Posts tagged with "electronica"

Image via Capitol Music Group for 360 Magazine

The Greeting Comittee – Ada

THE GREETING COMMITTEE SHARE LIFE-AFFIRMING LGBTQ ANTHEM ADA

WATCH THE OFFICIAL VIDEO HERE

NEW ALBUM DANDELION OUT 9/24

Kansas City-based alt-rock band The Greeting Committee premiere their new single Ada, a grippingly honest and life-affirming track that frontwoman Addie Sartino calls an anthem for all our LGBTQ friends and family and fans. Named for a trans woman the band befriended years ago, Ada marks the latest single from their upcoming sophomore album Dandelion, due out via Harvest Records on September 24. Go HERE to stream/download Ada, and pre-order Dandelion HERE.

The single arrives alongside a powerful visual directed by Ada Brumback and produced by Alison Claire Peck (Story School). The video depicts an an all too familiar narrative for many LGBTQ youth. By the end, the protagonist is joined by her community of allies while the line you are loved is repeated. Watch the video HERE.

Partly inspired by Sartino’s own experience in coming out (and by the story of a beloved Greeting Committee fan named Dakota), Ada wanders between tender narration and inner monologue, embedding its lyrics with essential yet bracing truths (It’s hard to be a woman, even harder to be somebody you’re not; A dead name don’t ring the same). In bringing the intensely poignant song to life, The Greeting Committee took great care to fully honor Ada’s emotional reality.

When we were writing that song, [Ada] took the time to go for a two-hour walk with me and tell me about being transgender and growing up in a small town, and what that felt like for her, Sartino recalls, noting that The Greeting Committee first met Ada back when she handled merch for the band.

Referring to the song’s namesake as one of the people who’s made The Greeting Committee who we are today, Sartino points out that Ada closely aligns with the band’s longtime mission of providing their audience with music that illuminates. I think it’s important to have a song like ‘Ada’ on our album, and it’s even more important to give Ada and Dakota the recognition they deserve, says Sartino. Because at the end of the day, I’m not transgender, that’s not my story to share. But I do have a voice and a platform, and to be able to use that platform to share these very personal stories is incredibly special. It’s something that we as a band don’t take lightly.

Like all of Dandelion, Ada was produced by Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes) and mixed by Dave Fridmann (The Flaming Lips, Tame Impala), who helped to assemble the track’s kinetic collage of sounds: thrashing percussion, bright squalls of synth, achingly delicate piano work. The song arrives as the follow-up to The Greeting Committee’s recent single Float Away, a July release praised by the likes Pop Matters (who noted that the bass steamrolls in static, angst-grunged; the drums are propulsive without feeling frenetic; and marimba keys twirl underneath it in a loop, like a haunted carousel all our minds seem to be stuck riding lately). Back in June, the band shared the first single from Dandelion: the gorgeously sprawling alt-pop epic Can I Leave Me Too?, hailed by Clash as a raw portrayal of post-break-up poignance, cloaked in indie pop reverb.

About The Greeting Committee

Made up of Addie Sartino, Brandon Yangmi, Pierce Turcotte, and Austin Fraser, The Greeting Committee have embraced a spirit of purposeful sharing since their formation in 2014. Founded soon after Sartino and Yangmi got their start playing open-mic nights in Kansas City, the band self-released their debut EP It’s Not All That Bad in 2015. Its lead single Hands Down quickly became a breakout hit, paving the way for The Greeting Committee’s signing to Harvest Records when they were all still in high school. After making their Harvest debut with the Meeting People Is Easy EP in 2017 and releasing their debut album This Is It in 2018, the band spent much of the next few years on the road, with sold-out headline shows in major markets such as Chicago, Austin, New York, Los Angeles, and Minneapolis. To date, they’ve toured with the likes of Bombay Bicycle Club, Tennis, Hippo Campus, and Rainbow Kitten Surprise and taken the stage at leading festivals like Lollapalooza and SXSW, in addition to delivering the I’m Afraid I’m Not Angry EP in late 2019 and appearing in Netflix’s To All the Boys: Always and Forever. The band’s second album Dandelion will be out on September 24 via Harvest Records.

