Posts tagged with "capitol records"

Deana Carter – 25th Anniversary

To celebrate the 25th Anniversary of Deana Carter’s 5X platinum debut album Did I Shave My Legs for This?, Carter announced on The Bobby Bones Show that Capitol Nashville/Ume will release Did I Shave My Legs For This? 25th Anniversary Edition on November 5, but it isn’t just Carter doing the singing this time around. The project includes two new tracks with Carter performing and producing 2021 versions of the CMA award-winning, and 2X platinum hit single “Strawberry Wine,” featuring  Lauren Alaina, Martina McBride, Ashley McBryde, Kylie Morgan, and Vince Gill on guitar, as well as the title track, featuring Terri Clark, Sara Evans, Ashley McBryde, and Vince Gill.

The 25th anniversary editions of the album have been remastered from the original recordings and will be released on CD with two bonus tracks, as well as a Digital Deluxe with an additional ten songs, seven of which will be available digitally for the first time. Pre-order/Pre-save HERE

“I am beyond blown away to see the generational connection between my first single, ‘Strawberry Wine’ and all the fans, young and seasoned,” award-winning country singer-songwriter Carter shares. “Being a part of a song that has become an anthem for the ’90s and beyond is such a blessing and more than I could’ve ever dreamed of. The fans have been the catalyst for the success of ‘Strawberry Wine’ and the whole Shave album because of their connection to the truth and realness behind the songs.

“They lived it — just like I did — and just like all of my collaborators did. It was an honor to re-record two favorites with my fellow female artists who inspire me and who I admire. These new versions are a way of raising a glass to everyone who loves these songs, and to the country radio stations still playing them, and to say thank you. I hope everyone enjoys celebrating 25 years of Did I Shave My Legs For This? as much as I’ve enjoyed putting together these very special releases.”

1997 CMA Single and Song of the Year “Strawberry Wine,” written by Matraca Berg and Gary Harrison, was also nominated for a GRAMMY for Best Country Song, the Academy of Country Music Awards Best Country Song,  and the Country Music Radio Awards for Song of the Year. Carter co-wrote the title track “Did I Shave My Legs for This?” with Rhonda Hart.

“Who knew that some girl talk would end up becoming a cultural catchphrase for decades to come? Wow! This song is proof that a genuine, heartfelt message can be delivered with a sense of humor,” she added, “yet stand firm in the conviction to not settle for less in this life. Thanks to all the ladies who have sung this anthem at the top of their lungs and to my record label for letting me boldly title my debut album so memorably.”

Other chart-toppers from Carter’s debut album included “We Danced Anyway” (co-written by Berg and Randy Scruggs),How Do I Get There” (co-written by Carter and Chris Farren), and “Count Me In” (co-written by Carter and Chuck Jones).

As part of the album’s 25th Anniversary celebration, Carter will perform on the Grand Ole Opry Saturday, October 16, as part of the Opry’s 4,998th show. To purchase tickets, click HERE

Deana Carter will also celebrate the 25th Anniversary of her 5X Platinum debut album Did I Shave My Legs for This? in her hometown of Nashville on November 18, 2021 at the historic Ryman Auditorium, with special guests Charles Esten and Breland, as well as surprise appearances from other artists. Tickets are available NOW HERE.

It is such an honor and a career highlight to finally headline The Ryman, our sacred Mother Church, especially being a Nashville native and growing up in the industry, knowing that my dad, Fred Carter, Jr., performed on that stage with so many greats, Carter says. And all falling within the 25th anniversary re-release of my very first album Did I Shave My Legs For This? on UMG Nashville. It is a pinch-me moment now, she adds, and it will be on that super special night with Charles Esten and Breland and some surprise guests too.

Country newcomer Breland recently covered the first-love love song Strawberry Wine as part of Spotify’s 90s Country campaign and will be opening for Carter at the Ryman show. Strawberry Wine was just one of those songs that transcended time, Breland said of the ballad.

