Posts tagged with "powerful"

Noah Kahan's New Album - I WAS / I AM photo credit Aysia Marotta use by 360 Magazine

Noah Kahan’s New Album – I WAS / I AM

NOAH KAHAN RELEASES SOPHOMORE ALBUM I WAS / I AM –TODAY
FEATURING NEW SINGLE “SOMEONE LIKE YOU” FEAT. JOY OLADOKUN
ACCOMPANIED BY OFFICIAL MUSIC VIDEO OUT NOW
SET TO EMBARK ON I WAS / I AM HEADLINE TOUR THIS FALL
LISTEN TO I WAS / I AM HERE
WATCH “SOMEONE LIKE YOU” VIDEO HERE

Vermont singer and songwriter Noah Kahan releases his anxiously awaited sophomore album, I Was / I Am, today—listen HERE. The 10-track album features his newest single, “Someone Like You” feat. Joy Oladokun, accompanied by the official video also out today—watch HERE.

On the album, Noah says, “I can split my life into two parts. There is a defined and pronounced before and after within my consciousness that has become ever so clear to me in these long months of forced self-reflection. I started my journey here so fearful of changing, of losing the part of me that I felt was vital to staying grounded and unique. Somewhere in the last few years, I’ve had to let go of that fear, and allow growth, for better or for worse, to happen. This album is about examining that growth and measuring the difference from who I was when I started and who I am still becoming now. I’ve spent 4 years touring, traveling, experiencing things I would have given limbs for when I was a kid. I’ve lost friends. I’ve made lifelong connections with people I would never have otherwise gotten a chance to meet. I have failed so often and have had small successes that make it all worth it. I’ve fucked up, and I’ve lost people close to me. I don’t know if I’m ‘better’ or if I’ve regressed, I just know that I’ve grown. This album is about acknowledging that growth.”

On collaborating with Nashville singer and songwriter Joy Oladokun, Noah says, “Working with Joy on this song was one of those experiences that I’ll always remember and be grateful for. She is an incredible artist, and she was really natural on camera which made me jealous! I love her and her music and am so grateful for her involvement on this song.” Joy chimes in, saying, “When a folk-pop god like Noah Kahan calls, you come running.”

Noah Kahan took two years of milestones and transformed them into I Was / I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.

He says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”

I Was / I Am features Noah’s previously released anthemic singles, “Part of Me” and “Godlight,” and “Animal,” which capture his signature storytelling and evocative lyrics. The tracks have amassed over 12 million combined streams to date and received praised from the likes of BillboardSPINEntertainment Tonight, and many more.

This fall, Noah will embark on the I Was / I Am North American headline tour. Kicking off in St. Louis on October 14th and running through mid-December, the tour includes shows at New York’s Webster Hall and Los Angeles’ The Fonda Theatre, which are quickly selling out—see the complete list of tour dates below. Tickets are available now HERE. Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen ColbertLate Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.

Zoe Wees press photo by Jeff Hahn for use by 360 Magazine

Zoe Wees

By: Kai Yeo

Powerful vocal range, unguarded vulnerability, and great songwriting skills. All of that combined is Zoe Wees, 19-year-old German singer-songwriter who is creating a global imprint with her unbelievable vocal range and soulful rhythms.

If you’re new here: Zoe Wees made her stellar debut with her single “Control” in March 2020, a song she opens up about her child epilepsy, a traumatic, isolating condition that can cause severe seizures. “Before I wrote ‘Control’ I looked back to the past every evening. Like I was just sitting in my room and was just there and was just sad and looked at the wall… After I wrote ‘Control’ it was another feeling. Like the situation wasn’t even that bad no more.” The emotional ballad became a worldwide hit and entered the top 20 at Pop radio in the U.S.

