Posts tagged with "ca"

Ballet by Rita Azar for 360 Magazine

CATHY MARSTON – SNOWBLIND

CATHY MARSTON’S SNOWBLIND REPLACES MRS. ROBINSON ON PROGRAM 05, APRIL 22–MAY 12, 2021

 

 Marston’s Mrs. Robinson will premiere in the 2022 Season

 

 Program 05 also features Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus

 

 San Francisco Ballet (SF Ballet) announces the postponement of Mrs. Robinson, Cathy Marston’s world premiere which was scheduled to debut on Program 05, April 22–May 12, until the 2022 Season. Mrs. Robinson was choreographed for the stage in the 2020 Season and was reimagined for film in the 2021 Digital Season. As COVID-19 related obstacles created unforeseen delays with the film capture at the War Memorial Opera House this month, Helgi Tomasson and SF Ballet made the joint decision with the American Guild of Musical Artists to postpone filming to put the health and safety of staff, crew, and artists at the forefront. An archival capture of Marston’s Snowblind, created for the 2018 Unbound Festival, will replace Mrs. Robinson for Program 05, which also includes archival captures of Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus. Members of the public can still see a short film “prelude” to Marston’s Mrs. Robinson, captured at the Fairmont San Francisco in November of 2020, beginning today through February 25 in a digital program featuring excerpts from SF Ballet’s January 14 Virtual Benefit. It will be available via YouTubeIGTVFacebook, and SF Ballet’s website.

 

San Francisco Ballet’s complete 2022 Season will be announced later this spring. Images of Program 05 are available at this link, and casting is available here.

 

ABOUT PROGRAM 05:

Helgi Tomasson’s 7 for Eight from 2004 is an “exceptionally musical Bach essay” (San Francisco Chronicle) highlighting a series of solo and ensemble numbers for eight dancers, set to portions of keyboard concertos by J.S. Bach. The 2021 Digital Season capture of 7 for Eight is from 2016, the last time the work was seen at SF Ballet, and features principal dancers Yuan Yuan Tan and Tiit Helimets, and former principal dancers Vanessa Zahorian, Gennadi Nedvigin, and Taras Domitro throughout. 7 for Eight is Tomasson’s second ballet set to Bach (his first, Aurora Polaris, premiered in 1991), and includes black-on-black costume designs by Sandra Woodall and lighting designs by David Finn. Martin West leads the SF Ballet Orchestra in 7 for Eight and throughout each ballet in Program 05.

 

Cathy Marston’s Snowblind “gripped from first moment to last” (San Francisco Chronicle) at its world premiere during the 2018 Unbound: A Festival of New Works. Based on Edith Wharton’s novella Ethan Frome (1911), Snowblind narrates a heart-rending love triangle between central characters Ethan Frome; his hypochondriac wife, Zeena; and Mattie, kin to Zeena, who captivates Frome after she’s hired to provide domestic support. The 2021 Digital Season stream was captured on April 25, 2018 at the War Memorial Opera House and includes principal dancers Sarah Van Patten as Zeena, Mathilde Froustey as Mattie, and Ulrik Birkkjaer as Ethan Frome. Philip Feeney arranged Snowblind’s music, which includes pieces by Wharton’s contemporaries Amy Beach and Arthur Foote, as well as Estonian composer Arvo Pärt. Snowblind includes scenic and costume designs by Patrick Kinmonth and lighting designs by James F. Ingalls.

 

Program 05 closes with David Dawson’s Anima Animus, the choreographer’s first commission for SF Ballet, also created for the Unbound festival in 2018. Set to Ezio Bosso’s “Esoconcerto,” Anima Animus is, as Dawson puts it, “physically emotional virtuosity combined to make something human,” playing on Jungian concepts to reveal the rich contrasts between male and female psyches. Anima Animus toured with SF Ballet to Sadler’s Wells Theatre in 2019 and was “easily one of the highlights” (Seeing Dance) of the Company’s four-program London performances. The 2021 Digital Season stream of Anima Animus was captured on April 25, 2018 and includes former principal dancers Maria Kochetkova, Sofiane Sylve, and Carlo Di Lanno, and current principal dancers Luke Ingham and Wei Wang among its cast of ten.

 

Tickets to Program 05 are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online at www.sfballet.org. Click here to view digital viewing tips.

 

PRODUCTION CREDITS

I. 7 for Eight
Captured on Saturday, January 30, 2016

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
Costume Design: Sandra Woodall
Lighting Design: David Finn
Rehearsal Assistant: Anita Paciotti

World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

II. Snowblind
Captured on Wednesday, April 25, 2018

Composers: Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt
Music arranged by: Philip Feeney
Choreographer: Cathy Marston
Scenic and Costume Design: Patrick Kinmonth
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Jenny Tattersall
Rehearsal Assistant: Anita Paciotti

Adaptation of Edith Wharton’s Ethan Frome by Cathy Marston and Patrick Kinmonth

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

III. Anima Animus
Captured on Wednesday, April 25, 2018

Composer: Ezio Bosso
Choreographer: David Dawson
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
Rehearsal Assistant: Felipe Diaz

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

TV2 illustration by Rita Azar for 360 Magazine

Brightback Reveals Shift in Subscription Economy

New Data Shows Permanent Turning Point for Subscription Services Industry Post-Pandemic and Strong Link Between Customer Satisfaction and Online Cancelation Flow.