Deanna Carter via Capitol Records for use by 360 Magazine

Deanna Carter – Did I Shave My Legs for This?

To celebrate the 25th Anniversary of Deana Carter‘s 5X platinum debut album Did I Shave My Legs for This?, Carter announced this morning on The Bobby Bones Show that Capitol Nashville/UMe will release Did I Shave My Legs For This? 25th Anniversary Edition on November 5, but it isn’t just Carter doing the singing this time around. The project includes two new tracks with Carter performing and producing 2021 versions of the CMA award-winning, and 2X platinum hit single “Strawberry Wine,” featuring  Lauren Alaina, Martina McBride, Ashley McBryde, Kylie Morgan, and Vince Gill on guitar, as well as the title track, featuring Terri Clark, Sara Evans, Ashley McBryde, and Vince Gill.

The 25th anniversary editions of the album have been remastered from the original recordings and will be released on CD with two bonus tracks, as well as a Digital Deluxe with an additional ten songs, seven of which will be available digitally for the first time. Pre-order/Pre-save HERE

“I am beyond blown away to see the generational connection between my first single, ‘Strawberry Wine’ and all the fans, young and seasoned,” award-winning country singer-songwriter.

Carter shares. “Being a part of a song that has become an anthem for the ’90s and beyond is such a blessing and more than I could’ve ever dreamed of. The fans have been the catalyst for the success of “Strawberry Wine” and the whole Shave album because of their connection to the truth and realness behind the songs.

“They lived it, just like I did, and just like all of my collaborators did. It was an honor to re-record two favorites with my fellow female artists who inspire me and who I admire. These new versions are a way of raising a glass to everyone who loves these songs, and to the country radio stations still playing them, and to say thank you. I hope everyone enjoys celebrating 25 years of Did I Shave My Legs For This? as much as I’ve enjoyed putting together these very special releases.”

1997 CMA Single and Song of the Year “Strawberry Wine,” written by Matraca Berg and Gary Harrison, was also nominated for a GRAMMY for Best Country Song, the Academy of Country Music Awards Best Country Song,  and the Country Music Radio Awards for Song of the Year. Carter co-wrote the title track “Did I Shave My Legs for This?” with Rhonda Hart.

“Who knew that some girl talk would end up becoming a cultural catchphrase for decades to come? Wow! This song is proof that a genuine, heartfelt message can be delivered with a sense of humor,” she added, “yet stand firm in the conviction to not settle for less in this life. Thanks to all the ladies who have sung this anthem at the top of their lungs and to my record label for letting me boldly title my debut album so memorably.”

Other chart-toppers from Carter‘s debut album included “We Danced Anyway” (co-written by Berg and Randy Scruggs), “How Do I Get There” (co-written by Carter and Chris Farren), and “Count Me In” (co-written by Carter and Chuck Jones).

As part of the album’s 25th Anniversary celebration, Carter will perform on the Grand Ole Opry Saturday, October 16, as part of the Opry’s 4,998th show. To purchase tickets, click HERE.

Tracklist for the CD

  1. “I’ve Loved Enough To Know”
  2.  We Danced Anyway”
  3. “Count Me In”
  4. “If This Is Love”
  5. “Love Ain’t Worth Making”
  6. “Before We Ever Heard Goodbye”
  7. “How Do I Get There”
  8. “Strawberry Wine” (remastered original)
  9. “That’s How You Know It’s Love”
  10. “Did I Shave My Legs For This?” (remastered original)
  11. “To The Other Side”
  12. “Strawberry Wine” (2021 version)
  13. “Did I Shave My Legs For This?” (2021 version)

