Posts tagged with "rise records"

FloggingMolly_ViolentFemmes_2021_Instagram_Post_Slide1_1080x1080_TourPoster02 from Christina Santamaria (BMG) for use by 360 magazine

FLOGGING MOLLY × VIOLENT FEMMES ANNOUNCE CO-HEADLINE TOUR

Legendary punk bands Flogging Molly and Violent Femmes are excited to announce their upcoming fall co-headline tour, featuring special guests Me First And The Gimme Gimmes and Thick. Various pre-sales begin this week, with general tickets on-sale this Friday, June 25 at 10 am local time. For tickets and more information, please visit here.

 

The run kicks off September 3 in Maryland Heights, MO and will bring good times and great music to cities from coast to coast, including a show at Pier 17 in New York City on September 21. Full routing can be found below.

 

Flogging Molly’s Dave King shares his excitement about the news: “What a joy it is to announce our co-headline tour this coming September/October 2021 with the legendary Violent Femmes. We in the Flogging Molly family cannot wait to share the stage with such an amazing group, so please join us in celebrating the return of what we’ve all truly missed: the live music experience. We cannot wait to see you all! So take care dear friends, till we raise a glass to one and all, Slainté! Flogging Molly.”

 

Violent Femmes’ Brian Ritchie shares: “Can’t be hermits forever. Violent Femmes re-enter the big bad world they sing about. We are happy to crawl out of our hole just in time to celebrate 40 years as a band.”

 

As Violent Femmes celebrate their 40th anniversary together this year, this also provided an opportunity to commemorate the band’s enduring catalog of cult classics with the long out-of-print vinyl reissue of Add It Up (19811993’). Available now via Craft Recordings, the 23-track compilation was re-released on 2-LP and digital formats, featuring the Femmes’ biggest hits such as “Blister in the Sun,” “American Music,” and “Gone Daddy Gone,” plus live recordings of fan-favorites like “Add It Up,” and “Kiss Off,” alongside a trove of demos, B-sides, interstitial voice recordings, and rarities. Click here to stream or pick up Add It Up (19811993’) on vinyl. Craft will be working with the band on more special catalog reissues to be announced shortly, stay tuned to Violent Femmes’ socials for more details coming soon.

 

This news follows exciting announcement that Flogging Molly are partnering with Sixthman for the 6th Salty Dog Cruise, setting sail March 28 – April 1, 2022 with friends Descendents, The Distillers, Frank Turner (Duo), Me First and the Gimme Gimmes, Broilers, Möngöl Hörde, Authority Zero, Dave Hause & the Mermaid, Thick, The Cherry Coke$, Punk Rock Karaoke, Guise, and more to be announced. For more information, visit Flogging Molly Cruise. The band also recently performed a special St. Patrick’s Day livestream concert broadcast from the iconic Whelan’s Irish Pub in Dublin, Ireland, in partnership with Bushmills Irish Whiskey®. Additionally, Flogging Molly will perform at Bonnaroo Music & Arts Festival in Manchester, TN on Sunday, September 5.

 

Flogging Molly & Violent Femmes Tour Dates:

9/3 – Maryland Heights, MO – St. Louis Music Park

9/4 – Indianapolis, IN – TCU Amphitheatre at White River State Park

9/8 – Columbus, OH – EXPRESS LIVE!

9/10 – Detroit, MI – Masonic Temple Theatre

9/11 – Cleveland, OH – Jacobs Pavilion

9/12 – Asbury Park, NJ – Stone Pony Summerstage

9/14 – Chicago, IL – Byline Bank Aragon Ballroom

9/15 – Pittsburgh, PA – Stage AE

9/17 – Boston, MA – Leader Bank Pavilion

9/18 – Rochester, NY – Main Street Armory

9/19 – Saratoga Springs, NY – Saratoga Performing Arts Center Inc.