Brightback released its State of Industry (SOI) report today, which revealed that 86% of respondents say they anticipate maintaining or even increasing their number of subscriptions over the course of 2021. Additional results include:

  • 98% now subscribe to streaming media (75% subscribe to two or more services, foreshadowing a greater propensity for hoppers to jump from service to service).
  • Up to 40% subscribe to online news, food, fitness, or curated box services.
  • 36% have subscribed to services since the onset of the pandemic that they would not have otherwise.

As retention remains the industry focus, the SOI report points to unexpected impacts of companies’ cancellation flow; suggesting that ease of cancellation influences a company’s re-engagement, brand perception, and more. According to the report, over 80% of consumers would be more likely to try or buy a new subscription if they could pause or cancel that service online. This data suggests subscription services should pivot to not only simplify their cancellation processes, but also to tout this for potential new customer acquisitions.

Netflix is considered to have the best cancellation experience: 23% of respondents ranked Netflix in the top spot for this category, more than 2x better than runner up Amazon at 10%. Additionally, the recent Netflix subscriber milestone of 200m further points to the link between company growth and ease of cancellation.

“Leading tech companies and subscription services understand that sheltered-in-place consumers want user experiences that make it easy to try, buy, use, and cancel online,” said Brightback CEO Guy Marion. “As more companies invest in digitizing their subscription experiences, they are using best practices to let customers quit online, with a concerted focus on retaining over acquiring customers.”

In the survey, a whopping 32% of respondents said that in the past 12 months they had changed their minds about cancellation after being offered an incentive. This finding should be encouraging for subscription businesses concerned about churn–at least a third of their cancellations can be prevented with well-timed, relevant offers.

The survey also shows the pandemic-driven growth of the subscription services industry is here to stay:

  • 8% anticipate having the same number of subscriptions 12 months from now.
  • 25% anticipate acquiring even more subscriptions within the following 12 months.
  • Only 14% of respondents anticipate having fewer subscription services by the end of 2021.

These findings suggest that the dramatic shifts in consumer behavior over the past year are permanent.

For the full findings, visit Brightback’s website.

About Brightback

Brightback is the first customer retention solution that automatically saves customers at the moment of cancelation. Trusted by high volume subscription businesses like MeUndies and Unbounce, Brightback helps retention leaders deflect churn with personalized cancelation experiences, optimize offboarding processes through testing and targeting and gather aggregated insights to drive product and company improvements. Headquartered in San Francisco, Brightback is a remote-first company with a team of subscription-industry veterans located across the United States.

 

The Dale by Kaelen Felix illustration for 360 Magazine

The Story of The Dale

A prototype, three-wheeled moto-car from 70s, called The Dale, is now gaining popularity for its unique design and interesting back story. HBO is even currently airing a documentary called The Lady and the Dale, and it’s causing one obscure little yellow car in the collection of the Museum of American Speed to have an unexpected moment of fame. Envisioned in 1974 by entrepreneur Geraldine Elizabeth Carmichael, only two prototype vehicles of the Dale were ever made, and they’re still being talked about today. The story of the Dale is one of the most bizarre in the history of the American automobile.

1974 was not an awesome time to be an American car maker. There was a crippling gas shortage and American cars had, quite inconveniently, become giant, gas-hungry behemoths. It was becoming increasingly difficult to find gas, let alone afford it.

As keeping gas in that big-block powered luxo-barge began to chew up the kids’ college fund, people starting looking for gas alternatives. One man’s solution was to start riding his vastly more fuel-efficient motorcycle to work. But Dale Clift got tired of getting wet whenever it rained. So, he did the only logical thing: build an enclosed, three wheeled contraption using a few motorcycle parts and a lot of imagination. When Dale and his car crossed paths with Liz Carmicheal, things really got interesting.

Liz took Dale’s idea and ran. She founded the 20th Century Motor Corporation, and their first car was to be a small, 3-wheeled car based on Dale Clift’s three wheeled moto-car. Liz’s incredible claims about the car brought quite a bit of publicity to the project. The Dale was supposed to be made of indestructible fiberglass, go 80 miles per hour, get 70 miles per gallon, and cost around $2000. The company started collecting deposits from eager buyers and raising money from investors. And they raised a lot of it. Something like $30 million.

What they forgot to do was get all the appropriate licenses, permits, and to actually make a car. A small group of engineers were busy trying to build a car that would match the hype. They cobbled together one running prototype that was at least partially functional, as well as a few painted and rolling fiberglass shells. The car you see pictured below is one of the mock-up versions.

