Posts tagged with "STREAMING PLATFORMS"

Chloe Moriondo illustration by Heather Skovlund (photo credit: Jimmy Fontaine) for 360 Magazine

Chloe Moriondo × Blood Bunny

CHLOE MORIONDO DEBUTS NEW ALBUM BLOOD BUNNY RECORD CROWNED AS NEW YORK TIMES CRITIC’S PICK

BODYBAG OFFICIAL MUSIC VIDEO STREAMING NOW

NORTH AMERICAN FALL HEADLINE TOUR ON-SALE TODAY DATES KICK OFF SEPTEMBER 30TH IN CLEVELAND, OH

CHLOE MORIONDO BODYBAG OFFICIAL MUSIC VIDEO

18-year-old artist Chloe Moriondo has shared her major-label debut album Blood Bunny. The release is accompanied by an official video for track Bodybag, which is streaming now on Moriondo’s official YouTube channelBlood Bunny is available now on all streaming platforms via Public Consumption Recording Co./Fueled By Ramen.

In celebration of the record, Chloe Moriondo will embark on a fall headline tour, kicking off September 30th in Columbus, Ohio. The trek will make stops at The Roxy in Los Angeles, CA and New York City’s Bowery Ballroom before wrapping up with a home-state performance at El Club in Detroit, MI (tour itinerary attached). General on-sale begins today at 12pm local time. For up-to-date ticketing information, please visit the Chloe Moriondo website.

The New York Timescrowned the 13-track Blood Bunny a Critic’s Pick, and exclaimed On the robust and vividly plain-spoken ‘Blood Bunny,’ Moriondo is a pop-punk whiz, deftly hopping between musical approaches from spare to lushly produced, and emphasizing intimate, cut-to-the-bone lyrics. The Line of Best Fit hailed the record as Moriondo’s boldest, brightest and most ambitious project to date, while Dork Magazine raved, it’s obvious that [Blood Bunny] is a big deal in a five-star review. FLOOD Magazine praised the record’s intricate production blending cozy pop and rock riffs and UPROXX declared, Blood Bunny is a departure from the sound on Moriondo’s previous work, employing a full band to create alternative rock songs that sound absolutely massive with excellent songwriting.

Blood Bunny was heralded by the release of April single I Eat Boys, a deceptively breezy track inspired by the queer cult classic film Jennifer’s Body, twisting an instance of street harassment into a cannibalistic daydream. In addition to Éc;I Eat Boys,Éd; the albumfeatures previously released singles Manta Rays, GIRL ON TV, and I Want To Be With You, the latter of which was lauded by The New York Times as acutely observed bedroom pop served with a side of arena-emo triumph. Recently labeled one of 2021’s Artists To Watch by PEOPLE and NME, Chloe has racked up praise from BillboardUPROXXRefinery29them., E!, and more. The artist has also become a sought-after collaborator, recently appearing as a featured artist on tracks with Frances Forever, mxmtoon and Ricky Montgomery.

At age eighteen, Chloe Moriondo professes to be an internet kid, yet she tackles overwhelming infatuation, listless daydreams, and first love with keen empathy that’s unsearchable online. With her relatable, confessional lyrics and idiosyncratic humor, the singer-songwriter has built a devoted fanbase of millions, sharing her authentic self to create a genuine connection with her listeners.

CHLOE MORIONDO 2021 HEADLINE TOUR DATES

Thu, SEP 30 Mahalls Cleveland, OH

Fri, OCT 1 Bottom Lounge Chicago, IL

Sat, OCT 2 7th Street Entry Minneapolis, MN

Tue, OCT 5 Lost Lake Lounge Denver, CO

Thu, OCT 7 Kilby Court Salt Lake City, UT

Sat, OCT 9 Holocene Portland, OR

Sun, OCT 10 The Vera Project Seattle, WA

Tue, OCT 12 Rickshaw Stop San Francisco, CA

Thu, OCT 14 The Roxy Theatre Los Angeles, CA

Sat, OCT 16 House of Blues San Diego San Diego, CA

Sun, OCT 17 The Rebel Lounge Phoenix, AZ

Fri, NOV 12 Antone’s Austin, TX

Sat, NOV 13 The Secret Group Houston, TX

Sun, NOV 14 Dada Dallas Dallas, TX

Tue, NOV 16 The Basement East Nashville, TN

BLOOD BUNNY Tracklisting:

