Posts tagged with "jazz"

Sony Music Japan inside the first take via 360 magazine

THE FIRST TAKE

Japan’s No.1 YouTube omnibus music channel THE FIRST TAKE has announced the overseas streaming of the conceptual concert, INSIDE THE FIRST TAKE on Stagecrowd.

Performers will include ALI, who sang “LOST IN PARADISE feat. AKLO” (the ending theme of 1st season of the TV anime Jujutsu Kaisen), yama, who sang “Oz.” (the ending theme of the 1st season of the TV anime “Ranking of Kings”), and many others.

The archived footage of the conceptual concert, “INSIDE THE FIRST TAKE,” organised by the YouTube channel “THE FIRST TAKE,” will be streamed overseas on Stagecrowd.

“THE FIRST TAKE” is a YouTube channel from Japan that films and releases videos featuring artist performances shot in a single take. The channel has over 6 million subscribers — the most out of all omnibus music channels in Japan.

Performances are filmed in a pure white space with the artist in front of a single mic. The production is simple and stripped down, and the resulting footage highlights the artist’s pure talent.

In this conceptual concert, fans can witness the single-take filming style of “THE FIRST TAKE.” In addition, before an artist’s performance, an exclusive documentary about the track that will be performed will also be shown with English subtitle, deepening your understanding of the song.

Featured performers include popular artists who made global hits such as ALI, who sang “LOST IN PARADISE feat. AKLO” (the ending theme of 1st season of the TV anime “Jujutsu Kaisen”),  yama, who sang “Oz.” (the ending theme of the 1st season of the TV anime “Ranking of Kings”), ReoNa, who sang “ANIMA” (the opening theme of the TV anime “Sword Art Online Alicization War of Underworld”), and many others.

It’s the first ever live performance from THE FIRST TAKE, gathering artists that have been trending

INSIDE THE FIRST TAKE

■ What is “THE FIRST TAKE”?

“THE FIRST TAKE” is a YouTube channel that captures artists’ amazing vocal performances in a single take on stunning 4K quality.

The channel was established on 15th November 2019,  and in less than a year reached 2 million subscribers in September 2020. The next year the number increased by 3 million, bringing the total number of subscribers to 5 million.

Amongst all Japanese music YouTube channels (outside of official artist accounts), “THE FIRST TAKE” was the fastest channel to reach 5 million and 6 million subscribers and is the most subscribed channel for the Japanese omnibus genre.

Artists who have appeared on “THE FIRST TAKE” include LiSA, who sang the global hit Gurenge, the first opening theme of the TV anime “Demon Slayer: Kimetsu no Yaiba,” and TK from Ling tosite Sigure, who sang “unravel”, the first opening theme of the TV anime “Tokyo Ghoul.”

In addition, many artists from outside Japan have also appeared, such as Stray Kids, TOMORROW X TOGETHER, Jun. K (from 2PM), and Pentatonix (who appeared in a collaboration song with Little Glee Monster).

The channel is popular with the international audience, with about 30% of the subscribers being overseas users from countries and regions such as Taiwan, Indonesia, the United States, and the Philippines.

■ Stream Information

Thursday, 16 June 2022
ALI / Creepy Nuts / Da-iCE / yama

Saturday, 18 June 2022
Soushi Sakiyama / HENTAI SHINSHI CLUB / miwa / ReoNa  

Opening (Stream Opens) 19: 30 / Start (Concert Starts) 20:00 / 

End (Concert Ends) Approximately 22:30

*Archive: 1 week from stream date (DAY1 until 23 June 23:59 / DAY2 until 25 June 23:59)

*All times in JST

1-Day ticket: 2000 Yen

Ticket Purchase / Viewing URL (For Overseas Fans)

Available Countries/Regions

Japan / Taiwan / Hong Kong / Macau / Thailand / Malaysia / Singapore/ Brazil / Peru / Australia / New ZealandUK / Germany / France / Italy / SpainUS / Canada / Mexico

* Archive will be available for viewing approximately 1 hour after the end of the stream.

* After purchasing the ticket, cancellations, changes, and refunds are not possible for reasons other than the postponement or cancellation of the performance.

* Due to issues with the internet infrastructure or broadcast system, video and audio may be interrupted, and the performance may be temporarily suspended or terminated halfway.

* This performance is a paid, ticketed live stream. All rights are owned by the organizer. Screen recording, filming, and recording with cameras, smartphones, etc. are all prohibited.

