The Botanical Garden began phase 1 of its reopening plan, welcoming the general public to the grounds of its 250-acre site, on July 28.
NYBG is among the most comprehensive botanical gardens in the world, an urban oasis and integral part of the cultural fabric of New York City, anchored in the Bronx. In this next phase of NYBG’s reopening, visitors will once again be able to explore the Haupt Conservatory’s interconnected galleries, each featuring a different botanical habitat and specimens from around the globe. Outdoors, the verdant landscape is currently showcasing seasonal standouts such as striking cardinal flowers, mauve asters, and sweeping grasses among its one million plants.
Scenic paths and trails crisscross the Garden providing opportunities for discovery through encounters with nature. The gardens, outdoor collections, and natural features include the Native Plant Garden, with its meadow, woodland, promenade, and centerpiece water feature; Bronx River, with its waterfall, which runs through the 50-acre Thain Family Forest; layered and colorful patterns and plant groupings of the Perennial and Herb Gardens; lushly textured Chilton Azalea Garden; award-winning Rockefeller Rose Garden; inviting paths through the Ross Conifer Arboretum; Benenson Ornamental Conifers; and more.
Tram Tours, public programs, and group tours remain suspended temporarily as a safety precaution. The LuEsther T. Mertz Library, Edible Academy, Everett Children’s Adventure Garden, and Hudson Garden Grill remain closed.
The first phase of NYBG’s public reopening was prefaced by Appreciation Week, when Garden Members, Bronx Health Care Heroes from the eight public and private hospitals in the borough, and Bronx Neighbors were welcomed with first access and complimentary tickets. Communities in the Bronx are among the most severely impacted by COVID-19 in New York City. Through this initiative, the Garden acknowledges, with gratitude, the dedication, strength, and resilience of Bronx frontline health care workers and residents. Free grounds admission for those groups, originally slated to conclude September 13, has been extended through February 28, 2021.
The Garden’s gradual reopening process incorporates enhanced safety measures based on best practices and guidance from health authorities and government agencies. New measures include requiring staff and visitors over the age of two to wear face coverings; increasing sanitization of public and staff areas; daily health screenings for on-site staff; supporting hygiene and social distancing practices; requiring timed-entry tickets purchased in advance; operating at a reduced capacity; and more.
The new, limited timed-entry ticketing system staggers visitorsߣ arrivals, promotes social distancing, and mitigates the risk of crowding in high-traffic areas. Advance purchase of timed tickets is required and will be confirmed by e-mail with the option to print or download a mobile ticket. Ticket options include the Garden Pass + Conservatory for access to the outdoor gardens and collections, the newly reopened Conservatory galleries, and the Courtyards; the Garden Pass for access to outdoor gardens and collections; and the Grounds-Only Pass, available to New York City residents only with valid proof of identification. Visitors who do not purchase advance tickets will not be guaranteed admission at this time. Garden Patrons and Members must also reserve timed tickets in advance. For more information and to purchase tickets, visit the website at nybg.org.
Today, City Morgue releases their new mixtape TOXIC BOOGALOO from Hikari Ultra/Republic Records.
New York’s most dangerous duo released the first track off of their mixtape “HURTWORLD ‘99” earlier this month which is, “Filled with the passion of anarchy, the group returned with a headbanger,” raved HotNewHipHop.
The 10-track project opens with a bang on “THE ELECTRIC EXPERIENCE.” As a detuned guitar groans, ZillaKami and SosMula dismember the beat between sirens and gun clicks. Including the menacing “YAKUZA,” TOXIC BOOGALOO finds City Morgue firing on all cylinders.
With the new mixtape, City Morgue continues the rage but also for the great cause of social justice. In honor of recent events they said:
“Dedicated to George Floyd. Thank you for sparking the youth’s electric, the martyr who died for a cause lives forever. Us as wardogs are living through the most historic times of our lives and we’ll gladly tell our kids this story if we don’t die for it now. Join the BOOG. LIVE FREE AND DIE ELECTRIC. THE FIGHT CONTINUES.”
