Posts tagged with "STREAMING PLATFORMS"

Press Photo by umusic for use by 360 Magazine

NALIYA – ROLLER COASTER

Emerging as a dynamic pop presence with widespread critical acclaim, buzzing artist, producer, and songwriter Naliya shares a new single Roller Coaster. Once again, her smooth delivery, quotable lyrics, and elite beat-making shine. The track affirms her unpredictable approach with hypnotic verses before dropping into another massive chorus. As always, she invites audiences along for the ride on Roller Coaster.

Right out of the gate, “Handshakes” gathered over 500,000 streams to date and picked up critical acclaim. The Honey Pop raved, “she blew our minds with her first single ‘Handshakes’, and went on to promise, “You’re going to listen to it non-stop, it’s guaranteed.” EDM.com described it as “a dreamy inaugural release,” and A1234 called it a “buoyantly simple yet elegant track that uses a sparse production to bring out the emotive nature of the lyrics, drawing us into her soundscape and way of thinking.” Sheesh Media praised “Handshakes” as a “tender and sentimental banger” and “filled to the brim with electronically filtered vocals and near-lullaby vibes.

Naliya is putting the finishing touches on her forthcoming debut EP—coming soon. She continues to assert herself as an artist-to-watch this year. Stay tuned for more!

ABOUT NALIYA

Naliya personally touches every element of her music. Behind a desk running Ableton Live by herself, she’ll conjure up a beat before picking up a pen to write lyrics and finally grabbing a microphone to bring the production and words to life. Raised between Canada and France, the Los Angeles-based singer, songwriter, and producer architects an unfiltered and undeniable take on pop warmed by handcrafted beats and lyrics so intimate they could be a DM.

During a Shark Tank-style Instagram Live hosted by powerhouse songwriter J Kash (Maroon 5, Charlie Puth, Selena Gomez), she shared a composition and landed a deal. With Kash in her corner, she co-wrote Jason Derulo’s “Lifestyle” (feat. Adam Levine) and Tate McRae’s “Rubberband.” After amassing nearly 6 million streams independently and quietly cooking up songs for industry heavyweights, she formally introduces herself on a series of 2021 singles and her forthcoming debut EP to be released via Immersive / Sandlot / Interscope Records.

Singing illustration by Mina Tocalini for use by 360 magazine

THE ED SULLIVAN SHOW YOUTUBE CHANNEL

JUNE BRINGS FRANK SINATRA, NANCY SINATRA, JANIS JOPLIN AND MORE TO ‘THE ED SULLIVAN SHOW’ YOUTUBE CHANNEL

Iconic Clips And Historic Performances Officially Available Worldwide Via Streaming Platforms From UMe and SOFA Entertainment 

The Ed Sullivan Show’s official YouTube channel continues in June with the iconic “These Boots Are Made For Walkin’” by Nancy Sinatra and one of the primetime juggernaut’s most surprising moments; when Frank Sinatra presented Ed Sullivan with a birthday cake for the show’s 16th anniversary in 1964. Five years later and premiering on the channel this month, rock ‘n’ roll legend Janis Joplin gave The Ed Sullivan Show viewers a Woodstock preview with her upbeat performance of “Raise Your Hand,” one of the songs she belted out during her set at the historic music festival in August 1969.

Additional classic performances include Joel Grey “Give My Regards To Broadway,” Lionel Hampton “12th Street Rag,” Paul Anka “Put Your Head On My Shoulder” and Tony Bennett “It Had To Be You.” Also on the stage are music greats Al Hirt, Billy Eckstine, Edith Piaf, and Harry Belafonte.

June also features Hollywood greats Charlie Chaplin Jr. and Orson Welles, laughs from Harpo Marx and Ed Sullivan, Henny Youngman, Totie Fields, plus family fun with Linon the Belgian Clown, plate spinners The Alcettys and comedic acrobats The Martys, among others. An engaging celebration of pop culture (Bob King takes aim at modern music, rock stars and deejays) and high culture (Laurance Harvey reads Tennyson’s “The Charge Of The Light Brigade”), The Ed Sullivan Show YouTube channel honors an entertainment legacy with new clips daily and a wide range of playlists to explore.

Throughout its historic 23-year primetime run (1948-1971), The Ed Sullivan Show brought the hottest performances from around the world and introduced emerging talent to America’s living rooms every Sunday night. The show featured some of the earliest or first televised performances of music superstars including The Band, The Beach Boys, The Beatles, The Jackson 5, The Mamas and The Papas, The Supremes, and The Rolling Stones.

Among the voluminous gems in this vast catalog are iconic clips most of which have not been seen in decades. UMe uploads new videos daily, including scores of rarities available digitally for the first time, to The Ed Sullivan Show’s official YouTube channel and Ed Sullivan’s website, both newly updated.

Live On The Ed Sullivan Show YOUTUBE channel, June 18-30*:

