Posts tagged with "streaming"

TRIP Artwork by Kevin Young Via Universal Music Group

BOSLEN RELEASES MIND-BENDING SINGLE: TRIP

The genre-busting Vancouver up-and-comer Boslen dives deep into his bag of tricks for the moody, mind-bending single TRIP out now. Listen HERE. This is the first single from Boslen’s forthcoming debut album DUSK to DAWN. TRIP is a vivid day-in-the-life story from Canada’s next star, celebrating the successes of a whirlwind year in his own woozy, wilding way.

As we’ve come to expect from Boslen, TRIP is a sonic joyride through indie pop, rap, and R&B, while psychedelia swirls and drums dart in and out of trap. Boslen drifts over and dives into the shifting production (from justsayin, NXSTY, and MSXII), spitting about taking every opportunity and passing up naysayers: “I’m ducking the bullets, I’m ducking the clowns/You live life to the fullest til you not around.” For Boslen, TRIP is a chance to reflect on his journey so far, even while pushing his sound into the future. “It feels like there are constant highs and lows being an artist that’s coming up,” he says, “I wanted TRIP to showcase both the light and the dark.”

DUSK to DAWN will be Boslen’s first project since 2019’s Black Lotus EP, which peaked at #11 on the Canadian Apple Music streaming charts. He’s been hard at work releasing a slew of singles/videos including Hidden Nights, and Lightspeed, which is off the Black Lotus EP. In 2020 Boslen dropped VULTURES, and My Ways, which showed how much he’s been refining his style and expanding his scope. This new album is poised to accelerate his eclectic sound even further, moving fluidly from genre to genre while orbiting Boslen’s Swiss-Army-knife delivery. With a vision this focused, and hits like TRIP in the bag, Boslen has already proven himself worth following. Each release offers something brand new.

Listen now here.

TV2 illustration by Rita Azar for 360 Magazine

Brightback Reveals Shift in Subscription Economy

New Data Shows Permanent Turning Point for Subscription Services Industry Post-Pandemic and Strong Link Between Customer Satisfaction and Online Cancelation Flow.

Brightback released its State of Industry (SOI) report today, which revealed that 86% of respondents say they anticipate maintaining or even increasing their number of subscriptions over the course of 2021. Additional results include:

  • 98% now subscribe to streaming media (75% subscribe to two or more services, foreshadowing a greater propensity for hoppers to jump from service to service).
  • Up to 40% subscribe to online news, food, fitness, or curated box services.
  • 36% have subscribed to services since the onset of the pandemic that they would not have otherwise.

As retention remains the industry focus, the SOI report points to unexpected impacts of companies’ cancellation flow; suggesting that ease of cancellation influences a company’s re-engagement, brand perception, and more. According to the report, over 80% of consumers would be more likely to try or buy a new subscription if they could pause or cancel that service online. This data suggests subscription services should pivot to not only simplify their cancellation processes, but also to tout this for potential new customer acquisitions.

Netflix is considered to have the best cancellation experience: 23% of respondents ranked Netflix in the top spot for this category, more than 2x better than runner up Amazon at 10%. Additionally, the recent Netflix subscriber milestone of 200m further points to the link between company growth and ease of cancellation.

“Leading tech companies and subscription services understand that sheltered-in-place consumers want user experiences that make it easy to try, buy, use, and cancel online,” said Brightback CEO Guy Marion. “As more companies invest in digitizing their subscription experiences, they are using best practices to let customers quit online, with a concerted focus on retaining over acquiring customers.”

In the survey, a whopping 32% of respondents said that in the past 12 months they had changed their minds about cancellation after being offered an incentive. This finding should be encouraging for subscription businesses concerned about churn–at least a third of their cancellations can be prevented with well-timed, relevant offers.

The survey also shows the pandemic-driven growth of the subscription services industry is here to stay:

  • 8% anticipate having the same number of subscriptions 12 months from now.
  • 25% anticipate acquiring even more subscriptions within the following 12 months.
  • Only 14% of respondents anticipate having fewer subscription services by the end of 2021.

These findings suggest that the dramatic shifts in consumer behavior over the past year are permanent.

For the full findings, visit Brightback’s website.

