Posts tagged with "The New Yorker"

Death of Classical - PUBLIQuartet Freedom & Faith, credit Kevin Condon 6 via Olivia Rainoff at Unison Media for use by 360 Magazine

PUBLIQuartet Freedom and Faith Performance

Death of Classical will continue its third season of The Angel’s Share this August, with the innovative PUBLIQuartet performing in the Catacombs of The Green-Wood Cemetery on August 4, 6, and 7. The Angel’s Share is the Death of Classical’s second concert series, curated by the creator, curator, and leader of the series, Andrew Ousley, in partnership with Green-Wood. The perform will take place in the Catacombs of The Green-Wood Cemetary in Brooklyn, New York City.

The quartet will perform a program inspired by its GRAMMY-nominated 2019 album Freedom and Faith, featuring works that celebrate women composers through the ages, and explore ideas of spirituality, resilience, and inspiration.

Performances of Freedom and Faith will take place over the course of three evenings, with two performances per night, and include music by Nina Simone, Ella Fitzgerald, Jessie Montgomery, Hildegard von Bingen, as well as original MIND THE GAP compositions by PUBLIQuartet.

The innovative, barrier-breaking string quartet performs a program inspired by its GRAMMY-nominated album Freedom and Faith, featuring music that celebrates women composers through the ages, and explores ideas of spirituality, resilience, and inspiration.

The ensemble is innovating the performance of classic music and opera by incorporating free-flowing improvisational instrumentation and group compositions into their exhibitions. Death of Classical represents a modern take on timeless classic compositions by giving a voice to emerging performers and underrepresented composers. While many people say “Classical Music is Dead,” this group’s revitalized take on classical music allows for the group’s performances to reach new, younger, unexpected audiences then ever before. With their innovative and exciting twist on the performing arts, Death of Classic is reviving a passion for the genre.

Concerts feature works by Nina Simone, Ella Fitzgerald, Jessie Montgomery, Hildegard von Bingen, and original MIND THE GAP compositions by PUBLIQuartet.

Each performance includes a pre-concert reception with a whiskey tasting overlooking the Manhattan skyline and harbor at sunset, with distilleries including Madre Mezcal, Appalachian Gap Distillery, Ume Plum Liqueur, and more

The Angel’s Share series takes its name from the distiller’s term for whiskey that evaporates while maturing in the barrel, thus going to the angels. Accordingly, the live concert events on August 4, 6, and 7 will open with a spirits tasting, with distilleries including Madre MezcalAppalachian Gap DistilleryUme Plum Liqueur, and more. The Angel’s Share is curated by Andrew Ousley and co-presented by Death of Classical and The Green-Wood Historic Fund.

Listing Info

August 4, 6 & 7, 2021 at 6:00PM and 7:30PM
PUBLIQuartet: “Freedom and Faith
Live at The Green-Wood Cemetery

JESSICA MEYER: Get into the Now (2017)
The Pull
Years of In Me
Go Big or Go Home

MIND | THE | GAP: Sancta Femina *
HILDEGARD VON BINGEN: O ignee Spiritus
FRANCESCA CACCINI: Regina caeli laetare Alleluia
CHIARA MARGARITA COZZOLANI: O quam suavis est Domine spiritus tuus

MIND | THE | GAP: Ella! & Nina! *
VAN ALEXANDER: A Tisket a Tasket
NINA SIMONE/HERB SACKER : Blackbird
LESLIE BRICUSSE/ANTHONY NEWLEY:  Feelin’ Good
NINA SIMONE/WELDON IRVINE: Young Gifted and Black
NINA SIMONE: Mississippi Goddam

‍*Arr. Gookin, Norpoth, Revel, Stewart 2017-2018

Performers:

PUBLIQuartet
Curtis Stewart, violin
Jannina Norpoth, violin
Nick Revel, viola
Hamilton Berry, cello

About PUBLIQuartet

Applauded by The Washington Post as “a perfect encapsulation of today’s trends in chamber music,” and by The New Yorker as “independent-minded,” the GRAMMY nominated PUBLIQuartet’s modern interpretation of chamber music makes them one of the most dynamic artists of their generation.  Dedicated to presenting new works for string quartet, PUBLIQuartet rose on the music scene as winner of the 2013 Concert Artists Guild’s New Music/New Places award, and in 2019 garnered Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music.  PQ’s genre-bending programs range from 20th century masterworks to newly commissioned pieces, alongside re-imaginations of classical works featuring open-form improvisations that expand the techniques and aesthetic of the traditional string quartet.

