Posts tagged with "oklahoma"

Transgender Sports illustration by Heather Skovlund for 360 Magazine

NCAA LGBTQ OneTeam

NCAA LGBTQ OneTeam facilitators publish open letter condemning anti-transgender legislation

The NCAA LGBTQ OneTeam, a group of NCAA- trained facilitators at colleges across the country published an open letter condemning the actions taken by 28 states across the country to introduce, pass, and sign anti-transgender legislation. 2021 has been a record year for anti-transgender legislation, with 93 anti-transgender bills introduced across the country, the vast majority of which attempt to ban transgender women and girls’ participation in girls’ sports or ban transgender youth from accessing medically necessary, gender-affirming health care.

Laws have been signed banning transgender women and girls’ participation in girls’ sports in Mississippi, Tennessee, and Arkansas, with Executive Orders being signed to the same effect in South Dakota.  Legislators across the country have failed to provide examples of issues in their states to attempt to justify these attacks, laying bare the reality that these are attacks on transgender youth that are fueled by discrimination and not supported by fact.  Collegiate and professional sports organizations have had trans-inclusive policies for years without incident, and there is no reason any state would need a ban on transgender participation in sports.

The NCAA LGBTQ OneTeam open letter reads as follows:

An Open Letter in Support of Transgender Student-Athletes

We, the undersigned, are facilitators of the National Collegiate Athletics Association’s (NCAA)Division III LGBTQ OneTeam Program, which is a national training program that fosters LGBTQ+ inclusion in NCAA Division III athletics, and members of the NCAA’s Division III LGBTQ Working Group. Given the recent rise in legislation that is focused on excluding transgender people from athletics across the country, we have decided to use our collective voice to condemn such actions. We call on elected officials across the country to immediately halt legislation that is aimed at excluding transgender youth and young adults from equal and equitable participation in sport.

In our role with the NCAA’s LGBTQ OneTeam Program, we train coaches, athletics administrators, and student-athletes across the whole of Division III athletics. This program is aimed at helping to understand the importance of LGBTQ inclusion in college athletics, while also identifying strategies and best practices for institutions and conferences to better ensure that all student-athletes–regardless of their sexuality, gender identity, and/or gender expression–can participate in an inclusive and safe athletic climate. We cannot, in good conscience, fail to speak out at this critical moment.

In the past several weeks, actions–which are aimed at excluding transgender youth and young adults from equal and equitable participation in sport–have been taken by elected officials inseveral states, including Alabama, Arizona, Arkansas, Connecticut, Florida, Georgia, Iowa, Kansas, Kentucky, Maine, Minnesota, Mississippi, Missouri, Montana, New Hampshire, New Jersey, New Mexico, North Carolina, North Dakota, Ohio, Oklahoma, South Carolina, South Dakota, Tennessee, Texas, Utah, and West Virginia. At the time of this writing, the Governors ofArkansas,Idaho,Mississippi, andTennessee have already signed such dangerous legislation into law. 

Legislation aimed at categorically banning transgender people–and particularly transgender girls and women–from sport is inherently discriminatory. Such legislation is often “informed” by hate and misinformation rather than science, and it is most certainly “informed” byfear instead of fact. Conversely, trans-inclusive policies, such as those established by theNCAA and theInternational Olympic Committee (IOC), are better informed by the current scientific evidence, and this evidence shows that transgender women do not have an inherent competitive advantage over cisgender women.

Furthermore, discriminatory legislation that is aimed at excluding transgender people from sport has a number ofserious consequences for transgender students. Such legislation dehumanizes transgender students, refuses them the opportunity to participate equally and equitably in athletics, undermines their support in educational settings, damages their mental health, and ultimately harms these students, while also contributing to an exclusionary athletic environment and a more hostile school climate for all students.

We immediately call for 1) an end to such legislation in all states and 2) a repeal of such laws in Arkansas, Idaho, Mississippi, and Tennessee. And finally, we also encourage our legislators to better consider theNCAA best practices and importance of an inclusive athletic environment for all student-athletes.

Sincerely,

The Undersigned

Timothy R. Bussey, Ph.D.

Pronouns: they/them

Associate Director, Office of Diversity, Equity, and Inclusion | Kenyon College

Kayla Hayes, M.Ed.

Pronouns: she/her

Associate Head Women’s Basketball Coach Dept. of Athletics | Denison University

Kyrstin Krist, Ph.D.