For more information on The Greeting Committee visit Instagram, Twitter, Facebook, and website.

photo by CLOUT KILLED THE KIDS for use by 360 Magazine

MUZI – FOOL’S LOVE FT. BLACKROSE

MUZI RETURNS WITH A TALE OF A MILLENNIAL LONGING FOR LOVE WITH FOOL’S LOVE FT. BLACKROSE

“Quite simply represents the best of what South African music can offer today.” – Nova Radio (France)

“…Deeper than Deep House” – i-D

“Muzi is one to watch, one to listen to, and most importantly one to dance to.”
PIOTR ORLOV, AFROPUNK

“Muzi gets up with music in his head and doesn’t go to bed until he’s got it out. I really respect him.” – DAMON ALBARN

“An invigorating cocktail of high-energy bass music and ear-catching African rhythms” – MIXMAG

“Super-catchy electronica” – THE INDEPENDENT

Continuing the story from previous album Afrovision’s ‘Microwave Love’, Muzi‘s newest single, ‘Fool’s Love’ will drop worldwide on Wednesday, 7 July. The third single from his highly anticipated upcoming album (to be announced shortly), Fool’s Love features frequent collaborator, BlackRose. Clout Killed The Kids are once again video directors with the talented Rashid Bhika as the D.O.P.

Instant gratification that leads to a constant honeymoon phase with no real connection,” is the main theme Muzi explored in the irresistible lyrics and melody. The video sees Muzi being “clowned” by his pursuit for an unrequited love. Ditching his signature rolled beanie and leather jacket and pants, Muzi takes on a new look with a full chrome clown suit and a bouquet of red roses and balloons.

‘Fool’s Love’ is a fitting glimpse of the forthcoming album, setting the cosmic stage for another chapter in the adventures of Muzi’s alter-ego, Zulu Skywalker. The single and video encapsulate so much of what makes Muzi unique; self-love, vulnerability, a sense of place and a powerful uncompromising audio and visual aesthetic.

The track follows on from recent releases ‘Interblaktic’ and ‘Need Dat’ feat. The Temple, all of which will be featured on his album out this fall.

Connect with MUZI on 
Spotify | Apple Music | Instagram |  Twitter | Facebook | YouTube

Image courtesy of the oriel company for 360 magazine

AJR – Way Less Sad Cash Cash Remix

AJR PUTS FRESH SPIN ON WAY LESS SAD WITH NEW CASH CASH REMIX OUT TODAY – LISTEN HERE, WAY LESS SAD IS NO. 2 AT ALTERNATIVE RADIO, TOP 20 AT POP RADIO AND APPROACHING TOP 10 AT ADULT POP RADIO

Multiplatinum indie pop trio AJR teamed up with electronic music group Cash Cash to remix their summer anthem Way Less Sad. The club-ready song is available everywhere today via AJR Productions/BMG.

Click HERE to listen.

Way Less Sad is poised to be one of the biggest songs of the summer. It’s generated more than 80 million total streams, is spending its ninth week on the Billboard Hot 100 and just hit No. 10 on Pandora’s Top Spins Chart. Earlier this month, Apple Music added it to its Songs of the Summer and Today’s Hits playlists and Spotify made it a mainstay on its coveted Mood Booster and Happy Hits playlists. The track is currently No. 2 at Alternative radio, recently cracked the Top 20 at Pop radio and is approaching Top 10 at Adult Pop radio, proving them as a force to be reckoned with in the Alternative and Pop spaces.

AJR performed a medley of Way Less Sad and their 2x platinum hit BANG! at the 2021 Billboard Music Awards, which Billboard praised by saying, the line ‘I’m A-OK’ hit particularly hard as the countless fans gathered outside sang along, a fitting moment as the world continues to emerge from the ongoing pandemic. They also took home their first-ever Billboard Music Award for Top Rock Song with BANG! at the show.

Both Way Less Sad and BANG! are featured on the group’s acclaimed new album OK ORCHESTRA, which debuted No. 1 on the Billboard Alternative and Rock charts. AJR will release the vinyl edition of OK ORCHESTRA on August 6. Click HERE to pre-order now.

The group is now getting ready to head back on the road as they make the festival rounds this summer at WonderStruck in Cleveland (July 25), WonderBus in Columbus (August 28), Basilica Block Party in Minneapolis (September 10) and Music Midtown in Atlanta (September 18). Theyߣll also embark on The OK ORCHESTRA Tour this Spring. Produced by Live Nation, the 27-date run will kick off on April 28 in Dallas at Toyota Music Factory with stops in Boston, Chicago, New York, San Francisco and more, before wrapping June 21 in Phoenix at Ak-Chin Pavilion. Visit their website for a full list of tour dates and to purchase tickets.

