Posts tagged with "African"

ZEITZ MOCAA × GUCCI - WHEN WE SEE US via 360 MAGAZINE.

ZEITZ MOCAA × GUCCI – WHEN WE SEE US

ZEITZ MOCAA ANNOUNCES FULL ARTIST LINE-UP FOR HIGHLY ANTICIPATED EXHIBITION

WHEN WE SEE US: A CENTURY OF BLACK FIGURATION IN PAINTING 

The survey exhibition features nearly 200 artworks from 154 artists 

The exhibition, supported by Gucci, opens on 20 November 2022

This weekend, Zeitz MOCAA will be a flurry of activity as it not only presents its fundraising Gala, sponsored by Gucci, but also unveils a new survey exhibition that has been years in the making. Titled When We See Us: A Century of Black Figuration in Painting, the exhibition places a focus on painting, specifically works produced from the 1920s to the present.

“Over the last decade, figurative painting by Black artists has risen to a new prominence in contemporary art,” says Koyo Kouoh, Executive Director and Chief Curator at Zeitz MOCAA. “There is no better time for an exhibition of this nature, one that connects these practices and reveals the deeper historic contexts and networks of complex and underrepresented artistic genealogies that stem from African and Black modernities; an exhibition that demonstrates how multiple generations of such artists have revelled and critically engaged in projecting various notions of Blackness and Africanity.”

When We See Us: A Century of Black Figuration in Painting comprises an exhibition, publication and discursive programming that explores Black self-representation and celebrates global Black subjectivities and Black consciousness from pan-African and pan-diasporic perspectives. It boldly brings together artworks from the last 100 years, by Black artists working globally, into dialogue with leading Black thinkers, writers and poets who are active today.

The exhibition furthermore celebrates how artists from Africa and its diaspora have imagined, positioned, memorialised and asserted African and African-descent experiences. It contributes to critical discourse on African and Black liberation, intellectual and philosophical movements. The title of the exhibition is inspired by Ava DuVernay’s When They See Us, a 2019 miniseries. Flipping ‘they’ to ‘we’ allows for a dialectical shift that centres the conversation in a differential perspective of self-writing as theorised by Professor Achille Mbembe

The exhibition, designed by Wolff Architects, features nearly 200 works of art by 154 artists from 28 countries, with the artworks loaned from 73 institutional and private lenders located in 26 countries. When We See Us celebrates the resilience, essence and political charge of Black joy. The exhibition is organised around six themes — The Everyday, Joy and Revelry, Repose, Sensuality, Spirituality, and Triumph and Emancipation. It is furthermore accompanied by a sonic translation, compiled by South African composer and sound artist Neo Muyanga.

Tandazani Dhlakama, the exhibition’s co-curator and Assistant Curator at Zeitz MOCAA, says: “This exhibition is a true reflection of the historic contexts of African and Black existence, with the oldest artist in the exhibition born in 1886 and the youngest in 1999. It amplifies a historical continuum of self-representation while highlighting important contributions towards a previously understated canon. Most importantly, it explores a broad range of artistic lineages, art schools and movements — and brings together a myriad of artists and their practice in dialogue for the first time (see full list of artists below).”

Published to coincide with the exhibition is a hardcover poetic catalogue by Thames and Hudson, in collaboration with Zeitz MOCAA, and edited by Koyo Kouoh. Richly illustrated with all the works selected for the exhibition, it includes a contextual essay by Dhlakama and four specially commissioned texts by acclaimed female writers Ken Bugul (Senegal), Maaza Mengiste (Ethiopia), Robin Coste Lewis (United States) and Bill Kouelany (Republic of Congo). In addition to the publication, on sale from 18 November at Zeitz MOCAA Shop and shop.zeitzmocaa.museum, the curatorial team have collaborated with the museum’s retail partner on a limited range of exhibition-related items, including T-shirts, tote bags and more.

Conceived in collaboration with the Institute for Humanities in Africa (HUMA) at the University of Cape Town (UCT), a parallel discursive programme provides theoretical framings of the project and is presented as a year-long, multi-vocal webinar series. The series brings together thought leaders from the continent and its thriving diaspora to address topics around global Black subjectivity and Black representation from the premise of artistic production and into the topical considerations relevant today.

Coordinated by Zeitz MOCAA Assistant Curator Thato Mogotsi, previous discussion topics included The Poetics of Black Figuration, Defining the ‘We’ & the ‘Us’, A Century of Black Figuration as Representation of Self and Black is Beautiful: Pan-Africanism & the Afropolitan Impulse in Contemporary Art, amongst others. Previous participants have included Prof Huey Copeland, Kimberly Drew, Keyna Eleison, Thelma Golden, Dr Felwine Sarr and Athi Mongozeleli Joja. The webinars are archived on the museum’s YouTube channel, with the next one taking place on Tuesday, 29 November. 

The opening of the exhibition is preceded by the 2022 Zeitz MOCAA Gala Dinner + Party, supported by Gucci, acting as a catalyst and inspiration for the Gala’s theme of Art & Opulence. The Gala is Zeitz MOCAA’s largest development event of the year and its proceeds yield approximately 30% of the museum’s annual exhibitions and education budget. The event is essential to the institution’s mission of promoting art education and community engagement, and is further supported by the V&A Waterfront, Radisson Hotel Group, the Mail & Guardian, YourLuxury Africa, Terre Paisable, Pernod Ricard and Hidden Valley Wines, with BMW South Africa as the official vehicle partner. 

The exhibition and accompanying publication have been made possible through the generous support of our presenting sponsor, Gucci.

When We See Us: A Century of Black Figuration in Painting will open to the public on Sunday, 20 November 2022. The Zeitz MOCAA Gala Dinner + Party, supported by Gucci and themed Art + Opulence, takes place on Saturday, 19 November 2022. For more information on the Gala and to purchase tickets, visit zeitzmocaa.museum or click here.

Zeitz MOCAA’s curatorial and exhibition programming is proudly supported by Gucci. All proceeds from the annual fundraising event go towards supporting curatorial research and education programming at Zeitz MOCAA.

