Posts tagged with "dance"

Duke Dumont

Duke Dumont Live Show

DUKE DUMONT ANNOUNCES SECOND HEADLINING LIVE SHOW AT SHRINE EXPO HALL FOLLOWING ORIGINAL RESCHEDULED DATE

September 10, 2021 *Sold Out*

September 11, 2021 *Just Added*

Tickets for September 11 Go on Sale

Friday, April 16 at 10 AM PT via AXS.com

Hayden James will support September 11 Show

DUALITY Album Surpasses 1 Billion Global Streams

Multi-platinum hitmaker and DJ Duke Dumont today announced a second performance at Shrine Expo Hall in Los Angeles on September 11 after overwhelming popular demand for his first rescheduled date on September 10 which is now sold out. Hayden James has been announced as special guest for September 11. These will be Duke’s biggest solo shows in L.A. to date. Tickets for the newly added September 11 show go on sale this Friday, April 16 at 10:00 AM PT via AXS.

Duke Dumont and his fans are still celebrating the release of his staggering 2020 album, DUALITY, a culmination of his years of experience and a cathartic expression of his desire to embody the mentality of a true artist, liberated from genre specifics. Helped out by the platinum timeless hit, Ocean Drive, the album has achieved over 1 billion cumulative streams globally. The set’s 10 songs are split into two halves, one dancefloor-oriented and one introspective. Besides Duke Dumont’s own production and a brilliant array of vocal features, DUALITY also incorporates live string arrangements, guitar players, drummers, and stunning piano work.

A production dynamo responsible for a stunning back catalogue that includes international chart-topping hits, multiple Grammy nominations and bumpin’ Chicago-influenced underground productions, Duke Dumont is a contemporary electronic music powerhouse. His return to the live performance realm signals more musical innovation, and more opportunities to dance, to come.

Don’t miss Duke Dumont at Shrine Expo Hall on September 10 with The Magician and Classixx (DJ Set) and September 11 with special guest Hayden James. Ticket prices start at $34.50, plus applicable service charges. Shrine Expo Hall is located at 700 W. 32nd Street, Los Angeles, CA 90007; 213-748-5116.

Duke Dumont is a contemporary electronic music powerhouse. Deeply committed to creating high quality music imbued with emotional depth, Dumont is versatile, extremely adept and hard working. His illustrious career has taken him on tour around the world, many times over, and placed him in the top tier of electronic music artists of his ilk.

Since 2007 Duke Dumont has channeled his deep love for electronic music into a variety of acclaimed releases, moving through pumping electro and vibrant techno to conquer the UK charts with Need U (100%). His early releases on Tiga’s Turbo Recordings helped establish his reputation for producing high quality club music that moves the dance floor, physically and emotionally. By 2012 he’d produced two career-defining EPs – For Club Use, Vol 1 and For Club Use, Vol 2. Tracks like The Giver cemented Dumont’s rep for catchy hooks, precision arrangement and powerful emotion. A year later he hit the No.1 spot in the UK charts with Need U (100%) (featuring A*M*E), demonstrating his ability to merge classic house motifs with first-rate songwriting.

Need U (100%) was followed with another UK No.1 I Got U; both songs achieving platinum sales. Between 2013 and 2020 he hit the Billboard Dance Chart No.1 with seven singles, including The Power, Won’t Look Back and Ocean Drive. With each release Duke Dumont stayed true to his club roots, achieving widespread success.

For more information on Duke Dumont, please visit:

Website | Facebook | Twitter| YouTube

NOLA Has Wiiings illustration by Heather Skovlund for 360 Magazine

NOLA Has Wiiings

Red Bull has teamed up with the New Orleans Pelicans and renowned visual artist Brandan “Bmike” Odums for NOLA Has Wiiings, a project dedicated to replacing backboards at basketball courts throughout New Orleans.

Bmike selected eight local creatives to transform old local backboards into works of art, which will be on display starting this month at the New Orleans Pelicans’ Smoothie King Center and online at RedBull.com.

New Orleans locals can vote for their favorite backboard starting today via the Pelicans Mobile App or website. The artist with the most votes will have the opportunity to conceptualize and design a full art court that serves the New Orleans community. 

Bmike’s custom backboard, for exhibit only, will be on display at Studio BE for the duration of the project.

NOLA Has Wiiings brings artists from around the city together to celebrate, brighten and educate communities through colorful displays of art that showcase NOLA’s unrivaled ability to rebound. 

NOLA Has Wiiings Artists

  • Ceaux, a New Orleans-born multidisciplinary artist, has created a backboard inspired by Harrell Park – located on the “Pigeon Town” side of Carrollton – and the color and playfulness that’s felt at playgrounds. 
  • Ayo Scott, painter and son of nationally recognized artist John T. Scott, has created “Big Ol’ Lil Big Chief” in collaboration with Big Chief Terrence “T” Williams of the Black Hawk Hunters, which is inspired by the resilient spirit of the people of New Orleans. 
  • Kara Crowley – Visual Artist, an artist who embraces black culture and positive representation in her own artistic interpretations, has created a backboard which showcases multiple hands expressing the message of unity. 
  • Jessica Strahan, a self-taught painter and muralist native to and based in New Orleans, has created a backboard inspired by dance and its ability to take people through vibrant moments in time. 
  • Marc Verrett / MarcFreshArt, a Baton Rouge based muralist, has created a backboard that illustrates a positive rise to overcome obstacles through imagery of a skull paired with colorful butterfly wings to represent the eternal drive to fly above. 
  • Jade Meyers/THEARTISTJADE, Art director and founder of the art-based company, “J A D E 1 9 9 1,” has created a piece inspired by liberation, growing up in New Orleans, power, nature, Black culture and sports culture. 
  • Bryan Brown, an artist whose work focuses on New Orleans culture, random but beautiful moments, and philosophy, has created “The Big Brain,” a representation of getting mentally healthy to unlock one’s true full potential. 
  • 1985 Poet; Artist: Monique Lorden, an artist and author and co-illustrator of “I Wish for Freedom,” a poetic picture book, was inspired by her memories of hooping at the park to create “Hoops Dreams and Poetry,” a visual story of childhood hope and community.
Rose - BlackPink - illustration by Heather Skovlund for 360 Magazine

ROSÉ OF BLACKPINK

SHARES DEBUT SOLO PROJECT ‘R’

SINGLE ALBUM FEATURES LONG-AWAITED TRACKS

“ON THE GROUND” & “GONE”

LATE NIGHT TV SOLO DEBUT ON THE TONIGHT SHOW STARRING JIMMY FALLON ON 3/16

Rosé of BLACKPINK shares her massively anticipated debut solo project, R. Released via YG Entertainment/Interscope Records, the single album consists of two unforgettably vulnerable tracks co-written by the K-pop icon: “On the Ground” and “Gone.”

Watch the video HERE

Go HERE to stream/download R by Rosé now.

