Posts tagged with "new track"

Lola Young via Kalpesh Lathigra for use by 360 Magazine

Lola Young – Fake

Fresh off the release of her new EP After Midnight, rising star Lola Young returns with a brand new single, “FAKE,” out today via Capitol Records. She’ll make her U.S. television debut by performing the song on “The Late Late Show With James Corden” after being hand-picked by Corden himself. Tapping into a vibe that Janis Joplin might have come up with if she was a 20-year-old South Londoner living in 2021, “FAKE” fuses soaring vocals, shimmering guitars and stomp-along drums, playing out, as Young says, “like a scene from a Tarantino movie.” The song was produced by Paul Epworth (Paul McCartney, Beck, Adele). “FAKE,” which will have its UK radio premiere on BBC Radio 1 with Clara Amfo, is available for download/streaming HERE. Watch the visualizer HERE.

“FAKE” is a song about remembering the core of who you are,” explains Lola Young. “There is so much constantly being sold to us, so much that is trying to tell us who to be, whether it’s an advert or person on the street. How would we be if we ignored it all? When writing this song I was trying to drown out all the noise, it ‘s about remembering that everything other than what you personally believe isn ‘t the truth and to listen to your instinct about what ‘s fake. I hope whoever hears this relates and feels a sense of empowerment towards anything or anyone that has made them feel inadequate in their life.”

Young takes her place today as an Amazon Next Breakthrough Artist and will appear on the cover of their Breakthrough playlist worldwide. Following her UK tour with Dermot Kennedy and festival performances, she ‘ll launch a fall UK/EU headline tour. View itinerary HERE.

Her stripped-down After Midnight EP, released last month with an accompanying film that was directed by Dumas Haddad, tells the story of one night in Young ‘s life, tracing the hours between midnight and 5 a.m. She moves from feeling confident and in control to gradually becoming more vulnerable and, eventually, entering a manic state of mind, where Young leaves nothing on the table.

Billboard praised the “velvet-voiced Lola Young” and Clash Magazine hailed her music as “touching [and] honest.” The Honey Pop said, “With her sultry voice and such an explosion of talent, [Young ‘s] emotional loops hit us hard.” Hailed as “a star on the rise” by ELLE UK, the 20-year-old artist is fiercely independent and uncompromising. Her work to date the powerful singles “Ruin My Makeup” and “Woman,” her debut collection of tracks, Intro, and second release, the Renaissance EP received support across the board from the likes of Billboard, Atwood Magazine, Wonderland and British Vogue.

Ebhoni Goodaz Image via Capitol Music Group for use by 360 Magazine

Ebhoni – Goodaz

Coming off the heels of her debut project, Good Dick & Weed, an offering recently included on HipHopDX’s Best R&B Albums of 2021, promising Toronto R&B singer, Ebhoni, taps into her West Indian roots, with “Goodaz,” a clever flip on Capella Grey’s buzzing single, “Gyalis.

The video, shot by Zion ATL, shows Ebhoni with her girls sharing another side to the cautionary tale. “He tryna sneak sum vids of me, then wanna ask like ‘what we gon be,'” Ebhoni sings. The fun run-and-gun comes as she prepares to release the next video off GD&W, “IYKYK,” coming next week.

In May, Ebhoni released the unfiltered, melancholic “Rep It, ” the single that kicked off the Good Dick & Weed era. That stunning drop wasn’t even her first of 2021, however. Good Dick & Weed followed February’s X EP, which garnered considerable critical acclaim. In addition to Pitchfork plugging the release, HotNewHipHop wrote,  “Ebhoni has been one artist to keep an eye out for in the 6ix, ” and The Root wrote that her music  “makes you feel like you’ve been sipping on a fancy cocktail for the last few hours. ” It’s no wonder FLAUNT crowned her  “Our favorite new R&B artist. “

Over the last few years, Ebhoni’s string of animated R&B singles has won both commercial and critical success. In the middle of a productive 2019, Pitchfork wrote that she is  “reclaiming the Toronto R&B crown for women.” Throughout her career, Ebhoni has made a point to partner with Black-owned businesses, support other women artists and workers, and to uplift the local LGBTQ+ community, which she’s done through efforts like hosting Pride Toronto. Visuals like  “Rotation” only bolster the rep she’s built as one of R&B’s most magnetic young stars.