Tracklist for the Digital Deluxe Edition

  1. “I’ve Loved Enough To Know”
  2. We Danced Anyway”
  3. “Count Me In”
  4. “If This Is Love”
  5. “Love Ain’t Worth Making”
  6. “Before We Ever Heard Goodbye”
  7. “How Do I Get There”
  8. “Strawberry Wine” (remastered original)
  9. “That’s How You Know It’s Love”
  10. “Did I Shave My Legs For This?” (remastered original)
  11. “To The Other Side”
  12. “Strawberry Wine” (2021 version)
  13. “Did I Shave My Legs For This?” (2021 version)
  14. “Angel Without A Prayer”
  15. “Rita Valentine”
  16. “I Can’t Shake You”**
  17. “Are You Coming Home Today?”**
  18. “Turn Those Wheels Around”**
  19. “Graffiti Bridge”
  20. “We Share a Wall”**
  21. “Don’t Let Go”**
  22. “Just What You Need”**
  23. “Did I Shave My Legs For This?” (alternate version)**

** Previously unreleased digitally

Lola Young after midnight cover, from MacKenzie Reynolds, Capitol Records, for use by 360 Magazine

LOLA YOUNG’S NEW EP – AFTER MIDNIGHT

British star on-the-rise Lola Young’s brand-new EP, After Midnight, is out now on Capitol Records. Listen here. The four-track EP is accompanied by an official music video for the track “Bad Game,” which can be viewed here.

Previously sharing tracks “Blue” and “Pill or a Lullaby,” Young releases After Midnight in full today, showing herself at her most open and honest. The record tells the story of one night in Young’s life, tracing the hours between midnight and 5 a.m. Young moves from feeling confident and in control to gradually becoming more vulnerable and, eventually, entering a manic state of mind.

The EP is coupled with a beautifully shot short film due out imminently. Directed by Dumas Haddad, it features Young and a love interest, as well as spoken word accompaniment written for the film by the poet Thea Gajik. The film is set in an apartment at different stages of the night, showing her in varying mental states and winding its way through the story of the EP; with Young leaving nothing on the table.

Describing the EP, Lola Young says, “My thoughts, my worries, my past lovers and my present ones too, my guilt, my fears, my dreams, wishes and all the crazy ass thoughts I have when the sun rises and I can’t sleep for shit. After midnight. The truest form of me.”

Last month, she played a sold-out show at Camden Assembly in London. Young will perform at numerous summer festivals and tour the U.K. with Dermot Kennedy in September. View itinerary here.

Hailed as “a star on the rise” by ELLE UK, the 20-year-old artist is fiercely independent and uncompromising. As a live performer she is uncompromising – clearly showing the potential, spirit and individuality that makes her one of the UK’s most exciting new talents. Her work to date – the personal and powerful singles “Bad Tattoo,” “Ruin My Make Up” and “Woman,” her debut collection of tracks, Intro, and second release, the Renaissance EP – received support across the board from the likes of Billboard, Atwood Magazine, Wonderland, British Vogue, British GQ and CLASH Magazine.

After Midnight Tracklist:

  1. After Midnight (1AM)
  2. Blue (2AM)
  3. Bad Game (3AM)
  4. Pill or a Lullaby (4AM till sunrise)
Toosii x Latto - Photo Credit_ Shaquille Kokumo from Nikki Crystal, Capitol Music Group for use by 360 Magazine

TOOSII × LATTO DROP FEEL-GOOD VIDEO – 5’5

Syracuse-born, North Carolina-raised rapper Toosii returns today with a nostalgic video for his hit single, “5’5” featuring Latto. The track is a standout from Toosii’s new mixtape, Thank You For Believing (The Manifestation), out now via South Coast Music Group/Capitol Records. The visual finds Toosii getting romantic and dancing at a throwback house party-all baggy pants, bucket hats, and hoop earrings. It’s a cheerful clip for the feel-good rap track. Watch the video for “5’5” here.

Toosii’s latest ode to love finds the rapper moving from a quick flow to melodic bars. The video for “5’5” – directed by Joan Pabon, produced by Andreas Garcia and shot in Atlanta – stars Toosii at a bumping house party when his “angel” makes her way in. The two shoot pool, take turns at the keg, and find some chemistry on the dancefloor. Latto makes an appearance for her stellar verse, and together, the two take the party outside where they can more freely show off their moves.