Rly Don’t Care

I Eat Boys

Manta Rays

GIRL ON TV

I Want To Be With You

Slacker

Take Your Time

Bodybag

Favorite Band

Samantha

Strawberry Blonde

Vapor

What If It Doesn’t End Well

Outsider Project illustration by Heather Skovlund (original artwork: Henry Darger)for 360 Magazine

Outsider Project × Henry Darger

OUTSIDER PROJECT CELEBRATES WORLD-RENOWNED CHICAGO ARTIST HENRY DARGER’S BIRTHDAY

French musician Philippe Cohen Solal found material ripe for musical expression in Chicago-born author and artist Henry Darger’s drawings, paintings, writings, life story and lyrics. The award-winning Cohen Solal drew from Darger’s oeuvre to compose OUTSIDER, an album and transmedia project honoring the renowned outsider artist. In celebration of Darger’s birthday on Monday, April 12, Intuit partners with Cohen Solal and Musee Art Moderne de Paris (MAM) on the launch of OUTSIDER, in which Cohen Solal will present an excerpt from the project live from MAM on the website at noon central time.

In the baroque pop album OUTSIDER, musicians Philippe Cohen Solal, Mike Lindsay, Adam Glover and Hannah Peel turn Darger’s paintings and writings into melodies. The album is available now on streaming platforms and the website an immersive bilingual website featuring music videos and a short film. Releasing in English on Wednesday, April 14, the accompanying bilingual podcast retraces Darger’s story through the testimonies of the people who knew him and studied and exhibited his work. Hear stories from the artist’s former landlord, Kiyoko Lerner, and learn more about the Henry Darger Room Collection, which Cohen Solal used as inspiration, from Intuit President and CEO Debra Kerr.

“It’s exciting to see Darger’s influence in new mediums. Philippe has long been inspired by both seeing the artworks in person and his visit to the Henry Darger Room at Intuit. As Darger is Intuit’s most closely associated artist and many people’s entry to the genre of outsider art, I’m always interested to see new creativity catalyzed by his story and body of work,” says Kerr. “In this case, Philippe and his colleagues have treated Henry’s legacy with the utmost respect, honor and care. Darger’s story is shrouded in mystery, and I am happy when new interpretations stay true to what we know and can uncover with rigorous scholarship. I send my warm congratulations.”

Although Darger and his mysterious artwork have been of interest to the art world for several decades now, the outsider artist lived life in obscurity as a hospital janitor. Lerner’s husband, Nathan, discovered Darger’s work shortly before the artist’s death in 1972, and the couple shared it with outsider art enthusiasts and scholars who became fascinated by him over time.

As the pandemic keeps people removed from one another, an exploration of the notably isolated Darger is especially relevant. Cohen Solal’s interest in and repurposing of Darger’s work into new artforms speak to the universality and timeless emotional rawness of the late creator’s life and work. Celebrate Darger’s legacy at this commemorative program that is sure to delight and inspire fans around the world.

For more news from Intuit, visit our press room.

ABOUT INTUIT

Founded in 1991, Intuit is a premier museum of outsider and self-taught art, defined as work created by artists who faced marginalization, overcame personal odds to make their artwork, and who did not, or sometimes could not, follow a traditional path of art making, often using materials at hand to realize their artistic vision. By presenting a diversity of artistic voices, Intuit builds a bridge from art to audiences. The museum’s mission to celebrate the power of outsider artis grounded in the ethos that powerful art can be found in unexpected places and made by unexpected creators.

Intuit is open 11 a.m.-5 p.m. Friday and Saturday and reserves admission by appointment for guests who are in an increased risk group. More information on the website.

Intuit is generously supported by the following organizations: Alphawood Foundation Chicago; anonymous foundations; Art Dealers Association of America Foundation; Chicago Department of Cultural Affairs & Special Events; Crown Family Philanthropies; Gaylord and Dorothy Donnelley Foundation; Field Foundation; Illinois Arts Council Agency; Illinois Humanities; MacArthur Fund for Culture, Equity, and the Arts at Prince; National Endowment for the Arts; Polk Bros Foundation; Prince Charitable Trust; and Terra Foundation for American Art.