Death of Classical - PUBLIQuartet Freedom & Faith, credit Kevin Condon 6 via Olivia Rainoff at Unison Media for use by 360 Magazine

Cartooning While Black cartoon via Will Brierly for use by 360 Magazine

Cartooning While Black Gallery Exhibit

Black cartoonists from The New Yorker present their work at the Cartooning While Black Gallery Exhibit at ChaShaMa.

Chashama and Art To Ware present Cartooning While Black, a preview of the art from the upcoming One Idea Press title release, The Anti-Racism Activity Book. Art from the volume, written and illustrated by cartoonist and comedian Victor Varnado, will be shown alongside fellow black New Yorker cartoonists, Yasin OsmanAkeem S Roberts, and Jerald Lewis II. This exhibition is curated by Rebecca Mills.

LOCATION: ChaShaMa Gallery, 320 West 23rd Street, NY, NY

WHEN: Thursday, July 15, 2021, to Thursday, August 5th.

The Anti-Racism Activity Book is a social satire created in the style of a children’s puzzle and coloring book. The exhibit will feature crosswords, word finds, and other nostalgic activity book throwbacks, combined with original cartooning work from Varnado, all using humor to illustrate how dumb racism is.

“Traditionally, very few black cartoonists have appeared in the New Yorker, but recent efforts by the magazine and the cartoon editor Emma Allen have made an exhibit like this possible,” said Jason Chatfield, president of The National Cartoonists Society and New Yorker cartoonist.

“Yasin Osman, Akeem S Roberts, Jerald Lewis II, and Victor Varnado’s illustrative works shown together in the same exhibit will be the first time such a presentation has ever happened,” he added.

As a comedian, Victor Varnado has appeared on Late Night With Conan O’Brien and Jimmy Kimmel Live. His writing and cartooning work have been showcased in MAD magazineVICEMarvel Comics and Salon. Varnado was born legally blind and is albinistic. His New Yorker cartoon created in response to the national unrest following the murder of George Floyd at the hands of Minneapolis police was one of the magazine’s most engaging pieces of content in 2020. Like Floyd, Victor also grew up in Minneapolis.

Heather Skovlund Music illustration for 360 Magazine

Stunna Girl – 10 Times

Heating up summer to a boiling point, buzzing Sacramento, California rapper and #RunwayChallenge queen Stunna Girl reveals the music video for “10 Times” today. Watch it here. It stands out as the latest single from her 2021 mixtape, Stunna This Stunna That, out now. Get it here via Epic Records.

Once again, she delivers another striking visual. Donning a series of colorful looks and upping her fashion game (as always), she raps with a combination of undeniable charisma and formidable presence, lighting up the camera. Each line hits hard as she commands, “If you gonna talk to me, then talk dirty,” before reminding, “10 times out of 10, I’m that bitch…10 times out of 10, I look better than my pics.” Of course, a trio of judges rank her performance with “10’s” across the board! The video directed by Azzie Scott, is the perfect kick off to summer as it intercuts one captivating colorful vignette after another.

Right out of the gate, Stunna This Stunna That earned critical acclaim. HotNewHipHop raved, “It’s a 12-track project filled with bangers from top to bottom,” and she sat down with Hip Hop Wired for an extensive interview. LA Weekly predicted Stunna This Stunna That “should see Stunna Girl’s already blossoming profile go up another level in 2021.”

Get ready for more soon!

Her rapid-fire flows, head-turning bars, and endless attitude drive Stunna This Stunna That at high speed. On the project, “Ask About Me” couples an unshakable chant with punchy verses over throwback production. She lives up to the title of “Unfuckwittable” by tearing through a bass-y beat with no apologies. “No Real Bitches Left” affirms her outlier status, while the melodic conclusion “Where You Belong” illuminates her vocal range.