About Ebhoni

Ebhoni is a Canadian musician and model. Originally from Toronto and moving to Oshawa after her parents’ divorce, she was a Youtuber, doing covers of Beyonce and Keyshia Cole songs before releasing her debut EP, Mood Rings at seventeen in 2017 and her next EP X earlier this year. She has also modeled for Savage X Fenty and Adidas.

Just Fine Image via Interscope Records for use by 360 Magazine

Kitty Ca$h × Kiana Ledé – Just Fine

Producer, DJ, innovator, and cultural curator Kitty Ca$h reemerges with her new single “Just Fine” featuring platinum-selling artist Kiana Ledé via LVRN Records/Interscope. This track comes as the first in a string of new releases on the way for the Love Renaissance staple act.

“Just Fine” starts with an airy yet mesmerizing rhythm that draws you in accompanied by jazzy trumpet notes and piano keys. The rhythm quickens as the lyrics intensify when Ledé’s smooth and sultry vocals are paired with a heavy base and steady beat. The track invites you and your partner to the dancefloor while the lyrics add a layer of desire and complexity to the song. Ledé croons “You’re coming closer, reading your mind again. Follow me, follow, let’s go.” As the instrumentals remain a fixture for the background of the track, the chorus transitions from English to Spanish as flamenco style guitar enters into the key notes of the record. “Mírame a los ojos, mientras bailamos” not only sprinkles more raw desire on the song, but also reflects the upbeat melody since she is talking about dancing together while looking into each other’s eyes.

“When I first heard this song, I was so excited Kitty Ca$h asked me to be on it because it would be my first time singing in Spanish,” said Kiana Ledé. “I’m Mexican but was never taught Spanish, so I love that Kitty Ca$h gave me a chance to connect more with my culture on this song.”

“I’ve always wanted to see the growth in my artistry and as a DJ I feel like there is a natural progression to wanting to create your own records,” said Kitty Ca$h. “I’ve been able to play so many records I love around the world and I wanted to experience that same feeling with my music. I loved working with Kiana, I’ve been a fan of her work and she is so talented. So I’m so thankful that she took a chance on me and was down to bring this to life. Being in the studio together and experiencing in real time the magic was surreal. “Just Fine” is about that reassuring love. The love you can’t stop giving into. The love that stops time and the world around you and makes everything just fine. I hope this song evokes an effortless vibe of freedom and moves you to feel good. Whether you’re home with the fam or out with the girls I wanted to make a record that you could make memories of and dance to!” 

About Kitty Ca$h

Over the past few years, Kitty Ca$h has made a name for herself as one of the most prolific cultural curators. From DJing for the biggest brands and celebrities, releasing original projects with music’s hottest artists, to overtaking the fashion scene, and creating an animated talk-show, Kitty’s World. Kitty represents a new breed of creators unbound by any specific medium or media.

Kitty’s musical projects represent a cross section of popular artists alongside new up-and-comers handpicked by Kitty to receive the type of attention that only a co-sign as prized as hers would afford. Earning this respect through her unique taste and knack for uncovering new music trends, Kitty has become one of the industry’s most in-demand DJ’s. While maintaining an underground authenticity, Kitty has executive produced her own releases at the levels of legends like DJ Khaled, DJ Drama, and Funkmaster Flex and continues to create innovative media content. She has previously collaborated with Rihanna, SZA, Solange, Kali Uchis, Doja Cat and more.  At the cross section of music, fashion and tech, Kitty Ca$h creates a platform for black voices and creatives with an important message to be heard.

DJ Koze Remix Artwork via Infamous PR for use by 360 Magazine

Lakou Mizik × Joseph Ray

Anjunadeep warmly welcomes DJ Koze for his Anjunadeep debut with his remix of Lakou Mizik & Joseph Ray’s ’Sanba Yo Pran Pale’.

