially distant drive-in concert, Drive-InFieldFest hosted by D-Nice exclusively for first responders as part of the 1/ST Preakness At Home livestream event. Now, the experience comes full circle with Preakness LIVE, an in-person concert headlined by D-NICE along with 2 Chainz and Jack Harlow. With the front rows reserved exclusively for first responders and frontline workers, Preakness LIVE will offer a safe, socially distant and more intimate live audience experiencing replacing, for this year, the tradition of InfieldFest. 

With standardized COVID-19 protocols in place, Preakness 146 weekend will host 10,000 fans for a socially distant entertainment event. Preakness LIVE will offer socially distanced pods for groups of eight to provide a unique and private concert viewing environment for concertgoers. To amplify the experience, food, drinks, merchandise and more will be accessible via mobile phone ordering and served directly to guests in their seated pods along with contactless wagering via the 1/ST BET app. 

Tickets for Preakness LIVE can be purchased online at Preakness beginning Wednesday, April 21. Pods are sold in packages of eight (8) between $360 – $2,000 (or $45 – $350 per person) depending on distance from the stage for the private viewing area. 

“This year has given us an opportunity to maximize our entertainment offering and reimagine the race day experience for fans utilizing our ample outdoor spaces,” said Jimmy VargasChief Executive Officer1/ST EXPERIENCE. “Sporting and music events around the world have evolved to address safety precautions surrounding COVID-19, and we are proud to again innovate world-class entertainment in a safe and comfortable environment, while using our digital capabilities to share the experience globally.” 

One of the most anticipated and celebrated annual sporting events, Preakness weekend features two-days of world-class Thoroughbred horse racing and entertainment. Past performers include Wyclef Jean, Kygo, Post Malone, Sam Hunt, Juice WRLD, the Chainsmokers, and many more top artists.

The year’s event will also feature elevated food and beverage concessions for Preakness 146, such as DIAGEO premium spirits brands, and official wine sponsors Kendall-Jackson and La Crema, who will be activating a pop-up wine tasting experience. 

Wagering on Preakness 146 can be enjoyed regardless of where fans are viewing the race day card with handicapping tools available on the 1/ST BET app. Part of the 1/ST TECHNOLOGY suite of handicapping and betting products, 1/ST BET is changing the game by delivering a user-friendly experience that suits everyone from the experienced horseplayer to the first-timer.