Posts tagged with "Buzzfeed"

Lyn Lapid - In My Mind photo credit by Nicole Hajjar use by 360 Magazine

Lyn Lapid – In My Mind

LYN LAPID RELEASES VIDEO FOR FAN-FAVORITE SINGLE “IN MY MIND”

WATCH HERE

After amassing over 4 million song views and 1 million likes on TikTok before officially releasing the song, singer and songwriter Lyn Lapid drops the video for her latest single, “In My Mind”—watch HERE!

On making the video, Lyn says, “I knew from the start that I wanted the video to center around the many things that run through my mind, and so what better way than to focus on the concept of daydreaming? The entire video focuses on me working at a mundane office job, trying not to doze off while I get the paperwork done. Then suddenly you see me go on a rampage, chuck office supplies everywhere, and maybe swing a bat once or twice at my stingy mannequin boss. The catch is that whatever you see when I’m not typing my life away at my computer is all a daydream. It was exhilarating being able to destroy the office space in my little rampage moment, I think it was the first time someone ever told me to let loose and make a mess. I loved working with everyone on set, and one of the best parts was all of the snacks there. Eliot Lee is super talented, and he did a fantastic job bringing my initial vision for the video to life.”

Dedicated to the “‘quiet kids’ such as [herself]”, Lyn first teased “In My Mind” on TikTok a week before it was released, and the video quickly garnered over 3 million views in just a few days with her fans lovingly dubbing the song the “quiet kids song.” “In My Mind” has already amassed over 1 million streams in just a few weeks, and not to mention, it has been praised by ConsequenceSPINAtwood Magazine, and more, with HYPEBAE proclaiming, “Lapid’s soothing vocals seamlessly blend with the airy notes of the guitar,” and Ones To Watch praising her as “a fearless and irrefutable voice of Gen Z.”

Lyn says, “I wrote ‘In My Mind’ about my experience growing up as the ‘quiet kid.’ People would always tell me how I never talked at all and how quiet I was. Well, they weren’t wrong, I kept to myself all throughout school, even when I hung out with my friends. I remember when I sang for my school’s talent show for the first time, one of my classmates went up to me afterward and was like, ‘You know I was surprised when you walked on stage, you hardly ever talk. I thought you were gonna suck. But you actually didn’t!’…I’m not sure how you would respond to that honestly. I also wrote about what runs through my mind, and how if people knew what I was actually thinking, they’d be thankful that I kept to myself.”

“In My Mind” arrives during a breakout year for Lyn Lapid – she released her first three singles, “Producer Man,” “Itsy Bitsy,” and “Infinite,” received co-signs from Billie Eilish, BTS’ Jungkook, Sabrina Carpenter, and more amassed over 72 million global streams to date, and been praised by the likes of Rolling StoneBuzzfeedE! OnlineRefinery29HYPEBAEIdolator, and others. With more music on the way, Lyn has affirmed herself as a star on the rise for 2021.

In My Mind Artwork from Nicole Hajjar, Republic Records, for use by 360 Magazine

LYN LAPID FAN FAVORITE SINGLE – IN MY MIND

After amassing over 4 million song views and 1 million likes on TikTok before officially releasing the song, singer and songwriter Lyn Lapid delivers her new fan favorite single “In My Mind”—listen here!

Dedicated to the “‘quiet kids’ such as [herself]”, Lyn first teased “In My Mind” on TikTok in August, and the video quickly garnered over 3 million views in just a few days with her fans lovingly dubbing the song the “quiet kids song.” “In My Mind” hinges on a jazz-y groove as Lyn adopts a fittingly smoky delivery. Her voice wraps around airy guitar and a steady beat, as it builds towards a swooning refrain and she reveals, “People say I’m quiet most of the time, If only you knew what goes on in my mind.” Once again, Lyn’s dynamic vocals and sharp songwriting instantly enchant listeners.

Lyn says, “I wrote ‘In My Mind’ about my experience growing up as the ‘quiet kid.’ People would always tell me how I never talked at all and how quiet I was. Well, they weren’t wrong, I kept to myself all throughout school, even when I hung out with my friends. I remember when I sang for my school’s talent show for the first time, one of my classmates went up to me afterwards and was like, ‘You know I was surprised when you walked on stage, you hardly ever talk. I thought you were gonna suck. But you actually didn’t!’ …I’m not sure how you would respond to that honestly. I also wrote about what runs through my mind, and how if people knew what I was actually thinking, they’d be thankful that I kept to myself.”

