Posts tagged with "Destiny’s Child"

golden sand flyer for use by 360 magazine

Pollen Presents Announces Golden Sand In Riviera Maya

Featuring Performances from 50 Cent, Fat Joe, Kelly Rowland, Lil’ Kim, Ludacris, Nelly, Sean Paul, Flo Rida, TLC, T-Pain

Four-Day Experience from January 12-16, 2022, Featuring Musical Performances, Pool Parties, Yoga, Snorkeling, and Much More

Leading technology company Pollen Presents has announced their first fully owned production today. Going by the name Golden Sand, the immersive weekend of music, exploration, and relaxation will take place on the luxurious beaches of Riviera Maya on the east coast of Mexico from January 12-16, 2022 for one unforgettable weekend in the sun.

Golden Sand boasts a hip-hop / R&B lineup for the ages with legendary artists taking to the stage throughout four days and four nights of unbeatable performances, pool parties, events on the beach, jungle adventures, yoga, snorkeling, and more. This will all be set across luxury accommodations at the Barcelo Riviera Maya resort with premium food & beverages included in the experience. The unique experience will eschew crowds at large festivals for something far more intimate, perfect for those looking to enjoy their favorite music in an environment with comfort and space.

Golden Sand will be headlined by an array of hip-hop, rap, and R&B icons from various eras including New York hip-hop legend 50 Cent, the iconic group behind the hit songs “Waterfalls” and “Creep” TLC, Grammy-winning singer and songwriter Nelly, Atlanta megastar and rapper Ludacris, prolific Jamaican dancehall artist Sean Paul, Destiny’s Child singer Kelly Rowland, undeniable hitmaker and vocalist T-Pain, Brooklyn rapper and the original queen of hip-hop Lil’ Kim, Bronx hip-hop artist and music industry veteran Fat Joe, hit making maestro Flo Rida, an array of DJs and hosts to keep people moving throughout the experience, and more to be announced.

Beyond the music itself, attendees can also snorkel in the tropic shores of Riviera Maya, soak up the sun at the Barcelo’s eleven swimming pools, catch a wave on a FlowRider surf machine, eat their way through over a dozen restaurants across the resort, get a massage at a 10,000 square feet U-Spa Wellness and Fitness Center, pump some adrenaline through thrilling activities like ziplines, ATVs, and Go-Karts, play basketball or tennis at the Barcelo courts, or relax with meditation and dance classes in a one-of-a-kind destination setting.

Additional activities that can be booked directly through the resort include scuba diving classes, diving trips, jet ski excursions, deep-sea fishing, sunset boat parties, cenote excursions, day trips to Xcaret Park, hiking the ruins of Chichen Itza, and more. The area is also filled with delicious international cuisine, which includes Caribbean and teppanyaki grill, French bistros, buffets, traditional Mexican food, and much more.

Perched on the Caribbean coastline on Mexico’s northeastern Yucatán Peninsula, Riviera Maya is a place to be envied. Known for its abundance of all-inclusive resorts and endless palm tree lined beaches, epic nightlife, and delicious cuisine, it’s a short drive from Cancun International Airport and traveling distance to Tulum. Golden Sand will take place at the Barcelo Riviera Maya resort, spread across the Maya Riviera, Maya Beach, and Maya Caribe.

Golden Sand is Pollen’s first fully owned venture and a product of their ability to identify the wants and needs of their core demographic. Golden Sand will offer attendees an immersive, curated entertainment experience; allowing them to reconnect with their favorite artists in an unparalleled tropical location.

For more information about the event, including payment plans, package upgrades and FAQs, visit the official website to stay up-to-date with the latest in lineup, pricing, and event news.

Artist Lineup (A – Z)
50 Cent
Fat Joe
Flo Rida
Kelly Rowland
Lil’ Kim
Ludacris
Nelly
Sean Paul
TLC
T-Pain

About Pollen
Pollen is a technology company building, curating, and delivering the best experiences for members all over the world. Members enjoy these experiences together with the people they love, creating stronger relationships and unforgettable memories. Members immerse themselves in multi-day itineraries that combine live entertainment, parties, and relaxation time in more than 50 popular destinations. Members can discover and book these experiences exclusively on pollen.co and the Pollen app. Pollen has already launched experiences with mega stars like J Balvin, Marshawn Lynch and Ozuna.

Calvyn Cass illustration by Heather Skovlund for 360 Magazine

Calvyn Cass

Q & A with Calvyn Cass

Singer-songwriter, Calvyn Cass, has begun dominating the music song with lyrical tunes to the beat of self-love and acceptance.  The hit single, “Me, Myself, & I”, explores complicated relationships and self-acceptance winning over insecurities.