YouTube Channel「THE FIRST TAKE」

■ Program Concept

A single microphone placed in a white studio.

There is only one rule here:

Perform in a single take

Other than that, you can do anything.

What will you show with a single take?

Face the music with a single take.

Official Site

Twitter

Instagram

TikTok

THE FIRST TIMES

*This Press Release is provided by Stagecrowd

About Love via Russ Rowland for use by 360 Magazine

Chekhov + Turgenev

Blueprint Productions presents adaptations of the works of Chekhov and Turgenev, presented in repertory, and scored in jazz: About Love, a musical play with songs, inspired by Ivan Turgenev’s novella, “First Love”; and Three Sisters, a sparkling new adaptation of the play by Anton Chekhov. Both productions are adapted and directed by Will Pomerantz, and feature an original jazz score by Nancy Harrow, performed nightly by a live jazz quartet. It will be a four-week repertory, May 10 through June 5 at The Sheen Center (18 Bleecker Street at the corner of Elizabeth Street, NYC) in The Frank Shiner Theater. The official opening is Thursday, May 19. Tickets are available online HERE, by phone, or in-person at The Sheen Center box office Monday to Friday noon to 5 PM at least one hour before performances.

About Love tells the compelling story of a young man who expects to spend a quiet summer with his parents in the Russian countryside, but soon discovers those three months will be the most consequential of his life. He learns the difference between love and passion, and the ephemeral nature of life itself. About Love is inspired by Ivan Turgenev’s beautifully crafted short story, “First Love,” originally published in 1860. Turgenev was one of Russia’s first modern writers to achieve international acclaim with his novel, Fathers and Sons, and his play, A Month in the Country

In Chekhov’s masterpiece, Three Sisters, Olga, Masha and Irina are talented, cultured young women who were raised in urban Moscow, but have been living in a small provincial town for eleven years. Within these less than vibrant surroundings, each pursues her dreams and passions amongst the soldiers garrisoned there, all while yearning for a return to Moscow. In this world-premiere version, audiences will experience afresh what makes this writer so memorable and indispensable.

The company of Chekhov + Turgenev features John Ahlin, Silvia Bond, Essence Brown, Nathan Hinton, Miles G. Jackson, Nehal Joshi, Amanda Nichols, Tom Patterson, Elizabeth Ramos, Tommy Schrider, Jean Tafler, Pilar Witherspoon and more to be announced.

Chekhov + Turgenev features a live jazz quartet nightly: music director Misha Josephs on guitar, Ben Sutin on violin, Ryan Berg on bass, and Steve Picataggio on drums. The scenic design is by Brian Staton, lighting design by Allen Hahn and costume design by Whitney Locher. Heather Arnson’s YesAnd Productions serves as General Management.

“Chekhov + Turgenev is a unique theatrical opportunity for audiences to experience, in rotating repertory, two writers who changed playwriting forever, and whose influence still resonates today,” says adaptor and director Will Pomerantz. “Both Chekhov and Turgenev strived to contain the entirety of the human experience in their work, and they did it with a combination of heart, humor and humanity that remains unparalleled. The original jazz scores by beloved jazz singer and composer Nancy Harrow punctuate and underscore these timeless works. Both productions will share a company of actors who will delight audiences with their versatility, as they double the many singular roles created by these two celebrated writers.” 

GONE BEFORE HER TIME

WATCH/SHARE THE TRAILER HERE

A Tubi Original two-hour special, premieres Friday, March 4, celebrating vocalists whose talent, strength and ability to overcome obstacles made them a force of nature in the music industry. We all know them by one name: Amy (Winehouse), Aaliyah (Dana Haughton), Left Eye (Lisa Lopes) and Selena (Quintanilla-Perez). GONE BEFORE HER TIME gives us a look back at their legacies with feature interviews from those who were closest to them. These trailblazers will forever be known as the stars that were destined to shine bright, influencing generations to come.

About Tubi

Tubi has more than 40,000 movies and television series from more than 250+ content partners, including every major studio, in addition to the largest offering of free live local and national news channels in streaming. The platform gives fans of entertainment, news and sports an easy way to discover new content that is available completely free.

Tubi is available on Android and iOS mobile devices, Amazon Echo Show, Google Nest Hub, and on OTT devices such as Amazon Fire TV, Roku, Apple TV, Chromecast, GoogleTV, Vizio TVs, Sony TVs, Samsung TVs, Hisense TVs, Comcast X1, Cox Contour, PlayStation 4 and 5 and Xbox One and Series X | S. Consumers can also watch Tubi content on the web HERE.