9/21 – New York, NY – Pier 17

9/22 – New Haven, CT – Westville Music Bowl

9/24 – Philadelphia, PA – Metropolitan Opera House

9/25 – Big Flats, NY – Tag’s Summer Stage

9/26 – Washington, DC – The Anthem

10/5 – Dallas, TX – South Side Ballroom

10/6 – Houston, TX – Bayou Music Center

10/8 – Mesa, AZ – Mesa Amphitheatre

10/9 – Las Vegas, NV – Theater at Virgin Hotels Las Vegas

10/10 – Paso Robles, CA – Vina Robles Amphitheatre

10/12 – Sacramento, CA – Heart Health Park

10/13 – Fresno, CA – Woodward Park Rotary Amphitheater

10/15 – Bend, OR – Les Schwab Amphitheater

10/16 – Seattle, WA – WaMu Theater

10/17 – Eugene, OR – Cuthbert Amphitheater

10/19 – Salt Lake City, UT – The Complex

10/20 – Denver, CO – The Mission Ballroom

10/22 – Milwaukee, WI – Miller High Life Theater

10/23 – Minneapolis, MN – The Armory

About Flogging Molly:

Flogging Molly is comprised of Dave King (lead vocals, acoustic guitar, bodhran), Bridget Regan (violin, tin whistle, vocals), Dennis Casey (guitar, vocals), Matt Hensley (accordion, concertina, vocals), Nathen Maxwell (bass guitar, vocals), Spencer Swain (mandolin, banjo, guitar, vocals), and Mike Alonso (drums, percussion). Starting out as the house band for Molly Malone’s in Los Angeles and building a loyal following through endless touring, Flogging Molly has become a staple in the punk scene over the past 20 years, kicking off with its raucous debut showcase, Swagger, and continuing through its five additional studio albums. With numerous late-night television appearances under their belt, its sell-out Salty Dog Cruise through the Caribbean, and yearly St. Patrick’s Day Festival in Los Angeles, the band is currently working on the Rise Records follow-up to its latest LP, Life Is Good. Recently, the band reissued Swagger with exclusive tracks, an Irish traditional set, a 60-minute video feature, and exclusive merch in a collectable box set.

About Violent Femmes:

Violent Femmes formed in 1981 as an acoustic punk band playing on the streets of Milwaukee, WI, with the goal to rock harder than any other acoustic act on the planet. The band released their eponymous debut album in 1983, finally entering the Billboard Charts and earning a platinum certification eight years after the fact. Over the course of their three-decade career, the Femmes have released 10 studio albums, four live albums, four compilation albums, an EP, and several singles, earning a legendary cult status and influencing generations of musicians with their catalog.

Merci Subtle Fiction I EP image via Christina Santamaria at BMG for use by 360 Magazine

Merci – Subtle Fiction I

Watch The Video For “City Haircut” HERE

Today, D.C. alternative quintet Merci release their new EP, Subtle Fiction I, via Rise Records: AVAILABLE HERE. Along with the EP, they also share the kaleidoscopic official video for their new single “City Haircut”WATCH HERE.

“‘City Haircut’ is a song about those nights when you’ve had and said too much,” the band shared about the new single. “The song came together in almost a week and was one of the most intuitive tracks to write.”

Merci shared the first taste of the new EP in 2020 with their debut single “Foolish Me.” Earlier this year, they released the next single “Haunt Me,” along with its accompanying cinematic visual inspired by the Eggers Brothers’ film The Lighthouse. Full track listing can be found below.

Subtle Fiction I track listing:

  1. The Palm
  2. Never Coming Back
  3. Haunt Me
  4. City Haircut
  5. Foolish Me

About Merci:

Washington, DC’s Merci (Seth Coggeshall [vocals, guitar], Nick Jones [guitar], Colby Witko [vocals, keys], Justin Mason [bass], and Jack Dunigan [drums]) funnel dreamy nocturnal pop through the lens of dyed-in-the-wool rock underpinned by live instrumentation. Having woven themselves into the fabric of the DMV music scene, playing in various groups separately and together for years, the five members officially joined forces as Merci in 2018 and immediately began prepping for their debut album–due out 2021 via Rise Records.