About Brightback

Brightback is the first customer retention solution that automatically saves customers at the moment of cancelation. Trusted by high volume subscription businesses like MeUndies and Unbounce, Brightback helps retention leaders deflect churn with personalized cancelation experiences, optimize offboarding processes through testing and targeting and gather aggregated insights to drive product and company improvements. Headquartered in San Francisco, Brightback is a remote-first company with a team of subscription-industry veterans located across the United States.

 

Netflix's Bridgerton illustration by Kaelen Felix for 360 MAGAZINE

Bridgerton, Netflix’s Take on a Period Piece

By Dana Feeney

“Bridgerton,” a dramatic and sexually charged period piece, is the first show of Shonda Rhimes‘ highly anticipated slate of content from her $150 million deal with Netflix. The showrunner Chris Van Dusen‘s adaptation of Julia Quinn’s “Bridgerton” novels takes classic period piece tropes and turns them on their head. The show maintains the formality of 1800s Regency age England with courtship, elegant, bejeweled costuming, and a heavy emphasis on the value of a young woman’s modesty while contrasting it with sexual tension so thick one could cut it with a knife. The eight-episode series premiered on Netflix on December 25, 2020, and has remained in the Top 10 in the United States, currently at number two.

The first season focuses on the love story of Daphne Bridgerton, played by Phoebe Dynevor, and Simon Basset, the Duke of Hastings, played by Regé-Jean Page. The characters spend their season enduring taunts from the anonymous Lady Whistledown, voiced by Julie Andrews, who reports the scathingly hot tea on anyone who slips up. Due to her brother’s actions, her competition, and Lady Whitstledown’s rumor mill, Daphne finds herself alone and without any viable options for an amicable marriage. These circumstances lead to the juiciest part of the story– Daphne and the Duke. The pair conspire to fake courtship and trick Lady Whistledown into reporting their love so Daphne can find a husband and the Duke can avoid all of the mothers trying to arrange his marriage with their daughters. What starts as a mutually advantageous deal for both quickly grows into a torrid love affair.

Unlike most period pieces, the producers chose to honor talent and diversity over historical accuracy. The series portrays many people of color in high places of authority, as well as mixed into the Royal Court and as tradespeople, despite the white-washed reality of 1800s British royalty. Queen Charlotte, played by Golda Rosheuvel, was of mixed descent, the daughter of an African woman and Alphonso III of Portugal. In this story, her union with King George III leads to the inclusion of other races in proper London society. Other notable characters of color are the Lady Danbury, played by Adjoa Andoh, a widowed woman of high social status, the Duke of Hastings, one of the most eligible bachelors despite being unwilling to marry, and Marina Thompson, played by Ruby Barker, who’s beauty rivals that of the main character.

Shonda Rhimes has become one of the most successful showrunners in the game and uses this position to celebrate diversity and interracial relationships on television. Her older content approaches race in a far more color-blind fashion, unlike her more recent work with both ABC and Netflix. “Bridgerton” comes with the recognition that the characters’ social standings come with their racial identities, instead of creating a theoretically color-blind world.

Shondaland, as a production company, has a deep portfolio when it comes to diversity and inclusion. More specifically, they highlight black women across all of their content; including Miranda Bailey, Maggie Pierce, and Catherine Fox in “Grey’s Anatomy,” Annalise Keating, and Michaela Pratt in “How to Get Away with Murder,” Victoria Hughes in “Station 19,” and Olivia Pope in “Scandal.” “Bridgerton” is no different as three black women are prominent characters: The Queen, Lady Danbury, and Marina Thompson.

At first, their love story seems predictable, but in true Shonda Rhimes fashion, every obstacle that could stand in the way of a character’s happiness absolutely will. As with the other shows she has helmed, Shonda Rhimes pulls every heartstring she can find while giving the audience just enough of what they want to keep them on the edge of their seats. Throughout the series, Lady Danbury carefully plays matchmaker to help bring Simon and Daphne together again and again throughout the ups and downs of their relationship.

Simon also receives counsel from his close friend Will Mondrich, a black boxer, played by Martins Imhangbe, and his wife Alice Mondrich, played by Emma Naomi. As a couple, they are the antithesis of the Duke because they are poor and lack class status but are rich in love and family. In the eight episodes, Van Dusen and Rhimes create three-dimensional characters whose conflicts span complex issues such as love versus duty, race, class, sexuality, and childhood trauma. At times the flashbacks used to force character development feel rushed, but overall, it does create a deeper understanding of the characters’ inner worlds.