STREAM DATE ARTIST PERFORMANCE AIRDATE
FRI 6/18 Bert Lahr Paper Picker Schneider’s Miracle Skit September 6, 1964
FRI 6/18 Charlie Chaplin Jr. Little Tramp In The Park May 29, 1960
FRI 6/18 Bob King The Average Person January 26, 1964
FRI 6/18 Ella Fitzgerald** My Last Affair February 2, 1964
FRI 6/18 Harry Belafonte Shake That Little Foot March 29, 1964
SAT 6/19 David Frye Celebrity Impressions October 15, 1967
SAT 6/19 Corporal Richard Linfors & Corporal John Lloyd Drill Team June 12, 1955
SAT 6/19 Al Hirt It’s A Long, Long Way To Tipperary June 18, 1961
SUN 6/20 Davis & Reese Bickering Singers October 10, 1965
SUN 6/20 Happy Gestures With Red Skelton Comedic Performance Of Your Cheatin’ Heart February 22, 1959
SUN 6/20 Orson Welles Orson Welles Tells The Tale Of La Befana December 25, 1955
SUN 6/20 Hendra & Ullett NY Cabbie And English Passenger January 1, 1967
SUN 6/20 Nancy Sinatra These Boots Are Made For Walkin’ February 27, 1966
MON 6/21 Dick Shawn & Augusta Merighi Arty & Interfering Mother May 27, 1956
MON 6/21 Helen Shapiro After You’ve Gone October 28, 1962
MON 6/21 Joel Grey Give My Regards To Broadway May 4, 1969
TUE 6/22 Gene Baylos Money, Insults Audience & Life’s Observations April 5, 1970
TUE 6/22 Mary O’Hara Quiet Land Of Erin March 12, 1961
TUE 6/22 Harpo Marx & Ed Sullivan Knife Thief With Ed Sullivan April 23, 1961
TUE 6/22 Connie Francis La Paloma July 1, 1962
WED 6/23 Henny Youngman Becoming A Comedian June 14, 1959
WED 6/23 Maureen O’Hara Come Back To Erin March 11, 1962
WED 6/23 Ted Lewis I’m Stepping Out With A Memory July 22, 1956
WED 6/23 Billy Eckstine Ma She’s Making Eyes At Me January 10, 1965
THU 6/24 Davis & Reese Boxer Interview Sketch February 16, 1958
THU 6/24 Henri Salvador Family Album & Language Sketch November 4, 1956
THU 6/24 Paul Schon Army Air Corps Song February 18, 1951
THU 6/24 The Serendipity Singers Every Time I Feel The Spirit December 27, 1964
FRI 6/25 George Carl Bumbling Magician Pantomime March 28, 1965
FRI 6/25 Henri Salvador Laughing Sketch & Dining Mime October 21, 1956
FRI 6/25 Maude Nugent Sweet Rosie O’Grady December 18, 1949
FRI 6/25 Rolly Rolls Mighty Like A Rose June 5, 1949
SAT 6/26 Jay Marshall And Lefty Lefty The Hand Puppet Sings “If I Had My Way” January 12, 1958
SAT 6/26 Rudy Vallee Ta Ra Ra Boom De Ay February 13, 1949
SAT 6/26 Ella Fitzgerald** Oh, Lady Be Good! March 24, 1957
SUN 6/27 Henny Youngman Gambling, The Wife March 4, 1962
SUN 6/27 Stagg McMann Trio Dance Of The Hours August 6, 1950
SUN 6/27 Ted Lewis When My Baby Smiles At Me January 2, 1955
SUN 6/27 Al Hirt Down By The Riverside May 7, 1961
SUN 6/27 Paul Anka Put Your Head On My Shoulder November 1, 1959
MON 6/28 Phil Spitalny’s Hour Of Charm Ave Maria March 25, 1951
MON 6/28 Timi Yuro Let Me Call You Sweetheart January 14, 1962
MON 6/28 Frank Sinatra Happy 16th Anniversary June 28, 1964
MON 6/28 Harry Belafonte The Baby Boy April 22, 1962
TUE 6/29 Pearl Bailey Nobody June 26, 1955
TUE 6/29 Rudy Vallee The Whiffenpoof Song February 13, 1949
TUE 6/29 Tony Martin I’ll See You In My Dreams June 28, 1953
TUE 6/29 The Kessler Twins Mas Que Nada/The Look Of Love April 19, 1970
WED 6/30 Robert Alda Medley: In The Good Old Summertime/Moonlight Bay August 26, 1951
WED 6/30 Richard Harris Camelot April 28, 1968
WED 6/30 Janis Joplin Raise Your Hand March 16, 1969
WED 6/30 Tony Bennett It Had To Be You June 27, 1965

*Unlisted YouTube link and/or embed code may be available upon request. Schedule may be subject to change without notice. Segments are listed chronologically by stream date and time. **This segment was previously announced.

Live On The Ed Sullivan Show YOUTUBE channel, a recap*** of June 1-17:

STREAM DATE ARTIST PERFORMANCE AIRDATE
TUE 6/1 Arthur Worsley Ventriloquist “When You’re Smiling” October 2, 1966
TUE 6/1 Jerry Stiller & Anne Meara With Sergio Franchi How Men Treat Women June 14, 1970
TUE 6/1 Acker Bilk Acker’s Laquer October 28, 1962
TUE 6/1 Moms Mabley Old Men April 26, 1970
WED 6/2 Ravic And Babs Roller Skating Duo February 12, 1967
WED 6/2 Morey Amsterdam New York And Newspaper Articles December 11, 1966
WED 6/2 Abbe Lane My Man July 17, 1960
THU 6/3 Myron Cohen Irish Themed Jokes March 15, 1959
THU 6/3 Totie Fields Shopping March 24, 1963
THU 6/3 Lana Cantrell When You Wish Upon A Star October 8, 1967
FRI 6/4 Myron Cohen Marriage February 23, 1969
FRI 6/4 Ella Fitzgerald You’d Better Love Me November 23, 1969
FRI 6/4 The Jovers Balancing Act May 28, 1967
FRI 6/4 Rudi Schweitzer Juggler March 22, 1970
FRI 6/4 Frances Farmer Down In The Valley October 27, 1957
SAT 6/5 Stanley Myron Handelman Masculinity & Confidence November 1, 1970
SAT 6/5 Brook Benton Fools Rush In February 4, 1962
SUN 6/6 Alan Young New Father And A Crying Baby February 25, 1951
SUN 6/6 Bob King Famous Quotes April 26, 1964
SUN 6/6 Jackie Wilson To Be Loved December 4, 1960
MON 6/7 Schaller Brothers Trampoline Act February 9, 1969
MON 6/7 Buddy Hackett Career, Coney Island And Ed Sullivan Janaury 3, 1965
MON 6/7 Roger Williams Every Little Movement July 28, 1957
MON 6/7 Harry Belafonte Muleskinner April 22, 1962
TUE 6/8 Totie Fields Skiing March 27, 1966
TUE 6/8 The Goofers Comedic Acrobats “Mutual Admiration Society” May 24, 1959
TUE 6/8 The Little Singers of Tokyo Swanee April 5, 1964
TUE 6/8 Rosemary Clooney I Ain’t Got Nobody May 7, 1961
WED 6/9 Rudi Schweitzer Juggling Act November 28, 1965
WED 6/9 Ames Brothers & Lucille Ball & Desi Arnaz Lucille Ball 5th Ames Brother February 5, 1956
WED 6/9 Charles Manna French Travel Agent January 20, 1963
WED 6/9 Les Paul & Mary Ford The World Is Waiting For The Sunrise August 19, 1951
THU 6/10 The Cordons Whip Act June 24, 1956
THU 6/10 Toni Harper Three Blind Mice June 12, 1949
THU 6/10 Bob Lewis Worries About Life And A Musical Group December 6, 1964
THU 6/10 Burl Ives Foggy, Foggy Dew March 22, 1953
FRI 6/11 The Alcettys Plate Spinning And Balancing Act March 1, 1964
FRI 6/11 Billy Baxter Greenwich Village Weather In England – James Bond May 1, 1966
FRI 6/11 Sandler & Young Mr. Boom Boom (Mr. Bass Man) January 7, 1968
FRI 6/11 Ella Fitzgerald Hotta Chocolatta March 24, 1957
SAT 6/12 Trio Hoganas Tooth Line Balance Act March 19, 1967
SAT 6/12 Roger Williams Abide With Me April 2, 1961
SAT 6/12 Jimmy Roselli Give My Regards To Broadway January 2, 1966
SUN 6/13 Linon Belgian Clown December 16, 1962
SUN 6/13 The Martys Comedic Acrobats February 19, 1967
SUN 6/13 Bob King Marriage And Family Life August 16, 1964
SUN 6/13 Jimmie Rodgers Honeycomb November 3, 1957
MON 6/14 Leo Bassi Foot Juggler June 7, 1964
MON 6/14 Bob King Modern Music, Rock Stars and DeeJays March 28, 1965
MON 6/14 The Martin Brothers Argentine Juggling Pair November 30, 1969
MON 6/14 Edith Piaf The Poor People Of Paris September 23, 1956
TUE 6/15 Arthur Haynes Acrobatic Sketch November 6, 1966
TUE 6/15 Laurance Harvey Reading of Tennyson’s “The Charge Of The Light Brigade” October 25, 1964
TUE 6/15 Totie Fields Decorating My Home November 5, 1967
TUE 6/15 Pat Rooney Sr. Sidewalks Of New York January 22, 1956
WED 6/16 Phil Foster Marriage And Kids May 1, 1955
WED 6/16 Charlotte Rae Anastasia Sketch April 21, 1957
WED 6/16 Graham W. Jackson Sr. St. Louis Blues with the New York Yankees June 17, 1951
WED 6/16 Phil Silvers & Ed Sullivan Phil Silvers Gives Ed Sullivan Singing Lessons November 6, 1955
THU 6/17 The Spencer Trio Balancing Act March 24, 1963
THU 6/17 Tony Hendra, Nick Ullett The Agony Of A New York Mets Fan August 7, 1966
THU 6/17 Harpo Marx, Ed Sullivan & Ray Bloch Imitations & Turkey In The Straw April 23, 1961
THU 6/17 Lionel Hampton 12th Street Rag May 1, 1955