A year after her debut single, Wees continued to magnify her presence in the mainstream atmosphere with her emotional release “Girls Like Us” – an empowering anthem of solidarity shared among girls fighting against the stereotypes and expectations of society. Not just about struggling with looks, it is also a song that talks about emotions and pressures of social media. Now at 13 million streams on YouTube, it is praised as “a vulnerable pop anthem that pushed for togetherness” as Wees encourages her listeners to find confidence within themselves.

Now, with her debut EP “Golden Wings” out, Wees continues to relay her personal narratives in her music to create an inspiring and safe space for her fanbase – her wings. Last week, I got the chance to speak with Zoe about the five-track EP and potential live shows, as well as her struggles and autobiographical songwriting.

In your interview, you stated that this EP is your “strength and wings.” Can you share any special moments in the process of making this EP that reflects your strength and wings particularly?

“I feel like the last song for the EP that I wrote, I think it was ‘Girls Like Us.’ The one special moment I realized was that for the first time in a session, I thought about – not just about me – also the other people. About my wings and my community, which I didn’t really have before. I was always thinking about writing my own stuff down and thinking of myself for now, because it was what I was going through. But in the end, I know my music helps a lot of people. So [the one special moment] is taking extra care to also write about what people and my listeners can relate to, especially because I know what they’re going through.

Just in your lyrics and voice, the execution of your message “just want to make people feel less lonely, make them feel stronger” is shown so clearly. How do you feel about your fans’ reactions to your EP?

“I’m so happy. Cause you know actually; one thing is we wrote together. And they’re here from the beginning, and we’re gonna grow together when I go on tour and when I’m in their city. They’re gonna come visit me and I’m gonna see them. This is what makes me happy because anytime I go back to a city, I’m gonna see them again and again and again, so we grow together, which is so nice.”

Known for your “raspy low to unbelievably powerful and sky-high” singing style, is there a personal favorite style when making this EP or did you just go with the flow?

“I actually just go with the flow. Really, I just go with the flow. Whatever comes out of my mouth.”

You wrote your first song on anxiety and epilepsy; can you tell us why this was important for you to show your authentic and true self?

“Because I never write about happy things. You know, I hate writing about happy things, cause it makes me sad. That’s funny, I know. But I really like… never thought this was something I was ever gonna release. But I was just in the studio, and it was the first session, and I was so nervous. And then I thought about because I struggled so much with my epilepsy, and I still do even though it wasn’t as intense at that time, I really wanted to write a song about it. For me, it was the most natural way to be honest to my wings and everyone around me. And a way for me to be real. And that’s just me.”

Thank you for showing us such personal aspects of your life and empowering us (especially women) to be comfortable in our own bodies. Can you tell us what inspires you to write music?”

“Jessie J and Billie Eilish… and especially just what I’m going through.”

Follow Zoe Wees musical journey

Instagram | TikTok | Spotify | YouTube | Twitter | Facebook

Author’s Notes

P.S.: If you can’t tell from her answers… Zoe was every bit as wonderful and charismatic with her words as she is with her musical talent. Zoe, I can’t wait to see what’s next for you and to listen to more of what you create! Your music is so inspiring and when we finally meet in real life (hopefully at one of your tour stops), please remember we promised to trade my skin for your brows. Cheering for you always, stay beautiful x

Sickbrain Silence image for use by 360 Magazine

Siiikbrain × Silence

Siiikbrain, aka Caroline Miner Smith, released the music video for her most recent single Silence.

Experimental rock artist Siiickbrain has unveiled her latest single, Silence, today. The intoxicating track pairs the artist’s unique blend of sensual singing, soul-capturing screams, and emotionally gripping lyrics. The accompanying video is premiering exclusively with NYLON today.

“The song, which kicks off as an angsty and tumultuous hyperpop track about the trappings of love, gets amped up several notches during its screamed intermission.” – NYLON

“While recording this song, I was thinking about how love can make you blind to how toxic a situation can be,” Siiickbrain shares on her release. “The video is based around the idea that in your mind you see things differently than how they really are when you’re drowning in emotions. For the video, I also wanted it to be really stylized and just lean into the fashion side of things in a really creative way.”

