Posts tagged with "Britney Spears"

music Ivory Rowen illustration for 360 Magazine.

The FunkLabb × Myah Marie

Brooklyn-based producers/songwriters The FunkLabb Ed Lawson and Wes Davis have teamed up once again with singer, songwriter, and background vocalist Myah Marie for their newest single, Late To The Party, which highlights Myahs silky vocals over a driving pop beat of soaring strings and synths. With its clever play on words, the song lyrically speaks to being the last to know the truth about someone and the realization that you ultimately deserve better. We wanted to hit a little different this time with Late To The Party. It’s a ballad style melody but still a funky, danceable track, shared by The FunkLabb. It’s our third single with Myah and we are just getting started!

Late To The Party was the first collaboration I did with The FunkLabb! Immediately I was like oh, these guys are dope, adds Myah who is a lyricist and background vocalist behind songs from many top artists such as Britney Spears, Miley Cyrus, Selena Gomez, and Avicii, among others. She continues, It’s about how sometimes we don’t know someone sucks until we know and we feel completely late to the party, like showing up to a party everyone else was invited to but you. But you know what? Still eat the cake.

Late To The Party follows The FunkLabbs previously released singles with Myah Marie, Mama Said No and Pretty Please ft. Ruba, Young Dinero Banks, and Sarina The Violin Diva, which were accompanied by a pair of intergalactic music videos following Myah flirting with danger before being abducted by aliens and plotting her means for escape.

Funk suggests more than a sound. It implies a whole lot of attitude, slick swagger, and serious soul and you feel it just as much as you hear it. The FunkLabb cooks up music in this spirit as they uncork a timeless groove ignited by fresh fire. Since meeting nearly three decades ago crafting music behind the scenes for everyone from legends such as The Notorious B.I.G. and Will Smith to R&B favorites Sharissa and Allure, The FunkLabb now step into the spotlight. Feeling like something was missing from music, The FunkLabb collectively incorporate elements from their past catalog and eclectic taste as they aim to bring back the excellence and musicality needed to remind listeners of how a song makes you feel while evolving their collaboration into an artist development hub with various artists leaning on their expertise, wisdom, guidance, and studio prowess. Ultimately, The FunkLabb represents the culmination of a lifetime dedicated to music and a bold new chapter.

Bastille-Thelma+Louise illustration by Anh Hoang for use by 360 Magazine

BASTILLE-THELMA+LOUISE

BASTILLE PERFORMS “DISTORTED LIGHT BEAM” ON
GOOD MORNING AMERICA’S SUMMER CONCERT SERIES

NEW SINGLE “THELMA + LOUISE” OUT NOW WATCH HERE

This morning, Bastille returned to Good Morning America’s Summer Concert Series to perform their electric hit single, “Distorted Light Beam”—watch their performance HERE and watch their interview for Good Morning America Digital HERE.

“Distorted Light Beam,” a retro-futuristic pop anthem that was the first taste of the band’s forthcoming new album, was co-written and co-produced with Ryan Tedder alongside the band’s long-time collaborator Mark Crew and shows the next evolution of Bastille’s sound. The song was released earlier this summer alongside a cinematic official video starring British actress Remmie Milner from the BAFTA-winning series, Save Me, and frontman Dan Smith—watch HERE. “Distorted Light Beam” continues to climb up the Alternative Radio Chart and currently sits in the Top 15. In support of the track, the band recently released a live performance video“How We Made It” breakdown, and “Behind The Lyrics” video.

Last week, Bastille dropped their latest euphoric single, “Thelma + Louise”—listen HERE. On the song, they pull together the punchy drum machines and dreamy synths of the 80’s with a newfound sparseness, creating a fresh backdrop for a classic, anthemic chorus. Co-written with legendary songwriter Rami Yacoub (Britney Spears’ “…Baby One More Time”, Lady Gaga’s Chromatica Album) and Mark Crew, it’s an infectious meditation on “days like these” where you want to just getaway, whether that’s simply shutting your eyes and imagining yourself somewhere else or driving down to Mexico and leaping off the edge of the world. The song cleverly taps into the dichotomy at the heart of the 1991 classic film, where freedom and living in the moment are tempered by the threat of cold, hard reality intervening at any moment.

Escapism is a theme that’s explored in-depth on Bastille’s upcoming record, especially in connection with technology—in this case under the watchful gaze of Future Inc., a data-hungry, fake big tech enterprise from the future (that may or may not bear some resemblance to big tech enterprises in the present). The company’s innovative “Futurescape” technology (as seen in the video for “Distorted Light Beam”) is offering infinite possibilities of a new kind—the chance to journey into your own inner verse.

In Dan’s words, the concept gives Bastille the opportunity to “poke fun at the way these companies appeal to us and appeal to the world, and advertise themselves and talk about themselves, and take themselves really seriously and earn huge amounts of money whilst taking all our data and more.” Watch Bastille talk about the inspiration behind Future Inc. HERE.

More exciting news to follow!

“You don’t predict the future, you imagine it.” Future Inc.

 

Heather Skovlund-Reibsamen

Heather

Heather Reibsamen is an illustrator, graphic designer, and writer, who has published work within 360 Magazine and issuu. Specializing in new media, Heather’s innovation and passion are a force to be reckoned with.

Currently working at 360 Magazine, Heather’s talents have blossomed in unbelievable ways.  Heather has created an abundance of illustrations ranging from celebrities such as Britney Spears and Doja Cat to heart-wrenching moments such as George Floyd and mass shootings. Heather’s most recent work details the shocking testimony from Britney Spears about the inhumane activities within her conservatorship. In addition, she has written articles on various topics and has interviewed rapper/actor celebrity Page Kennedy and artist David Irvine from The Gnarled Branch.

Heather has also worked with the migration of the 360 Magazine website to a new hosting service and continues to work on building the 360 Magazine eCommerce platform that features styles from the creative director of Ace of Haze Style of Ace (AOHSOA), Armon Hayes. She also assists with copyediting articles and the recent book “Move Like Water × Be Fluid” written by Vaughn Lowery, web design, and client communication.

Heather completed her associate degree in graphic design through Independence University and will complete her bachelor’s degree through Southern New Hamphire University. She is a proactive member of the AIGA IU Student Group as well as the Director of Communications. Heather works alongside fellow officers to bring digital content to the students as well as helping to create the e-zine “Creative Layers”. Heather is also a member of the Alpha Beta Kappa National Honor Society. She has also made charitable design contributions to Dola Dolls to Love through Dementia and Love’s Law.

Heather looks forward to her blossoming career and is excited to see where the path leads her. Follow her on LinkedIn and Instagram. View her portfolio on Behance.

"Best Driving Song" Survey Result image by Rita Azar for use by 360 Magazine

“BEST DRIVING SONG” SURVEY RESULTS

Insurance.com’s survey of the year’s most popular driving songs shows that most people get in touch with their inner disco dancer—with or without bell bottoms and platform shoes—while they’re on the road. “Dancing Queen” by ABBA shimmied its way into the top spot this year, knocking last year’s favorite, “Bohemian Rhapsody” by Queen, to fourth place.

