Posts tagged with "streaming"

Fortnite illustration by Heather Skovlund for 360 Magazine

Fortnite Most Streamed Game on Twitch

Fortnite Most Streamed Game on Twitch for March 2021 – 7M Hours Streamed

According to data presented by Safe Betting Sites US, Fortnite was the most streamed game on Twitch for March 2021 – a total of 6.99 million hours streamed for the month.

Fortnite Leads Several of Twitch’s Key Metrics

Fortnite continues to dominate charts in 2021 and was the most streamed game on Twitch for the month of March. The popular online Battle Royale game logged a total of 6.99M hours streamed on the platform. The second most streamed game on Twitch was Call of Duty: Modern Warfare with a total of 5.03M hours streamed for the month of March.

Fortnite also led the charts in the number of streamers for the month of March 2021. A total of 669,749 streamers streamed Fortnite for the month. Minecraft had the second largest number of streamers with 468,017. Overall, the top 10 leading games in terms of the number of streamers for the month of March, were streamed by an estimated 3.2M streamers on Twitch.

The top 10 games on twitch with the most channels accounted for over 50K channels. Twitch had an almost 20% share of this total with 9,707 channels in March 2021. The second most was COD: Modern Warfare with just under 7K channels.

League of Legends had the largest recorded peak viewers on Twitch in March 2021 with 704,375 peak viewers. The second-largest belonged to Minecraft which recorded 663, 533 peak viewers in March 2021. Fortnite had the fifth largest peak viewers with 641, 227.

Rex Pascual, Esports Editor at Safe Betting Sites US commented: “Despite the rise of many other titles within the same game mode such as PUBG and Warzone, Fortnite continues to attract large audiences on video game streaming platforms. Fortnite’s status as the pioneer of the increasingly popular Battle Royale game mode gives it a loyal and avid fanbase that will keep it near the top of Twitch’s charts for years to come.”

You can read more about the story with more statistics and information here.

Meghan Trainor illustration by Heather Skovlund for 360 Magazine

Meghan Trainor × NBCUniversal

MEGHAN TRAINOR TEAMS WITH NBCUNIVERSAL TELEVISION AND STREAMING ENTERTAINMENT FOR CROSS-PLATFORM PARTNERSHIP

Grammy Award-Winning Performer to Develop Starring Vehicle Comedy as Part of Overall Deal

Meghan Trainor is coming to NBCUniversal Television and Streaming Entertainment with an NBC comedy series in development as the first project under a cross-platform overall deal between the global superstar and NBCU.

The new alliance is a first-of-its-kind for the company, encompassing potential projects across scripted and unscripted content throughout NBCUߣs larger Television and Streaming Entertainment portfolio, which includes NBC, Bravo, E!, Oxygen, SYFY, Universal Kids, USA, and Peacock. Within this ecosystem, Trainor will have the opportunity to leverage her talents across network, cable, streaming, and syndication programming.

“In addition to being a phenomenally talented performer, Meghan is a vibrant and hilarious ray of light who is the perfect fit for NBC’s brand”, said Susan Rovner, Chairman, Entertainment Content, NBCUniversal Television & Streaming. “We love the idea of introducing Meghan into the world of scripted comedy as well working with her to find all the creative and crazy ways she can engage with fans across our brands. With eight distinct platforms, we’re able to provide the ultimate playground for multi-hyphenate artists, and this is just one of the ways we’re leveraging our new structure to benefit both talent and audiences.

This collaboration with NBCUniversal is so beyond a dream come true,” Trainor said. “I’m obsessed with and inspired by Susan and can’t wait to work with her and her incredibly talented team to bring our ideas to life.”.

Grammy Award-winning singer, songwriter, and multi-instrumentalist Meghan Trainor emerged with her 2014 breakout single All About That Bass; and disrupted contemporary music with nostalgic pop beats and powerhouse vocals that delivered a worldwide anthem for female empowerment. Trainor cemented her rising status as one of the most prominent artists in popular music by charting eight multi-platinum singles, selling millions of albums worldwide, selling out three headline tours, writing multi-platinum hits for top pop and country artists, and receiving countless industry awards and nominations. She is one of only five female artists to receive a diamond certification for her hit single All About That Bass, which shares the RIAA Gold & Platinum Awards top honor with only 15 other singles in history.