Bob’s Burgers fans rejoice: Apple TV+ has a new animated comedy called Central Park and you’ll want every song on your playlists
Central Park is Apple TV’s new animated musical comedy series from Emmy Award-winners Lauren Bouchard and Nora Smith and Grammy Award-winner Josh Gad. The show comes from the creators of Bob’s Burgers and features an A-list voice cast including Gad, Leslie Odom, Jr., Kristen Bell, Kathryn Hahn, Tituss Burgess, Daveed Diggs and Stanley Tucci. With just the right combination of humor, singing, and quirky characters, Central Park is the perfect lighthearted show to binge during quarantine. Each episode features three to six songs from award-winning songwriters. You can download the songs from the first two episodes here for Apple Music, Spotify, Amazon Music, and more.
Download Central Park Season One, The Soundtrack – Song-tral Park (Episodes 1-2) here.
NEW YORK OFFICIALS ANNOUNCE FIRST-OF-ITS-KIND TOWNWIDE DIET TO STOP WEIGHT GAIN DURING QUARANTINE
A New York Town has become the nation’s first to be put on a diet to combat COVID-19, according to Obesity Specialist and Director of Bariatric Surgery at Northwell Health-Huntington, Dr. David Buchin, Suffolk County Legislature Health Committee Chairman Dr. William Spencer, and Town of Huntington Clerk Andrew Raia. The first-of-its-kind Town-wide diet was announced at a news conference on Wednesday.
The diet will include a healthy lifestyle and exercise program to combat the weight-gain nicknamed the “quarantine-15” that residents may have experienced during the pandemic lockdown. Over a decade ago, the Borough of Brooklyn put residents on a diet. The Town’s diet will be the first in America to do the same in the face of the coronavirus pandemic, with over 200,000 residents eligible to participate.
The rate of obesity in the United States now exceeds 35% in nine states and these obesity-related conditions are very serious risk factors in COVID-19. This initiative will work with local merchants who specialize in health and fitness, including a local fitness center.
New York Is One of Nine States With a Decreasing Population
Recently released data from the U.S. Census Bureau shows that population growth in the U.S. has reached its lowest level since 1937 despite recent gains in immigration. The long-term downward trend is the result of a declining birth rate and increased deaths, especially among America’s aging white population. While population growth has slowed at the national level, population changes at the state and city level vary widely. Between 2017 and 2018, all but nine states saw their populations rise. Texas, Florida, California, and Arizona experienced the largest absolute population increases. At the other end of the spectrum, New York, Illinois, West Virginia, and Louisiana experienced the largest absolute population decreases, largely as a result of residents moving out-of-state. While Texas, Florida, and Arizona also lead the country in net domestic migration (people moving in from other states), California ranks second only to New York for having the most people leaving the state. New Jersey and Illinois are also prominent among the long list of states losing swaths of residents to other states. In order to determine the fastest-growing U.S. cities and states, researchers at 360 Quote analyzed data from the U.S. Census Bureau. Population growth was measured as the percentage increase or decrease in residents from 2013 to 2018 for cities and from 2017 to 2018 for states. Researchers also calculated population changes due to births, deaths, international migration, and domestic migration to provide additional insight into the evolving demographics of each location. The analysis found that New York is one of just nine states that saw a decrease in its population over the last year. Here is a summary of the data for New York: Percent change in population: -0.25% Total population growth (2017 to 2018): -48,510 Births: 227,099 Deaths: 165,728 International migration: 70,375 Domestic migration: -180,306 For reference, here are the statistics for the entire United States: Percent change in population: 0.62% Total population growth (2017 to 2018): 2,020,313 Births: 3,855,500 Deaths: 2,814,013 International migration: 978,826 Domestic migration: Not applicable For more information, a detailed methodology, and complete results for all U.S. cities and states, you can find the original report HERE.
Rock Hall Celebrates Woodstock’s 50th Anniversary with New Exhibit and Special Rock Hall Nights
Relive the Iconic Music Festival with Rock Hall Inductees and Woodstock Performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana on May 1st
The Rock & Roll Hall of Fame is bringing peace, love and music to fans during Woodstock’s 50th anniversary. On May 1st, fans can relive the iconic music festival with a new Woodstock 50 exhibit (open through Fall 2019) and special Woodstock themed Rock Hall Nights with Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana.
It’s been nearly 50 years since Woodstock generated legendary musical moments and catapulted an entire festival culture. Groups and artists such as Sly & The Family Stone, Jefferson Airplane, The Who, Janis Joplin, Jimi Hendrix and many others defined a new set of sound. Woodstock 50 celebrates the ambition and ingenuity of those who mounted the festival to the performers who played it gaining a deeper understanding of the various faces of Woodstock and how it changed the music industry forever.