“5’5” follows the video for “spin music” with Fivio Foreign, the first single from Thank You For Believing (The Manifestation), the deluxe version of Toosii’s acclaimed 2021 mixtape. The “spin music” visual mirrors the song’s kinetic energy, jumping between scenes of ATVs, parties, and bedrooms in a dizzying array of lenses, camera angles, and special effects. VIBE wrote that the track “finds the two New Yorkers delivering what could be the city’s latest drill anthem.”

The “5’5” video continues Toosii’s unbelievable run from a grinding upstart to becoming a globally celebrated rapper. Earlier this year, he surpassed one billion streams, proof his music is resonating. And now, with a proven ability to consistently churn out diverse, vivid, and affecting music, Toosii shows no signs of slowing down. His charisma and screen presence are obvious in the video for “5’5,” marking another stunning performance from one of rap’s most exciting young artists.

Image via Capitol Music Group for 360 Magazine

The Greeting Comittee – Ada

THE GREETING COMMITTEE SHARE LIFE-AFFIRMING LGBTQ ANTHEM ADA

WATCH THE OFFICIAL VIDEO HERE

NEW ALBUM DANDELION OUT 9/24

Kansas City-based alt-rock band The Greeting Committee premiere their new single Ada, a grippingly honest and life-affirming track that frontwoman Addie Sartino calls an anthem for all our LGBTQ friends and family and fans. Named for a trans woman the band befriended years ago, Ada marks the latest single from their upcoming sophomore album Dandelion, due out via Harvest Records on September 24. Go HERE to stream/download Ada, and pre-order Dandelion HERE.

The single arrives alongside a powerful visual directed by Ada Brumback and produced by Alison Claire Peck (Story School). The video depicts an an all too familiar narrative for many LGBTQ youth. By the end, the protagonist is joined by her community of allies while the line you are loved is repeated. Watch the video HERE.

Partly inspired by Sartino’s own experience in coming out (and by the story of a beloved Greeting Committee fan named Dakota), Ada wanders between tender narration and inner monologue, embedding its lyrics with essential yet bracing truths (It’s hard to be a woman, even harder to be somebody you’re not; A dead name don’t ring the same). In bringing the intensely poignant song to life, The Greeting Committee took great care to fully honor Ada’s emotional reality.

When we were writing that song, [Ada] took the time to go for a two-hour walk with me and tell me about being transgender and growing up in a small town, and what that felt like for her, Sartino recalls, noting that The Greeting Committee first met Ada back when she handled merch for the band.

Referring to the song’s namesake as one of the people who’s made The Greeting Committee who we are today, Sartino points out that Ada closely aligns with the band’s longtime mission of providing their audience with music that illuminates. I think it’s important to have a song like ‘Ada’ on our album, and it’s even more important to give Ada and Dakota the recognition they deserve, says Sartino. Because at the end of the day, I’m not transgender, that’s not my story to share. But I do have a voice and a platform, and to be able to use that platform to share these very personal stories is incredibly special. It’s something that we as a band don’t take lightly.

Like all of Dandelion, Ada was produced by Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes) and mixed by Dave Fridmann (The Flaming Lips, Tame Impala), who helped to assemble the track’s kinetic collage of sounds: thrashing percussion, bright squalls of synth, achingly delicate piano work. The song arrives as the follow-up to The Greeting Committee’s recent single Float Away, a July release praised by the likes Pop Matters (who noted that the bass steamrolls in static, angst-grunged; the drums are propulsive without feeling frenetic; and marimba keys twirl underneath it in a loop, like a haunted carousel all our minds seem to be stuck riding lately). Back in June, the band shared the first single from Dandelion: the gorgeously sprawling alt-pop epic Can I Leave Me Too?, hailed by Clash as a raw portrayal of post-break-up poignance, cloaked in indie pop reverb.