This one-stop destination for expert advice on health, life and auto insurance asked drivers to name the best and worst road trip tunes, the genres most suited for driving, and the artists they’d rather not admit are on their playlist.

Find the complete survey results and detailed analysis on each category HERE.

Songs topping driving playlists this year include:

  • ABBA – Dancing Queen – 26%
  • Journey – Don’t Stop Believin’ – 25%
  • AC/DC – Highway to Hell – 23%
  • Queen – Bohemian Rhapsody – 23%
  • Carrie Underwood – Jesus Take the Wheel – 20%

Not surprisingly, “Dancing Queen” was most popular among drivers aged 45-54, who may be nostalgic about boogying the night away to the song years ago.

Survey participants also made predictions about what the next great classic road trip songs will be:

  • Bruno Mars – Uptown Funk – 34%
  • Taylor Swift – Shake it off – 27%
  • Justin Timberlake – Can’t Stop the Feeling – 26%
  • Florida Georgia Line – Cruise – 25%
  • Billie Eilish – Bad guy – 20%

Although a disco song topped the list, the genre itself did not rank among drivers’ favorites for road trips. Instead, they prefer classic rock (15%), followed by country (12%) and ‘80s music (11%). Those who want to let Jesus take the wheel reported Christian gospel music is their favorite road trip genre (8%). Among the least popular genres—all with 1% popularity—were heavy metal, Latin, K-pop and indie/folk. Punk rock was dead last with 0%.

Survey respondents also listed some tunes and recording artists that they are unlikely to listen to with their windows down. 

Some of the most popular artists in the “guilty pleasures” category are:

  • Britney Spears – 16%
  • Adele – 15%
  • Bon Jovi – 12%
  • Justin Bieber – 12%
  • Celine Dion – 12%

“This is the third year we’ve conducted this light-hearted study,” explains Les Masterson, managing editor for Insurance.com. “It’s an opportunity to remind consumers that we spend a lot of time in our cars and it’s important to have the best possible car insurance coverage in the event that anything goes wrong.”

“While background music can be a nice way to help pass the time, it’s important that people maintain full attention on the road and avoid distracted driving,” Masterson adds.

This survey explores who controls the music during a road trip, how parents handle their children’s music choices, and what solo drivers are most likely to do when their favorite song comes on.

To gather these results, Insurance.com commissioned a survey of 1,000 drivers and asked them to choose the best and worst songs for driving, what song will be the next road-trip favorite, and which artists represent the biggest guilty driving pleasures.

Britney Spears illustration by Heather Skovlund for 360 Magazine

Britney Spears Breaks Her Silence

“I Just Want My Life Back” 

Britney Spears Breaks Her Silence 

By: Heather Skovlund-Reibsamen 

Conservator 

con·ser·va·tor | noun 

  • a person responsible for the repair and preservation of works of art, buildings, or other things of cultural or environmental interest.

Britney Spears. We have heard her name countless times over the years in regard to her career, however, more recently regarding her conservatorship. A conservatorship is a legal arrangement that gives a court-appointed individual, known as the conservator, the power to handle the financial and/or personal affairs of another adult who has been deemed incapacitated.

In this case, James Parnell Spears is Britney’s father and conservator. Mr. Spears was appointed conservator in 2008 after Ms. Spears was taken to the hospital twice by ambulance for involuntary psychiatric evaluations in the midst of a series of public struggles and concerns around her mental health. 

The recent documentary on Britney Spears on Hulu, “The New York Times Presents Framing Britney Spears”, gives a lot of insight into how the conservatorship first came into play. Ms. Spears was failed from the very beginning, unfortunately. She had one request over the conservatorship- for her father not to be the head of it. She was adamant that he was not in charge of herself or her finances. She did not want her father making the decisions on her medical care and treatment as well as her finances.  

Essentially, Britney’s entire life was about to be dictated by people other than herself, against her will. The conservatorship enabled them to control who could and could not visit Britney and retained security guards for her twenty-four hours a day. They had the power to access her medical records and communicate with her doctors. They could take control of her house and even cancel her credit cards. They could make television deals and recordings for her and were able to be overly involved with her finances. In addition to the conservatorship, Spears had also lost the ability to see her two children, whom she shares with ex-husband Kevin Federline. A few weeks after the temporary conservatorship started, she was able to regain some visitation rights.  

On October 28, 2008, the conservatorship over Britney was made permanent. That was thirteen years ago. Thirteen. Since the conservatorship was placed over Britney, she has gone on to release albums, go on tour, and even held a Las Vegas Residency at the Las Vegas Planet Hollywood Resort and Casino. Britney claims that her father had her put on lithium against her will and forced her to keep an IUD in so that she would not have more children. Which leads us to this question: Why is she still under the conservatorship if she is able to work and perform to the absolute best of her ability? A conservatorship is for someone unable to make those decisions for themselves along with not being able to provide for themselves. Britney Spears has shown the entire world over and over again that she is able to function and run her own shows quite successfully.  

If you take a moment and look through Ms. Spears’ Instagram account, you will catch a glimpse of the real Britney. She is a breath of fresh air that is full of life and love, but held back by so many things out of her control. She’s a forty-year-old victim in a conservatorship that is no longer needed. Social media users have taken the internet by storm with the hashtags of #freebritney and you quite literally see it everywhere. There are millions of supporters that have followed her journey and are hoping their voices are heard as well as Britney’s to ensure her freedom.  

Additionally, Jaime Spears has been living off of Britney for the last 13 years. Ms. Spears says “Considering my family has lived off my conservatorship for 13 years, I won’t be surprised if one of them has something to say… I just don’t like feeling like I work for the people who I pay.” According to Forbes, Ms. Spears has paid her father a monthly salary, provided office space, and given him a cut of her celebrity. Jaime Spears was paid at least $5 million before taxes since 2008. Britney also has to pay the entirety of the legal fees for both herself and her conservators. Her father has also made money off of her residencies and tours, which you can read more about here.

More recently, there was a hearing where a twenty-four-minute statement against the conservatorship was aired. You can hear the audio here. Ms. Spears met virtually with Los Angeles probate judge Brenda Penny claiming she wants to sue her family and that she has been “abused” by a previous therapist, among other multiple accusations. 

Additionally, Samy Dwek has also shared an opinion on the matter:

WHOOPS, THEY DID IT AGAIN! FATHER’S CONSERVATORSHIP CONTINUES FOR BRITTANY SPEARS – AND IT SHOULDN’T

By Samy Dwek, Founder and CEO, The Family Office Doctor and White Knight Consulting

I would address something that’s been a major press story – the guardianship of Britney Spears.

In California, they use the word “conservator” – someone who looks after the affairs of a person, such as their finances, or after them as a person, their estate, their properties. In Florida, we use the word “guardianship” of the person or of the property.

For the last 10 years, Britney Spears’ father, Jamie Spears, has been her conservator, her guardian, overseeing both her finances and her personal property, her career, et cetera. Following some very public issues, the court ruled that Bessemer Trust can come in to look after her financial affairs. I think is a very sound decision, based on the father’s background. Bessemer probably has a lot better experience in managing money.

However, the father retains the power as a guardian of the person, looking after her estate and her personal affairs, her personal care, medication, et cetera, which remains a point of contention.