Produced by frequent BLACKPINK collaborator TEDDY, acclaimed songwriter/producer/artist Jon Bellion (Katy Perry, Miley Cyrus), Jorgen Odegard (Justin Bieber, P!nk), Ojivolta (Selena Gomez, Halsey), and 24, “On the Ground” is an intimate look at the cost of ambition and chasing your dreams, with Rosé bringing her stunning vocal work to a gorgeous backdrop of soulful guitar tones and radiant beats. In creating the raw and reflective track, Rosé co-wrote with Bellion as well as heavy-hitters Amy Allen (Sam Smith, Zara Larsson) and Raul Cubina (Playboi Carti, Christina Aguilera).

On “Gone,” Rosé matches the pure emotional depth of “On the Ground,” this time offering up a stripped-back breakup ballad produced by Brian Lee (BLACKPINK, Post Malone, Camila Cabello). Accompanied by little more than the track’s hypnotic guitar work, her voice turns heartbreakingly tender as she delivers her confessional lyrics (“Now I’m all alone, crying ugly/You broke my heart just for fun/Took my love and just left me numb”).

Along with “On the Ground” and “Gone,” the CD and vinyl editions of R include instrumental versions of both tracks. Rosé is now the second member of BLACKPINK to release solo material, with singer/rapper Jennie having shared her single “SOLO” in November 2018.

R arrives just months after BLACKPINK dropped their debut full-length effort THE ALBUM. Released on October 2, the record-breaking project debuted at #2 on the Billboard 200, marking the biggest chart debut by an all-female group in over 12 years. With guest spots from fellow superstars Selena Gomez and Cardi B, THE ALBUM also smashed the record for highest first-week sales for a debut album from a K-pop group in all of music history. That same month, BLACKPINK premiered Light Up The Sky, an all-access Netflix documentary detailing the hard-fought journey behind the group’s meteoric rise.

ABOUT BLACKPINK:

Since bursting onto the scene in 2016, BLACKPINK have redefined the possibilities of K-pop, transcending all categorization and ascending to global stardom. With their unstoppably catchy single “DDU-DU DDU-DU,” the South Korean quartet broke the record for highest-charting Billboard Hot 100 debut by an all-female K-pop act, while its head-turning video surpassed 10 million views in just six hours and racked up 36.2 million views in one day.

Discovered by YG Entertainment, BLACKPINK is comprised of JISOO, JENNIE, ROSÉ and LISA: four immensely charismatic vocalists, dancers, and burgeoning fashion icons. Released in 2016, their debut “SQUARE ONE” quickly proved their crossover power; in 2018, “SQUARE UP” climbed to #40 on the Billboard 200 and #1 on the Billboard World Albums chart. Several months after “SQUARE UP” hit the charts, YG Entertainment and Interscope Records announced a global partnership for BLACKPINK, paving the way for the group’s international breakthrough. With their EP Kill This Love arriving in April 2019, BLACKPINK further boosted their popularity by successfully completing a world tour and becoming the first K-pop girl group to perform at Coachella, the largest music festival in the U.S.

Rosé of BLACKPINK Interscope Records for 360 MAGAZINE

Photo courtesy of YG Entertainment.

Cravity Illustration by Heather Skovlund for 360 Magazine

K-Pop Cravity × “Bad Habits” Release

K-POP GROUP, CRAVITY, RELEASE

PERFORMANCE VIDEO FOR BAD HABITS

OFF THEIR 3RD ALBUM, SEASON3. [HIDEOUT: BE OUR VOICE]

K-Pop boy band, CRAVITY, has released their highly anticipated performance video for “Bad Habits” today. The B-side track is off their 3rd album, SEASON3. [HIDEOUT: BE OUR VOICE], released earlier this year. With an ambitious drive to turn the year 2021 into CRAVITY’s, the members wasted no time speaking to places like Good Day New YorkiHeartET CanadaRadio.com, and many more, about their success thus far and the creative process behind the album.

“We shot the performance video for “Bad Habits” using many new techniques we haven’t tried before, for example, shooting with night vision or lip-syncing to a lower angle camera through a glass pane. The dance routine was really fun to perform and suits the mood of the song really well,” says Rapper Allen. The leader of the group, Serim, adds “We had a very short time to prepare for our B-side track promotion, but we’ve worked super hard to complete it in success.” 

The main theme for the performance video of “Bad Habits” is ‘Nocturnal,’ and viewers can see the members’ dynamic moves and performance on the night of the full moon. They’ve turned into bad boys with funky visuals and will draw full attention by showing more matured and developed skills. The song “Bad Habits” is meant to showcase a different side of the CRAVITY members with a more rough and tough persona. The lyrics tell a story of 9 members who will not collapse in this world but will clearly show their own way to survive through it. EXY from K-Pop Group Cosmic Girls (WJSN) participated as a lyricist on this track with underground trap beats. In addition, 3 CRAVITY members [Taeyoung, Allen, and Hyeongjun] participated in the draft version of the “Bad Habits” choreography, further showing their artistic abilities.

MORE INFO:

CRAVITY’s debut album, released in April 2020, SEASON1. [HIDEOUT: REMEMBER WHO WE ARE] caused a wave of intrigue and excitement here in the states, with mentions in PAPER MagazineAccessiHeartJ-14MTV NewsEarmilkTeen Vogueand Rolling Stonewho referred to their title track as “An anthemic track from the K-pop rookies that combines 808-style riffs with the melodic sensibilities of early-2000s boybands (extended dance break included).” In addition to that, CRAVITY made a splash on social media, debuting at No. 12 on Billboard’s Social 50 chart for the week dated April 25.

CRAVITY has also garnered the title “Super Rookie” over in Korea due to their debut album’s success, which hit No. 1 on the U.S. @iTunes Top K-Pop Albums chart, making them the first #Kpop rookie group to debut in 2020 to earn this achievement. CRAVITY has marked their relentless movement, sweeping the rookie of the year awards at various music awards ceremonies in Korea. Even after releasing only two albums, their achievements were more than enough to show their presence in the K-pop scene, giving them the title ‘2020 super rookie.’

The inspiration behind the name, CRAVITY, came to fruition through the combination of “Creativity” and “Gravity,” Starship Entertainment’s new boy band for the first time in five years since Monsta X. Consisting of nine members, [Serim, Allen, Jungmo, Woobin, Wonjin, Minhee, Hyeongjun, Taeyoung, and Seongmin], CRAVITY, which is also an acronym for “Center of Gravity,” is meant to attract/gravitate listeners into their unique universe, by pulling them in with their creativity, charm, and pure talent. As humans, we all have our own “first experiences,”; whether that be in school, society, or in a relationship. When encountering new relationships, we sometimes prepare ourselves by running from the starting line at full speed, hearts racing, butterflies in our stomach, but at the same time, we are afraid. We are hopeful, but we also experience despair.