And because no story from the 70’s is complete without mentioning The Price is Right, we’re happy to report that the very car you see pictured below actually appeared as a prize on the show in ’75. Fortunately for everyone, all the contestant’s guesses were way over the Dale’s alleged asking price, saving the lucky winner from the burden of hauling a non-functioning fiberglass lawn ornament home with them.

The inevitable reality began to catch up to the 20th Century Motor Corporation. The local news station and several concerned authorities started asking questions and not liking the answers that they were being given. As the house of cards began to fall, it was discovered that things were not at all what they appeared to be. The Lady and the Dale does a great job telling that story. Go watch it. We’ll wait.

So how did one of the four Dales created end up 1500 miles from LA in Lincoln, Nebraska? As you might expect, that’s an interesting story too, and it starts with Dean Moon. You know him, he was the founder of Moon Equipment company, the man behind some of the most iconic hot rod parts in the business, and the creator of the “Mooneyes” logo that you’ve seen on every hot rod ever.

After the spectacular implosion of the 20th Century Motor Corporation, this Dale somehow found its way to the roof of a California muffler shop. What it was doing there and how it got there may never be known, but when the shop closed its doors, Dean Moon was there to relieve them of the little fiberglass three-wheeler on their roof. He thought he could apply a little hot rod ingenuity and make a neat little kit car out of it.

Apparently, the California authorities were not ready to forgive and forget the whole Dale debacle, so they were a wee bit prickly when approached by Moon about licensing and other official matters. So, he called up his old friend Speedy Bill Smith in Nebraska, thinking he might have better luck.

It’s unclear just what Bill saw in the Dale, but one thing is clear. Speedy Bill had a knack for spotting strange, unusual, and cool automobilia. He built a museum around it. So, there’s little doubt that he saw more than just a weird little yellow car. Whatever the reason, the Dale came to live in Lincoln and has never left.

The Museum of American Speed exists to tell the story of the American automobile, and this is a story like no other.

The Dale by Speedway Motors Museum of American Speed for 360 Magazine

The Dale by Speedway Motors Museum of American Speed for 360 Magazine

QxA with Akeem Mair

This holiday season, actor Akeem Mair took the time to speak with 360 Magazine about his craft, his inspirations, how his career has been impacted by COVID-19, and more. Movie star Akeem Mair is the entertainment industry’s up-and-coming icon. In his career as an artist, he has appeared in several movie productions including All About Money, A Wonderful World, Limbo, Life of a Villain, Red, Fine Line, Silent Love, The Kidnap, etc. He’s worked with many production companies, including the Columbia College of Hollywood Production.

Akeem has signed with two agencies: Commercial Talent Agency (under Sarah Angeli) and Minc Talent (under Mariko Ballentine). At 32, Akeem is in his prime. With his noteworthy work ethic and passion, he is destined for greater heights. In fact, he has over 5 million views for a single video alone – the time when he appeared for The Ellen DeGeneres Show, which Ellen described as “the best episode she’s ever seen.”

Besides this feature with 360 Magazine, Akeem appears in many publications such as NY Wire’s Top 25 Individuals, US Reporter’s Top 15 Entrepreneurs, LA Wire’s Top 20 IG Accounts to Follow in 2020, and many more. Read on to hear 360’s interview with Akeem below.

What do you love most about being an actor?

I found a strong love of being in front of the camera with everybody watching. It’s like my escape from my own reality, which is refreshing to me. I get the opportunity to pour myself into different characters and experience that person’s life. How they see the world and how different their life experiences are from mines. I love to learn how they think, how they would react in certain situations, the way they talk and walk, the way they dress, etc. Then, you can take what you learn from playing that character and use it to make your own life more complete. Meaning if you like how that character approaches life, then copy and apply it. At first the camera scared me – I’m not gonna lie. But a director once told me that the fear I show in front of the camera robs the audience of their entertainment. Once I broke out of that, my understanding of my own craft changed. Acting is my life!

Did you always wanted to be an actor, or did you have other ambitions?

Actually, believe it or not, I wanted to be a financial banker. I watched Michael Douglas in the film called, “The Game,” and became hooked after that. I saw the 2000 BMW 740 I, the designer suits, the excitement of winning their clients’ money in the office, the personal maid that lives at his house, and I always loved crunching numbers in a calculator. But as I was working at Ralph’s grocery store when a loyal customer ending up changing my whole life. I was a cashier, and she came into my line with a sad demeanor. I could tell something was troubling her, so I tried to brighten up her day with my personality. I said “Hi, it’s good to see you again, did you find everything ok?” She said softly, “Yes I did, thank you!” I said, “Usually I see you smiling, but whatever you’re going through I know God will not give you more than you can handle! He has something better for you!” After the transaction I said, “Have a Blessed day! I hope to see you again soon.” Immediately she paused and finally looked up at me for the first time and I could tell she had been crying. She asked me, “Are you an actor?” I said, “No. Why do you ask?” She said, “Because your energy is filled with so much positive energy. You move people by it. You lifted up my spirits after I just lost my house in a foreclosure. Thank you!” Her reply shocked me. After she left, I went home that day and wondered, What would my life look like if I was a successful actor? I thought about how I would be able to help my family so much more and how I can infect millions of people with the same positive energy. That night, I searched ‘how to become an actor’ and it said most start as an extra on a movie set. The next day I reached out to Central Casting in Burbank for their free introduction and here I am today! I am more than satisfied and really love what I do!