I have to agree with Brittany Spears that her father should be replaced. Let me be very clear that if I were to have someone look after me, I would prefer there to be a person who is impartial, not a family member who has potentially an axe to grind, especially when my bank account would have $60 million in it, and someone who is not trained in these matters.

As parents, we care for our kids, but it’s a very different thing to deal with when the child has some kind of mental trauma or health issues. At that point, I think bringing in a professional who is an expert guardian and does this for a living would probably make more sense.

And I think there’s a lot more to play out here because I believe that Brittany was not aware of the fact that she can cancel the guardianship. She could actually ask for an end to the conservatorship. I think that would be a bit of a drawn-out process that would involve psychiatrists and others to prove that she has the mental capacity to take control of her life. And that would be something that would need to be proven to these practitioners and then presented to the court.

Given the opportunity, I would push for the implementation of a professional guardian whilst these issues are ironed out. Not all parents are good parents, hence we have CPS. A trained professional under the supervision of the courts is a more prudent solution.  

LINK TO LEAKED HQ AUDIO 

LIGHTLY EDITED TRANSCRIPT FROM AUDIO:

SPEARS: I just got a new phone, and I have a lot to say, so bear with me. Basically, a lot has happened since two years ago, the last time – I wrote this all down – the last time I was in court.  

I will be honest with you. I haven’t been back to court in a long time, because I don’t think I was heard on any level when I came to court the last time. I brought four sheets of paper in my hands and wrote in length what I had been through the last four months before I came there. The people who did that to me should not be able to walk away so easily. I’ll recap. I was on tour in 2018. I was forced to do… My management said if I don’t do this tour, I will have to find an attorney –  

JUDGE: Ms. Spears, I hate to interrupt you, but my court reporter is taking down what you’re saying, so you have to speak a little more slowly.  

SPEARS: Oh, of course. Yes. Okay. The people who did this to me should not be able to walk away so easily. To recap: I was on tour in 2018. I was forced to do… My management said if I don’t do this tour, I will have to find an attorney, and by contract, my own management could sue me if I didn’t follow through with the tour. He handed me a sheet of paper as I got off stage in Vegas and said I had to sign it. It was very threatening and scary. And with the conservatorship, I couldn’t even get my own attorney. So out of fear, I went ahead, and I did the tour.  

When I came off that tour, a new show in Las Vegas was supposed to take place. I started rehearsing early, but it was hard because I’d been doing Vegas for four years and I needed a break in between. But no, I was told this is the timeline and this is how it’s going to go. I rehearsed four days a week. Half of the time in the studio and a half of the other time in a Westlake studio. I was basically directing most of the show. I actually did most of the choreography, meaning I taught my dancers my new choreography myself. I take everything I do very seriously. There’s tons of video with me at rehearsals. I wasn’t good – I was great. I led a room of sixteen dancers in rehearsal.  

It’s funny to hear my managers’ side of the story. They all said I wasn’t participating in rehearsals, and I never agreed to take my medication – which my medication is only taken in the mornings, never at rehearsal. They don’t see even see me. So why are they even claiming that? When I said no to one dance move into rehearsals, it was as if I planted a huge bomb somewhere. And I said no, I don’t want to do it this way.  

After that, my management, my dancers and my assistant of the new people that were supposed to do the new show all went into a room, shut the door and didn’t come out for at least forty-five minutes. Ma’am, I’m not here to be anyone’s slave. I can say no to a dance move. I was told by my at-the-time therapist, Dr. Benson – who died – that my manager called him and then that moment and told him I wasn’t cooperating or following the guidelines in rehearsals. And he also said I wasn’t taking my medication, which is so dumb, because I’ve had the same lady every morning for the past eight years give me my same medication. And I’m nowhere near these stupid people. It made no sense at all.  

There was a week period where they were nice to me, and I told them I don’t want to do the – they were nice to me, they said if I don’t want to do the new Vegas show, I don’t have to because I was getting really nervous. They said I could wait. It was like lifting literally two hundred pounds off of me when they said I don’t have to do the show anymore, because it was really really hard on myself, and it was too much. I couldn’t take it anymore. 

So, I remember telling my assistant, but y’know what I feel weird if I say no, I feel like they’re gonna come back and be mean to me or punish me or something. Three days later, after I said no to Vegas, my therapist sat me down in a room and said he had a million phone calls about how I was not cooperating in rehearsals, and I haven’t been taking my medication. All this was false. He immediately, the next day, put me on lithium out of nowhere. He took me off my normal meds I’ve been on for five years. And lithium is a very, very strong and completely different medication compared to what I was used to. You can go mentally impaired if you take too much, if you stay on it longer than five months. But he put me on that, and I felt drunk. I really couldn’t even take up for myself. I couldn’t even have a conversation with my mom or dad really about anything. I told him I was scared, and my doctor had me on six different nurses with this new medication, come to my home, stay with me to monitor me on this new medication, which I never wanted to be on to begin with. There were six different nurses in my home, and they wouldn’t let me get in my car to go anywhere for a month. 

Not only did my family not do a goddamn thing, my dad was all for it. Anything that happened to me had to be approved by my dad. And my dad acted like he didn’t know that I was told I had to be tested over the Christmas holidays before they sent me away, when my kids went home to Louisiana. He was the one who approved all of it. My whole family did nothing. 

Over the two-week holiday, a lady came into my home for four hours a day, sat me down and did a psych test on me. It took forever. But I was told I had to. Then after, I got a phone call from my dad, basically saying I’d failed the test or whatever, whatever. “I’m sorry, Britney, you have to listen to your doctors. They’re planning to send you to a small home in Beverly Hills to do a small rehab program that we’re going to make up for you. You’re going to pay $60,000 a month for this.” I cried on the phone for an hour, and he loved every minute of it.  

The control he had over someone as powerful as me – he loved the control to hurt his own daughter 100,000%. He loved it. I packed my bags and went to that place. I worked seven days a week, no days off, which in California, the only similar thing to this is called sex trafficking. Making anyone work against their will, taking all f their possessions away – credit card, cash, phone, passport – and placing them in a home where they work with the people who live with them. They all lived in the house with me, the nurses, the 24-7 security. There was one chef that came there and cooked for me daily during the weekdays. They watched me change every day – naked – morning, noon and night. My body – I had no privacy door for my room. I have eight vials of blook a week.  

If I didn’t do any of my meetings and work from eight to six at night, which is ten hours a day, seven days a week, no days off, I wouldn’t be able to see my kids or my boyfriend. I never had a say in my schedule. They always told me I had to do this. And Ma’am, I will tell you, sitting in a chair for ten hours a day, seven days a week, it ain’t fun… and especially when you can’t walk out the front door.  

And that’s why I’m telling you this again two years later, after I’ve lied and told the whole world” I’m okay and I’m happy.” It’s a lie. I thought I just maybe if I said enough maybe I might become happy, because I’ve been in denial. I’ve been in shock. I am traumatized. You know, fake it till you make it. But now I’m telling you the truth, okay? I’m not happy. I can’t sleep. I’m so angry it’s insane. And I’m depressed. I cry every day.  