Siiickbrain is the musical persona of Caroline Miner Smith. She grew up in a rural town and was always drawn to music but was afraid to dive in fully. While establishing herself as a highly desired model in New York City, Caroline started writing poetry as a means to cope with her own anxiety and personal demons. After moving to Los Angeles, Caroline was hit with a very close personal loss. “I really was hit with the reality that life is too fragile. I want to do what makes me happy and realized that I had nothing to lose by taking this leap. I just want to reach people and help them feel empowered to be themselves.”

Most recently, Siiickbrain joined Skrillex and Swae Lee on their propulsive track, Too Bizarre. She also teamed up with incomparable Russian protest art collective Pussy Riot to unleash an electrifying anthem, POWER, which drives home the idea that women can take back any power that was ever taken from them. Inspired by her favorite movie Fight Club, the music video showcases an all-female cast of bright, young rising stars like phem, Chloe Chaidez, and more fighting it out, highlighting the raw power of women. The video was directed and produced by Andrew Sandler and part of the team behind Machine Gun Kelly’s Downfalls High, which Siiickbrain appeared in.

The visually-stunning music video is yet another iteration of Siiikbrain’s edgy, intoxicating, impactful style. Paired with her unique vocals and heart-thumping beat, this video is a must-see.

Azuri Technologies X Energise Africa Launch UK Crowd Campaign

Azuri Technologies, a leader in pay-as-you-go solar in Africa and crowdfunding platform Energise Africa today announced the latest phase of debt financing from UK impact investors to deliver affordable, clean energy and help solve the energy crisis in sub-Saharan Africa.

The Azuri and Energise Africa collaboration plans to raise £2.5 million for pay-as-you-go-solar and help more than 100,000 off-grid people in Sub-Saharan Africa access clean, affordable energy.

The investment will support low-income families in Kenya, Nigeria, Uganda, Zambia and Tanzania.

More than 600 million people across Africa live without access to electricity – limiting their life chances of achieving economic prosperity and improved quality of life. Universal access to affordable, reliable and modern energy services is one of the United Nation’s Sustainable Development Goals and can only be met with access to sufficient investment.

Crowdfunding has emerged as a powerful way of financing the off-grid solar industry and is leading the way in increasing investor interest in the market.

Through Energise Africa, individuals in the UK can invest from as little as £50 in bonds, issued by solar businesses, to provide clean and affordable energy access, while targeting annual returns of 6%. Capital is at risk and returns are not guaranteed.

Azuri is a leader in pay-as-you-go solar technology and since 2012 has been supplying affordable solar home systems and products to the millions across Africa living off-grid without access to mains electricity.

In 2018, Azuri and Energise Africa raised £1.7 million from hundreds of UK investors to deliver clean, affordable energy products to more than 16,000 families in sub-Saharan Africa.

Simon Bransfield-Garth, CEO of Azuri said: “Azuri is delighted to extend our partnership with Energise Africa and their community of UK-based retail investors to finance off-grid solar projects. With this innovative financing, thousands more households will be able to access modern solar energy for the first time.”

Lisa Ashford, Managing Director Energise Africa said: “Through Energise Africa, we are committed to providing UK based people with easily accessible opportunities to invest directly in sustainable businesses that can tackle climate change, create long-term social and environmental impact, and also deliver a potential financial return. We’re looking forward to the prospect of working with Azuri Technologies again to help accelerate the achievement of UN SDG 7.

Energise Africa has been developed by Ethex and Lendahand – two of Europe’s leading impact investing companies and is also supported by UK aid, Virgin Unite, Good Energies Foundation and P4G.

Over the past 20 months the Energise Africa community of investors has generated over £7.57 million for 12 solar businesses to provide 312,000 people in 10 African countries with access to clean energy, which has prevented almost 70,000 tonnes of CO2 emissions entering the atmosphere annually and also repaid almost £1.8 million back to investors.