Follow AJR via their website, Facebook, Twitter, Instagram, TikTok, YouTube, Spotify and Apple Music

About AJR

Re-envisioning what pop can be in the 21st century, AJR unassumingly emerged as a ubiquitous hit-making outlier and one of the biggest indie bands in the world. Since 2012, the multi platinum indie pop trio, Adam [bass, vocals], Jack [vocals, guitar], and Ryan [ukulele, piano, vocals], have generated billions of streams and earned one triple-platinum single, one double-platinum single, four platinum singles, and one platinum album. 2019’s Neotheater marked their biggest first-week debut, bowing at #8 on the Billboard Top 200, #1 on the Top Alternative Albums Chart, and #1 on the Top Rock Albums Chart. Cemented as part of the modern zeitgeist, Spotify touted Sober Up [feat. Rivers Cuomo] among the Best Rock Songs of the 2010s, while Apple Music included Weak on its Best Alt Songs of the 2010s. Not to mention, they remain one of the 500 Most-Listened to Artists on Spotify. On the heels of Neotheater, they dropped the 2020 platinum blockbuster BANG!, which they performed on TODAY, The Ellen DeGeneres Show, and even at the Macy’s Thanksgiving Day Parade. The song also cracked the Top 10 at three radio formats, peaking at No. 6 on the Top 40 chart, No. 2 on Alternative radio and No. 1 on Adult Pop and marked their first Top 10 entry on the Billboard Hot 100. Now, the band open up their world like never before on their fourth full-length album, OK ORCHESTRA [AJR Productions/BMG] introduced by the single Way Less Sad.

The Avalanches × The International Space Orchestra

Today, The Avalanches and The International Space Orchestra (ISO) come together to share their collaborative music video for the Australian alt-rock/electronica pioneers’ new track, “Wherever You Go” ft. Jamie xx, Neneh Cherry and CLYPSO. The video, filmed live during lockdown, is a meteorite shower of space science, planet-poking and harp-playing spacecraft operators coming together with The Avalanches’ Robbie Chater and Tony DiBlasi in the most cosmic collaboration imaginable. The clip, which marks the first time The Avalanches have appeared in a music video, can be viewed here.

Robbie Chater and Tony DiBlasi of The Avalanches say “We are forever grateful to Dr. Nelly Ben Hayoun-Stépanian and The International Space Orchestra for a truly magical, inspiring and connective experience. During a hard lockdown, it has renewed our faith in music, humanity and the power of connection, science and love.”

“We have so much respect for all those at NASA and SETI Institute and the work they do pushing the boundaries of human exploration, in trying to find the answers to the universe, and who and what lay beyond our neighborhood.”

As part of a musical collaboration, The Avalanches also worked on developing a sonification of the Arecibo message created by SETI Institute co-founder Frank Drake, who shared the original message with the band.

“We would also like to thank Dr. Frank Marchis and Dr. Frank Drake for all their help in deciphering the Arecibo message for inclusion on our upcoming project. It’s the first time this message has been translated into music,” added Chater and DiBlasi.

Created in 2012, ISO is directed by SETI Institute Designer of Experiences Nelly Ben Hayoun-Stépanian along with musical director Evan Price. Under Ben Hayoun-Stépanian’s leadership, ISO has performed sold-out shows on some of California’s most prestigious stages, including San Francisco Symphony Hall, The Fillmore and the Hollywood Bowl with world-renowned, Grammy award-winning artists such as Bobby Womack, Damon Albarn, Beck, Sigur Rós, Maywa Denki and Savages.

Of the collaboration, Ben Hayoun-Stépanian says, “The Avalanches have been working on a space inspired album for a few years now. Researching sounds coming from space, they came across the brilliant work developed by our scientists at the SETI Institute and by the International Space Orchestra. Very quickly, it became apparent that our musical collaboration should focus on further inspiring new perspectives and desires to understand the universe. In the current context we could not make our performance happen in real life, but we decided to make it happen regardless and this performance is the result of our online meetups. We hope that our performance will allow for further curiosity and interest to research further galaxies and extraterrestrial intelligence and life. Working with The Avalanches has been our greatest honour, one of the most cosmic experiences we have encountered. Robbie and Tony are truly inspiring, kind, caring and just too brilliantly talented. Thank you to them for having us at the International Space Orchestra and the SETI Institute a part of their outer-space musical journey.”