JOIN THE CONVERSATION:

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‘Untitled (Grandassas in Car)’ via Kwame Brathwaite for use by 360 MAGAZINE

12on12 × Swizz Beats – ‘Long Live Jazz’

This February we see the creative vinyl company known as 12on12 and record producer Swizz Beatz joined forces to build their latest vinyl phenomena, ‘Long Live Jazz.’ Pre-order HERE.

Known for their unique and fresh outlet for music consumption, 12on12 elevates themselves in this new partnership with Swizz Beats. For this special bespoke collectors’ edition project, Swizz compiled a set of hand-picked tracks that represent his own passion for the genre of jazz music.

Throughout the collection, we are taken through a listening experience full of rich, historical jazz greats like Miles Davies and Kenny Dorham. We even see modern, jazzed renditions of modern pop hits from artists like The Weeknd revised by the upcoming jazz artists of today, such as Immanuel Wilkins.

The 12” vinyl record art showcases images from Swizz’s personal compilation (The Dean Collection). The cover record art was shot by Kwame Brathwaite in New York during a 1968 Garvey Day Celebration. Brathwaite is known for his extensive work in the realm of jazz, having been a co-founder of the African Jazz Arts Society and Studios (AJASS), and is renowned for photographing stars like Stevie Wonder and Bob Marley, as well as jazz icons Miles Davies and John Coltrane.

Swizz Beats spoke on this project, stating, “Jazz has always been magic to our ears. I feel like it should definitely get more attention! This is the first step to pay homage to the great craft & art. Photography is also one of the best expressions of art and should be shown more often. Art & Music are brothers and sisters so I thought it was a great match. I’m a big fan of Kwame and I also love I’m able to share pieces from my collection through music!”

Claudia Moross, founder and chief of 12on12, too, raved about the collaboration, stating, “Our goal is to create transcending experiences through music and art, the combination of playing the record while exploring the thoughtfully curated artwork commissioned for the sleeve allows for a precious moment of cultural enjoyment. 12on12’s are very much pieces of art that can be collected and treasured.

“With Swizz’s finger on the pulse and his well-documented history within music and art, the brand will be upping the ante as we look to work with the very best artists, both visual and musical, to curate future Vinylworks. I am really looking forward to the next chapter for 12on12 and with the expertise and passion Swizz Beatz brings to the table I’m really excited for what’s to come for the brand.”

12on12, too, worked with Vinyl Me, Please (VMP) for the delivery of ‘Long Live Jazz.’ VMP is a critical link in the world of vinyl as they work to produce vinyl packages. In 2022, they are expected to ship 800,000 vinyl records, observing the true affect of music on the world.

Claudia Moross added more insight on this, saying, “12on12’s partnership with Vinyl Me, Please gives us the opportunity to reach a large, dedicated base of avid music and visual media fans who might enjoy our unique Vinylworks.”

Vaughn Lowery for use by 360 Magazine

92nd Street Y

92nd Street Y (92Y) is a nonprofit civic and cultural facility that aims to bring people together through the performing and visual arts, education, health, fitness and Jewish life. 92Y has a wide assortment of programs, classes and events open for the community that nurture creativity. Such curricula includes online and in-person live concerts, parenting workshops, master, fitness and art classes.

The mission of 92Y is to house resources that promote the physical, mental and spiritual health of individuals throughout their lives. Founded 147 years ago, all the programming generated at the 92Y center is built on the foundation of Jewish values. While curated to serve Jewish people, 92Y follows the Jewish value of welcoming all differing ages, races, religions and ethnicities of people.

The Knights Ensemble in Residence

As a collective of musicians seeking to renovate the orchestral experience, The Knights are artistically directed by the Jacobsen brothers, with Eric Jacobsen as conductor. The Brooklyn-based orchestral cooperative The Knights showcased the first of three concerts during this fall and spring at their residency at 92Y.

The heart of the concert stages two classical works – Schubert’s bright “Unfinished” Symphony and Vaughn Williams’ superb The Lark Ascending, featuring Knights Artistic Director Colin Jacobsen as violin soloist. The programming of The Knights navigates Manhattan’s Lower East Side in the 1990s and Vienna in the 1820s, highlighting subjects of revitalization and renewal, while echoing Schubert in work of a Creole-influenced composer.