And the reason I’m telling you this is because I don’t think how the state of California can have all this written in the court documents from the time I showed up and do absolutely nothing — just hire, with my money, another person and keep my dad on board. Ma’am, my dad and anyone involved in this conservatorship and my management who played a huge role in punishing me when I said no — ma’am, they should be in jail. Their cruel tactics working for Miley Cyrus as she smokes on joints onstage at the VMAs — nothing is ever done to this generation for doing wrong things. 

But my precious body, who has worked for my dad for the past fucking 13 years, trying to be so good and pretty. So perfect. When he works me so hard. When I do everything, I’m told and the state of California allowed my father — ignorant father — to take his own daughter, who only has a role with me if I work with him, they’ve set back the whole course and allowed him to do that to me. That’s given these people I’ve worked for way too much control. They also threaten me and said, If I don’t go, then I have to go to court. And it will be more embarrassing to me if the judge publicly makes the evidence we have. 

You have to go. I was advised for my image; I need to go ahead and just go and get it over with. They said that to me. I don’t even drink alcohol — I should drink alcohol, considering what they put my heart through. Also, the Bridges facility they sent me to, none of the kids — I was doing this program for four months, so the last two months I went to a Bridges facility. None of the kids there did the program. They never showed up for any of them. You didn’t have to do anything if you didn’t want to. How come they always made me go? How come I was always threatened by my dad and anybody that participated in this conservatorship? If I don’t do this, what they tell me to enslave me to do, they’re gonna punish me. 

The last time I spoke to you by just keeping the conservatorship going, and also keeping my dad in the loop, made me feel like I was dead — like I didn’t matter, like nothing had been done to me, like you thought I was lying or something. I’m telling you again, because I’m not lying. I want to feel heard. And I’m telling you this again, so maybe you can understand the depth and the degree and the damage that they did to me back then. 

I want changes, and I want changes going forward. I deserve changes. I was told I have to sit down and be evaluated, again, if I want to end the conservatorship. Ma’am, I didn’t know I could petition the conservatorship to end it. I’m sorry for my ignorance, but I honestly didn’t know that. But honestly, but I don’t think I owe anyone to be evaluated. I’ve done more than enough. I don’t feel like I should even be in room with anyone to offend me by trying to question my capacity of intelligence, whether I need to be in this stupid conservatorship or not. I’ve done more than enough. 

I don’t owe these people anything — especially me, the one that has roofed and fed tons of people on tour on the road. It’s embarrassing and demoralizing what I’ve been through. And that’s the main reason I’ve never said it openly. And mainly, I didn’t want to say it openly, because I honestly don’t think anyone would believe me. To be honest with you, the Paris Hilton story on what they did to her to that that school, I didn’t believe any of it. I’m sorry. I’m an outsider, and I’ll just be honest. I didn’t believe it. 

And maybe I’m wrong, and that’s why I didn’t want to say any of this to anybody, to the public, because I thought people would make fun of me or laugh at me and say, “She’s lying, she’s got everything, she’s Britney Spears.” 

I’m not lying. I just want my life back. And it’s been 13 years. And it’s enough. It’s been a long time since I’ve owned my money. And it’s my wish and my dream for all of this to end without being tested. Again, it makes no sense whatsoever for the State of California to sit back and literally watch me with their own two eyes, make a living for so many people, and pay so many people, trucks and buses on the road with me and be told, I’m not good enough. But I’m great at what I do. And I allow these people to control what I do, ma’am. And it’s enough. It makes no sense at all. 

Now, going forward, I’m not willing to meet or see anyone. I’ve met with enough people against my will. I’m done. All I want is to own my money, for this to end, and my boyfriend to drive me in his fucking car. 

And I would honestly like to sue my family, to be totally honest with you. I also would like to be able to share my story with the world, and what they did to me, instead of it being a hush-hush secret to benefit all of them. I want to be able to be heard on what they did to me by making me keep this in for so long, it is not good for my heart. I’ve been so angry, and I cry every day. It concerns me, I’m told I’m not allowed to expose the people who did this to me. 

For my sanity, I need you to the judge to approve me to do an interview where I can be heard on what they did to me. And actually, I have the right to use my voice and take up for myself. My attorney says I can’t. It’s not good. I can’t let the public know anything they did to me and by not saying anything, is saying it’s OK. 

It’s not OK. Actually, I don’t want an interview — I’d much rather just have an open call to you for the press to hear, which I didn’t know today we’re doing, so thank you. Instead of having an interview, honestly, I need that to get it off my heart, the anger and all of it that’s been happening. 

It’s not fair they’re telling me lies about me openly. Even my family, they do interviews to anyone they want on news stations. My own family doing interviews and talking about the situation and making me feel so stupid. And I can’t say one thing. And my own people say I can’t say anything. 

It’s been two years. I want a recorded call to you actually, we’re doing this now — which I didn’t know that we’re doing this. My lawyer, Sam (Ingham), has been very scared for me to go forward because he’s saying if I speak up, I’m being overworked in that facility of that rehab place, that rehab place will sue me. He told me I should keep it to myself. I would personally like to — actually, I’ve grown with a personal relationship with Sam, my lawyer, I’ve been talking to him like three times a week now, we’ve kind of built a relationship but I haven’t really had the opportunity by my own self to actually handpick my own lawyer by myself. And I would like to be able to do that. 

The main reason why I’m here is because I want to end the conservatorship without having to be evaluated. I’ve done a lot of research, ma’am. And there’s a lot of judges who do end conservatorships for people without them having to be evaluated all the time. The only times they don’t is if a concerned family member says something’s wrong with this person. 

And considering my family has lived off my conservatorship for 13 years, I won’t be surprised if one of them has something to say going forward, and say, “We don’t think this should end, we have to help her.” Especially if I get my fair turn exposing what they did to me. 

Also, I want to speak to you about my obligations, which, I personally don’t think at the very moment I owe anybody anything. I have three meetings a week I have to attend no matter what. I just don’t like feeling like I work for the people whom I pay. I don’t like being told I have to, no matter what, even if I’m sick. Jodi, the conservator, says I have to see my Coach Ken even when I’m sick. I would like to do one meeting a week with a therapist. I’ve never before, even before they sent me to that place, had two therapy sessions. I had a doctor and then a therapy person. What I’ve been forced to do illegal in my life. I shouldn’t be told I have to be available three times a week to these people I don’t know. 

I’m talking to you today because I feel again, yes, even Jodi is starting to kind of take it too far with me. They have me going to therapy twice a week and a psychiatrist. I’ve never in the past – wait, they had me going, yeah, twice a week and Dr. Gold, so that’s three times a week. I’ve never in the past had to see a therapist more than once a week. It takes too much out of me going to this man I don’t know. 

Number one, I’m scared of people. I don’t trust people with what I’ve been through. And the clever setup of being in Westlake, one of the most exposed places in Westlake, which, yesterday, paparazzi showed me coming out of the place literally crying in therapy. It’s embarrassing, and it’s demoralizing. I deserve privacy when I go and have therapy, either at my home, like I’ve done for eight years. They’ve always come to my home. Or when Dr. Benson — the man that died — I went to a place similar to what I went to in Westlake which was very exposed and really bad. Okay, so where was I? It was like, it was identical to Dr. Benson, who illegally, yes 100% abused me by the treatment he gave me, to be totally honest with you, I was so — 

JUDGE: Ms. Spears, excuse me for interrupting you, but my reporter says if you could just slow it down a little bit, because she’s trying to make sure she gets everything that you’re saying. 