Investing in Energise Africa projects via the www.energiseafrica.co.uk site involves risk, including the loss of all of your invested capital, illiquidity (the inability to sell assets quickly or without substantial loss in value), and it should be done only as part of a diversified portfolio.

The investment opportunities on www.energiseafrica.co.uk are not an offer to the public in any jurisdiction and are available only to registered members of the platform who have certified that they are eligible to invest. Any person who is not resident in the United Kingdom who wishes to view these investment opportunities must first satisfy themselves that they are eligible to do so under the securities laws and regulations applicable to them. This site does not constitute an offer of, or the solicitation of an offer to buy or subscribe for, any securities to any person in any jurisdiction to whom or in which such offer or solicitation would be unlawful.

In respect of its regulated activities, Lendahand Ethex Ltd is an appointed representative of Share In Limited, which is authorised and regulated by the Financial Conduct Authority (FRN 603332).

Katori Walker Shares Powerful 1 Minute of Your Time EP

A lot can happen in the span of one minute.

Knowing this, buzzing Pasadena, CA rapper Katori Walker manages to send a powerful, passionate, and provocative message in under sixty seconds on his appropriately titled new surprise statement, 1 Minute of Your Time EP (Capitol Music Group).

Get it here.

This impactful collection sees him spit with a level of intensity rare in today’s rap game. He places a magnifying glass on a myriad of issues within modern society in the hopes of a positive turnaround. Amidst a tumultuous climate, all it takes is one minute to speak up and make a change he proves that with the new body of work.

Check out the full tracklisting below.

1 Minute of Your Time arrives on the heels of this Spring’s Ignorance  EP. It earned early acclaim from The Fader, XXL, and more. Additionally, Ormoni leapt past the 1 million-mark on Spotify.

Give Katori Walker 1 minute of your time, and he’ll undoubtedly leave a lasting impression.

Rap music can affect more than the culture; it has the power to change the world. Just ask Katori Walker. He picked up a mic with a purpose in 2017. Clocking in at barely 10 minutes, his independent five-song Ignorance EP offered a powerful portrait of a gang-related gun violence following the murder of his brother Ormoni. The video Ormoni generated 4.2 million views as it surpassed 1 million Spotify streams in addition to being featured in Eminem’s Untouchable lyric video. It topped Spotify’s Most Necessary Playlist for four weeks in a row. Watch him make a difference in hip-hop and the world.

Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE

AJAY HOLBROOK

Ajay Holbrook, formally known as Ambreia Janee Holbrook, is a 21yro from Houston whom has been medically transitioning from female to male over the last 4 years.

Three years ago, he began bodybuilding. Since he’s recognized his newfound passion and love for this sport, he is dead bent on tackling one of the biggest titles,

“‘Mr. Olympia’ … this is especially a challenge because of who I am but I’m not letting anything stop me from reaching my goals. I insanely train and keep my body in top condition at all times. Recently, I packed up everything I owned to move to Los Angeles to pursue my careers in bodybuilding, dancing, modeling and music production. It has been one of the toughest decisions I’ve ever had to make but also becoming one of the most rewarding.”

Dozens of challenges are constantly thrown Ajay’s way and he’s always having to overcome them. Many of which tie into his identity. “I don’t let them entertain me back… I’ve gone viral due to a Men’s Health and Generation Iron publication… And, [I] had so much support, but also a lot of backlash from the bodybuilding community in particular,” asserts Ajay.

Eager to prove naysayers wrong, Ajay has been eating healthy, training and is ready to tread on that stage very soon. “They may have thought they witnessed the last of me, but this is ONLY the beginning!!!”

Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE Ajay Holbrook, transgender, tyren redd, 360 MAGAZINE *All photos by Tyren Redd

Stomp Rocket

Stomp Rocket, fun for all ages!