About The Greeting Committee

Made up of Addie Sartino, Brandon Yangmi, Pierce Turcotte, and Austin Fraser, The Greeting Committee have embraced a spirit of purposeful sharing since their formation in 2014. Founded soon after Sartino and Yangmi got their start playing open-mic nights in Kansas City, the band self-released their debut EP It’s Not All That Bad in 2015. Its lead single Hands Down quickly became a breakout hit, paving the way for The Greeting Committee’s signing to Harvest Records when they were all still in high school. After making their Harvest debut with the Meeting People Is Easy EP in 2017 and releasing their debut album This Is It in 2018, the band spent much of the next few years on the road, with sold-out headline shows in major markets such as Chicago, Austin, New York, Los Angeles, and Minneapolis. To date, they’ve toured with the likes of Bombay Bicycle Club, Tennis, Hippo Campus, and Rainbow Kitten Surprise and taken the stage at leading festivals like Lollapalooza and SXSW, in addition to delivering the I’m Afraid I’m Not Angry EP in late 2019 and appearing in Netflix’s To All the Boys: Always and Forever. The band’s second album Dandelion will be out on September 24 via Harvest Records.

For more information on The Greeting Committee visit Instagram, Twitter, Facebook, and website.

Capella Gray via Kumo Shai for Capitol Records for use by 360 Magazine

Capella Gray – Gyalis

Praised by the likes of Joe Budden & Ebro Darden as being “the song of the summer,” Bronx native Capella Grey debuted his highly anticipated visual for “Gyalis.” Shot on location in his hometown, the Brennan Rowe directed visual captures the heart and soul of New York’s uptown movement. Watch HERE.

Creating an undeniable summer hit, the song has dominated radio airwaves, YouTube views, and has seen remix efforts from Kranium, A Boogie, French Montana, Tory Lanez, Fivio Foreign & more. Described by Chris Brown as being “the hardest shit out right now,” “Gyalis” (a popular patois term to describe a player/playboy) peaked at #1 on Apple’s R&B/Soul charts as well as landing the #1 spot on Shazam’s Top 100 in the United States. Blending the slowed bassline of “Back That Azz Up” over Grey’s West Indian sing-song melody, “Gyalis” is undeniably a hit record.

In the visual, Capella showcases that he’s a modern-day vocalist who can switch from song to rap to chant in the same line, Capella’s smoothed out flow marries his mid-tempo grooves flawlessly. Merging his Jamaican heritage, uptown New York City upbringing and melodic church rooting, Capella Grey has created a new yet nostalgic feel that invites listeners of all generations into his world. Personifying the term “vibe responsibly,” the visual features Capella’s friends, family and fans rallying around him and championing his success. Capella delivers riveting performance shots utilizing a vintage New York City taxi cab, an ode to his time as a Taxi driver during his earlier years. 

About Capella Grey

Every once in a while, an artist comes along and reminds listeners what music is supposed to sound like. In today’s trendy viral video dominated space, traditional R&B artists have had to play the background. Hip Hop purists have been replaced. And musically trained vocalists have to trade in their talent for a call and response anthem infectious enough to start a TikTok movement, but not Capella Grey. Attracting people with his talents, charm and great energy, Grey played around different Churches in New York City. There were even times he had premonitions of his “big break” being that of a background singer for a superstar. But one day, an unstructured freestyle would change his life and align him amongst the stars. The 26-year old Bronx native has figured out a way to creatively match today’s sound with the authentic elements of musicianship. Peaking at No.1 on Apple Music’s Top 25: New York City and No. 1 on Shazam in the United States, Grey has already begun to prove himself and why his sound is necessary. As a skilled songwriter, his words are embodied into harmony that translates to the streets, but in a way that doesn’t alienate the ladies either. “I want everyone to catch the vibe. Grab a shorty, do something,” says the young heartthrob who now has ladies crying when he’s on stage. Currently, Capella’s working on his debut Capitol Records project, due out later this year.