SPEARS: OK, cool… And to be totally honest with you, when [Dr. Benson] passed away, I got on my knees and thanked God. In other words, my team is pushing it with me again. I have trapped phobias being in small rooms because of the trauma, locking me up for four months in that place. It’s not okay for them to send me — sorry, I’m going fast — to that small room like that twice a week with another new therapist that I pay that I never even approved. I don’t like it. I don’t want to do that. And I haven’t done anything wrong to deserve this treatment. 

It’s not okay to force me to do anything I don’t want to do. By law, Jodi and this so-called team should honestly – I should be able to sue them for threatening me and saying if I don’t go and do these meetings twice a week, we can’t let you have your money and go to Maui on your vacations. You have to do what you’re told for this program and then you will be able to go. But it was a very clever thing, one of the most exposed places in Westlake, knowing I have the hot topic of the conservatorship, that over five paparazzies are going to show up and get me crying coming out of that place. I begged them to make sure that they did this at my home, so I would have privacy. I deserve privacy. 

The conservatorship, from the beginning, once you see someone, whoever it is, in the conservatorship making money, making them money, and myself money and working – that whole statement right there, the conservatorship should end. I shouldn’t be in a conservatorship if I can work and provide money and work for myself and pay other people — it makes no sense. The laws need to change. What state allows people to own another person’s money and account and threaten them and saying, “You can’t spend your money unless you do what we want you to do.” And I’m paying them. 

Ma’am, I’ve worked since I was 17 years old. You have to understand how thin that is for me every morning I get up to know I can’t go somewhere unless I meet people, I don’t know every week in an office identical to the one where the therapist was very abusive to me. I truly believe this conservatorship is abusive, and that we can sit here all day and say oh, conservatorships are here to help people. But ma’am, there is a thousand conservatorships that are abusive as well. 

I don’t feel like I can live a full life. I don’t owe them to go see a man I don’t know and share him my problems. I don’t even believe in therapy. I always think you take it to God. I want to end the conservatorship without being evaluated. In the meantime, I want this therapist once a week. I just want him to come to my home. I’m not willing to go to Westlake and be embarrassed by all these scummy paparazzi laughing at my face while I’m crying, coming out and taking my pictures as all these white nice dinners, where people drinking wine at restaurants, watching these places. They set me up by sending me to the most exposed places, and I told them I didn’t want to go there because I knew paparazzi would show up there.

They only gave me two options for therapists. And I’m not sure how you make your decisions, ma’am. But this is the only chance for me to talk to you for a while. I need your help, so if you can just kind of let me know where your head is. I don’t really honestly know what to say but my requests are just to end the conservatorship without being evaluated. I want to petition basically to end the conservatorship. But I don’t want to be evaluated and be sat in a room with people four hours a day, like they did me before. And they made it even worse for me after that happened. 

I’m honestly new with this. And I’m doing research on all these things. I do know common sense and the method that things can end – for people, it has ended without them being evaluated. So, I just want you to take that in consideration. 

It also took a year, during COVID, to get me any self-care methods. She said there were no services available. She’s lying, ma’am. My mom went to the spot twice in Louisiana during COVID. For a year, I didn’t have my nails done — no hairstyling and no massages, no acupuncture. Nothing for a year. I saw the maids in my home each week with their nails done different each time. She made me feel like my dad does. Very similar, her behavior and my dad, but just a different dynamic. 

The team wants me to work and stay home instead of having longer vacations. They are used to me sort of doing a weekly routine for them. And I’m over it. I don’t feel like I owe them anything at this point. They need to be reminded they actually work for me. 

I was supposed to be able to — I have a friend that I used to do AA meetings with. I did AA for two years. I did three meetings a week. I’ve met a bunch of women there. And I’m not able to see my friends that live eight minutes away from me, which I find extremely strange. 

I feel like they’re making me feel like I live in a rehab program. This is my home. I’d like for my boyfriend to be able to drive me in his car. And I want to meet with a therapist once a week, not twice a week. And I want him to come to my home. Because I actually know I do need a little therapy. (Laughing.) 

I would like to progressively move forward, and I want to have the real deal, I want to be able to get married and have a baby. I was told right now in the conservatorship, I’m not able to get married or have a baby, I have a (IUD) inside of myself right now, so I don’t get pregnant. I wanted to take the (IUD) out so I could start trying to have another baby. But this so-called team won’t let me go to the doctor to take it out because they don’t want me to have children – any more children. So basically, this conservatorship is doing me waaay more harm than good. 

I deserve to have a life. I’ve worked my whole life. I deserve to have a two-to-three-year break and just, you know, do what I want to do. But I do feel like there is a crutch here. And I feel open and I’m okay to talk to you today about it. But I wish I could stay with you on the phone forever, because when I get off the phone with you, all of a sudden all I hear all these no’s — no, no, no. And then all of a sudden, I get I feel ganged up on and I feel bullied, and I feel left out and alone. And I’m tired of feeling alone. I deserve to have the same rights as anybody does, by having a child, a family, any of those things, and more so. 

And that’s all I wanted to say to you. And thank you so much for letting me speak to you today. 

JUDGE: Ms. Spears, you’re quite welcome. And also, I just want to tell you that I certainly am sensitive to everything that you said and how you’re feeling, and I know that it took a lot of courage for you to say everything you have to say today, and I want to let you know that the court does appreciate your coming on the line and sharing how you’re feeling. 

For Women Under Conservatorship, Forced Birth Control Is Routine

In June, Britney Spears spoke publicly for the first time about her conservatorship. She told a Los Angeles judge she has been forced to perform, forced to take medication she did not want, and, perhaps most shocking to the general public, forced to use contraception. Last night, Spears reiterated many of the claims she made in June, adding that in addition to major abuses like being forced into a residential psychiatric facility, she was subjected to a number of petty ones.

Journalist Sara Luterman, who focuses on disability politics, reports that a lot of people were shocked by the allegations that Britney Spears is being forced to wear an IUD. After looking into how common the practice is for other people under guardianship, she’s not going to lie: It’s bleak.

For Women Under Conservatorship, Forced Birth Control Is Routine

No one with knowledge of conservatorship Luterman interviewed was surprised by any of Spears’s allegations, including the ones around reproductive choice. Advocates say forced birth control and sterilization are still routine in the United States for women under conservatorship. Tom Stenson—the deputy legal director of Disability Rights Oregon, a federally funded protection agency—said he has never seen a case involving a man’s family seeking birth control or sterilization of a son. “I’m sure somewhere out there, there’s somebody trying to get their son or brother with a disability sterilized. But I’ve had a number of these cases arise, and they are, in my experience and so far, all women.”