360, 360 Magazine, Vaughn Lowery, Stomp Rocket 360, 360 Magazine, Vaughn Lowery, Stomp Rocket

About Stomp Rocket: Run, jump and STOMP! For 25 years, Stomp Rocket has been entertaining kids and their families, and stimulating active, outdoor play. The Original Stomp Rocket is 100% kid-powered, and the product includes rockets that soar up to 400 feet in the air, as well as toys that are appropriate for kids as young as age 3. Stomp Rocket has sold over 5million toys and won numerous awards from industry experts, including Good Housekeeping, Creative Child Magazine, Dr. Toy, iParenting Media and Toy Directory Monthly. Stomp Rocket is made D&L Company Of Minden, Nevada. Stomp Rocket has already garnered national and viral media coverage on The Today Show, Access Hollywood, She Knows and more. Stomp Rocket can be purchased online at Target, Bed Bath & Beyond, Walmart, and in store at Hobby Lobby, Big 5, select Hibbett Sports Stores and speciality toy retailers nationwide.

DAYA Reveals Music Video for “Safe”

Today, nineteen-year-old multi-platinum singer/songwriter DAYA unveiled the music video for her powerful song “Safe” – watch HERE. In tandem with the music video release, she also launched the #safeis campaign this week, encouraging fans to express what their version of “safe” is with a video, gif, or message on social media using the campaign’s hashtag.

“I want my song ‘Safe’ to be an invitation to start a positive dialogue in a world in need of compassion,” Daya says of the campaign in its official launch video.

Daya and co-writers Laleh and Joel Little (who both produced the track) penned the song the day after the Route 91 Harvest Festival shooting in Las Vegas last fall, channeling their sense of grief and processing into a track and music video that harkens back to a nostalgic time when the world seemed more innocent.

“Safe” – available everywhere now at: Retail Link via Interscope Records – is Daya’s first new song since the release of “New” in October 2017. Her vocals were most recently featured on R.L. Grime’s single “I Wanna Know.”  Next up, Daya can be seen live with a special performance at the Special Olympics 50th Anniversary Celebration in Chicago on July 21, and stops at Lollapalooza on August 4 and the Billboard Hot 100 Festival on August 20.

Daya “Safe”
MUSIC VIDEO: Youtube
LYRIC VIDEO: YouTube Lyrics
RETAIL SINGLE: Retail

Jaguar’s New SUV

Ahead of its global auto show debut at the New York International Auto Show on Wednesday, March 28 at the Jacob Javits Convention Center, Jaguar announced an extreme variant of its best-selling F-PACE performance SUV – the F-PACE SVR.

Watch the film here.

Already recognized as the 2017 World Car of the Year and World Car Design of the Year, as well as being the best-selling model in the Jaguar line-up since its launch two years ago, the F-PACE was a natural choice to receive SVR upgrades. The performance enhancements made to create the F-PACE SVR make it the fastest and most powerful F-PACE yet. Boasting an enhanced chassis, improved aerodynamics and 170 more horsepower than the current range-topping F-PACE S, the F-PACE SVR is built for maximum driver reward in various conditions.

Engineered by Special Vehicle Operations (SVO), the 5.0-liter supercharged V8 found in the F-PACE SVR produces 550hp and 502lb. ft. of torque; a 44% uplift in power, enabling it to reach 0-60mph in just 4.1 seconds (0-100km/h in 4.3 seconds) on its way to a top speed of 176mph (283km/h)1.

“The F-PACE SVR delivers the handling and agility to match its performance,” said Mike Cross, Chief Engineer of Vehicle Integrity at Jaguar Land Rover. “Everything from the steering to the bespoke suspension set-up has been tuned specifically for our performance SUV and the result is a vehicle that lives up to the promise of both the F-PACE and SVR names.”

