Posts tagged with "Revolution"

The Struts illustration by Heather Skovlund for 360 Magazine

The Struts × New Tour Dates

THE STRUTS ANNOUNCE RESCHEDULED AND NEW DATES FOR ‘STRANGE DAYS ARE OVER TOUR’

The Struts have announced rescheduled, and newly added, headline dates for their “Strange Days Are Over Tour.”   Having to postpone the tour last year The Struts will kick off the newly routed tour on August 31st in St. Petersburg, FL at Jannus Live with new dates added including a night at New York City’s newly remodeled Irving Plaza.  Tickets for the new “Strange Days Are Over Tour” will go on sale to the general public on Friday, May 28 at 10am local. All rescheduled dates are on sale now.  Visit The Struts to purchase tickets.

The Struts will also be performing at the already announced Reading & Leads Festival this summer Bonnaroo in September and a handful of dates supporting Shinedown.  See below for a complete itinerary.

The Struts recently released a scorching version of “We Will Rock You,” the classic hit by Queen, and have unveiled a beautiful piano performance of the songwith lead singer Luke Spiller playing solo in an empty theatre. Watch the clip HERE. “We Will Rock You” follows The Struts’ recent collaboration with paris jackson on Low Key In Love” which was released last month along with a video directed by Bryson Roatch.

Below is a complete list of upcoming tour dates for The Struts:

Aug. 27  Leeds, UK  Leeds Festival
Aug. 29  Reading, UK  Reading Festival
Aug. 31  St. Petersburg, FL   Jannus live*- rescheduled
Sept. 1   Fort Lauderdale, FL  Revolution* – rescheduled
Sept. 3   Orlando, FL   The Beachum*- rescheduled
Sept. 4   Atlanta, GA   The Masquerade*- rescheduled
Sept. 5  Manchester, TN  Bonnaroo
Sept. 7  Richmond, VA  The National rescheduled
Sept. 9   Asbury Park, NJ   The Stone Pony*- rescheduled
Sept. 10  Philadelphia, PA  The Mann Center- NEW
Sept. 11  Port Chester, NY   The Capitol Theatre*- rescheduled
Sept. 12  Pittsburgh, PA   Stage AE –NEW
Sept. 14  Chicago, IL   Riviera Theater*- rescheduled
Sept. 15 South Bend, IN    Four Winds Field – w/Shinedown
Sept. 17 Milwaukee, WI   Summerfest  w/Shinedown
Sept. 19  Des Moines, IA    Vel Air Ballroom- NEW
Sept. 21  Kansas City, MO   Providence Medical Center Amphitheater w/Shinedown
Sept. 22  Lincoln, NE    Pinewood Bowl Theater w/Shinedown
Sept. 24   Oklahoma City, OK   Zoo Amphitheatre w/Shinedown
Sept 25   Irving, TX    The Pavilion at Toyota Music Factory w/Shinedown
Sept 26   Rogers, AR    Walmart Arkansas Music Pavilion w/Shinedown
Sept 28   Sugarland, TX    Smart Financial Centre w/Shinedown
Sept. 29  Austin, TX   Emos- NEW
Oct. 2   New Orleans, LA   HOB- NEW
Oct. 6   Cincinnati, OH    Ovation- NEW
Oct. 8   New York, NY    Irving Plaza – NEW

Formed in Derby, England, in 2012, The Struts have found themselves massively embraced by some of the greatest icons in rock-and-roll history. Along with opening for Foo Fighters, The Rolling Stones, The Who, and Guns N’ Roses, the UK-bred four-piece band was handpicked by Mötley Crüe to serve as the supporting act for their last-ever performances. Releasing their debut album Everybody Wants in 2016 and sophomore album YOUNG & DANGEROUS in 2018, they’ve toured incessantly since their formation, including worldwide headline shows and major festivals like Lollapalooza, Governors Ball, and Isle of Wight. When COVID-19 brought touring to a halt, The Struts created their third album Strange Days over the course of a charmed and frenzied burst of creativity last spring. After getting tested for COVID-19, the band moved into the L.A. home of producer Jon Levine and, within just ten days, laid down nine original tracks alongside their masterful cover of a KISS B-side.

For more information on The Struts, visit:

Instagram | Twitter | Facebook

Justice illustration

Global Though Leader on Ending Racism

George Floyd’s murder ignited a wave of national and global protests demanding justice and change, including police reform and reparations for Black Americans. Structural Racism is not exclusive to the United States. Racism is clearly a global problem.