360 Magazine was invited to attend The Knights concert on Saturday December 11. We stood by, bearing the recent loss of love. Our heads were heavy, entering this season, but be that as it may, we gathered the courage. And, what the audience witnessed was nothing short of astonishing – suspensive string clips, haunting flute sounds coupled with intermittent triangular percussion rings penetrated the auditorium.

Eric (conductor) and Colin’s limitless love for one another was the vitality of this whole series. Their playlist literally tickled our souls, watered our desires while our vellum hairs danced with deception. Each section took us on a mental roller coaster – sitting in the forward car, enjoying the initial fall with our hands toward the sky. This meticulously blended set is like good wine and possesses all the sweet and refreshing notes of Napa.

Eric ran into sweat directing while we were all mesmerized at his art of bending the air. Colin dominated the audience with his vulnerability, eerie arrangement and tremendous talent. To sum up, The Knights adopt an unorthodox approach to music, exposing their joie de vivre to whomever is willing to embrace their truth.

Eric Jacobsen

Conductor of The Knights Eric Jacobson has gained the reputation of leading revolutionary projects. Jacobsen has conducted The Knights at New York venues including Carnegie Hall and Central Park, as well as internationally at the Vienna Musikverein, Cologne Philharmonie and Hamburg Elbphilharmonie. Serving as Music Director of the Orlando Philharmonic Orchestra, Jacobsen was recently appointed Music Director of the Virginia Symphony. With much call as a guest conductor, he too just led the Camerata Bern, Detroit Symphony, Alabama Symphony, ProMuscia Chamber Orchestra, Deutsche Philharmonie Merck and Yo-Yo Ma’s Silkroad.

Colin Jacobsen

Known as a violinist and composer, Colin Jacobsen is a captivating figure serving the classical music scene. Jacobsen was named one of the top 100 composures under 40 by NPR listeners. Operating as an active Avery Fisher Career Grant-winning soloist, he has toured with Silkroad since it was established in 2000. For his landmark work in the string quartet Brooklyn Rider and orchestra The Knights, Jacobsen was chosen amongst the nation’s leading visual and performing artists to obtain an esteemed United States Artists Fellowship.

Wed, Jan 19, 2022, 7:30 pm ET

The Knights collaborate with pianist Aaron Diehl for a blend of jazz and classical music. The ensemble welcomes Diehl as they explore Gershwin’s iconic Rhapsody in Blue and trailblazer Mary Lou WilliamsZodiac Suite. Bach’s Brandenburg Concerto No. 3 is also featured with varieties from Ravel’s Baroque-inspired Le Tombeau de Couperin. Closing out the show is Stravinsky’s Firebird Suite, arranged by Michael P. Atkinson.

Sat, Apr 30, 2022, 8 pm ET

Edgar Meyer, critically acclaimed double bass virtuoso and composer, unites with The Knights for the New York premiere of his second concerto. The show unfolds with a showing of Jamaican-born British composer Eleanor Alberga’s Shining Gates of Morpheus featuring Knights hornist David Byrd-Marrow. The closing of the show continues the American spirit of Meyer’s work is Coplands’ Appalachian Spring.

Vaughn Lowery for use by 360 Magazine

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Black Wall Street via Big Hassle Media for use by 360 Magazine

Nikara Warren – Black Wall Street

Vibraphonist, composer, arranger, and educator Nikara Warren is excited to announce her debut album Nikara Presents Black Wall Street, due out November 12, 2021. To ring in the announcement, Warren has shared the jazzy, rap-centered single “Run Ricky.”  Stream it on Spotify HERE and Apple Music HERE. Warren has several performances slated through the rest of the year, not least among them the Nikara Presents Black Wall Street album release show at NYC’s Rockwood Music Hall (Stage 2) on Saturday, November 13. See below for the full list of upcoming performances.

The granddaughter of towering piano legend Kenny Barron, Warren has labored to solidify the album as a celebration of Black excellence in music, a joyous celebration of cultures, genres, identities, and resilience. While she is an accomplished vibraphonist and a true student of jazz, Warren’s music is an ecstatic celebration of many musical styles, from soul and funk to rock and rap, and everything in between.

Nikara Warren is a true Brooklynite. Born and bred in the eclectic and electric enclave, her family, her friends, her band, and her musical pedigree are a microcosm of the county at large. Her grandfather is world-renowned jazz pianist Kenny Barron, and she’s the daughter of a half Trinidadian soca/dancehall lover father, and a classic 1990s “Brooklyn Round the Way” girl mother. 