“In My Mind” arrives during a breakout year for Lyn Lapid – she released her first three singles, “Producer Man,” “Itsy Bitsy,” and “Infinite,” received co-signs from Billie Eilish, BTS’ Jungkook, Sabrina Carpenter, and more, amassed over 72 million global streams to date, and been praised by the likes of Rolling Stone, Buzzfeed, E! Online, Refinery29, HYPEBAE, Idolator, and others. With more music on the way, Lyn has affirmed herself as a star on the rise for 2021.

About Lyn Lapid
A classically trained musician, unpredictable vocal dynamo, and fearless genre-breaker, Lyn Lapid asserts herself as an individual through and through. At 18-years-old, the singer, songwriter, multi-instrumentalist, and member of vocal collective EARCANDY has unassumingly emerged as an unapologetic and undeniable voice for her generation. In 2018, Lyn posted a ukulele and vocal cover of “Best Part” by Daniel Caesar and H.E.R. on YouTube. She went on to deliver D.I.Y. YouTube renditions of everyone from Ariana Grande and Sabrina Claudio to Edith Piaf and Sarah McLachlan, amassing 40 million-plus views and counting on her channel. In late 2019, Lyn launched her TikTok page, building an audience of over 4 million followers at a rapid pace. Meanwhile, a snippet of her first original, “Producer Man,” exploded. Produced by Dan Nigro [Olivia Rodrigo, Conan Gray, Carly Rae Jepsen, Lewis Capaldi, Sky Ferreira, Empress Of], the song has gathered over 70 million views and 8 million likes thus far and emerged as “the most-viewed unreleased demo on a TikTok video in 2020.”

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

CLAIRE ROSINKRANZ "6 In a Billion" EP imagefrom Republic Records Media via Danielle Gonzalez at Universal Music Group

CLAIRE ROSINKRANZ – 6 OF A BILLION

GEN Z POP PHENOM CLAIRE ROSINKRANZ RELEASES NEW EP: 6 OF A BILLION

LISTEN TO 6 OF A BILLION HERE

“”Remi Wolf and Benee fans, take note of TikTok breakout Claire Rosinkranz, who will surely be your next favorite.” – Billboard

“2020 may have been a banner year for Rosinkranz, but it’s a culmination of the work she’s put into her craft.” – American Songwriter

After building anticipation for its arrival, Gen Z singer-songwriter Claire Rosinkranz releases her anxiously awaited sophomore EP, 6 Of A Billion, today via slowplay/Republic Records.

Listen to 6 Of A BillionHERE.

She heralded the project with her most recent single “Boy In A Billion.” In a week, it has already amassed over 1 million total streams. Attracting critical praise, The Honey Pop fittingly described Claire as “what’s next in pop music.” In addition to plugs from DORK and more, Clash raved the track “underlines her alt-pop prowess.” The project also boasts “Frankenstein,” which has reeled in 6 million streams and counting.

The EP could double as the ultimate Gen Z teen flick with the star as its narrator. The opener “Hotel” glides on a bouncy beat wrapped in sunny guitar as she details the art of sneaking out (without getting caught) and promises, “One day I’ll write a story that’ll sit on a shelf about partying with my friends at some random hotel.” On the opening track, Claire says, “I wrote this song about the feeling of sneaking out, partying with friends, driving fast and eating pasta.”

Her voice seesaws over a sparse riff on “Pretty Little Things” as she laments with a soft croon, “All these pretty little things in life we have to learn to ignore. Everything culminates on the jazz-y feels of “LAX.” Her powerful delivery echoes in tandem with a bold horn section on one last crescendo.

Check out the full tracklisting below.

Claire definitely asserts herself as one of a billion and a new kind of pop outlier! Stay tuned for more soon.

