Posts tagged with "Taylor swift"

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

NOW That’s What I Call Music! Vol. 78 by Universal Music Group for use by 360 Magazine

NOW THAT’S WHAT I CALL MUSIC! New Releases

NOW THAT’S WHAT I CALL MUSIC! PRESENTS TODAY’S TOP HITS ON ‘NOW THAT’S WHAT I CALL MUSIC! Vol. 78′

Celebrate The Best Of The 90s With ‘NOW That’s What I Call A Decade! 1990s’

NOW That’s What I Call Music!, the world’s bestselling multiple-artist album series, showcases today’s biggest hits across chart-topping numbered volumes and themed releases. NOW’s latest numbered volume, NOW That’s What I Call Music! Vol. 78, will be released April 30 on CD and digitally. On the same date, NOW That’s What I Call A Decade! 1990s will also be available on CD and digitally.

Preorder NOW:

NOW That’s What I Call Music! Vol. 78 (CD, Digital)

NOW That’s What I Call A Decade! 1990s (CD, Digital)

‘NOW 78’ features 16 major current hits from today’s hottest artists, including Olivia Rodrigo’s “drivers license,” Taylor Swift’s “willow,” Ariana Grande’s “34+35,” SZA’s “Good Days,” tracks from The Weeknd, Glass Animals, Miley Cyrus, Dua Lipa, and more. Each numeric NOW release also features “NOW Presents What’s Next” bonus tracks, previewing tomorrow’s biggest hits; NOW 78 features 7 hot new tracks from Mimi Webb, Leyla Blue, Tone Stith, Peach PRC, Camino, Twin XL and a special bonus track from new K-pop stars TRI.BE.

Check out the album trailer HERE

NOW That’s What I Call A Decade! 1990s celebrates 1990-1999 with 18 of the decade’s biggest chart-topping hits, including Aerosmith’s “I Don’t Want To Miss A Thing,” Lenny Kravitz’s “American Woman,” Mariah Carey’s “Vision Of Love,” Sheryl Crow’s “All I Wanna Do” and Smash Mouth’s “All Star.”

NOW That’s What I Call Music! debuted in the U.S. in 1998, following 15 years of multi-platinum international triumph. The series has sold more than 250 million albums worldwide, topping 104 million in the U.S. alone. 68 previous releases in NOW’s numeric U.S. series have reached Billboard’s Top 10, and 19 volumes have reached Number One.

NOW That’s What I Call Music! is a joint venture from Universal Music Group and Sony Music Entertainment. NOW and NOW That’s What I Call Music! are registered trademarks of Universal Music Group and its affiliates.

NOW That’s What I Call Music! is the soundtrack to your life, available everywhere you are.

NOW That’s What I Call Music! Vol. 78

1. Olivia Rodrigo drivers license
2. Justin Bieber & benny blanco Lonely
3. Taylor Swift Willow
4. Ariana Grande 34+35
5. Dua Lipa We’re Good
6. Ava Max My Head & My Heart
7. The Weeknd Save Your Tears
8. Jason Derulo Take You Dancing
9. Miley Cyrus ft. Dua Lipa Prisoner
10. Doja Cat Streets
11. SZA Good Days
12 Machine Gun Kelly ft. blackbear my ex’s best friend
13. The Kid LAROI WITHOUT YOU
14. CJ Whoopty
15. Glass Animals Heat Waves
16. Luke Combs Better Together

NOW Presents What’s Next:

17. Mimi Webb Reasons
18. Leyla Blue What A Shame
19. Tone Stith Devotion
20. Peach PRC Josh
21. Camino Burning Fire
22. Twin XL Slow Heart
23. TRI.BE DOOM DOOM TA

NOW That’s What I Call A Decade! 1990s

1. Mariah Carey Vision Of Love
2. Sheryl Crow All I Wanna Do
3. Blind Melon No Rain
4. New Radicals You Get What You Give
5. Lenny Kravitz American Woman
6. Spin Doctors Little Miss Can’t Be Wrong
7. Smash Mouth All Star
8. Britney Spears …Baby One More Time
9. Will Smith Gettin’ Jiggy Wit It
10. Montell Jordan This Is How We Do It
11. Boyz II Men I’ll Make Love To You
12 Whitney Houston I Will Always Love You
13. All 4 One I Swear
14. Aerosmith I Don’t Want To Miss A Thing
15. Wilson Phillips Hold On
16. Joan Osborne One Of Us
17. Blues Traveler Runaround
18. Sublime What I Got