Check out the full track listing below.

She capped off a breakout 2020 with “Rotation.” Not only did it generate just shy of 1 million total streams and views, but it also received critical acclaim. FLAUNT Magazine raved, “Stunna Girl is the definition of a bad bitch who’s ready to take over the rap game single-handedly.”

She dropped a succession of bangers last year. “Runway” clocked 31 million Spotify streams and sparked the #RUNWAYCHALLENGE with nearly 4 million Tik Tok creates. “Like I Said Tho” and “Lil Boy Cash” increased her momentum, while “Rotation (Game Mix)” graced the Madden 2K21 Official Soundtrack.

Stay tuned for a lot more from Stunna Girl.

Track Listing:

 Still Smoke

Ask About Me

Fucking Up The Game

Ride

Unfuckwittable

10 Times

Can’t Choose

Catch Me At The Bank

Two Tone

Stunna This Stunna That

No Real Bitches Left

Where You Belong

About Stunna Girl:

Dripping with attitude and ready to inspire confidence, Stunna Girl is ready for her close-up. “I want you to get off the wall. Don’t just stand there to stand there!” The singer created a viral frenzy for her 2019 style anthem, “Runway.” After releasing a project independently and inking a deal with Epic Records, she is inevitably poised to be one of Hip-Hop’s most anticipated voices of the new decade. “I’m a threat!” she promises.

Born and raised in Northern California, music offered a refuge from a tragic home life. After dealing with a tough upbringing, which saw her having to balance family problems with her own, she knew that she could draw upon her life experiences as creative fuel. Stunna Girl came out of the other side with a newfound sense of confidence and focus, diving headfirst into fulfilling her long standing musical dream. In 2019, she became a major player in the local Sacramento music scene and made waves with her independent debut album, YKWTFGO. When the #RunwayChallenge organically exploded on TikTok, she inspired a viral movement facilitated by millions of videos by fans and influencers such as Nikita Dragun, and more. The song proved so gripping that by the end of the year, TikTok proclaimed her as the fourth top artist on the platform for the year, behind only Lil Nas X, Mariah Carey and Lizzo.

Her nimble raps, fearless rhymes, and unapologetic spirit went on to receive attention from TIME, BuzzFeed, The New Yorker, Teen Vogue and more with Pitchfork saying that there is “no question that women especially may find her confidence genuinely empowering.”

As she told Genius for their coveted Verified series, she free-styled “Runway” in 30 minutes with the intention of creating a motivational anthem. “When I was in the studio, that’s how I felt. Like, ‘Bitch, you look like you’re fresh off the runway. I really just wanted to keep making music that got people to move.” Now, with her major label debut EP on the way, she’s about to shine like never before in 2020.

Miles Hyman, Crash #23 - Crestline, 2021, Oil on linen, 45 x 63.75 inches for use by 360 Magazine

Miles Hyman – Narrative Images

On view: May 13 – June 26, 2021 | Opening: May 13, 11 AM to 9 PM

Philippe Labaune Gallery is pleased to present Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13 from 11 am to 9 pm.

The exhibition presents two painting series, Crash and East Coast Light. In the ongoing painting series, Crash, Hyman creates imaginative dichotomies of figure and landscape. An elusive, potentially quixotic relationship forms between female characters seemingly unfixed in time, with similarly enigmatic vehicle wreckage behind them. The characters at times appear to be plucked from other worlds, while others seemingly have a more direct tie to the dramatic scene appearing over their shoulder.

Within East Coast Light, a suite of paintings depicts fictional characters at various locations throughout New York City. The subject matter highlights the importance the city has to Miles Hyman, a locus steeped with childhood and adolescent memories, and a source of development for him as an artist. To this day, the historical resonance and constantly evolving landscape, coupled with a quality of light unique to metropolises, continues to provide a wellspring of inspiration for the artist.