“Bridgerton” dives wholeheartedly into the social, emotional, and sexual lives of its characters. Any viewer familiar with other Shondaland shows knows they do not shy away from passionate scenes or sensitive topics, but all of their prior content was limited by network television decency standards. The genre tends to be chaste and formal, but this series allows its characters drugs, alcohol, passionate sex, explosive arguments, and an attempted rape scene. Instead of maintaining eloquent composure shown in shows like “The Crown” (another Netflix Original), the flirtation and frustration between characters are all too familiar to real life as not even the Queen is above gossip, manipulation, and meddling.

The soundtrack and editing lend heavily to the tension development in scenes that will make your heart ache throughout the series. The soundtrack is another well done modern inclusion that defies the period piece genre with instrumental versions of songs by Billie Eilish, Ariana Grande, Taylor Swift, and more. The eloquent juxtaposition of the classic string instruments and modern pop songs creates a familiarity that draws the viewer deeper into the world.The ballroom scene scored with a Vitamin String Quartet cover of Shawn Mendes’ song “In My Blood” hits every musical and emotional beat as the camera cuts closer and closer, the background blurs, and the music swells. Expertly, tension builds with inside jokes, the brush of hands, and the change of attention from the world around to only seeing each other.

For anyone seeking binge-worthy entertainment during these quarantine days, “Bridgerton” is on Netflix here, and its soundtrack is available on Spotify, Apple Music, Amazon Music, and iTunes, find it here. The next season is not yet confirmed by Netflix, but it is rumored to be in development according to What’s On Netflix. Shondaland’s next project with Netflix is a documentary drama series called “Inventing Anna,” which is set to release early 2021.

Top TV Social Conversation for 2020

In a year of superlatives – unprecedented, unbelievable, unexpected, one thing that could be counted on was how much more screen time we’d all be adding to our day. Lockdowns and quarantines meant that, film and television viewing saw quite a boost; by the second half of 2020, TV streaming had increased 25%.

Talkwalker Social Content Ratings measured the social conversation around this increase to understand what people were saying about their favorite shows, actors and networks this year according to online engagement numbers through its Top Social TV report.

While 2020 was a year of many challenges, the results from this report will not disappoint TV fans. Top programs saw millions of engagements, with many new series getting just as much buzz as returning hits. From “The Last Dance” to “Dancing With The Stars,” the results show that TV and film provided a welcome respite to audiences (and a nice way to escape the 24-hour news cycle) during a pretty heavy year.

The analysis shows not only which programs people were talking about most in social media, but what they were saying, too. Combined with social listening data, we can see how cultural moments, emotional drivers, and product tie-ins impacted conversations around top series, films, and talent in 2020, according to Talkwalker Social Content Ratings.

“Talkwalker Social Content Ratings’ Top of 2020 lists showcase programming that captures consumer attention and buzz generated across social platforms,” says Sean Casey, Head of Media, Talkwalker. “As consumer behavior evolves and television expands, SCR is able to keep pace with the growing volume of programming, network promotional strategies and dynamic consumer conversation to provide comprehensive social ratings across the television marketplace.”

The full report is available here.  Some highlights include:

Top Primetime & Late Fringe Series

1. The Last Dance                    4.1 million interactions /episode

2. WWE Monday Night Raw   2.15 million

3. American Idol                     1.92 million

Top New Series

1. The Last Dance                    4.1 million interactions/episode

2. The Undoing                       210.3 thousand

3. Celebrity Game Face           203.2 thousand

Top Scripted Series

1. Grey’s Anatomy                  1.12 million interactions/episode

2. Riverdale                             885.6 thousand

3. This is Us                             602.7 thousand

Top Premium Cable Series

1. Insecure (HBO)                                410.4 thousand interactions/episode

2. The Undoing (HBO)                         210.3 thousand

3. Lovecraft Country (HBO)                162.1 thousand

Top Ad-Supported Cable Series

1. The Last Dance                                4.1 million interactions/episode

2. WWE Monday Night Raw               2.15 million

3. WWE NXT                                       790.7 thousand

Top Spanish-Language Prime & Late Fringe Series

1. Tu cara me suena                            172.1 thousand interactions/episode

2. La Voz                                              135.4 thousand

3. Quien es la mascara?                      35.9 thousand

Top Prime Series Talent Overall

1. Katy Perry (American Idol)                          16.3 million owned engagements

2. Sean Hannity (Fox News)                            13.9 million

3. Terry Crews (America’s Got Talent)           7.44 million

Top Spanish-Language Prime Series Talent

1. Ana Brenda Contreras (Tu cara me suena)             573.4 thousand owned engagements

2. Luis Fonsi (La Voz)                                                   536.5 thousand

3. WISIN (La Voz)                                                        472.6 thousand

Top TV Specials

1. 2020 MTV Video Music Awards                              40 million engagements