In a new interview with C.M. Rubin, Michael Baran, the Co-Author of Subtle Acts of Exclusion, says communities “need to work to address structural inequalities in societies in health, wealth, education, and criminal injustice.” Baran believes that it is important to start talking about bias with preschool children. “If we don’t teach them about this, they will learn passively through all the subtle messages in our culture, which leads to unconscious biases.” Baran additionally advocates for more focus on training teachers to be inclusive, “as teachers can have unconscious biases as well.”

Michael Baran is the Senior Partner & Digital Solutions Lead in InQUEST. He is also the Co-Author of Subtle Acts of Exclusion: How to Understand, Identify, and Stop Microaggressions. As an Author, Speaker, and also a Strategist for Diversity, Equity, and Inclusion, Baran has been committed to conducting and organizing ethnographic research for varies social issues, including race and identity, racial disparities in education, violence against children, healthy housing, environmental health, human services, criminal justice reform, immigration reform, climate change, and early childhood development. CMRubinWorld’s award-winning series, The Global Search for Education, brings together distinguished thought leaders in education and innovation from around the world to explore the key learning issues faced by most nations. The series has become a highly visible platform for global discourse on 21st-century learning, offering a diverse range of innovative ideas which are presented by the series founder, C. M. Rubin, together with the world’s leading thinkers.

Allison Christensen, 360 Magazine, Vaughn Lowery

Roger Guenvuer Virtual Discussion

Immediately following a free coordinated Netflix screening of his Bessie Award-winning solo performance RODNEY KING, Roger Guenveur Smith will engage in conversation with Sarah Bellamy, Artistic Director of St. Paul’s Penumbra Theatre, where the play was produced in 2015, and Rohan Preston, lead theatre critic of the Minneapolis StarTribune.

Bellamy, Preston, and Smith will discuss theatre as an essential public service, and its historic and contemporary response to civic crisis. Smith has a longstanding alliance with Twin Cities institutions which also includes the Guthrie Theatre, the Walker Arts Center, Macalester College, and the Eastside Freedom Library.

Mr. Smith will address the impetus and continued influence of what Mr. Preston describes as a “mesmerizing” tour-de-force, directed for the screen by Mr. Smith’s longtime colleague Spike Lee. Calling King “the first reality tv star,” Smith recounts his savage videotaped beating by four LAPD officers in 1991, the murderous fracture of Los Angeles after the officers were found not guilty of assault charges in 1992, and King’s tragic navigation of notoriety which ended in 2012, when he drowned in his backyard swimming pool.

In commemoration of Eric Garner, killed in custody of the NYPD in 2014, and in eerie premonition of George Floyd, killed in custody of the Minneapolis Police Department in 2020, Smith appends their final words to King’s “Can We All Get Along” speech:

“I Can’t Breathe.”

Complimentary viewing courtesy of Netflix

MEET THE PANELISTS

SARAH BELLAMY

Artistic Director for Penumbra Theatre Company, St. Paul Minnesota.

ROHAN PRESTON

Writer and critic Rohan Preston has covered performing arts in the Twin Cities for the Star Tribune since 1998.

ROGER GUENVEUR SMITH

Award winning actor, writer, and director.

Juneteenth Black Creation Initiatives

Lately, significant venture funds and brands have made public statements signaling their support of the Black Lives Matter Movement.

This is a huge step forward, though it’s essential that our entire ecosystem of academics, researchers, technologists, professionals, executives, big tech CEO’s, founders, funds, philanthropists, and government back up their performative rhetoric with financial resources into the black tech, startup, and venture ecosystem to ensure scalable and sustainable racial equity.

Not diversity. Not inclusion. We’re striving for Equity. Racial equity.

Today, OHUB, ThePlug, Living Cities & Impact Networkare convening a Juneteenth 4.0 Celebration , 1 PM – 4 PM EDT. The online experience is a salute to Black America’s triumph over chattel slavery and a critical call to action.

The event is hosting 20+ thought-leaders like Techstars Cofounder Brad Feld, who will commemorate our huge announcements as detailed in the fact sheet here.

We invite you to attend our Juneteenth celebration and sincerely appreciate your consideration in covering our push for racial equity.

You can register to join us on Eventbrite here.