Image via capitol music group for 360 Magazie

Boslen – Dusk to Dawn

BOSLEN RELEASES DEBUT ALBUM DUSK to DAWN

LISTEN HERE

FEATURES INCLUDE TYLA YAWEH, VORY, DRO KENJI, RASCALZ, & CHARMAINE

Redefining what Black music can look, feel and sound like – FADER

Boslen is on a clear cut path for international stardom – Lyrical Lemonade

Vancouver-bred genre-defying artist Boslen shares his debut album DUSK to DAWN. The 22-year-old rapper’s first body of work since signing to Capitol Records in partnership with Chaos Club Digital, DUSK to DAWN showcases Boslen’s eclectic and forward-thinking brand of alt-hip-hop, as well as his deeply reflective approach to storytelling. Listen HERE.

Featuring guest spots from Tyla Yaweh, Vory, Dro Kenji, Rascalz, and Charmaine, DUSK to DAWN draws its undeniable power from Boslen’s boundary-pushing vocal experiments, shapeshifting transitions, and heavier production than he’s attempted before. After opening on the soulful minimalism of DUSK, the album cycles through an entire spectrum of textures and moods, ultimately arriving at the beautifully warped DAWN. Naming hyper-creative artists like Kid Cudi among his main inspirations, Boslen notes that DUSK to DAWN emerged from a desire to explore how vulnerability and self-empowerment can co-exist.

On this album more than anything, I was the most vulnerable I’ve ever been on a project, Boslen stated in a recent interview with Flaunt Magazine. I really took risks and I really took my time. It can be a cinematic experience for anybody to resonate with. You can have a song that you can sit there and think about, but the very next song you can rage out like at a festival or on a stage.

Executive-produced by justsayin, DUSK to DAWN features a number of previously released singles, including TRIP (praised by Atwood Magazine as a smoldering song full of soaring, woozy psychedelia and raw lyricism), DENY feat. Tyla Yaweh (a pop-punk-inspired track that inspired HotNewHipHop to hail Boslen as one of Canada’s most exciting hip-hop exports), and QUARTZ feat. Charmaine (deemed ferocious by Flaunt). See below for the complete tracklist to DUSK to DAWN.

A fast-rising artist with a proven track record of boldly defying genre barriers, Boslen first burst onto the scene with his acclaimed 2018 mixtape Motionless. DUSK to DAWN marks his first new project since the Black Lotus EP, a 2019 effort that peaked at #11 on the Canadian Apple Music streaming charts.

DUSK to DAWN Tracklist

  1. DUSK
  2. VULTURES
  3. FORSAKEN feat. Vory
  4. HAVE YOU
  5. DENY feat. Tyla Yaweh
  6. TRIP
  7. NIGHTFALL feat. Dro Kenji
  8. QUARTZ feat. Charmaine
  9. NOTE TO THE CITY (INTERLUDE) feat. Rascalz
  10. MY WAYS
  11. ASHES
  12. DAWN

WATCH THE LYRIC VIDEO FOR NIGHTFALL HERE

Follow Boslen via Instagram and Twitter.

ABOUT BOSLEN

Boslen is a born trailblazer. The 22-year-old hip-hop experimenter lives in Vancouver, and the city’s people have become key to the way he understands himself and his art. A land of contrasts, snowy peaks and warm water, beautiful nature, and busy streets, it’s the perfect home for an artist who reconciles disparate energies, weaving together styles and sounds that don’t intuitively connect. DUSK to DAWN, his Capitol Records debut, furthers this adventurous approach, mixing trap, pop, punk, and rock melodies, and it’s also directly inspired by his city, a place that drives him to be different, to achieve greatness when no one expects him to. Boslen first emerged as an artist in 2018, when he dropped out of school, moved to North Vancouver, and released the Motionless and Motionless II mixtapes. He found his footing in 2019 with the energetic, confrontational songs Eye for an Eye and Hidden Nights, which garnered millions of streams. In 2019, he released the Black Lotus EP, but even with so many songs out in the world, DUSK to DAWN feels like a step forward, full of boundary-pushing vocal experiments, heavier production, and shapeshifting transitions. The music finally matches the tumultuous emotions he’s captured in his lyrics all along. He may not be able to pull every listener into Vancouver, but he’s using the city’s contrasts as a backdrop to challenge everyone to think beyond themselves, to dream big.