Released in July 2020 by Astralwerks, “Wherever You Go” ft. Jamie xx, Neneh Cherry and CLYPSO is an epic track that begins with greetings from planet Earth, sampled from The Voyager Golden Record, a gold-plated copper disk launched into space by Voyager 1 and 2 in 1977. The New York Times said,  “The track moves from buzzy, beeping, tinkling abstraction to a thumping dance floor,” while PASTE Magazine hailed “Wherever You Go” as one of the “Best Songs Of The Week.”

FOLLOW THE AVALANCHES: Website | Instagram | Facebook | YouTube

FOLLOW THE INTERNATIONAL SPACE ORCHESTRA: Website

FOLLOW THE SETI INSTITUTE: Website | Facebook | YouTube | Twitter

FOLLOW NELLY BEN HAYOUN-STÉPANIAN: Website | Instagram | Facebook | YouTube | Twitter

ODESZA × GOLDEN FEATURES

GRAMMY-nominated duo ODESZA and groundbreaking Sydney producer Golden Features have announced their new project BRONSON with the launch of two contrasting singles “HEART ATTACK (feat. lau.ra)” and “VAULTS” out now on Foreign Family Collective and Ninja Tune. The double release serves as the primer to the trio’s forthcoming self-titled debut album, set for July 17. Both tracks offer two distinct looks into BRONSON, embracing an alternate identity for the trio in which they discovered a newfound limitlessness and ability to explore new soundscapes, free from any expectations attached to their respective projects. “HEART ATTACK” finds a weightless dreamy soundscape in lau.ra’s vocals (of Ultraísta), while “VAULTS” explores a gripping intensity by way of distorted basslines and edgier cinematic tones.
 
Listen to “HEART ATTACK (feat. lau.ra)” and “VAULTS” here.
 
On “HEART ATTACK,” BRONSON reflects that it “was the first vocal track we worked on for the record. It was one of those ideas that came together really quickly and felt very natural while writing with lau.ra. Ultimately, it was a confluence between the two distinctive sounds of ODESZA and Golden Features. It served as a turning point in the writing process of the album and an inspiration for the other vocal tracks to come.”
 
Nearly three years in the making, BRONSON originally formed through the personal connection that ODESZA members Harrison Mills and Clayton Knight shared with Golden Features’ Tom Stell. Out of mutual admiration on a creative level, they formed a digital record box of shared sounds sent across time zones and continents through Dropbox files and FaceTime calls. The product of those collective efforts culminated in 2018 when the trio spent a week, in the remote reaches of Berry, Australia, recording what would later become the first BRONSON album.
 
Furthermore, “VAULTS” became an anchor in the writing process. As BRONSON observes, “it was one of the earlier instrumentals we completed and it acted as a cornerstone to the overall sound design and aesthetic of the album. The track really proved a departure from each artist’s own respective styles and set a definitive change in direction for the BRONSON project. We knew we had something special here and it served as a guiding light for the rest of the record.”
 
As the debut releases, “HEART ATTACK” and “VAULTS” are indicative of the opposing light versus dark elements that flow throughout the 10-track album. The record strikes a beautiful balance between intense, emotive instrumental-heavy tracks and cathartic, melodic vocal songs, with additional guest features from Gallant and Totally Enormous Extinct Dinosaurs. An unexpected yet welcome addition includes Harrison and Tom themselves providing the vocals for “CALL OUT,” a song that lulls the listener into tranquility.
 
The album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition. The result is a project with an extraordinary profundity and universal relatability. One can connect to it on a deeply personal level and find relief, no matter what they may be confronting in their own life.
 
ODESZA and Golden Features have combined streaming numbers in the billions and hold multiple gold and platinum singles and albums respectively. They’ve remixed and collaborated with an array of impressive artists including Sia, Leon Bridges, Regina Spektor, Katy Perry, Charli XCX and others. Both leaders in the live circuit, they’ve cumulatively reached millions of fans on global headline tours, with ODESZA selling out massive venues including Los Angeles’ Staples Center, New York’s Barclays Center, London’s O2 Academy Brixton, as well as headlining world-famous festivals such as Coachella, Bonnaroo, Austin City Limits, Outside Lands and Lollapalooza.
 
The album is available now to pre-order and pre-save digitally and pre-order the physical LP at the official BRONSON store.
 
Stay tuned for more new music from BRONSON off their self-titled debut album, out July 17.