*** Click link to view segment and/or grab embed code.

About The Ed Sullivan Show

The Ed Sullivan Show is the most popular primetime variety show in American history. For nearly a quarter century, Ed Sullivan hosted the greatest array of talent on television, including The Beatles, The Rolling Stones, Elvis Presley and Motown artists such as The Supremes, The Temptations and The Jackson 5. Every Sunday night at 8pm on CBS from 1948-1971, The Ed Sullivan Show showcased a wide variety of pop culture from the worlds of music, comedy, novelty and much more. The library of 1,000 hours includes over 10,000 performances.

About SOFA Entertainment

In 1990, Andrew Solt formed SOFA Entertainment Inc. and acquired The Ed Sullivan Show from the Sullivan family. The Ed Sullivan Show is the most respected and revered variety show in television history. SOFA Entertainment is the copyright holder of the original Ed Sullivan programs and over 150 hours of newly created programming.

About UMe

Universal Music Enterprises (UMe) is the global catalog and special markets division of Universal Music Group (UMG).  Working closely in concert with UMG’s record labels, territories and operating companies, UMe provides a frontline approach to catalog management, an emphasis on strategic marketing initiatives and creating opportunities in new technologies.

The Truth Serum illustration by Heather Skovlund for 360 Magazine

Kosine × The Truth Serum

KOSINE RELEASES DEBUT EPISODE OF “THE TRUTH SERUM PODCAST” WITH KOSINE & FRIENDS

FEATURING PRODUCER & SONGWRITER YOUNG FYRE

AVAILABLE NOW ON ALL PODCAST STREAMING PLATFORMS

Limited Podcast Series – “The Truth Serum Podcast” with Kosine & Friends – featuring special guest Young Fyre who has produced for T-Pain, Kehlani, Lil Wayne, Brittney Spears, and Jaden Smith

9x Grammy Nominated Producer and Rapper Kosine welcomes producer and songwriter Young Fyre for an unfiltered conversation today on “The Truth Serum Podcast” with Kosine & Friends – a limited series that will feature some of Kosines ‘Super Friends’ where each episode explores the ups and downs of the music industry through personal experiences as Kosine’s super friends pull-up and share the untold stories that shaped their careers. Truth Serum’s unique blend of transparency and storytelling makes it the most dangerously honest podcast on the net. Tune in now for the debut episode and stay ready for the latest episodes to come!

AVAILABLE NOW ON SPOTIFY AND APPLE MUSIC

KOSINE RETURNS TO THE FRONT OF THE CAMERA AS EXECUTIVE MUSIC PRODUCER
 
ON EPISODE 2 OF BET’S NEW REALITY SHOW “THE ENCORE” RELEASING A NEW EPISODE EVERY WEDNESDAY AT 10PM EST ON BET LIVE & BET HER
 
WATCH THE FIRST EPISODE HERE TO SEE NINE OF THE MOST MEMORABLE SOLO FEMALE ARTISTS,
AND GROUPS FROM THE 1990S AND 2000’S MAKE A COMEBACK

Kosine stars in BET’s newest reality show “The Encore” where nine of the most memorable solo female artists and groups from the 1990s and 2000s are making a comeback. In an attempt to reinvent themselves and get back into the spotlight, the artists are tasked with forming an R&B supergroup.

The nine cast members are Shamari DeVoe of Blaque, Irish Grinstead and LeMisha Grinstead from 702, Nivea Nash and Felisha King of Cherish, Fallon King and Pamela Long from the group Total, Aubrey O’Day from Danity Kane, and Kiely Williams of 3LW. While living together, they must create a collaborative album in 30 days and perform the music live with the help of song writer Elijah Blake and Music Producer Kosine.

Episode 2 went live on June 16 at 10pm EST where all of the women take a vote on who will be “Queen” of the house, and Kosine works closely with all nine stars to make their first song as a group in episode 2. Despite the differences in opinions and artistic capabilities, Kosine works with all nine artists as they strive towards forming the ultimate Girl RnB group.

Tune in Next Wednesday June 23 to see Episode 3 as Executive Producer Kosine and Song Writer Elijah Blake work with all nine women to create new music and prepare for their live performance set to happen at the end of the series!

Kosine will be the executive music producer for the show, working closely with all nine cast members to make their artistic visions come to life, and ultimately help these talented women reinvent themselves collectively to take back the spotlight. Tune in next Wednesdays on BET at 10pm EST to see Episode 3!

JUST INCASE YOU MISSED EPISODE 1, YOU CAN VIEW THE FULL EPISODE ON BET.COM. CLICK HERE FOR THE FULL EPISODE!

CLICK HERE FOR EPISODE 2!

WHO: 9x Grammy Nominated Producer and Rapper Kosine for BET’s “The Encore” starring Shamari DeVoe of Blaque, Irish Grinstead and LeMisha Grinstead from 702, Nivea Nash and Felisha King of Cherish, Fallon King and Pamela Long from the group Total, Aubrey O’Day from Danity Kane, and Kiely Williams of 3LW
 
WHAT: BET’s newest reality show “The Encore” where Nine of the most memorable solo female artists and groups from the 1990s and 2000s are making a comeback.
 