Follow Cravity on Socials:

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Ballet illustration by Rita Azar for 360 Magazine

SF Ballet Performs GEORGE BALANCHINE’S JEWELS 

GEORGE BALANCHINE’S JEWELS SPARKLES ON SCREEN AT SAN FRANCISCO BALLET, APRIL 1–21 

The 2021 Digital Season’s Jewels stream is dedicated
to the memory of Elyse Borne

Newly filmed Emeralds, captured at the War Memorial Opera House in San Francisco in January 2021, tops Balanchine’s dazzling, abstract triptych

San Francisco Ballet (SF Ballet) streams George Balanchine’s Jewels on Program 04, April 1–21 of the 2021 Digital Season, featuring a newly-captured Emeralds to accompany archival recordings of Rubies and Diamonds. Filmed on stage at the War Memorial Opera House in January of 2021, Emeralds was captured under strict safety protocols in compliance with the San Francisco Department of Public Health guidelines which protect artists, production crews, and the greater public. Tickets to the digital stream of Jewels begin at $29. Casting is available at this link.

SF Ballet Artistic Director and Principal Choreographer Helgi Tomasson dedicates the 2021 Digital Season’s Jewels stream to the memory of Elyse Borne, a leading Balanchine répétiteur who staged dozens of ballets for the Company, beginning in 1996 with Balanchine’s Concerto Barocco. Borne passed away in December of 2019, shortly after rehearsing Jewels with SF Ballet to prepare for live performance in the 2020 Season. “While recording Emeralds on stage this year we all thought fondly of Elyse,” says Tomasson. “She and I met while dancing for New York City Ballet in the 1970s and 80s. We were both aware of how fortunate we were to be a part of that last generation of dancers who worked directly with Balanchine. She joined us as ballet master in 1997 after working with companies all over the world, and over the following six years, she guided and supported the dancers here with expertise, grace, and humor. She will always be a long-remembered colleague and dear friend.” Alongside Borne and the George Balanchine Trust, Tomasson has remained committed to documenting and preserving the choreographer’s work for future generations, programming at least one Balanchine ballet each year of his leadership of SF Ballet.

Called “a perfect introduction to ballet” (The New York Times) and inspired by the designs of jeweler Van Cleef & Arpels, Jewels was last seen in full at SF Ballet in 2009. Jewels premiered in full in 1967 at New York City Ballet and consists of three one-act ballets that span the musical and balletic traditions of France (Emeralds), the United States (Rubies), and Russia (Diamonds), with costumes designed by Barbara Karinska to fit each act. Emeralds alludes to the 19th-century dances of French romantics and is set to excerpts from Gabriel Faure’s Pelléas et Mélisande (1898) and Shylock (1889). Rubies is a feat of athleticism, set to the irregular, modernist, jazz-inspired Capriccio for Piano and Orchestra by Igor Stravinsky. Diamonds invokes memories of Imperial Russia in a grand and formal display of classical ballet and is set to Tchaikovsky’s Symphony No. 3 in D major. SF Ballet Orchestra performs in each ballet, with newly recorded music for Emeralds captured using approved safety protocols at Skywalker Studios and the SF Conservatory of Music, produced and engineered by Leslie Ann Jones.

Tickets to Jewels are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online. For more information, call Ticket Services at 415-865-2000, Monday through Friday from 10 am to 4 pm. Click here to view digital viewing tips.

Celebrating Jewels

SF Ballet hosts Celebrating Jewels on April 20 from 1 to 2:30 p.m., online via Zoom. The event unites former New York City Ballet principal dancers Kay Mazzo, Mimi Paul, and Edward Villella, alongside Helgi Tomasson, to discuss their memories and insight into Balanchine’s iconic ballet. General admission tickets to Celebrating Jewels are $20, donors and subscribers receive access to the program for a reduced rate or for free.

San Francisco Ballet Pop-Up Shop

San Francisco Ballet hosts a pop-up shop open to the public on April 2 and 3 from 10 to 3 p.m., observing COVID-19 regulations as suggested by the City of San Francisco. In celebration of Jewels, the pop-up is offering a 25% discount on all jewelry. The pop-up shop is held at 2400 Cesar Chavez, San Francisco, 94124. Parking is free. Donors and subscribers can access the sale early on Thursday, April 1 from 10 to 3 p.m. Contact their website with questions.

PRODUCTION CREDITS

Jewels
A Ballet in Three Parts  

Composers: Gabriel Fauré, Igor Stravinsky, Peter Ilyich Tchaikovsky
Choreographer: George Balanchine
Staged by: Elyse Borne, Judith Fugate, Sandra Jennings
Additional Coaching by: Helgi Tomasson

World Premiere: April 13, 1967—New York City Ballet, New York State Theater; New York, New York

San Francisco Ballet Premiere: March 12, 2002—War Memorial Opera House, San Francisco, California

© The George Balanchine Trust

Emeralds
Captured on January 28, 2021 

Composer: Gabriel Fauré
Choreographer: George Balanchine
Staged by: Elyse Borne and Sandra Jennings
Additional Décor for Emeralds: Susan Touhy
Costume Design: Karinska, Recreated by Haydee Morales
Rehearsal Assistants: Ricardo Bustamante, Tina LeBlanc

Rubies
Captured on February 2, 2016  

Composer: Igor Stravinsky
Choreographer: George Balanchine
Staged by: Elyse Borne
Costume Design: Karinska
Original “Rubies” Lighting Design: Ronald Bates
Rehearsal Assistant: Tina LeBlanc

San Francisco Ballet Premiere: January 30, 1987—War Memorial Opera House, San Francisco, California

Diamonds
Captured on March 12, 2017  

Composer: Peter Ilyich Tchaikovsky
Choreographer: George Balanchine
Staged by: Judith Fugate
Costume Design: Karinska
Rehearsal Assistants: Felipe Diaz, Betsy Erickson

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

Lisa Bonet & My-Lihn Le illustration by Heather Skovlund for 360 Magazine

My-Linh Le × Lisa Bonet

The Museum of Wild and Newfangled Art Announces Avant Premiere of Groundbreaking Street Dance Turfing Film, MUD WATER, by My-Linh Le, with Pre-Show Teaser “Freedom Music” Video by Lisa Bonet

mowna hosts an exclusive online Avant premiere event for their Opening Show featuring trailblazing cinematic, dance, & music artists on March 26-27, 5:30 pm PT/8:30 pm ET as a warmup act to their Online Biennial opening on April 30th, 2021

Click here to experience the MUD WATER official trailer

NEW YORK (March 9, 2021) – The Museum of Wild and Newfangled Art (mowna), a newly opened online museum specifically designed for the digital age,  announces the Avant Premiere special event as part of mowna‘s Opening Show, which will feature the world debut screening of MUD WATER, a coming-of-age dance film starring Xavier Days, written and directed by My-Linh Le, and “Freedom”, a cutting-edge music video directed by Lisa Bonet featuring Dorothy and Angel Haze and an extremely talented, award-winning ensemble of talent, in front of and behind the camera.