“I would wake up hearing Dizzy Gillespie; get in the car with my mom and listen to TLC; be dropped off at school and listen to System of a Down or The Who; play Charles Mingus in band; hear Biggie on the way home, and listen to Trio de Paz or some Brazilian music while eating dinner. Rhythm was always key,” she explains.

Today, Nikara celebrates Black excellence in music with her triumphant debut album, Nikara Presents Black Wall Street, out November 12. The provocative and evocative title commemorates the horrific Tulsa massacre when white mobs in Tulsa, Oklahoma attacked Black residents and their destroyed homes and businesses. It’s a day that has cast a dark shadow on Black achievement, though Nikara prefers to honor her Black ancestries’ splendor with a joyous celebration of cultures, genres, identities, and resilience.

“Back in 2012, when Trayvon Martin was killed, there was a lot happening in the news. I grew up in Brooklyn so it wasn’t uncommon to hear about people being assaulted and killed by cops, but it was uncommon for it to be televised,” Nikara recalls. She continues: “Around this time, I learned about Black Wall Street, and I started to understand the greatness of being Black through music. With my album, I wanted to get across the excellence of our heritage and create something new and modern from the Black Diaspora music culture in the West.”

As a composer, a musician, and an educator, Nikara is reimagining vibes. She is taking the instrument to the people with her infectious compositional sense, her post-modern patchwork of influences and cultural signposts, and her fearless musicality. Her bold quest comes from being well-versed in the vibraphone lineage, but seeking to adventure beyond it. 

Nikara earned a scholarship to the esteemed Berklee College of Music, and she was selected for the prestigious Betty Carter Jazz Ahead program for original composition in 2013 and 2014. Nikara has performed as a part of SF Jazz’s “Women on The Rise” program, highlighting notable upcoming women in the jazz industry. In addition, Nikara has performed Black Wall Street compositions at NYC Winter Jazz Fest and at The Kennedy Center. 

Nikara grew up with her grandfather in the house, so naturally piano was her first instrument. Around the age of 14 Nikara switched to bass. She first heard vibes being played at the legendary Village Vanguard in her grandpa’s jazz ensemble, featuring the masterful Stefon Harris. Nikara was always a percussive person, and the vibes percussive and melodic capabilities instantly appealed to her. 

Despite her passion for the vibes, Nikara had her sights set on being a music business mogul. She landed a promising job after college, but soon found she craved more creativity than the 9-5 grind offered. In 2012, Nikara started shedding the vibes relentlessly, and by 2015 left her job to dedicate her life to becoming a composer and an artist. That fateful year was the dawn of the Black Wall Street music and artistic perspective. 

All of Nikara’s personal, cultural, familial, and musical journeys converge on Black Wall Street. Here, she explores an abstract sound-collage: hip-hop, jazz, neo-soul, Afro-Latino and Afro-Caribbean rhythms, and more. Her vision is cohesive but eclectic, just like how people’s identities are a product of their various heritages and associations. 

Black Wall Street, the album and the musical vision, has become synonymous with the band, in fact, Nikara performs under the Black Wall Street moniker. The musicians are bonded together mainly by being Brooklynites, and what a Brooklyn upbringing represents in terms of cultural references and musical pedigrees. The album features Nikara Warren on vibes, Kenny Barron on piano, Paul “bae.bro” Wilson on keys, Hailey Niswanger on tenor sax, Stephen “Khemestry” Fowler on trumpet, Parker McAllister on bass, Corey Sanchez on guitar, and David Frazier, Jr. on drums and spd (sampling pad demo). 

The 10-album explores topics of race, gender, body positivity, personal-revelation, and acceptance. These weighty subjects are contextualized within a feel-good sensibility. “There is so much pain associated with the Black experience and within Black music. It was important to me to offset this by expressing joy, and making the music fun,” Nikara notes. 

Select album standouts include “Heather Gray,” featuring Kenny Barron, “Run Ricky,” “Mona Lisa,” featuring Nikara’s sister Be.Be, and “Womb Woes.” “Heather Gray” is the closest thing on the album to a jazz composition. It features an infectious groove and a spare chord change so the players can have fun blowing over it. “Run Ricky” is a politically-charged, dancehall-tinged hip-hop joint with a stinging narrative. The story arc is a modern tragedy of a Black artist unjustly killed by police. “Run Ricky” feels all too real, and it features glowering lines such as: Looked into his pocket they figured his vision/Blood stained fist with an eye drawn on some loose leaf/Photo went viral on Newsweek.