WHEN: Wednesday’s at 10pm EST on BET Live and BET Her, watch episode 1 here,
             Tune in Next Wednesday June 23rd for Episode 3!
 
WHERE: You can tune in live on Wednesdays at 10pm EST on the BET channel, and watch past episodes on BET’s website, click here to see episode 1

About KOSINE
Kosine is a nine-time GRAMMY® Award-nominated producer, songwriter, instrumentalist, and actor. His discography notably spans multi-platinum and chart-dominating smashes for everyone from Justin Bieber, Rihanna to Nicki Minaj, NAS, and Big Sean. After taking the time to reintroduce himself and reestablish old relationships through intimate and open conversations, he has truly proven he is here to stay in the industry, and will continue to thrive despite the odds that were once against him.

The Real Housewives illustration by Heather Skovlund for 360 Magazine

The Real Housewives of Potomac

GRAB YOUR TEA AND TAKE A SEAT! “THE REAL HOUSEWIVES OF POTOMAC” RETURNS WITH A SUPERSIZED PREMIERE ON SUNDAY, JULY 11, AT 8PM ET/PT

New Housewife Mia Thornton Joins Returning Ladies Gizelle Bryant, Karen Huger, Ashley Darby, Robyn Dixon, Candiace Dillard Bassett, and Dr. Wendy Osefo

The Real Housewives of Potomac” is back for season six with a 75-minute supersized premiere on Sunday, July 11, at 8pm ET/PT on Bravo.

Returning this season: Gizelle BryantKaren HugerAshley DarbyRobyn DixonCandiace Dillard Bassett, andDr. Wendy Osefo.

New housewife Mia Thornton joins the ladies with a boss mentality and is letting them know that, on her end, respect is earned, not given.

Askale Davis joins as the newest friend of the housewives.

View the season trailer

Coming up this season:

  • While Gizelle Bryant’s west wing dreams finally come true, the wings of love start to unravel with her ex-husband, Jamal, and she tries to focus on building a happyhome with her children.
  • Karen Huger’s marriage institution is 25 years strong, and she is ready to celebrate the momentous occasion in a big way—but a pandemic and Ray could both put a damper on her caviar dreams.
  • Ashley Darby is expanding her family with Baby Darby 2.0. She is happier than she has ever been, but fear of the postpartum depression and relationship issues with Michael that she fought hard to overcome after giving birth to Dean threaten her joy.
  • Robyn Dixon has waited a long time for that ring, but between building a house, a business, and possibly a wedding, she is overwhelmed and finding it challenging to be motivated to do much else. And it’s causing trouble in paradise with her fiancé, Juan.
  • Candiace Dillard-Bassett is going after her dreams with a vengeance: she’s back in school for her master’s degree, working on her album, and pursuing acting. Her husband, Chris, has stepped in as her “husbanger” to help her keep it together—but things get tricky when Chris struggles to separate work from wife.
  • Dr. Wendy Osefo has a new attitude and is making some massive changes to her life to go along with it as she ventures into new territories in work, fashion, and even her friendships. She is finally living her truth and is ready to show the ladies the other side of Dr. Wendy.
  • Mia Thornton is an entrepreneur and a certified “boss.” She is living life like it’s golden with her multiple businesses while being a mother of three and wife to her successful husband, who is 32 years her senior. Mia has not always lived on Easy Street, but she is ready to let it all hang out with the ladies of Potomac.
  • Robyn’s friend Askale Davis is a bubbly, fashionable mother of three with a proud Ethiopian heritage. She also goes by the name “Ethi-Oprah,” but unlike her namesake, she likes to stir the pot.

Meet the new housewife: Mia Thornton

Mia Thornton joins the ladies of “The Real Housewives of Potomac” this season. She is a woman who marches to the beat of her own drum as an entrepreneur, franchise owner, and regional developer. Mia is a graduate of Southeastern Institute, where she received her degree in Neuromuscular Massage Therapy. After graduation, Mia launched her career in Charlotte, North Carolina, as a Clinic Director that eventually led to a five-year partnership with a prominent Fortune 500 company and ownership of Massage Envy Spas. Soon afterward, the expanded success of the company allowed her to develop the Joint Chiropractic Doctor Offices in North Carolina, Virginia, DC, Maryland, and New York. Mia currently resides in Maryland with her husband, Gordon Thornton, of 9 years, and three children, Joshua, Jeremiah, and Juliana. Her philanthropic passion has led her and Gordon to serve on the board and sponsor families of the Ronald McDonald House of Charlotte. She is also a proud sponsor of A Better World, UNCF, Autism Speaks, and A Child’s Place.

“The Real Housewives of Potomac” is produced by Truly Original with Steven Weinstock, Glenda Hersh, Lauren Eskelin, Lorraine Haughton-Lawson, Lauren Volonakis, Nora Devin and Eric Fuller serving as Executive Producers. Jackie Hebert and James Brangert serves as Co-Executive Producer. Andy Cohen also serves as an Executive Producer.

About Bravo Media: 

Bravo is the premier lifestyle and entertainment brand that drives cultural conversation around its high-quality, interactive original content across all platforms. The network features a diverse slate of original programming, including Emmy Award-winning “Top Chef” and “Project Runway,” along with fan favorites “Vanderpump Rules,” “Below Deck,” “Southern Charm,” and the highly popular “Million Dollar Listing” and “The Real Housewives” franchises. Bravo also boasts the only live late-night talk show on television with the critically acclaimed “Watch What Happens Live with Andy Cohen,” which has become a nightly destination for A-list celebrities. Bravo is part of the NBCUniversal Television and Streaming portfolio, which includes NBCU’s broadcast, cable, and streaming platforms: NBC, Bravo, E!, Oxygen, SYFY, Universal Kids, USA Network, and Peacock. For more information, visit Bravo TV.

Page Kennedy illustration by Heather Skovlund for 360 Magazine

Q×A with Page Kennedy

ACTOR & RAPPER PAGE KENNEDY JOINS 360 MAGAZINE FOR SOME Q&A

By: Heather Skovlund-Reibsamen

Page Kennedy is well known as a rapper and actor within our entertainment industry. Kennedy’s recent acting skills brought him to play “Duck” on Netflix’s “The Upshaws”, one of their newest series to hit streaming platforms starring alongside Kim Fields (Regina Upshaw), Mike Epps (Bennie Upshaw), and Wanda Skyes (Lucretia). He is also known for his roles in “Blue Mountain State”, “Weeds” and his comedic genius skits shared on Instagram and TikTok.