Accompanying Hyman’s paintings will be original charcoal drawings from several of his graphic novels, most notably The Lottery. In 2016, Hyman released the graphic novel adaption to his grandmother Shirley Jackson’s critically acclaimed 1948 short story. In what Hyman aptly termed “a feat of inter-disciplinary acrobatics,” he had the overwhelming task to create a visual expression from words on a page and to keep the novel’s nuances and the secrets intact for the reader. Hyman viewed the undertaking as a way to rediscover one of Jackson’s greatest works and allowed him “to affirm a tangible link to her life and work in a way that was both professional and deeply personal.” The ability to pair his grandmother’s word with his drawing is a familial pairing like no other.

About Miles Hyman

Miles Hyman was born in Vermont in 1962, and currently lives and works in Paris. Hyman studied drawing and printmaking with David Schorr at Wesleyan University in Connecticut before attending Paris’ Ecole des Beaux-Arts. His works have been exhibited in museums including the Palais de Tokyo, the Glénat Foundation, Rome’s Institute of Graphic Arts and the French Musée de l’Illustration. In 2017, he was awarded the prestigious Chevalier des Arts et des Lettres from the French Ministry of Culture. Hyman’s drawings are featured by international publishers such as Simon & Schuster, Viking, Farrar Straus & Giroux, Gallimard, and Chronicle Books. His work has also appeared in The New Yorker, The New York Times, Futuropolis, and a specially commissioned project with Louis Vuitton.

About Philippe Labaune Gallery
Founded in 2021, Philippe Labaune Gallery is devoted to championing and presenting original 20th and 21st-century comic art and illustrations by emerging and established artists from around the world. Prior to opening the eponymous gallery, Labaune curated an extensive survey of European comic art Line and Frame: A Survey of European Comic Art, at the former Danese/Corey Gallery in 2020.

Location
534 W 24th St Ground Floor,
New York, NY 10011

*The featured image above is: Miles Hyman, Crash #23 – Crestline, 2021, Oil on linen, 45 x 63.75 inches

EARTHGANG & Bon Iver Reimagine Brittany Howard

Today, ATO Records released a pair of remixes of songs from Brittany Howard’s acclaimed debut solo album, Jaime. Atlanta-based hip hop duo EARTHGANG reimagines Goat Head and Bon Iver brings fresh textures to Short and Sweet. The tracks are the first to be revealed from an upcoming collection of remixes from Jaime. Since its release last September, the album has won widespread praise from critics, earning placement on “best of” lists by The New York Times, NPR, Rolling Stone, Entertainment Weekly, Pitchfork and many others, plus fans and fellow artists.

With the addition of two new verses, EARTHGANG take Goat Head, Howard’s highly personal account of growing up as a mixed-race child in a small Southern town at the turn of the 21st century and turn it into a bold anthem for 2020’s social justice movement. Listen HERE.

EARTHGANG explains, “We’ve been big fans of Brittany and Alabama Shakes, so this is a dream come true. Songs like these help us make sense of all the craziness in the world at times. Her song Goat Head, dealing with her black experience in America and The World, resonated the loudest at this time. Just thankful to be able to give the world our medicine and heal the people.”

Bon Iver adds rich layers to Short and Sweet a song celebrating a nascent romance that Howard originally recorded alone, accompanying herself on acoustic guitar and imbues it with a twinkling, ethereal vibe that both complements and contrasts its old-time warmth. Listen HERE.

“Brittany is a truly singular artist; so much power and musicality. This album speaks to so many people, including us,” says Justin Vernon, founder of the GRAMMY-winning band Bon Iver. “To have a chance to recreate Short and Sweet in our own image with long-time collaborators Jenn Wassner and CJ Camerieri, was both an honor and almost too much of a privilege.”

Howard will perform on The Late Late Show with James Corden on Tuesday, September 29. She will serve as guest editor of the Oxford Americans 22nd annual Southern Music issue, which will be available on newsstands November 25. Howard is nominated for three 2020 Americana Honors & Awards Album Of The Year, Artist Of The Year and Song Of The Year (Stay High). A four-time GRAMMY winner for her work with Alabama ShakesHoward spoke about women’s equality and finding her voice in the latest episode of Women Who Rock: Music & Mentorship, which aired recently on TODAY. View the interview HERE and watch her performance of Georgia HERE.