Pronouns: she/her

Associate Professor of Kinesiology and Faculty Athletic Representative | Methodist University

Melynda Link, M.B.A.

Pronouns: she/her

Director of Athletic Facilities & Game Day Operations, Dept. of Athletics | Haverford College

Kathleen M. Murray

Pronouns: she/her

President, Office of the President | Whitman College

Jess Duff

Pronouns: she/her

Assistant Athletic Director for Student Athlete Services & Internal Operations Dept. of Athletics | Bates College

Jessica Weiss

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Randolph-Macon College

Jennifer Dubow

Pronouns: she/her

Executive Director | Southern California Intercollegiate Athletic Conference (SCIAC)

Maura Johnston

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Fairleigh Dickinson University

Scott McGuiness

Pronouns: no pronouns

Director of Athletics, Dept. of Athletics | Washington & Jefferson College

Danielle Lynch, M.S.Ed.

Pronouns: she/her

Senior Woman Administrator and Head Track and Field/Cross Country Coach Athletic Department | Penn State University – Harrisburg

Melissa Walton

Pronouns: she/her

Senior Associate Athletic Director Athletic Department | Albion College

Amy Reed

Pronouns: she/her

Senior Woman Administrator and Head Women’s Basketball Coach Dept. of Athletics | Rochester Institute of Technology

Donna M. Ledwin

Pronouns: she/her

Commissioner | Allegheny Mountain Collegiate Conference (AMCC)

Donnesha Blake, Ph.D.

Pronouns: she/her

Director of Diversity and Inclusion Dept. of Student Affairs | Alma College

Tim Wilson

Pronouns: he/him

Assistant Track and Field Coach, Dept. of Athletics | Stevens Institute of Technology

Anne Kietzman

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Washington College

Ashley Crossway, D.A.T., A.T.C.

Pronouns: she/her

Assistant Professor and Coordinator of Clinical Education Dept. of Kinesiology | SUNY Cortland

Melissa Brooks

Pronouns: she/her

Head Women’s Basketball Coach Athletic Department | Fairleigh Dickinson University – Florham 

Tiffany Thompson

Pronouns: she/her

Associate Director of Gender and Sexuality Initiatives, Intercultural Center | Swarthmore College

Kirsten Clark

Pronouns: she/her

Associate Athletic Director, Dept. of Athletics and Recreation | Clark University

Kate Levin

Pronouns: she/her

Assistant Sports Information Director Dept. of Athletics | Ramapo College

Cori Collinsworth

Pronouns: she/her

Head Softball Coach, Athletic Department | Hanover College

Bethany Dannelly

Pronouns: she/her

Associate Director of Athletics, Dept. of Physical Education and Athletics | Washington and Lee University

Jennifer Childress-White, M.Ed.

Pronouns: she/her

Assistant Athletic Director and University Title IX Coordinator Dept. of Athletics | Pacific Lutheran University

Elise Fitzsimmons, M.S., A.T.C.

Pronouns: she/her

Assistant Athletic Trainer, Dept. of Athletics| SUNY Oswego 

Amanda Walker

Pronouns: she/her

Athletic Program Coordinator Athletics Department | Lake Forest College

Danielle O’Leary

Pronouns: she/her

Senior Woman Administrator and Head Women’s Lacrosse Coach Athletics Department | Mount Aloysius College

Crystal Lanning

Pronouns: she/her

Director of Athletics, Dept. of Athletics | University of Wisconsin – River Falls

Neil Virtue

Pronouns: he/him

Assistant Director of Athletics and Head Swimming Coach | Dept. of Athletics, P.E., and Recreation Mills College

Jose’ Rodriguez, M.Ed.

Pronouns: he/him

Chief Diversity Officer, Office of University Diversity Initiatives | Cabrini University

Karen Moberg, M.Ed., L.A.T., A.T.C.

Pronouns: she/her

Associate Athletic Trainer, Athletic Department | Macalester College

Yishka Chin

Pronouns: she/her

Coordinator for Tutoring Services and Trailblazer Program Director, Dept. of Student Success | Notre Dame of Maryland University

Renee Bostic

Pronouns: she/her

Director of Athletics & Wellness Dept. of Athletics & Wellness | Notre Dame of Maryland University

Megan Cullinane

Pronouns: she/her

Assistant Athletic Director and Deputy Title IX Coordinator for Athletics Dept. of Athletics and Recreation | University of Massachusetts – Boston

Maureen Harty

Pronouns: she/her

Executive Director | College Conference of Illinois and Wisconsin (CCIW)