2. 2020 American Music Awards (ABC)                      33.4 million

3. The 62nd Annual Grammy Awards (CBC)                24.9 million

Top Sports Events

1. Super Bowl (FOX)                           43.9 million interactions

2. NBA Finals (ABC) Oct. 11                27.5 million

3. NBA Basketball (ESPN) Jan. 31       21.9 million

*Total Interactions = Original social media posts across Facebook, Instagram Business/Creator  Accounts, and Twitter related to a linear TV episode and the engagement with that content.

**Owned Engagements = Social media activity generated off of the original posts sent by accounts owned or affiliated with TV programming. Owned engagement for Facebook includes comments, shares, and likes. Owned engagement for Instagram includes comments and likes. Owned engagement for Twitter includes retweets, quotes, replies, and likes.

About Talkwalker

Talkwalker is a social listening and analytics company that empowers over 2,000 brands and agencies to optimize the impact of their communication effohttp://bit.ly/2KnRvjbrts. We provide companies with an easy-to-use platform to protect, measure, and promote their brands worldwide, across all communication channels.

Talkwalker’s state-of-the-art social media analytics platform uses AI-powered technology to monitor and analyze online conversations in real-time across social networks, news websites, blogs and forums in 187 languages. Talkwalker has offices in New York, Luxembourg, San Francisco, Frankfurt, and Singapore. It is also the home of Talkwalker Alerts, a free alerting service used by over 500,000 communications and marketing professionals worldwide.

Jarry Lee Q×A

360 MAGAZINE was lucky enough to sit down with Jarry Lee, a model, actress, musician and influencer from the UK. Lee has over 700,000 followers on Instagram, 30,000 TikTok followers and more than 700,000 Spotify streams.

She has also been seen in VOGUE Italia, POPSUGAR, Mic, Elite Daily, NY Daily News, AM New York, Women Fitness Magazine, Cliché Magazine, The New York Times, Thrive Global and more. She will also be featured in two upcoming books, “Tell Her She Can’t” by Kelly Lewis and “The Little Things” by Oliver Charles.

Authority Magazine named her one of 2020’s “Inspirational Women in Hollywood” while StarCentral Magazine called Lee a “rising star to watch in 2020.” You can click right here to see everywhere she has been featured.

360: How did you find a creative outlet in journalism?

Jarry Lee: I’ve always loved writing (everything from poetry to screenplays), and it was my childhood dream to write professionally. I feel lucky that I was able to do so as a paid, full-time job and that I was able to pitch and take on stories I was personally interested in. Writing is a cathartic process for me.

360: What was the biggest hurdle transitioning from writing for BuzzFeed to being in front of the camera?

Jarry Lee: I didn’t have much prior experience beyond taking some acting classes in the past in school and performing in a playwriting festival in prep school that I wrote for, so I did dozens of test shoots with photographers to practice and learn my best angles and posing. Speaking on camera felt natural, but I had to learn how to pose more naturally.

360: How has your experience in telling stories as a journalist and analyzing stories as the Deputy Books Editor helped you to tell the stories of others as an actress and model?

Jarry Lee: It has definitely helped me with more easily imagining the inner lives and motivations of my characters. Every time I interviewed sources for an in-depth piece, I felt that I gained insight into how other people’s minds worked. When I was writing a feature about Instagram in 2017, for example, I interviewed over 30 individuals and a few businesses, and their stories were really fascinating and completely changed my understanding of how people interact with social media.

360: How has being an influencer and online personality changed through the pandemic?