Participating artists: 

Nina Chanel Abney

Olusegun Adejumo

Tunji Adeniyi-Jones 

Njideka Akunyili Crosby

Maxwell Alexandre

Tiffany Alfonseca

Benny Andrews

Anjel (BorisAnje) 

Cornelius Annor

Gideon Appah

Michael Armitage

Johnny Arts

Malang Badji

Firelei Báez

Romare Bearden

Tizta Berhanu

Willie Bester

Gerard Bhengu

Wilson Bigaud

John Thomas Biggers 

Amoako Boafo

Kwesi Botchway

Marcus Brutus

Margaret Taylor Burroughs 

Dominic Chambers

Chéri Chérin

Kudzanai Chiurai

Peter Clarke

Eldzier Cortor

Somaya Critchlow

Beauford Delaney

Elladj Lincy Deloumeaux

Aboubacar Diané

Aaron Douglas

Gervais Emmanuel Ducasse

Edouard Duval-Carrié

Ibrahim El-Salahi

Ben Enwonwu

Esiri Erheriene-Essi

Patrick Eugène

Scherezade García

Ablade Glover

Gherdai Hassell

Barkley L. Hendricks

Lubaina Himid

Albert Huie

Clementine Hunter

Kudzanai-Violet Hwami

Gavin Jantjes

William H. Johnson

Charles Kamangwana

Kangudia

Ibrahima Kébé

Amon Kotei

Joy Labinjo

Wifredo Lam

YoYo Lander

Akinola Lasekan

Jacob Lawrence

Petson Lombe

Sahara Longe

Zemba Luzamba

Danielle McKinney

Mustafa Maluka

Marvelous Mangena

Armando Mariño

Arjan Martins

No Martins

Wangari Mathenge

Neo Matloga

Raphael Adjetey Adjei Mayne

George Mbugua

Kivuthi Mbuno

Zachariah Mbutha

Luis Meque

Roméo Mivekannin

Sungi Mlengeya

Sphephelo Mnguni

Moké

Meleko Mokgosi

Archibald J. Motley Jr. 

Richard Mudariki

Geoffrey Mukasa

Cinthia Sifa Mulanga 

Theresa Mungure

Lavar Munroe

Ian Mwesiga

Cassi Namoda

Eric Ndlovu

Chemu Ng’ok

Malangatana Valente Ngwenya

Nicholous Njau 

Thenjiwe Niki Nkosi

Eria Nsubuga ‘Sane’

Nestor Vuza Ntoko

Boris Nzebo

Antonio Obá

Antoine Obin 

Philomé Obin

Télémaque Obin

Abe Odedina

Toyin Ojih Odutola

Fred Oduya

Chris Ofili

Augustin Okoye 

Kambui Olujimi

Eniwaye Oluwaseyi

Bruce Onobrakpeya

Richard Onyango

Marc Padeu

Zéh Palito

Emma Pap’

Karl Parboosingh

George Pemba

Thebe Phetogo

Naudline Pierre

Prosper Pierre-Louis

Horace Pippin

María Magdalena Campos Pons

Otis Kwame Kye Quaicoe

Robert Saidi

Chéri Samba

Kingsley Sambo

Cinga Samson

Mmapula Mmakgabo Helen Sebidi 

Gerard Sekoto

Tschabalala Self

Amy Sherald

Devan Shimoyama

Monsengo Shula

Alexander Shyngle

Sthembiso Sibisi

Ancent Soi

Olivier Souffrant

Moustapha Souley

Pamela Phatsimo Sunstrum

Nirit  Takele

Matundu Tanda 

Henry Taylor

Alfred Thoba

Mickalene Thomas

Bob Thompson

Edward Saidi Tingatinga

Katlego Tlabela

Cyprien Tokoudagba

Mose Tolliver

Zandile Tshabalala

Didier Viodé

Sane Wadu

Charles White

Kehinde Wiley

Richard Witikani

Lynette Yiadom-Boakye

Daniela Yohannes

Issued by Chimera Creative on behalf of Zeitz MOCAA. 

Please find further media materials for When We See Us here and here.

About Zeitz MOCAA

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is a public not-for-profit institution that collects, preserves, researches and exhibits contemporary art from Africa and its diaspora; conceives and hosts international exhibitions; develops supporting educational, discursive and enrichment programmes; encourages intercultural understanding; and strives towards access for all. The museum’s galleries feature rotating temporary exhibitions with a dedicated space for the permanent collection. The institution also includes the Centre for Art Education, the Centre for the Moving Image and The Atelier, a museum residency programme for artists living and working in Cape Town. 

Zeitz MOCAA is situated at the Silo District, South Arm Road, V&A Waterfront in Cape Town, South Africa, and is open Tuesday through Sunday, 10 am to 6 pm. zeitzmocaa.museum

About Gucci

Founded in Florence, Italy, in 1921, Gucci is one of the world’s leading luxury brands, led by President and CEO Marco Bizzarri and Creative Director Alessandro Michele. Following the House’s centenary, Gucci forges ahead into the next hundred years, continuing to redefine luxury while celebrating the creativity, craftsmanship and innovation at the core of its values. 

Gucci is part of the global luxury group, Kering, which manages the development of a series of renowned Houses in fashion, leather goods, jewelry and watches. 

Discover more about Gucci at gucci.com

Lexus Black Panther collaboration in Los Angeles via 360 MAGAZINE.

BLACK PANTHER × LEXUS

LEXUS JOINS FORCES WITH ADIDAS AND ADIDAS S.E.E.D TO CREATE

A CUSTOM ALL-NEW LEXUS RX

INSPIRED BY MARVEL STUDIOS’ ‘BLACK PANTHER: WAKANDA FOREVER’

Last night Lexus unveiled the Wakanda Forever-inspired RX 500h F SPORT AWD “Vibe-Branium.” The all-new Lexus was reimagined in by the women-led design crew of the adidas S.E.E.D (School for Experiential Education in Design) program under the guidance of Calty Design Research, creating a vehicle suited for Marvel Studios’ “Black Panther: Wakanda Forever,” now playing only in theaters.

To help celebrate the recent launch of adidas’s “Wakanda Forever Collection,” the team at adidas sought to bring their “Black Panther: Wakanda Forever”-inspired designs into the automotive space. Created for the best athletes in the world, this performance sportswear embodies what it means to be Wakandan and explores the question, “What if Wakanda had a national athletic team?” The vehicle wrap builds on the custom identity of the fictional African nation as envisioned by adidas, creating an automotive identity that matches the fashion collection.