One of electronic music’s most beloved artists, DJ Koze runs the acclaimed Pampa Records, where he puts out his own music alongside material from the likes of Mano Le Tough, Axel Boman and Robag Wruhme. His 2018 album ‘Knock Knock’, released on Pampa, was named as Pitchfork’s 3rd best album of the year, whilst his single ‘Pick Up’ was named track of the year by both Resident Advisor and Mixmag. Known for his inventive production style, he has remixed Gorillaz, Mount Kimbie, Moderat and Lapsley, and collaborated with Róisín Murphy, Bon Iver, José González, Caribou and Matthew Dear.

’Sanba Yo Pran Pale’ is Kosi’s first remix in two years and is typically eclectic. Reimagining the traditional Vodou song as a summer dance anthem, warping and stretching the original vocals from Lakou Mizik’s Sanba Zao onto a bed of catchy rhythmic synths and warm enveloping bass. Ten minutes long, the original mix has a nostalgic analogue warmth that feels perfect for an Indian summer’s day. To celebrate the release, Anjunadeep is pressing a limited run of white label vinyl, which are available for pre-order now.

About Leave the Bones

’Sanba Yo Pran Pale’ is the first track off Lakou Mizik & Joseph Ray’s album Leave the Bones, and is a traditional Haitian song steeped in Vodou tradition: “The Sanbas are the poets and keepers of Haitian history and culture. They pass on their wisdom through song and story. ‘Sanba Yo Pran Pale’ is an invitation to the Sanbas to speak their truth whilst paying respect to the Vodou ‘Lwa’ or spirits.”

Referred to by NPR as a “mesmerizing, haunting and uplifting journey into the heart of Haitian culture”, Leave the Bones has accrued 1M streams on Spotify and Apple Music and has garnered a wealth of global support from the tastemakers such as BBC Radio 1, 6 Music, The Times, Billboard, Crack Magazine, Mixmag, Songlines, The New York Times, and Gilles Peterson’s Worldwide FM. It is out now, available digitally and as a 2 x 12” LP.

No1-Noah via Young Canon for use by 360 Magazine

NO1-NOAH – Bounce

Singer/Songwriter NO1-NOAH (Ghetto Earth Records/Interscope Records) isn’t shying away from telling the ladies what he’s craving in his new video “Bounce.” Directed by Arman Mitchell, NOAH pens a hypnotic hook capable of seducing any woman to fulfill his desires in the bedroom. Surrounded by a bunch of party-goers, NOAH takes the action with him wherever he goes. Whether it’s the house, the streets, or the liquor store, no location is safe from Noah and his team of dance-happy friends. Watch HERE.

He is the first signee of Summer Walker, and much like her, is very open about his intentions, and that is evident through the song’s explicit lyrics. 

Last January, the promising songwriter was named one of Billboard’s 15 Hip-Hop & R&B Artists to Watch. Touted for his “ethereal vocals and intrepid lyricism,” NOAH first caused shockwaves in the R&B world when he appeared on Summer Walker’s 2020 standout EP Life on Earth. NOAH’s indelible prints landed on the singer’s stellar cuts “SWV” and “White Tee,” where he served as her guest feature.  

After displaying beams of promise on Walker’s sizzling anthems, NO1 inked a deal with her label Ghetto Earth Records last winter. Serving as her first artist, NOAH looks to rattle the cages of R&B with his emo-leaning tracks and sticky hooks. Since announcing his deal, his opening record, “Ridin For My Love,” flaunted his pillowy vocals and gutsy lyrics. With publications such as Rolling Stone and XXL already praising NOAH for his extraordinary talents, it’s only a matter of time before he morphs into a full-fledged star. 

About Ghetto Earth Records

Ghetto Earth, founded by R&B artist Summer Walker in 2020, is a record label who debuted with feature artist NO1-NOAH. It is a joint venture with Interscope Records.

The Assignment via Noelle Accardi for use by 360 Magazine

Tay Money – The Assignment

Tay Money flexes on a fiery new track entitled “The Assignment”. Fueled by a skittering bounce, Tay eases into her confident and charismatic bars with an announcement, “I understood the assignment”. Ahead of its release, the track has already made its rounds on TikTok with over 280K videos and climbing. 