Powfu – “Death Bed (Coffee For Your Head)”

BREAKOUT ARTIST POWFU SHARES OFFICIAL VIDEO FOR RISING HOT 100 HIT “DEATH BED (COFFEE FOR YOUR HEAD)” FT. BEABADOBEE

THE LO-FI HIP-HOP TRACK REACHES TOP 10 GLOBALLY ON SPOTIFY AND SHAZAM

Bursting out of the lo-fi hip-hop scene, Powfu has premiered the official video for his explosive track “death bed (coffee for your head)” featuring UK singer beabadobee today – watch HERE. The video, which was brought to life by director duo BEDROOM, playfully follows Powfu and his girlfriend in his hometown of Vancouver, Canada.

The track is a staple on TikTok with over 3M videos created to date. “death bed” made its Billboard Hot 100 debut last week, catapulting up the charts with major radio adds rolling in internationally. The song has over 250M combined audio/video streams to date worldwide. “death bed” is #6 on Spotify’s Global chart and #12 in the US, while sitting Top 10 in 15 countries. Watch Powfu breakdown the lyrics for the track on Genius’ Verified HERE.

The 21-year-old Canadian artist started recording in the basement of his parents’ home and started releasing music on Soundcloud while still in high school. He would steal his dad’s mic (Faber Drive) and ended up purchasing himself a laptop as recording quickly became his favorite hobby. After finalizing his image and sound, his numbers started rapidly increasing, gaining millions of streams over multiple platforms. He has collaborated with many artists on the rise such as Rxseboy, Guardin, and Snow. His genre can vary from chill-lo-fi to hype-punk, as he finds inspiration through older punk-rock bands as well as newer hip-hop artists such as G-Eazy and Madeintyo.

Follow Powfu:
Instagram

Powfu, Deathbed, Columbia Records, Sony Music, Vaughn Lowery, 360 Magazine,

TM88 – “Tokyo Nights”

TM88 RELEASES “TOKYO NIGHTS (FEAT. MADEINTYO)”

LISTEN HERE

MORE NEW MUSIC FROM TM88 COMING SOON 

Today, GRAMMY Award-nominated powerhouse producer, artist, DJ, and Taylor Gang affiliate TM88 drops “Tokyo Nights (feat. MadeinTYO).” Listen HERE.

The track comes in hot following TM88 producing “P2” off of Lil Uzi Vert’s  Billboard Top 200 number 1 album, Eternal Atake in addition to following up from TM88 & Smokepurpp’s joint single “RR.”

“Tokyo Nights (feat. MadeinTYO)” has a late-night cruising vibe to it. The track features fellow Atlanta native, MadeinTYO, known for his hit “Uber Everywhere,” rapping about the ladies and foreign cars encountered in a night out in Tokyo over TM88’s tranquil yet vigorous beats.

“I really wanted to bring the feel of a real Tokyo night to life racing through the neon light streets with a couple of beautiful women and just living the night of my life with my bro MadeinTYO,” says TM88.

The track came together organically at TM88’s home studio in LA when he was cooking up beats with all of his homeboys around -Southside, Travis Scott, Trinidad James, Sheck Wes, and Wheezy. TM88 recalls MadeinTYO pulled up and was ready to work after the duo already made 8 songs together that week. The rest was history. TM88 is a staple in the Atlanta trap scene and hip-hop.

As an artist he holds over 70 million streams and has collaborated with Lil Uzi Vert, Young Thug, Future, Juicy J, Gunna, Moneybagg Yo, Wiz Khalifa, Project Pat, Lil Yachty, Valee and more. Under his belt, TM88 has production credits building an impressive discography of both superstars and rising rappers from Drake “Company”, to 21 Savage “Drip”, to Travis Scott “Nothing but Net” to the late XXXTENTACION “going down!”. Not to mention TM88’s somber infused beats are a key component to Lil Uzi Vert’s global smash-hit “XO Tour Llif3.”

The record is currently seven-times platinum certified from the RIAA. Cementing himself as a singular voice within Atlanta, TM88 maintains his position at the forefront of the pack. In fact, he does more than just influence the style of his hometown; he regularly pushes it to level up. He went from selling beats for $40 a pop at 12-years-old to co-founding 808 Mafia and eventually arriving as a solo musical force on the heels of a string of smashes.