The Avant Premiere is a VIP event for mowna members and MUD WATER Kickstarter supporters and is a prelude to the 2021 mowna online Biennial, which opens on April 30, 2021, and runs through September 22, featuring 100 international artists across all art mediums.

The Avant Premiere event takes place on Friday, March 26, 2021, at 5:30 pm PT/8:30 pm ET for VIPs, the press, and festival presenters, and Saturday, March 27, 2021, at 5:30 pm PT/8:30 pm ET for museum members. For more information on how to become a member to secure tickets, please click here.

mowna’s Avant Premiere MUD WATER event features Women Filmmakers

The Avant Premiere opens with the “Freedom Music” video by Lisa Bonet, followed by an introduction to MUD WATER by the filmmakers, the world premiere screening of the film, and a Q&A with directors, crew & cast including My-Linh Le, and star Xavier Days. The event will culminate in an afterparty in the mowna party room.

MUD WATER

Weaving together myth, movement, and snapshots of real life, MUD WATER is about a crew of turfers preparing for an upcoming dance battle and a man in search of his shadow.  The cast of Mud Water consists entirely of real dancers who are recognized in the turfing community as well as globally in the world of freestyle dance. Main actors Yung Phil (Turf Feinz), Dopey Fresh, Intricate, and No Name – who play themselves – are local turfers from Oakland, San Francisco, and surrounding areas.

“Getting an Avant premiere with mowna feels like one of those really lucky, synergistic moments that we’ve had throughout the making of this film. For one, I love that we’re on the same page about being ambitious and daring in our experimentation while sticking closely to authenticity. mowna and MUD WATER are of the same kind: we don’t care about high horses or usual ways of doing things, we’re just here to make the time of our lives, blowing past expectations,” said director, My-Linh Le.

Click here to experience the official MUD WATER trailer.

Freedom Music

The Freedom Music video, by Lisa Bonet, is a part of the #FreedomRemix movement, made by a predominantly female crew and features over 100 women of all ages celebrating liberation, by Dorothy, featuring Angel Haze. The project is directed by Lisa Bonet and produced by We Are Hear. Executive Producers include Linda Perry and Kerry Brown.

“This was a beautiful collaboration of dance activism. We have here, the power of women assembling, dancing, celebrating ~ protecting…the joyful participation in the sorrows of the world. The way forward is through paths yet known. Carrying in our hearts, Above All Do No Harm. We must teach this to our children. We come fierce, like mama rhino guarding her young, all the while feeding our Joy. We sway to the songs of our ancestors.” said Lisa Bonet. 

mowna Membership Made Easy and Affordable

Members of the Museum of Wild and Newfangled Art (mowna) provide support for the museum’s mission, helping to sustain mowna and supporting artists to live their lives and make their work. Membership to mowna has purposely been made affordable and accessible so members are able to enjoy free admission, access to the collection, and special events: meet the artists, curator talks, parties, mowna founders’ chats, and more. Membership to mowna is $15/month and can be canceled at any time.

70% of member contribution pays the artists for their work. The other 30% pays for the creation of the site and the curation of the work.

Click here to become a mowna member

About the 2021 mowna Online Biennial 

The deadline for submissions for the 2021 mowna Online Biennial has been extended through March 16, 2021.  For submission guidelines, please click here. 

As large institutions cancel shows, the art that is being made currently will not be seen, might be lost, or perhaps considered irrelevant by a show that is scheduled as far off as 2022. The pandemic has forced art institutions to reassess their business models and ethics and address the inequality that exists within the art world. Some venues have shut down permanently, others struggle to stay afloat. With all of this going on we are currently witnessing a two-year gap in the art world’s exhibition schedule. The Museum of Wild and Newfangled Art addresses this crisis through hosting the 2021 mowna Online Biennial through their humane platform facilitated by a sustainable business model that exhibits and supports a diverse range of art and artists right now. The 2021 mowna Online Biennial opens April 30th, 2021, exhibiting an international pool of 100 artists. This is mowna‘s largest show of the year showcasing international art made in 2019 – 2021. The Biennial includes all forms of art, inviting artists to consider new ways to exhibit their work online and to consider how artwork translates through mowna’s digital platform.

mowna is currently receiving a constant stream of submissions for the Biennial, with 42 countries represented so far. Because of the traction, the call for submissions for the 2021 mowna Biennial is extended through March 16 and may include interactive experiences, movement, abstract, play, sound, street, fashion, animations, live performance, photography, illusions, nature, software, video art, memes, writing, bots, gifs, vr, ar, xr, painting, sculpture, sketches, theater, poetry, opera, cinema, and other creative things only you can dream up.

Official artist selections for the 2021 mowna Online Biennial will be announced on April 9, 2021, and the opening party will take place on April 30, 2021.

About mowna

mowna seeks to create an ever-changing, fun, thoughtful, beautifully designed space to encourage awareness and mindfulness through the exhibition and experience of art and serves the public’s need for art for the highest good of all.  By addressing the current needs of not only the artist but also the audience, mowna is breaking barriers within the global art community.

mowna offers the preservation of artworks through an online collection that is an educational resource and archive for its members and its artists, and aims to find, display, and support wild and newfangled art through the incorporation of innovative new technologies and ways. mowna provides artists with financial compensation for their art and expands awareness of their talents via a sustainable platform where they can flourish.

Ballet by Rita Azar for 360 Magazine

CATHY MARSTON – SNOWBLIND

CATHY MARSTON’S SNOWBLIND REPLACES MRS. ROBINSON ON PROGRAM 05, APRIL 22–MAY 12, 2021

 

 Marston’s Mrs. Robinson will premiere in the 2022 Season

 

 Program 05 also features Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus

 

 San Francisco Ballet (SF Ballet) announces the postponement of Mrs. Robinson, Cathy Marston’s world premiere which was scheduled to debut on Program 05, April 22–May 12, until the 2022 Season. Mrs. Robinson was choreographed for the stage in the 2020 Season and was reimagined for film in the 2021 Digital Season. As COVID-19 related obstacles created unforeseen delays with the film capture at the War Memorial Opera House this month, Helgi Tomasson and SF Ballet made the joint decision with the American Guild of Musical Artists to postpone filming to put the health and safety of staff, crew, and artists at the forefront. An archival capture of Marston’s Snowblind, created for the 2018 Unbound Festival, will replace Mrs. Robinson for Program 05, which also includes archival captures of Helgi Tomasson’s 7 for Eight and David Dawson’s Anima Animus. Members of the public can still see a short film “prelude” to Marston’s Mrs. Robinson, captured at the Fairmont San Francisco in November of 2020, beginning today through February 25 in a digital program featuring excerpts from SF Ballet’s January 14 Virtual Benefit. It will be available via YouTubeIGTVFacebook, and SF Ballet’s website.