“The Assignment” is available now at all digital retailers. Listen HERE.

Tay Money upholds her red-hot streak this summer. In July, she made her U.S. major festival debut with a standout set at Rolling Loud Miami, bringing the crowd to its feet. “The Assignment” arrives on the heels of a string of summer anthems including tracks “Shake” and “Asthma Pump” which both feature the unfiltered lyrics and attitude that have made the Dallas artist one to watch. Having been featured on the digital cover of ELEVATOR, and hailed by FLAUNT as “one of the hardest female rappers of our generation,” Tay’s in the midst of a hot streak that stretches back to the release of Blockedt. She made that EP with heavyweights like Derrick Milano (a co-writer on Megan Thee Stallion’s “Hot Girl Summer”) and Bankroll Got It (producers of hits like “DO DAT” by Stunna 4 Vegas featuring DaBaby & Lil Baby)—collaborations that fed into the boundary-pushing energy of her tracks since. “Shake” showcases an exciting new side of Tay’s style, highlighting her ability to craft emotionally stirring songs while still sticking to her favorite topic―flaunting her assets.

About Tay Money

In just over two years, Tay Money, the Athens-born, Dallas-based rapper has racked up millions of views and streams thanks to her witty punchlines and unique musical approach. Her debut song, “Na Na” marked the beginning of her career as an artist and set the tone for the originality that she would bring to the rest of her records to come. Within months of her first release, she was selling out shows in Dallas and had gained a cult-like following among her listeners (now dubbed Tay Army). 

With her bouncy trap beats, unmistakable Texas twang, and unapologetically catchy rhymes, Tay began to reach commercial success with her breakout song “Trapper’s Delight” in 2018. With what was originally a risky move to expand her music outside the limits of her hometown of Dallas, the video for “Trapper’s Delight” amassed over 1.1 million views in under two months. Since then, she’s continued to release many more viral hits including “Bussin” (11 million YouTube views), “Bussin 2.0” with Saweetie (7 million YouTube views), and “Brat” featuring Mulatto, two of which are on her recently released EP, Blockedt. The widely acclaimed project led to many defining moments for Tay, landing spots on coveted playlists including Spotify’s New Music Friday, Feelin Myself, and Release Radar as well as Apple Music’s The Plug and New In Hip Hop. The project also received praise from FLAUNT who hailed her as “one of the biggest women rappers in Texas”, SPIN who noted that she was “one of the biggest women rappers in Texas”, and ELEVATOR who named her their February cover star. Now, with the cosigns of some of the biggest up-and-coming female rappers, and having surpassed the milestone of over 100 million U.S. streams, Tay plans to build on her momentum with her forthcoming EP.

Sloppy Jane via Sara Cath for use by 360 Magazine

Sloppy Jane – Party Anthem

Haley Dahl, who records as Sloppy Jane, has released her new single, “Party Anthem”, marking the lauded musician’s first release as the newest signing to Phoebe Bridgers’ Saddest Factory Records. Dahl has also revealed details for her forthcoming new album, Madison, set for release on November 5th. “Party Anthem” is a soaring orchestral ballad that comes on like Kate Bush leading Sgt Pepper’s Lonely Hearts Club Band or Laura Nyro fronting Olivia Tremor Control. It’s accompanied by a captivating video shot in 16 mm and filmed inside the Lost World Caverns in West Virginia, the place where Dahl recorded all of Madison, bringing in 21 bandmates from all around the country to make an impressive and ambitious orchestral album recorded deep inside the caves. It’s the first time someone has ever recorded an entire album in a cave, and the results are sonically stunning; Madison is an astounding, glorious record of highest order melodrama. 

Sloppy Jane will celebrate the album release with a headline show in New York City at Baby’s Alright on November 7th. She will also be opening for Iceage in February. All dates below. 