Read the full article here

Tom Holkenborg — "Soundtrack of Your Life" Auction for use by 360 Magazine

TOM HOLKENBORG — “SOUNDTRACK OF YOUR LIFE” AUCTION

Holkenborg, also known as Junkie XL, will compose a +20 minute musical score based on an interview with the winner to be the “Soundtrack of Your Life.”

Holkenborg will release a new single ‘Despite All That Was’ alongside an NFT drop featuring three original art pieces from Space Renders on NFT platform AmplifyX, built on the energy efficient Tezos blockchain. 10% of the auction gross will be donated to Leonardo DiCaprio’s Earth Alliance charity.

Holkenborg is a world-renowned film composer for Hollywood blockbusters such as Mad Max: Fury Road, Deadpool, Justice League and more; Grammy-nominated electronic music producer known for collaborations with Britney Spears, Madonna, Justin Timberlake and more; and legendary video game soundtrack composer for Need for Speed, The Matrix, The Sims 2, The Sims 3 and more.

Tom Holkenborg, one of Hollywood’s most coveted composers, has announced he will be minting a truly one-of-a-kind offering, by creating the score to someone’s life. Holkenborg is a blockbuster composer, whose credits include Zack Snyder’s Justice League, Mad Max: Fury Road, Deadpool and Godzilla vs Kong. He has built a reputation for pushing the envelope as a full-contact composer, and has worked with directors including Peter Jackson, Robert Rodriguez, James Cameron, Tim Miller and Zack Snyder among others. The ‘Soundtrack to Your Life’ Auction Begins Noon EST on June 16, 2021 on AmplifyX, an NFT platform built on the energy efficient Tezos blockchain.

The ‘Soundtrack Of Your Life’ NFT concept was developed by Holkenborg to be an offering that would push the boundaries of what is possible with NFTs. Holkenborg will create a 20+ minute original score, based on an interview with the winner, that encapsulates the unique victories, heartbreaks, memories and emotions that make up their lives. The NFT auction is a chance to have one of Hollywood’s singular composers write a truly personalized audio odyssey for you or a loved one. Institutional entrants are also welcome to participate in the bidding.

“This is my first real exploration of the blockchain, I am definitely curious to experiment more, drawn to its transparency and decentralized approach,” said Tom Holkenborg. “Beneath the hype, it still feels quite punk rock and DIY, and I believe that major possibilities exist within the blockchain to help empower creators. It’s always good to think about expanding the limits of how and where music can go, and to collaborate with artists in other mediums. I’m certainly not first in the NFT space, but I thought the Soundtrack Of Your Life was my chance to add something different and make something totally unique. It’s going to be fun!”

The NFT Open Collection will include the first original non-film related work from Tom since 2012, the single “Despite All That Was” and three original pieces of artwork in collaboration with visual artist Space Renders (Juan Piana) who has previously worked with creators like Camila Cabello, Machine Gun Kelly, Jake Paul and others.

“We’re building the toolkit to help creators raise capital, create additive revenue streams and engage with their fan bases in new ways,” says AmplifyX CEO Adam Cowherd.

The auction will take place on AmplifyX, a FINRA and SEC registered platform reinventing the intersection of NFTs and securities to transform digital ownership and monetization across technology, finance and popular culture. AmplifyX is built on the Tezos blockchain, an energy efficient Proof of Stake blockchain network that uses 2 million times less energy than Proof of Work blockchains such as Bitcoin and Ethereum. 10% of the auction gross will be donated to Leonardo DiCaprio’s Earth Alliance charity.

Auction Begins Noon EST on June 16, 2021 on AmplifyX, built on Tezos.

About AmplifyX:

AmplifyX is a FINRA and SEC registered platform reinventing the intersection of NFTs and securities to transform digital ownership and monetization across technology, finance and popular culture. AmplifyX was created to bring transparency, equity and artist ownership to the music industry. We believe artists have the right to own their masters, control their creative journey and keep a majority of their royalties.

About Tezos:

Tezos is smart money, redefining what it means to hold and exchange value in a digitally connected world. A self-upgradable and energy-efficient blockchain with a proven track record, Tezos seamlessly adopts tomorrow’s innovations without network disruptions today.

Catch Tom speaking about the NFT on Clubhouse today at 7:30pm ET / 4:30pm PT.

Tom Holkenborg — "Soundtrack of Your Life" Auction for use by 360 MagazineTom Holkenborg — "Soundtrack of Your Life" Auction for use by 360 Magazine

photo by Kai for 360 MAGAZINE

MADAME TUSSAUDS HOLLYWOOD WAX MUSEUM

When you walk through Hollywood, you can find 2,690 stars along the sidewalk calling out famous and celebrated singers, songwriters, actors, directors, and anyone who has had a lasting impact on Hollywood. You can also escape the heat and bustle of the city by exploring Madame Tussauds where you are treated to life-size replicas of all your favorite Hollywood Superstars.

Madame Tussauds Hollywood features three floors filled with wax replicas of singers, late night hosts, actors and actresses, and even famous characters from movies like Boris Karloff as The Mummy. You are first greeted with a wax figure of Baywatch Zac Efron in front of the Santa Monica Skyline, a massive King Kong next to the Empire State building, and a game face ready Kobe Bryant. After you purchase your tickets, you are welcomed into the museum and given free rein to tour and visit all three floors. Following COVID-19 guidelines, guests are to start from the third floor and make our way down for one-way traffic to flow better. The first-floor features Hollywood’s newest members and current pop culture icons: Demi Lovato, Jason Derulo, Carrie Underwood, Jennifer Lopez, Kylie Jenner, Morgan Freeman, Simon Cowell and more. And not forgetting to mention, the brand-new Ariana Grande wax figure dressed in her Rule The World music video outfit. The figurine is also posed in a pink-themed set from her famous 7 Rings video with a pyramid of champagne glasses behind her. This is a new piece for the museum and not yet updated in all of Madame Tussauds locations, so it is definitely not to be missed!

On the second floor, you pass Meryl Streep, Obama, and Jim Carrey; the second floor also features all of old Hollywood’s stars: Marilyn Monroe, Judy Garland, John Wayne, esteemed directors: Alfred Hitchcock, Martin Scorsese and Quentin Tarantino, and even actors portraying characters from popular films of that era: Hannibal Lector (Anthony Hopkins) locked in his cell, Danny (John Travolta) next to his red-hot rod, and Edward Scissorhands (Johnny Depp). After you tour through Old Hollywood, you arrive at the last floor featuring all your favorite stars from the 90’s: Britney Spears, Tupac, Snoop Dog, Michael Jackson, Shakira, Beyoncé, Madonna, and so on. This section features the ultimate 90’s bedroom and would transport you back in time.

After your trip down memory lane, you will arrive the last feature in the museum, a Marvel theme wax exhibition, where you can check out a few Marvel cast members figures in full costume: Spiderman, Captain America (Chris Evans), Thor (Chris Hemsworth), etc. Though it is not compulsory, you can also purchase the 4D Marvel Movie screening for an additional $5 for an immersive experience. The glasses the museum provides will allow you to see the 3D aspect of the film, and be prepared for sound effects, water, bubbles and even ropes to hit your feet. All of these elements make for an out of this world experience, the movie is 10 minutes long. Make sure to put any items you don’t want getting wet away! If you are not a fan of getting wet, I recommend sitting father back. Stop by the gift shop on your way out and grab a cup, key chain, or shirt to remember your visit to Madame Tussauds Hollywood.