 

San Francisco Ballet’s complete 2022 Season will be announced later this spring. Images of Program 05 are available at this link, and casting is available here.

 

ABOUT PROGRAM 05:

Helgi Tomasson’s 7 for Eight from 2004 is an “exceptionally musical Bach essay” (San Francisco Chronicle) highlighting a series of solo and ensemble numbers for eight dancers, set to portions of keyboard concertos by J.S. Bach. The 2021 Digital Season capture of 7 for Eight is from 2016, the last time the work was seen at SF Ballet, and features principal dancers Yuan Yuan Tan and Tiit Helimets, and former principal dancers Vanessa Zahorian, Gennadi Nedvigin, and Taras Domitro throughout. 7 for Eight is Tomasson’s second ballet set to Bach (his first, Aurora Polaris, premiered in 1991), and includes black-on-black costume designs by Sandra Woodall and lighting designs by David Finn. Martin West leads the SF Ballet Orchestra in 7 for Eight and throughout each ballet in Program 05.

 

Cathy Marston’s Snowblind “gripped from first moment to last” (San Francisco Chronicle) at its world premiere during the 2018 Unbound: A Festival of New Works. Based on Edith Wharton’s novella Ethan Frome (1911), Snowblind narrates a heart-rending love triangle between central characters Ethan Frome; his hypochondriac wife, Zeena; and Mattie, kin to Zeena, who captivates Frome after she’s hired to provide domestic support. The 2021 Digital Season stream was captured on April 25, 2018 at the War Memorial Opera House and includes principal dancers Sarah Van Patten as Zeena, Mathilde Froustey as Mattie, and Ulrik Birkkjaer as Ethan Frome. Philip Feeney arranged Snowblind’s music, which includes pieces by Wharton’s contemporaries Amy Beach and Arthur Foote, as well as Estonian composer Arvo Pärt. Snowblind includes scenic and costume designs by Patrick Kinmonth and lighting designs by James F. Ingalls.

 

Program 05 closes with David Dawson’s Anima Animus, the choreographer’s first commission for SF Ballet, also created for the Unbound festival in 2018. Set to Ezio Bosso’s “Esoconcerto,” Anima Animus is, as Dawson puts it, “physically emotional virtuosity combined to make something human,” playing on Jungian concepts to reveal the rich contrasts between male and female psyches. Anima Animus toured with SF Ballet to Sadler’s Wells Theatre in 2019 and was “easily one of the highlights” (Seeing Dance) of the Company’s four-program London performances. The 2021 Digital Season stream of Anima Animus was captured on April 25, 2018 and includes former principal dancers Maria Kochetkova, Sofiane Sylve, and Carlo Di Lanno, and current principal dancers Luke Ingham and Wei Wang among its cast of ten.

 

Tickets to Program 05 are available now as single stream tickets for $29, or within the Premium Plus Digital Package, which offers unlimited viewing of the remaining programs in the 2021 Digital Season, in addition to exclusive bonus content, for $289. Tickets and packages may be purchased online at www.sfballet.org. Click here to view digital viewing tips.

 

PRODUCTION CREDITS

I. 7 for Eight
Captured on Saturday, January 30, 2016

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
Costume Design: Sandra Woodall
Lighting Design: David Finn
Rehearsal Assistant: Anita Paciotti

World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

II. Snowblind
Captured on Wednesday, April 25, 2018

Composers: Amy Beach, Philip Feeney, Arthur Foote, and Arvo Pärt
Music arranged by: Philip Feeney
Choreographer: Cathy Marston
Scenic and Costume Design: Patrick Kinmonth
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Jenny Tattersall
Rehearsal Assistant: Anita Paciotti

Adaptation of Edith Wharton’s Ethan Frome by Cathy Marston and Patrick Kinmonth

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

III. Anima Animus
Captured on Wednesday, April 25, 2018

Composer: Ezio Bosso
Choreographer: David Dawson
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
Rehearsal Assistant: Felipe Diaz

World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

 

ABOUT SAN FRANCISCO BALLET
San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

SF Ballet Announces Digital Season in 2021

San Francisco Ballet (SF Ballet) announces details for two world premieres of its groundbreaking 2021 Digital Season: a new ballet by Myles Thatcher and Wooden Dimes by Danielle Rowe, opening February 11 and March 4, respectively, during Programs 02 and 03. Each premiere has been filmed under strict safety protocols in compliance with the San Francisco Department of Public Health guidelines, which protect artists, production crews, and the greater public. Single program stream access and the Premium Plus Digital Package are on sale now. Full ticketing and calendar information is listed below, and casting can be found on SF Ballet’s website.

Streaming during Program 02 (February 11– March 3) of the 2021 Digital Season, Myles Thatcher’s new ballet is set in San Francisco locations including the San Francisco Museum of Modern Art, the Heroes Grove at Golden Gate Park, Yerba Buena Gardens, and the stage of the War Memorial Opera House, SF Ballet’s performance home. Thatcher’s work emphasizes saturated colors in its design and explores parallels between consuming art—as one might at an art museum—and creating it. “First and foremost, I want this piece to embody the joy that art of all kinds has afforded me in my life,” says Thatcher. “Yes, it has brought much needed beauty through this especially challenging year. But more importantly, art allows me to get a glimpse of someone else’s perspective. It allows me to see through another person’s eyes and walk in another person’s shoes. Art has a unique way of showing us that through all our beautiful differences, we still may share common truths. And ultimately, it teaches us empathy, one of the greatest gifts we can share.” Thatcher’s world premiere ballet is his fourth repertory season creation for the company. Thatcher is also a soloist with SF Ballet. His new ballet is set to Steve Reich’s Variations for Vibes, Pianos, and Strings and is directed for film by Ezra Hurwitz, with costume designs by Susan Roemer, and lighting design by Jim French. Click here to watch the first episode of a video series following Thatcher’s creative process.

Thatcher’s new ballet will stream on Program 02 (February 11—March 4) alongside archival captures of Dwight Rhoden’s LET’S BEGIN AT THE END and Mark Morris’ Sandpaper Ballet. Created for Unbound: A Festival of New Works in 2018, Rhoden’s LET’S BEGIN AT THE END is set to music by J. S. Bach, Philip Glass, and Michael Nyman and was noted for its “off-kilter moves, spinning promenades in arabesque and consistent drive” (Bachtrack) at its premiere. LET’S BEGIN AT THE END was the first work created for SF Ballet by Rhoden, who is co-artistic director of Complexions Contemporary Ballet. Mark Morris’ Sandpaper Ballet, created in 1999 with costumes by Isaac Mizrahi, is a rare work in the repertory that sets neoclassical ballet to “funny” music—in this case, nostalgic pop-orchestral tunes by Leroy Anderson: “Sleigh Ride,” “Fiddle-Faddle,” “The Typewriter,” and more. “I didn’t trust ballet orchestras,” the choreographer writes in Out Loud, his memoir written in collaboration with Wesley Stace. “It turned out that the San Francisco Ballet orchestra was very good.” It was then Morris’ “apology and joke” to set the ballet, his second work for the Company, to Anderson’s novelty tunes. Sandpaper Ballet is one of seven ballets that Morris has created for SF Ballet.