The design of the interior was driven by a group of all-women students from adidas’ School for Experiential Education Design (S.E.E.D.), a 2-year program at adidas in partnership with Pensole Lewis College of Business & Design, that acts as an alternative to a university education in Footwear Design. Students from this program not only designed the interior of the Wakanda Forever-inspired RX 500h, but also contributed to the costumes in the film. Through a series of workshops, CALTY Design Research worked with the students to bring their Black Panther inspired vision to the RX 500h.  

“The all-new RX 500h is part of our expanding Lexus Electrified portfolio with evolved innovative technology that elevates the driver’s experience,” said Michael Moore, general manager, Lexus International. “There’s an athleticism in the performance of the RX that makes it a perfect fit to join the ‘Wakanda Forever’ team.”

The re-imagined exterior of the RX features the Wakandan-inspired print and purple colorway used throughout the adidas sportswear collection. A diamond pattern inlayed across the hood is inspired by the Black Panther’s claw necklace. Gold details, a tie to the new Black Panther’s suit, accent the exterior, with unique “F” center caps, F SPORT on the wheels and Lexus badging that are reimagined using the fictional Wakandan alphabet. The word “Vibe-Branium,” also spelled in the Wakandan alphabet, is added to the rear badging as part of its unique name: the Lexus RX 500h Vibe-Branium AWD DIRECT4.

Beyond the customized exterior wrap, the students at adidas S.E.E.D (School for Experiential Education in Design) embraced the challenge to reimagine the all-new Lexus RX interior by using the much-anticipated sequel as its source of inspiration.

“Lexus is passionate about fostering future designers,” said Sabina Charfauros-Redmon, creative lead, Lexus International. “We see adidas S.E.E.D as representing a new normal that opens doors for BIPOC women in the design space. It’s a special moment when young creators are given the opportunity to stretch their creativity beyond their own comprehension. Lexus believes in this narrative and is excited to be a part of this process.”

To help guide the students through the design process, Calty Design Research led the students through a series of workshops exploring automotive design, Lexus design, creative processes, color and materials and the power of collaboration.

“Lexus, adidas and Wakanda Forever may seem like they come from totally different worlds but the thread that draws everything together is the pursuit and leadership in unique storytelling and innovative technology,” stated Alex Shen, chief designer at Calty Design Research. “Because of this common thread, the S.E.E.D. designers have such a unique and exciting task ahead of them to create something really artful and cool. It’s a real pleasure and honor for us to witness all the creativity, enthusiasm and collaborative thinking and execution from the S.E.E.D. designers.”

“Collaboration is one of our core values at S.E.E.D. We believe that innovation exists at the intersection of creativity, collaboration, diversity, inclusion and equity,” adds Cheresse Thornhill-Goldson, director, Design Education & Growth | S.E.E.D., adidas. “A critical aspect of our curriculum is ‘open-source’ product creation where we team up with experts across various industries to educate and co-create with our S.E.E.D. designers to bring unique products to life. So, collaborating with Lexus, ‘Black Panther: Wakanda Forever,’ Carbon, Calty and Annex to design the Lexus Vibe-Branium Direct4 RX 500h was such a transformative experience for our students. The end result is a powerful example of what can happen when we leverage the ‘collective genius’ across disciplines.”

Carbon, an adidas partner since 2017, has revolutionized athletic footwear by providing the technology platform for the production of adidas 4D midsoles. Carbon DLSTM (Digital Light Synthesis) technology is pioneered by 3D printing specialists aligning innovation and sustainability in collaboration with adidas to create a portfolio of athletic footwear that meet specific performance needs. In addition, Carbon’s footprint on the silver screen contributing to costumes, animatronics and other worldly environments make them the perfect partner to help realize the S.E.E.D student’s interior vision.

As part of Lexus’s mission to mine budding talent in the creative realm, versatile multi-hyphenated visual storyteller Cami Thomas will document the collaboration with a featurette which is set to release in mid-November on digital platforms.

The custom build will feature an interior re-imagined with future-focused designs, textures and materials. Using the modern luxury of the latest RX as a canvas, adidas’s custom Wakanda-inspired tribal gold print covers sections of the seating surfaces and are featured prominently on the seat bolsters in particular. The same pattern is applied to the door panel inserts and in purple sections of the steering wheel. The F SPORT door sill plate is translated in the Wakandan alphabet along with “Wakanda Forever”, which is embroidered on the steering wheel. Key tactile areas such as the steering wheel pad and front and rear headrests are covered in the Carbon 3D printed energy-returning athletic shoe mid-sole material used in the adidas 4D- FWD. The front head rests include Lexus’s signature emblem and the rear center head rest houses adidas’s iconic logo. Meanwhile, surfaces around the shifter are decorated in laser-cut wood and gold trim that accents the interior to help create a uniquely Wakandan-inspired in-car environment.

In celebration, the powerhouse brands dropped a limited-release T-Shirt designed by the students at adidas S.E.E.D., which was exclusively available at last night’s adidas creator’s camp. The front of the T-Shirt includes an African Proverb written in Wakandan “Educate a Woman, Educate a Nation” stylized in traditional Japanese format, tategaki. The back of the T-Shirt pays homage to mineral-rich Wakanda’s Vibranium that has helped shaped its future focused society through a periodic table transcribed in Wakandan. In addition, the T-Shirt’s wash tag houses emblems from the super power team, LEXUS, adidas, adidas S.E.E.D, Marvel Studios’ “Black Panther: Wakanda Forever” and Carbon.

In the hands of veteran custom car builder Gordon Ting, he helps fully realize the custom “Black Panther: Wakanda Forever”-inspired Lexus RX inside and out. 