In addition to offering a fun and safe day out of the house, you are also able to learn about the process of making a wax figure, see examples of the process, and in pre-Covid times purchase your own wax mold of your hand. It takes about 800 hours to create a wax figure, beginning with the detailed measurement of the model from the circumference of your head to the width of your ankle. Every measurement is specific to ensure the wax figure looks as accurate as possible. After the measurements are taken, workers begin sculpting, painting, designing, making the costumes and finally dressing and staging the wax figures. This is no easy task and while some figures are more life-like and realistic than others, they are all impressive. It really makes you question who in the room was real and who was a wax figure! The detail in every figure is astonishing, from freckles, scars, tattoos, and hair. It feels as if you are really meeting and interacting with these stars rather than standing next to a wax figure.

Come meet your favorite artists and movie characters at Madame Tussauds Hollywood today! To buy tickets for Madame Tussauds, visit the website or buy them in person.

Kobe Bryant at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Zac Efron at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Jimmy Fallon at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Meryl Streep at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

photo by Kai for 360 MAGAZINE

Marilyn Monroe at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Audrey Hepburn at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Tom Hanks as Forrest Gump at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Johnny Depp as Edward Scissorhands at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Michael Jackson at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Britney Spears at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Chris Hemsworth as Thor at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Chris Evans as Captain America at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Robert Downey Junior as Tony Starks at Madame Tussauds Hollywood image shot by Kai Yeo for use by 360 Magazine

Kelly Dooley shot by Baz for 360 Magazine

Kelly Dooley QxA

Here at 360 Magazine, we were honored to speak with the athleisure pioneer and cannabis queen, Kelly Dooley. With her impressive, luxurious brands–Luxe Branding Haus and BodyRock Sport–Dooley stays busy revolutionizing how athletic wear can empower her customers. When she isn’t designing her avant-garde, fabulous pieces, Dooley can be found working with lifestyle and luxury cannabis brands, as well as involving herself with several real estate and technology projects. Dooley is a trailblazer who sets forth on her dreams with determination and undeniable spunk. We sat down with Kelly Dooley to speak about her recent sports bra design for Britney Spears, her best solutions for combatting stigma surrounding the cannabis industry, and how she finds inspiration.

What was it like creating a bra for superstar Britney Spears? How did you feel when you first found out about the project?

When I first launched BodyRock Sport in January 2010, I had an insatiable desire to beautify activewear for like-minded women that combined fitness and fashion in a way that had not been done before.

The moment that I found out that Britney Spears was rocking my $20,011 Eternal Love Sports Bra from my most popular Zip’ Up collection with the Jessica Moto leggings from my Show ‘Em Some Swagger collection in her comeback “Twister” music video was absolutely surreal. My baby, BodyRock Sport, was on fire. I was breaking all the rules and taking names–one celeb at a time. I was empowering women to love the skin they’re in, while pursuing my dream with reckless abandonment in the heart of New York City.

I neither made the sports bra nor the leggings specifically for her, but due to the intricacy of the design­–which included black and silver French silk and a diamond-eyed skull tassel attached to a solid gold zipper pull–and based on the purposely inflated price, I knew that the design would inevitably adorn an A-List celebrity. Britney was on my manifestation list and my dream came true with Godspeed. I was honored and proud of myself for achieving my goal. 2012 represented a dramatic turning point in the overwhelmingly lackluster world of athleisure, and I–the avant-garde, fabulous, over-educated and extremely quirky SoCal girl–was being heralded as one of the pioneers of the activewear industry.

I knew that my Dad was beaming down at me from heaven with pride. I recall getting hundreds of Google alerts because the music video went viral–not only because of the extravagant sports bra that she wore– but also because Britney Spears finally returned to the stage with a vengeance after overcoming her former hardships. She was also often seen out and about in Los Angeles rocking some of my other sports bra designs and booty shorts. Every now and then, I spot her in the tabloids or online wearing a design that I created a decade ago. The surge of gratitude never dissipates.

At the time, luxury activewear was virtually impossible to find so I felt passionate about innovating the industry that so desperately needed to evolve. Believe it or not, the first sports bra EVER was not even invented until 1977. The design looked as though it had been produced solely for hospital patients–not for vivacious women, like me, who prioritize both their inner and outer beauty. If wanting to look and feel my best makes me narcissistic, then I will unapologetically own that title. My entire squad of customers, all of whom represent a constellation of stars, are stellar in their own ways.

What is your artistic process in creating a new piece? More specifically, how did you come up with the design for the iconic bra?

My creative process is very Faulknerian in nature. I instinctively follow a stream-of-consciousness approach for everything in life when it comes to creativity­­–whether that be a sports bra design, a customized piece of furniture or a lavish dinner for a loved one. I go with, and grow with, the flow. My overarching objective in creating extravagant sports bras was two-fold.

On the one hand, I knew that I capitalize on the white space in the activewear industry by targeting my demographic, which had been egregiously disregarded for so long. I could not comprehend why bras like the one I envisioned in my head had not yet existed!

On the other hand, because I got my M.A. in Media, Culture and Communication Studies with an emphasis in social media and luxury consumption from New York University in 2008, I knew that I could strategically leverage social media at a time when Instagram was still in its infancy and when Facebook was ubiquitous, still existing as the epicenter for digital communication. Therefore, my ridiculously expensive, bespoke sports bra designs had viral appeal that would boost my website traffic; thereby introducing customers to my other eclectic, yet more affordable, designs that ranged from $44-$85. At the time, these prices were considered outrageous since the median, high end sports bra price industry wide was around $30.

Each design that launched was inspired by women who have inspired me. These woman include my Mom, who is my hero; my bestie Jasmine Kingsley, who is a queen in her own right currently dominating as a lawyer for HUDL in Lincoln, Nebraska and raising two beautiful mixed children with the love of her life. Further, the ZuZu Bra was named after my beautiful hair stylist and make-up artist, Zuleika Acosta. She now owns hair salon in Brooklyn called ZuZu Studio. I am so proud of all of the dreams that she manifested with unwavering intention since the second I met her while getting my hair styled at Bumble and Bumble’s styling bar at Bloomingdales on 59th in New York City back in 2010. Even Angelina Jolie, when she starred in Tomb Raider sexily clad in black leather [has been an inspiration].

Every creation that I created was different, just like the plethora of exceptional women who inspired the design. [These creations] empower women to love the skin they’re in. [The designs] encourage them to fully embrace their femininity with just enough bite to remain authentic in a society that has successfully brainwashed females into idealizing an unrealistic standard of beauty. [This unrealistic standard of beauty] exacerbates mental health issues worldwide by diminishing self-esteem, which has proven globally to be utterly detrimental.

There were seven staple collections based on women’s respective needs, dubbed: (1) Dim Your Headlights; (2) Keep ’em in; (3) Lock ’em Down, (4) Show ’em Off; (5) The Empower ’em Collection, which was marketed as the world’s most fashionable mastectomy bra endorsed by Giuliana Rancic; (6) Yogansita; and (7) Zip ’em Up. I also had an assortment of booty shorts, capris, cycling shorts, gloves, leggings, moto-jackets, swimwear, and tops.