“TM88 (is) serving as one of the hottest track makers in the industry now”

“(A) hitmaker”

“Atlanta’s finest” 

“The producer’s enchanting beats have served as the base to a plethora of hits along the years if you check the liner notes” 

FOLLOW TM88

Website / Twitter / Instagram / Facebook / SoundCloud

Ben Zaidi, 360 magazine

Ben Zaidi

‘Sultry singer performs with perfection.’ 360 MAGAZINE

Ben Zaidi‘s music combines the lyrical sharpness of spoken-word poetry with the soft lushness of electronica. Written and produced by himeslf in his bedroom, his songs bleed with the intimacy of a private journal.

Growing up in Seattle, Zaidi was surrounded by the natural serenity of the Pacific Northwest. While still in high school he began writing songs that caught the attention of local record labels and, ultimately, Harvard University, where he enrolled to study music and poetry. In his dorm room he honed an individual sound that blended the confessional songwriting of Blue-period Joni Mitchell with the sonic minimalism of James Blake.

He developed a following online, relocated to New York City, and within months had sold out back-to-back shows at Rockwood Music Hall. The independently released single ‘Like It Was Nothing’ soon followed and shot to #2 on the iTunes Electronic Charts. Doors began opening, and Zaidi soon found himself in the studio with artists and producers he’d dreamed of working with, and headlining a packed show at Baby’s All Right.

As his music has expanded outward, Zaidi’s pen has turned inward––examining the self and its relationship to the outside world with unflinching honesty. His meditations on love, loss, and solitude in the digital age often point to the paradox that the more connected we have become, the more isolated and lonely we can feel. But, whether listening on headphones or at one of his intimate live shows, it is the familiarity of these feelings that pulls us right into the bedroom alongside him.

Monsieur Job Latest Album BASS PA$$I

Blending Latin Grooves with Pumping Electronica, The LP and Its Follow Up Remixes Album Are Bringing Familiar Blend of Urban Beats Mixed with New World Dance Grooves to New Heights with Lead Single & Video

“Chow Chow Eyyy Pow Pow” Feat. No Mercy

Bogota, Colombia (May, 2018) — With their imminent debut on Billboard’s Hot 100 chart this week, South American based Latin/Electronica group Monsieur Job are taking worldwide radio charts by storm with the release of their Single and Video “Chow Chow Eyyy Pow Pow” Feat. No Mercy off their latest BASS PA$$I album and remixes release BASS PA$$I 2 which dropped just last week via Basswalk Latino and Musik and Film!

WATCH: Monsieur Job feat. No Mercy – Chow Chow Eyyy Pow Pow (Official Video)

For their debut release, Monsieur Job’s fuse diverse talents by inviting artists such as; Marty of No Mercy, Kiño, Luis Carlos Toro, Alejandro Gomes Caceres, Sarah Sophia, Elemece, Thiago, Christian Gimenez, Vojke Djans, Diego Caceres, Oscar Moncada, Denis Dzigal, Cholo, Vick D, Mc Lions & Bingi, Kid Corrupt, Dave Floyd, Nacho Alvarez, Pablo Bendov and Aldo Cadiz therefore mixing a variation of many styles recreating genres like Reggaetón Electrónico, Dancehall, Reggae, Dub, Tropical House, Rock, Chill Out, Rap, Trap, Hip Hop, Worship, and Son Montuno involving Afro Cuban and African Succu rhythms.

“It makes some demands of the listener, but none they won’t be happy to oblige. The demands are centered on how artfully ‘Chow Chow eyyy Pow Pow’ upends expectations for pop music in this vein thanks to its strong musical pedigree and vocal presentation. The performance is unfailingly accessible, but there’s a real sophistication present in the song as well.The three and a half minute radio edit of this initial offering from the quartet is augmented by the presence of guest star Martin Cintron, lead singer for the band No Mercy, and the Bronx born vocalist is the added cherry on top of what will likely prove one of 2018’s more delectable musical confections” – No Depression

Monsieur job is an eclectic band formed by Toby Holguin from Cali, Colombia; Stan Kolev from Sofia, Bulgaria; Charlie Illera from Barranquilla, Colombia; and Leo Jaramillo from Bogota, Colombia.

All coming as live band performers, Toby, Stan, and Charlie also regularly spin records as DJs for different pools and venues around the world. Monsieur Job was born out of Toby’s idea to start doing Urban Music along with Chill Out and Electronic Music, which they were making for the album “Bass Passi.” They all agreed and started dropping broken beats with a more festive, shaky, groovy Caribbean Latin flavor resulting in Monsieur Job, an international exclusive mash up of world talents.