The Weeknd by Republic Records Media for 360 Magazine

THE WEEKND – BLINDING LIGHTS

“BLINDING LIGHTS” BECOMES THE ONLY SONG IN HISTORY TO SPEND A FULL YEAR (52 WEEKS) IN THE TOP 10 OF THE BILLBOARD HOT 100

DIAMOND­ CERTIFIED ARTIST THE WEEKND SURPASSES 80 MILLION RIAA DIGITAL SONG CERTIFICATIONS, MOVING INTO THE TOP 10 FOR MOST DIGITAL SINGLE CERTIFICATIONS OF ALL TIME

“BLINDING LIGHTS” IS THE BEST-SELLING SONG OF THE PAST YEAR WORLDWIDE AS RECOGNIZED BY THE IFPI WITH THE COVETED “GLOBAL DIGITAL SINGLE AWARD”

Exceeding yet another impressive benchmark, diamond-selling Toronto artist The Weeknd’s smash single “Blinding Lights” has again broken chart records spending its 52nd week in the top 10 of the Billboard Hot 100. It becomes the first song in the history of the chart (which began Aug. 4, 1958) to spend a full year’s time in the top 10.

Additionally, The Weeknd has received the 2020 IFPI Global Digital Single Award for the septuple-platinum smash “Blinding Lights.” The Global Digital Single Award recognizes the best-selling single of the year worldwide across individual track downloads as well as paid and ad-supported streams. This marks his very first IFPI honor.

In its continued dominance, his blockbuster chart-dominating fourth full-length album, After Hours, has also garnered multiple new certifications from the RIAA. After Hours has reached double-platinum status while standout tracks “Save Your Tears, “After Hours, and “In Your Eyes” have all progressed to platinum. Additionally, “Blinding Lights” has officially been minted seven-times platinum. With these developments, he has reeled in a staggering total of 80 million-plus RIAA Digital Song Certifications, placing him in rarified air and in the “The Top 10 Most Digital Single Certifications of All Time.

The Weeknd recently announced the After Hours World Tour. The 104-date global tour will kick off on January 14, 2022 in Vancouver at Pepsi Live at Rogers Arena with stops in Chicago, Dallas, Los Angeles, Miami, Paris, London and more, before wrapping November 18 in Glasgow at SSE Hydro. The announcement comes just days ahead of the multi-platinum singer’s headlining Super Bowl performance, and also includes a handful of rescheduled dates shifting from 2021 to be a part of the After Hours World Tour in 2022. Tickets are on sale now. Full routing can be found HERE.

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

 

TRIP Artwork by Kevin Young Via Universal Music Group

BOSLEN RELEASES MIND-BENDING SINGLE: TRIP

The genre-busting Vancouver up-and-comer Boslen dives deep into his bag of tricks for the moody, mind-bending single TRIP out now. Listen HERE. This is the first single from Boslen’s forthcoming debut album DUSK to DAWN. TRIP is a vivid day-in-the-life story from Canada’s next star, celebrating the successes of a whirlwind year in his own woozy, wilding way.

As we’ve come to expect from Boslen, TRIP is a sonic joyride through indie pop, rap, and R&B, while psychedelia swirls and drums dart in and out of trap. Boslen drifts over and dives into the shifting production (from justsayin, NXSTY, and MSXII), spitting about taking every opportunity and passing up naysayers: “I’m ducking the bullets, I’m ducking the clowns/You live life to the fullest til you not around.” For Boslen, TRIP is a chance to reflect on his journey so far, even while pushing his sound into the future. “It feels like there are constant highs and lows being an artist that’s coming up,” he says, “I wanted TRIP to showcase both the light and the dark.”

DUSK to DAWN will be Boslen’s first project since 2019’s Black Lotus EP, which peaked at #11 on the Canadian Apple Music streaming charts. He’s been hard at work releasing a slew of singles/videos including Hidden Nights, and Lightspeed, which is off the Black Lotus EP. In 2020 Boslen dropped VULTURES, and My Ways, which showed how much he’s been refining his style and expanding his scope. This new album is poised to accelerate his eclectic sound even further, moving fluidly from genre to genre while orbiting Boslen’s Swiss-Army-knife delivery. With a vision this focused, and hits like TRIP in the bag, Boslen has already proven himself worth following. Each release offers something brand new.