On signing to Saddest Factory Records and crafting her latest album, Dahl shared, “Phoebe and I made friends in high school when I was goth and didn’t bathe and she wore dresses with little bicycles on them – we mistook each other for cool then, and it lasted. Phoebe is one of my closest friends, and is also someone who has always seen that the things that make my work different are what make it valuable. She played bass in Sloppy Jane. When I was moving to New York I talked about how I wanted to make the band bigger and incorporate chamber instruments, and a lot of people didn’t get what I meant, but Phoebe said, ‘Go get your orchestra.’

When I started talking about recording in caves, she was one of the few people to really get it immediately and thought it was the coolest thing. To work with someone who has so much personal context and enthusiasm was kind of a no-brainer. The label name “Saddest Factory Records” came from a joke I made on twitter, and I kind of think that’s representative of what my ideal professional trajectory looks like- me and my same friends who understand each other making the same jokes over and over again while our platforms expand.”

Phoebe Bridgers will join Dahl for an IG Live chat on Friday, September 10th at 3:30pm ET/ 12:30pm PT. 

Click HERE to watch the video for “Party Anthem.” Click HERE to buy/stream “Party Anthem.”

For Madison, Dahl spent three years exploring caves that could capture her vision for the album. Her search took her across the USA, obsessing over the different acoustics of each option,  before landing on Lost World Caverns. The result is a beautiful, personal labor of love; a sweeping grand gesture, a powerful statement about obsessive love, and about growing into yourself in the aftermath of a life-changing relationship.

Dahl and her 21 bandmates recorded all of Madison from inside the caves from 3pm to 8:30 am each day over the course of two weeks. To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave.

This album, so fully realized and diligently executed, is a long time coming for Dahl, who has been performing as Sloppy Jane since she was a teenager. In those days, Sloppy Jane was a three-piece punk band. Its earliest members were Phoebe Bridgers on bass, Sarah Cath on guitar, and Imogen Teasley-Vlautin on drums. Now the band has over a dozen members, and has transformed into a chamber pop project. Dahl also learned so much as a musician: on Madison, she learned how to write for chamber instruments and taught herself the piano. The record is difficult to categorize. It’s David Bowie but also when the song “Crying,” by Roy Orbison plays at the end of Harmony Korine’s Gummo. It’s My Chemical Romance meets Sgt. Pepper. Courtney Love and Queen. It’s a huge, flowery, velvety thing full of toy horses and stalagmites. It follows one major throughline: a grand gesture so large that it moves the whole Earth. 

Sloppy Jane Live Shows 

Nov 7th, 2021 – New York City, NY – Baby’s Alright^ 

Feb 12th, 2022 – San Francisco, CA – The Chapel*

Feb 13th, 2022 – Felton, CA – Felton Music Hall*

Feb 16th & 17th, 2022 – Los Angeles, CA – Zebulon*

Feb 19th, 2022 – Pioneertown, CA – Venue TBD*

Feb 20th, 2022 – San Diego, CA – The Casbah*

Feb 21st, 2022 – Tucson, AZ – Club Congress*

Feb 24th, 2022 – Houston, TX – The Secret Group*

Feb 25th, 2022 – New Orleans, LA – Gasa Gasa*

Feb 26th, 2022 – Jacksonville, FL – Intuition Ale Works*

Feb 28th, 2022 – Orlando, FL – The Social*

Mar 1st, 2022 – Atlanta, GA – Terminal West*

Mar 2nd, 2022 – Nashville, TN – The Basement East*

Mar 3rd, 2022 – Asheville, NC – The Grey Eagle*

Mar 4th, 2022 – Durham, NC – Motorco Music Hall*

Mar 5th, 2022 – Baltimore, MD – Ottobar*

Mar 7th, 2022 – Cambridge, MA – The Sinclair*

Mar 8th, 2022 – Providence, RI – Columbia Theatre*

Mar 9th and 10th, 2022 – New York City, NY – Bowery Ballroom*

Mar 11th, 2022 – Holyoke, MA – Gateway City Arts*

Mar 12th, 2022 – Kingston, NY – Tubby’s Kingston*

Will Claye via Red Bull Records for use by 360 Magazine

Will Claye – Wee Hours Music Video

 Fresh off participating in this year’s Olympic Games in Tokyo, hip-hop artist and Olympic medalist Will Claye releases the stunning visual for his single, “Wee Hours,” out now via Red Bull Records. Written by Claye, “Wee Hours” was produced by Grammy-winning songwriter and producer DJ Khalil, best known for his work with Jay-Z, Kanye West, Drake, Kendrick Lamar, and more. 