Stephanie Dutton

Pronouns: she/her

Commissioner | North Eastern Athletic Conference (NEAC)

Sharia Marcus-Carter

Pronouns: she/her

Senior Woman Administrator and Director of Compliance, Athletics Department | Brooklyn College

Fire in Little Africa illustration by Heather Skovlund for 360 Magazine

Fire in Little Africa

FIRE IN LITTLE AFRICA SET FOR MAY 28 RELEASE VIA MOTOWN RECORDS/BLACK FORUM IN PARTNERSHIP WITH THE BOB DYLAN CENTER AND WOODY GUTHRIE CENTER

Album Brings Fresh and Important Perspective to the 1921 Tulsa Race Massacre and Celebrates the City’s Vibrant Hip Hop Scene

Fire in Little Africa a groundbreaking album of original material, written and recorded by a collective of Oklahoma hip hop artists to commemorate the 100-anniversary of the Tulsa Race Massacre will be released on May 28 by Motown Records/Black Forum in partnership with Tulsa’s Bob Dylan Center and Woody Guthrie Center.

The 21-track collection gets to the truth of what happened on May 31 and June 1, 1921 when a white mob descended on the streets of Greenwood then a prosperous Tulsa neighborhood known as Black Wall Street and burned down the business district, destroying roughly 1,500 homes, killing hundreds and leaving thousands of Black Tulsans homeless. For years, this historic, albeit dire, chapter was left out of classrooms and textbooks as the city attempted to erase this part of its past.The artists heard on Fire in Little Africa get to the truth through urgent songs, recalling stories told and stories lived in hope to usher in a new era for Tulsa as they help the community process this generational trauma through music.

Fire in Little Africa is a powerful and timely project that provides a platform and outlet for the incredibly talented and thriving music community of Tulsa, Oklahoma, said Motown Records Chairman & CEO, Ethiopia Habtemariam. Carrying the legacy of the Black Wall Street community, Fire in Little Africa is a body of work filled with purpose and prolific storytelling. I am honored and feel privileged to have Motown Records/Black Forum partner with Dr. View, the Bob Dylan Center and Guthrie Center to release this impactful hip-hop album.

Stevie, Dr. View, Johnson, PhD, Manager, Education & Diversity Outreach at the Woody Guthrie Center | Bob Dylan Center and the album’s executive producer, added, Fire in Little Africa has evolved into a communal hip hop movement and we’re excited that we get to share the flavor, history and legacy of Black Wall Street with the world, in collaboration with the amazing leadership of the Motown/Black Forum family. We’re grateful for Ethiopia’s foresight in providing us an opportunity to share our important stories with the world. There are Black Wall Streets across the diaspora, and we unequivocally know that Fire in Little Africa will inspire many people. In the words of Steph Simon, everything is us.

In this feature, Rolling Stone noted, Fire in Little Africa is poised to teach the world about that long-suppressed history, from locals who grew up in a community that still lives with the aftermath of the massacre. Just as important, the artists involved in the project also hope it serves as a launching-pad moment for Tulsa’s hip-hop scene, which has long flown under the national radar.

The album was recorded in Greenwood over a five-day period in March 2020. Studios were set up at the Greenwood Cultural Center and other locations, including the former home of 1921 massacre mastermind/KKK leader Tate Brady. The house is now owned by former NFL first-round draft pick and Tulsa native Felix Jones. The Tulsa World was on hand to speak with the artists involved in the historic sessions. Read the article HERE and check out the accompanying video HERE.

Fireside with Dr. View is a weekly podcast featuring Dr. View in conversation with thought leaders in activism, academia and culture, centered on the movement behind the Fire in Little Africa music. Listen to Fireside with Dr. View HERE. Hosts Ali Shaw and Doc Free sit down with Fire in Little Africa artists, Tulsa community leaders and national voices for conversations on music and culture in the Fire in Little Africa podcast, which can be found HERE.

Located in the Tulsa Arts District, the Woody Guthrie Center opened in 2013. The Bob Dylan Center is expected to open on the same block within the next year. Both are projects of the George Kaiser Family Foundation, the primary funder for Fire in Little Africa. The album is chronicled in a documentary film, which will be released later this year.

Fire in Little Africa marks the first new material released by Black Forum since the label’s relaunch earlier this year. Black Forum originally debuted in 1970 with Dr. Martin Luther King Jr.’s Why I Oppose the War in Vietnam, which won a GRAMMYAward for Best Spoken Word Album. The label reissued Dr. King’s influential speech earlier this year.