Listen now here.

TV2 illustration by Rita Azar for 360 Magazine

Brightback Reveals Shift in Subscription Economy

New Data Shows Permanent Turning Point for Subscription Services Industry Post-Pandemic and Strong Link Between Customer Satisfaction and Online Cancelation Flow.

Brightback released its State of Industry (SOI) report today, which revealed that 86% of respondents say they anticipate maintaining or even increasing their number of subscriptions over the course of 2021. Additional results include:

  • 98% now subscribe to streaming media (75% subscribe to two or more services, foreshadowing a greater propensity for hoppers to jump from service to service).
  • Up to 40% subscribe to online news, food, fitness, or curated box services.
  • 36% have subscribed to services since the onset of the pandemic that they would not have otherwise.

As retention remains the industry focus, the SOI report points to unexpected impacts of companies’ cancellation flow; suggesting that ease of cancellation influences a company’s re-engagement, brand perception, and more. According to the report, over 80% of consumers would be more likely to try or buy a new subscription if they could pause or cancel that service online. This data suggests subscription services should pivot to not only simplify their cancellation processes, but also to tout this for potential new customer acquisitions.

Netflix is considered to have the best cancellation experience: 23% of respondents ranked Netflix in the top spot for this category, more than 2x better than runner up Amazon at 10%. Additionally, the recent Netflix subscriber milestone of 200m further points to the link between company growth and ease of cancellation.

“Leading tech companies and subscription services understand that sheltered-in-place consumers want user experiences that make it easy to try, buy, use, and cancel online,” said Brightback CEO Guy Marion. “As more companies invest in digitizing their subscription experiences, they are using best practices to let customers quit online, with a concerted focus on retaining over acquiring customers.”

In the survey, a whopping 32% of respondents said that in the past 12 months they had changed their minds about cancellation after being offered an incentive. This finding should be encouraging for subscription businesses concerned about churn–at least a third of their cancellations can be prevented with well-timed, relevant offers.

The survey also shows the pandemic-driven growth of the subscription services industry is here to stay:

  • 8% anticipate having the same number of subscriptions 12 months from now.
  • 25% anticipate acquiring even more subscriptions within the following 12 months.
  • Only 14% of respondents anticipate having fewer subscription services by the end of 2021.

These findings suggest that the dramatic shifts in consumer behavior over the past year are permanent.

For the full findings, visit Brightback’s website.

About Brightback

Brightback is the first customer retention solution that automatically saves customers at the moment of cancelation. Trusted by high volume subscription businesses like MeUndies and Unbounce, Brightback helps retention leaders deflect churn with personalized cancelation experiences, optimize offboarding processes through testing and targeting and gather aggregated insights to drive product and company improvements. Headquartered in San Francisco, Brightback is a remote-first company with a team of subscription-industry veterans located across the United States.

 

Netflix's Bridgerton illustration by Kaelen Felix for 360 MAGAZINE

Bridgerton, Netflix’s Take on a Period Piece

By Dana Feeney

“Bridgerton,” a dramatic and sexually charged period piece, is the first show of Shonda Rhimes‘ highly anticipated slate of content from her $150 million deal with Netflix. The showrunner Chris Van Dusen‘s adaptation of Julia Quinn’s “Bridgerton” novels takes classic period piece tropes and turns them on their head. The show maintains the formality of 1800s Regency age England with courtship, elegant, bejeweled costuming, and a heavy emphasis on the value of a young woman’s modesty while contrasting it with sexual tension so thick one could cut it with a knife. The eight-episode series premiered on Netflix on December 25, 2020, and has remained in the Top 10 in the United States, currently at number two.

The first season focuses on the love story of Daphne Bridgerton, played by Phoebe Dynevor, and Simon Basset, the Duke of Hastings, played by Regé-Jean Page. The characters spend their season enduring taunts from the anonymous Lady Whistledown, voiced by Julie Andrews, who reports the scathingly hot tea on anyone who slips up. Due to her brother’s actions, her competition, and Lady Whitstledown’s rumor mill, Daphne finds herself alone and without any viable options for an amicable marriage. These circumstances lead to the juiciest part of the story– Daphne and the Duke. The pair conspire to fake courtship and trick Lady Whistledown into reporting their love so Daphne can find a husband and the Duke can avoid all of the mothers trying to arrange his marriage with their daughters. What starts as a mutually advantageous deal for both quickly grows into a torrid love affair.