The strength of “Wee Hours” lies in Claye‘s introspective and poignant lyrics, which he delivers with a West Coast-influenced flair. The cinematic music video companion echoes this, drawing inspiration from his own experiences. “I wanted to speak for people whose voices have been suppressed,” says Claye. “I want to inspire my people and show them that even through all the horrific things we have gone through as a people, we can make it through and rise above it all.”

Adorned in his Olympic medals amidst a field of sunflowers, the visual cuts back and forth between Claye and a younger version of himself. Set in the orange-hued glow of his family’s home, the video shows young Will as he goes through the motions of his day. The video soon takes a darker tone, as Will steps outside and witnesses a police officer chase a Black man onto his yard. As the officer moves to pull out his gun, the man is saved by three guardian angels driving by, as the video closes with the powerful message of “our angels are always watching over us.”

The release of “Wee Hours” follows the debut of Elevate, the documentary from Red Bull. The short film follows Claye as he trains for the Olympics and records new music, working to make his mark on the world. As his moment in the spotlight parallels a cultural boiling point surrounding racial injustice, Claye seeks to use his voice to inspire his community’s youth, serving as a positive role model for the next generation. Watch HERE.

About Will Claye

Three-time Olympic medalist Will Claye started his path as a world-class athlete. By way of track and field, he was able to move into starting his brand ELEVATE, music and philanthropy. Will’s brand grew largely at the London Games in 2012, where he earned a bronze medal in the long jump and a silver medal in the triple jump to become the first man since 1936 and the first American since 1904 to obtain medals in both events. The Phoenix, AZ native of Sierra Leone-descent solidified himself as the #3 triple jumper of all time in 2019 and at the same time released an EP, WEST SIDE STORY, and single “TMS.” 

The catalyst for Will’s music career came from artist YG inviting him to the studio and the pair creating IDGAF, what is now known as a classic West Coast record. From there, Will began to create his own lane and his own sound, taking inspiration from Bob Marley, Andre 3000, Snoop Dogg, DJ Quick, Pharrell, Jay Z, Nipsey Hussle, Kendrick Lamar, and Nate Dogg. With a wide array of influences, Will has created a sound that is eclectic and diverse, based on how he is feeling and what is going on in life. He is a rare combination of talent and genuine humility, recognizing that he can use his status as an artist and professional athlete to help others.

Eddie Vedder Long Way via Republic Records for use by 360 Magazine

Eddie Vedder – Long Way

Eddie Vedder releases a brand-new solo single entitled “Long Way” via Seattle Surf/Republic Records. The song is the first song off Vedder’s forthcoming solo album Earthling.

Listen to “Long Way” HERE and watch the official lyric video HERE

In creating the song, Vedder worked with producer Andrew Watt in their first collaboration together. Vedder’s iconic vocals shine through as Watt’s production drives home the emotions of the track.

Vedder also announces the pre-order of a special limited-edition 7-inch vinyl featuring “Long Way” and soon to be released song “The Haves.” Pre-Order the special 7-inch vinyl version of “Long Way & “The Haves” HERE and HERE via Pearl Jam’s Ten Club.

Vedder has been busy, recently collaborating with Glen Hansard on eight new compositions for the Flag Day Original Motion Picture Soundtrack, available HERE via Seattle Surf & Republic Records. The Soundtrack features noted singer-songwriter Cat Power who contributes three new original songs, along with one cover, and the debut of Olivia Vedder on two tracks. The thirteen-track soundtrack serves as the musical companion to the Cannes Film Festival selected film Flag Day starring and directed by Academy® Award winner Sean Penn and starring his daughter Dylan Penn. 

Up next Vedder will be performing a string of festival dates with Pearl Jam including Sea.Hear.Now. Festival on September 18th, Ohana Festival on September 26th and again during Ohana Festival’s Encore Weekend on October 1st and 2nd. In addition, Vedder will be performing a special solo set at Ohana Festival on September 25th. Full tour dates can be found HERE.