Album cover with original artwork: Henry Darger, Spangled Blengins. Edible. Boy King Islands. One is a young Tuskerhorian the other a human headed Dortherean
Album cover with original artwork: Henry Darger, Spangled Blengins. Edible. Boy King Islands. One is a young Tuskerhorian the other a human headed Dortherean
GirlzLuhDev illustration by Heather Skovlund for 360 Magazine

GirlzLuhDev Drops New Single

GIRLZLUHDEV DROPS BUBBLING NEW SINGLE

DAY 1 STARTER (FEAT. REMBLE)

LISTEN HERE

WATCH THE VIDEO HERE

Young 17-year-old Inland Empire rapper GirlzLuhDev returns with the energetic single Day 1 Starter: featuring rising L.A. MC Remble. A lively verbal showcase, the single finds the two slick MCs spitting dazzling verses that spiral around an airy West Coast beat. Listen here and watch the video here via Capitol Records. In the accompanying video the two display their chemistry proudly. It’s the kind of regional connection you can’t force. Blessed with a slinky voice and unteachable confidence, ex-basketball star Dev proves once again he’s ready to drive his talents to the top of the rap game.

Day 1 Starter (feat. Remble) is an athletic track: Remble grapples with the beat like a wrestler, Dev floats over it like a boxer on his toes. And when they trade bars, it’s an all-out brawl. He talkin’ too loud, I let my 40 bark him, Dev sneers. Remble fires back, You wanna fade, my chopper Ronda Rousey. Dev uses bobs and weaves through his trademark basketball references, lending the track that fun, head-spinning energy that informs all of his most infectious songs. In the video, directed by Nick MedinaDev and Remble hang on a quiet block, demonstrating their cool chemistry and quiet confidence as they play dice and flex.

Day 1 Starter (feat. Remble) follows Dev’s recent singles, Mario Chalmersand Tonight, the latest installments in a year of overwhelming success for the 17-year-old. Much of his acclaim has followed his viral single Tooka, which launched him from local stardom to the national spotlight and earned him a deal with Capitol Records. Day 1 Starter (feat. Remble) is another worthy follow-up to his hit’s boundless energy, a sign of a future that gets brighter by the day.

Follow GirlzLuhDev

Instagram | Twitter | YouTube | SoundCloud

About GirlzLuhDev:

GirlzLuhDev is a rapper, singer, ex-basketball star, and quite possibly America’s next great hitmaker. Oh, and he’s a senior in high school. The 17-year-old artist from California’s Inland Empire is a year into making music but has already landed a viral hit, the raunchy but blissed out Tooka, which scored over two million SoundCloud streams in 10 months. Supported by simple beats and rich keys, he parlays his youthful energy into a bright blend of bars, warbled melodies, and ad libs that sounds like smack talk beamed down from a distant planet. It’s sunbaked West Coast street rap meets the wonky charm of a kid with nothing to lose. Signed to Capitol Records, Dev has his sights set on the national spotlight.

Headphones illustration by Heather Skovlund for 360 Magazine

Music Streaming Revenues Jump

Music Streaming Revenues to Hit $23B in 2021:

A 50% Jump Compared to pre-COVID-19 Figures

Like many other sectors, the music industry has been significantly affected by COVID-19, with the massive cancelation of live events and huge ticket sales revenue drops amid the lockdown. With earnings from live music events shrunk to the lowest level in history, artists increasingly rely on income from streaming platforms. According to data presented by BuyShares.co.nz, music streaming revenues are expected to hit $23bn in 2021, a 50% increase compared to pre-COVID-19 figures.

Revenues to Jump by $3.3bn in a Year, Number of Users to hit 620 Million

Even before the pandemic, the music streaming industry witnessed impressive growth, with revenues rising by a CARG of 20% year-over-year. Statista survey showed that in 2017, the unified market was worth $10.5bn. In the next two years, this figure jumped to $15.2bn. However, last year, music streaming platforms witnessed the biggest annual revenue growth, as COVID-19 halted live events. Statistics show that revenues surged by almost 30% year-over-year and hit $19.7bn in 2020. The ongoing lockdown is expected to continue driving a rise in music streaming consumption, with revenues growing by another $3.3bn this year. By 2025, the entire market is forecast to hit a $33.3bn value. The Statista survey showed the number of people using music streaming platforms also surged amid the pandemic and jumped from 425.6 million in 2019 to 626.2 million in 2021. More than 900 million people worldwide are expected to use music streaming services in the next four years.