How has COVID-19 impacted your industry?

My industry has changed a lot! At first, the acting classes I would attend would be at different acting studios across Los Angeles and held in person. Same as the auditions I would get. And I would have to deal with sitting in the heavy traffic, busy freeways, hoping to get to where I need to on time. Now it’s crazy to think everything is happening on my iPhone 11 Pro! My auditions are either through Zoom or I would have to submit a self-tape that would record off of my phone’s camera and be edited in the iMovie feature. All of my classes have been online through Zoom. So, the coaches now email you a link to jump on when class starts. The biggest issue now is not the heavy traffic, it’s the internet connection. If you have bad WiFi, it easily destroys your Zoom live audition and costs you the job. So, it is extremely important now to have amazing WiFi connection.

Do you have other passions besides acting?

I love writing poetry; it really soothes my soul. I like to write out all the emotions and experiences I go through like in poems and lyrics. 2pac was the one who really inspired me to use my pen as an outlet.

I appreciate Vaughn and 360 Magazine

For allowing me to tell my story

It was a journey to chase my dreams

And stayed away from things ain’t for me

I would sit in the movie theaters

And picture myself reaching glory

I knew could take care of my family

If I stop feeling sorry

By working hard building my legacy

It creates an attraction

Sending me blessings of opportunities

I would of never would of imagine

I had to escape from my reality

By following my passions

I can’t be worried about anybody else

I constantly take action

When I’m finished grinding everyday

I die as a legend

What is the biggest life lesson you learned?

You have to decide to go after your dreams because that’s what you want to do. There’s going to be so many people in your ear telling you different things and most of the time, it’s family because they want to protect you from failing. The only problem about that is it takes you away from doing what you love and moves you closer to a life of regret. So, take your time and really think about your dreams and how you want your life to be. Take out a piece of paper and write what you want out of life. I am an actor today because it’s my dream. I wrote it down, I proclaimed it in front of the mirror, and I tell my friends and family all the time what my dreams are and that I am going to achieve them.

What are the biggest challenges you have faced and how did you overcome them?

My biggest challenge is balancing my money and time. Because let me tell you, I’ve invested a lot of money to strive as an actor. Dreams come with lots of sacrifices. This is the one side of dreams that is not so glamorous. I can’t watch television when I get home because I have to practice, do auditions, or attend classes. Before I can even think about buying the latest technology, clothes, or shoes, I would have to also think about classes, camera equipment, printing, headshots, costumes, etc. You have to be willing at any moment to sacrifice for your dreams and it’s the hardest part. I’m giving up sleep most days because I’m so busy, but I love it!!

Who are the people who are your biggest influences and why?

Tupac Shakur, Denzel Washington and Eddie Murphy are my biggest influences. Everyone knows why Eddie Murphy is so big of an inspiration to me. It’s how I got my name! His character, Akeem, from Coming to America made my parents fall in love with the name due to his performance. As I’m older now and have watched it for myself, it’s crazy so much of my personality has rubbed off of him and into me. He possesses a sense of humor and radiates authority, yet he remains humble, practices kindness and self-sacrifices for the people around him. Denzel Washington is my next inspiration. I always love how Denzel approaches his game. The confidence, swag, fearlessness, and mental toughness he possesses in most of the characters he played, you can just feel his presence through your television. His Oscar performance character Alonzo Harris in Training Day was unbelievable. You felt the selfishness, greed, carelessness, ruthlessness, and his betrayal. I would love to ask him, “how do you get to that place in a character and stay there?” Finally, 2pac! His wisdom and his work ethic are what really blow my mind. I love how he was able to captivate a crowd of people and get everyone to follow him around. To be so young and so ahead of his time is crazy. He inspires me to think ahead always and to do more than what you think your capable of doing. And stop taking breaks! I remember how upset he got when his team took breaks and reminds them how time is short.

If you could change one thing you did at the beginning of your career, what would it be?

I would go back to tell the younger me to keep track of your day. Stop worrying about your yearly resolutions and worry about your daily resolutions. Because if you can’t take care of a simple day, how on earth are you going to conquer your year? It’s going to escape you every time. I always hear it in people’s voices when they talk about what they are going to be or going to have. I’m like, wait a minute, what are you going to do today? And people are usually confused or haven’t thought about it. See, it’s that’s answer right there that’s gonna kill everything you just told me.