Aerodynamic enhancements include larger air intakes at the front and side fender vents that lower pressure in the wheel arches, reducing lift and providing additional cooling while also assisting with high-speed stability2. In addition, unique wheel arch extensions and lower body moldings provide a low-slung muscularity that sets the SVR apart.

An exclusive SVR hood features vents to help extract hot air from the engine bay, providing visual evidence of the car’s dynamic intent.

At the rear, a unique spoiler is joined by a new bumper housing the Active Exhaust system’s quad tailpipes. The bumper incorporates side strakes designed to aid aerodynamic performance by smoothing airflow away from the rear of the vehicle.

The upgraded chassis features a set of progressive front and rear springs that are 30- and 10-percent stiffer respectively; incorporating an anti-roll system that contributes to a 5-percent overall reduction in body roll.

New, lightweight forged 21- and optional 22-inch alloy wheels are wider at the rear by almost 1-inch (25mm) compared to the front and contribute to the vehicle’s enhanced handling. The 22-inch wheels are 5.3lbs lighter on the front and 3.7lbs lighter on the rear and are designed to deliver greater airflow to the larger 15.5-inch (395mm) front and 15.6-inch (396mm) rear brake discs. The brake discs feature an advanced two piece construction on the front and rear, and when combined with the lighter wheels reduce unsprung mass, further contributing to the new car’s agile handling.

The F-PACE SVR also features an F-TYPE inspired Variable Valve Active Exhaust System; providing not only a charismatic soundtrack, but also increasing exhaust gas flow as another factor behind the SUV’s increased performance capability. The SVR exhaust is 14.5lbs lighter than the standard exhaust system in the F-PACE.

As the first F-PACE to utilize a rear Electronic Active Differential (EAD), the differential in the SVR works in conjunction with a comprehensive range of advanced technologies, each calibrated to deliver increased on-road performance and handling. The torque on-demand All-Wheel Drive system’s Intelligent Driveline Dynamics (IDD) control technology has been optimized to maximize the benefit of the EAD, while the software for the Adaptive Dynamics suspension, Electronic Power Assisted Steering (EPAS) and Dynamic Driving Mode are all unique to the F-PACE SVR. Engaging Dynamic mode initiates faster, more responsive gearshifts, sharper throttle responses and increased steering response for a more engaging driving experience in all conditions.2

Inside, the F-PACE SVR features slimline performance front seats that provide enhanced lateral support and have the signature Jaguar lozenge quilting and embossed SVR logo. In addition, unique rear seats echo the heavily sculpted designs of the seats up front, while the SUV’s sports car character is underlined by a SportShift Gear Selector like what is found in the F-TYPE sports car. Finally, the SVR branded steering wheel is enhanced with tactile aluminum paddle shifters.

For all its performance, the SVR retains the practicality and versatility inherent to the ‘PACE’ family of crossovers and SUVs; the 33.5cu. ft. of available loadspace (with rear seats up) is unaffected by the enhancements made to the SVR model. As with other F-PACE vehicles the SVR keeps passengers connected and entertained on the move with an available 4G Wi-Fi connection for up to eight devices; advanced Touch Pro infotainment system with 10-inch touchscreen standard; and a standard 12.3-inch Interactive Driver Display instrument cluster.4,5,6

Four interior color themes help to highlight the vehicle’s high performance personality; Red with Jet, Light Oyster with Jet, Siena Tan with Jet and Jet with Light Oyster stitching.

Drawing on extensive all-terrain expertise of both the Jaguar and Land Rover brands, the F-PACE SVR features a host of advanced technologies such as All-Wheel Drive with Intelligent Driveline Dynamics, All Surface Progress Control and Adaptive Surface Response to aid performance on a variety of surfaces and in a variety of weather conditions2.

 

The F-PACE SVR will be priced from $79,9903 when it arrives in retailer showrooms Summer of 2018, and comes standard with a best-in-class ownership package7, Jaguar EliteCare.

 

Customers can visit www.JaguarUSA.com for more information and to build their own F-PACE SVR.

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com