Event Key Takeaways + Announcements:

1. Techstars Co-Founder Brad Fled and Opportunity Hub’s Rodney Sampson are joining forces to create Equity. District, a racial equity-based ecosystem building initiative designed to create sustained diversity, equity & inclusion throughout startup communities everywhere. Brad is also joining the board of OHUB, making a starting six-figure donation to the OHUB Foundation and has committed to funding at least two more Black lead ecosystem building organizations recommended by OHUB.

2. Brad and Rodney are asking the leaders of organizations throughout the ecosystem that are serious about learning and creating racial equity to sign their new #racialequityecosystempledge

3. Leif, the ISA Management Platform, is joining forces with OHUB’s Future School to launch the first racial equity-focused Income Share Agreement (“ISA”) financing vehicle. OHUB and a group of allies, investors, policymakers, philanthropists, and ecosystem builders will announce over $50 million in starting #racialequity pledges across its early exposure, skills, jobs, startups, and capital work.

4. Tim Draper’s LA-based blockchain venture studio, Draper Goren Holm, is creating the “Blacks On The Blockchain” Initiative with OHUB and allocating $1 million in Bitcoin and 10,000 free passes to its LA Blockchain Summit for members of the Black community to acquire their first digital currency and attend a top industry conference where they will learn from and interact with the industry’s top leaders.

5. OHUB is partnering with The Impact Network to repackage and syndicate its 7-year library of exclusive fireside chats & panels, large scale events and OHUB365 classes and webinars that feature leading subject matter experts in edge technology, skills of the future, in-demand career pathways, startup entrepreneurship, investment and wealth creation. Broadcasting in over 88 million homes,

Impact endeavors to be the foremost innovative, inspirational network both locally and abroad.

6. OHUB and Sherrell Dorsey’s The Plug are also joining forces to amplify discounted versions of their respective subscriptions and memberships to the Black community, allies, and beyond.

7. OHUB is partnering with HBCU Startups and Parkway Media Group to launch the #billiondollarwealthchallenge, a new ecosystem building initiative designed to create a community of 1 million Black people committed to generating billions in new income, shared prosperity and new multi-generational wealth by intentionally entering the technology, startup & venture ecosystem workforce, startup, and the investment community at all upwardly mobile levels and roles.

Instrument illustration by Ivory Rowen for 360 Magazine

WQXR Music For Juneteenth

In honor of Juneteenth, WQXR is devoting the entire day to spotlighting the work of Black composers and performers from around the globe with an all-day tribute “Music for Juneteenth: A Celebration of Black Classical Artistry.

Juneteenth is celebrated annually on June 19 and commemorates the date in 1865 when the Emancipation Proclamation was finally enforced by Union officials in the state of Texas, over two years after the Proclamation was issued. Also known as Freedom Day, it is now widely celebrated as the anniversary of the abolition of slavery in the United States.

Over the course of 24 hours — from midnight to midnight — WQXR will showcase the talent, work, and voices of Black musicians. The day’s playlist includes over 150 pieces of music, featuring more than 40 Black composers and over 60 Black soloists and conductors.

Highlights include powerful symphonies by Florence Price, William Grant Still, and William Dawson; the Violin Concerto in F-Sharp Minor by Jose White, a virtuoso who performed with the New York Philharmonic in the 1870s; uplifting choral music by Margaret Bonds and Robert Nathaniel Dett; ragtime favorites by Scott Joplin; living composers like Adolphus Hailstork, Jessie Montgomery, Valerie Coleman, Daniel Kidane, and Nkeiru Okoye; performances by legendary singers such as Marian Anderson, Paul Robeson, Jessye Norman, and Leontyne Price; as well as great artists on the concert scene today including Wynton Marsalis, Lara Downes, Anthony McGill, and Sheku Kanneh-Mason, plus emerging stars.

At 7pm, WQXR will break its music-only format to present a special conversation about race and diversity in classical music. WQXR’s Terrance McKnight will host “The Black Experience in the Concert Hall,” a live two-hour program and discussion with listener call-ins and guests including:

  • Martina Arroyo, legendary soprano and founder of the Martina Arroyo Foundation
  • Wynton Marsalis, virtuoso trumpeter and Artistic Director of Jazz at Lincoln Center
  • Khalil Gibran Muhammad, professor of History, Race, and Public Policy at Harvard Kennedy School and author of The Condemnation of Blackness
  • Jesse Rosen, President and CEO of the League of American Orchestras
  • Alvin Singleton, composer
  • Chelsea Daniel, pianist
  • Greg Sandow, music critic and composer

“Classical musicians of African descent have existed on the margins of obscurity for centuries — in the classroom, the concert hall, the record industry, and on the radio,” said Terrance McKnight, WQXR’s Evening Host. “This underrepresentation is what brought me to work in public radio, and this 24-hour Juneteenth marathon is something I’ve looked forward to my entire radio career. I’m excited to share the work of these artists in a concentrated way, on Juneteenth and beyond.”