Unlike most period pieces, the producers chose to honor talent and diversity over historical accuracy. The series portrays many people of color in high places of authority, as well as mixed into the Royal Court and as tradespeople, despite the white-washed reality of 1800s British royalty. Queen Charlotte, played by Golda Rosheuvel, was of mixed descent, the daughter of an African woman and Alphonso III of Portugal. In this story, her union with King George III leads to the inclusion of other races in proper London society. Other notable characters of color are the Lady Danbury, played by Adjoa Andoh, a widowed woman of high social status, the Duke of Hastings, one of the most eligible bachelors despite being unwilling to marry, and Marina Thompson, played by Ruby Barker, who’s beauty rivals that of the main character.

Shonda Rhimes has become one of the most successful showrunners in the game and uses this position to celebrate diversity and interracial relationships on television. Her older content approaches race in a far more color-blind fashion, unlike her more recent work with both ABC and Netflix. “Bridgerton” comes with the recognition that the characters’ social standings come with their racial identities, instead of creating a theoretically color-blind world.

Shondaland, as a production company, has a deep portfolio when it comes to diversity and inclusion. More specifically, they highlight black women across all of their content; including Miranda Bailey, Maggie Pierce, and Catherine Fox in “Grey’s Anatomy,” Annalise Keating, and Michaela Pratt in “How to Get Away with Murder,” Victoria Hughes in “Station 19,” and Olivia Pope in “Scandal.” “Bridgerton” is no different as three black women are prominent characters: The Queen, Lady Danbury, and Marina Thompson.

At first, their love story seems predictable, but in true Shonda Rhimes fashion, every obstacle that could stand in the way of a character’s happiness absolutely will. As with the other shows she has helmed, Shonda Rhimes pulls every heartstring she can find while giving the audience just enough of what they want to keep them on the edge of their seats. Throughout the series, Lady Danbury carefully plays matchmaker to help bring Simon and Daphne together again and again throughout the ups and downs of their relationship.

Simon also receives counsel from his close friend Will Mondrich, a black boxer, played by Martins Imhangbe, and his wife Alice Mondrich, played by Emma Naomi. As a couple, they are the antithesis of the Duke because they are poor and lack class status but are rich in love and family. In the eight episodes, Van Dusen and Rhimes create three-dimensional characters whose conflicts span complex issues such as love versus duty, race, class, sexuality, and childhood trauma. At times the flashbacks used to force character development feel rushed, but overall, it does create a deeper understanding of the characters’ inner worlds.

“Bridgerton” dives wholeheartedly into the social, emotional, and sexual lives of its characters. Any viewer familiar with other Shondaland shows knows they do not shy away from passionate scenes or sensitive topics, but all of their prior content was limited by network television decency standards. The genre tends to be chaste and formal, but this series allows its characters drugs, alcohol, passionate sex, explosive arguments, and an attempted rape scene. Instead of maintaining eloquent composure shown in shows like “The Crown” (another Netflix Original), the flirtation and frustration between characters are all too familiar to real life as not even the Queen is above gossip, manipulation, and meddling.

The soundtrack and editing lend heavily to the tension development in scenes that will make your heart ache throughout the series. The soundtrack is another well done modern inclusion that defies the period piece genre with instrumental versions of songs by Billie Eilish, Ariana Grande, Taylor Swift, and more. The eloquent juxtaposition of the classic string instruments and modern pop songs creates a familiarity that draws the viewer deeper into the world.The ballroom scene scored with a Vitamin String Quartet cover of Shawn Mendes’ song “In My Blood” hits every musical and emotional beat as the camera cuts closer and closer, the background blurs, and the music swells. Expertly, tension builds with inside jokes, the brush of hands, and the change of attention from the world around to only seeing each other.