Black Panther inspired LEXUS RX 500h by adidas S.E.E.D via 360 MAGAZINE.
Black Panther inspired LEXUS RX 500h by adidas S.E.E.D via 360 MAGAZINE.
Black Panther inspired LEXUS RX 500h by adidas S.E.E.D via 360 MAGAZINE.
Black Panther inspired LEXUS RX 500h by adidas S.E.E.D via 360 MAGAZINE.
DAVIDO & LIVE NATION URBAN LAUNCH A.W.A.Y VIA 360 MAGAZINE

DAVIDO × Live Nation

DAVIDO & LIVE NATION URBAN LAUNCH ARE WE AFRICAN YET? (A.W.A.Y)

MUSIC FESTIVAL TO PROMOTE CULTURAL EXPLORATION AND COLLABORATION BETWEEN AFRICA AND THE WORLD

DAVIDO, KIZZ DANIEL, PHEELZ, LOJAY, VICTONY, OXLADE, BNXN, FOCALISTIC, AND MORE

FRIDAY, NOVEMBER 18, 2022

STATE FARM ARENA, ATLANTA

TICKETS AT TICKETMASTER.COM

General ticket on-sale begins for Afrobeats superstar, recording artist, producer, and philanthropist, Davido‘s ARE WE AFRICAN YET? (A.W.A.Y) Festival, a one-day music festival and cultural experience taking place at the State Farm Arena in Atlanta on November 18, 2022. The festival was conceived to promote and foster cultural exportation and collaboration between Africa and the world. Davido’s level of collaboration with U.S based artists over the years has positioned him as a unique bridge between Africa and the world, a mantle that he has carried proudly.

Purchase tickets HERE.

The demand for African music, fashion, and culture worldwide has restored a sense of pride to Africans everywhere with most yearning for a deeper connection with home, Davido reflectingly asks ‘Are we African Yet?‘, are we willing to claim our heritage and our culture? The A.W.A.Y Festival is an opportunity that urges the African diaspora and non-Africans around the world to find and celebrate each other roots and experience African culture like never before.

Afrobeats music is currently one of the fastest growing music genres, gaining global recognition and some of Africa’s finest artists will grace the stage alongside some of the hottest stars stateside, with headline performances by DAVIDO, KIZZ DANIEL, PHEELZ, LOJAY, VICTONY, OXLADE, BNXN, FOCALISTIC, AND MORE.

“Growing up, we were often made to feel unworthy as Africans, so many of us didn’t want to claim where we were from and in some cases denied our heritage. That’s not the case anymore, we are proud Africans, and we want to invite people to enjoy our culture our music, food, and art. That’s what The A.W.A.Y Festival is all about.” said, A.W.A.Y Festival Founder, Davido.

ARE WE AFRICAN YET?‘s mission is to unite communities, promote collaboration and celebrate the diversity and magic of African music and culture. It is an opportunity to build coalition between Africa and the world. Through the power of music, A.W.A.Y seeks to celebrate our shared parallels in culture, dance, clothing and provide an opportunity to empower everyone to build pride and claim their heritage proudly.

About Davido

2022 has been a busy year for Afrobeat’s icon Davido. The American-born, Nigerian-raised superstar saw his music streaming surpass +2 Billion and his social media footprint exceed +50M, making him the most followed Afrobeat artist in the world. In April 2022, Davido released new projects including the multi-million streaming Stand Strong ft. Sunday Service Choir, the first single off his highly anticipated forthcoming album and his collaboration with FIFA on their 2022 World Cup Soundtrack “Hayya Hayya (Better Together)“. Davido recently finished performing his sold-out, We Rise By Lifting Others World Tour.

Davido (born David Adedeji Adeleke) has cemented his position as a global force within the music scene, capped off by several milestones for the platinum artist including his second sold-out show at London’s O2 Arena and the release of his third studio album, 2020’s A Better Time, the critically acclaimed follow up to his 1.2 billion streaming 2019 release, A Good Time. Released at the end of 2020, A Better Time debuted on Billboard 200 album chart garnering over 560 million streams and producing certified hits High featuring Adekunle Gold, Holy Ground Ft. Nicki Minaj and Shopping Spree ft. Chris Brown & Young Thug. Shopping Spree marked Davido’s 10th entry on Billboard’s World Digital Song Chart, it was highlighted by millions of video views and attracted the praise of Rolling Stone, HighSnobiety, and Complex. In addition to both fan and critical acclaim, Davido’s U.S. visibility continues to soar with thrilling national television appearances on The Tonight Show Starring Jimmy Fallon, The Daily Show with Trevor Noah and Jimmy Kimmel Live, and magazine covers of Billboard, Flaunt, Dazed, L’Officiel to name a few. Davido has also been recognized with Billboard Music Award, BET Award, as well as several Grammy Nominations.

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Media & Sponsorship. For additional information, visit www.livenationentertainment.com.

Live Nation Urban (LNU) is a partnership with Live Nation Entertainment, the world’s leading live entertainment company. Specifically focusing on Hip-Hop, R&B, and Gospel, LNU builds platforms, events, and festivals globally and develops dynamic content strategies based upon the live properties created. Live Nation Urban considers itself the most powerful source for live urban music. For additional information, visitwww.livenationurban.com.

CONNECT WITH DAVIDO

DAVIDO.COM

INSTAGRAM|FACEBOOK|TWITTER|YOUTUBE|SPOTIFY|TIKTOK

Sony Music Japan inside the first take via 360 magazine

INSIDE THE FIRST TAKE

Japan’s No.1 YouTube omnibus music channel THE FIRST TAKE has announced the overseas streaming of the conceptual concert, INSIDE THE FIRST TAKE on Stagecrowd.

Performers will include ALI, who sang “LOST IN PARADISE feat. AKLO” (the ending theme of 1st season of the TV anime Jujutsu Kaisen), yama, who sang “Oz.” (the ending theme of the 1st season of the TV anime “Ranking of Kings”), and many others.

The archived footage of the conceptual concert, “INSIDE THE FIRST TAKE,” organised by the YouTube channel “THE FIRST TAKE,” will be streamed overseas on Stagecrowd.

“THE FIRST TAKE” is a YouTube channel from Japan that films and releases videos featuring artist performances shot in a single take. The channel has over 6 million subscribers — the most out of all omnibus music channels in Japan.

Performances are filmed in a pure white space with the artist in front of a single mic. The production is simple and stripped down, and the resulting footage highlights the artist’s pure talent.

In this conceptual concert, fans can witness the single-take filming style of “THE FIRST TAKE.” In addition, before an artist’s performance, an exclusive documentary about the track that will be performed will also be shown with English subtitle, deepening your understanding of the song.

Featured performers include popular artists who made global hits such as ALI, who sang “LOST IN PARADISE feat. AKLO” (the ending theme of 1st season of the TV anime “Jujutsu Kaisen”),  yama, who sang “Oz.” (the ending theme of the 1st season of the TV anime “Ranking of Kings”), ReoNa, who sang “ANIMA” (the opening theme of the TV anime “Sword Art Online Alicization War of Underworld”), and many others.