Koe Wetzel - Sellout

KOE WETZEL RELEASES NEW ALBUM – SELLOUT

Today, genre-bending artist Koe Wetzel has released his third LP Sellout via Columbia Records. The album comes alongside an official video for new single “Cold & Alone,” which was directed by George Nienhuis and stars Wetzel as he experiences the mixed emotions that come with the demise of a relationship. Watch HERE. Produced by long-time collaborator Taylor Kimball, Sellout also includes previously released tracks “Good Die Young,” “Kuntry & Wistern,” and “Sundy or Mundy.” See full tracklisting below.

Last week, Wetzel announced that he and Read Southall will co-headline a mini acoustic tour next month along with Austin Meade who is slated to open each night. The run of shows kick off December 8 at Oklahoma City’s The Criterion where the two headliners will share a stage and trade off playing songs from their respective discographies to a limited capacity live audience. Visit https://koewetzelmusic.com/ for tickets and more information.

The Texas-born singer, songwriter, guitarist, and producer continues to unapologetically trail blaze between grunge, country, Americana, and damn near everything else under the sun on Sellout. From 2015 up until signing with Columbia Records this summer, Wetzel quietly sold over 200,000 units independently and went from playing bars with chicken wire in front of the stage to hosting and headlining his own music festival. With over 485 million streams and video views to date, Wetzel continues to build his diehard audience.

His 2017 debut Noise Complaint became a phenomenon powered by “February 28, 2016” [25.5 million Spotify streams], “Something To Talk About” [20.6 million Spotify streams], “Love” [16.1 million Spotify streams], “Fuss & Fight” [14.4 million Spotify streams], and more. The momentum continued with 2019’s Harold Saul High and its singles “Ragweed” [13.8 million Spotify streams] and “Forever” [10.8 million Spotify streams] as more sold-out shows ensued. Following a tireless grind, Wetzel surprise-released the 2020 anthem “Kuntry & Wistern,” which exploded right out of the gate trending on Apple Music. Wetzel followed with “Sundy or Mundy” in July, marking his first release with Columbia Records, which garnered praise from Rolling Stone who called the song “a mesmerizing tune.”

Sellout is available HERE.

Sellout Tracklist:

  1. Pre-Sellout
  2. Kuntry & Wistern
  3. Cold & Alone
  4. Crying From The Bathroom
  5. The Fiddler
  6. Lubbock
  7. SideChick
  8. Drug Problem
  9. Outcast
  10. Sundy or Mundy
  11. Good Die Young
  12. Drunk Driving
  13. FGA
  14. Post-Sellout

Acoustic Tour Dates:

12/08   Oklahoma City, OK The Criterion

12/09   Dallas, TX               Southside Ballroom

12/10   Corpus Christi, TX  Concrete Street Amphitheater

12/11   Houston, TX            White Oak Music Hall

12/12   San Antonio, TX      Cowboys Dancehall

FOLLOW KOE WETZEL

Website | Facebook | Instagram | Twitter | TikTok

Oklahoma Map illustrated by Mina Tocalini for 360 MAGAZINE.

Native American Rights Win in Court

By Eamonn Burke

In a major win for Native American rights, the Supreme Court decided in a ruling yesterday that roughly half of the state of Oklahoma are Native American conservation lands. The case was brought about by a convicted rapist named Jimcy McGirt, a member of the Seminole nation, who claimed that he could not be prosecuted by the state of Oklahoma because the assault occurred on lands claimed by the Muscogee Creek Nation.

Although the federal government can still prosecute the people of this land – about 1.8 million in population (15% Native American) and 3 million acres in size – they are protected from the state and may even be exempt from state taxes.

It was Neil Gorsuch, a Trump appointee, who tipped the 5-4 vote to the liberals, citing the Trail of Tears as precedent and reasoning that “Because Congress has not said otherwise, we hold the government to its word.” Tribal leaders of the Five Tribes of Oklahoma favored the ruling. Republican Chief Justice John Roberts, however, believes that the decision will damage the Oklahoma state court’s authority.

The 71 year old McGirt accused of raping a young girl in 1997 was spared of a prison sentence but could still be tried in federal court.

