Posts tagged with "Punk"

POORSTACY - “Nothing Left” ft. Travis Barker

POORSTACY – “Nothing Left” ft. Travis Barker

Modern day rockstar, POORSTACY, releases his new single “Nothing Left” featuring Blink 182’s Travis Barker, out now via 10K Projects. “Nothing Left” arrives on the heels of his latest single “Love Spells,” and his appearance on the Bill & Ted Face the Music soundtrack. With an energetic and irresistible beat, “Nothing Left” asserts POORSTACY as a rising force in the genre. “Nothing Left” is POORSTACY’s second single with Travis Barker and will certainly not be the last. The pair plans to release a full project together in 2021. 

LISTEN TO “NOTHING LEFT” FT. TRAVIS BARKER HERE

WATCH THE VHS TAPES FOR “NOTHING LEFT” HERE

Growing up on a diet of punk, metal, and hip hop, rising artist POORSTACY is a sum of disparate influences. The 21-year-old singer, rapper and guitarist spent his formative years performing shows in small venues around his hometown of Palm Beach, Florida: “There’s a real metal scene out here. Lots of punk rock, gothic stuff. I’ve chosen to actually make music based on what I grew up around.” Combining the power chords and angst of punk with the 808s and half-sung melodies of modern hip hop, POORSTACY quickly gained the attention of record label 10K Projects, who signed the young artist in early 2019. With lyrics often focused on themes of isolation and anxiety, POORSTACY’s work feels both intimate and universal, and has led to collaborations with multi-Platinum selling producer Nick Mira (Juice WRLD, Post Malone) and, most recently, Blink-182’s Travis Barker.

Since the beginning of his music making, POORSTACY’s influences have remained eclectic, ranging from Slipknot, Billy Idol, Earl Sweatshirt and Flatbush Zombies. Citing legendary Z-Boys skateboarder, Stacy Peralta, as the inspiration behind his artist name, he notes, “Stacy Peralta himself was not shown a lot of attention at the start, but he ended up being one of the biggest legends in skateboarding in the end. I always loved the idea of that, of doing your own thing and having it pay off.” Also citing films like V For Vendetta, Rob Zombie’s remake of Halloween, and Trainspotting as inspiration, a core tenet of POORSTACY’s songwriting is drawing metaphors from unlikely sources.

His debut album, The Breakfast Club, was released at the beginning of 2020, a nod to the 1985 cult classic. “The album was written based on pure instinct and raw emotion,” he reflects, “I want people to understand themselves by hearing their feelings put into words through me.” Featuring labelmate iann dior, The Breakfast Club was a hip hop/punk record which reflected his South Florida upbringing and proved his ability to create a large cohesive project. With punk and metal-heavy tracks like “Hotel” and “Afraid,” POORSTACY shows off his range and his fearlessness as a songwriter.

FOLLOW POORSTACY

INSTAGRAM / TWITTER / YOUTUBE

Triple One, 360 Magazine

Triple One – Loverose

Triple One, a genre-bending group from Sydney, have released the first single from their debut album today, “Loverose.”

While their music is rooted in hip-hop, Triple One also experiments with elements of metal, emo, pop, punk, and R&B, making their sound almost impossible to categorize.

“‘Loverose’ is a reflective yet triumphant single that blends their preference for overcast melodies, venomous bars, and bombastic production,” A press release reads, “The song features pensive lyrics about sacrifice, the tentative nature of success, and what it means to achieve something in both their personal and professional lives; tying these real-life experiences with otherworldly space metaphors.”

The music video, directed by Tyson Perkins and Marty Bugatti, reflects the themes of ‘Loverose’ through a series of alien landscapes, resulting in a cinematic experience housed in an eerie, post-apocalyptic planet. Vocalist Marty Bugatti shares that “Loverose” is a song about the flawed nature of intimate love; “Humans are an imperfect creation and also mortal. This makes love a lot harder, but also a lot more beautiful.” Producer Billy Gunns describes the track as “being close to something that you’ve been wanting your whole life.”