6 Of A Billion Tracklist

  1. Hotel
  2. Pretty Little Things
  3. Boy In A Billion
  4. Fall Apart
  5. Frankenstein
  6. LAX

ABOUT CLAIRE ROSINKRANZ

Southern California singer, songwriter, ballerina, and multi-instrumentalist Claire Rosinkranz grafts the Gen-Z coming-of-age experience onto quirky D.I.Y. soundscapes often cooked up by her dad in the garage. Within a year, the 17-year-old phenomenon has eclipsed over half-a-billion total streams and received widespread acclaim courtesy of Rolling StoneVarietyCoup de MainBuzzfeedGenius, and more. OnesToWatch championed her as one of its “Top Artists To Watch in 2021, while New York Times and Billboard named her breakout anthem “Backyard Boy” among “The Best Songs of 2020. Speaking of “Backyard Boy,” it inspired over 3 million TikTok videos and fueled the trailer for Amazon’s The Map of Tiny Perfect Things. Along the way, she collaborated with the likes of Jeremy Zucker, Role Model, and Clinton Kane and earned the support of Olivia Rodrigo, Tai Verdes, Lexi Jayde, and 347aidan. Now, she presents an unfiltered perspective on being a teen through her 2021 sophomore EP introduced by the lead single “Frankenstein.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Boy in a Billion album art via Republic Records for use by 360 Magazine

Claire Rosinkranz × Boy in a Billion

Gen Z pop phenomenon Claire Rosinkranz dropped her new single Boy in a Billion.

Gearing up for a big summer, Gen Z singer-songwriter Claire Rosinkranz is back with a brand-new single entitled Boy In A Billion today via slowplay/Republic Records. It paves the way for her anxiously awaited sophomore EP, 6 Of A Billion, set for release on July 9. Be on the lookout for the music video soon!

Even before the song officially dropped, it had already stirred up widespread buzz online. A TikTok of Claire writing Boy In A Billion raked in over 4 million views. She didn’t stop there though. Welcoming her followers into the creative process, countless fans witnessed the recording of the song on Claire’s social media accounts.

On the track, the bass thumps as her vocals glide over finger-snaps and slick guitar wrapped in warbling synths. She details a priceless love with clever verses and a hummable hook carried by her dynamic vocal delivery.

Claire’s most recent single, Frankenstein, has already been streamed more than 5 million times in less than a month. Additionally, she attracted acclaim from various outlets, including Dork and The Honey Pop who raved, “Our jaws are on the floor at the growing potential and stardom of Claire!”

“Frankenstein” marked Claire’s first collaboration – with M-phases, Chelsea Lena, & artist Lexi Jayde.  Another quirky and catchy bop, cowbell holds down the guitar-laden beat as Claire adds her own 21st-century spin to the song inspired by The Cardigans’ classic 90’s hit “Lovefool.”  She immediately shocks pop back to life with the hook, “Guess, I gotta build my Frankenstein.

Claire continues to receive rave reviews from tastemakers in the media. Billboard says, “Remi Wolf and Benee fans, take note of TikTok breakout Claire Rosinkranz, who will surely be your next favorite.” American Songwriter remarked, “2020 may have been a banner year for Rosinkranz, but it’s a culmination of the work she’s put into her craft.” 

The recent releases lead up to Claire’s anxiously awaited second EP, 6 Of A Billion, coming July 9. The EP features tracks “Boy In A Billion” and “Frankenstein” 

6 Of A Billion Tracklist

  1. Hotel
  2. Pretty Little Things
  3. Boy In A Billion
  4. Fall Apart
  5. Frankenstein
  6. LAX

ABOUT CLAIRE ROSINKRANZ 

Southern California singer, songwriter, ballerina, and multi-instrumentalist Claire Rosinkranz grafts the Gen-Z coming-of-age experience onto quirky D.I.Y. soundscapes often cooked up by her dad in the garage. Within a year, the 17-year-old phenomenon has eclipsed over half a billion total streams and received widespread acclaim courtesy of Rolling Stone, Variety, Coup de Main, Buzzfeed, Genius, and more. OnesToWatch championed her as one of its “Top Artists To Watch in 2021,” while New York Times and Billboard named her breakout anthem Backyard Boy among “The Best Songs of 2020.” Backyard Boy inspired over 3 million TikTok videos and fueled the trailer for Amazon’s The Map of Tiny Perfect Things. Along the way, she collaborated with the likes of Jeremy Zucker, Role Model, and Clinton Kane and earned the support of Olivia Rodrigo, Tai Verdes, Lexi Jayde, and 347aidan. Now, she presents an unfiltered perspective on being a teen through her 2021 sophomore EP introduced by the lead single Frankenstein.

Heather Skovlund Music illustration for 360 Magazine

Stunna Girl – 10 Times

Heating up summer to a boiling point, buzzing Sacramento, California rapper and #RunwayChallenge queen Stunna Girl reveals the music video for “10 Times” today. Watch it here. It stands out as the latest single from her 2021 mixtape, Stunna This Stunna That, out now. Get it here via Epic Records.