“We are honored to mark Juneteenth with a showcase of the work of Black performers and composers, many of whom have long been excluded from the canon,” said Matt Abramovitz, Vice President, WQXR. “And while a call-in show is an unprecedented break with our usual all-music format, a discussion of race and classical music is the conversation we need to have right now, and WQXR has the platform and mandate to host it. We hope listeners will join us for this day of celebration and reflection.”

“Music for Juneteenth: A Celebration of Black Classical Artistry” airs all day beginning at 12:01am June 19 on WQXR 105.9 FM and will stream online at WQXR.org.

ABOUT WQXR

WQXR is New York City’s only all-classical music station, immersing listeners in the city’s rich musical life on-air at 105.9FM, online at WQXR.org and in the real world via live events and broadcasts. WQXR presents new and landmark classical recordings as well as live concerts from Carnegie Hall and the New York Philharmonic, and broadcasts essential destination programs including New York Philharmonic This Week and Young Artists Showcase. WQXR is also the co-producer—along with the Metropolitan Opera—of the critically-acclaimed podcast Aria Code, hailed by The New Yorker as “illuminating …accessible…immediately pleasurable.” As a public radio station, WQXR is supported through the generosity of its members, donors and sponsors, making classical music relevant, accessible and inspiring for all.

Save Journalism Project Launches To Protect Our Press From Big Tech

BuzzFeed Reports on Recently Laid Off Journalists Serving  As Spox For New Campaign To Save Journalism From Monopolistic Power of Big Tech Companies

Today, BuzzFeed reports on the Save Journalism Project that’s launching to raise awareness and engagement about the critical need to save journalism as it faces an existential threat—the monopolistic power of big tech companies like Google, Facebook, and Apple destroying the economic model of the entire journalism industry, whether its traditional circulation newspapers or digital news outlets. At the same time, Google and Facebook have made acquisition after acquisition, gaining a monopolistic position that lets them dominate the digital advertising marketplace and distribute massive amounts of content from news publishers on their platforms without paying to produce the content. Just now are Facebook, Google, and other tech giants facing federal government and Congressional antitrust scrutiny.

Two recently laid off reporters will serve as spokespeople for the Save Journalism Project, Laura Bassett  and John StantonLearn More and Join the Fight at SaveJournalism.org and@SaveTheNews.

BuzzFeed: These Reporters Lost Their Jobs. Now They’re Fighting Back Against Big Tech.

“John Stanton and Laura Bassett are warning about what they believe the tech industry is doing to journalism, as thousands have lost their jobs this year alone.

By Rosie Gray”

Two prominent reporters who were recently laid off from digital media outlets are forming a new advocacy group formed to raise awareness about big tech’s impact on the journalism industry.

John Stanton, a longtime congressional correspondent and former BuzzFeed News Washington bureau chief, and Laura Bassett, a former culture and political reporter for nearly 10 years at the Huffington Post, have teamed up to launch a new initiative called the Save Journalism Project. The two have first-hand experience with the troubled state of the news industry: Stanton was laid off from BuzzFeed News during a round of layoffs that affected 200 people company-wide this winter and spurred a unionization drive among the news staff. Bassett lost her job in similar fashion in January after Huffington Post laid off 20 employees as part of larger cuts at its parent company, Verizon Media.

This year has been one of the worst in recent memory for journalism jobs. Across the industry, thousands have lost their jobs: from BuzzFeed News, Vice, CNN, and others across the country at local publications. Media organizations have been imperiled by crashing advertising revenues as Facebook and Google vacuum up available ad dollars.

Their new project will be set up as a nonprofit, according to Eddie Vale, a Democratic consultant whose firm is providing the man-power to launch the effort. Vale pitched Bassett on the idea, and the two of them brought in Stanton. Vale said initial funding had been secured from “someone who doesn’t want to be public so Google and Facebook don’t go after them,” and the group plans to continue to fundraise. So far, the pair have co-authored testimony given to the Senate Judiciary Committee highlighting the tech giants’ impact on the news industry — “since being laid off, we’ve made it our mission to understand how the digital marketplace works and how Big Tech is killing the journalism industry,” they wrote — flown a plane above Google’s I/O conference, and authored op-eds.