Putting Short and Sweet on the playlist she created for GQPhoebe Bridgers said, “[Howard’s] solo record is beyond what I thought was even possible.” Conor Oberst recently told The New York Times, “I’ve also been listening to a lot of the Brittany Howard Jaime record. I’ve always thought highly of Alabama Shakes, but it wasn’t until I heard this record that I realized she’s a national treasure.”

Jaime was awarded four stars by Rolling StoneMOJO and Q and named the Best Album of 2019 by NPR. The track History Repeats received two GRAMMY nominations. Stay High spent three weeks at No. 1 on Billboard’s Adult Alternative Songs chart. It was Public Radio’s Most Popular Song of 2019 and named by Pitchfork and others as of the year’s best songs. Refinery29 said, “This feel-good gem will get you through any rough times and slap a smile back on your face.”

In this feature, The New Yorker praised Jaime as “deep, freaky, and heartfelt,” and said it shares “spiritual DNA with two of the boldest and most stylistically inscrutable releases of the past century: Black Messiah, the third album by the R. & B. singer D’Angelo, and Sly and the Family Stone’s There’s a Riot Goin’ On.” Hailing Jaime as “a candid autobiography in funk,” The New York Times said, “With a voice that can go to the roadhouse, the church or deeply private places, she exorcises troubles with the music’s sheer pleasure”

Photo Credits:

Brittany Howard Image (credit- Bobbi Rich – @mamahotdog)

Bon Iver (credit – Graham Tolbert & Eric Carlson)

Hotel illustration done by Mina Tocalini of 360 MAGAZINE.

Healing Through Hospitality

By Shannon Suess

There has been a lot of speculation in every industry about how today’s reality will affect tomorrow’s possibilities. In June, The New Yorker released an in-depth exploration of what the future of architecture could look like, with the roots of modernist design having grown from the sterile lines and quiet colors of Tuberculosis-era sanatoriums in days past. It paints a future full of pandemic-inspired changes, but the truth is, the evolution is already deep underway, even if we don’t realize or acknowledge it.

When it comes to the idea of traveling—of spending an extended period of time, for business or pleasure, in a hosted space outside our own homes—our psyches have subconsciously rewritten what is most important in order for us to not only feel comfortable with but actually enjoy our experience. 

For the hospitality industry, the emotional, physical, and psychological toll of a global pandemic will likely underpin travel trends that were already on the rise: biophilic designs rooted in nature, experiences rich in culture, and environments that promote both physical and mental health and wellness. But for brands looking at what’s next, there are numerous pieces of the puzzle that must come together to make guests truly feel comfortable with traveling once more.

FLEXIBILITY IS KEY TO RESILIENCE

Adopting the mentality of “one day at a time”, the ability to change and adapt spaces to fit present-day climates will be critical. With venturing outside of our own regions likely to remain difficult for the foreseeable future, travelers will instead seek out unique local destinations. They’ll gravitate toward dramatic hospitality spaces that can flex or change quickly in scale; the ability to easily flow from a multi-purpose, spacious area to a personal, private sanctuary will be paramount. 

Flexibility of this caliber will give way to opportunities for new, hybrid spaces, allowing hotels and resorts to consolidate, reimagine, and deeply personalize their offerings. Simultaneously, guests will have the opportunity to discover new experiences at various intervals during the day: Bars offering breakfast service for takeaway in the mornings gives way to an open-concept lounge or coworking space in the afternoon. By rotating “dual purpose” spaces, hosts naturally reduce footprints and create a natural time to clean and sanitize spaces.

LEVERAGING TECHNOLOGY TO ELEVATE SAFETY

Technology integration into hospitality experiences is a fickle thing: With how swiftly electronics evolve, expensive hardware upgrades can often be out of date within months of being implemented. Entering a room filled with aging technology can be a visually stark reminder of just how many people have touched those devices. Instead of letting technology hinder our relaxing experience, how can we use it to subtly support guests in feeling comfortable and safe?

The all-inclusive ticket to enabling this experience could be the one device many can’t live without. Subsequently, it’s one that we’re familiar with, comfortable with, and most importantly, feel safe using: our smartphones. The integration of subtle push notifications—for example, confirmation of your room’s scheduled daily cleaning, when housekeeping is actively there, and when they’ve vacated the space—have the opportunity to set and continuously keep a guest’s mind at ease.