Ro James – Plan B ft. Brandy

GRAMMY-NOMINATED SINGER RO JAMES RELEASES NEW TRACK “PLAN B” FT. BRANDY

CLICK HERE TO LISTEN

ANNOUNCES SOPHOMORE ALBUM MANTIC DUE OUT MAY 29TH VIA BYSTORM ENTERTAINMENT/RCA RECORDS

AVAILABLE FOR PRE-ORDER HERE

At 15 tracks the album will include features from some of the most notable names in R&B including Miguel, Brandy and Masego. MANTIC will also feature previously released tracks “Last Time” which has over 10 million streams and video views worldwide and “Touchy Feely” which Noisey included on their “18 R&B Songs That Make Up for This Unbearable Year List” and explains: “[Ro James] has a penchant for sensual songs, and his sophomore album is shaping up to be just as sexy as his last.” MANTIC also sees James teaming up with frequent collaborators including producers DJ Camper and Salaam Remi, as well as songwriter Verse Simmons and producer Soundz, the same team behind James’ Grammy-nominated, RIAA certified platinum single “Permission.” The track was the lead single from his critically-acclaimed debut album ELDORADO.

Ro James on what MANTIC means to him and the inspiration for the album: “The music I create evokes a feeling of romance, but I wanted to dissect that word and break it down by taking the ‘ro’ out of it. MANTIC refers to divination and prophecy-seeking knowledge of the future through supernatural means. Speaking things into existence and living forward, having faith in where you’re supposed to be and where you’re going.”

About Ro James

Born in Stuttgart, Germany to a military father turned preacher, Ro James found himself moving around for most of his childhood. From Indiana, California, Hawaii, Oklahoma to the place he now calls home, Jamaica, Queens, music was always in the forefront of James’ life. His musical inspirations come from the sounds of Johnny Cash, Prince, Tupac, Jodeci, and more. His debut single “Permission” was released in late 2015 and catapulted his career to the next level with the track topping the Urban Adult radio chart for 10 weeks consecutively. “Permission” was the lead single from James’ debut album ELDORADO. Released in May 2016, James’ debut album ELDORADO entered the charts at #3 on The Billboard R&B Albums Chart and #8 on the Top Hip-Hop/R&B Albums Chart. The success of the album earned him nominations for Best R&B Performance at the 59th Annual Grammy Awards Best New Artist at the 2017 NAACP Image Awards and Best New R&B Artist at the 2017 iHeart Radio Music Awards. He delivered an electrifying performance the track along with “Already Knew That” from ELDORADO on the Soul Train Awards stage. James embarked on his own headlining North American “XIX” Tour with dates in Europe in Amsterdam, London and Paris in early 2017. He appears on Luke James’ latest single released last month “go girl” with BJ The Chicago Kid, which they performed together on the Soul Train Awards late last year. He’s now readying his sophomore album, MANTIC which is set for release on May 29th via ByStorm Entertainment/RCA Records.

WEBSITE / INSTAGRAM / TWITTER

YUNGBLUD

UK recording artist Yungblud, whom NME has said carries himself like “a hyper-addictive mix between rapper Eminem and Johnny Rotten,” releases his self-titled debut EP today via all digital partners. Listen to Yungblud HERE.

With his frenetic take on alt-pop equally inspired by punk, hip-hop, and UK garage, Yungblud uses breakneck flow and tongue-in-cheek attitude to deliver pointed lyrics about everything from gentrification to disenfranchisement to addiction without getting heavy-handed. “I want my music to always have a message, but I don’t want to preach to anybody,” says the Northern England native, whose given name is Dominic Harrison. “This music’s just an outburst of emotion and anger, and everything else going on in my head.”

The Yorkshire-born, London-based Yungblud, produced by Matt Schwartz – known for his work on Massive Attack and Kylie Minogue, and brought to Geffen/Interscope by executive producer Martin Terefe who has worked with Jason Mraz and KT Tunstall.

The EP features “King Charles” and “Tin Pan Boy” (which Wonderland called “a bold and biting call to social justice”) and the current single “I Love You, Will You Marry Me,” which takes its title from a real-life, ill-fated marriage proposal spray-painted at a public housing project in South Yorkshire. Watch the live performance video for “ILYWYMM” HEREand the self-directed video for “Tin Pan Boy” HERE. The EP also includes two brand-new songs, “Anarchist” and “Polygraph Eyes,” a seedy portrait of a Saturday night out that also serves as a delicate commentary on consent and “lad mentality.”

In a recent profile of Yungblud, Wonderland raves about his “captivating songwriting,” while Nylon notes that “Harrison imbues every ounce of raucous energy into songs that defy genre.” NME has called him “utterly thrilling” and says that “what makes Yungblud so intriguing is the versatility in his material already, and how confident he feels about pulling it all off.”