A key part of their goal is to get journalists, who aren’t known for showing a keen interest in the business side of their publications or for engaging in advocacy themselves, to take an active role in defending the future of their jobs. In an interview, Stanton said they were “trying to educate the public and members of Congress and also start encouraging our colleagues to speak up.”

“Reporters are not generally super interested in speaking about their own problems and about things that affect them directly because they feel like it becomes a conflict of interest, and in certain ways that’s true,” Stanton said. “But when the future of the free press is being pretty seriously endangered by something, I think it’s incumbent upon us to stand up for ourselves.”

Like many reporters, Bassett said she had “never really had to pay attention to the financial side of journalism.”

But “after getting laid off, I started to become really interested in why all of these amazing news publishers were sort of going under, having to lay off staff, why we were losing local newspapers. It’s a tragedy, it’s really bad for democracy.”

Their effort comes at a time of increased scrutiny of the tech industry on the part of the federal government as well as Congress as public concern mounts over repeated privacy scandals, technology companies’ role in spreading misinformation, and their dominance over certain industries. The Justice Department and the Federal Trade Commission reportedly made a deal to divide potential antitrust investigations between them; Apple and Google will fall under the purview of the DOJ, while the FTC took Facebook and Amazon. The House Judiciary Committee announced it would “conduct a top-to-bottom review of the market power held by giant tech platforms.”

The Save Journalism Project’s founders are hoping to steer the public conversation around the negative effects of Big Tech towards its impact on journalism.

Stanton, who lives in New Orleans, mentioned examples like that city’s local paper, the Times-Picayune, which laid off its entire staff last month. Around the country, Stanton said, “local reporters are so overtaxed. They’re doing as good a job as they can but there’s not enough of them.”

At the moment, Stanton and Bassett are more focused on warning the public and the industry about the issue than on proposing solutions.

“I do think that everyone is starting to see a need to break up and regulate these companies or something along those lines,” Bassett said. “And with regards to how they’re going to make journalism viable again, I don’t frankly know…I think right now we’re starting with just getting this conversation out into the public and making people aware of exactly what’s going on. I do hope at some point we graduate into saying, ‘here’s a list of policy proposals, here’s exactly what needs to happen.'”

Stanton and Bassett plan to interview elected officials, candidates and colleagues in the media about the industry’s crisis, and started with conducting on-camera interviews with Reps. Mark DeSaulnier and Ruben Gallego. They plan to circulate a letter with which media companies can sign on to their cause. And their first official event will be at the annual Congressional Baseball Game, where they plan to distribute a physical newspaper laying out the problems on their agenda.

“The DC press corps is a really powerful constituency within our industry,” Stanton said. “If we can get our colleagues [there] to start talking about this it will help more broadly.”

PBS Breakthrough “The Airplane”

The amazing story of how humans changed the world, told through six revolutionary inventions.

 

EPISODE 2 (BREI #102): THE AIRPLANE

Premiere Date: Wednesday, April 24, 10-11 p.m. ET

Take to the sky with those who inspired the Wright brothers to invent the first successful airplane.

 

PBS, the preeminent go-to destination for engaging, enlightening and entertaining programming, brings viewers a mind-blowing, science-led journey through human history with its new weekly series, BREAKTHROUGH: THE IDEAS THAT CHANGED THE WORLD. Told through six iconic objects that modern people take for granted, the six-part series shows how science invention and technology built on one another to change everything.

 

On Wednesday, April 24 at 10-11 p.m. ET, tune into the premiere of the series’ second episode, “The Airplane,” to take to the sky with those who inspired the Wright brothers to invent the first successful airplane. From Leonardo da Vinci’s “flying machines” to the modern commercial plane, without these inventions, we may have never left the ground. The airplane is the machine that gave us our greatest superpower – the ability to fly. The journey to successful flight is a story full of passion, danger and death, and this episode showcases the revolutionaries and visionaries who made it possible to leave the ground.

Featured Visionaries:

     Abba Ibn Firnas, Moorish/Islamic Scholar & World’s First Pilot (He was a polymath – an inventor, engineer, aviator, physician, Arabic poet and Andalusian musician.)

     Leonardo da Vinci, Italian Polymath of the Renaissance (One of the greatest painters of all time; called father of architecture; also credited with the inventions of the parachute and helicopter.)

     Sir George Cayley, British Inventor & Scientist (Pioneer of aerial navigation and aeronautical engineering, and designer of the first successful glider to carry a human being.)