Concurrently, granting visitors a familiar “no-contact” medium through which requests can be made—empowering a more comfortable experience—opens up a world of possibilities. Guests could use their phones to order room service, request additional towels, reserve a socially distant seat by the pool, at the bar, or in a coworking pod. The list goes on and on.  And, the more guests utilize these digital services, the more in-depth their digital profile becomes, making loyalty programs more enticing through a safe yet personalized touch.

There is a double-edged sword here, though: designers cannot rely too heavily on technology as a substitute for, or complete replacement of, social interaction. Humans crave physical connection with one another, and hospitality experiences will still need to provide the option for us to embark on that journey if we so choose.

IMPERFECTION IS PERFECTION

It’s no surprise that, as we’ve found ourselves trapped indoors the past few months, our bodies are inherently drawn to the idea of becoming reacquainted with nature; not just for the fresh air and sunshine, but for the fundamental healing properties that simply being closer to nature provides us. 

By employing the concept of biophilic design, we focus on natural over synthetic as an overarching theme, tapping into the psychosocial wellbeing that humanity is currently craving the world over. Natural color palettes that seamlessly transition outdoor experiences inside create a continued sense of calm while indoors. The addition of plants throughout both cleans the air and provokes a sense of relaxation. Removing clutter to reveal clean lines, white space, and invoke a “less is luxury” mindset. Interior design is witnessing a return to these authentic, raw, and “imperfect” materials—ones where the hand of the maker is visible, they aid us in feeling more grounded, and reinforce a sense of place.

The question that hosts must ask themselves as they look toward the future, “How can I design my experience offering to reduce anxiety and make guests feel more naturally at ease?” Using Maslow’s hierarchy of needs as a guide, we have the opportunity to comfort guests holistically. The key to a reassured, tranquil mindset isn’t to simply coat everything in copper; designers will need to thoughtfully expand and go deeper to offer a sense of security and comfort beyond what’s on the surface.

A MULTIFACETED FOOD & BEVERAGE UPGRADE

One of the things we miss the most, undisputedly, is the ability to dine out and spend time with friends and family. We don’t just crave the energy and social activity, we long for the semblance of normalcy tied to the experience itself. 

While the industry has taken a hit to their traditional dine-in offerings, consumers are demanding more than ever before from the F&B industry: meal and cocktail kits, picnic baskets for outdoor excursions, easy curbside pickup, reliable room service, rapid and safe home delivery. 

There is ample opportunity to adapt existing room service and F&B experiences, which are anticipated to see not only a resurgence but a higher demand for gourmet-level quality. And, with a renewed focus on safety and convenience, offering grab-and-go contactless options in restaurants or lobbies that can digitally be charged to one’s room opens up new avenues for revenue and differentiation.

With an added focus on finding space outside of personal rooms that guests still feel safe in, how can restaurants take advantage of a rise in take-out by enabling positive, memorable moments? Establishing outdoor spaces that guests can retreat to for picnics or morning coffee in solitude; remodeling rooms to better allow for comfortable dining during a night in; hosts have the opportunity to allow guests to write their own stories defined by their comfort levels, and designers have the chance to enable that journey.

THE ROAD AHEAD

As brands and venues that offer hospitality experiences look toward the future, it won’t be about creating a compromised version of what we’ve known to be normal in the past, but cleverly designing and strategically implementing layers to more easily adapt for the unknowns that lie before us. 

Over the past century, the desire for machine-made perfection was palpable. Today, as we strive to become closer with nature in a primal effort to heal our bodies and minds, hosts that embrace the perfect imperfection of raw edges, materials, and palettes—as well as provide variable spaces both indoors and outside—can help guests maintain a fundamental sense of safety and comfort as they embark on their journeys.

People will not feel comfortable traveling unless they feel safe. Those who create hyper-personalized, dynamic, memorable spaces that guests can not only escape to, but ones where they can wholeheartedly focus on physical and mental rejuvenation, will come out on top. After all, isn’t that what vacation is for?