Once again, she delivers another striking visual. Donning a series of colorful looks and upping her fashion game (as always), she raps with a combination of undeniable charisma and formidable presence, lighting up the camera. Each line hits hard as she commands, “If you gonna talk to me, then talk dirty,” before reminding, “10 times out of 10, I’m that bitch…10 times out of 10, I look better than my pics.” Of course, a trio of judges rank her performance with “10’s” across the board! The video directed by Azzie Scott, is the perfect kick off to summer as it intercuts one captivating colorful vignette after another.

Right out of the gate, Stunna This Stunna That earned critical acclaim. HotNewHipHop raved, “It’s a 12-track project filled with bangers from top to bottom,” and she sat down with Hip Hop Wired for an extensive interview. LA Weekly predicted Stunna This Stunna That “should see Stunna Girl’s already blossoming profile go up another level in 2021.”

Get ready for more soon!

Her rapid-fire flows, head-turning bars, and endless attitude drive Stunna This Stunna That at high speed. On the project, “Ask About Me” couples an unshakable chant with punchy verses over throwback production. She lives up to the title of “Unfuckwittable” by tearing through a bass-y beat with no apologies. “No Real Bitches Left” affirms her outlier status, while the melodic conclusion “Where You Belong” illuminates her vocal range.

Check out the full track listing below.

She capped off a breakout 2020 with “Rotation.” Not only did it generate just shy of 1 million total streams and views, but it also received critical acclaim. FLAUNT Magazine raved, “Stunna Girl is the definition of a bad bitch who’s ready to take over the rap game single-handedly.”

She dropped a succession of bangers last year. “Runway” clocked 31 million Spotify streams and sparked the #RUNWAYCHALLENGE with nearly 4 million Tik Tok creates. “Like I Said Tho” and “Lil Boy Cash” increased her momentum, while “Rotation (Game Mix)” graced the Madden 2K21 Official Soundtrack.

Stay tuned for a lot more from Stunna Girl.

Track Listing:

 Still Smoke

Ask About Me

Fucking Up The Game

Ride

Unfuckwittable

10 Times

Can’t Choose

Catch Me At The Bank

Two Tone

Stunna This Stunna That

No Real Bitches Left

Where You Belong

About Stunna Girl:

Dripping with attitude and ready to inspire confidence, Stunna Girl is ready for her close-up. “I want you to get off the wall. Don’t just stand there to stand there!” The singer created a viral frenzy for her 2019 style anthem, “Runway.” After releasing a project independently and inking a deal with Epic Records, she is inevitably poised to be one of Hip-Hop’s most anticipated voices of the new decade. “I’m a threat!” she promises.

Born and raised in Northern California, music offered a refuge from a tragic home life. After dealing with a tough upbringing, which saw her having to balance family problems with her own, she knew that she could draw upon her life experiences as creative fuel. Stunna Girl came out of the other side with a newfound sense of confidence and focus, diving headfirst into fulfilling her long standing musical dream. In 2019, she became a major player in the local Sacramento music scene and made waves with her independent debut album, YKWTFGO. When the #RunwayChallenge organically exploded on TikTok, she inspired a viral movement facilitated by millions of videos by fans and influencers such as Nikita Dragun, and more. The song proved so gripping that by the end of the year, TikTok proclaimed her as the fourth top artist on the platform for the year, behind only Lil Nas X, Mariah Carey and Lizzo.

Her nimble raps, fearless rhymes, and unapologetic spirit went on to receive attention from TIME, BuzzFeed, The New Yorker, Teen Vogue and more with Pitchfork saying that there is “no question that women especially may find her confidence genuinely empowering.”

As she told Genius for their coveted Verified series, she free-styled “Runway” in 30 minutes with the intention of creating a motivational anthem. “When I was in the studio, that’s how I felt. Like, ‘Bitch, you look like you’re fresh off the runway. I really just wanted to keep making music that got people to move.” Now, with her major label debut EP on the way, she’s about to shine like never before in 2020.

Taste of Love album art via Republic Records for use by 360 Magazine

TWICE × Taste of Love

TWICE’s new album, Taste of Love, marks their first Billboard Top 10 as the hit reaches #6.