     Alphonse Penaud, French Aeronautical Inventor & Engineer (Father of Flying Models and creator of the Planophore.)

     Otto Lilienthal, German Pioneer of Aviation, Aeronautical Engineer (Known as the “Flying Man,” for becoming the first person to make successful, documented flights with gliders.)  

     Wilbur & Orville Wright, American Inventors & Pioneers of Aviation (Creators of the world’s first successful flying airplane.)

     Wiley Post, American Pilot (First pilot to fly solo around the world, helped develop one of the first pressure suits and discovered the jet stream.)

     Frank Whittle, British Royal Air Force Officer/Aviator (Inventor of the Jet Engine.)

 

On-Camera Experts:

     Brandon Mikesell, Wingsuit Flyer

     Dr. Shini Somara, Fluid Dynamicist

     Dr. David Lentink, Assistant Professor of Mechanical Engineering, Stanford University

     Tiera Fletcher, Aeronautical, Rocket Structural Design & Analysis Engineer, Boeing

     Bruce Weaver, Gliding Instructor

     Jim Al-Khalili, Professor of Theoretical Physics University of Surrey

     Lt. Col. Ross Franquemont, U2 Pilot

     Maj. Dana Thomas, Operation Physiologist

     Richard Browning, English Inventor, Entrepreneur & Speaker

 

“BREAKTHROUGH: THE IDEAS THAT CHANGED THE WORLD” is a six-part series documenting how humans changed the world forever. Taking viewers through a mind-blowing journey through human history, the series is told through six iconic objects that modern people take for granted. Each object – the telescope, airplane, robot, car, rocket and smart phone – is the culmination of a long-held human dream to explore, communicate and find one’s place in the universe.

Through incredible, lesser-known stories of familiar history, BREAKTHROUGH captures the secrets of the modern world through surprising accidents, colorful characters, joy and despair.  Often stretching to the beginning of human civilization itself, each hour-long episode shares thousands of years of thought, struggle, determination and insight. Featuring passionate visionaries who faced triumphs and challenges – ridicule, poverty and in some cases, death – these revolutionary individuals advanced humankind with breakthrough after breakthrough. The series reveals how science, invention and technology built on one another to change everything – a process that continues to this very day.

A new episode of BREAKTHROUGH: THE IDEAS THAT CHANGED THE WORLD debuts every Wednesday at 10:00-11:00 p.m. ET on PBS, PBS.org and the PBS Video App (check local listings).

BREAKTHROUGH: THE IDEAS THAT CHANGED THE WORLD is available for streaming simultaneously on all station-branded PBS platforms, including PBS.org and the PBS Video App, available on iOS, Android, Roku, Apple TV, Amazon Fire TV and Chromecast. PBS station members will be available to view all episodes via Passport (contact your local PBS station for details). Beginning July 9, 2019,  the series will be available on DVD and via digital download from PBS Distribution at shopPBS.org.

BREAKTHROUGH: THE IDEAS THAT CHANGED THE WORLD is a production of BIGGER BANG COMMUNICATIONS, LTD. The executive producers are Ben Bowie and Iain Riddick, and the series producer is Tim Green. The series is narrated by Patrick Stewart.

 

ABOUT PBS

 

PBS, with nearly 350 member stations, offers all Americans the opportunity to explore new ideas and new worlds through television and digital content. Each month, PBS reaches over 90 million people through television and 30 million people online, inviting them to experience the worlds of science, history, nature and public affairs; to hear diverse viewpoints; and to take front row seats to world-class drama and performances. PBS’ broad array of programs has been consistently honored by the industry’s most coveted award competitions. Teachers of children from pre-K through 12th grade turn to PBS for digital content and services that help bring classroom lessons to life. Decades of research confirms that PBS’ premier children’s media service, PBS KIDS, helps children build critical literacy, math and social-emotional skills, enabling them to find success in school and life. Delivered through member stations, PBS KIDS offers high-quality educational content on TV – including a 24/7 channel, online at pbskids.org, via an array of mobile apps and in communities across America. More information about PBS is available at www.pbs.org, one of the leading dot-org websites on the internet, or by following PBS on TwitterFacebook or through our apps for mobile and connected devices. Specific program information and updates for press are available at pbs.org/pressroom or by following PBS Pressroom on Twitter.