Spotify hit 155 Million Premium Subscribers in 2020, Double than Apple Music

As the world’s largest music streaming market, the United States is expected to reach 100.7 million users and $8.7bn in revenue in 2021, a 16.6% increase in a year. The Chinese market, the second-largest market globally, is forecast to grow by 20% YoY and hit $2.2bn value this year, almost four times less than the leading US. Nevertheless, with 177.7 million users in 2021, the country has the largest number of people using music streaming services globally. According to Hootsuite’s Digital 2021 Report, more than 81% of surveyed internet users in China reported listening to music streaming services last year. The United Kingdom ranked as the third-largest music streaming market with $1.4bn in revenue this year.

As the biggest music streaming service globally, Spotify (NYSE: SPOT) hit 345 million monthly active users and 155 million premium subscribers in December 2020, a 25% jump in a year. While Apple (AAPL: NASDAQ) hasn’t publicly commented on its subscriber count since reaching 60 million in June 2019, estimates from MIDiA Research put Apple Music subscribers at 72 million in 2020, or half the Spotify count.

 

The full story can be read here.

Streaming, tv, film, Nielsen story illustration by Kaelen Felix for 360 MAGAZINE

STREAMING PLATFORMS LEADING THE WAY 

IN ON-SCREEN DIVERSE REPRESENTATION

Diversity at all-time high due to growing television landscape but notable disparities persist

The explosion of new television platforms across broadcast, streaming and cable has led to an increase in on-screen representation of diverse identity groups, according to Nielsen’s latest Diverse Intelligence Series report: Being Seen on Screen: Diverse Representation and Inclusion on TV. 

Among the 300 most-viewed programs in 2019, 92% had some level of diversity in the cast (i.e. women, people of color or LGBTQ+). Whites, African Americans and LGBTQ+ had the largest overall share of screen while Women, Hispanics, Asians and Native Americans were underrepresented relative to their population estimates. The report uncovers notable differences in identity group representation across different platforms; with streaming over-indexing on representation for certain identity groups versus traditional broadcast and cable.

In this report, Being Seen on Screen: Diverse Representation and Inclusion on TV, Nielsen reports on scripted, reality, variety and news programming on key metrics: 

  • Share of Screen (SOS): composition of the top 10 recurring cast members in a program
  • Inclusion Opportunity Index (IOI): compares the SOS of an identity group (e.g. women) to their representation in population estimates
  • Inclusion Audience Index (IAI): compares the SOS of an identity group to their representation in a program’s audience.

The report is powered by Gracenote Inclusion Analytics, a new solution delivering cutting-edge metrics created from Gracenote content metadata and Nielsen audience measurement data, providing the industry with consistent and reliable measurement of granular viewing. The report also leverages Gracenote Video Descriptors, metadata relating to story, mood, character, theme and scenario in each program. 

Key insights from the report include:

Overall, representation of diverse identity groups in on-screen programming is low across all media platforms. Streaming fares better for inclusion followed by broadcast and cable. Viewing audiences are increasingly seeking content that tells their stories. As a result, people are migrating to platforms that have broad and more diverse content offerings. 

  • Representation by platform (Broadcast, Cable, Streaming): Nearly one-third of the content on cable doesn’t have parity representation of Indigenous, People of Color (Black, Native American, Asian & Pacific islander, Hispanic/Latinx, Middle eastern/ North African, Multiracial), Women or LGBTQ talent. 
  • Subscription video on demand (SVOD) programming represents several identity groups e.g. Blacks, Hispanic and Asians well, helping us understand, in part, why more diverse audiences are subscribing to streaming services than the general population.
  • Representation of identity groups by genre (e.g. comedy, drama, news): 
    • While women are not well represented in any single genre, the highest representation for women is in science fiction, drama, comedy and horror. 
    • Women have the lowest representation in news. 
    • People of color representation is at parity in music and drama, followed by science fiction and action and adventure.  
    • People of color have least relative representation in news. 
    • News does prominently feature LGBTQ talent on-screen. 
    • Reality and horror programming also prominently feature LGBTQ talent. 