It’s the first ever live performance from THE FIRST TAKE, gathering artists that have been trending

INSIDE THE FIRST TAKE

■ What is “THE FIRST TAKE”?

“THE FIRST TAKE” is a YouTube channel that captures artists’ amazing vocal performances in a single take on stunning 4K quality.

The channel was established on 15th November 2019,  and in less than a year reached 2 million subscribers in September 2020. The next year the number increased by 3 million, bringing the total number of subscribers to 5 million.

Amongst all Japanese music YouTube channels (outside of official artist accounts), “THE FIRST TAKE” was the fastest channel to reach 5 million and 6 million subscribers and is the most subscribed channel for the Japanese omnibus genre.

Artists who have appeared on “THE FIRST TAKE” include LiSA, who sang the global hit Gurenge, the first opening theme of the TV anime “Demon Slayer: Kimetsu no Yaiba,” and TK from Ling tosite Sigure, who sang “unravel”, the first opening theme of the TV anime “Tokyo Ghoul.”

In addition, many artists from outside Japan have also appeared, such as Stray Kids, TOMORROW X TOGETHER, Jun. K (from 2PM), and Pentatonix (who appeared in a collaboration song with Little Glee Monster).

The channel is popular with the international audience, with about 30% of the subscribers being overseas users from countries and regions such as Taiwan, Indonesia, the United States, and the Philippines.

■ Stream Information

Thursday, 16 June 2022
ALI / Creepy Nuts / Da-iCE / yama

Saturday, 18 June 2022
Soushi Sakiyama / HENTAI SHINSHI CLUB / miwa / ReoNa  

Opening (Stream Opens) 19: 30 / Start (Concert Starts) 20:00 / 

End (Concert Ends) Approximately 22:30

*Archive: 1 week from stream date (DAY1 until 23 June 23:59 / DAY2 until 25 June 23:59)

*All times in JST

1-Day ticket: 2000 Yen

Ticket Purchase / Viewing URL (For Overseas Fans)

Available Countries/Regions

Japan / Taiwan / Hong Kong / Macau / Thailand / Malaysia / Singapore/ Brazil / Peru / Australia / New ZealandUK / Germany / France / Italy / SpainUS / Canada / Mexico

* Archive will be available for viewing approximately 1 hour after the end of the stream.

* After purchasing the ticket, cancellations, changes, and refunds are not possible for reasons other than the postponement or cancellation of the performance.

* Due to issues with the internet infrastructure or broadcast system, video and audio may be interrupted, and the performance may be temporarily suspended or terminated halfway.

* This performance is a paid, ticketed live stream. All rights are owned by the organizer. Screen recording, filming, and recording with cameras, smartphones, etc. are all prohibited.

YouTube Channel「THE FIRST TAKE」

■ Program Concept

A single microphone placed in a white studio.

There is only one rule here:

Perform in a single take

Other than that, you can do anything.

What will you show with a single take?

Face the music with a single take.

Official Site

Twitter

Instagram

TikTok

THE FIRST TIMES

*This Press Release is provided by Stagecrowd

Beyonce illustration by Maria Soloman from 360 Magazine for use by 360 Magazine

Beyoncé × Jay-Z × Tiffany & Co. – “ABOUT LOVE”

By: Rumnik K Ghuman

On Vogue last week, Tiffany & Co launched its new campaign with Beyoncé and Jay-Z. The main purpose of the “About Love” campaign is still uncertain, but has received many negative reactions. For one reason, the diamond, Beyoncé wore in the promotional pictures. A 128.54 carat yellow diamond is a priceless piece of Tiffany’s collection. It’s amazing how Beyoncé is the fourth woman and the first black woman to wear that diamond. But why did Beyoncé draw adverse attention to this campaign?

The story goes back to 1877 in South Africa when Kimberley was mining diamonds during the British colonial regime. These rocks were more than a hundred years old and are considered blood diamonds. African workers were forced to extract a certain quantity of diamonds, otherwise Revolutionary United Font would cut each other’s hands or legs. This horrible act of blood would happen in war zones and in difficult times for Africans, such as discrimination. That is why they were named Blood Diamonds during this period. 

This bad story brought a huge defamation to Beyoncé’s mark, as an African-American herself and never supported the exploitation of Africans. For example, “Black is King” on Disney, is one of many projects produced by Beyoncé to decolonize black masculinity. According to Beyoncé’s close friends, she did not know the history of this rock and would never have worn it. It was the first time Beyoncé and Jay-Z had participated in a joint campaign. 

Tiffany & Co has completely denied that the diamond is a blood diamond since they have taken “rigorous measures” to ensure that conflict diamonds do not appear in its inventory. As stated in their website, “As global leaders in sustainable luxury, Tiffany & Co. is committed to sourcing natural and precious materials in an ethical and sustainable manner. We have a zero-tolerance policy toward conflict diamonds, and source our diamonds only from known sources and countries that are participants in the Kimberley Process.” As the audience still can’t accept to believe Tiffany, back in 2003, The Kimberley Process was created by the UN to eliminate all blood diamonds to enter the mainstream diamond market. 

360 Magazine finds it difficult to accept that the necklace is a blood diamond, and that it is on Beyoncé, an African woman herself. It is not fair that she is receiving such negative attention for wearing this necklace. Whereas Lady Gaga had worn this same necklace in 2019 in the Oscars awards and didn’t receive any negative feedback. Many fans showed up on Twitter to express their feelings. There are a number of sides to the story of whether or not Beyoncé knew about the diamond. And, she didn’t choose the diamond to wear herself. 

Since we’ve all heard of Jay-Z’s music, his raps include a majority of meanings on buying goods, art and jewelry. It is ironic that this raises the subject of the enormous piece of art that is presented in the campaign. It’s from Jean-Michel Basquiat, who recently passed away. Basquiat was a Puerto Rican/Haitian American painter better known to be a star of anti-settlement graffiti. His work reflected racial and social consciousness.

This campaign did not receive the recognition it wanted with the ultimate message behind “About Love”. Many people have realized the ugly truth about an unfinished history of white supremacy and colonialism of that campaign and the diamond industry. The campaign highlighted more brutal African history than “About Love.”