Yungblud, who is on the road in Europe through early February, hits the road for a U.S. spring tour with K.Flay beginning March 12 in Washington, DC. “If you ever get the chance to see him perform live, his passion is evident in the way he throws himself around the stage, spitting ferocious lyrics at the front row and strutting around with the confidence you only have if you were born to do something,” writes Wonderland

Tour Dates with K.Flay:

March 12  Washington, DC 9:30 Club
March 13  Buffalo, NY  Town Ballroom
March 14  Detroit, MI  Magic Stick
March 15  Toronto, ON  Danforth Music Hall
March 16  Montreal, QC  Corona Theatre
March 18  Philadelphia, PA Union Transfer
March 19  New York, NY  Irving Plaza
March 21  Boston, MA  Royale
March 23  Charlotte, NC  The Underground
March 24  Atlanta, GA  Variety Playhouse
March 25  Cincinnati, OH  20th Century Theatre
March 27  Tulsa, OK  Cain’s Ballroom
March 28  Dallas, TX  Granada Theater
March 29  Austin, TX  The Mohawk
March 30  Houston, TX  WOMH Downstairs

YUNGBLUD “YUNGBLUD” EP
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Bartees & The Strange Fruit

Afropunk is Exclusively Streaming Bartees & The Strange Fruit’s Brand New Album, Magic Boy, Which is Officially Out on Friday. 

Listen to the first single, “Going Going.”

Watch the video for the second single, “IDK.”

Bartees Cox, a songwriter and guitarist based out of Brooklyn, created Bartees & The Strange Fruit as a conduit to surface stories about people of color. The title of the debut album, Magic Boy, (out December 8, 2017 via Pineapple Record Co.) is inspired by a lyric from the song “Hear My Train A Comin” that goes: “Well, I gotta leave this town, gonna be a Voodoo chile .. and try to be a magic boy.” This particular lyric has always resonated with Bartees since he made the decision to leave his home in rural Oklahoma for the East Coast, a change that is looked back on as being a pivotal moment in his life. This record marks Bartees’ obsession with analog recording, tape machines, space echoes, reel-to-reels and a number of other types of hi-fi recording gear. Each song was recorded to tape, or at least mixed to tape, to give it the warmth of a real performance.

“The “Magic Boy” is how my family sees me,” says Bartees. “Their kid that has made it work in New York, chasing a dream.”

Upcoming Shows:

December 9

New York, NY at Nosebleed Sessions

January 5

Brooklyn, NY at Cape House

(Record release show w/Project Diem and Lizzie No)

Halloween Candy Map

In case you haven’t noticed all of the pumpkin-lined porch steps or the multitude of horror movie marathons on TV, it’s spooky season! Halloween is less than two weeks away, which means hayrides, haunted houses, and, most importantly, FREE CANDY!!! Well, free for cute kids dressed up like Spiderman or Moana. For adults, Halloween means stocking up on the good stuff to avoid a yard full of toilet paper or having your car decorated with egg yolks. Halloween is a candy manufacturer’s Christmas. According to The National Retail Federation, it’s expected that 2.7 billion dollars will be spent on trick-or-treat candy this year. It may seem like a good idea to buy the cheapest bag of candy you can find, however, when November 1st rolls around and you’re left with three pounds of store-brand lollipops none of the trick-or-treaters wanted to take, bargain shopping might be a decision you’ll regret.

If you want to avoid the horror that is too much leftover candy, you’ll have to fork over a a few extra bucks for the good stuff. You may stroll down the candy aisle at the supermarket amidst the plethora of different chocolates, gummies, sours, and sweets, and think to yourself, how do I know which candy to buy? Well, CandyStore.com, is here to help. Over the past 10 years, CandyStore.com has been shipping tons of bulk candy all across the United States and Canada. They compiled 10 years (2007-2016) of sales data for the months leading up to Halloween and put together an interactive map that details the top three most popular Halloween candies for each state, indicated by pounds distributed. Check out the interactive map HERE to become the go-to house for all of the witches, ghosts, and Chewbaccas in town. Or, if you’d rather not have hoards of little vampires and Pokemon running through your yard but still want to please the kiddos, CandyStore.com also has a list of the WORST candies, so you know exactly what not to buy.

CandyStore.com also offers the option of skipping the trip to supermarket all together. Order online in bulk so you can avoid facing the delicious temptation of sugary goodness in candy aisle.