All audiences, regardless of how they identify, like to see diversity in the content they view on TV. Programs that represent multiple identity groups evenly yield higher overall audience ratings for all viewers when compared to shows that have a significant over or under representation of any one identity group.  

Quality of representation matters too. The themes and narratives depicted on-screen can contribute to identity formation and social perceptions. As the industry seeks to improve diversity on-screen, content creators and publishers should consider the context in which women, people of color, and LGBTQ+ talent are presented. Equally important is investing in marketing those diverse programs so that they are watched.

  • Women insights
    • Comprise 52% of the U.S. population; show up on screen only 38% of the time
    • Women 50+ years old 
      • 60% less likely to see themselves in programming than in the general population, and 2x the representation of men 50+
      • Women 50+ comprise 20% of the population and 20% of all TV viewers, but have a SOS of less than 8%
      • Men 50+ years old are 17% of the total population and have SOS of 14%
  • LGBTQ+ insights
    • 1 out of 4 top performing programs across cable, broadcast and streaming have relative representation of LGBTQ+ cast members 
    • Total SOS for LGBTQ was 7%. LGBTQ people are 4.5% of the population so across all platforms we see fair representation
    • The highest level of representation is on SVOD (8% SOS), followed by cable (7%) then broadcast (5%). 

Aligning representative casting and content themes is an area of opportunity. In the programming where identity groups see themselves represented at parity, these are the themes that are most present: 

  • Latinas: dysfunction, emotional, suspenseful, melodramatic, police stations
  • Black women: emotional, personal relationships, sons, investigation, rivalry
  • Black men: investigation, thrilling, streets, pursuit, teamwork, discovery
  • East Asians: challenge, courage and bravery, justice, sons, discovery
  • South/Southeast Asian males: thrilling, awakening, offices, courtrooms
  • White women: friendship, family, love, husbands, daughters

Nielsen’s findings aim to show media owners the degree to which their programming is inclusive, coupled with the diversity of the audience they draw. Additionally, brands and agencies will now be able to measure their advertising investment and alignment to inclusive content. The identity groups measured included: Female, Male & Expansive Gender Identities, Black/African American, Hispanic, Asian & Pacific Islander, Middle Eastern/North African, Multiracial, White, Native American/Native Alaskan, and Sexual Orientation. The data, which was both intersectional and granular, enables Nielsen to look at specific identity subsegments like Afro-Latino or Southeast Asian. 

“At Nielsen, we believe that the audience is everything and that inclusion is a prerequisite of a healthy media ecosystem, ensuring all communities and individuals are heard and seen,” stated Tina Wilson, Nielsen EVP, Media Analytics and Marketing Outcomes. “The call for inclusive programming that breaks traditional stereotypes and gives a voice to underrepresented groups has never been louder.”

“This work underscores the essential importance of on-screen representation in an increasingly diverse audience landscape,” said Sandra Sims-Williams, Nielsen SVP, Diversity, Equity and Inclusion. “Not only is the business case for inclusion made but it also provides practical recommendations on how media companies can address inclusion gaps. This is a must-read for any media professional who wants to be part of the change that today’s television viewers demand.”

For more details and insights, download Being Seen On Screen: Diverse Representation & Inclusion on TV. Please visit nielsen.com/inclusionanalytics to learn more. Join the discussion on Facebook (Nielsen Community) and follow us on Twitter (@NielsenKnows).

ABOUT NIELSEN 

Nielsen Holdings plc (NYSE: NLSN) is a global measurement and data analytics company that provides the most complete and trusted view available of consumers and markets worldwide. Our approach marries proprietary Nielsen data with other data sources to help clients around the world understand what’s happening now, what’s happening next, and how to best act on this knowledge. For more than 90 years Nielsen has provided data and analytics based on scientific rigor and innovation, continually developing new ways to answer the most important questions facing the media, advertising, retail and fast-moving consumer goods industries. An S&P 500 company, Nielsen has operations in over 100 countries, covering more than 90% of the world’s population. For more information, visit www.nielsen.com.