Buy/stream “Loverose” here and watch the music video here.

FOLLOW TRIPLE ONE: Website | Instagram | Facebook | Twitter | YouTube

Brakence wearing a mask

Brakence – “Sauceintherough” Visual

WATCH BRAKENCE TAKE A TRIP IN THE PSYCHEDELIC NEW VISUAL FOR “SAUCEINTHEROUGH”

WATCH HERE

LISTEN TO PUNK2 HERE

Shortly after the release of his new song “sauce in therough,” brakence follows up with the trippy video counterpart produced by Overcast and directed by Daniel Jordan K. The music video filmed in his hometown of Columbus, Ohio gives the hallucinatory essence that also presents itself in the raw emotions heard in the song. At such a young age, brakence continues to create a clear vision of his teen experience with his artistry.

The 18-year-old Columbus, OH native brakence self-released his debut full length punk2 earlier this year. With his unique brand of pop music blends elements of punk, alternative and trap, the album is filled with infectious songs like today’s “sauceintherough.” The new song is included in the rerelease of his debut album punk2, which features breakout tracks “fuckboy” as well as “fwb” and “dropout.”

Listen to the album HERE

“2019 was a particularly fruitful year for brakence”FADER

“While brakence is on the journey to finding himself and his place in this world, we are more than along for the ride”Ones To Watch

“the bedroom jam you need right now,”The Line of Best Fit

FOLLOW BRAKENCE:

Instagram | Twitter

The Go-Go’s Are Back!

The Go-Go’s, the iconic all female L.A. punk band, will release their first new recording in nearly 20 years, “Club Zero,” on July 31st on UMe. The band can be seen working on an early version of the song in their new documentary The Go-Go’s, directed by Alison Ellwood (Laurel Canyon, History of the Eagles) which premieres August 1st at 9 pm ET/PT on SHOWTIME. View the official trailer HERE and music HERE.

Propelled by the spirited, melodic punch we’ve come to expect from the Southern California band, as well as a catchy, call-to-action chorus, “Club Zero” will certainly join the ranks among an esteemed catalog of Go-Go’s classics.

The self-produced track was created via email exchanges amongst band members and recorded at Lucky Recording in S.F. with Co-Producer/Mixer/Engineer Travis Kasperbauer and in Los Angeles with Lead Vocal Recording/Producer Gabe Lopez. As the band’s stance has always been fervent when it comes to relevant issues, the anthemic, punk-infused paean arrives just in time for a world in desperate need of a voice of optimism and change:

“HEY WE’VE GOT SOMETHING TO SAY

‘GONNA MAKE THE WORLD SHAKE’

READY OR NOT HERE WE ARE”

A live version of “Club Zero” featured in The Go Go’s documentary shows the evolution of the track as the band writes and works out the melody in preparation for their performance at their early stomping grounds The Whisky a Go Go on The Sunset Strip. The documentary directed by Alison Ellwood (Eagles, Laurel Canyon) premiered at the Sundance Film Festival this past January to standing ovations and critical acclaim. With full access to The Go-Go’s, both past and present, this candid archive-rich documentary assesses the group’s place in music history as it focuses on their roots as a formidable contender in L.A.’s late ‘70s punk scene, detailing their rise to the top as they become one of the decade’s most beloved acts as well as an unstoppable force. It also examines the personalities and dynamics behind their rise, fall, and numerous reincarnations. Until this definitive film, there has never been a serious appraisal of and showcase for The Go-Go’s’ talents or achievements – as musicians, groundbreakers, but even more so, as survivors.

To date, The Go-Go’s have the notable distinction of being the only all-female band to write their own songs and play their own instruments on a #1 album. Formed in 1978, they were a vital part of the early Los Angeles punk scene. Following the release of their debut album in 1981, the landmark multi-platinum Beauty And The Beat, they topped the Billboard 200 chart for six consecutive weeks and received a nomination for Best New Artist at The 24th Annual Grammy® Awards. Their 1982 follow-up, Vacation, hit Top Ten on the Billboard 200 and featured the Top Ten title track “Vacation.” Overall, they have sold over 7 million records worldwide and continue to tour with the “classic lineup” from 1981 – Belinda Carlisle (vocals), Jane Wiedlin (guitar), Charlotte Caffey (guitar), Kathy Valentine (bass) and Gina Schock (drums). More recently, Head Over Heels, a musical featuring the songs of The Go-Go’s, had a successful run on Broadway in July of 2018.