SHANNON SUESS is an award-winning interiors and hospitality designer who has dedicated over 25 years of her career to crafting world-class destinations. Working with clients around the globe, she seamlessly fuses interiors, exteriors, and the spaces in between to create memorable venues that harmonize local culture and brand. Shannon thrives on finding unique solutions to programming barriers and solving complex architectural challenges with holistic design.

An agile problem-solver dedicated to cultivating meaningful partnerships in order to bring out the best in projects, Shannon is often inspired by the music, art, and local traditions she encounters during her travels. She consistently fuses cutting-edge trends with timeless designs to sculpt extraordinary, one-of-a-kind experiences for hotels, residential, casinos, wineries, and everything in between.

360 Magazine, Fike

Dominic Fike – “Chicken Tenders”

“Chicken Tenders”
 
WATCH HERE
 
LISTEN HERE
 
“The Florida native’s pop sensibilities have him poised for stardom” The FADER
 
“might just set the blueprint for the future of modern pop stars” GQ Australia
 
“embodies the hazy, genre-less future of popular music.” The New Yorker
 
Today, Florida-native Dominic Fike shares a new song and video. “Chicken Tenders” is the first taste of Fike’s forthcoming debut album for Columbia Records, the release of which he recently delayed in light of protests across America, which he addressed in addition to detailing his own history with police brutality in a powerful essay he shared with fans. This past week, he spoke with Brockhampton’s Kevin Abstract for a conversation that further contextualized the forthcoming album as well as appeared in Anderson. Paak’s “Lockdown” video that poignantly expresses the protests taking place across the United States.
 
Directed by Jack Begert, the video for “Chicken Tenders” is a surrealist four minute visual that follows him through his psyche after hastily waking up in his hotel room. The song follows a slew of 2019 singles that include his Omar Apollo collaboration “Hit Me Up” and “Phone Numbers,” the latter of which was performed on The Tonight Show Starring Jimmy Fallon with Kenny Beats and saw an Aidan Cullen-directed music video that featured Halsey. Since releasing his debut EP, Don’t Forget About Me, Demos, via Columbia Records in 2018, Dominic Fike has continued to rise as one of his generation’s most enigmatic emerging pop stars. 2019 saw his hit single “3 Nights” reach #1 on Billboard’s Alternative Songs chart in September, Dom appear on the covers of BRICK and Notion Magazine in addition to marquee features in The FADER, Interview Magazine etc, and tour the world on his sold out Rain or Shine tour. Listen to and watch “Chicken Tenders” above and stay tuned for more from Dominic Fike coming soon.
 
 
Connect with Dominic Fike: 
 

Lil Yachty’s Nuthin’ 2 Prove

Lil Yachty announced that his forthcoming album Nuthin 2 Prove will be released on October 19. This will be his follow up project since Birthday Mix 3, and his Lil Boat 2 mixtape, which featured a slew of artists from Ugly God, 2 Chainz, Quavo, PnB Rock, Offset, Lil Pump, Trippie Redd, to Lil Baby and more. Additionally, this comes after Lil Yachty’s single “Who Want The Smoke?” which features Offset and Cardi B.

Recently Lil Yachty has been filming his role for How High 2. Lil Yachty plays Roger, an entrepreneur and the younger brother of one of the protagonists from the original film. Per the official description by MTV, Roger and his friend go on a magical hash-fueled journey to fund their on-demand munchies delivery start-up. This past summer he made his big screen debut as the voice of Green Lantern in Teen Titans Go! To The Movies. Lil Yachty also recently collaborated with Donny Osmond for Chef Boyardee’s Start The Par-dee jingle.

Lil Yachty, aka Lil Boat, aka “King of the Youth” is a 21-year old Atlanta native, a Grammy-nominated singer, rapper, producer, creative designer, branding genius and fashion icon who smashed onto the scene two years ago. Since then he accumulated nearly 3 billion streams, found himself on the covers of Paper and FADER magazines, as well as landing the cover of The New York Times Men’s Style section and a XXL Freshman cover.