Kennedy’s self-titled album ‘Page’ was released in February 2021 featuring heavyweight rappers Xzibit and Method Man is available now on all streaming platforms – make sure you go check it out!

360 Magazine had the pleasure of interviewing Page Kennedy where we discussed “The Upshaws”, his character ‘Duck’, music, and his fitness journey. We had an amazing conversation about his media roles, the love for Eminem, and also found out that we both favor Cardi B because of the way she represents herself: “Cardi B makes me feel like I know her”, said Kennedy.

Read on to hear about our conversation with Page!

Your Netflix series, “The Upshaws”, came out today- how do you feel about working with it?

PK: I love it, you know I was a part of it, and I still watch the series multiple times. I can’t get tired of it. I can just go to any episode and watch it- it has so many great jokes and the characters are diverse, and they bring their own style, energy and creativity. I think it’s the funniest show on TV.

How is it working with the cast?

PK: Working with the cast is great. You know, you got legends there. You’ve got Kim Fields, the ultimate foremost legend, Mike Epps who is a comic genius, Wanda Skyes- comic genius. They are good people, and everybody is happy to be here, so it makes it fun.

Do you feel that you have any similar traits to your character Duck within yourself?

PK: I’ve been asked that question and, let me see, I look at Duck as a different character than what I typically play. The only similarity that I see between me and Duck is his loyalty. He is loyal to a fault. You know, he spent 7-10 years in jail where he could have gotten less time where he could have ratted out his friend who could have been his co-defendant, but he just took it. I think I have a loyalty like Duck. Other than that, he’s a little different than me.

Let’s talk about your latest album. How did you feel about the creative direction within the videos for “Fear” and “Safe”? How did you work through the process of such a real and raw album?

PK: I wanted to make use of all of my talents to create an art- that was my goal. My goal was to take the amalgamation of talents that I have to coalesce to create art that could be ubiquitous forever. You know, that’s what I feel I accomplished because things are great 20 years from now and it’s still going to be great. You can still listen to Biggie because it’s incredible, it’s timeless and that’s what I wanted to do. I feel like I accomplished that.

Can you tell us about the song “Shine”?

PK: I think that the album needed some respite because it’s very heavy and after you listen to Fear and Safe, it’s so cumbersome that you need some respite. And so that’s what Shine provides. It still takes a look at how difficult 2019 was personally for me and then 2020 was for everyone. The face of darkness, there is light after, and I wanted to show that the Devil will not take that light away. We will shine.

Can you tell us about your album cover?

PK: The cover of the album is confluence of tragic incident of black Americans who have had their lives taken from them at the hands of police brutality. That confluence is to show that they are me. You know, they all make up me; I am the same as them and so I wanted to, through me, show them. Wait until you get to the song “Flowers”, that is my favorite song on the album.

At the end of some of your videos, there is mention of voting- what are you trying to show viewers?

PK: So, creating Fear was so I could galvanize the troops to go vote because we can’t just yell from the rafters “We are being disrespected”, “We are being overlooked”. We have to actually get in the dirt and, you know, do things that cause change. Our biggest voice was our vote. The virality of those videos was to have the embolism of to vote throughout the video. To help people want to get out and vote after they see the deleterious effects of what fear can do on both sides so that’s why you see that throughout the videos.

Let’s talk about your fitness journey. What motivated you to get started?

PK: I got tired of looking at myself in movies and TV fat as hell and I was more attractive in my head than I was externally, so I wanted to match that.

So, there’s a lot of excuses that I think many people use such as “I can’t afford to go to the gym” or “I hurt too much to do this”. How did you push past your own excuses?

PK: I have an additive personality so once I get into something, I’m locked in and I got my mind right and ready. I had help, a tool to help me out with the point of why I was overweight which was my addiction to food. And so, I got gastro sleeve surgery which made my stomach smaller so that I couldn’t overeat. That helped. That was like the catalyst to help me and the working out thing- I already had that down. I had challenges where I would workout 100 straight days and another challenge where I went a straight year of working out without missing any days. My mind was already set to go to the gym, I just needed to get the food stuff right.

Do you still workout consistently?

PK: Yep, I’m still in it. Even when the gyms were closed, I found a way to get the workout in.

What advice would you offer somebody as far as starting out on their journey? If they were with you and undecided about their journey because of lack of motivation.

PK: I would say to make it something that is a part of your daily life that you don’t have a choice of. You don’t have a choice if you need to go to the bathroom or not, you don’t have a choice whether you like eating or not. These are things that must happen regardless of what you want or not. So, if you make the gym or workout a part of that, you take the lack of motivation away. We can have things taken away for us and see how resilient we could be. If you’re in jail or in a weight loss camp or anywhere that caused your free will to be taken away and you are forced to do something, you can do it because you have to. So why have to be in a situation where some other exterior force forces you to when you have a mind and brain that is going to be the thing to make you do it anyway.

Do you have a specific meal plan?

PK: Sometimes, yes. I go in spurts. Some weeks I have no carbs and no sugar. Then some weeks I am a little looser. I just try to be moderate because I could easily go really far one way or really far the other way. It’s not until I’m actually preparing for something that I go super crazy. Other than that, I just try and stay in striking range.

Do you allow yourself to have treats?

PK: Yep, probably more than I should.

What kind of workouts do you do?

PK: Well, when I get off the phone with you, I have a trainer, so I am going to the gym. Wednesday is leg day, which sucks. I work out with a trainer 3-4 days a week and then two other days I have an Oculus virtual reality thing that I do a supernatural workout on or I ride my bike for 20 miles to the beach on Tuesdays and Thursdays.

Is there anything else that you’d like to talk about or anything that you’d like to share with our readers?

PK: I just want them to the importance of the album “Page” and how it’s important to everyone in the world right to be aware of everything that happening right now and everything that’s going on. And that if this album was released by a bigger artist, it would be a Grammy-nominated type of album – that’s how important this album is. I just implore everyone to continue to listen to it and check it out because I think it’s necessary. That’s the main thing that I want- and watch “The Upshaws” on Netflix streaming now.

Chloe Moriondo illustration by Heather Skovlund (photo credit: Jimmy Fontaine) for 360 Magazine

Chloe Moriondo × Blood Bunny

CHLOE MORIONDO DEBUTS NEW ALBUM BLOOD BUNNY RECORD CROWNED AS NEW YORK TIMES CRITIC’S PICK

BODYBAG OFFICIAL MUSIC VIDEO STREAMING NOW

NORTH AMERICAN FALL HEADLINE TOUR ON-SALE TODAY DATES KICK OFF SEPTEMBER 30TH IN CLEVELAND, OH

CHLOE MORIONDO BODYBAG OFFICIAL MUSIC VIDEO

18-year-old artist Chloe Moriondo has shared her major-label debut album Blood Bunny. The release is accompanied by an official video for track Bodybag, which is streaming now on Moriondo’s official YouTube channelBlood Bunny is available now on all streaming platforms via Public Consumption Recording Co./Fueled By Ramen.