The Go-Go’s is fully financed by Polygram Entertainment, the film and television division of Universal Music Group, and presented and produced by Polygram, Universal Music Publishing Group, Interscope Films, Fine Point Films and Fadoo Productions. Alison Ellwood (History of The Eagles, American Jihad) directs the film with Trevor Birney, Corey Russell and Eimhear O’Neill producing. Polygram Entertainment’s David Blackman and Daniel Inkeles are executive producing; the creative team also includes editor Brett Banks and executive producers Brendan J. Byrne. Wally Eltawashy & Arturo Cisneros serve as co-executive producers.

Follow The Go-Go’s: Instagram | Twitter | Facebook | Youtube | Website

Mina Tocalini, 360 MAGAZINE, BigKlit, illustration

Notorious BigKlit

‘The epitome of an angry bird’360

Provocative rap sensation BigKlit has announced a special new edition of her infamous 2019 LP, KLITORIUS B.I.G. The album – which includes a number of previously deleted tracks – is available today via ROT$ WORLDWIDE/RECORDS/The Orchard. KLITORIUS B.I.G. features the return of such long-unavailable fan favorites as “FaceFuk,” available now at all DSPs; the track is joined by a companion video, premiering exclusively via YouTube. 

LISTEN TO “FACEFUK”

WATCH “FACEFUK”

With its snarling vocal delivery, intense production, and wildly audacious lyrics, KLITORIUS B.I.G. marks one of the first highlights of what has proven a truly incendiary run from BigKlit. The project was recorded soon after her arrival in New York City, informed by grit, heart, and an insatiable hunger to create something altogether original and her own. 

BigKlit will celebrate the return of KLITORIUS B.I.G. with a livestream release party tonight, June 26, at 8 pm ET. Presented by Brooklyn’s BABY TV, tickets for the event are available on a sliding scale HERE; ticket holders will receive a link and password 30 minutes before the start of the show. Fans purchasing tickets in the 30 minutes leading up to the performance will receive their info in their order confirmation email.

BigKlit made an auspicious debut with last year’s BIG KLITOIRUS EP, followed quickly by the full-length projects. The NYC-based artist quickly caused a worldwide sensation with her breakthrough hit, “Liar.” With its brazenly explicit lyrics and brutal, relentless beats, the track proved one of 2019’s most provocative hits, first blowing up on TikTok before ascending to multiple streaming charts around the world, reaching #1 on the US Viral 50 on two separate occasions. “Liar“ is joined by an age-restricted companion video streaming now via YouTube.

2020 kicked off with the premiere of PSYCHOSIS, a remarkable 30-minute short film directed by @pgdm. “PSYCHOSIS is a dark and dreary fever dream with apocalypse-level anxiety steady throughout,” raved PAPER. “Every song featured in the film hits listeners’ ears like a hallucinogen — they can be deeply disturbing, comforting (‘Beautiful’), or both at once…It’s the type of digi-gothic, post-genre art-making that BigKlit has come to be known for, and her fans are going absolutely nuts over it.”

Last month saw BigKlit teaming up with Universal Music Group/Caroline Distribution recording artist Trippie Redd on a new version of “Beautiful. The track arrived alongside a haunting music video and companion short film, hailed by PAPER as “a work of art that’s unpredictable at every turn…complete with everything you’d likely see in a twisted thriller: lightning, murder, out-of-body experiences and drugs, all with romantic yet eerie songwriting aimed at a subject unaware of their own beauty.” Audiofemme further praised the video and short film, noting that “Beautiful” “embodies the song’s duality with a macabre love story and BDSM imagery. It’s fitting, because shifting the balance of power has been her trademark as a woman in male-dominated rap. By blurring the edges of asserting control or losing it totally, BigKlit remains a provocative artist worth keeping an eye on.”