For anyone seeking binge-worthy entertainment during these quarantine days, “Bridgerton” is on Netflix here, and its soundtrack is available on Spotify, Apple Music, Amazon Music, and iTunes, find it here. The next season is not yet confirmed by Netflix, but it is rumored to be in development according to What’s On Netflix. Shondaland’s next project with Netflix is a documentary drama series called “Inventing Anna,” which is set to release early 2021.

Top TV Social Conversation for 2020

In a year of superlatives – unprecedented, unbelievable, unexpected, one thing that could be counted on was how much more screen time we’d all be adding to our day. Lockdowns and quarantines meant that, film and television viewing saw quite a boost; by the second half of 2020, TV streaming had increased 25%.

Talkwalker Social Content Ratings measured the social conversation around this increase to understand what people were saying about their favorite shows, actors and networks this year according to online engagement numbers through its Top Social TV report.

While 2020 was a year of many challenges, the results from this report will not disappoint TV fans. Top programs saw millions of engagements, with many new series getting just as much buzz as returning hits. From “The Last Dance” to “Dancing With The Stars,” the results show that TV and film provided a welcome respite to audiences (and a nice way to escape the 24-hour news cycle) during a pretty heavy year.

The analysis shows not only which programs people were talking about most in social media, but what they were saying, too. Combined with social listening data, we can see how cultural moments, emotional drivers, and product tie-ins impacted conversations around top series, films, and talent in 2020, according to Talkwalker Social Content Ratings.

“Talkwalker Social Content Ratings’ Top of 2020 lists showcase programming that captures consumer attention and buzz generated across social platforms,” says Sean Casey, Head of Media, Talkwalker. “As consumer behavior evolves and television expands, SCR is able to keep pace with the growing volume of programming, network promotional strategies and dynamic consumer conversation to provide comprehensive social ratings across the television marketplace.”

The full report is available here.  Some highlights include:

Top Primetime & Late Fringe Series

1. The Last Dance                    4.1 million interactions /episode

2. WWE Monday Night Raw   2.15 million

3. American Idol                     1.92 million

Top New Series

1. The Last Dance                    4.1 million interactions/episode

2. The Undoing                       210.3 thousand

3. Celebrity Game Face           203.2 thousand

Top Scripted Series

1. Grey’s Anatomy                  1.12 million interactions/episode

2. Riverdale                             885.6 thousand

3. This is Us                             602.7 thousand

Top Premium Cable Series

1. Insecure (HBO)                                410.4 thousand interactions/episode

2. The Undoing (HBO)                         210.3 thousand

3. Lovecraft Country (HBO)                162.1 thousand

Top Ad-Supported Cable Series

1. The Last Dance                                4.1 million interactions/episode

2. WWE Monday Night Raw               2.15 million

3. WWE NXT                                       790.7 thousand

Top Spanish-Language Prime & Late Fringe Series

1. Tu cara me suena                            172.1 thousand interactions/episode

2. La Voz                                              135.4 thousand

3. Quien es la mascara?                      35.9 thousand

Top Prime Series Talent Overall

1. Katy Perry (American Idol)                          16.3 million owned engagements

2. Sean Hannity (Fox News)                            13.9 million

3. Terry Crews (America’s Got Talent)           7.44 million

Top Spanish-Language Prime Series Talent

1. Ana Brenda Contreras (Tu cara me suena)             573.4 thousand owned engagements

2. Luis Fonsi (La Voz)                                                   536.5 thousand

3. WISIN (La Voz)                                                        472.6 thousand

Top TV Specials

1. 2020 MTV Video Music Awards                              40 million engagements

2. 2020 American Music Awards (ABC)                      33.4 million

3. The 62nd Annual Grammy Awards (CBC)                24.9 million

Top Sports Events

1. Super Bowl (FOX)                           43.9 million interactions

2. NBA Finals (ABC) Oct. 11                27.5 million

3. NBA Basketball (ESPN) Jan. 31       21.9 million

*Total Interactions = Original social media posts across Facebook, Instagram Business/Creator  Accounts, and Twitter related to a linear TV episode and the engagement with that content.

**Owned Engagements = Social media activity generated off of the original posts sent by accounts owned or affiliated with TV programming. Owned engagement for Facebook includes comments, shares, and likes. Owned engagement for Instagram includes comments and likes. Owned engagement for Twitter includes retweets, quotes, replies, and likes.