NOW That’s What I Call A Decade! 1990s by Universal Music Group for use by 360 Magazine

Taylor Swift illustration by Heather Skovlund (Photo Credit: Kevin C. Winter) for 360 Magazine

TAYLOR SWIFT – ALBUM OF THE YEAR

Taylor Swift Wins Album of the Year at Grammys

Taylor Swift × Disney+

Taylor’s announcement video on Twitter and Instagram

Watch Trailer HERE

Taylor Swift, Aaron Dessner (The National), Jack Antonoff (Bleachers) and Justin Vernon (Bon Iver) created an album that crossed genres — a musical journey that allows us to cry and laugh, and during these trying times, makes us feel like we’re not quite so alone. They recorded “folklore” thousands of miles apart from each other and had never been in the same room together…

…until now

“folklore: the long pond studio sessions” was filmed in upstate New York in September 2020 and will premiere exclusively on Disney+ on Wednesday, November 25, at 12:01AM PT. Taylor, accompanied by co-producers Aaron Dessner and Jack Antonoff along with a guest appearance by Justin Vernon (Bon Iver), performs each song in order of her critically adored, five star album, “folklore” and for the very first time, reveals the stories and secrets behind all 17 songs.

“folklore: the long pond studio sessions” was directed by Taylor Swift and filmed on 6 x Lumix S1H mirrorless cameras with Leica lenses embedded in the studio, along with a one Alexa LF with an Angenieux 24-290 on a Furio robotic camera with 30+ feet of curved track.

Twitter: @DisneyPlus

Instagram: @DisneyPlus

Facebook: @DisneyPlus

About Disney+

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. As part of Disney’s Media and Entertainment Distribution segment, Disney+ is available on most internet-connected devices and offers commercial-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content. Alongside unprecedented access to Disney’s incredible library of film and television entertainment, the service is also the exclusive streaming home for the latest releases from The Walt Disney Studios. Disney+ is available as part of a bundle offer that gives subscribers access to Disney+, Hulu (ad-supported), and ESPN+. Visit DisneyPlus.com to subscribe and/or learn more about the service.

TAYLOR SWIFT RELEASES FEARLESS (TAYLOR’S VERSION) ALBUM 

LISTEN HERE 

Today Taylor Swift released Fearless (Taylor’s Version).

The 27-track album of new recordings was produced by Taylor Swift, Chris Rowe, Aaron Dessner and Jack Antonoff and features musical collaborations with Colbie Caillat, Keith Urban and Maren Morris.

Fearless (Taylor’s Version) includes six never before released songs, including “Mr. Perfectly Fine” and “You All Over Me (Taylor’s Version)” featuring Maren Morris, which marks Taylor’s 130th Billboard Hot 100.  Taylor Swift now has the most entries in the Billboard Hot 100 of any female artist in history.

Taylor Swift released her second studio album, Fearless in 2008. It is the most awarded Country album of all time and received GRAMMY’s most prestigious accolade, Album of The Year Award in 2010. Taylor is the only female artist ever to have been honored in this category three times (Fearless1989 and folklore).

Fearless (Taylor’s Version) tracklisting

  1. Fearless (Taylor’s Version)
  2. Fifteen (Taylor’s Version)
  3. Love Story (Taylor’s Version)
  4. Hey Stephen (Taylor’s Version)
  5. White Horse (Taylor’s Version)
  6. You Belong with Me (Taylor’s Version)
  7. Breathe (Taylor’s Version) Featuring Colbie Caillat
  8. Tell Me Why (Taylor’s Version)
  9. You’re Not Sorry (Taylor’s Version)
  10. The Way I Loved You (Taylor’s Version)
  11. Forever & Always (Taylor’s Version)
  12. The Best Day (Taylor’s Version)
  13. Change (Taylor’s Version)
  14. Jump Then Fall (Taylor’s Version)
  15. Untouchable (Taylor’s Version)
  16. Forever & Always (Piano Version) (Taylor’s Version)
  17. Come in with the Rain (Taylor’s Version)
  18. Superstar (Taylor’s Version)
  19. The Other Side of the Door (Taylor’s Version)
  20. Today Was a Fairytale (Taylor’s Version)
  21. You All Over Me (from the Vault) Featuring Maren Morris
  22. Mr. Perfectly Fine (from the Vault)
  23. We Were Happy (from the Vault)
  24. That’s When (from the Vault) Featuring Keith Urban
  25. Don’t You (from the Vault)
  26. Bye Bye Baby (from the Vault)
  27. Bonus Track: Love Story (Taylor’s Version) – Elvira Remix
Taylor Swift illustration for 360 magazine

Taylor Swift Achieves 12 New RIAA Certifications

Taylor Swift has garnered a total of 12 new certifications from the RIAA. Among them, her critically-acclaimed, 5 star 2020 album, folklore, has achieved gold and now certified platinum status.