LISTEN TO “BEAUTIFUL”

WATCH “BEAUTIFUL (OFFICIAL MUSIC VIDEO)”

WATCH “BEAUTIFUL (SHORT FILM)”

This spring also saw the premiere of another propulsive single, “Boy Bye.” The rocket-fueled track is accompanied by a spectacular intergalactic sex domination romp of a video.

LISTEN TO “BOY BYE”

WATCH “BOY BYE”

BigKlit is also featured in the new NOISEY documentary, 6 HOURS WITH BIGKLIT, streaming now exclusively via VICE.

CONNECT WITH BIGKLIT:

TIK TOK
INSTAGRAM
YOUTUBE

Zig Mentality × LAVA Records

INTRODUCING ZIG MENTALITY

ZIG MENTALITY is made up of brothers Jig Dubé [bass, lead vocals], Liam Dubé [lead guitar] and Quinn Dubé [drums, backup vocals]. The band, formerly known as dubé, has received over four million streams across their catalog to date. In 2017, they unleashed their independent debut single “Pretty Girls On Bikes,” which surpassed half-a-million Spotify streams. The 2018 single “Stoned Love” put up equally impressive numbers, and Brooklyn Vegan proclaimed them, “a tight, loud band, and they don’t shy away from crisp production or big hooks.”

In between tours with the likes of COUNTERFEIT. and cleopatrick, ZIG MENTALITY graced the stage of Northern Invasion alongside icons, such as Tool and Alice In Chains. During 2019, the band inked a deal with LAVA Records and hit the studio with producers Sacha Skarbek and Florian Reutter to work on their forthcoming release.

Stay tuned for more from ZIG MENTALITY!

ABOUT ZIG MENTALITY

An Ottawa trio of brothers—Jig Dubé [bass, lead vocals], Liam Dubé [lead guitar] and Quinn Dubé [drums, backup vocals]—proudly live up to their chosen name on their self-titled LAVA debut. “ZIG MENTALITY means being ready to adapt and grow,” exclaims Jig. “A zig is a sharp change in direction, so we’re willing to keep an open mind and break rules. That goes for the fact that we’re playing rock music our own way. If you come to one of our shows, there are mosh pits, stage diving, and crowd surfing, we want young people to benefit from the vibe we offer.” As kids in the Canadian capital, the boys grew up surrounded by instruments, obsessed with music, they began busking throughout Montreal and Toronto. By middle school, they hosted parking lot performances before and after OSHEAGA Music and Arts Festival, Ottawa Blues Fest and Bonnaroo. It wasn’t long before residents started calling cops to shut down their outdoor rock shows. The brothers moved the shows indoors, to the homes of their friends, and hosted parties of their own. These gigs became the stuff of local lore and established them as hometown heroes. During 2019, they inked a deal with LAVA and hit the studio with producers Sacha Skarbek and Florian Reutter, recording in Orange Lounge Toronto and their own basement. Culling equal inspiration from Queens of the Stone Age as well as Kendrick Lamar and Rage Against The Machine, they emphasized live bass at the forefront, breaking from tradition even further. In the end, ZIG MENTALITY embodies what punk has always been about but with a sound belonging in the 21st century.

TWITTER / INSTAGRAM

Illustration, 360 magazine, sara sandman

Glitter Up the Dark: How Pop Music Broke the Binary

Glitter Up the Dark: How Pop Music Broke the Binary

A sharp, insightful, wide-ranging survey of the queerness coursing through pop music history, Sasha Geffen’s first book shows how music allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener.

Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.