The new Woodstock 50 exhibit features rare prints, performance outfits, video footage, tickets, original signage and more. Highlights include:
A photo exhibit with rare prints, contact sheets and never-before-seen artifacts from renowned photographer Jim Marshall’s archive including his earliest Leica M4 camera used to photograph Woodstock. Marshall captured the festival’s most raw and intimate moments from the three-day festival. The Rock Hall is the only museum in the country celebrating Woodstock with Marshall’s collection.
Jimi Hendrix (1992 Rock Hall Inductee) guitar strap used at Woodstock 1969 to deliver a mesmerizing set featuring his rendition of “The Star-Spangled Banner” to a dwindling crowd of 180,000 who toughed it through the last hours of Woodstock, along with his handwritten lyrics to “Voodoo Chile (Slight Return),” the last song he would ever perform live.
Hand-drawn map of festival grounds with aerial views highlighting prominent locations and a telegram from festival organizer Michael Lang envisioning the event documented from every angle with plans to secure the filming and clearance for showing footage after the festival.
Rare video footage from the Rock Hall collection captured during Woodstock ’69 with candid moments offering new perspectives of festival goers.
John Sebastian (2000 Rock Hall Inductee) of the Lovin’ Spoonful performance outfit from his unscheduled appearance at Woodstock. He traveled to the festival as a spectator but was asked to appear when the organizers suddenly needed an acoustic performer after a rain break.
Billie Joe Armstrong (2015 Rock Hall Inductee) shoes worn at Woodstock ’94, nicknamed “Mudstock” partly due to Green Day’s performance. Days of rain turned the venue into a field of mud and as Armstrong taunted the audience with “I don’t care what you do, I don’t want to be a mud hippie like you,” an enormous mud fight ensued.
Woodstock 50 opens May 1 with a special Rock Hall Nights: Woodstock program that evening from 6 p.m. to 9 p.m. EST. Fan can meet Rock Hall Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana, challenge their friends to Woodstock trivia, explore artifacts from the Rock Hall’s Library and Archives, check out Woodstock 50, Hendrix and San Francisco exhibits, make a flower headband, take pictures in a festival photo booth, and enjoy screenings of Woodstock artist highlights from the Induction ceremony stage as well as a director’s cut of the documentary film Woodstock. This is the last Rock Hall Nights of the season. The monthly program will return in the fall with new themes and activities.
Purchase a special $20 online only ($34 value) Rock Hall Nights ticket which includes access to exhibits between 6 p.m. and 9 p.m., a VIP check-in, complimentary drink voucher and free giveaways. Metered parking is available surrounding the Museum and is free after 6 p.m. daily. Rock Hall Members and City of Cleveland residents (ID required at box office) can attend for free.
About the Rock & Roll Hall of Fame
Rock Connects Us. Our mission is clear: To engage, teach and inspire through the power of rock and roll. We share stories of the people, events and songs that shape our world through exhibits, innovative programs and concerts. Join the millions who love it as much as you do. Experience us live or online – Visit rockhall.com or Facebook, Twitter and Instagram. Long Live Rock!
Watch new music video for “The End of Tyranny (Remixed)” here.
Watch the video for The 7th Chapter of Job (Remixed) here.
Fortune Has Turned (Remixed)” traces the journey from deep suffering to the fullness and freedom of the heart. It is a quest to find the Self. I asked Jeremy Allom to take the original, raw recordings for this album and bring out their vitality with his own powerful, creative stamp.
“When I was thinking about who I’d like to remix my album, I thought about my favorite album, Massive Attack’s “Blue Lines”. I wondered if I would be able to even get Jeremy Allom, who mixed that album. I did, and it has been an incredible experience working with him and getting to know him. When I looked for a mastering engineer, I wanted to get someone who would understand the sonic imperfections of the recordings and how I felt they mirrored the rough experience of seeking the Self. I chose iconic mastering engineer Emily Lazar because of her early background in creative writing, and her drive to tell the story of an album through her mastering work,” says Lastovicka.
The 7th Chapter of Job
The Tender Ones
The End of Tyranny
“There is no denying Lastovicka’s skill… There is a real sense of power and refined craft.” – Fanfare Magazine
“Lastovicka’s music is formidable stuff, dark and tempestuous — both terrifying and beautiful.” – Chronogram Magazine
“Lastovicka’s music both thrills and entrances.” – HOUSTON CHRONICLE’s Heavy ARTillery
Lastovicka’s music, known for its “power and refined craft” (Fanfare Magazine), returns with the creative impact of mix engineer luminary Jeremy Allom (Massive Attack, The La’s) and Grammy-nominated mastering engineer Emily Lazar of The Lodge, NYC assisted by Chris Allgood (David Bowie, Bjork , Sia).