Global K-pop icons, TWICE, officially reached the #6 chart-topping position on the Billboard 200 chart with their new album, Taste of Love, as well as #1 on the Billboard Top Album Sales Chart. This high Billboard 200 ranking marks a first for the group, jumping up 66 slots from their most recent #72 position for Eyes wide open. Taste of Love pushed the musical boundaries for the group, while in return earning TWICE their first top 10 album to date. The group initially ranked in the Billboard 200 chart in June 2020 with their album MORE & MORE, closely followed by Eyes wide open later that same year. To say TWICE had an impressive 12 months would be an understatement, but the group’s driving force remains the same. The focus has always been and will continue to be, the bond between TWICE and their fans, ONCE.

“We look forward to growing more and more with our fans,” said TWICE in a group statement. “Thank you for being with us.” 

TWICE has worked diligently to get to this point. In 2019, the group successfully completed their World Tour, TWICELIGHTS, which included sold-out shows in the U.S. at The Forum in Los Angeles, the Prudential Center in Newark (where they performed in front of 11,000 fans), and a show at the Wintrust Arena in Chicago. In February 2020, TWICE signed with Republic Records and launched their original  YouTube series “TWICE: Seize the Light.” With the higher chart rankings coming in just this time last year, the group turned it up a notch with their recent broadcast hits. TWICE performed I CAN’T STOP ME off MORE & MORE for Late Show with Stephen Colbert’s #PLAYATHOME YouTube series. Within the last 6-months, TWICE has been gracing screens everywhere. They performed on the prestigious TIME 100 Talks, had their U.S. broadcast debut on The Kelly Clarkson Show, and last week performed their new single Alcohol-Free on The Ellen DeGeneres Show. 

Throughout the last six years, TWICE has become a globally renowned phenomenon, rapidly taking the U.S. and beyond by storm – including the moment they graced Allure Magazine’s May 2020 cover. Their 2020 chart-topping albums, MORE & MORE and Eyes wide open, were included in TIME, Billboard, Teen Vogue, PAPER, and BuzzFeed’s roundup of top albums of the year. MORE & MORE also marked the first time TWICE have been included in Billboard’s Artist 100 and Billboard 200 lists, becoming the fifth all-female musical act from their country to rank on the 200 charts. In addition, Eyes wide open, hit the top five slot on the all-genre iTunes US Album Sales Chart, debuted at No. 8 on Billboard’s World Albums chart, and ranked #72 on the Billboard 200 Chart.

“The collective continues its artistic evolution” – BILLBOARD

“The young women have shown their multifaceted approach to music and ability to showcase new charms with each release, with “Alcohol-Free” being no exception” – ROLLING STONE

“TWICE succeed in their desire to bring their fans ‘good vibes’ in unprecedented times” – NME

About TWICE:

Formed under K-pop powerhouse JYP Entertainment in 2015, TWICE is one of the best-selling K-pop girl groups of all time regarding physical album sales. The group first rose to prominence with their debut title song Like OOH-AHH, and the 2016 breakthrough single CHEER UP which went on to top multiple Korean pop charts and won ‘Song of the Year’ at the Melon Music Awards and Mnet Asian Music Awards. The group was also included in Variety’s Youth Impact Report as the only K-pop group included in the list. The group was included in Forbes Korea Power Celebrity issue in both 2019 and 2017; and was also included in 18th place and as the only Asian act in Billboard’s 21 Under 21 2017: Music’s Next Generation issue. In 2019, the group successfully completed their World Tour, TWICELIGHTS, which included sold-out shows in the U.S. at The Forum in Los Angeles, the Prudential Center in Newark (where they performed in front of 11,000 fans), and a show at the Wintrust Arena in Chicago. Last year, TWICE’s album MORE & MORE made its first ranking on the Artist 100 and Billboard 200 lists. Their second 2020 album, Eyes wide open, hit the top five slot on the all-genre iTunes US Album Sales Chart and debuted at No. 8 on Billboard’s World Albums chart; and the album’s lead track debuted in the top 10 of the all-genre iTunes US Song Sales Chart. The group hit their first top 10 album for Taste of Love, ranking it at #6 on the Billboard 200 chart. TWICE recently performed Alcohol-Free on The Ellen DeGeneres Show, CRY FOR ME on The Kelly Clarkson Show, I CAN’T STOP ME on The Late Show with Stephen Colbert’s #PLAYATHOME digital YouTube series, and DEPEND ON YOU on TIME100 Talks.