Here at 360 Magazine, we had the chance to have a Q&A with Calvyn. Read on to learn more about Calvyn Cass and his upcoming new music, WHITE FLAG.

Q- Could you tell us about the creative direction behind ME, Myself & I?

CC- ME, MYSELF & I was one of the first few songs; the third to be exact. It starts with the hook, but it definitely brought up old feelings. I started writing about feeling hurt by someone I loved, and it ended in being def reflection story. The video shows that with me performing to myself in all my different layers. It’s probably the fastest I ever wrote and recorded a song. From starting to put pen to paper with the first line to finishing recording the demo was probably an hour.

Q- What would you like fans to take away from ME, Myself & I along with the video?

CC-I think the main narrative is that is ok to embrace all feelings but not let them define you. You can look at yourself and be like, “it’s not all about you” and own the way you were but move on from it. On the flip side my new song coming out April 28th is WHITE FLAG and that’s about identifying navigating how to be there for others in the way they need you. It’s a song about someone I love having an internal battle that made them reactive to me. In that moment I felt that I could either be reactive myself in response or step back, realize this is not about me and just give love. Sometimes it’s hard to watch someone you love to behave in a destructive way, but you can’t force someone to see something they aren’t ready to see. You just gotta let them know you come in peace and that you’re there when they are ready to let you in.

Q- Who was your biggest musical inspiration in writing ME, Myself & I?

CC- I have to admit I struggled with this in the beginning. I have always had this immense pressure to associate myself with other artists in order to justify my music. When I wrote that record, I kept thinking of Beyoncé and her record from her first album. I have always been a Destiny’s Child fan and I loved her record, but I know it’s been done. More than trying to find inspiration I found myself avoiding doing what’s been done. She’s an icon and I think what got her there is doing her thing and owning it. I think I look to artists like Bey who have paved their own musical lane as career inspiration. I’m just gonna keep doing my thing. Some people will love it, but others won’t, and I’m cool with that now.

Q- Who would you like to collaborate with in the future?

CC- So many artists for so many different reasons. I love Lil Nas X because he represents what I am hoping to achieve as an artist. I think we would make insane music together. Miley is a powerhouse and if I could be on a record with her, it would be a wet dream. Demi is having this journey unfold before us all. There are so many parts of that journey that are familiar in one way or another and the message is something I would be honored to be a part of. Olly Alexander who recently starred in “It’s A Sin” is seemingly embarking on the next chapter of his career embracing his identity more. If I could be apart of any of these artistic moments that I believe will help change and shape the world I would count myself lucky as hell.

Q- Did your move from South Africa to Canada influence your music at all?

CC- I see the cultural shift I experienced at a young age as a stage in my life that shaped me. It was probably my least favorite time of my life. I was this small, effeminate boy when I moved. In South Africa I struggled fitting in with the hyper masculine molding boys are expected to be. In Canada I saw it as a chance to start over without anyone knowing my past struggles. That didn’t go as planned because I was then the weird immigrant who spoke differently and had a very different perception of the world. In each circumstance I tried fitting in and when it didn’t work out, I had to step back and try figure out why. I didn’t when I was young, but I see it now. It complex to break down in a short interview but now every time I write and record, I tap into the cultural difference and similarities. I want to be able to speak to as many people and be as relatable as possible. Everyone is navigating this complicated journey called life. The best we can do is try being empathetic and honest.

Q- What advice could you offer others as far as embracing the true way they see themselves?

CC- It’s no one else’s job to make you comfortable in your own skin. You will definitely feel like a victim of persecution because that’s a part of life; others will always try cut you down, so they stand taller. Appeasing others by changing who you are to make them comfortable will only hinder you on your path. It’s terrifying to stand in your truth and face scrutiny because it might cut deeper but I promise you, it did the opposite for me. When I let go of trying to impress everyone else was the first time, I felt like I could truly breathe. I released the vizard and accepted myself to find the pressure put on me was put on me by myself. I set the insane standards for myself from what I thought the people around me would feel more comfortable with. Here I am in my adult life realizing that if I had honored myself, I would have avoided a lot of sadness.

Q- Who are your musical inspirations?

CC- I’m inspired less by artists and more by the songs themselves. I love finding out who wrote a song and who produced it. Of course, the voice on a record can give me chills and bring me to tears. The way that voice shines come from all these other peoples’ talents and contributions to the music. That’s what inspires me. Paying attention to how sounds were created, layered and pieced together.

Q- You are co-founder of BRUSH Salon – do you plan to continue to pursue your career as a master stylist alongside your music career?