The new album, folklore arrived this summer and quickly gained widespread acclaim and major audience excitement. It rapidly became the top-selling record of 2020 worldwide and is the only album this year to cross 1 million albums in pure sales in the U.S. 

Swift notably completed “the longest consecutive run at number one since 2016” by acquiring six straight weeks at the top of the Billboard 200 chart. Additionally, folklore returns to number one this week on the Billboard 200 chart, reaching eight nonconsecutive weeks at the top of the chart. What’s even more notable, Taylor has achieved 48 cumulative weeks at number one across all of her chart-topping albums which marks a record among women artists. 

Other RIAA certifications include “You Need To Calm Down” which minted triple-platinum, platinum, and gold and “The Man” which is certified gold and platinum. Her song “Me,” featuring Brendon Urie of Panic! At The Disco, is now double-platinum. Additionally, the single “Lover” picked up gold, platinum, and double-platinum certifications.

Taylor stands out as the only artist to have seven albums each sell at least 500,000 copies in a single week. Her albums, Fearless, Speak Now, RED, 1989, reputation, Lover and folklore, have all been a stellar success. Plus, she remains the first and only female artist in the 21st century to score five number one studio albums in the UK. 

Folklore is the ten-time GRAMMY® Award-winning, record-breaking superstar’s eighth album and we can’t wait to see what the future holds for Swift. 

Taylor Swift illustration done by Mina Tocalini of 360 MAGAZINE.

Taylor Swift Makes History

Taylor Swift continues to make history time and time again. As her 5 star album folklore debuts at #1 on the Billboard Top 200 this week with over 846k equivalent albums making her the only artist in history to have 7 albums sell half a million copies of a studio album in a week. This marks Taylor’s seventh consecutive #1 entry on the Top 200 and 6th consecutive studio album with over 800,000 albums in the first week folklore stands out as the top selling album of 2020 with global sales over 2 million worldwide and over half a billion total streams on audio and video in just one week. What’s even more impressive, it is the biggest album debut by an artist since Taylor Swift last released her award-winning album, Lover, just 11 months ago! On top of this, folkore has achieved “the longest consecutive run at #1 since 2016” with six straight weeks atop the Billboard 200. 

Additional stats on the release of folklore below:

USA

  • #1 Billboard 200 debut with over 846,000 albums first week
  • #1 Billboard Alternative Album
  • Biggest first week album of 2020 and since Lover in 2019
  • Biggest female album streaming debut of 2020 with over 300M audio+video streams
  • Biggest first week album streams of Taylor’s career
  • Taylor’s 6th consecutive album with over 800,000 copies in the first week
  • Only artist in history with 7 albums to sell at least 500,000 copies in a single week
  • Debuted Top 16 songs on Spotify US Daily Top 200 chart
  • cardigan” #1 iTunes Song
  • cardigan” #1 Spotify Top 200 Song
  • cardigan” #1 YouTube Trending Video

GLOBAL

  • 2M album equivalents sold globally first week
  • Over half a billion audio + video streams first week
  • 1.3M album equivalents sold globally first day
  • 740K albums sold in China, biggest first week since Lover
  • Taylor holds the Top 2 album debuts by a Western artist in China
  • #1 iTunes Album in 85+ countries
  • Biggest female album debut of 2020 in the UK
  • Biggest female album streaming debut of 2020 in the UK
  • Biggest first week album streams of Taylor’s career in the UK
  • First and only artist in 21st century to score five #1 studio albums in the UK
  • Set record for Spotify first day female album global streams (80.6M)
  • Set record for Apple Music 24 hour Pop album streams (35.47M)
  • Set record for Amazon Music Indie Alternative album first day US and Global streams
  • Debuted Top 5 songs on Spotify Global Daily Top 200 chart
  • cardigan” debuted #1 Spotify Global Top 200 chart
  • cardigan” had the most Spotify Global Daily Streams of 2020 (7.74M)
  • cardigan” #1 Apple Music Top 100: Global Songs chart
  • cardigan” added to BBC Radio 1 A-List (UK)
  • exile” feat. Bon Iver Triple J Radio airplay (Australia)
  • folklore debuted at #1 on the ARIA Albums Chart claiming the highest Week 1 album consumption of 2020
  • folklore is Taylor Swift’s 6th #1 ARIA Album
  • folklore officially claims the biggest selling week 1 release in Ireland of 2020
  • Taylor Swift becomes the only female solo artist with the most Official Irish Albums Chart Number 1s this millennium
image by VEVA SOUND featured in 360 MAGAZINE

Protect Music Credits with VEVA Sound

When a violinist in lockdown because of the pandemic was asked to compose music for a secret project, the agreeable musician went to work, even though he had no idea where the finished product would turn up.