Be on the lookout for more Eddie Vedder news soon…

About Republic Records

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it also comprises innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Headphones illustration by Alex Bogdan for use by 360 Magazine

Tokischa × Rosalia – Linda

Tokischa and Rosalia’s new hit single “Linda,” has been trending, with the music video becoming #1 in the world. Here’s what people are writing. 

Mitu said, “Tokischa & Rosalía’s Worlds Collide in a flirty and fierce club banger. “A hard-hitting [but] vibrant and bouncy new single… dropped [with] a stylish music video filmed in the Dominican Republic” wrote Complex. “To no one’s surprise, it’s an absolute bop from start to finish that showcases the talent of both women while delivering something fresh and an equally noteworthy sound” raved Remezcla. Consequence stated, “The Spanish superstar and polarizing Dominican up-and-comer… deliver a snappy, sexy number…  and steamy music video…that’s as uncompromising as the musicians themselves.”

“Rosalía and Tokischa vindicate ‘uncomfortable’ feminism in their new song, Linda,”  El Mundo stated. 

Many more publications have been speaking very highly of this dance banger. You can find the song HERE and watch the music video HERE

About Tokischa

Tokischa is a rising talent who deconstructs the perceptions and norms surrounding women’s roles. Her style is raw, authentic trap that few artists dare to pursue. In her world, there is no fear of showing society what she does, what she likes and who she is. She promotes a way of life that’s free from hypocrisy and gender stereotypes. Her vocal tone is instantly identifiable and is another major factor in making her songs distinctive. 

About Rosalia

Rosalia is a Grammy & Eight-Time Latin Grammy Winner who has quickly “leapt to the forefront of the global pop landscape” on the strength of her innovative musical fusions and distinctive style.  She has repeatedly shattered barriers for both female and Spanish language artists, while being widely hailed as: “a complicated geniusreflecting femininity and strength… a new generation leader… making Flamenco a global phenomenon… while becoming Earth’s Most Exciting Pop Star.” With the May 2018 release of Rosalía’s innovative breakthrough single “Malamente (Cap.1: Augurio)”-and the fall arrival of her landmark album “El Mal Querer,” fans worldwide quickly embraced Rosalía’s phenomenal vocal capability meshed with her now fully realized fusion of classic Flamenco and other timeless music styles of Spain, with R&B, hip-hop, contemporary Latin-American rhythms and electronic beats. Coupled with Rosalía’s strong influences from industrial visual arts, female empowerment, fashion and choreography, it became clear to critics that: “El Mal Querer is a boundary-breaking modern masterpiece… that has resonated like a shockwave… it stands out from virtually everything else on the global pop landscape.” As a result of the album’s long-running impact, and additional 2019 singles that followed, Rosalia garnered a GRAMMY Award, standout GRAMMY performance, the historic first-ever Best New Artist Grammy nomination for a Spanish Language artist, and eight Latin Grammys, including Album of the Year. Additional acclaim has included two MTV VMA’s, multiple magazine covers-including the annual Sunday New York Times Magazine’s special Culture Cover, highly praised Coachella and Lollapalooza festival appearances, the most watched global YouTube video of 2019 for a female artist, and “Best Music of the Decade” picks from Rolling Stone, Billboard, GQ, The LA Times, Pitchfork and more. While Rosalía has spent a large majority of the last year immersed in the creative process of writing and recording her eagerly-awaited next album, she also finalized landmark brand partnerships with Nike and MAC’s “Viva Glam” campaign, lead the field of LATIN GRAMMY winners for the second year in a row, joined Travis Scott, Bad Bunny, the Weeknd and Billie Eilish all on massive streaming collaborative tracks, and became the first-ever all-Spanish language music artist to grace the cover of VOGUE in the United States, with the unveiling of the January 2021 “Vogue Values” issue, photographed by Annie Leibovitz. Now, Rolling Stone has already declared her upcoming next full-length release as “One of the Most Anticipated Albums of the Year.”