AViVA “Melancholy” image shot by Matais C from Lisa DiAngelo at Capitol Music Group for use by 360 Magazine

AViVA – MELANCHOLY

AViVA PREMIERES NEW SINGLE “MELANCHOLY” LISTEN HERE 

WATCH THE OFFICIAL VIDEO FOR “MELANCHOLY” HERE

AUSTRALIAN ARTIST’S DEBUT NOVEL SELF/LESS DUE OUT 9/28

Today, Australia-born artist AViVA makes her Capitol Records debut with ”Melancholy” : a new single and video spotlighting her immersive and electrifying brand of alt-pop. An unfiltered look at the downward pull of depression, “Melancholy” also showcases the uncompromising originality that’s earned AViVA a passionate global following in recent years. Go HERE to download/stream “Melancholy,” and check out the video HERE.

With its moody backdrop of minimalist beats, “Melancholy” sets its emotionally vivid lyrics to an infectious sing-song melody (“One, two, three, four/Vicious, knocking at my door/Seven, eight, nine, ten/Burn the candle at both ends”). Throughout the track, AViVA delivers a captivating vocal performance, flaunting her effortless flow and fierce yet vulnerable presence. 360 Magazine loves AViVA’s vibrant energy and passionate lyricism.

On the single, AViVA says, “Seemingly cheerful and upbeat from the outside, it doesn’t matter what makes you feel that way, sometimes feeling down is the only way you can feel, but the power of the last line ‘it will never be the same’ is where the core message of the song lies. Even though after negative experiences things often aren’t the same, we are always free to learn and grow from our experiences. Feeling melancholy, like so many feelings, is just a temporary state. Things will, as they always do, get better.”

The video for “Melancholy,” co-directed by AViVA and long-time collaborator Jeffeton James, amplifies the song’s raw and powerful intimacy. To that end, the wildly colorful visual places AViVA in a series of isolated situations: lying in a hospital bed, trapped behind a school desk, singing to her own reflection inside the room of an abandoned and decaying home. As the song unfolds, the 27-year-old artist reveals her unapologetically punk spirit, inhabiting each frame with a feverish intensity.

A multidisciplinary artist, AViVA will release her debut novel SELF/LESS via Macmillan on September 28. Set in a dystopian society in which all forms of self-expression and creativity are outlawed, the book follows its 17-year-old protagonist Teddy as she rebels against her upbringing and discovers a secret world beneath the walled-in city where she was raised. According to AViVA, SELF/LESS fulfills a longtime mission of creating her own distinct multiverse that seamlessly merges music and literature.

*Photo Credit: Matais C

AViVA “Melancholy” image shot by Matais C from Lisa DiAngelo at Capitol Music Group for use by 360 Magazine

Illustration By Alex Bogdan for use of 360 Magazine

Dreamer Boy × All Our Dreams Came True Tour

Nashville’s genre-blurring singer/songwriter Dreamer Boy has announced his first ever headline tour. The All Our Dreams Came True tour will kick off on September 22 in Atlanta, GA, and run through October 4 in Los Angeles, CA. Dreamer Boy (Zach Taylor) will have support along the tour route from GRANDMA, Jack Larsen, May Rio, carwash and others.

Back in April, Dreamer Boy released his critically acclaimed album All The Ways We Are Together via slowplay and Harvest Records. The release on Earth Day was tied into various activations core to who Zach Taylor is as an artist and as a human. Streams from the album helped to plant 1,500 trees in partnership with One Tree Planted. This fall, fans will have the chance to hear the hazy, sentimental tracks off of this record live, as they were intended to be enjoyed. Purchase tickets HERE.