As it happened, he was working on Taylor Swift’s new Folklore album – and his name and contribution appeared appropriately in the album’s liner notes.

Someone, clearly, was keeping proper records to make sure credit went where credit was due.

That’s not always the case in the music world, though. Efforts to store recording files and credit notes can be at times haphazard, leaving some musicians and songwriters to learn too late that their hard work went unrecognized and uncredited, says Deborah Fairchild, president of Nashville-based VEVA Sound (www.vevasound.com), which verifies and archives projects for clients in the music industry.

“The bottom line is that without accurate credits, you cannot be paid for your participation in any project,” she says.

Whether musicians are in a studio or sitting on the sofa at home during the pandemic, they need to make sure careful documentation is kept of what they write and record, and that the documentation is safely stored, Fairchild says.

“As the industry evolves in this new normal, remote recording has become more of a trend,” Fairchild says. “That makes it perhaps more important than ever that everyone who creates music should have a streamlined way to ensure that their credits are accurate and their files are safe at every stage of the creative process.”

VEVA Sound, through its VEVA Collect platform, is one of the companies that provides a way for those credits to be collected and stored. In addition, VEVA Collect allows those musicians to safely share unreleased work with collaborators by providing storage for such files as sound demos and mixed-and-mastered projects.

“When people hear music, they probably think mainly about the performer,” Fairchild says. “But lots of people can be involved in a project, whether it’s a performer, songwriter, producer, or engineer, and all of them should want to ensure that their credits are accurately submitted at the session level.”

Because credits are valuable – on occasion worth millions of dollars – they can become the subject of major conflicts when someone feels their contributions to a project aren’t duly noted. Sometimes the disagreements end up in court, where the legal system must try to untangle competing claims about who deserves credit and who does not.

This year, Post Malone found himself in a legal battle over whether another songwriter deserved a writing credit on one of Malone’s songs. The songwriter said yes, Malone said no. Just recently, a judge dismissed a lawsuit in which two songwriters claimed they deserved credit on singer and rapper Lizzo’s hit song “Truth Hurts.”

Fairchild says one mistake often made in the collecting and storing process is waiting until after the fact to compile the credits, which creates the risk that someone’s contribution will be left out.

“We believe the best way to manage the nightmare of file and credit management is to collect the information at the time you are creating, whether you are writing a song or making a recording,” she says. “If there is a process in place to easily collect files and credits from the beginning of a project, the chances of inaccurate credits or missing files decreases drastically.”

About Deborah Fairchild

Deborah Fairchild, president of VEVA Sound (www.vevasound.com), started her career with the company as an archival engineer in 2004. In the past 16 years she has risen to lead the company in all facets of the business. She has grown VEVA into a global entity servicing major labels in North America and Europe, establishing offices in New York, Los Angeles, and London in addition to the company’s headquarters in Nashville. Fairchild has kept VEVA at the forefront of technology and continues to evolve and adapt VEVA’s services and technology to assist the needs of their extensive client base. She advises many label executives, producers, engineers and artists seeking archival and asset management solutions.

Vice President of VEVA Sound, Casey Taylor, feature for 360 Magazine

VEVA Sound × Music Collaboration

Why it’s more important than ever that musicians get credit for their work

By Casey Taylor Vice President of VEVA Sound

If you have the hobby of collecting records, then you’ve probably spent time perusing album liners; you’ve learned all about who played drums on or who produced each track on an album. There was a time when even non-audiophiles would appreciate the collective talent which brought a piece to fruition.

The most valuable asset any person in the entertainment industry can have is a platform. As with everything, the more things change the more they stay the same. Now, everyone has the ability to promote their work on social channels. Fans follow producers, musicians, or engineers on social platforms and have the opportunity to be exposed to their work on projects outside of the mainstream.