- Bluestrokes - artwork by Atanda Quadri Adebayo, Mamus Esiebo | Daniel Tetteh Nartey Moustapha Baidi Oumarou via GR gallery for use by 360 Magazine

– BLUE STROKES –

Atanda Quadri Adebayo | Mamus Esiebo | Daniel Tetteh Nartey Moustapha Baidi Oumarou 

Sept 9 – Oct 9

GR Gallery is pleased to announce – BLUE STROKES – a groundbreaking group exhibition showcasing multi-talented artists from different states of Africa: Mamus Esiebo, Daniel Tetteh Nartey, Atanda Quadri Adebayo, Moustapha Baidi Oumarou. This exciting show will reveal, for the first time in a public exhibition in the U.S. , the latest series of artworks that the artists have been working on for the past months. Appositely conceived for this occasion, this bold body of new works will independently invade the gallery space, contrasting and counterbalancing each other. The show will put together in total twenty original artworks, including paintings on canvas, works on paper and a print.

When: Opening: Thursday September 09 , 5:00pm – 8:00pm (Exhibition Dates: September 09 – October 9  2021). Members of the press can contact GR gallery in advance to schedule a private viewing and/or an interview with the artists before the exhibition is officially open. Reception will be held with no restrictions and drinks will be served. Visitors who want to attend the opening can RSVP by contacting the gallery.

Where: GR gallery,  255 Bowery (between Houston & Stanton) New York, NY 10002

Who: Atanda Quadri Adebayo (b. 1999, Nigeria) | Mamus Esiebo (Lagos Nigeria, 1985) | Daniel Tetteh Nartey (Ghana, 1991) | Moustapha Baidi Oumarou (Cameroon, 1997).

– BLUE STROKES – includes artists from Ghana, Nigeria and Cameroon – all of whom have experienced and contributed to a rich history in local culture and personal heritage. Besides the shared extensive use of the blue tint and the technique used to apply it, the title refers to the color the sky and the sea, associated with freedom, elegance, inspiration, wisdom and the saturnine behavior that defines artists and keeps under control the powerful striking act of wrath. From the vivid imagery, immense balance of rich contrast, to a super concentrated explosion of color, every unique shade, texture and identity of the artists have been interwoven to create this unique exhibition. The artists hail from a variety of communities and homelands; their stories and embracement are portrayed on each piece of artwork that was specifically made to present their vision, their commitments, and their actual life.

-Featured Artwork is “Summertime”, 2021, digital painting on canvas 36 x 48 inches by Mamus esiebo*

 "Untitled", 2021, acrylic on canvas, 150 x 100 cm. (Moustapha) via BlueStrokes exhibit at GR Gallery for use by 360 Magazine

“Untitled”, 2021, acrylic on canvas, 150 x 100 cm. By: Moustapha Baidi Oumarou

"survival's gaze", 2021, acrylic and charcoal on canvas, 72 x 61 in. By: Atanda Quadri Adebayo  via the -Bluestrokes- exhibit at GR Gallery for use by 360 Magazine

“survival’s gaze”, 2021, acrylic and charcoal on canvas, 72 x 61 in. By: Atanda Quadri Adebayo

Munir Hossn photograph from Cory Councill, Big Hassle Media for use by 360 Magazine

Brazillian artist Munir Hossn shares new album – Vientre

Brazillian artist Munir Hossn, an esteemed producer, composer and multi-instrumentalist, shares his latest full-length album Vientre today via Jammcard Records. The brand new catalogue of tracks celebrates women across the globe, in dedication to the artist’s late mother, who unfortunately passed recently in the spring of 2021. To make the album, Munir teamed up with a cast entirely of female musicians and singers.

Vientre is a compelling new collection that evokes every emotion through the lens of various bonds that Munir has made with important women throughout his life’s journey. Amongst the most impactful, Vientre seeks to embody the strongest relationship that a human can experience, which is the relationship between a mother and a child.

Hossn shares, “The idea of making an album with and dedicated to all women became a necessity, a very special story full of mixed emotions.

As the son of a very young mother who was still discovering how to enjoy life, I spent much of my childhood with my aunts, cousins, grandmothers, teachers; great women who taught me what today is for me, the most valuable lesson in my existence: to have love towards others, towards nature and towards life itself.

While my mother was away for different reasons, I would miss her; and through her absence I learned the importance of the female figure in our lives. After having spent more than twenty years traveling the world without seeing her, the memories and all my thoughts about that relationship, which I had held from another point of view, were transformed into a set of songs that have helped me to rebuild the most beautiful parts of this story.

Throughout my life I have met incredible female instrumentalists who identified with what I was looking for in that production and tribute: Naile Sosa, a Cuban drummer who brings in her rhythm to the full heritage of Mother Africa. Luca Fumero on piano and Rita Payes on trombone, both born in Barcelona and two young and virtuous instrumentalists who represent in the album the baroque and the playful of European music. And finally, Natascha Rogers, a percussionist born in Belgium, daughter of an English mother and a Native American father, a mixture that made her a strong woman, with  the colors and sounds of nature.

As I offer all my energy and dedication through this album, my wish for you is that you feel in each melody the strength and greatness of that being who, in addition to giving us life, teaches us the origin of the feeling called love.

I dedicate this album to all the women of our planet and especially to my mother who left us on the morning of 05/10/2021. May she rest in peace and may my music always make her smile.”

Born in Brazil, Munir’s mixture between Africans, Europeans, Arabians, and Brazilian-indigenous people make him one of the most original and authentic artists of his country and the world. Just by listening to his compositions and arrangements, listeners can imagine how vast and great his journey has been through the variety of different countries and cultures.

Along with his solo compositions, Munir has also collaborated, produced, and shared projects with artists like Quincy Jones, Joe Zawinul Syndicate, Didier Lockwood, Paco Sery, Concha Buika, The Global Gumbo All Stars feat. Alfredo Rodriguez, Hermeto Pascoal, Richard Bona, Roberto Mendes, Jorge Pardo, and many more.

Vientre is the premiere addition to an already astounding index of music that represents the many colors of musical flavors from around the globe, but it also may be the most personal and intimate offering yet from Munir Hossn. For all those looking to reconnect after a year of distractions and isolation, this album is meant to reflect and heal through a universal pulse.

Connect With Munir Hossn:

Instagram: @Munirhossn

Facebook: @Munirhossn

Twitter: @Munirhossn

Website

Spotify

Apple Music

About Jammcard Records:

Jammcard records is an artist friendly label by jammcard. Here to support and amplify artists without tying them down.