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Parris Goebel joins MasterClass

MasterClass × Parris Goebel – Creativity in Choreography

Justin Bieber, Jennifer Lopez and Rihanna. Janet Jackson, Ciara, and Jason Derulo. Nicki Minaj, Blackpink, and Shakira. Parris Goebel, the renowned choreographer, has worked with them all.

MasterClass, the streaming platform where anyone can learn from the world’s best across a wide range of subjects, today announced that award-winning choreographer Parris Goebel—known for her powerful work for some of the biggest names in the music industry—will teach a class on Creativity in Choreography. For the first time ever, Goebel will not only reveal her process for creating viral dance sensations, but also share insights on how to unlock creativity and turn goals into reality. Goebel’s class is now available exclusively on MasterClass, where subscribers get unlimited access to all 90+ instructors with an annual membership.

“Parris has choreographed for some of the biggest names in the music industry,” said David Rogier, founder and CEO of MasterClass. “Her MasterClass teaches us how to unleash the creative being within—it is both a how-to and a how-to-be, offering invaluable lessons and inspiration for anyone looking to find their creative voice.”

A New Zealand native, Goebel found her love of dance at the age of 10 before she formed the all-female dance group ReQuest, and later opened her own studio, the Palace Dance Studio, in Auckland. In 2012, she caught the eye of global superstar Jennifer Lopez, who hired Goebel to choreograph some numbers for her “Dance Again” world tour. Goebel went on to choreograph and direct Justin Bieber’s global hit video for “Sorry,” currently holding more than 3.3 billion views on YouTube; it’s one of the 13 videos she directed that make up Bieber’s “Purpose: The Movement” series. Now one of the most coveted choreographers of all time, Goebel has worked with some of the most iconic artists, including Janet Jackson and Nicki Minaj. She’s also worked extensively with Rihanna for more than five years, collaborating on the singer’s Savage X Fenty show, which led to a 2020 Emmy nomination for Goebel. She dominated headlines when she released her own dance video for Bieber’s 2020 single “Yummy,” followed by choreographing Jennifer Lopez’s halftime show for Super Bowl LIV, which showcased members of her award-winning dance crew, the Royal Family. Goebel is set to direct her first feature film “Murder on the Dance Floor,” which is an adaptation of her acclaimed street-dance-based production.

“I always knew that I wanted to create things that inspired young people and I turned that into my superpower,” Goebel said. “In my MasterClass, I’ll share the secrets and techniques to my creative process because when you can express confidence as a leader, choreographer and director, it’s contagious.”

Designed for anyone who wants to find their creative voice, Goebel’s MasterClass will give members a unique window into her creative process, from the inner work she has done to hone her style to a breakdown of how she choreographs and directs live dance performances and music videos. Through honest and vulnerable storytelling, Goebel will open up about her personal journey, from starting a studio at age 17 to pursuing her passion around the world, sharing insights on how to unlock creativity, develop your brand and harness the power of what makes you unique. Goebel will show members how to find their unique voice by letting their spirit go free, allowing them to unleash the creative being within.

For members looking to elevate their skills as a choreographer or music video director, Goebel will break down how to choreograph a large-scale dance routine, including selecting music, building choreography, adding dynamics and perfecting every detail and movement. Goebel will give members rare access to never-before-seen case studies of some of her most iconic choreography for Justin Bieber’s “Sorry” and Ciara’s “Level Up,” offering tips on how to work with artists, approach directing for the screen, casting and finding the best camera angles. Members will not only discover how to use dance and creativity to become masters in any field, they will also come away feeling inspired to find their own voice.

View the trailer here:

https://youtu.be/A9TczekUE3M

ABOUT MASTERCLASS:

Launched in 2015, MasterClass is the streaming platform where anyone can learn from the world’s best. With an annual membership, subscribers get unlimited access to 90+ instructors and classes across a wide range of subjects, including Arts & Entertainment, Business, Design & Style, Sports & Gaming, Writing and more. Step into Anna Wintour’s office, Ron Finley’s garden and Neil Gaiman’s writing retreat. Get inspired by RuPaul, perfect your pitch with Shonda Rhimes, and discover your inner negotiator with Chris Voss. Each class features about 20 video lessons, at an average of 10 minutes per lesson. You can learn on your own terms—in bite-size pieces or in a single binge. Cinematic visuals and close-up, hands-on demonstrations make you feel like you’re one-on-one with the instructors, while the downloadable instructor guides help reinforce your learning. Stream thousands of lessons anywhere, anytime, on mobile, tablet, desktop, Apple TV®, Android™ TV, Amazon Fire TV® and Roku® players and devices.

Follow MasterClass:

Twitter @masterclass

Instagram @masterclass

Facebook @masterclassofficial

 Follow Parris Goebel

Twitter @ParrisGoebel

Instagram @ParrisGoebel

Facebook @ParrisProject 

Zedd x Griff release new single – “Inside out”

Today, GRAMMY® award-winning global superstar Zedd releases his brand-new single entitled “Inside Out” featuring rising U.K. singer-songwriter, Griff.