– PBS –

CONTACTS:

Brandii M. Toby-Leon, Bullseye Communications, 865-963-2418; brandii.leon@bullseycomm.com

Atiya N. Frederick, PBS, 703-739-5147; anfrederick@pbs.org

The Score Return with New Single “Stronger”

Rounding out a breakout, LA rock band The ScoreEddie Anthony and Edan Dover–unveil their new single “Stronger” via Republic Records. Get it here!

The Score siphoned a spirit of urgency into this forthcoming body of work. Inspired by rap-adjacent artists a la Post Malone and K. Flay, they amassed a growing arsenal of analog synths to “get away from the riff-based and stomp-clap organic drum sound and move to an evolving sound where the drum machines, synthesizers, and guitars worked together.”

Writing at a Hollywood and Vine spot, they joined forces with a bevy of high-profile collaborators, JT Daly, The Heavy, Adam Hawkins, and Dave Bassett and shocked that vision to life.

The song comes right in the middle of their Revolution Tour where they’ll be making stops are Brooklyn’s Rough Trade on September 25th and Los Angeles’ The Moroccan Lounge on October 18th, See full tour dates here.

The band stands out as a fiery genre-defying phenomenon, incinerating the lines between rock, pop, indie, and electronic. Powered by ubiquitous anthems such as “Oh My Love,” “Legend,” and “Unstoppable,” the boys racked up 600 million cumulative streams within three years’ time over the course of two EPs–Unstoppable and Myths & Legends.

As they ignited venues across North America, in addition their music has been used in campaigns for Jeep, NBA, and beyond.

MIRANDA LAMBERT x RECORD-BREAKING MEGASTAR

Miranda Lambert made country music history following the 53rd Annual Academy of Country Music Awards in Las Vegas on Sunday, April 15th. The country mega-star now stands as the most decorated artist in ACM history with a collective 32 career wins. Lambert won three awards during Sunday’s show including her ninth consecutive “Female Vocalist of the Year” award and two for “Song of the Year” for her emotionally-raw hit “Tin Man” (songwriter and performer) from her Platinum double-album The Weight of These Wings.

 

“I cannot believe this, I really can’t,” Lambert said. “I love country music. It’s my entire life, and the fact that you all care so much about what I’m doing, I’ll never take it for granted.”

 

Lambert also stunned in the performance of her newest single, “Keeper of the Flame,” which hits radio on April 30th. The single is her latest from the powerhouse double-album, The Weight of These Wings.

 

This summer, Lambert alongside award-winning group Little Big Town, will be hitting the road in their co-headlining, The Bandwagon Tour, which kicks off on July 12th in Charlotte, NC. The tour will travel along the U.S. Atlantic seaboard, Southeast and Midwest regions.

 

Live Nation is the national tour promoter for The Bandwagon Tour and please visit MirandaLambert.com and LittleBigTown.com for more information on show dates and ticketing.

 

 

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I-PACE SUV REVEALED

Today, the Jaguar I-PACE, the first all-electric production vehicle from the Jaguar brand, has been unveiled to the world in a live webcast. Clean, smart and offering a wealth of driver assistance features, the Jaguar I-PACE delivers sports car performance, artificial intelligence (AI) enabled technologies and five-seat SUV practicality.

British comedian and actor, Jack Whitehall, self-proclaimed EV enthusiast and TV presenter Jonny Smith and American tech guru iJustine, hosted a special live show as the first I-PACE rolled off the production line in at the Jaguar Land Rover manufacturing facility in Graz, Austria, where the car will be built.

When it came to explaining the technology behind I-PACE, host comedian Jack Whitehall enlisted the help of the Jaguar brand’s newest vehicle experts, nine year olds Lola and Hudson.

A documentary, titled ‘Fully Charged’ aired at the end of the webcast, giving a behind-the-scenes insight into the creators of the Jaguar I-PACE.

Designed and engineered in the UK, the I-PACE will be built in Graz, Austria, as part of Jaguar Land Rover’s manufacturing partnership with Magna Steyr. It joins the growing family of Jaguar SUVs, alongside the all-new E-PACE and multiple award-winning F-PACE.

“We set out with a clean sheet approach to harness new battery electric technology with an architecture engineered from the outset to optimize EV performance, aerodynamics and interior space. The result is the I-PACE – a true Jaguar and a truly driver-focused EV,” said Ian Hoban, Jaguar Vehicle Line Director.