Jarry Lee: There are almost no in-person events, so in that aspect it’s become less interactive, but there are also more people online since everyone’s bored indoors. I’ve adapted to become a lot more self-sufficient — I rarely work with outside photographers anymore and instead have learned to shoot myself. Earlier this year I bought professional lighting and photography equipment, and recently even purchased a green screen! I’ve really enjoyed honing my video production and editing skills this year. Maybe that’s one small silver lining to the pandemic.

360: What is your favorite platform for creating content and why?

Jarry Lee: I love Instagram for being so curated and aesthetic-focused, but Twitter is my favorite platform for sharing thoughts and seeing others’ (as well as for really silly memes). I originally joined Twitter in 2009, way before I joined Instagram (in 2013).

360: How does your time as a model help you as an actress?

Jarry Lee: I think acting helps more with modeling than vice versa, but becoming more comfortable on-camera as a model has definitely helped me act more naturally, as well. Both require drawing your inner emotions out, onto your facial expressions and how you hold yourself generally.

360: How do you use your platform and large reach to influence ideas and actions of your audience?

Jarry Lee: Three topics I try to bring more awareness to via my platform are: Asian representation in entertainment, bisexual/LGBTQ+ representation and anxiety/mental health. All three are still not spoken about enough, so I think it’s important to share my experiences with my audience. I still frequently receive messages about how I came out as bisexual on the Netflix show “Dating Around,” for example, and it has really resonated with some of my followers when I’ve shared my past experiences with panic attacks and anxiety. I try to show the behind-the-scenes of my entertainment career, in part because there were very few Asian public figures in the entertainment industry when I was growing up. I hope that my non-traditional career path inspires others to take a risk and pursue their passions.

You can learn more about Jarry Lee by clicking right here. You can also follow her on Instagram, Twitter, TikTok, Facebook and Spotify.

Queen’s Greatest Hits

Queen’s cornerstone “Greatest Hits” album is, once again, in the Top 10 of Billboard’s 200.

Released in 1981, the album has been on the charts for 412 weeks, finally landing at No. 8, up from its previous spot at No. 36. It previously peaked at No. 11 in 1992, the year following front man Freddie Mercury’s untimely death.

The now nine-time platinum album is also No. 1 on Billboard’s Vinyl Albums Chart with the second-largest sales week of 2020 for any vinyl release.

With monster hits from the iconic rock band like “Bohemian Rhapsody,” “We Will Rock You,” “We Are The Champions,” “Fat Bottomed Girls,” “Another One Bites the Dust” and so many more, it’s no wonder the album has stood the test of time.

Queen recently teamed up with both Target and Walmart to release brand new vinyl exclusives. Both are two-disc LPs, 180 gram.

Those opting for the Target exclusive will be treated to ruby blend marble vinyl while those who purchase from Walmart will receive red and white vinyl. The biggest fans of Queen might even be found purchasing both.

The band also recently released a live album with American Idol alum Adam Lambert at the helm. The album is titled “Queen + Adam Lambert Live Around The World,” and it landed at No. 1 on the UK’s official albums chart.

It was the first time a Queen album topped a chart since 1995’s “Made in Heaven.”

Queen is no stranger to the top ten, as this is their ninth album to land there. It will join the soundtrack for “Bohemian Rhapsody,” “Greatest Hits I, II & III: The Platinum Collection,” “Classic Queen,” “The Game,” “Jazz.” “News of the World,” “A Day at the Races” and “A Night at the Opera.”

Queen’s “Greatest Hits” is still the best-selling album of all-time in the UK.

Mae Muller – dependent

Mae Muller dropped a brand new music video Wednesday for her song “dependent.”

The new video from the North London-based singer is directed by Sophia Ray, who has worked with artists like Lily Allen, Ty Dolla $ign and Amber Mark. You can see it by clicking right here.

Muller said this is one of her favorite videos she has ever done.

“I loved collaborating with the super talented Sophia Ray and the team that brought the concept of the song to life. The looks, the dancers, everything is on point! I really wanted to do this song justice with a stunning video and feel like we’ve really achieved that,” Muller said.

The song opens her debut EP, which is titled “no one else, not even you,” and it takes a look at the joy of finding love in combination with the fear of losing your individuality. The EP contains eight tracks and showcases Muller’s undeniably fearless and fun style of pop music.

She said she wrote the song at the beginning of a relationship at a time during which she could feel herself falling in love but felt scared at the same time.