by Fueled by Ramen for use by 360 Magazine

MEET ME @ THE ALTAR – MODEL CITIZEN

MEET ME @ THE ALTAR TO RELEASE MAJOR LABEL DEBUT EP MODEL CITIZEN ON AUGUST 13 VIA FUELED BY RAMEN

NEW SINGLE AND MUSIC VIDEO FEEL A THING

NORTH AMERICAN TOUR DATES ANNOUNCED SUPPORTING COHEED AND CAMBRIA & THE USED THIS SUMMER, SUPPORTING ALL TIME LOW THIS FALL

“One of the most exciting young pop bands in the United States” – The FADER

“One of 2021’s most exciting new rock acts” – Rolling Stone

“Meet Me @ The Altar is the future of pop-punk” – NYLON

“Your new pop punk obsession” – Buzzfeed

“Some of the most promising, exciting pop-punk in recent memory” – Stereogum

Rising pop-punk trio Meet Me @ The Altar have announced their major label debut EP, Model Citizen. The news is heralded by the release of anthemic single Feel A Thing, which is available now on all streaming platforms. The group, whose name was inspired by a mutual love for Mortal Kombat, has their skills put to the test in the track’s official video, which finds them fighting their way out of an arcade game. The Model Citizen EP arrives August 13th via Fueled By Ramen.

“We are SO incredibly excited about Model Citizen being our first major release on Fueled By Ramen, these are absolutely our best songs to date, the band shared. Model Citizen was originally a different set of songs, but we decided to throw it all out just days before the EP was due because we knew we could write a more cohesive story with lots of energy. With a heavy easy core influence, we hope Model Citizen knocks everyone out of their seats!”

This summer, Meet Me @ The Altar will embark on a massive U.S. tour supporting Coheed and Cambria & The Used and appear at Riot Fest in Chicago. In the fall, they will return to the road with labelmates All Time Low and nothing,nowhere. for a tour of North America. A complete list of upcoming live dates can be found HERE.

Meet Me @ The Altar announced their Fueled By Ramen signing last October in an exclusive interview with Billboard and unleashed their critically acclaimed major label debut single Garden. The song’s vibrant music video premiered on The FADER, and Garden graced best songs of 2020 lists by NPR Music, The FADER, Refinery 29, and more. Earlier this year, the band debuted the powerful single, Hit Like A Girl in partnership with Facebook’s Women’s History Month campaign. Meet Me @ The Altar has already been named an artist to watch in 2021 by Rolling Stone, NYLONand more.

Crossing state lines and breaking all kinds of boundaries, the group’s members Edith Johnson [vocals], Téa Campbell [guitar], and Ada Juarez [drums] initially met online, bonding over the likes of Paramore and Twenty One Pilots and agreeing on a need for more representation in pop punk. Instead of waiting for somebody else to do it, they stepped up and became that representation as three proud women of color playing lightning-fast riffs, pounding out double kicks, and chanting huge hooks.

Stay tuned for more new music from Meet Me @ The Altar soon.

MODEL CITIZEN EP Tracklist

  1. Feel A Thing
  2. Mapped Out
  3. Brighter Days (Are Before Us)
  4. Now Or Never
  5. Never Gonna Change
  6. Wake Up

Available for preorder NOW

MEET ME @ THE ALTAR 2021 TOUR DATES

8/27-9/24 – supporting Coheed and Cambria & The Used

10/5-10/10 – supporting nothing,nowhere.

10/12-11/12 – supporting All Time Low

# – festival performance

Supporting Coheed and Cambria & The Used

August 27, 2021 – Irvine, CA – FivePoint Amphitheatre

August 28, 2021 – Mesa, AZ – Mesa Amphitheatre

August 30, 2021 – Salt Lake City, UT – The Complex Outdoors

August 31, 2021 – Denver, CO – Levitt Pavilion

September 02, 2021 – Irving, TX – The Pavilion at Toyota Music Factory

September 04, 2021 – Austin, TX – Germania Insurance Amphitheater

September 05, 2021 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion

September 07, 2021 – Wichita, KS – WAVE

September 08, 2021 – Maryland Heights, MO – Saint Louis Music Park

September 11, 2021 – Columbus, OH – Express Live!

September 12, 2021 – Cleveland, OH – Jacobs Pavilion at Nautica

September 14, 2021 – Cincinnati, OH – The ICON Festival Stage at Smale Park

September 15, 2021 – Indianapolis, IN – TCU Amphitheater at White River State Park

September 17, 2021 – Chicago, IL – Riot Fest #

September 18, 2021 – Worcester, MA – The Palladium

September 19, 2021 – Holmdel, NJ – PNC Bank Arts Center

September 21, 2021 – Baltimore, MD – MECU Pavilion

September 22, 2021 – Raleigh, NC – Red Hat Amphitheater

September 24, 2021 – Jacksonville, FL – Daily’s Place

Supporting nothing, nowhere.