An intense, hypnotic classical album, “Fortune Has Turned (Remixed)” includes violinist Eric Bates (Assistant Concertmaster, Cincinnati Symphony Orchestra) and cellist Kenneth Woods (Conductor, English Symphony Orchestra) as well as exquisite musicians Robert Garcia (horn), Anne T. Horvath (violin), Katrin St. Clair (violin), Lara Theilmann-Messerly (violin), Missy Hydock (viola), Damon Gray (cello), Christina M. Coletta (cello), Heidi Mausbach (cello), Tom Guth (cello), Kristen Johns (horn), Laura Backley (voice), Diana Cataldi (voice), Kimberly Tobola (voice), Cynthia Katsarelis (conductor), and Chris Lastovicka (piano).
One of ten composers selected for New York City Opera’s Vox: Showcasing American Composers festival (2007). One of 4 finalists in the Opera Vista International Chamber Opera Competition (Houston, TX). Commissioned by Robin Becker Dance to write the music for “Into Sunlight”, a work about the Vietnam War that has been performed internationally.
The 2nd collection with Alexander Wang builds on the LifeWear commitment to making life better by joining the exceptional functionality of UNIQLO’s innovative AIRism fabric with Alexander Wang’s sleek styling. It includes 11 AIRism styles for women and 4 AIRism styles for men of various colorways, made out of the iconic light fabric that is comfortable and smooth for every day wear.
TRAVEL JOURNALIST THOMAS WILMER INTERVIEWS 360 MAGAZINE PUBLISHER VAUGHN LOWERY
Small to medium sized business often fall short due to high turnover. Vaughn Lowery, Publisher of 360 Magazine, provides listeners with first-hand knowledge on the ever-shifting world of digital publishing and content creation through a youthful lens. Likewise with his innate ability to be accessible, he speaks to working in tandem with emerging generations and how their input could be detrimental to the survival of a brand.
An Additional Conversation with 360 Magazine’s Publisher Vaughn Lowery
If Vaughn Lowery was asked what his idea of success was 10 years ago, his answer would be very different from what it is today. He may have said that success means doing what he loves to do, being accomplished, or having a certain amount of material things.
“Success to me now is having a purpose in life and feeling passionate and fulfilled by it,” says Lowery.
Lowery got his first taste of the industry while interning for Vibe Magazine while on Summer vacation from Cornell University. His sister drove him into New York City every morning to drop him off and always advised him to be the first one at the office. One morning Lowery found himself alone with the publisher of the magazine at the time, Keith Clinkscales, which gave him the opportunity to speak with him one-on-one. It was due to his sister’s advice that he got the chance to do what no other intern would normally get to do.
After finishing up at Cornell in just three years, Lowery became an executive trainee with Saks Fifth Avenue. He was able to get along with everyone in the office and was doing great when he was called into his boss’s office one afternoon.
“She told me I was in the wrong business; that I was very charismatic and should try acting,” Lowery says, “but, I liked the path I was on at that time.”
It wasn’t until Lowery was asked by someone connected to the talent industry if he was a model that he truly considered breaking into the talent industry. Shortly after taking professional photos and getting them out to agencies, Lowery ended up with Ford Models. From there he did photoshoots, tv commercials, and ad campaigns, all while still working in outside sales at Aetna US Healthcare. Once he began modelling full time his face was in the pages of GQ, Harper’s Bazaar, Vogue, and Gap. By being around people of all different positions, primarily in the magazine publishing industry, Lowery came to understand how content was produced. It was right before the recession hit while he was living in LA that Lowery made the transition from modelling to the publishing industry.
It was his experience in modelling that inspired Lowery’s creation of the 360 Magazine. While working on any given shoot, Lowery was often one of just three or less black men. Often times he was the only black man on a set which drew his attention to the lack of representation in the media industry. Lowery’s goal for the 360 Magazine was that it would fill this niche and promote diversity across the publishing world, specifically the covers of its magazines.
For those wanting to work in the media industry, specifically in the publishing world, Lowery suggests starting from the ground up.