“That’s what always happens when I start to fall for someone: instead of going with the flow and just enjoying myself, I start to panic a bit because of the power you have to give up,” she said. “This song is me being totally honest about not wanting to become dependent on someone, because my independence is so important to me.”

The song is co-written by Henrik Michelson of Electric, and it is produced and written with help from Rick Nowels, Jimmy Napes, Skyler Stonestreet and Kenny Beats.

At 23 years old, Muller has already racked up more than 100 million global streams and has been featured on Spotify’s New Music Friday and Apple Music’s A-List Pop, In My Room, Future Hits and more.

She also sold out a 2020 headline tour of the United Kingdom, proving her ability to build a fan base around the entire world.

Critics and press are also loving Muller.

GQ said, “Mae Muller’s witty and brutally honest lyrics set her apart from her peers.”

Flaunt said, “Mae Muller is your new favorite singerߪHer goal is to be a spokeswoman for this new generation, unveiling layers of authenticity, talent, beauty and confidence.”

Wonderland called her a “clear pop sensation in the making,” while The Guardian said listeners can “expect an abundance of attitude.”

You can learn more about Mae Muller by clicking right here. You can also follow her on Facebook, Twitter and Instagram.

Kaelen Felix Illustrates a Food and Travel Article for 360 MAGAZINE

Turkey Recipes From Melissa Cookston

No one likes a dry turkey, and Melissa Cookston, celebrity chef and judge on Netflix’s new food show “American Barbecue Showdown,” is here to help avoid ruined Thanksgivings.

Cookston offers up three different recipes for all to enjoy while also touching on the differences between brining and injecting.

Brining vs. Injecting

“The first thing people will say is, ‘You should brine your turkey.’ Yes, brining has many adherents, but I’m not usually one of them. I have always preferred injecting to deliver added moisture and flavor for a few reasons. First, brining a turkey requires a good bit of refrigerated space, generally for a couple of days. Space in the fridge is generally in short supply around the holidays. Secondly, brining has its drawbacks in terms of how it affects (for me at least) the skin and texture of the turkey. Maybe I’ve just not been doing it right, but I’ve just never been a huge fan. I have published brined turkey recipes that were quite good, I thought, but overall, I just prefer injecting a turkey.”

Injecting a Turkey

“When you are going to inject, you can do it right before cooking. You can also put in a different flavor profile than you can when you brine. Also, I’ve had some brined turkeys that were just too salty, and you won’t run the risk of that by injecting.

“You’re going to need an injector obviously. If this is a once-a-year thing for you, then grab an injector from the grocery store for a couple of dollars. They will suffice to get through one turkey a year. If you cook and BBQ more often through the year, you’ll want to invest in a better injector. I have a heavy-duty injector that will make short work of turkeys, pork butts, whole hogs, etc.

“When you inject the turkey, try not to go through the skin too often. I usually work around the skin of the breast as much as possible. If I do go through the skin, I will use it multiple times by injecting through that spot multiple times (at different angles.)”

Turkey Injection Recipes

“I’m attaching some recipes below to help you get started. As you see, you’ll only be limited by your imagination when you inject, so if you want to add some different flavors, knock yourself out. The only caution is making sure you don’t have too large of particles in your injection recipe, or you might clog your needle. These recipes also work great with any poultry, so don’t just save them for Thanksgiving!”

Recipe No. 1

Ingredients

-1 cup chicken stock

-1/2 cup maple syrup

-1 tsp kosher salt

-1/2 tsp white pepper

-1 tsp granulated garlic

-1 tsp soy sauce

-1/2 tsp cayenne pepper

-1/2 tsp chipotle chili powder

-1 tsp hot sauce

Instructions

Add all ingredients to a saucepan and bring it to almost a boil while whisking. Allow to cool before use.

Recipe No. 2

Ingredients

-1/2 cup butter

-1 cup chicken stock

-juice from 1/2 lemon

-1 tsp dried sage

-1/2 tsp garlic powder

-1/2 tsp kosher salt

-1/4 tsp white pepper

Instructions

In a saucepan, heat all ingredients until butter is melted and spices are incorporated. All to cool down. Before it thickens too much, inject poultry in thighs, legs, breasts, and along the breastbone. Allow to sit for 1 hour before cooking.