In celebration of the record, Chloe Moriondo will embark on a fall headline tour, kicking off September 30th in Columbus, Ohio. The trek will make stops at The Roxy in Los Angeles, CA and New York City’s Bowery Ballroom before wrapping up with a home-state performance at El Club in Detroit, MI (tour itinerary attached). General on-sale begins today at 12pm local time. For up-to-date ticketing information, please visit the Chloe Moriondo website.

The New York Timescrowned the 13-track Blood Bunny a Critic’s Pick, and exclaimed On the robust and vividly plain-spoken ‘Blood Bunny,’ Moriondo is a pop-punk whiz, deftly hopping between musical approaches from spare to lushly produced, and emphasizing intimate, cut-to-the-bone lyrics. The Line of Best Fit hailed the record as Moriondo’s boldest, brightest and most ambitious project to date, while Dork Magazine raved, it’s obvious that [Blood Bunny] is a big deal in a five-star review. FLOOD Magazine praised the record’s intricate production blending cozy pop and rock riffs and UPROXX declared, Blood Bunny is a departure from the sound on Moriondo’s previous work, employing a full band to create alternative rock songs that sound absolutely massive with excellent songwriting.

Blood Bunny was heralded by the release of April single I Eat Boys, a deceptively breezy track inspired by the queer cult classic film Jennifer’s Body, twisting an instance of street harassment into a cannibalistic daydream. In addition to Éc;I Eat Boys,Éd; the albumfeatures previously released singles Manta Rays, GIRL ON TV, and I Want To Be With You, the latter of which was lauded by The New York Times as acutely observed bedroom pop served with a side of arena-emo triumph. Recently labeled one of 2021’s Artists To Watch by PEOPLE and NME, Chloe has racked up praise from BillboardUPROXXRefinery29them., E!, and more. The artist has also become a sought-after collaborator, recently appearing as a featured artist on tracks with Frances Forever, mxmtoon and Ricky Montgomery.

At age eighteen, Chloe Moriondo professes to be an internet kid, yet she tackles overwhelming infatuation, listless daydreams, and first love with keen empathy that’s unsearchable online. With her relatable, confessional lyrics and idiosyncratic humor, the singer-songwriter has built a devoted fanbase of millions, sharing her authentic self to create a genuine connection with her listeners.

CHLOE MORIONDO 2021 HEADLINE TOUR DATES

Thu, SEP 30 Mahalls Cleveland, OH

Fri, OCT 1 Bottom Lounge Chicago, IL

Sat, OCT 2 7th Street Entry Minneapolis, MN

Tue, OCT 5 Lost Lake Lounge Denver, CO

Thu, OCT 7 Kilby Court Salt Lake City, UT

Sat, OCT 9 Holocene Portland, OR

Sun, OCT 10 The Vera Project Seattle, WA

Tue, OCT 12 Rickshaw Stop San Francisco, CA

Thu, OCT 14 The Roxy Theatre Los Angeles, CA

Sat, OCT 16 House of Blues San Diego San Diego, CA

Sun, OCT 17 The Rebel Lounge Phoenix, AZ

Fri, NOV 12 Antone’s Austin, TX

Sat, NOV 13 The Secret Group Houston, TX

Sun, NOV 14 Dada Dallas Dallas, TX

Tue, NOV 16 The Basement East Nashville, TN

BLOOD BUNNY Tracklisting:

Rly Don’t Care

I Eat Boys

Manta Rays

GIRL ON TV

I Want To Be With You

Slacker

Take Your Time

Bodybag

Favorite Band

Samantha

Strawberry Blonde

Vapor

What If It Doesn’t End Well

Outsider Project illustration by Heather Skovlund (original artwork: Henry Darger)for 360 Magazine

Outsider Project × Henry Darger

OUTSIDER PROJECT CELEBRATES WORLD-RENOWNED CHICAGO ARTIST HENRY DARGER’S BIRTHDAY

French musician Philippe Cohen Solal found material ripe for musical expression in Chicago-born author and artist Henry Darger’s drawings, paintings, writings, life story and lyrics. The award-winning Cohen Solal drew from Darger’s oeuvre to compose OUTSIDER, an album and transmedia project honoring the renowned outsider artist. In celebration of Darger’s birthday on Monday, April 12, Intuit partners with Cohen Solal and Musee Art Moderne de Paris (MAM) on the launch of OUTSIDER, in which Cohen Solal will present an excerpt from the project live from MAM on the website at noon central time.

In the baroque pop album OUTSIDER, musicians Philippe Cohen Solal, Mike Lindsay, Adam Glover and Hannah Peel turn Darger’s paintings and writings into melodies. The album is available now on streaming platforms and the website an immersive bilingual website featuring music videos and a short film. Releasing in English on Wednesday, April 14, the accompanying bilingual podcast retraces Darger’s story through the testimonies of the people who knew him and studied and exhibited his work. Hear stories from the artist’s former landlord, Kiyoko Lerner, and learn more about the Henry Darger Room Collection, which Cohen Solal used as inspiration, from Intuit President and CEO Debra Kerr.

“It’s exciting to see Darger’s influence in new mediums. Philippe has long been inspired by both seeing the artworks in person and his visit to the Henry Darger Room at Intuit. As Darger is Intuit’s most closely associated artist and many people’s entry to the genre of outsider art, I’m always interested to see new creativity catalyzed by his story and body of work,” says Kerr. “In this case, Philippe and his colleagues have treated Henry’s legacy with the utmost respect, honor and care. Darger’s story is shrouded in mystery, and I am happy when new interpretations stay true to what we know and can uncover with rigorous scholarship. I send my warm congratulations.”

Although Darger and his mysterious artwork have been of interest to the art world for several decades now, the outsider artist lived life in obscurity as a hospital janitor. Lerner’s husband, Nathan, discovered Darger’s work shortly before the artist’s death in 1972, and the couple shared it with outsider art enthusiasts and scholars who became fascinated by him over time.

As the pandemic keeps people removed from one another, an exploration of the notably isolated Darger is especially relevant. Cohen Solal’s interest in and repurposing of Darger’s work into new artforms speak to the universality and timeless emotional rawness of the late creator’s life and work. Celebrate Darger’s legacy at this commemorative program that is sure to delight and inspire fans around the world.

For more news from Intuit, visit our press room.