Merci Subtle Fiction I EP image via Christina Santamaria at BMG for use by 360 Magazine

by Big Hassle Media for use by 360 MAGAZINE

AFI – BODIES

AFI SHARES NEW TRACK TIED TO A TREE AND UPCOMING ALBUM BODIES

AFI has shared Tied To A Tree, the latest track from their eagerly-awaited new album Bodies, due June 11, 2021 via Rise Records.

This is not only my favorite song on the record, but an exemplification of the evolution of the band,” guitarist Jade Puget says.

Last week, AFI launched a remix contest for their recent single Dulcería. The contest can be found within The Bodies Experience interactive 360° website, where fans can download song stems and create their own take on the track. Top submissions will be showcased online and will win exclusive prizes, including a “golden ticket” to future AFI shows. Deadline for entry is Friday, June 4 at 11:59pm PT.

The band also recently unveiled The Ritual Collection, a new line of merch that can be found exclusively in The Bodies Experience. This includes a special deck of oracle cards (with one card for each song), soy prayer candles and incense — all fitting counterparts to the dark and brooding new track. The artwork for the Tied To A Tree visualizer is based on the art found on the oracle card deck.

AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.

AFI’s unshakeable connection with their audience is a testament to the band’s knack for reinvention, renewal, and exploration, anchored by an unblemished authenticity. AFI songs are embedded in the spiritual DNA of a legion of supporters and Bodies is further demonstration of AFI’s unwavering commitment to artistic exploration, a dark conjuration of an uncapturable muse. The album was produced by the band’s own Jade Puget, mixed by Tony Hoffer (M83, Phoenix, Silversun Pickups), and mastered by Vlado Meller (Oasis, Pink Floyd).

The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity.

“AFI is such an integral part of who I am. What we do with AFI together is a foundation for me,” explains front man Davey Havok. “Coming back is a return to a home I’ve always known.”

It’s a sentiment shared by the entire band. “I couldn’t do what I do in AFI in any other place,” observes guitarist Jade Puget. “Davey and I have written songs together for over 20 years now. I couldn’t find the thing he and I have together anywhere else, nor the thing the four of us have when we come together. AFI is home for me and will always be that.”

“At this point, it’s not even a choice. It’s just what I do,” drummer Adam Carson concurs. “I started this band with Davey when I was 16. It’s something that I love so much. It’s just a part of me.”

“Every album is an opportunity to show people a snapshot of our evolution,” adds bassist Hunter Burgan. “And with this band, it’s always something fresh. We’ve been playing together for so long that I have a deep understanding of each of my bandmates’ musical styles, and yet I am still pleasantly surprised by the new things they bring to each record.”

“Anyone who knows our catalog knows that no two records really sit together,” Puget points out. “Some sit a little closer, maybe. We do certain things, just by virtue of who we are, that are consistent, but those things come about organically. Every time we do something, I have to judge it on its own merits. Some fans are going to judge a new album, or a new song, based on what’s come before. But as artists, we can’t do that, because it would only hinder our creativity.”

AFI never stepped into the mainstream; the masses came to them. The platinum success of Sing the Sorrow blazed a path for a generation of hardcore-punk weaned bands to similarly crossover. Decemberunderground upended expectations again and earned AFI a second platinum plaque. Crash Love was another adventurous turn, with expansive and almost optimistic-sounding melodies, glistening with emotion. The haunting Burials arrived four years later, debuting in the Top 10 of the Billboard 200. The self-titled follow-up, commonly referred to as The Blood Album, became AFI’s second-highest charting album since their inception, debuting at No. 5 in 2017. After the release of The Blood Album, the band was hardly content to rest on its laurels. AFI then released yet another highly praised addition to their discography, 2018’s The Missing Man EP.

photo by Big Hassle Media for use by 360 MAGAZINE

Bodies available for preorder HERE.

AFI

BODIES tracklist

  1. Twisted Tongues
  2. Far Too Near
  3. Dulcería
  4. On Your Back
  5. Escape From Los Angeles
  6. Begging For Trouble
  7. Back From The Flesh
  8. Looking Tragic
  9. Death Of The Party
  10. No Eyes
  11. Tied To A Tree