October 05, 2021 – New York, NY – Le Poisson Rouge

October 06, 2021 – Philadelphia, PA – The Foundry

October 08, 2021 – Washington, DC – Songbyrd

October 10, 2021 – Nashville, TN – Mercy Lounge

Supporting All Time Low

October 12, 2021 – New Orleans, LA – Orpheum Theater

October 13, 2021 – Birmingham, AL – Avondale Brewing Company

October 15, 2021 – Richmond, VA – The National

October 16, 2021 – Raleigh, NC – The Ritz

October 17, 2021 – Charlotte, NC – The Fillmore

October 19, 2021 – New Haven, CT – College Street Music Hall

October 20, 2021 – Buffalo, NY – Town Ballroom

October 23, 2021 – Grand Rapids, MI – 20 Monroe Live

October 24, 2021 – Louisville, KY – Paristown Hall

October 27, 2021 – Sioux Falls, SD – The District

October 28, 2021 – Des Moines, IA – Val Air Ballroom

October 30, 2021 – Minneapolis, MN – The Fillmore

October 31, 2021 – Winnipeg, MB – Burton Cummings Theatre

November 02, 2021 – Edmonton, AB – Union Hall

November 03, 2021 – Calgary, AB – MacEwan Hall

November 05, 2021 – Vancouver, BC – Vogue Theatre

November 06, 2021 – Portland, OR – Roseland

November 07, 2021 – Seattle, WA – Showbox SODO

November 10, 2021 – Oakland, CA – Fox Theater

November 11, 2021 – Los Angeles, CA – Hollywood Palladium

November 12, 2021 – San Diego, CA – Humphrey’s

ABOUT MEET ME @ THE ALTAR:

Meet Me @ The Altar present a new musical and cultural paradigm for pop punk. The Florida trio Edith Johnson [vocals], Téa Campbell [guitar], and Ada Juarez [drums]ߞcertainly rip just as hard as the forbearers who inspired them, but the group also speak from a position rarely, if ever, heard in the genre as proud women of color. With Ada from New Jersey, Téa from Florida, and Edith from Georgia, the three-piece would meet in the Sunshine State and practice for hours nonstop just before gigs, morphing into a formidable force on stage. Booking their own tours, the band canvassed the country to promote their debut Changing States EP in 2018. Dozens of shows endeared them to a growing audience as they continued recording. MM@TA’s independent releases drew admiration from Halsey and All Time Low’s Alex Gaskarth and landed them a deal with their dream record label Fueled By Ramen. In 2020, the band released their major label debut single Garden, and followed up with Hit Like A Girl this spring, earning praise from Rolling StoneBillboardThe FADERNPR MusicNYLON, and more.

Peach Tree Rascals "Oh Honey (I Love You)" from Kristin Robinson at 10K Projects for use by 360 Magazine

PEACH TREE RASCALS — OH HONEY (I LOVE YOU)

Today, California misfit collective Peach Tree Rascals share a new music video for “Oh Honey (I Love You),” a sentimental track off of their debut EP, Camp Nowhere, released March 26 via Homemade Projects/10K Projects. Produced by James Bahmen and directed by creative house Kids Don’t Know, the new music video shares the enduring love story of an elderly couple in flashbacks to their younger years, when they first fell in love. Starring bandmate Joseph Barros as the main character, the new video is a testament of lasting enduring devotion, featuring cameos from each of the Rascals. Watch the music video for “Oh Honey (I Love You)” HERE.

The new music video arrives shortly after Peach Tree Rascals’ breakout hit “Mariposa” became RIAA-certified Gold, and after the group’s new cover of John Mayer’s “Stop This Train,” available now exclusively on Amazon Music. In the past year, the group has received praise from Billboard, Forbes, The Fader, VMAN, BuzzFeed, and more.

Peach Tree Rascals largely wrote and recorded their debut EP Camp Nowhere in seclusion, finding inspiration while camping. Centered on themes of recovery and healing which they attribute to their increased time outdoors during quarantine, the Rascals debut EP is a comforting and optimistic album for the times.