CC- I am. When I was in high school, I fully intended to pursue music. The world was different then and I let the people around me tell me that a gay boy with feminine features would never succeed in music. I always loved playing with my sisters hair when we watched movies. She hated it but let me anyways because it meant she could choose the movie. So, I am now at the top and have achieved so many of my goals in hair. I love it but I’ve felt like this part of me has been stuck in limbo. I can’t ignore it anymore and I want to pursue music. The world allows people to be more than one thing and I’m going to ride that wave.

Q- Outside of music and styling, what are your passions?

CC- Depends on the season. I love being outside in spring and summer. I’m one those dog lovers that sees my boys as my children, so I dedicate a lot of time to them. I love cooking and find it therapeutic to cook for my family and friends. I love being active, but my ultimate reset is to just spend a winter day in bed with snack watching movies or maybe an entire series… haha

Q- Looking ahead, what plans do you have in store for the remainder of 2021?

CC- Lots of music. I want to bring new music as much as it possible. I want to perform when I’m allowed to and introduce my music to more and more people. I’d love to collaborate with other artists when we are restricted from doing so.

Beyonce illustration by Kaelen Felix for 360 Magazine

BEYONCÉ WINS 28TH GRAMMY

*Beyoncé wins 28th Grammy

Ivy Park x Adidas to Drop Drip 2.2

By Hannah DiPilato

After an incredibly successful clothing drop of the Adidas x Ivy Park collection, Beyoncé is at it again with a darker line. Adidas x Ivy Park’s Drip 2 sold out almost instantly, but a line that Beyoncé dubbed “Drip 2.2: Black Pack” is coming soon. 

The Ivy Park Instagram account, @weareivypark, posted a teaser video of the collection captioned “THIS IS MY PARK.” Beyoncé also uploaded three posts on her Instagram to showcase the collection’s styles.

The line will debut on the Adidas website in the United States on November 17 and worldwide on the Adidas website on November 18. The collection will be available in-store on November 19. Hopefully, if you weren’t able to snag something from the first collection, these three days will be your lucky chance. 

Drip 2.2 has much more neutral colors than the original Drip 2 drop. Drip 2 had a variety of bright green and teal colors and Drip 2.2 will feature black and nude. This makes the upcoming collection a bit more versatile and fitting for the winter months. 

According to Teen Vogue, the designs “are similar to the last two drops; biker shorts, [sports] bras, a jumpsuit, sweats, fanny packs, and more. The only thing that’s really changed is the colors.” 

A landing page announcing the launch can be found on Beyoncé’s website that shows off some of the styles we can expect next week. Teen Vogue also featured images of the collection. 

British Vogue will feature Beyoncé on the cover of their December issue this year. Beyonce is shown in many stunning outfits throughout the shoot. In one image, she is showing off one of the neon looks from the Adidas x Ivy Park Drip 2 collection. The neon green jumpsuit is paired with a bold, dazzling necklace and a bright green bucket hat. 

The three beautiful covers of Beyoncé were photographed by Kennedi Carter. According to Billboard, the 21-year-old photographer is the youngest photographer to shoot a cover in British Vouge’s history. 

The December issue will also include an interview with Beyoncé conducted by Edward Enninful that shares how Beyoncé conquered 2020. She even shares that the most recent Ivy Park collection was inspired by quarantine. 

“During quarantine, fashion was a place of escape for me. My kids and I came up with Fashion Fridays,”  Beyoncé said. “Every Friday, we would dress up in my clothes or make clothes together and take each other’s pictures. It became a ritual for us and an opportunity to handle this crazy year together,”

“The newest Ivy Park collection was inspired by this new tradition. It consciously uses bright, bold colours to remind us to smile,” she continued. “I used a lot of neon yellow and coral mixed with baby blue and earth tones that felt soothing. They brought me joy and made me smile in the midst of a tough time for all of us.”

This interview allows Beyoncé to dive deeper into her thoughts on fashion and her Ivy Park x Adidas collection. Along with the interview being featured in the December issue of British Vogue, it’s available on Vogue’s website

Ivy Park has been killing the athleisure game since it was founded in 2016. The company was originally joined with the popular store Topshop, but Beyoncé split from the Topshop name after allegations against the Ivy Park co-founder Sir Phillip Green. 

Beyonce spoke in Elle about the origin of Ivy Park. “I would wake up in the morning, and my dad would come knocking at my door, telling me it’s time to go running, said Beyoncé. “I remember wanting to stop, but I would push myself to keep going. It taught me discipline.”

In 2019, the collaboration between Ivy Park and Adidas was launched and marked the rebranding of Ivy Park after splitting from Topshop. Now Ivy Park and Adidas are making waves with their joint collections. The collections have featured athletic clothing as well as spunky accessories. 