The album “BASS PA$$I” album was recorded in Bogota and Miami at Basswalk Studios, Outta Limits Studios in Miami, and Barba Studios in Belgrade and mastered at Sterling Studios, New York.

Purchase: Monsieur Job “BASS PA$$I 1” Feat. “Chow Chow Eyyy Pow Pow” via iTunes

LISTEN: Monsieur Job “BASS PA$$I 1” Feat. “Chow Chow Eyyy Pow Pow” via Spotify

Purchase: Monsieur Job “BASS PA$$I 2” via iTunes

LISTEN: Monsieur Job “BASS PA$$I 2” via Spotify

For More on Monsieur Job, VISIT:

www.MonsieurJobOfficial.com

Facebook.com/MonsieurJob

Instagram: @MonsieurJobMusica

Management and Booking By Musik and Film – For More Info, VISIT:

www.MusikandFilm.com OR Email promotions@musikandfilm.com

For More on Basswalk Latino, VISIT:www.Basswalk.com/bwla/about

For Press Inquiries, CONTACT: Rick [AT] RickEberleagency.com

HÏ IBIZA

HÏ IBIZA ANNOUNCES OFFICIAL CLOSING PARTY LINE-UP

SUNDAY 8TH OCTOBER 2017
 

VERY SPECIAL GUESTS
JAMIE JONES |  LOCO DICE
 

THEATRE
GUY GERBER
ANDREA OLIVA | HOUSEKEEPING | KÖLSCH | MR DORIS | NIC FANCIULLI
 

CLUB
STEVE LAWLER
AGORIA | BAS IBELLINI | DUBLIN | SOLARDO | wAFF

(lineup in alphabetical order)

Tickets available now at hiibiza.com

As the season begins to draw towards a close, the brand new jewel in Ibiza’s crown, Hï Ibiza announces the first official closing party. Taking place on Sunday 8th October, the closing party features an all-star line-up of Ibiza favourites, including Jamie Jones, Loco Dice and Guy Gerber, residents Steve Lawler, Andrea Oliva, Nic Fanciulli and Kölsch, plus many more! 

The club has had a phenomenal summer since opening the doors to its debut season in May 2017, fast becoming one of the island’s hottest tickets and drawing in packed out crowds night after night. With with world-class residents, state of the art design and sound and a commitment to putting the clubber at the centre of the experience, Hï Ibiza has proved itself to be a force to be reckoned with. 

Hï Ibiza’s grand finale will raise the bar even higher, pulling out all the stops for the perfect end to an unforgettable summer. First up, Paradise chief and Ibiza trailblazer Jamie Jones will make his Hï Ibiza debut! Loco Dice is also set to make a special appearance at the Hï Ibiza Closing Party. The Desolat founder wowed the crowd with his performance at Black Coffee’s residency earlier this season and we can’t wait to see what he has in store this time around.

When it comes to Ibiza, Guy Gerber needs little introduction. The Israeli house king will make a welcome return to the Theatre (Room 1) joined by In The Dark DJs Kölsch and Nic Fanciulli, fellow resident Andrea Oliva, local favourites Housekeeping and Mr Doris.

Over in the Club (Room 2), In The Dark resident and all-round Ibiza prodigy Steve Lawler will be taking control of proceedings, joined by French producer Agoria, and Hï Ibiza regulars Bas Ibellini, Dublin, Solardo and wAFF. 

Presented by Ushuaïa Entertainment Hï Ibiza is decked out with one of the most advanced sound and technologies on the island. Every single aspect of Hï Ibiza, down to the smallest of details, has been designed with the dancer in mind. From the Italianate design of the Theatre (Room 1) and its state-of-the-art Adamson sound system, the intimate feel of the Club (Room 2) with its low-level DJ booth enabling DJs to fully connect with the crowd, the lush open-air space ‘Magic Garden’ beneath a canopy of stars, not to mention the kinetic ceiling displays and phenomenal levels of production that Ushuaïa Entertainment is renowned for – all in the aim of creating an unforgettable and mind-blowing party experience.

If you haven’t visited this season, this will be your final chance, so make sure you get your tickets now to avoid disappointment. Tickets available now at hiibiza.com

Connect with Hï Ibiza

Website | Facebook | Twitter | Instagram | YouTube