The upbeat, feel-good track, features Zedd’s signature style that has made him the critically acclaimed artist/DJ/producer he is today. Paired with Griff’s incredible vocals, “Inside Out” is poised to be another one of Zedd’s standout tracks. The song is available now at all digital retail providers via Interscope Records.

Zedd says about “Inside Out”, “I started working on ‘Inside Out’ roughly a year and a half ago and I’m incredibly proud for it to finally see the light of day. We are in such a tense state of the world right now; I feel like this song can provide people with a much-needed sense of hope. I always strive to push myself to try new things, musically. With that in mind, this song feels very new but also familiar at the same time. A huge thank you to Griff for bringing such an intense level of emotion to ‘Inside Out’ with her beautiful voice!!”

Griff also notes, “This song for me is about any relationship in your life that’s worth holding onto, whether its platonic or romantic. I feel like these days everything is about how things look on the outside, and so the idea of loving someone from the inside first, feels like quite an important thing to say right now. It’s so surreal for Zedd to want a new artist like me to sing on this track, and I’m just super grateful and excited to be involved in this.”

Click HERE to watch the lyric video.

In addition to the release of “Inside Out,” Zedd will also be participating in The MDA Kevin Hart Kids Telethon, an event benefitting the Muscular Dystrophy Association and Help From the Hart Charity. The event will be streamed live on October 24 at 8pm ET on LOL Network platforms including YouTube and Pluto TV, plus Facebook, TikTok, Triller, and Twitch. The event will feature entertainment, comedy, musical performances, and MDA’s Let’s Play For A Cure gaming elements. MDA’s Let’s Play For A Cure consists of seven weeks of live gaming and Esports events produced and livestreamed by MDA, culminating in the final marathon stream headlined by Zedd. The marathon stream will kick off at 4pm ET on October 24 with Zedd going live at 7PM ET on his Twitch channel. This will run simultaneously with The MDA Kevin Hart Kids Telethon.

About Zedd

Multi-platinum, GRAMMY® Award-winning artist/DJ/producer Zedd made his debut with “Clarity” after signing with Interscope in 2012 and has been breaking down barriers surrounding music genres ever since. Throughout his career, Zedd has worked with a diverse range of artists to create hits, including Foxes on “Clarity” (which earned Zedd a 2014 GRAMMY® “Best Dance Recording”), Hayley Williams on RIAA platinum-certified hit, “Stay The Night” (which racked up more than 400 million streams), and Selena Gomez on the platinum-certified track, “I Want You To Know,” which spent four weeks at #1 on Billboard’s “Hot Dance/Electronic Songs” chart. He’s also collaborated with Alessia Cara on their hit single “Stay” which held the #1 spot at Top 40 radio for six consecutive weeks and earned Zedd his second GRAMMY® Award nomination, and with Maren Morris and Grey on the monster hit “The Middle,” which earned Zedd is second #1 at Top 40 radio. Digitally, the song has amassed over 1 billion streams and earned Zedd three GRAMMY® nominations including “Record Of The Year,” “Song Of The Year,” and “Best Pop Duo or Group Performance.”

About Griff

Griff is well on her way to becoming the next face of British Pop—and a next-generation type of pop star, at that. Born to Chinese and Jamaican parents just out of Watford, U.K., Griff began making music by borrowing her brother’s logic: teaching herself how to produce songs secretly from her classmates (many of whom only found out what Griff was up to when they heard her on Annie Mac). Hailed by Vogue as a “multicultural, multi-hyphenated, and multi-talented…utterly unique teenager” and by NME who called her “A phenomenon…the teenage boss about to take charge of pop,” Griff’s musical creativity draws no boundaries. Aside from making her own beats, sewing her own clothes, and shooting a music video on her iPhone under lockdown, Griff’s raw and vulnerable lyrics also prove she is mature beyond her years. With songs about friendship. (“1,000,000 X Better”), mental health (“Say It Again”), those stinging formative breakups (“Forgive Myself”) and the importance of family (“Good Stuff,” a moving account of Griff’s family fostering children), Griff manages to draw from her own difficult experiences and turn them into something uniformly positive making her particular model of bedroom-pop fitting for a legion of young girls to follow.

To Buy or Stream Zedd & Griff’s “Inside Out”:

Retail: https://smarturl.it/InsideOutZG

Amazon: https://smarturl.it/InsideOutZG/amazonunlimited

Apple Music: https://smarturl.it/InsideOutZG/applemusic

Deezer: https://smarturl.it/InsideOutZG/deezer

iTunes: https://smarturl.it/InsideOutZG/itunes

Pandora: https://smarturl.it/InsideOutZG/pandora

Spotify: https://smarturl.it/InsideOutZG/spotify

YouTube Music: https://smarturl.it/InsideOutZG/youtubemusic

Follow Zedd: WEBSITE | INSTAGRAM | FACEBOOK | TWITTER

Follow Griff:INSTAGRAM | FACEBOOK | TWITTER

BLACC ZACC ANNOUNCES NEW ALBUM – “803 LEGEND”

Blacc Zacc aims to finish strong after an excellent 2020 campaign with his upcoming album 803 Legend. Slated to drop Oct. 23, the Carolina Narcos MC looks to tighten his grip on the trap world with his 13-track collection with features by Kevin Gates, 42 Dugg, Foogiano, Fat Loc, and more. To warm fans up, Zacc rewards listeners with his opulent single “Tennis,” where he skewers haters trying to downplay his status as a certified trap star. The celebratory ode oozes with soul, solidifying Zacc’s legendary position in his hometown of South Carolina. Listen HERE.