Follow Beyoncé on Instagram, Twitter and Facebook to make sure you don’t miss updates about the collection. You can also follow Ivy Park on Instagram and Twitter for recent updates. Make sure to mark your calendar for the release of Drip 2.2.

Sneaker Illustration for 360 mag by Kaelen Felix
Black Pink illustration by Kaelen Felix for 360 MAGAZINE

BLACKPINK Postpones ‘The Show’

BLACKPINK shared today that their highly anticipated global livestream experience THE SHOW will be postponed from December 27 to January 31, 2021 at 12 a.m. EST / 2 p.m. KST, due to safety precautions and current restrictions pertaining to COVID-19 in South Korea.

BLACKPINK said, “We can’t wait to meet our BLINKS as soon as possible, but in order to comply with the South Korean COVID-19 prevention guidelines and to ensure a safe performance, we have unfortunately made the decision to postpone THE SHOW from December 27 to January 31 of next year. Through our concert, we wanted to give you some sort of comfort during these difficult times, but the health and safety of everyone taking part in THE SHOW is our top priority, so, in order to make sure that we prepare for the concert in a safe environment, we have decided to postpone THE SHOW.”

Automatic Refund Details

Everyone who purchased access to BLACKPINK’s THE SHOW via channel memberships will be automatically and fully refunded to their original form of payment starting today and can expect the following:

Fans who already purchased access to THE SHOW will receive emails from YouTube confirming the cancellation and refund. Shortly after these fans receive email notifications from YouTube confirming their refund, the “JOIN” button will reappear on BLACKPINK’s Official YouTube Channel and fans will be able to re-purchase the new channel membership.

How to Buy Access to a NEW Channel Membership

The good news is that Blinks from around the world can NOW buy access to a new channel membership. Fans have two purchase options, both of which include access to the online concert experience on January 31 and additional membership perks. Details on how to purchase and membership options are included below:

Fans can buy access to THE SHOW via the channel membership offer page on desktop and mobile devices, or by visiting BLACKPINK’s Official YouTube Channel and clicking “JOIN” membership on the YouTube website or the YouTube Android app.

Fans can choose from a Standard or Plus channel membership which include the following:

STANDARD: 36,000 KRW / $29.98 USD: THE SHOW livestream, rebroadcast and custom emojis

PLUS: 48,000 KRW / $39.98 USD: THE SHOW livestream, rebroadcast, custom emojis and behind-the-scenes content

Safety is of the utmost importance to BLACKPINK, YG Entertainment and YouTube so we hope fans understand and will join us to celebrate THE SHOW in just a few weeks’ time on January 31, 2021!

Visit BLACKPINK’s BLACKPINK’s Official YouTube Channel for the most up-to-date information on THE SHOW.

Homecoming

Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

Shop Beyoncé

MALACHI Drops New Track

TORONTO-BASED ARTIST MALACHI DROPS NEW TRACK, “SAN FERNANDO WINE”

LISTEN TO “SAN FERNANDO WINE” HERE

WATCH THE OFFICIAL MUSIC VIDEO FOR DEBUT SINGLE, “RIGHT NOW” HERE

21-year-old emerging artist, MALACHI releases “San Fernando Wine” today via 21 Entertainment/Republic Records/Universal Music Canada, the country’s leading music company. Available to stream/download online now, the track emphasizes Malachi’s ability to combine hard hitting lyrics and rhythmic verses with ease. The track is exemplified by the melodic backdrop that seamlessly merges every element of the song.

“San Fernando Wine” follows Malachi’s debut single, “Right Now,” released in January. The single was the first introduction to the young Toronto-based artist. The official music video for the track arrived shortly after its release, and is available HERE.

Growing up on the outskirts of Toronto, 21-year-old rising artist Malachi, spent his childhood surrounded by music of all kinds. From his Trinidadian-born father’s reggae career to his mother’s favourite R&B singers like Mary J. Blige, Aaliyah and Destiny’s Child, music was always part of his environment. Malachi began actively participating in music when his grandmother had him join her church’s gospel choir at the age of 4. Over the last three years the emerging artist has been in the studio bringing his songwriting to life. Now, he’s ready to release the outpouring of creativity and share it with the world.

FOLLOW MALACHI:

Facebook | Twitter | Instagram | Youtube

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Sabbath, Florence + the Machine, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Julia Michaels, Kid Cudi, Liam Payne, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Tïesto), Cash Money (Drake, Jacquees, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd, Belly, NAV), Young Money (Drake, Lil Wayne, Nicki Minaj), Roc Nation (Jaden Smith, Justine Skye, The Dream), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records, and Universal Music Latin Entertainment.  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR, The Four), and NBC TV (The Voice), as well as other notable film and television franchises.