Glitter Up the Dark Playlist

Praise for GLITTER UP THE DARK

“[Glitter Up the Dark] is a unique examination of gender fluidity and queerness across genres of popular music; a must-read for music lovers.”—Ms. Magazine

“Fortunately, there are progressive art objects. There are transgressive art objects. But every now and then, we get revolutionary art objects that change how we talk, read, and think. Sasha Geffen’s Glitter Up the Dark changed the way I hear music and the convenient way I understand gender and performance in and outside of music. One will not hear or reproduce traditional understandings of gender ever again after experiencing this boldly brilliant book.”—Kiese Laymon, author of Heavy

“With simply brilliant writing and joyfully queer insights, Sasha Geffen dives deep into rock’s gendersmashing history, reminding us of the ecstatic potential when art and transgression collide.”—Michelle Tea, author of Against Memoir and creator of the Drag Queen Story Hour

“How does music make gender audible in all of its rich, expressive, shifting forms, far beyond binary definitions? How have artists as ubiquitous as the Beatles and as cult-yet-crucial as Poly Styrene or Wendy Carlos helped us hear and understand the truths of bodies who, as the author writes, demand to choose their own shapes? This scintillating and deeply considered history of pop’s queer and trans history answers those questions with inspiring stories of rebellion and community, bratty punks and androgynous poets, studio inventors and prophets of the dance floor. An absolutely necessary account of what has always been the heart of popular music: transformation.”—Ann Powers, author of Good Booty

“Sasha Geffen follows the glamour and the glitter across a musical universe of queer and trans performances. Not looking simply at particular stars nor following a musical movement like punk from its roots to its demise, Glitter Up the Dark travels the multiple lanes of a trans-musical express. With riffs on the trans voice, careful attention to histories of performance, reception, and fashion, and theories of queer time and space, this book sparkles and glows. Read it, listen to it, love it.”—Jack Halberstam, author of Gaga Feminism

$18.95 paperback
978-1-4773-1878-2

PUBLICATION DATE:
APRIL 7, 2020

ALMA Releases New Single & Music Video for “When I Die”

Finnish pop powerhouse ALMA releases new single and music video for “When I Die” via Casablanca Records / Universal / Warner / Virgin EMI & PME today.  Listen HERE.  Watch HERE.

Produced and written by ALMA, Justin Tranter, and Mike Sabbath “When I Die” is the second installment from her highly anticipated debut album Have You Seen Her? set for release on the 5th of April 2019. It also marks the start of a period of continuous activity, which will see fans receive a new track with accompanying visual episodically into its release.

Shot in her native Finland and directed by celebrated Finish director Miikka Lommi, the video for “When I Die”depicts a gothic last supper scene and ALMA digging her own grave. “This song was born from a big conversation about when and how we leave the world is so out of our control. We spend so much time worrying about things out of our control, we’re always trying to be better, richer, more successful. We rarely appreciate the moments in front of us. Go to the party, blow your money (even if you have work tomorrow) you will survive!” says ALMA. “I wanted the video to look like our last party, what might the night look like if we knew this was it.” 

“When I Die” highlights ALMA’s unique voice as a writer; honest, brave and fresh. As she says, “I’ve spent a lot of my life being told who to be, what to say or how to behave by the world. There’s constant pressure on us all to fit in and my music is about exactly the opposite. I want my fans to feel like they can be whoever, say whatever and look however when they listen to my music. Here you are accepted no matter what.”

ALMA – a 23-year-old with neon green hair, a magnetic punk attitude and a voice that could demolish buildings is part of a new wave of female powerhouses that have something say. Engaged and opinionated on issues from women’s rights to body positivity and sexuality ALMA is forward thinking and making a change.

Following her critically acclaimed EP “Dye My Hair” with platinum single “Chasing Highs”, smash track “Phases” FT French Montana (including an exclusive Charli XCX directed video) and her 2018 mixtape Heavy Rules;  ALMA has garnered over 350 million combined Spotify plays and topped iTunes charts around the world.

ALMA’s worked extensively with her friends Charli XCX, Tove Lo, Zara Larsson, Dua Lipa, Halsey, and Miley Cyrus but to name a few, both live and in the studio and garnered support the world over.

Wrapping up 2018 on the road with long term collaborator and friend  this year’s headline dates promise an entirely new show, new music and some very special surprises along the way.