Camp Nowhere came from the idea that a lot of people have been using the isolation of quarantine and the state of the world to dig deeper into themselves and figure out what’s important to them,” rapper/singer Tarrek shares. “For some it’s discovering a new hobby, or that it’s time to move on to a new place. For PTR, it was taking a week in Yosemite to dive into our creativity. We’ve always done a combination of sounds that inspire us all. This feels like all of our inspirations mixed together.”

To date, Peach Tree Rascals has garnered 400M+ streams across platforms and count 6M+ Spotify monthly listeners. Their breakthrough hit “Mariposa” charted to #1 on the Alternative Radio Chart and has been co-signed by Lizzo and Harry Styles.

WHO ARE THE PEACH TREE RASCALS?

More of a brotherhood than a collective, The Rascals blend a seemingly effortless knack for melody with layers of rich harmony and R&B grooves. Recording together since their high school days, producer/mixer Dominic “Dom” Pizano, rappers-singers Issac Pech, Tarrek Abdel-Khaliq, Joseph Barros, and creative director Jorge Olazaba united with the intent of seeking musical growth and companionship. With most of the members being second-generation Americans (the sons of Palestinian, Filipino and Mexican immigrants), they quickly realized a deep, natural connection with one another, and grew into a single, harmonious unit. You can buy their merchandise HERE.

Peach Tree Rascals "Oh Honey (I Love You)" from Kristin Robinson at 10K Projects for use by 360 Magazine

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Ellen DeGeneres illustrated by Kaelen Felix for 360 MAGAZINE

Ellen Tests Positive for COVID

By Hannah DiPilato

Talk show host Ellen DeGeneres has shut down her talk show until January after testing positive for Covid-19. 

“Hi Everyone,” DeGeneres wrote. “I want to let you all know that I tested positive for Covid-19. Fortunately, I’m feeling fine right now. Anyone who has been in close contact with me has been notified, and I am following all proper CDC guidelines. I’ll see you all again after the holidays. Please stay healthy and safe,” wrote Ellen on The Ellen DeGeneres Show’s official Twitter account

The announcement to cancel the show came from a spokesperson from Telepictures studio. “Following Ellen’s announcement this morning, we have paused production on the Ellen DeGeneres Show until January,” said the statement. 

The show had returned to the air in Septmeber after a summer of employees reporting the show as a “toxic work environment.” Ellen made an apology about these allegations during the September premire. 

“As you may have heard this summer, there were allegations of a toxic work environment at our show,” DeGeneres said during the first episode back on the air. “And then there was an investigation. I learned that things happened here that never should have happened. I take that very seriously. And I want to say, I am so sorry to the people who were affected. I know that I’m in a position of privilege and power. I realized that with that comes responsibility and I take responsibility for what happens at my show. This is The Ellen DeGeneres Show. I am Ellen DeGeneres. My name is there. My name is there. My name is on underwear. We have had a lot of conversations over the last few weeks about the show, our workplace and what we want for the future. We have made the necessary changes. And today we are starting a new chapter.”

DeGeneres has apologized to her staff for the environment of the show. Employees reported accounts of sexual misconduct, racism and “culture of fear.”  This has resulted in many celebrities turning down the oppurtunity to be featured on the show. Although the show has featured big celebrities such as Justin Bieber and Jimmy Kimmel in the past, celebrities don’t want to be featured on a show with such negative backlash. 

Ever since the show’s return to air, the once popular talk show is now struggling to stay on top. According to Buzzfeed, the show hasn’t been able to book A-List celebrities for appearances. The show has also lost advertisers as well as seeing a large dip in viewer ratings. Usually Decemeber is a busy time for The Ellen Show because of the “12 Days of Giveaways” segment that runs through the holiday season. 

This year The Ellen Show planned to give the gifts to those impacted by coronavirus such as frontline workers and affected families. However, an employee has said this year’s gifts that will be given to the audience are much less extravagant than usual. 

“In a typical year, ‘12 Days of Giveaways’ is huge. We’ve basically claimed Christmas on daytime TV. When you think of Christmas on TV, you think of The Ellen Show,” said the employee. “Everyone wants to be in the audience. Everyone wants the gifts. And so we line up all these crazy sponsors, and people love it. But this year, our ‘12 Days’ is more condensed. We don’t have as many sponsors.”

Although the show is postponed until January, DeGeneres has signed a contract that continues the talk show through 2022. While the show is struggling more than usual, executives have said the show isn’t going anywhere.