ELECTRIC

With a 432 pouch cell, 90kWh, lithium-ion battery pack, the I-PACE delivers an estimated range of 240 miles2. Owners will be able to achieve a 0-80 percent battery charge in around 40 minutes using publicly available 100kW DC rapid charging facilities3. Home charging with a 230V/32A AC wall box (7kW) will achieve the same state of charge (0-80 percent) in just over ten hours – ideal for overnight charging3.

A suite of smart range-optimizing technologies includes a battery pre-conditioning system which allows the vehicle to warm or cool its battery, and cabin, to an optimal temperature while plugged in to power. By allowing the vehicle to do this while still connected to power, the system reduces the need for the vehicle to tap into its driving range to reach optimal operating temperature.

PERFORMANCE

Two Jaguar-designed concentric electric motors – which feature driveshafts passing through the motors themselves for compactness – are placed at each axle, producing exceptional performance and all-wheel drive, multi-surface traction.

The high torque density and high-energy efficiency characteristics of the motors combine to deliver sports car performance, launching the I-PACE from a standing start to 60mph in 4.5 seconds1. This instantaneous performance is matched with exceptional ride comfort and engaging driving dynamics Jaguar customers have come to expect.

The aluminum architecture uses advanced riveting and bonding technology to deliver a light, stiff body structure. Together with the structural battery pack, it has a torsional rigidity of 36kNm/degree – the highest of any current Jaguar vehicle.

The battery is placed centrally between the two axles, and as low as possible with a seal between the housing and the underfloor. This location enables a 50:50 weight distribution and a low center of gravity. Together with the advanced double wishbone front and an Integral Link rear suspension with standard Active Air Suspension and optional configurable Adaptive Dynamics, this packaging delivers agile handling and outstanding ride comfort.

 

DESIGN

The Jaguar I-PACE is designed and engineered to take full advantage of its smart electric powertrain, maximizing the potential of packaging benefits EVs inherently bring.

Its sleek, coupe-like silhouette was influenced by the Jaguar C-X75 supercar concept; drawing inspiration for its short, low hood, aero-enhanced roof design and curved rear window from the concept. This cab-forward design contrasts with its squared-off rear, helping reduce the coefficient of drag to just 0.29Cd. To optimize the balance between cooling and aerodynamics, the I-PACE relies on Active Vanes in the grille which open when cooling is required and close when not needed; redirecting air through the integral hood scoop, further smoothing airflow around the vehicle.

Inside, customers will experience a spacious cabin highlighted by the Jaguar brand’s exquisite attention to detail and sophisticated materials – including the option of a premium textile Kvadrat interior.

Although classed as a mid-sized SUV by its physical footprint, the cab forward design and packaging of the EV powertrain mean the I-PACE offers interior space comparable to a larger vehicle. The I-PACE affords a rear legroom space of 35.0-in (890mm) and a useful 0.43- cu. ft. (12.3-liter) central storage compartment in a space that would ordinarily by occupied by a transmission tunnel in a conventional internal combustion engine (ICE) vehicle. Also in the rear, tablet and laptop storage can be found beneath the seats; while the rear luggage compartment behind those seats offers a 25.3 cu. ft. capacity, a generous 51.0 cu. ft. is available with the second row seats folded flat.

CONNECTED-CAR TECHNOLOGY

The Jaguar I-PACE introduces the Jaguar InControl® Touch Pro Duo™ infotainment system to Jaguar. First debuting on the Range Rover Velar and later on the 2018 Range Rover and Range Rover Sport, Touch Pro Duo relies on a pair of innovative touchscreens which work in conjunction with capacitive sensors and tactile physical controls, to make the new system intuitive to use6.

A new EV navigation system built into Touch Pro Duo calculates personalized range and charging status to assist with driver confidence. To gather this data, the Touch Pro Duo system analyzes the topography of the selected route to the destination and aggregates that information with insights from previous journeys, including individual driving styles.

The advanced system uses ‘Smart Settings’ technology – driven by Artificial Intelligence (AI) algorithms – to identify individual driver preferences, and then tailors the vehicle’s driving and interior settings accordingly.

The I-PACE will also launch an Amazon Alexa Skill linked to the Jaguar InControl Remote App. Owners will be able to ask an Alexa-enabled device for information such as “Is my car locked?,” “What is the charging level?,” and “Do I have enough range to get to work?” among other things.

To ensure customers always have access to the latest infotainment, telematics and battery energy control software, the I-PACE will also be the first Jaguar to provide Software-Over-The-Air (SOTA) updates.

 

In the U.S. the I-PACE will be available in the second half of 2018.