About Talkwalker

Talkwalker is a social listening and analytics company that empowers over 2,000 brands and agencies to optimize the impact of their communication effohttp://bit.ly/2KnRvjbrts. We provide companies with an easy-to-use platform to protect, measure, and promote their brands worldwide, across all communication channels.

Talkwalker’s state-of-the-art social media analytics platform uses AI-powered technology to monitor and analyze online conversations in real-time across social networks, news websites, blogs and forums in 187 languages. Talkwalker has offices in New York, Luxembourg, San Francisco, Frankfurt, and Singapore. It is also the home of Talkwalker Alerts, a free alerting service used by over 500,000 communications and marketing professionals worldwide.

Jarry Lee Q×A

360 MAGAZINE was lucky enough to sit down with Jarry Lee, a model, actress, musician and influencer from the UK. Lee has over 700,000 followers on Instagram, 30,000 TikTok followers and more than 700,000 Spotify streams.

She has also been seen in VOGUE Italia, POPSUGAR, Mic, Elite Daily, NY Daily News, AM New York, Women Fitness Magazine, Cliché Magazine, The New York Times, Thrive Global and more. She will also be featured in two upcoming books, “Tell Her She Can’t” by Kelly Lewis and “The Little Things” by Oliver Charles.

Authority Magazine named her one of 2020’s “Inspirational Women in Hollywood” while StarCentral Magazine called Lee a “rising star to watch in 2020.” You can click right here to see everywhere she has been featured.

360: How did you find a creative outlet in journalism?

Jarry Lee: I’ve always loved writing (everything from poetry to screenplays), and it was my childhood dream to write professionally. I feel lucky that I was able to do so as a paid, full-time job and that I was able to pitch and take on stories I was personally interested in. Writing is a cathartic process for me.

360: What was the biggest hurdle transitioning from writing for BuzzFeed to being in front of the camera?

Jarry Lee: I didn’t have much prior experience beyond taking some acting classes in the past in school and performing in a playwriting festival in prep school that I wrote for, so I did dozens of test shoots with photographers to practice and learn my best angles and posing. Speaking on camera felt natural, but I had to learn how to pose more naturally.

360: How has your experience in telling stories as a journalist and analyzing stories as the Deputy Books Editor helped you to tell the stories of others as an actress and model?

Jarry Lee: It has definitely helped me with more easily imagining the inner lives and motivations of my characters. Every time I interviewed sources for an in-depth piece, I felt that I gained insight into how other people’s minds worked. When I was writing a feature about Instagram in 2017, for example, I interviewed over 30 individuals and a few businesses, and their stories were really fascinating and completely changed my understanding of how people interact with social media.

360: How has being an influencer and online personality changed through the pandemic?

Jarry Lee: There are almost no in-person events, so in that aspect it’s become less interactive, but there are also more people online since everyone’s bored indoors. I’ve adapted to become a lot more self-sufficient — I rarely work with outside photographers anymore and instead have learned to shoot myself. Earlier this year I bought professional lighting and photography equipment, and recently even purchased a green screen! I’ve really enjoyed honing my video production and editing skills this year. Maybe that’s one small silver lining to the pandemic.

360: What is your favorite platform for creating content and why?

Jarry Lee: I love Instagram for being so curated and aesthetic-focused, but Twitter is my favorite platform for sharing thoughts and seeing others’ (as well as for really silly memes). I originally joined Twitter in 2009, way before I joined Instagram (in 2013).

360: How does your time as a model help you as an actress?

Jarry Lee: I think acting helps more with modeling than vice versa, but becoming more comfortable on-camera as a model has definitely helped me act more naturally, as well. Both require drawing your inner emotions out, onto your facial expressions and how you hold yourself generally.

360: How do you use your platform and large reach to influence ideas and actions of your audience?

Jarry Lee: Three topics I try to bring more awareness to via my platform are: Asian representation in entertainment, bisexual/LGBTQ+ representation and anxiety/mental health. All three are still not spoken about enough, so I think it’s important to share my experiences with my audience. I still frequently receive messages about how I came out as bisexual on the Netflix show “Dating Around,” for example, and it has really resonated with some of my followers when I’ve shared my past experiences with panic attacks and anxiety. I try to show the behind-the-scenes of my entertainment career, in part because there were very few Asian public figures in the entertainment industry when I was growing up. I hope that my non-traditional career path inspires others to take a risk and pursue their passions.