Nikara explores smoldering neo-soul on “Mona Lisa.” This is a love lost ballad of, and it features cinematic lyrics such as: She can never be like me/I’ll give it time for love to end/My solitary cigarette/Is all I have us have/Is this me? The track is sung by Nikara’s younger sister, Be.Be, a promising artist in her own right, and it gets a satiny reworking later on in the record with vocalist Melanie JB Charles. On the ensemble jazz piece, “Womb Woes,” Nikara addresses womanhood, female identity, and gender struggles. The song is made that much more potent by its screaming tenor sax solo courtesy of Hailey Niswanger. 

It took 6 years to realize the vision of Black Wall Street. Nikara says: “It felt like it was important to take my time and get everything right. When it was finished, I remember I was super amped up and screaming in my room listening to it. It felt like it came out so purely with a momentum all its own.” Up next, Nikara is raring to get back in the studio and flex her arrangement chops, possibly on a repertoire of classic R&B.

music Ivory Rowen illustration for 360 Magazine.

Denver Comes Alive – New Band

Denver Comes Alive will return to Mission Ballroom for its second annual event. Produced by Live For Live Music in partnership with AEG, Denver Comes Alive promises a full day of live sets and unique projects featuring an array of live music greats.

A limited number of $29.50 early bird tickets will be available via pre-sale starting Thursday, October 7 at 10 AM MT (code:liveforlivemusic). General on sale begins Friday, October 8 at 10 AM MT. Fans can elevate their Denver Comes Alive experience with a VIP package that includes exclusive access to a private lounge with a bar and food provided by Lou’s Italian Specialties in the West Balcony, as well as a private viewing area with seats.

Inspired by the vibrant live music culture of New Orleans, LA and its famed Jazz & Heritage Festival, Denver Comes Alive will offer up a mix of never-before-seen collaborations and nationally touring bands. In true Comes Alive fashion, the 2021 event will feature the world premiere of a new band, Ramble On Revival. The all-star ensemble features Oteil Burbridge (Dead & Company) Steve Kimock (Phil Lesh & Friends), Eric Krasno (Soulive), Holly Bowling (Ghost Light), Jeff Sipe (Col. Bruce Hampton and the Aquarium Rescue Unit), Skerik, and Jennifer Hartswick (Trey Anastasio Band), who will pull from their interconnected musical lineages to deliver a performance steeped in the spirit of the Grateful Dead, the Allman Brothers Band, and more.

In addition to the debut of Ramble On Revival, the thoughtfully curated 2021 Denver Comes Alive lineup will feature Grammy-nominated New Orleans soul/funk/jazz/hip-hop/spoken word outfit Tank and the Bangas, beloved instrumental dance band Circles Around The Sun, former Prince and Michael Jackson collaborator Judith Hill, and more. The one-day event, hosted by SiriusXM’s Ari Fink, will also feature DJLogic performing between sets and a live painting exhibition/pop-up gallery by beloved New Orleans artist Frenchy.

“The last Denver Comes Alive took place a month before the pandemic hit and is my last memory of being at a sold-out, indoor show, dancing until my feet hurt without a care in the world,” says Kunj Shah, founder of Live For Live Music. “Over the course of the next year, we put on four virtual Comes Alive events and raised over $500,000 for charity, but we’ve been itching to get back to the live setting.”

Shah adds, This time around, we’re going to incorporate a bunch of incredible nonprofit organizations, various members of the Denver and New Orleans communities, and a truly diverse group of musicians to really make this event come alive.

Denver Comes Alive will donate a portion of proceeds to New Orleans Musicians Clinic (NOMC), which provides comprehensive medical care and social services to local musicians, performing artists, cultural workers, and tradition bearers. In the wake of the devastating Hurricane Ida, the organization is actively working to provide immediate relief for its most vulnerable patients and clients.

In addition to NOMC, Live For Live Music and Denver Comes Alive are proud to partner with Conscious Alliance, a network of creatives using their time and talents to feed millions of hungry families across the US. In addition to a Conscious Alliance food drive at the event, all proceeds from sales of a unique Art That Feeds’ Denver Comes Alive 2021 poster will go toward sending a semi-truck filled with food to New Orleans to directly aid families struggling in Ida’s aftermath.

HeadCount and GrooveSafe will also have a presence on-site. HeadCount is a non-partisan organization that uses the power of music to register voters and promote participation in democracy. GrooveSafe aims to cultivate consent culture and create a no-tolerance environment for sexual misconduct.