The Zip ’em Up Collection was hands down the most popular collection. From that collection came The Sophia Bra: a pink, ditsy, floral Supplex adorned with a gold zipper. [The Sophie Bra], embellished with a combination of gold studs and Swarovski crystals on the piping, was the star of the show. The same month that Britney Spears reminded the world of who she was by wearing The Eternal Love Bra, The Sophia Bra got confirmed for Oprah’s O List, which was another goal that I was determined to manifest.

Where do you usually find inspiration for designing with your company Luxe Branding Haus? 

The world is my playground. I’ve had the unique privilege of living in Southern California, Boston, New York City, and studied abroad in 8 different countries, from middle school through graduate school . I travel all over the world as an explorer.

This montage of vivid experiences has helped me develop a global perspective and a sophisticated eye that is heavily influenced by architecture and interior design. Luxury fashion from the world’s most reputable brands, [including] Louis Vuitton, sets the precedent not only for customer service. [Vuitton’s] artful, fashion-forward yet elegant design, and overall quality [sets the standard].

[Dooley finds inspiration] by being a voracious reader with a monomaniacal desire to eternally innovate, whilst blazing a purposeful trail in every industry that I strut my fancy feet into while living a life of purpose. More than anything, it’s my heart and hustle that sets me, as the founder, apart. Coupled with the juxtaposition of luxury design, social media marketing, and postmodernism, that is what makes Luxe Branding Haus such an avant-garde and purpose-driven company.

Rather than thinking outside-the-box, as many creatives are naturally inclined to do, I design as if there is no box– because the norm does not interest me. Basic [fashion]–such as Coach, Lululemon and Michael Kors, for example– are of no interest to me. In a world of disempowering monotony, standing out is an absolute anomaly and is a surefire way to create positive change in a world that is controlled with fear, rather than trusted with faith. Why blend in when I was born to stand out?

We all live in the same world, but not on the same frequency. Luxe Branding Haus follows the same luxury strategies invented in Europe and [has been] developed worldwide by predominantly French and Italian brands. We have several lifestyle and luxury cannabis brands launching in California this year as well as several game-changing real estate and technology projects. [They] are going to influence each respective industry indefinitely through integrated, cause-based marketing and other non-traditional strategies. [Through these projects, Dooley aims] to create positive change in a world that so desperately needs authenticity, genuine inspiration and a resurgence of utilitarian principles that will make the world a better place.

Is your personal style reflected in the pieces and styles you do for other people, or are the designs more-so dependent on the individual?

My designs are, often, heavily dependent on the individual. I have styled countless men and women over the last 13, years and I treat each project differently. To me, the human body is the equivalent of a blank canvas to an artist. Take, for example, Johannes Vermeer’s famous painting, “Girl with a Pearl Earring” from 1665. The combination of paint that he used and the brushes that he chose to create that world-renowned masterpiece is the same refined yet free-flowing process that I utilize when it comes to my designs. The only difference is that consumer products and humans are my canvas, and luxury design is the vehicle through which my visions come to life in full form.

How can the stigma surrounding the cannabis industry be best combatted?

Clinical trials, the decriminalization of cannabis, education, and luxury branding­, in my opinion, will play the most fundamental roles in de-stigmatizing the cannabis industry. Luxe Branding Haus is revolutionizing the cannabis industry. I am so excited for the slow trickle of our diverse assortment of brands, all of which will resonate with different demographics. At the same time, [these brands will aid in] educating and enhancing the lifestyles of our vast clientele and hopefully helping them achieve true bliss through holistic health via cannabis­–which is THE TRUTH–the universal panacea for virtually every ailment. All our brands are tied to a cause with the intention of boosting morality by imbuing the industry with pay-it-forward principles that will help mitigate some of the issues that have been so detrimental to humanity. My most fervent philanthropic passions are domestic violence awareness, mental health awareness, social equity, and suicide prevention.

How do you see the LA cannabis industry evolving in the next few years?

The LA cannabis industry will gradually commoditize and therefore become ubiquitous and normalized. Once cannabis goes federally legal, consumers will need to be more educated than ever to avoid being manipulated by the sociopaths who lead big pharma, one of the most evil juggernauts in the world. [Big Pharma] takes more lives than it saves lives, and that does more harm than good.

Do you have any other exciting projects coming up in 2021?

2021 is stacked with a vast array of blessed projects, and I could share all my secrets, but I’d rather wet your palates. All I can say is to be sure to prepare your tastebuds for the most luxurious branding and the most superb quality in the cannabis industry.

"90s Kids" by Jax artwork by Ted Sullivan via Atlantic Records of Warner Music Group for use by 360 Magazine

JAX – 90s Kids

JAX does it for the “90s Kids”

Multi-talented singer-songwriter premieres nostalgia anthem, available now via Atlantic Records

STREAM “90S KIDS” HERE

Singer-songwriter Jax has premiered her highly anticipated new single “90s Kids” – available now via Atlantic Records. The nostalgia-fueled anthem became an instant fan-favorite after being previewed on TikTok late last year, packed with all the quintessential decade references from Tamagotchi to Britney Spears.

“I’m obviously a 90s kid, and grew up with all these amazing trends that I’m still obsessed with today” said Jax. “One night at 3am I was just thinking of all the times I’d watched ‘Saved By The Bell,’ played Super Smash Bros, danced to Britney Spears and I just put it all in a voice memo. Next thing I knew by sunrise I had this anthem to rep all my fellow 90s babies.”

“90s Kids” follows the release of “Ring Pop,” Jaxs major label-debut which yielded a massive viral response and high-profile appearances on The Ellen DeGeneres Show, Access Hollywood & more. Initially teased on TikTok, “Ring Pop” instantly captivated fans with its honest lyrics that perfectly encapsulate the emotions being felt by so many in today’s predicament. Her warm delivery coasting over dreamy guitar and snappy percussion as she croons to her boyfriend, “Don’t need no diamonds, you’re my rock, and I’m okay with a ring pop.

Raised in New Jersey by way of New York, Jax got her start by performing a wide variety of genres and in bands growing up. At the age of 18, she developed cancer above her vocal cords, which returned following a couple months of remission right as she relocated to Los Angeles in pursuit of her music. Left unable to sing herself, Jax turned to songwriting for others and found industry success behind-the-scenes.

As her ability to perform returned, Jax needed to pivot yet again when the COVID-19 pandemic struck. This time she turned to TikTok, posting a hilarious response to the pop gem “Stacy’s Mom” from “Stacy’s Mom’s Perspective” which exploded with nearly 9 million views in just a few months and “Update from Avril Lavigne & Sk8er Boi 18 years later” which became her most successful parody to date with over 14.5 million views. She continued to go viral a dozen or more times over, eventually amassing over 1.6 million followers on the platform, 200 million total views and 28 million “likes.” With a massive online audience under her belt, Jax began sharing her own original music in late 2020 to an overwhelmingly positive response – ultimately leading to her singing with Atlantic Records for her forthcoming debut full-length.