It’s commonplace for young rap stars to claim that they’ve transcended hip-hop; it’s rarer for them to actually do it. Yachty does.” – THE NEW YORKER

Besides the actual sun, there is no source of joy in the world right now brighter and more sustaining than Lil Yachty. So basically, the moral of the story is: cancel all your plans and stay at home, and instead just understand that the Goodest Night has now been had, by one Lil Boat, Esq. You will never have as good a night as Lil Yachty. Apologies.” – NOISEY

Lil Yachty has created an alternate universe in which traditional narratives of rap excess are reframed as fantastical stories. He has mainlined Gucci Mane’s vocal quirk a penchant for odd rhyme structures cloaked in unlikely melodies.” -THE NEW YORK TIMES

Lil Yachty is probably going to change the world.” – ROLLING STONE

“Yachty is the master of our joy.” -PITCHFORK

Maggie Rogers

[On Give A Little] Rogers churned out a cathartic pop song about empathy and unity

Toss in a righteous guitar riff, plus a cascade of affirming handclaps, and Rogers emerges with a much-needed sunbeam of a song.” – Pitchfork

Give A Little is a natural and groovy extension of her stunning organic soundscapes.” –V Magazine

Like every song she puts out, [Give A Little] is a surprise that further proves her dexterity and versatility as an artist.” –Paper

It’s a warm, rippling pop song that makes the most of Rogers’ graceful, approachable voice. It already sounds like a hit.” –Stereogum

Today Maggie Rogers debuts the video for her new track Give A Little from her forthcoming debut album on Capitol Records. Filmed in Pacoima, CA the video was co-directed by Rogers and Alan Del Rio Ortiz and features Rachel Matthews, Camila Mendes, Myriah Rose, Firefly, Makayla Menard and Bridget Gamble.

Watch it HERE.

I had so much fun directing this video alongside Alan Del Rio Ortiz,” says Rogers. “I was obsessed with 70s skate culture in high school and really just wanted to have a silly day recreating my favorite scenes from Lords of Dogtown and paying homage to my favorite Farrah Fawcett photos. Those early skate videos feel so raw and powerful, it was important to me to show that that energy could also be female. It was super special to have my two college pals, Rachel Matthews and Camila Mendes, along for the ride. We’ve been friends since the first week of our freshman year, but our schedules have gotten so beautifully and amazingly kind of crazy since we graduated a couple years ago. It was so much fun just to spend the day dancing and giggling with each other like the old days.

Produced by GRAMMY winning producer Greg Kurstin (Adele, Sia, Foo Fighters) and Rogers, the upbeat, effervescent song can be streamed / downloaded HERE. Give A Little follows the acclaimed single Fallingwater, which NPR hailed as a powerful, mesmerizing depiction of Rogers’ transition over the last two years a celebration of the terrifying yet thrilling process of change.

Rogers will kick off a North American headline tour on October 15 at The Fillmore in San Francisco, CA. The run will include shows at The Observatory in Santa Ana, CA (October 18), The Vic Theatre in Chicago, IL (October 30) and Royale in Boston, MA (November 5). Mallrat will support on all dates- see all dates here. The outing marks Rogers’ first headline tour since her summer 2017 outing, which sold out in minutes.
Rogers will also headline two sold out shows at Koko in London (August 29 + 30) following her performances at the U.K.’s Reading and Leeds festival. She will also perform at the Pilgrimage Music & Cultural Festival in Franklin, TN (September 22 + 23) and co-headline the 2018 All Things Go Fall Classic, one of Washington, DC’s largest signature festivals. She and LPX (Lizzy Plapinger) curated for opening day, October 6.

Maggie Rogers is a producer, songwriter and performer from Easton, Maryland. After her education at NYU’s Tisch School of the Arts, she released her breakout single Alaska and subsequent critically acclaimed debut EP, Now That The Light Is Fading. Alaska has since charted in Spotify’s Viral 50 in 40 countries, hit #1 in 23 countries and now has over 100 million global combined streams to date. The BBC, Tidal, Google Play, Vevo, Pandora and numerous publications including Rolling Stone, NYLON, SPIN, Billboard and more have tipped her as an artist to watch. NPR named her one of its Favorite Musicians and The New Yorker declares, Maggie Rogers is an artist of her time.

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