For Zach Taylor optimism is a calling. With a smile that hardly ever leaves his face, the 24-year-old songwriter/singer explains that the misty, shape-shifting pop music he’s made for the last few years as Dreamer Boy has been a way of accomplishing a grander aim. “I want to spread love and light and joy,” he says, matter-of-factly. And spread that he’s done, whether on the road with friends Clairo, Omar Apollo, and Still Woozy, or on the themes of his new release, All the Ways We Are Together. Dreamer Boy’s purpose has become clearer over time, and, in the spirit of unity and harmony, the Nashville-based singer and songwriter chose Earth Day as his album’s release date.

Kygo x Zoe Wee Composite image shot by Johannes Lovund via Jamie Abzug at RCA records

KYGO × ZOE WEES – LOVE ME NOW

Global superstar, producer and DJ, Kyrre Gørvell-Dahll – a.k.a Kygo releases his new song “Love Me Now” ft. Zoe Wees. Listen HERE. “Love Me Now,” out now via RCA Records, is the follow up to Kygo’s most recent release “Gone Are The Days” ft. James Gillespie which was released in the Spring.

Says Kygo, “I’ve been a fan of Zoe’s music for quite some time, she’s insanely talented. We’ve been working on this one for awhile and are really happy with how it turned out. I think our fans are going to love it!”

Says Zoe, “It was really great working with Kygo! When we sent him our song idea he immediately came back to us with his first version that we all loved. His productions are so special – when you listen to his sound, you just know it’s Kygo! I’m so happy to be able to work with him.”

Kygo recently played his first live show back in front of a crowd, selling out the historic Red Rocks amphitheater in June. He recently announced, and then sold out within 10 minutes the biggest stadium in Oslo (Ullevaal Stadium) for a show scheduled for July 2, 2022. Kygo will be playing Los Angeles at the Bank of California Stadium on September 10 and continues his ongoing residency at The Wynn in Las Vegas. Additionally, through his lifestyle brand Palm Tree Crew, he recently announced their upcoming one-of-a-kind intimate festival experience, Palm Tree Music Festival taking place later this month on Sunday, August 29th at the Francis S. Gabreski Airport in Westhampton, NY. The single-day event will capture the feeling of summer in paradise and will see performances by Kygo himself, Zedd, Gryffin (DJ Set), Frank Walker and Forester. Tickets are currently on sale now and are available HERE along with an exclusive apparel line.

2020 was a massive year for Kygo. He released a remix of Donna Summer’s Grammy Award winning, platinum, #1 song “Hot Stuff” as well as a remix of Tina Turner’s “What’s Love Got To Do With It” to rave reviews. He also released his critically acclaimed third full-length album Golden Hour which features his hit single “Lose Somebody” with OneRepublic as well as “Higher Love” with Whitney Houston, the latter of which has garnered over 1.1 billion streams worldwide and charted at Top 40 radio. Earlier this year Kygo performed a breathtaking set which was livestreamed on Moment House. Filmed on a snow-capped mountain top in the Sunnmore Alps in his home country of Norway, the one-of-a-kind virtual experience allowed audiences around the world to watch the global superstar deliver a career-spanning set amidst a breathtaking environment unlike anywhere they’ve seen him perform before.

BUY/STREAM GOLDEN HOUR HERE

Breakout star Zoe Wees released her debut EP, Golden Wings, on May 21 via Capitol Records. She was named Apple Music’s Up Next artist for April 2021, making her the first-ever German artist to be selected for the promotion. Wees launched her breakout single  “Girls Like Us” with an appearance on DJ Zane Lowe’s Apple Music 1 show. The track charted in the Spotify Global Top 200 and has been featured on numerous playlists worldwide, including Spotify’s Today’s Top Hits and Apple Music’s Today’s Hits in the U.S. With over 61 million U.S. streams to date, America is Wees’ #1 streaming market for “Girls Like Us.” Watch the official video HERE and listen to her new single, “Hold Me Like You Used To,” HERE. The five songs on Golden Wings have amassed over 200 million streams combined in the U.S. Wees, a YouTube Artist On The Rise, will launch her first-ever EU headline tour in March 2022. Tickets are available HERE.

*Photo Credit: Johannes Lovund