“Being self taught and learning as you go is something you need to be open to,” says Lowery, “Ask tons of questions, and learn everything you can from every position.”
Lowery warns that it’s important to be open and cordial to everyone, because you don’t know when your paths will cross again. Making connections and using them is how most people gain opportunities. He also adds that just by hanging out with people you’ll always learn something that you can apply to aspects of your work.
Things in the industry have been changing and becoming more digitally focused since the beginning of 360 Magazine’s launch. The magazine was started during a time of e-zines, so it’s not a surprise that the website came first. Lowery had experience with creating websites from a young age so the move from print to digital was natural for him. It was clear to him where the industry was going.
“Print was getting costly, bookstores were looking dilapidated and even Barnes and Noble was focusing on their version of the tablet, the Nook,” says Lowery, “All the magazines were looking alike anyway.”
Print was still important though. Besides the fact that advertising agencies want to see a physical copy of a magazine before working with them, print is taken more seriously due to its cost. Other companies will be aware that a certain magazine has the funds to support itself if they have a print copy to show for it.
360 Magazine printed their first issue in 2009, but it was costly. Lowery began thinking that there had to be some other way to work with print. It was then that he decided to do print on demand publications. 360 Magazine linked with Blurb, which allowed anyone to order a print copy of the magazine right from our website. They’ve been distributing to them for 9 years now.
The magazine’s estimated circulation, which is based on print, is 110,000 from print on demand. This number doesn’t tend to move much, but most people end up reading 360 Magazine’s online articles through WordPress.
When asked what makes a media contributor most marketable, Lowery says that in this industry you need a social following and the ability to network. Being accessible and having a portfolio of published work is a great place to start as well.
“Do it all,” Lowery says, “monetize, write, take photos, be on time, and take initiatives.”
The hardest thing about the industry in Lowery’s opinion is breaking into it and surviving on freelance jobs along the way. Writers should be prepared to sacrifice mentally, physically and financially. While working for a publication, Lowery says that writers need to do what they can to become a valuable asset to them. That way, a publication will be more likely to keep you on board and help you in the future.
As for internship positions at 360 Magazine, Lowery aims to teach interns everything that he didn’t learn. He’s assigns articles for interns to write, pushes them to network, has them do coverage and teaches them how to get published or to self-publish.
“We teach interns how to be resourceful and find themselves in the organization,” says Lowery.
When interns can bring business to the magazine, the magazine will bring business to them. Special assignment opportunities are available for interns who finish their program and are still looking to remain involved. Lowery says that while the magazine is specifically looking to groom editors, that if a publication wants to really pop, then they have to have a revolving door.
When asked what goals he has for the future of 360 Magazine, Lowery responded that he aims to keep it three dimensional with podcasts and web series.
“I want to be able to put the brand out to different countries and places in America,” says Lowery, Local presences would strengthen us.”
He also says that he’s interested in the possibility of a reality spin off or docu-series, as well as introducing more formal programs for educational purposes.
The OZUNA music phenomenon stands with the astonishing 23 nominations at the annual Billboard Latin Music Awards ceremony in 2019. In this way, the Puerto Rican singer breaks records, becoming the most nominated artist during a single gala in all history of this prestigious award.
After taking the prized award as “Artist of the Year” at the 2018 awards gala, Ozuna returns to the same stage, with an extremely solid artistic career, which has led him to become an icon of urban music of this new generation. Notably, the artist recently surpassed the record of Justin Bieber as an artist with more videos that exceed one billion views on YouTube, with a total of 7 videos, in addition to being crowned as the most viewed artist globally in 2018.
On this occasion, the “bold-eyed black man” of Reggaetón takes over the most important categories of the twenty-ninth installment of these awards, thanks to the resounding success of the songs that come from his albums “ODISEA” and “AURA”, both productions released to the market under the independent label DIMELO VI and distributed by Sony Music Latin. Also, with his collaboration in the anthem “Te Boté”, and of course, the single that revolutionized Spotify, all digital platforms and brought together three different cultures in the same melody: “Taki Taki”, a song that knew how to show the world the level and artistic quality of this young Dominican-Puerto Rican root interpreter.
Ozuna will say “present” in the following categories of the night, in which he appears as a singer and composer:
Artist “Latin Rhythm” of the Year, Soloist / Latin Rhythm Artist of the Year, Solo
The Billboard Latin Music Awards gala will be televised from Las Vegas, Nevada on Telemundo, on Thursday, April 25.
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