Prepare for this year’s Denver Comes Alive by reliving 2020’s highlights here.

Get tickets for Denver Comes Alive 2021 starting this Friday here and find more information on the lineup below.

Ramble On Revival:

Oteil Burbridge (Dead & Company, Ramble On Revival)

Steve Kimock (Phil Lesh & Friends)

Eric Krasno (Soulive)

Holly Bowling (Ghost Light)

Jeff Sipe (Aquarium Rescue Unit)

Jen Hartswick (Trey Anastasio Band)

Plus performances by:

Tank and the Bangas

Circles Around the Sun

Judith Hill

+ DJ Logic Spinning Between Sets

Hosted by Ari Fink (SiriusXM)

Sonos × Erykah Badu × Kareem Abdul-Jabaar

Today Sonos revealed their fall line-up of original programming coming to Sonos Radio and Sonos Radio HD, including a new artist-curated station from the queen of neo-soul Erykah Badu and a collaboration station from Impulse! Records and avid jazz fan and historian Kareem Abdul-Jabbar. The platform also announced plans to roll out additional sleep and holiday stations, alongside new premieres and seasons of its popular podcast-style shows on Sonos Sound System. The new programming gives fans even more ways to discover the music and content they love on Sonos Radio, with hand-selected tracks to soundtrack every moment of their day.

“Sonos Radio has seen explosive growth in the last year, with listening hours nearly doubling as consumers embrace the golden age of audio and spend more time streaming their favorite music, audiobooks and podcasts at home,” explained Joe Dawson, Director of Content and Brand Platforms at Sonos. “In a year where artists and consumers have been stripped of in-person concerts and festivals, Sonos Radio has become an important platform for creators to develop unique audio experiences and reach their fans directly where they are – at home.”

Available to all customers globally in the app, Sonos Radio will launch a new slate of programming this Fall to help inspire and feed fans’ love of music, while bringing unexpected moments of joy into the home.

Erykah Badu’s BADUBOTRON Radio blasts off as Badu takes you outta this world and into her sonic orbit. A space where music genres are stars and the galaxy is filled with psychedelic funk, retro soul, classic rock, spiritual jazz and experimental hip hop. A trip to Badu’s curated station will take your mind exactly where it needs to go.

Impulse! Records Radio hosted by Kareem Abdul-Jabbar commemorates the 60th anniversary of the legendary Jazz label that’s home to all-time greats including John and Alice Coltrane, Ray Charles, Quincy Jones and more. As host of the station, basketball hall of famer, activist and jazz historian Abdul-Jabbar will revisit the role of jazz music in his upbringing and its deep roots in African American history and culture.

Expanded sleep stations composed and mastered by Mikael Jorgensen of the Grammy Award-winning band Wilco will include Slow Motion Freeway, Waterfall at Dusk, Warm Glow and Midnight Beach (all HD only).

New seasonal stations to soundtrack your holiday festivities including Fright Night (HD only), Horror Punk, Monster Bash and Infinite Darkness to haunt your Halloween and Thankful, Tanz, Joyous Kwanzaa and Country Christmas to bring the yuletide cheer home for the holidays.

A growing lineup of internationally-relevant programming will uncover the sights and sounds of underground music scenes across the world, including Garage Skank in the UK, Schlager Charts in Germany and Nederhop in The Netherlands.

New show premieres on Sonos Sound System including Imaginary Soundtracks, Famous Last Words, Dada Strain Radio, and Music is Everything. All shows can be streamed on-demand in the in-app archive and on Mixcloud.

Running back the fan favorites on Sonos Sound System with season two of Sheroes Mixtape Memoir and Call & Response and season five of Radio Hour guests, including Junglepussy, CAN, Angelique Kidjo, George Clinton, Seinabo Sey, Anika, Kero Kero Bonito and more. All shows can be streamed on-demand in the in-app archive and on Mixcloud.

Sonos Radio is available free for all Sonos customers globally, pre-loaded in the Sonos app. Sonos Radio HD offers an expanded catalogue of original content streaming ad-free in high-definition, CD-quality audio with skips and repeats, currently available in the US, UK, Germany, The Netherlands, Canada, Austria and France. Listeners everywhere can tune-in to select Sonos Radio shows through Mixcloud, and stay up-to-date with the latest Sonos Radio updates by following on Instagram.