NYC-Based Band “All Types of Kinds”

Mixing A Unique Blend of Influences From Rock to Blues, Folk, and Hip-Hop – The Bands Unique Multi-Genre Approach Lends A New Perspective to Alternative Music

 

In a city often oversaturated with musicians of every genre constantly performing and creating, it takes a special group of artists to truly stand out amongst the crowd that produce a truly unique sound, and New York City’s All Types of Kinds truly live up to the namesake.

All Types of Kinds (or ATOK) plays a wide variety of music ranging from rock to pop, folk, punk, funk, hip-hop, blues, jazz, and country – even sometimes all at once. The members come from diverse backgrounds that make for an amalgamation of musical textures and vibes. Their EP, “Love Songs (Or Songs For Your Ex)” debuted on Valentine’s Day 2018 and they are currently gearing for dates all over the country.

The band consist of Ray Rubio (Guitar), Billy Conahan (Guitar), Berk 0 (Percussion), and Rocco Stroker (Guitar) – all of whom have unique musical backgrounds. Ray, 20, a multi genre artist and singer/songwriter, hails from Harlem NY and has also been on stage from young age, mainly theater productions. Ray attended the American Academy of Dramatic Arts in 2014, and since then has been performing his music in the New York Metro Area and Richmond, Virginia. Billy, 25, is a queens native whose been on the stage since his early teens as a stand-up comedian, singer/songwriter folk artist playing his own folk tunes as well as cover tunes. Berk O, singer and percussionist, is from Brooklyn and also contributes to the band’s songwriting process, while Rocco is the newest member of the band – playing bass, guitar and as an incredible vocalist. He hails from New Fairfield, Connecticut.

WATCH: All Types of Kinds – Keep In Touch (Official Music Video)

WATCH: All Types of Kinds – Colorblind (Official Music Video)

With the goal of becoming a full-time, self-sufficient, self-produced band, able to tour and create their own audio and video products on a regular basis, they plan to soon follow up their debut with a sophomore effort in late 2018. Unlike other bands who strive for major-label greatness, ATOK shys away from fitting into an industry mold, and often scoff at the idea of being referred to as a ‘boy band’.

Believers in finding a way to share their music while remaining firmly in the driver’s seat, they continue to write, practice, and enjoy playing their music for any crowd that will have them. Making friends from all over the world by busking on the NYC streets has even allowed them to meet and collaborate with like-minded musicians.

These recent “Your Big Break” contest winners who’ve been praised for their “polished precision, sweet harmony, musicianship, artistry, versatility and originality in their smart lyrics” are ready for the big time. That time is now.

To Purchase All Types of Kind’s “Love Songs (Or Songs For Your Ex)” via iTunes, VISIT: http://apple.co/2MN7W5o

LISTEN: ATOK “Love Songs” via Spotify

For More Information on All Types of Kinds, VISIT: Facebook.com/ATOKMusic

Reverbnation.com/AllTypesofKinds

ATOK’s YouTube Channel

COLD WAR KIDS NEW ALBUM

Cold War Kids release Audience a live, greatest hits album, available at all digital partners. Fans can pre-order Audience on vinyl, which features three exclusive bonus tracks, and CD today at shopcoldwarkids.com.
Recorded at The Georgia Theatre in Athens, GA on September 24, 2017, Audience takes its title from a song that appeared on Cold War Kids 2017, Behave Yourself. The career-spanning live set, available now on Capitol Records, also features key songs from each of the band’s six studio albums, including “We Used to Vacation,” “Hang Me Up To Dry,” and “Hospital Beds,” from Cold War Kids 2006 debut, “Robbers & Cowards,” and “Miracle Mile” and “Bottled Affection” from 2013’s Dear Miss Lonelyhearts. The band’s most recent releases are represented with “All This Could Be Yours,”and the Gold-certified, Alternative Songs chart topper “First” from 2014’s Hold My Home plus “So Tied Up,”  and “Restless,” and “Can We Hang On?”; which originally appeared on LA Divine, the band’s 2017 sixth studio album. See below for track listing.