Danielle Rowe’s Wooden Dimes premieres on Program 03 (March 4–24). Filmed at the War Memorial Opera House, Wooden Dimes is Rowe’s first ballet created for SF Ballet’s repertory season. “My appreciation for the art of filmmaking has developed tremendously throughout the creation of Wooden Dimes,” says Rowe, who also directs the film. “I adore the necessity and value given to details, the ability to transform a moment and play in post-production, and the attention and forward thinking required to piece a story together cohesively.” The ballet’s rehearsal process involved Director of Photography Heath Orchardworking both in person and remotely over Zoom, and remote collaboration with costume designer Emma Kingsbury, lighting designers Jim French and Matthew Stouppe, and composer James M. Stephenson, who has created an original score for the ballet. The ballet’s title alludes to the American idiom, “don’t take wooden nickels,” a warning to protect oneself from swindling and manipulation. Set in the roaring ‘20s with art deco stylings, Wooden Dimes follows two characters, Betty and Robert Fine, whose love becomes jeopardized as Betty soars to stardom. Click here to see an interview with Rowe about her creative process.

Wooden Dimes will stream alongside archival captures of Alexei Ratmansky’s Symphony #9and Yuri Possokhov’s Swimmer on Program 03 (March 4—24). Ratmansky’s Symphony #9from Shostakovich Trilogy, co-commissioned by SF Ballet, premiered in 2012 at American Ballet Theatre and is set to Shostakovich’s Symphony No. 9 in E-flat major, opus 70. Drawing on ideas and themes from Shostakovich’s life, Symphony #9 features two leading couples and a soloist man who suggests the character of the Soviet composer. The ballet includes scenic designs by George Tsypin and costume designs by Keso Dekker. Program 03 closes with SF Ballet’s Choreographer in Residence Yuri Possokhov’s Swimmer, a smash hit at its premiere in 2015. Swimmer is set to music by SF Ballet Orchestra double bassist Shinji Eshima, who incorporates recorded songs by Tom Waits and others into his score. Inspired by John Cheever’s short story of the same name from 1964, Swimmer includes animated projections by Kate Duhamel, costumes by Mark Zappone, and scenic design by Alexander V. Nichols.

TICKETS

The Premium Plus Digital Package, which offers access to all seven programs in the 2021 Digital Season in addition to bonus content, is priced at $289 and is on sale until April. Single program streams are on sale now and priced at $29 for 72-hour access. Tickets and packages may be purchased online at sfballet.org. For more information, call Ticket Services at 415-865-2000, Monday through Friday from 10 am to 8 pm, and Saturday and Sunday from 12 pm to 8 pm. Click here to view digital viewing tips.

CALENDAR AND CREDIT INFORMATION 

LET’S BEGIN AT THE END

Archival capture from Saturday, May 5, 2018

Composers: Johann Sebastian Bach, Philip Glass, and Michael Nyman
Choreographer: Dwight Rhoden
Scenic Design: Alexander V. Nichols
Costume Design: Christine Darch
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Clifford Williams
Rehearsal Assistant: Ricardo Bustamante

World Premiere: April 26, 2018—San Francisco Ballet, War Memorial Opera House; San Francisco, California

Myles Thatcher World Premiere

Composer: Steve Reich
Choreographer: Myles Thatcher
Director: Ezra Hurwitz
Costume Design: Susan Roemer
Lighting Design: Jim French
Director of Photography: Ricardo Campos
Editor: Ezra Hurwitz
Executive Producer: Christopher Dennis
Producers: Lauren Finerman and Lindsay Gauthier
Rehearsal Assistant: Katita Waldo

World Premiere: February 11, 2021—San Francisco Ballet

The 2021 world premiere by Myles Thatcher is made possible by Lead Sponsor Mary Jo and Dick Kovacevich; Major Sponsors Brenda and Alexander Leff, and Mrs. Joyce L. Stupski; and Sponsor Kacie and Michael Renc, with additional support from the TeRoller Fund for New Productions of the SF Ballet Endowment Foundation.

Sandpaper Ballet

Archival capture from Sunday, February 16, 2020

Composer: Leroy Anderson
Choreographer: Mark Morris
Staged by: Tina Fehlandt
Costume Design: Isaac Mizrahi
Lighting Design: James F. Ingalls
Rehearsal Assistants: Betsy Erickson and Tina LeBlanc

World Premiere: April 27, 1999—San Francisco Ballet, War Memorial Opera House; San Francisco, California

Symphony #9

Archival capture from Tuesday, May 7, 2019

Composer: Dmitri Shostakovich
Choreographer: Alexei Ratmansky
Staged by: Nancy Raffa
Scenic Design: George Tsypin
Costume Design: Keso Dekker
Lighting Design: Jennifer Tipton
Rehearsal Assistants: Ricardo Bustamante, Katita Waldo

Shostakovich Trilogy was co-commissioned by San Francisco Ballet and American Ballet Theatre.

World Premiere: October 18, 2012—American Ballet Theatre, New York City Center; New York, New York

San Francisco Ballet Premiere: April 2, 2014—War Memorial Opera House; San Francisco, California

Wooden Dimes (World Premiere)

Composer: James M. Stephenson
Director and Choreographer: Danielle Rowe
Costume Design: Emma Kingsbury
Scenic Properties Design: Alexander V. Nichols
Lighting Design: Jim French and Matthew Stouppe
Director of Photography: Heath Orchard
Editor: Lindsay Gauthier
Executive Producer: Christopher Dennis
Producers: Lauren Finerman and Lindsay Gauthier
Rehearsal Assistant: Felipe Diaz

World Premiere: March 4, 2021—San Francisco Ballet

The 2021 world premiere of Wooden Dimes is made possible by Grand Benefactor Sponsor Margaret and Will Hearst; Lead Sponsors Beth and Brian Grossman, Kelsey and David Lamond, and Catherine and Mark Slavonia; and Sponsors Karen S. Bergman, Brian and Rene Hollins, and Mr. and Mrs. Robert M. Smelick, with additional support from the Osher New Work Fund of the SF Ballet Endowment Foundation. 