Les Paul illustration by Mina Tocalini at 360 Magazine for use by 360 Magazine

Les Paul – New Website

The all-new Les-Paul.com website has officially launched and is the most comprehensive and interactive source for information and entertainment relating to the legendary Les Paul. The acclaimed inventor and musician are known for numerous inventions and innovations that changed the way musicians play music, engineers record music, and the way fans hear music. Les was a pioneer and is arguably the most important individual in the history of the modern music industry. The exciting new website is divided into five sections: The Inventor, The Musician, The Foundation, Education, and Music. Visitors will enjoy hours of amazing videos and other content in which to explore the life and career of the man who is revered by musicians worldwide in every genre of music. The site’s new homepage opens with a slide show edited to Les’ own music and features highlights of his extraordinary life. 

The INVENTOR section features additional Les Paul videos and includes “The Solid Body Electric Guitar is Born,” “Broomstick with Pick Ups On It,” a CNN segment, “The Les Pulverizer” featuring Les Paul and Jose Feliciano on Dick Clark’s live show, “The Log” educational video and other outstanding segments about Sound on Sound, The First Tape Machine, The Lathe and the 8-Track Recorder, The Les Paul Studio Tour, “The Thomas Edison of Recording,” and original videos of Les Paul accepting The Inventors Hall of Fame award and many more.  Never before has such an extensive collection of such rare or rarely-seen videos, rare or rarely-viewed been available on one dedicated website. 

Fans can hear legends including Peter Frampton, Sting, Stevie Wonder, producer Don Was, Steve Vai, and Sir Paul McCartney and Slash all pay homage to Les Paul.

The MUSICIAN section celebrates Les’ impact on countless artists from Sir Paul McCartney to Slash. It speaks to his status as a music legend whose virtuosic playing extended across all genres including jazz, country, R&B, and Rock. His early relationships with such icons as Bing Crosby, Chet Akins, and Tony Bennett can be seen in extraordinary photos and performance videos. This section also includes a chronicle of his life with Mary Ford and hits such as “How High the Moon” and “Vaya Con Dios” – to name just a few. 

The FOUNDATION section provides information about the Les Paul Foundation which Les created. The Foundation inspires innovative and creative thinking by sharing the legacy of Les Paul through the support of music education, recording, innovation, and medical research related to hearing. A full list of grantees and a section detailing the process for applying for a grant from the Foundation is available in this section. Les Paul exhibits at museums across the United States are highlighted providing details on where one can visit to learn more and see actual Les Paul artifacts. This section serves as a virtual travelogue of sorts for Les Paul exclusive exhibits at some of the country’s most popular museums. 

The EDUCATION section offers diverse resources for classroom or individual use and is divided into Elementary, Secondary and Collegiate sections. Study units developed through the collaboration of the Les Paul Foundation, the Wisconsin School Music Association, and the Wisconsin Department of Public Instruction are included. Everyone can download free posters in this section.

The MUSIC section is an extensive area devoted to a Les Paul Discography, which is, in fact, the most inclusive ever presented online. We all know that Les Paul was a musician and nowhere else online can one explore such a robust listing of Les Paul’s music. His musical output included over 33 Top 20 recordings spanning multiple genres from country and pop to jazz and R&B. Fans can download his music directly and experience the greatness of his and Mary Ford’s ingenuity all in one place. One can spend hours listening to songs such as “Hawaiian Paradise” (1949), “Bye Bye Blues” (1952), “The Hit Makers (1953), “The Les Paul Trio” (1978), “Hits of Les and Mary” (1960), “Vaya Con Dios” (1953) and many more. Visitors can also see original album covers and listen to some of his hits by clicking next to the album image. It’s a one-stop, curated look at Les’ music dedicated to the sounds of Les Paul and his musical legacy. This section makes it easy to download any of the available songs or to stream on visitor’s favorite streaming platforms and with many updates being added in the following months. 360 Magazine is pleased to promote such legends personal website to the world to reach many hearts that admired Les Paul. 

“Les Paul was one of the most important individuals of our time and gave the music industry the inventions to innovate and create music in new ways. No one can dispute his influence on modern music.  We wanted to make sure that the new les-paul.com site not only celebrates his life and career but provides a wealth of information and interactivity for website guests. The content on the new site is not only exclusive and in some cases rare but is a collection of the most extensive resources available in one place. We will continue to add exciting new content and hope that as visitors explore all of the areas under each section, they enjoy and learn about Les Paul.  Click on les-paul.com and have some fun. We hope you find a surprising amount of reasons to return again and again. We are pretty sure you will. – Michael Braunstein, Executive Director, Les Paul Foundation