Recipe No. 3

Ingredients

-1/2 cup lemon juice

-1/2 cup liquid crab boil

-1/2 cup butter

-1 cup chicken stock

-1 tsp hot sauce

-1 tsp cayenne pepper

-1/2 cup olive oil

-1 tsp garlic powder

-1 TBS Cajun seasoning

Instructions

Place all ingredients in a saucepan. Heat until butter is melted and spices are incorporated. Remove and allow to cool to room temperature (it should still be liquid.) Then, inject turkey and place in a pan in fridge for 1 hour before cooking. This will allow injection to spread through the meat.

For more information about Melissa Cookston, you can click right here.

Allison Christensen Illustrates a Music Business Article for 360 MAGAZINE

VEVA Sound X Quansic

VEVA Sound announced Tuesday that users of its platform are now able to register for an ISNI number for free.

An ISNI is an International Standard Name Identifier, a number uniquely identifying an individual in the music industry.

VEVA Sound verifies archived projects for clients. By partnering with Quansic, a leader in ISNI services, to facilitate registrations, it is now easier for creators to get credit and payment for their work.

FX Nuttall, the founder of Quansic, said the partnership made perfect sense for the company, as both Quansic and VEVA Sound share a vision that creators should be able to be identified easily and early in the creative process.

“As this partnership continues into the future, we are enthusiastic about introducing VEVA Collect’s users to our products — starting with ISNI registration before addressing the allocation of ISRC for Recordings and BOWI for Works,” Nuttall said. “We at Quansic are focused on enabling 100% identifier coverage for all, and our friends at VEVA provide an unprecedented opportunity for the independent creative community to do just that.”

President of VEVA Sound Deborah Fairchild said she is excited about the partnership and for the new opportunities for artists and creators who use VEVA Collect for payment for their work.

“FX Nuttall is widely respected in our industry, and we are proud to avail his expertise to our users through Quansic,” Fairchild says. “We believe it is imperative that we empower creatives with every resource available to receive authenticated credit for their work.

VEVA Sound was founded in 2002 and works to spearhead the movement to define, create and implement the standards for how sound is preserved and monetized. They now have offices in New York City, Los Angeles, Nashville and London where they work with clients to verify and archive audio and metadata.

To learn more about VEVA Sound, you can click right here. You can also follow them on Twitter, Instagram and Facebook.

You can learn more about Quansic by clicking right here.

Tyson vs. Jones Jr. x Roots of Fight

by Justin Lyons

“Iron” Mike Tyson and Roy “Captain Hook” Jones Jr. will step back into the ring Nov. 28 for an exhibition fight at Staples Center in Los Angeles.

Roots of Fight, the official apparel partner for the match, is getting fans ready with the official Triller Presents Tyson vs. Jones Collection, a collaboration with Triller, an AI-powered video app that will present the fight.

The collection is exclusive to Roots of Fight and includes graphic apparel across five styles on sweatshirts and shirts. It is inspired by the colors of the promotional posters that sport bright yellow, pink and blue.

It also draws inspiration from retro concert tees worn to support for the event, to show off your favorite star or even just to wear around town.

Items in the collection retail at $48 and $80 depending upon the style. It is available by clicking right here.

The match itself features two boxing legends. Tyson, 54, is the former undisputed heavyweight champion of the world while Jones Jr., 51, racked up 66 wins in his career and held belts in four different weight classes.

Tyson is one of the most well-known and feared fighters in the history of boxing. He opened his career with 37 consecutive wins and finished at 50-6. His last professional fight was June 11, 2005.

After retiring as one of the most recognizable faces on the planet, Tyson’s stock rose as a pop culture icon, appearing in television and film, including as the lead of “Mike Tyson Mysteries,” an animated series that sees the heavyweight champ solving Scooby-Doo-like mysteries.

The fight is available on Pay-Per-View by clicking right here. It will begin at 9 p.m. EST and cost $49.99.

While Tyson vs. Jones Jr. is the main event, Jake Paul vs. Nate Robinson, Badou Jack vs. Blake McKernan and Viddal Riley vs. Rashad Coulter are also part of the main card.

Jamaine Ortiz vs. Nahir Albright, Irvin Gonzalez vs. Edward Vazquez and Juiseppe Cusumano vs. Nick Jones will be preliminary fights.

You can learn more about Roots of Fight by clicking right here. You can also follow them on Twitter and Instagram.