Swimmer

Archival capture from Sunday, March 20, 2016

Composers: Shinji Eshima, Tom Waits, Kathleen Brennan, and Gavin Bryars
Choreographer: Yuri Possokhov
Scenic Design: Alexander V. Nichols
Costume Design: Mark Zappone
Lighting Design: David Finn
Video Design: Kate Duhamel
Rehearsal Assistant: Anita Paciotti

World Premiere: April 10, 2015—San Francisco Ballet, War Memorial Opera House; San Francisco, California

ABOUT MYLES THATCHER

Myles Thatcher is a dancer with San Francisco Ballet and a choreographer. After training at The Harid Conservatory, Ellison Ballet, and San Francisco Ballet School, he joined SF Ballet in 2010. As a dancer, he has performed principal or featured roles in many classical and contemporary ballets, including Lensky in Onegin, and Paris in the 2015 film of Tomasson’s Romeo & Juliet for Lincoln Center at the Movies’ Great American Dance. Thatcher began choreographing while a Trainee at SF Ballet School and has created five works for the School. His In the Passerine’s Clutch premiered at SF Ballet’s 2013 Repertory Season Gala; followed by Manifesto, which premiered as part of the 2015 Repertory Season; Ghost in the Machine, which premiered as part of the 2017 Repertory Season; and Otherness, which premiered during 2018 Unbound: A Festival of New Works. In 2015, Thatcher also created Passengers for The Joffrey Ballet, Polaris for New York City Ballet, and Body of Your Dreams for the Rolex Arts Weekend in Mexico City. In 2018, Thatcher’sRedbird premiered at Charlotte Ballet, and in 2020, his dance film Frontiers debuted at My Light Shines On: An Evening with Scottish Ballet. He has also choreographed for Cincinnati Ballet and Kansas City Ballet. Thatcher was selected by Alexei Ratmansky to participate in the 2014–15 Rolex Mentor & Protégé Arts Initiative. He has been nominated for Isadora Duncan Awards for Outstanding Achievement in Choreography for Manifesto and Ghost in the Machine.

ABOUT DANIELLE ROWE

Choreographer Danielle Rowe danced with Australian Ballet, Houston Ballet, and Nederlands Dans Theater. She originated roles in creations by Lightfoot/Leon, Wheeldon, McGregor, Ekman, Pite, and Goecke, and performed the title roles in Giselle, Cinderella, and Sleeping Beauty. Rowe has created works for San Francisco Ballet, Nederlands Dans Theater’s SWITCH program, Royal New Zealand Ballet, Co.Lab Dance, Ballet Idaho, Grand Rapids Ballet, SFDanceworks, Diablo Ballet, Oakland Ballet, and Berkeley Ballet Theater. She also choreographed for the award-winning dance film Sirens Tango(featuring SF Ballet Principal Dancers Sasha de Sola and Luke Ingham), and the cross-disciplinary immersive theater productions of FURY (a collaboration between SF Ballet, Alonzo King LINES Ballet, and indie-pop band YASSOU) and Before You Had A Name (a collaboration between Barak Ballet, SF Ballet Principal Dancer Sarah Van Patten, violinist Heather Powell, and multi-media artist Alisa Lapidus). During the COVID-19 pandemic, Rowe has pivoted to filmmaking, creating Shelter with Garen Scribner and Alexander Reneff-Olson; Wilis in Corps-en-tine and I Am Spartacus with Scribner (The Australian Ballet); and The Animals (Ballet Idaho). The films garnered positive attention from Vogue, The New Yorker, The Guardian, and Dance Magazine.

ABOUT SAN FRANCISCO BALLET

San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

CONNECT WITH SAN FRANCISCO BALLET

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*Photo: Sarah Van Patten in Danielle Rowe’s “Wooden Dimes”. By Lindsay Gauthier*

Illustration for 360 Magazine by Rita Azar

San Francisco Ballet Virtual Benefit

San Francisco Ballet (SF Ballet) announces details for its first-ever virtual benefit, Leap Into the New Year, to be held online via Socio on Thursday, January 14, 2021 to mark the opening of SF Ballet’s historic 88th Digital Season.

With a performance curated by Artistic Director and Principal Choreographer Helgi Tomasson, the event includes delivered items, such as a meal, caviar, and gifts provided by McCalls Catering & Events; and wine provided by Rodney Strong Vineyards. The evening’s programming includes the SF Ballet performance debut of two of the Company’s new Principal Dancers, Nikisha Fogo and Julian MacKay, in the Act III pas de deux from Don Quixote, and an excerpt from a new work by Helgi Tomasson created on members of SF Ballet’s corps de ballet—click here to see a video about this work.

Leap Into the New Year also includes a newly produced prelude to Mrs. Robinson by Cathy Marston, featuring Principal Dancers Sarah Van Patten and Joseph Walsh, and excerpts from the Digital Season’s additional world premieres, Wooden Dimes by Danielle Rowe and a new work by Myles Thatcher. Complete programming and casting are included at the bottom of this release.

Proceeds from Leap Into the New Year will benefit a wide range of SF Ballet artistic initiatives, including new works, accessible digital content, scholarships and financial aid programs for San Francisco Ballet School students, and community education programs for youth, families, and seniors. The event begins at 6 pm with access to private virtual tables; a wine education session with the event’s wine sponsor, Rodney Strong Vineyards; and behind-the-scenes content from rehearsals, followed by a 7 pm performance.

Ticket holders at the Artistic Director, Principal, Producer, and Soloist levels will enjoy VIP programming, including the pas de deux from William Forsythe’s In the Middle, Somewhat Elevated, rehearsed by Forsythe on Soloist Sasha Mukhamedov and Principal Dancer Aaron Robison, and the White Swan Pas De Deux from Helgi Tomasson’s Swan Lake performed by Fogo and MacKay.

Under the direction of Music Director Martin West, San Francisco Ballet Orchestra recorded music for the event using approved safety protocols at Skywalker Studios, 25th Street Recording, and the SF Conservatory of Music, which was produced, engineered and mastered by Leslie Ann Jones.

The evening is hosted by SF Ballet Soloist Madison Keesler, who will be styled by Neiman Marcus. All table guests will enjoy a private, virtual meet-and-greet with a Company dancer during the event and will have access to a virtual social wall where they can share photography and messages with other benefit-goers. Artistic Director and Principal level table guests will also have the option to request an on-site, socially-distanced photo-op with Drew Altizer Photography.

Tickets to the event start at $3,000 for a pair of guests or $1,600 for a virtual table of four for ENCORE! members. Guests who wish to receive a meal, wine, and gifts delivered to their home day-of must RSVP by December 31, 2020. Reservations may be made online or by contacting Emma Lundberg, SF Ballet’s Special Events Manager, at elundberg@sfballet.org or 415.865.6629.

LEAP INTO THE NEW YEAR’S PERFORMANCE PROGRAM 

Premier Presenting Producer

Osterweis Capital Management 

Presenting Producers

Frederick and Shelby Gans

JPMorgan Chase & Co.