To commemorate his new single release, Zacc launched an E-commerce store for his “Tennis” merch for his devotees to go and purchase. Fans can pre-save 803 Legend ahead of Friday’s release date. Shop HERE.

Earlier this month, Zacc continued his lyrical onslaught on the rap game when he released his Carolina Narcos scorcher “Bang” with SCMG labelmate DaBaby. This year, the South Carolina upstart is also coming off his two fiery singles, including “803 Legend ” and “Let’s Get It,” which exhibited his steely bars and pandemic-proof swagger. Since his 11-track debut album Carolina Narcos‘ release, Blacc Zacc has emerged from the trenches with his trap-laden raps. Featuring his rap compatriots DaBaby, Moneybagg Yo, Yo Gotti, Stunna 4Vegas, fans have gravitated towards Zacc’s street appeal. The album also boasts production by Young Kio, OG Parker, Romano, and more.

Blacc Zacc’s 803 Legend eAlbum –

Retail: https://smarturl.it/803legend

LOUIS THE CHILD – NEW SINGLE “SELF-CARE” WITH MUSIC VIDEO

Today, Chicago-bred production duo Louis The Child releases their brand-new single entitled “Self-Care” with alt-pop band, COIN, along with the music video. Fresh off the heels of their recently released 19-track mixtape, Candy 2, “Self-Care” with COIN is an upbeat, feel-good song that encourages the practice of self-love and the idea that it is acceptable for people to take care of their own needs and to not sacrifice personal well-being in order to please others. Louis The Child’s “Self-Care” with COIN is available now at all digital retail providers via Interscope Records.

Louis The Child says about the track, “When COIN sent us the demo for ‘Self-Care,’, we loved it. It had an infectious, funky vibe and a beautiful message. We were immediately stoked to add our drums, synths, instruments and arrangement ideas and turn the song into a jam! We’re excited for you to hear it. Turn it up and dance!”

COIN notes, “This year, we tried to stop looking left and right before crossing the street (metaphorically). Trust yourself – others won’t until you do. Remove fear and judgment, this year, and maybe forever find inner light and love to beam out to the world. Free your mind. Do it for yourself. The chorus vocal is an iPhone voice memo backstage at a festival in Memphis — mindlessly free. We felt this was perfectly fitting for COIN’s first ever collaboration.”

Click HERE to watch the music video for “Self-Care” with COIN.

About Louis The Child

Louis The Child float through electronic, pop, and alternative with wide-eyed wonder, adventurous spirit, and the elation of being present. Since 2013, the Chicago-bred duo—Freddy Kennett and Robby Hauldren—have popped off as a phenomenon streamed upwards of 600 million times and endorsed by pop royalty such as Taylor Swift and Lorde. “Go” notably soundtracked an Apple iPad commercial in 2017, while their breakthrough “Better Not” with WAFIA earned a gold certification from the RIAA and powered the 2018 Kids At Play EP. Along the way, the boys packed hallowed venues such as Red Rocks Amphitheatre in Morrison, CO and New York’s Terminal 5 where they sold out a three-night stand. In addition, Louis The Child made explosive appearances at Coachella, Lollapalooza, Bonnaroo, Electric Forest, and beyond. Not to mention, they garnered acclaim from Billboard, Rolling Stone, People Magazine, Hypebeast, Dancing Astronaut, covered the Summer 2020 Issue of DJ Times, and more. In 2020, they unveil their full-length debut the aptly titled Here For Now [Interscope]. Over the course of the record, the group deliver 14 anthemic affirmations of a universal truth, including “Every Color” with Foster The People, “Little Things” with Quin XCII and Chelsea Cutler, and the single “Big Love” with EarthGang.

About COIN

Since the arrival of their 2016 breakthrough single “Talk Too Much,” COIN have continually turned out sublimely catchy alt-pop, equally built on effervescent hooks and an understated complexity. With that dynamic earning them a passionate following, the Nashville-based trio have spent much of the past few years bringing their sing-along-heavy live set to frenzied crowds all across the globe. On their latest album, Dreamland, COIN embraced their pop instincts more fully than ever, dreaming up some of their most sonically adventurous yet emotionally direct batch of songs to date.

COIN is currently gearing up to release their new EP Indigo-Violetout on October 22nd. Additionally, it’s the first of a 3-part project called Rainbow MixTape, each conceptualized by moods represented by the colors in the title. The EP’s are set to continue rolling out over the next several months.