Instrument illustration by Ivory Rowen for 360 Magazine

WQXR Music For Juneteenth

In honor of Juneteenth, WQXR is devoting the entire day to spotlighting the work of Black composers and performers from around the globe with an all-day tribute “Music for Juneteenth: A Celebration of Black Classical Artistry.

Juneteenth is celebrated annually on June 19 and commemorates the date in 1865 when the Emancipation Proclamation was finally enforced by Union officials in the state of Texas, over two years after the Proclamation was issued. Also known as Freedom Day, it is now widely celebrated as the anniversary of the abolition of slavery in the United States.

Over the course of 24 hours — from midnight to midnight — WQXR will showcase the talent, work, and voices of Black musicians. The day’s playlist includes over 150 pieces of music, featuring more than 40 Black composers and over 60 Black soloists and conductors.

Highlights include powerful symphonies by Florence Price, William Grant Still, and William Dawson; the Violin Concerto in F-Sharp Minor by Jose White, a virtuoso who performed with the New York Philharmonic in the 1870s; uplifting choral music by Margaret Bonds and Robert Nathaniel Dett; ragtime favorites by Scott Joplin; living composers like Adolphus Hailstork, Jessie Montgomery, Valerie Coleman, Daniel Kidane, and Nkeiru Okoye; performances by legendary singers such as Marian Anderson, Paul Robeson, Jessye Norman, and Leontyne Price; as well as great artists on the concert scene today including Wynton Marsalis, Lara Downes, Anthony McGill, and Sheku Kanneh-Mason, plus emerging stars.

At 7pm, WQXR will break its music-only format to present a special conversation about race and diversity in classical music. WQXR’s Terrance McKnight will host “The Black Experience in the Concert Hall,” a live two-hour program and discussion with listener call-ins and guests including:

  • Martina Arroyo, legendary soprano and founder of the Martina Arroyo Foundation
  • Wynton Marsalis, virtuoso trumpeter and Artistic Director of Jazz at Lincoln Center
  • Khalil Gibran Muhammad, professor of History, Race, and Public Policy at Harvard Kennedy School and author of The Condemnation of Blackness
  • Jesse Rosen, President and CEO of the League of American Orchestras
  • Alvin Singleton, composer
  • Chelsea Daniel, pianist
  • Greg Sandow, music critic and composer

“Classical musicians of African descent have existed on the margins of obscurity for centuries — in the classroom, the concert hall, the record industry, and on the radio,” said Terrance McKnight, WQXR’s Evening Host. “This underrepresentation is what brought me to work in public radio, and this 24-hour Juneteenth marathon is something I’ve looked forward to my entire radio career. I’m excited to share the work of these artists in a concentrated way, on Juneteenth and beyond.”

“We are honored to mark Juneteenth with a showcase of the work of Black performers and composers, many of whom have long been excluded from the canon,” said Matt Abramovitz, Vice President, WQXR. “And while a call-in show is an unprecedented break with our usual all-music format, a discussion of race and classical music is the conversation we need to have right now, and WQXR has the platform and mandate to host it. We hope listeners will join us for this day of celebration and reflection.”

“Music for Juneteenth: A Celebration of Black Classical Artistry” airs all day beginning at 12:01am June 19 on WQXR 105.9 FM and will stream online at WQXR.org.

ABOUT WQXR

WQXR is New York City’s only all-classical music station, immersing listeners in the city’s rich musical life on-air at 105.9FM, online at WQXR.org and in the real world via live events and broadcasts. WQXR presents new and landmark classical recordings as well as live concerts from Carnegie Hall and the New York Philharmonic, and broadcasts essential destination programs including New York Philharmonic This Week and Young Artists Showcase. WQXR is also the co-producer—along with the Metropolitan Opera—of the critically-acclaimed podcast Aria Code, hailed by The New Yorker as “illuminating …accessible…immediately pleasurable.” As a public radio station, WQXR is supported through the generosity of its members, donors and sponsors, making classical music relevant, accessible and inspiring for all.

Travel to South Africa in Honor of Mandela’s Centenary 

2018 is a momentous year for South Africa with the Nelson Mandela Centenary marking what would have been 100 years since the iconic leader’s birth. Officially July 18, 2018 – Mandela Day – marks this historic milestone as throughout the nation, and across the world, people celebrate South Africa’s first black President. Mandela’s legacy as an inspirational anti-apartheid revolutionary and one of the greatest human rights advocates the world has ever seen, cemented his place as one of the 20th century’s most important political figures. This year, South African Tourism invites US travelers to explore this legacy.

In Mandela’s honor, national celebrations will see a series of high-profile events and memorials. On July 17, a day before Mandela Day, former US president Barack Obama will deliver the 16th Nelson Mandela Annual Lecture in Johannesburg. The theme will be “Renewing the Mandela Legacy and Promoting Active Citizenship in a Changing World,” and will honor the centennial of Mandela’s birth.
In Cape Town’s City Hall, a life-sized statue of Madiba will be unveiled on July 24 in the place where he gave his first speech upon release from his 27 year imprisonment.
Internationally, the world’s largest musical tribute will also take place on Mandela Day through a series of charitable concerts held live across the world in support of improving literacy among children. This musical tribute is organized by Mandela Concertswith the goal of raising millions of dollars towards various projects including building 100 new library units in South Africa’s most vulnerable schools, developing a high school skills program, and providing 200 Toddler Trolley library programs for 5 to 6 year-old South African children by 2021.
Often respectfully referred to by his Xhosa clan name Madiba, travelers interested in following in Mandela’s footsteps can download the Madiba’s Journey app. South African Tourism, in collaboration with the Nelson Mandela Foundation, recently re-launched the app to include 100 historic landmarks and sites that influenced Mandela’s life. From the Eastern Cape to Johannesburg to Cape Town and beyond, the app allows users to customize their own itineraries and helps guide them through key landmarks, offering context, photos and curated audio narration about Mandela’s life and the 27 years he spent as a political prisoner. A few notable landmarks are highlighted below:

  • The Eastern Cape: Explore Nelson Mandela’s birthplace – an area of outstanding rugged beauty with pristine coastline, virgin bush and subtropical forests.
  • Robben Island: Tour the jail cell where Nelson Mandela spent 18 years of his life, through the eyes of those who experienced it first-hand. Many tours are led by ex-political prisoners.
  • Constitution Hill in Johannesburg: Formerly used as a prison, it was here where hundreds of political prisoners were held, including Nelson Mandela and Oliver Tambo. Constitution Hill is now a living museum and home to South Africa’s Constitutional Court.
  • The Apartheid Museum in Johannesburg: Acknowledged as the pre-eminent museum in the world dealing with 20th century South Africa, the museum tells the apartheid story.
  • KwaZulu-Natal: Visit this province to see the Nelson Mandela Capture Site. After being on the run for 16 months, Madiba was captured and arrested here in August 1962.
  • Voting Line Sculpture in Port Elizabeth: A tribute to the thousands of South Africans who participated in the nation’s first democratic elections in 1994.