Linnea and George Roberts

Denise Littlefield Sobel

Excerpt from new work by Helgi Tomasson 

Composer: Jean Phillippe Rameau

Artistic Director Sponsor: Dr. Sunnie Evers

Featuring: JULIA ROWE, LEILI RACKOW, BIANCA TEIXERIA, NATASHA SHEEHAN

DIEGO CRUZ, LUCAS ERNI, LUCA FERRÒ, LLEYTON HO

Dedicated To… by Yuri Possokhov

Composer: Victor Osadchev

Artistic Director Sponsor: Jennifer and Steven Walske

Featuring: YUAN YUAN TAN 

Excerpt from Wooden Dimes, Danielle Rowe’s world premiere

Composer: James M. Stephenson

Artistic Director Sponsor: Alison and Michael Mauzé

Featuring: LUKE INGHAM, DORES ANDRÉ, MAX CAUTHORN 

Pas de Deux from Coppélia by Arthur Saint-Léon

Composer: Léo Delibes

Artistic Director Sponsors: Richard C. Barker; Yurie and Carl Pascarella

Featuring: MISA KURANAGA, ANGELO GRECO 

Excerpt from Myles Thatcher’s world premiere

Composer: Steve Reich

Artistic Director Sponsor: Christine Russell and Mark Schlesinger

CASTING TO BE ANNOUNCED 

Short film of Mrs. Robinson world premiere by Cathy Marston

Composer: Terry Davies

Artistic Director Sponsor: Fang and Gary Bridge

Featuring: SARAH VAN PATTEN, JOSEPH WALSH, LUKE INGHAM 

Act III Pas de Deux from Don Quixote by Alexander Gorsky and Marius Petipa

Staging and Additional Choreography by Helgi Tomasson and Yuri Possokhov

Composer: Ludwig Minkus

Artistic Director Sponsor: Diane B. Wilsey

Featuring: NIKISHA FOGO, JULIAN MACKAY

Pas de Deux from In the Middle, Somewhat Elevated by William Forsythe (VIP ONLY)

Composer: Thom Willems

Artistic Director Sponsor: James C. Hormel and Michael P. N. Hormel

Featuring: SASHA MUKHAMEDOV, AARON ROBISON

White Swan Pas De Deux from Swan Lake by Helgi Tomasson (VIP ONLY)

Composer: Peter Ilyich Tchaikovsky

Featuring: NIKISHA FOGO, JULIAN MACKAY

ABOUT HELGI TOMASSON

Helgi Tomasson, one of the most venerated classical dancers of his generation, embarks on his 36th season with San Francisco Ballet in 2021. Born in Iceland, he danced with Harkness Ballet, The Joffrey Ballet, and New York City Ballet, where he distinguished himself as a dancer of technical purity, musicality, and intelligence. Tomasson assumed leadership of SF Ballet in 1985. Under his direction, SF Ballet has become a company widely recognized as one of the finest in the world.

Tomasson has balanced devotion to the classics with an emphasis on new works, cultivating frequent collaborations and commissions with choreographers such as William Forsythe, Christopher Wheeldon, Alexei Ratmansky, Trey McIntyre, Cathy Marston, and Mark Morris, among many others. He has choreographed more than 50 works for the Company, including full-length productions of Swan LakeThe Sleeping BeautyRomeo & Juliet (taped for Lincoln Center at the Movies’ Great American Dance), Giselle, and Nutcracker (taped for PBS’s Great Performances).

He conceptualized the 1995 UNited We Dance festival, in which SF Ballet hosted 12 international companies; the 2008 New Works Festival, which included 10 world premieres by 10 acclaimed choreographers; and 2018 Unbound: A Festival of New Works. Tomasson has also connected SF Ballet to the world, through co-commissions with companies including American Ballet Theatre, The Royal Ballet, and Dutch National Ballet; and major tours to Paris, London, New York City, China, and his native Iceland. In 2020, Tomasson received the San Francisco Arts Medallion, created by the Museum of Performance + Design to recognize those individuals whose leadership, action, and generosity have benefited the cultural life of the San Francisco Bay Area.   

ABOUT THE SAN FRANCISCO BALLET

San Francisco Ballet, long recognized for pushing boundaries in dance, has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia.

SF Ballet is one of the three largest ballet companies in the United States and currently presents more than 100 performances annually, both locally and internationally. The mission of SF Ballet is to share its joy of dance with the widest possible audience—in its community and worldwide—and to provide the highest caliber of dance training in its School. Under the direction of Helgi Tomasson, the Company has achieved an international reputation as one of the preeminent ballet companies in the world.

Dance Your Dance – Laurieann Gibson

Thomas Nelson/W Publishing (a division of HarperCollins) today announced the pre-order for Emmy-nominated choreographer, creative director and entrepreneur Laurieann Gibson’s debut book Dance Your Dance: 8 Steps to Unleash Your Passion and Live Your Dream, set for release on February 16, 2021. The pre-order bundle includes access to exclusive video content from Laurieann and a first look at chapter one of the book. Additionally, the first 500 to pre-order will receive a limited-edition promotional item. Pre-order Dance Your Dance here.

Dance Your Dance highlights Gibson’s evolution from a young dancer training in New York City to a well-respected and in-demand creative visionary with an eye for cultivating music artists from the ground up. The book unveils the ultimate blueprint to achieving your dreams—a blueprint she’s implemented countless times to develop some of the world’s greatest superstars including Lady Gaga, Nicki Minaj, Katy Perry, Diddy and The Jonas Brothers, among others. Packed with personal anecdotes from her 20+ year career in entertainment and messages of empowerment, Dance Your Dance speaks to the dreamer in you: the artist, the singer, the writer, the entrepreneur, the mogul, the mover, the shaker, the thinker.

Reflecting on the power of the book’s message, Laurieann shares, “Dance Your Dance is an explosion of inspiration, passion and empowerment—an entertaining and transformative unstoppable ride to your greatness. I can’t wait for people to start reading it. I believe it can be life-changing.”

ABOUT LAURIEANN GIBSON

Laurieann Gibson is one of the most important pop culture influencers in entertainment today. Having served as creative director and choreographer for numerous international superstars, Gibson’s expertise in developing artists’ performance skills earned her an Emmy nomination for directing Lady Gaga’s HBO concert special Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden. Laurieann also directed and choreographed Nicki Minaj’s sold out “Pink Print World Tour” and Diddy’s “Bad Boy 20th Anniversary Reunion Tour.” More than a choreographer, Gibson is a business force whose presence is felt across TV/commercials, film, gaming, and now publishing. She can currently be seen as a judge on FOX’s hit show So You Think You Can Dance and will serve as creative director/choreographer on MTV’s highly anticipated return of Making the Band. On top of film appearances and commercial work (previously choreographing for the likes of Pepsi and Google), she is producing a number of television projects that are currently in development. Laurieann lives in Los Angeles, California, with her doggie “son,” Samson. Connect with her here.

 ABOUT THOMAS NELSON

Thomas Nelson is a world leading publisher and provider of Christian content and has been providing readers with quality inspirational product for more than 200 years. As part of HarperCollins Christian Publishing, Inc., the publishing group provides multiple formats of award-winning Bibles, books, gift books, cookbooks, curriculum and digital content, with distribution of its products in more than 100 countries. Thomas Nelson is headquartered in Nashville, TN. For additional information, visit here.