Retail: https://smarturl.it/SelfCareLTC

Amazon: https://smarturl.it/SelfCareLTC/amazonunlimited

Apple Music: https://smarturl.it/SelfCareLTC/applemusic

Deezer: https://smarturl.it/SelfCareLTC/deezer

iTunes: https://smarturl.it/SelfCareLTC/itunes

Pandora: https://smarturl.it/SelfCareLTC/pandora

Spotify: https://smarturl.it/SelfCareLTC/spotify

For more information on Louis The Child, visit: http://www.louisthechild.com/https://www.facebook.com/LouisTheChild/https://www.instagram.com/louisthechildhttps://twitter.com/LouisTheChild

SAMI-Aid Offers Free Appointment to Those Affected by Wildfires

California telehealth company wants to ensure people’s health needs are met during historic wildfire crisis

SAMI-Aid, a patient-focused telemedicine platform and healthcare concierge company, announced that it is offering free telehealth appointments to those who have been affected by the wildfires raging across the state of California and other western states. The California-based company saw an opportunity to use its platform to help those who have been affected by the fires.

“As a San Jose-based company, we’ve seen firsthand how this summer’s wildfire season has affected Californians in the Bay Area and across the state,” said Bijan Farhangui, SAMI-Aid Founder and CEO. “Whether you’ve been displaced by the wildfires or aren’t able to visit your doctor’s office due to the poor air quality, we realized we could do something to help ensure people’s health needs were met during this difficult time.”

According to the California Air Resources Board, particulate matter is the largest health concern relating to wildfires. Particles from wildfire smoke can be inhaled into different parts of the lung, potentially resulting in negative lung and heart health effects. Those who suffer from respiratory issues or illnesses have been advised to remain indoors as much as possible while particulate matter from the wildfires remains a concern.

“Patients in need of prescriptions, medical advice, or regular behavioral health consultations should not have to sacrifice their health and wellbeing because of the wildfires,” added Farhangui. “Our telemedicine platform can help Californians get the health services they need in a safe and easy way.”

Those who have been affected by the California wildfires can call SAMI-Aid at 844-726-4243 to redeem the code for a free consultation through their telehealth platform. SAMI-Aid offers on-demand access to medical professionals of a variety of specialties including general physicians as well as mental and behavioral health specialists. SAMI-Aid also recently launched its new at-home COVID-19 testing program where patients can confirm their COVID-19 status from the safety and convenience of their own home. More information is available at samiaid.com.

About SAMI-Aid:

Founded in 2014, SAMI-Aid is an online healthcare concierge platform that features a searchable medical procedure pricing database, a dedicated call center for patient support, and 24/7 access to telemedicine doctors and nurses. Its platform is secure, HIPAA-compliant, user-friendly, and mobile-friendly, offering members 24/7 access to doctors and nurses, and exclusive medical pricing information which helps them save money on care. Based in San Jose, California, SAMI-Aid serves the entire US. The acronym SAMI stands for Smart Affordable Medical Information. For more information, visit samiaid.com.

Le Parc Suites

Le Parc Suite Hotel

Le Parc Suite Hotel is the perfect, newly renovated spot to safely begin your travels with. Inspired by its location in West Hollywood, Le Parc Suite Hotel’s modern redesign features a curated collection of locally inspired original artwork and a sophisticated architectural palette.

“We are thrilled to introduce the new Le Parc Suite Hotel in our dynamic city of West Hollywood,” said Bert Seneca, general manager of Le Parc Suite Hotel. “Our revitalized hotel is designed as a place for everyone, as reflected in our diverse artwork, inviting amenities and exceptional service. We’re proud to welcome guests to Le Parc Suites where they’ll experience the energy of West Hollywood combined with the comforts of home.”

Le Parc’s Peace of Mind Promise adheres to all Safe Stay Guidelines put in place by the American Hotel & Lodging Association, which are based on guidance and direct feedback from the CDC. Le Parc is an ideal destination for a safe retreat with individual HVAC units in each suite for fresh air, kitchenettes for dining in, staircases as alternatives to elevators and uncrowded public spaces.

Drawing influence from its West Hollywood location, Le Parc features brilliantly curated original artwork throughout the hotel including a Charlie Edmiston mural, Scott Hile “LOVE” mural, pop culture portraits by Srinjoy Gangopadhyay, and Craig Alan paintings.

The renovations also include a modern fitness center and rooftop pool. Le Parc has built a brand-new, state-of-the-art fitness center with equipment for cardio, weightlifting, resistance training, yoga and stretching. The fitness center also offers a complimentary Peloton available to guests on a first-come basis.

In celebration of the redesign, Le Parc has created a special offer, called “The Ultimate Threesome,” combining you, plus one huge suite, plus free overnight parking. Travelers can save with this offer as they enjoy delicious cuisine from Le Parc’s restaurant, Knoll, relax on the Skydeck, and feel safe with the Peace of Mind Promise.

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