South African Tourism encourages travelers to celebrate, honor and explore the legacy of Mandela through Mandela themed travel packages. A selection of curated experiences are included below:

  • Gate 1 – 8 Day South Africa Tour with Game Drives & Flights — 8 days and 6 nights Enjoy the best of Cape Town by exploring Table Mountain and then visit either the Winelands or Cape Peninsula. After a few days in the “Mother City,” head on to Johannesburg to transfer to the safari portion of your trip in Limpopo Province. You’ll be able to spot all kinds of wildlife while enjoying South Africa’s natural beauty. $1799/ Per person sharing (includes $280pp savings with promo code SATD280) *Terms and conditions apply
  • Africa Answers – Celebrating Mandela’s 100th — 8 days 6 nights On this cultural journey to South Africa, discover Nelson Mandela’s struggle, perseverance, and determination to lead South Africa to Freedom. Explore the bustling city of Johannesburg and spend 3 amazing nights in the cultural rich city of Cape Town. From US $2,499* Per Person Sharing (add a 4th Night FREE in this air-inclusive, 8 night package) *Terms and conditions apply
  • Goway Travel – Walking in his Footsteps – Mandela’s Centenary –10 days and 9 nights Explore the life and legacy of Nelson Mandela with this unforgettable journey into in South Africa. Traveling between Johannesburg, Durban, and Cape Town, you’ll have the opportunity to trace Mandela’s journey from freedom fighter to president and learn about the hardships of apartheid as well as its collapse and the birth of the new Rainbow Nation. From US $3,197* Per person sharing *Terms and conditions apply

For more Nelson Mandela themed packages, visit SouthAfrica.net/deals

For more information about Madiba’s Journey app, visit madibasjourney.southafrica.net

The Art World in Haiti

AYITI Gallery is pleased to present the works of seven talented Haitian artists carefully selected for their ingenuity, their originality, their narrative and their artistic potential. Our artists represent the new wave of International Inspirational artists that is currently flowing the market. They respond to the rising demand of new art that inspires and educates. They invite the viewer to think deeply and explore a new visionary realm. Our artists are messengers and healers. They express a state of consciousness that transcends a reality. Intuitive, they speak with their soul and push the boundaries commonly known of the art world. Their creative imagination rooted in their identity has preserved the authenticity of their art and freed them from the western norms. Fresh, elegant, avant-garde, colourful and mindful, their art has a unique voice. The quality and originality of their work reminds us Picasso, Dali, Basquiat, Bosch, Breton, or Bruegel the Elder. All are dedicated to an established and mature style and create masterpieces after masterpieces. All have the potential to be the art masters of tomorrow. They are permanently exhibiting in the UK.

AYITI Gallery is a brand name of THE smARTest PROJECT LTD, a certified social art enterprise founded in 2015 that initially supports (isolated) genius artists from Haiti to exhibit and sell their work to a global audience, live and thrive from their art. Over the years, we have pioneered with success the introduction of Haitian art in London. We have increased the visibility of our artists and the value of their art. We have revealed up-and-coming masters and highlighted the emergence of a new trend. We have shown that other form of creativity exist beyond the mainstreamed art. We have created a precedent that revealed a huge niche market for our artists, and furthermore for International Inspirational artists. The potential is significant and the supply of rare and fascinating art is endless. We are present in two thriving markets (African art and its diaspora; and Outsider art) which are triggering a breakthrough in the global art market encouraging collectors to invest now in our artists. We have a long-term vision that goes beyond Haiti, aiming to change the life of thousands through arts, and exploring new collaboration in and beyond the art world to further the vision of our artists and diffuse more Inspirational art in our daily life.

Despite their undeniable talent and their unique sense of creativity, an infinite number of International Artists have limited access to the International Art scene. Their geographic location, their economic situation, their anonymity, the absence of art education background, the nonconformity of their art and their disconnection with the art world isolate these artists from the main international art hubs. The art market has become somehow elitist and conservative. It favours artists who have sufficient financial means to show their work, artists who are able or are enough proactive to market themselves online and offline, artists who have pursued art studies, artists who follow trends and respond to the commercial demand of the market, or artists who live in western countries. It brings artists to compete with one another on an economic basis and rejects a vast majority of talented artists worldwide. It limits the endless variety and originality that International Artists could show to the world, it distorts the true meaning that originates from the creation of art, it narrows the notion of art itself influencing the regard, the taste and the decisions of the general public, and it promotes the duplication of art and artists. The art market has created a replicable business model that runs out of steam and seeks new inspiration. Art is more than a product. It’s a vision, the introspection of a soul, a universal language connecting cultures and individuals together. Art is an invitation to travel. We are meant to bring change and explore alternatives to nurture the infinite potential of International Art and the creative vision of Inspirational Artists.

▪ We believe in artists first

▪ We believe in art as an act of self-expression, with no rules, intuitive, expressive, initiatory, meaningful, and the inner soul as the main driving source of inspiration

▪ We believe in an art that inspires, instructs and provides emotions to people, that opens minds and mentalities, that influences practices and policies, that expresses a message, a feeling, a state of consciousness, that transcends a reality

▪ We believe in equal opportunities for all talented, creative and inspiring artists to show their work worldwide no matter their origin, their background, their status, their renown or their connection to the art world

▪ We believe that the renown of an artist be based on his/her talent, originality, creativity, the aesthetic of his/her work, the deepness and pureness of his/her inspiration

▪ We believe in new technologies to bring the vision of Inspirational Artists to life

▪ We believe in collaboration instead of competition, bringing in diversity into unity, encouraging the collective rather than the individual

▪ We believe in more Inspirational Art in our daily life to stimulate collective consciousness, taking art out of the traditional art premises.