ABOUT INTUIT

Founded in 1991, Intuit is a premier museum of outsider and self-taught art, defined as work created by artists who faced marginalization, overcame personal odds to make their artwork, and who did not, or sometimes could not, follow a traditional path of art making, often using materials at hand to realize their artistic vision. By presenting a diversity of artistic voices, Intuit builds a bridge from art to audiences. The museum’s mission to celebrate the power of outsider artis grounded in the ethos that powerful art can be found in unexpected places and made by unexpected creators.

Intuit is open 11 a.m.-5 p.m. Friday and Saturday and reserves admission by appointment for guests who are in an increased risk group. More information on the website.

Intuit is generously supported by the following organizations: Alphawood Foundation Chicago; anonymous foundations; Art Dealers Association of America Foundation; Chicago Department of Cultural Affairs & Special Events; Crown Family Philanthropies; Gaylord and Dorothy Donnelley Foundation; Field Foundation; Illinois Arts Council Agency; Illinois Humanities; MacArthur Fund for Culture, Equity, and the Arts at Prince; National Endowment for the Arts; Polk Bros Foundation; Prince Charitable Trust; and Terra Foundation for American Art.

Album cover with original artwork: Henry Darger, Spangled Blengins. Edible. Boy King Islands. One is a young Tuskerhorian the other a human headed Dortherean
Album cover with original artwork: Henry Darger, Spangled Blengins. Edible. Boy King Islands. One is a young Tuskerhorian the other a human headed Dortherean
GirlzLuhDev illustration by Heather Skovlund for 360 Magazine

GirlzLuhDev Drops New Single

GIRLZLUHDEV DROPS BUBBLING NEW SINGLE

DAY 1 STARTER (FEAT. REMBLE)

LISTEN HERE

WATCH THE VIDEO HERE

Young 17-year-old Inland Empire rapper GirlzLuhDev returns with the energetic single Day 1 Starter: featuring rising L.A. MC Remble. A lively verbal showcase, the single finds the two slick MCs spitting dazzling verses that spiral around an airy West Coast beat. Listen here and watch the video here via Capitol Records. In the accompanying video the two display their chemistry proudly. It’s the kind of regional connection you can’t force. Blessed with a slinky voice and unteachable confidence, ex-basketball star Dev proves once again he’s ready to drive his talents to the top of the rap game.

Day 1 Starter (feat. Remble) is an athletic track: Remble grapples with the beat like a wrestler, Dev floats over it like a boxer on his toes. And when they trade bars, it’s an all-out brawl. He talkin’ too loud, I let my 40 bark him, Dev sneers. Remble fires back, You wanna fade, my chopper Ronda Rousey. Dev uses bobs and weaves through his trademark basketball references, lending the track that fun, head-spinning energy that informs all of his most infectious songs. In the video, directed by Nick MedinaDev and Remble hang on a quiet block, demonstrating their cool chemistry and quiet confidence as they play dice and flex.

Day 1 Starter (feat. Remble) follows Dev’s recent singles, Mario Chalmersand Tonight, the latest installments in a year of overwhelming success for the 17-year-old. Much of his acclaim has followed his viral single Tooka, which launched him from local stardom to the national spotlight and earned him a deal with Capitol Records. Day 1 Starter (feat. Remble) is another worthy follow-up to his hit’s boundless energy, a sign of a future that gets brighter by the day.

Follow GirlzLuhDev

Instagram | Twitter | YouTube | SoundCloud

About GirlzLuhDev:

GirlzLuhDev is a rapper, singer, ex-basketball star, and quite possibly America’s next great hitmaker. Oh, and he’s a senior in high school. The 17-year-old artist from California’s Inland Empire is a year into making music but has already landed a viral hit, the raunchy but blissed out Tooka, which scored over two million SoundCloud streams in 10 months. Supported by simple beats and rich keys, he parlays his youthful energy into a bright blend of bars, warbled melodies, and ad libs that sounds like smack talk beamed down from a distant planet. It’s sunbaked West Coast street rap meets the wonky charm of a kid with nothing to lose. Signed to Capitol Records, Dev has his sights set on the national spotlight.

Headphones illustration by Heather Skovlund for 360 Magazine

Music Streaming Revenues Jump

Music Streaming Revenues to Hit $23B in 2021:

A 50% Jump Compared to pre-COVID-19 Figures

Like many other sectors, the music industry has been significantly affected by COVID-19, with the massive cancelation of live events and huge ticket sales revenue drops amid the lockdown. With earnings from live music events shrunk to the lowest level in history, artists increasingly rely on income from streaming platforms. According to data presented by BuyShares.co.nz, music streaming revenues are expected to hit $23bn in 2021, a 50% increase compared to pre-COVID-19 figures.

Revenues to Jump by $3.3bn in a Year, Number of Users to hit 620 Million

Even before the pandemic, the music streaming industry witnessed impressive growth, with revenues rising by a CARG of 20% year-over-year. Statista survey showed that in 2017, the unified market was worth $10.5bn. In the next two years, this figure jumped to $15.2bn. However, last year, music streaming platforms witnessed the biggest annual revenue growth, as COVID-19 halted live events. Statistics show that revenues surged by almost 30% year-over-year and hit $19.7bn in 2020. The ongoing lockdown is expected to continue driving a rise in music streaming consumption, with revenues growing by another $3.3bn this year. By 2025, the entire market is forecast to hit a $33.3bn value. The Statista survey showed the number of people using music streaming platforms also surged amid the pandemic and jumped from 425.6 million in 2019 to 626.2 million in 2021. More than 900 million people worldwide are expected to use music streaming services in the next four years.

Spotify hit 155 Million Premium Subscribers in 2020, Double than Apple Music

As the world’s largest music streaming market, the United States is expected to reach 100.7 million users and $8.7bn in revenue in 2021, a 16.6% increase in a year. The Chinese market, the second-largest market globally, is forecast to grow by 20% YoY and hit $2.2bn value this year, almost four times less than the leading US. Nevertheless, with 177.7 million users in 2021, the country has the largest number of people using music streaming services globally. According to Hootsuite’s Digital 2021 Report, more than 81% of surveyed internet users in China reported listening to music streaming services last year. The United Kingdom ranked as the third-largest music streaming market with $1.4bn in revenue this year.

As the biggest music streaming service globally, Spotify (NYSE: SPOT) hit 345 million monthly active users and 155 million premium subscribers in December 2020, a 25% jump in a year. While Apple (AAPL: NASDAQ) hasn’t publicly commented on its subscriber count since reaching 60 million in June 2019, estimates from MIDiA Research put Apple Music subscribers at 72 million in 2020, or half the Spotify count.

 

The full story can be read here.