You can learn more about Jarry Lee by clicking right here. You can also follow her on Instagram, Twitter, TikTok, Facebook and Spotify.

Queen’s Greatest Hits

Queen’s cornerstone “Greatest Hits” album is, once again, in the Top 10 of Billboard’s 200.

Released in 1981, the album has been on the charts for 412 weeks, finally landing at No. 8, up from its previous spot at No. 36. It previously peaked at No. 11 in 1992, the year following front man Freddie Mercury’s untimely death.

The now nine-time platinum album is also No. 1 on Billboard’s Vinyl Albums Chart with the second-largest sales week of 2020 for any vinyl release.

With monster hits from the iconic rock band like “Bohemian Rhapsody,” “We Will Rock You,” “We Are The Champions,” “Fat Bottomed Girls,” “Another One Bites the Dust” and so many more, it’s no wonder the album has stood the test of time.

Queen recently teamed up with both Target and Walmart to release brand new vinyl exclusives. Both are two-disc LPs, 180 gram.

Those opting for the Target exclusive will be treated to ruby blend marble vinyl while those who purchase from Walmart will receive red and white vinyl. The biggest fans of Queen might even be found purchasing both.

The band also recently released a live album with American Idol alum Adam Lambert at the helm. The album is titled “Queen + Adam Lambert Live Around The World,” and it landed at No. 1 on the UK’s official albums chart.

It was the first time a Queen album topped a chart since 1995’s “Made in Heaven.”

Queen is no stranger to the top ten, as this is their ninth album to land there. It will join the soundtrack for “Bohemian Rhapsody,” “Greatest Hits I, II & III: The Platinum Collection,” “Classic Queen,” “The Game,” “Jazz.” “News of the World,” “A Day at the Races” and “A Night at the Opera.”

Queen’s “Greatest Hits” is still the best-selling album of all-time in the UK.

Mae Muller – dependent

Mae Muller dropped a brand new music video Wednesday for her song “dependent.”

The new video from the North London-based singer is directed by Sophia Ray, who has worked with artists like Lily Allen, Ty Dolla $ign and Amber Mark. You can see it by clicking right here.

Muller said this is one of her favorite videos she has ever done.

“I loved collaborating with the super talented Sophia Ray and the team that brought the concept of the song to life. The looks, the dancers, everything is on point! I really wanted to do this song justice with a stunning video and feel like we’ve really achieved that,” Muller said.

The song opens her debut EP, which is titled “no one else, not even you,” and it takes a look at the joy of finding love in combination with the fear of losing your individuality. The EP contains eight tracks and showcases Muller’s undeniably fearless and fun style of pop music.

She said she wrote the song at the beginning of a relationship at a time during which she could feel herself falling in love but felt scared at the same time.

“That’s what always happens when I start to fall for someone: instead of going with the flow and just enjoying myself, I start to panic a bit because of the power you have to give up,” she said. “This song is me being totally honest about not wanting to become dependent on someone, because my independence is so important to me.”

The song is co-written by Henrik Michelson of Electric, and it is produced and written with help from Rick Nowels, Jimmy Napes, Skyler Stonestreet and Kenny Beats.

At 23 years old, Muller has already racked up more than 100 million global streams and has been featured on Spotify’s New Music Friday and Apple Music’s A-List Pop, In My Room, Future Hits and more.

She also sold out a 2020 headline tour of the United Kingdom, proving her ability to build a fan base around the entire world.

Critics and press are also loving Muller.

GQ said, “Mae Muller’s witty and brutally honest lyrics set her apart from her peers.”

Flaunt said, “Mae Muller is your new favorite singerߪHer goal is to be a spokeswoman for this new generation, unveiling layers of authenticity, talent, beauty and confidence.”

Wonderland called her a “clear pop sensation in the making,” while The Guardian said listeners can “expect an abundance of attitude.”

You can learn more about Mae Muller by clicking right here. You can also follow her on Facebook, Twitter and Instagram.