But what happens when someone hears a new song in a playlist and wants to know more about it? Streaming platforms are rolling out features which allow listeners to view complete creator credits. This is important because someone might find that a certain producer made music with other artists they would enjoy. And as the producer, he/she/they may bring more value to a production as more and more people follow their work.

In order to have your credits included wherever music is distributed, it’s important to understand how credits are collected. The best way to ensure that your credits are accurate, is to collect them as the music is being created – to keep accurate records of everyone who worked on a project. That’s why we developed VEVA Collect – to empower creators to Collect While You Create™.

Of course, the added benefit to accurate credits is that they are the only way to get paid for your work on any song or recording. But what about the work that you do on projects that may not experience large-scale commercial success? It’s equally important. The bottom line: no matter what work you do, you should make sure you get credit for your work.

As the technological landscape changes, the way that people find music is going to transform as well. It’s hard to remember the time before streaming platform recommendations when you had to listen to terrestrial radio or buy compilation albums (any of my 90s friends remember NOW That’s What I Call Music!?). Coming soon are the days when we will be able to say “Hey Siri, play every song where Shelly Fairchild sang background,” or “Alexa, play every song Reid Shippen has mixed.”

Every evolution in the way music is consumed is driven by data. As important as your follower count and engagement numbers, make sure you’re listed in the credits, so that the community can continue to find you in new ways.

About Casey Taylor

Casey Taylor is Vice President at VEVA Sound. Leading teams in London, New York, Nashville, and Los Angeles, Casey has productized validation, verification, and archival services to expand VEVA Sound’s reach into live recordings, legacy collections, and back-catalogs. His initiatives have contributed to future-proofing the work of artists from Johnny Cash to Jason Isbell; Garth Brooks to Taylor Swift. For nearly 20 years, since his first job as a PA on a local television show, Casey has worked in all facets of the industry spanning multiple disciplines. He has seen firsthand the importance of creatives getting credit for their work: whether it’s a fiddle player on a regionally known album, or an artist on the Billboard Hot 100. Casey is a member of the Music Business Association and a contributor to the MusicBiz Metadata Summit. He also leads the Advisory Committee for VEVA Collect, VEVA Sound’s newest cloud-based platform for music creators everywhere.

BabyJake – Head In The Clouds

Today, singer, songwriter BabyJake gifts fans with his new single, “Head In The Clouds,” taken from his debut EP, Don’t give me problems, give me wine, out this Friday—listen HERE and watch the visual HERE!

On the bouncy, jangly “Head in the Clouds,” BabyJake explores the hidden weight of emotional escape, juxtaposing bright guitarwork against moody lyrics about self-defeat and the pitfalls of depression and avoidance. Of the song, he says, “I’m always late. I have a hard time focusing. My mind is always somewhere else. ‘Head In The Clouds’ is about that…my daily struggles.”

Head In The Clouds” follows BabyJake’s breakout singles, “Confidant,” “Blue Cellophane” and “MadHappySad,” as well as his collaborations with Dillon Francis, “You Do You” and “Touch,” released earlier this spring. Stay tuned for Don’t give me problems, give me wine out this Friday!

ABOUT BABYJAKE

Jake Herring, the artist who records as BabyJake, has a complicated relationship with music. Growing up in Fort Meyers, Florida, Herring first picked up the guitar when he was eight years old. By the time he was in high school, he was juggling a deep, somewhat private love of music with genuine enthusiasm for sports and partying with his friends. He didn’t feel like he fit in in any specific social group, and soon felt alienated. For solace, Herring turned to his dad’s folk records, favoring the low-key contemplative sounds that resonated with the sense of alienation that he was feeling. Though he maybe wasn’t conscious of it at the time, Herring was priming himself to be a sort of musical chameleon. Well versed in the building blocks of rock music, the intimacy of folk, and with an innate understanding of the rap and pop music he grew up around, he was constructing a well of disparate influences to draw from when he eventually made a serious go at a music career. After his freshman year of college, Herring dropped out and started writing songs as often as he could, debuting as BabyJake in 2019 with his viral single “Cigarettes on Patios,” which has accumulated over 35 million streams to date. Before too long, he had his first official body of work, which quickly evolved into a multifaceted career that currently involves a record label called daycare with an added merch/streetwear line and a budding career penning and producing songs with other artists. His seven-song debut EP, Don’t give me problems, give me wine, feels like the result of an artist older than his years, someone who has lived recklessly and loved hard and is ready to put it all on record.

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd, Zendaya and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (J Balvin and Karol G) and Hollywood Records. In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Follow BabyJake: Instagram | Twitter | Facebook

Taylor Swift illustration done by Mina Tocalini of 360 MAGAZINE.