Streaming, tv, film, Nielsen story illustration by Kaelen Felix for 360 MAGAZINE

STREAMING PLATFORMS LEADING THE WAY 

IN ON-SCREEN DIVERSE REPRESENTATION

Diversity at all-time high due to growing television landscape but notable disparities persist

The explosion of new television platforms across broadcast, streaming and cable has led to an increase in on-screen representation of diverse identity groups, according to Nielsen’s latest Diverse Intelligence Series report: Being Seen on Screen: Diverse Representation and Inclusion on TV. 

Among the 300 most-viewed programs in 2019, 92% had some level of diversity in the cast (i.e. women, people of color or LGBTQ+). Whites, African Americans and LGBTQ+ had the largest overall share of screen while Women, Hispanics, Asians and Native Americans were underrepresented relative to their population estimates. The report uncovers notable differences in identity group representation across different platforms; with streaming over-indexing on representation for certain identity groups versus traditional broadcast and cable.

In this report, Being Seen on Screen: Diverse Representation and Inclusion on TV, Nielsen reports on scripted, reality, variety and news programming on key metrics: 

  • Share of Screen (SOS): composition of the top 10 recurring cast members in a program
  • Inclusion Opportunity Index (IOI): compares the SOS of an identity group (e.g. women) to their representation in population estimates
  • Inclusion Audience Index (IAI): compares the SOS of an identity group to their representation in a program’s audience.

The report is powered by Gracenote Inclusion Analytics, a new solution delivering cutting-edge metrics created from Gracenote content metadata and Nielsen audience measurement data, providing the industry with consistent and reliable measurement of granular viewing. The report also leverages Gracenote Video Descriptors, metadata relating to story, mood, character, theme and scenario in each program. 

Key insights from the report include:

Overall, representation of diverse identity groups in on-screen programming is low across all media platforms. Streaming fares better for inclusion followed by broadcast and cable. Viewing audiences are increasingly seeking content that tells their stories. As a result, people are migrating to platforms that have broad and more diverse content offerings. 

  • Representation by platform (Broadcast, Cable, Streaming): Nearly one-third of the content on cable doesn’t have parity representation of Indigenous, People of Color (Black, Native American, Asian & Pacific islander, Hispanic/Latinx, Middle eastern/ North African, Multiracial), Women or LGBTQ talent. 
  • Subscription video on demand (SVOD) programming represents several identity groups e.g. Blacks, Hispanic and Asians well, helping us understand, in part, why more diverse audiences are subscribing to streaming services than the general population.
  • Representation of identity groups by genre (e.g. comedy, drama, news): 
    • While women are not well represented in any single genre, the highest representation for women is in science fiction, drama, comedy and horror. 
    • Women have the lowest representation in news. 
    • People of color representation is at parity in music and drama, followed by science fiction and action and adventure.  
    • People of color have least relative representation in news. 
    • News does prominently feature LGBTQ talent on-screen. 
    • Reality and horror programming also prominently feature LGBTQ talent. 

All audiences, regardless of how they identify, like to see diversity in the content they view on TV. Programs that represent multiple identity groups evenly yield higher overall audience ratings for all viewers when compared to shows that have a significant over or under representation of any one identity group.  

Quality of representation matters too. The themes and narratives depicted on-screen can contribute to identity formation and social perceptions. As the industry seeks to improve diversity on-screen, content creators and publishers should consider the context in which women, people of color, and LGBTQ+ talent are presented. Equally important is investing in marketing those diverse programs so that they are watched.

  • Women insights
    • Comprise 52% of the U.S. population; show up on screen only 38% of the time
    • Women 50+ years old 
      • 60% less likely to see themselves in programming than in the general population, and 2x the representation of men 50+
      • Women 50+ comprise 20% of the population and 20% of all TV viewers, but have a SOS of less than 8%
      • Men 50+ years old are 17% of the total population and have SOS of 14%
  • LGBTQ+ insights
    • 1 out of 4 top performing programs across cable, broadcast and streaming have relative representation of LGBTQ+ cast members 
    • Total SOS for LGBTQ was 7%. LGBTQ people are 4.5% of the population so across all platforms we see fair representation
    • The highest level of representation is on SVOD (8% SOS), followed by cable (7%) then broadcast (5%). 

Aligning representative casting and content themes is an area of opportunity. In the programming where identity groups see themselves represented at parity, these are the themes that are most present: 

  • Latinas: dysfunction, emotional, suspenseful, melodramatic, police stations
  • Black women: emotional, personal relationships, sons, investigation, rivalry
  • Black men: investigation, thrilling, streets, pursuit, teamwork, discovery
  • East Asians: challenge, courage and bravery, justice, sons, discovery
  • South/Southeast Asian males: thrilling, awakening, offices, courtrooms
  • White women: friendship, family, love, husbands, daughters

Nielsen’s findings aim to show media owners the degree to which their programming is inclusive, coupled with the diversity of the audience they draw. Additionally, brands and agencies will now be able to measure their advertising investment and alignment to inclusive content. The identity groups measured included: Female, Male & Expansive Gender Identities, Black/African American, Hispanic, Asian & Pacific Islander, Middle Eastern/North African, Multiracial, White, Native American/Native Alaskan, and Sexual Orientation. The data, which was both intersectional and granular, enables Nielsen to look at specific identity subsegments like Afro-Latino or Southeast Asian. 

“At Nielsen, we believe that the audience is everything and that inclusion is a prerequisite of a healthy media ecosystem, ensuring all communities and individuals are heard and seen,” stated Tina Wilson, Nielsen EVP, Media Analytics and Marketing Outcomes. “The call for inclusive programming that breaks traditional stereotypes and gives a voice to underrepresented groups has never been louder.”

“This work underscores the essential importance of on-screen representation in an increasingly diverse audience landscape,” said Sandra Sims-Williams, Nielsen SVP, Diversity, Equity and Inclusion. “Not only is the business case for inclusion made but it also provides practical recommendations on how media companies can address inclusion gaps. This is a must-read for any media professional who wants to be part of the change that today’s television viewers demand.”

For more details and insights, download Being Seen On Screen: Diverse Representation & Inclusion on TV. Please visit nielsen.com/inclusionanalytics to learn more. Join the discussion on Facebook (Nielsen Community) and follow us on Twitter (@NielsenKnows).

ABOUT NIELSEN 

Nielsen Holdings plc (NYSE: NLSN) is a global measurement and data analytics company that provides the most complete and trusted view available of consumers and markets worldwide. Our approach marries proprietary Nielsen data with other data sources to help clients around the world understand what’s happening now, what’s happening next, and how to best act on this knowledge. For more than 90 years Nielsen has provided data and analytics based on scientific rigor and innovation, continually developing new ways to answer the most important questions facing the media, advertising, retail and fast-moving consumer goods industries. An S&P 500 company, Nielsen has operations in over 100 countries, covering more than 90% of the world’s population. For more information, visit www.nielsen.com.