Taylor Swift – Folklore

By Eamonn Burke

Taylor Swift‘s surprise album “Folklore” exceeds 1.3 Million Sold Globally in 24 Hours. She announced its release to fans on Instagram in a chain of posts, describing how “Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen.”

In under 24 hours, Taylor Swift’s 5 Star album folklore sold over 1.3 million copies around the world. It also shattered “the global record for first-day album streams on Spotify by a female artist” with 80.6 million streams and delivered “the most-streamed pop album on Apple Music in 24 hours” with 35.47M streams. Additionally, folklore set the U.S. and Worldwide Amazon Music Indie/Alternative Streaming Record.

Folklore sets spotify global record for first day album streams by a female artist with 80.6M.

Folklore sets record as the most streamed pop album on Apple Music in
24 Hours with 35.47M

Folklore sets U.S. and worldwide Amazon Music indie/alternative streaming record

Folklore is the ten-time GRAMMY® Award-winning, record-breaking superstar’s eighth album. folklore arrives as Taylor’s highest rated critically acclaimed album on Metacritic, currently ranked 96.5.

“Before this year I probably would’ve overthought when to release this music at the “perfect” time, but the times we’re living in keep reminding me that nothing is guaranteed,” said Taylor.

This spectacular 16-song album was produced by Aaron Dessner, Jack Antonoff and Taylor Swift and features a musical collaboration with Bon Iver. Vinyl, CD and Cassette editions of the album will feature one bonus track.

“Cardigan” – the first official single release from folklore – is also released today. It is written by Taylor Swift and Aaron Dessner and produced by Aaron Dessner. The accompanying music video was directed by Taylor Swift.

Though Swift was initially unsure about the release of the album, she says she came to realize that if “My gut is telling me that if you make something you love, you should just put it out into the world.” Country singer turned pop star, Taylor Swift has had a long history of feuds and drama, but it appears she is putting that behind her on this album, as she did on her 2019 album “Lover.” “I’ve poured all of my whims, dreams, fears,and musings into (the album)” she says.

“Folklore” Track List

“The 1″

“Cardigan”

“The Last Great American Dynasty”

“Exile” (featuring Bon Iver)

“My Tears Ricochet”

“Mirrorball”

“Seven”

“August”

“This is Me Trying”

“Illicit Affairs”

“Invisible String”

“Mad Woman”

“Epiphany”

“Betty”

“Peace”

“Hoax”

“The Lakes” (Bonus Track)

Follow Taylor Swift: Facebook | Instagram | Twitter | YouTube

Alec King – Weekends

Buzzing Los Angeles-based artist Alec King releases his new video “Weekends” today via The Heavy Group/Republic Records.

Watch “Weekends” HERE.

Who doesn’t like dogs? Alec King’s latest video pulls at our heartstrings as he chills under a tree in a dog park (socially distancing, of course). Between leafing through a diary, Alec plays with various pups—some of whom remain six feet away from him. The scene underscores confessional rhymes and a catchy chorus, reflecting on the boredom of the moment and trying to get over a breakup.

“Weekends” follows the video release of “Way Up” and his song “Dangerous,” which received heavy radio support in his hometown of Denver and 2 million streams in a few months. At the end of last year, Alec King went on his debut US tour with diva on the rise Kiana Ledé. He performed to sold-out venues, including Los Angeles, Chicago, New York, Washington DC and more, winning the crowd over with his infectious charm, incredible stage presence, and catchy songs.

Is there any line this guy won’t cross? Alec King is the kind of dude who rips bars about Wisconsin and god-awful ex-girlfriends with the same passion. He considers Curb Your Enthusiasm his “Torah.” He jumps into bathtubs with Porn Stars in music videos that he directs himself. He even went so far as to name his official debut EP, Greatest Hits, Vol. 1, and its successor, Greatest Hits, Vol. 2 (he backed up the latter with some heat). On the ‘gram, you’re just as likely to catch him in the shower as you are to catch him coloring with sidewalk chalk. This sort of personality endeared him to fans and peers alike. Posting up 10 million-plus streams under-the-radar and attracting acclaim from Dancing Astronaut, he has collaborated with legends such as Biz Markie and modern stars a la Rich The Kid and Kiana Ledé. Not to mention, he did all of this D.I.Y. primarily relying on an in-house team. In 2020, he floods the game with a series of singles and more surprises.

Follow Alec King: Instagram | Twitter | Facebook | YouTube | Spotify

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.