Posts tagged with "uproxx"

Orson Wilds image shot by Calm Elliott-Armstrong for use by 360 Magazine

ORSON WILDS – DEBUT SINGLES, “KYOTO”

ORSON WILDS SHARE COVER OF PHOEBE BRIDGERS’ “KYOTO”

DEBUT SINGLES “STAND UP” & “MOTHERS DAUGHTERS” AVAILABLE NOW

Ahead of last week”s Grammys ceremony, Canadian duo Orson Wilds shared a performance of Phoebe Bridgers’ “Kyoto,” exclusively via Brooklyn Vegan. Today, the cover gets a wider release and is available across all streaming platforms.

“Phoebe Bridgers is the ultimate apocalypse music,” vocalist Eric Reid told Brooklyn Vegan. “It feels deeply personal and introspective but there”s also a level of nihilism and despair, which is frankly, everything I look for in an artist. “Punisher” was such a perfect soundtrack for the last year, and it helped both Brianna and myself get through some weird shit. “Kyoto” feels like the outlier on the album and felt the least voyeuristic to cover in terms of subject matter. It’s like a rock song, but super nuanced and not necessarily mixed the way you’d expect a rock song to be mixed, which is a huge part of what makes it so affecting. We approached it from a different angle and tried to keep it as live feeling as we could. We kept our takes to a minimum and sped it up a bit, I think it took like 4 hours to record.”

Orson Wilds’ debut studio singles, “Mothers Daughters” and “Stand Up,” were both recorded and produced by Will Yip (Panic! At The Disco, Turnstile, Title Fight), and will be included on the band”s forthcoming debut album expected to arrive later this year. Released in December, “Stand Up” is already closing in on one million streams globally. The track was commended by UproxxNorthern Transmissions, and The Alternative upon its release, with Uproxx declaring it “one of the most anthemic indie rock jams since Arcade Fire dropped “Wake Up.”” Both tracks are available now on all streaming platforms. Watch the official video for “Stand Up” here and “Mothers Daughters” here.

Orson Wilds, fronted by Eric Reid and Brianna Bordihn, have only played a handful of shows in the Southern Ontario area, focusing mainly on the honing of their craft and sound. This hard work paid off when Yip, an enthusiastic producer with bustling industry savvy, was so taken by the compositional strength of Orson Wilds’ songs that he took the band under his wing, helped them produce two new singles, and signed them to his imprint. Though Reid and Bordihn represent the core of Orson Wilds, an ever-evolving collective of friends and family round out the live iteration of the band with stomping, uplifting electric guitars, horns and woodwind sections, and thrashing, urgent percussion.

Lord Huron Long Lost Album Cover (By Ben Schneider) of Republic Records for use by 360 Magazine

Lord Huron – Long Lost

LORD HURON ANNOUNCE NEW ALBUM LONG LOST OUT MAY 21ST

NEW SINGLE “MINE FOREVER” OUT NOW WITH OFFICIAL MUSIC VIDEO

Who is Tubbs Tarbell? (Letter)

After causing a whole lot of chatter amongst audiences and critics alike, Lord Huron have begun to unwind the little riddle they’ve been spinning over the past few months and announce their fourth full-length album, LONG LOST, out May 21st via Whispering Pines Studios Inc./Republic Records, featuring new single “MINE FOREVER.

Pre-orderLong Lost HERE, listen to “Mine Forever HERE, and watch the official music video for Mine Forever (Directed by Anthony Wilson) HERE.

At the same time, the news only raises more questions. What can fans expect? What did the band lose and how long has it been lost? And who the hell is WBUB’s Mr. Tubbs Tarbell? All these questions (and more) have been brewing as easter eggs from the upcoming album have been revealed during Lord Huron’s Alive from Whispering Pines series.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Last night on Alive From Whispering Pines, Lord Huron performed their triple-platinum single “The Night We Met,” as well as fan favorites “Ghost on The Shore” and “Never Ever.”

To help answer all these lingering questions, Tubbs has put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE and below.

Long Lostwill also include previously released track “Not Dead Yet.” The single has already racked up 1.5 million Spotify streams and 500K video views. Additionally, the guys hit the stage at Jimmy Kimmel LIVE! for a show-stopping television debut performance of “Not Dead Yet.” Watch it HERE. Spin claimed, “they sharpened their teeth, while UPROXX described the track as “driving. In addition to plugs from Stereogum and more, Brooklyn Vegan touted it among “Our Favorite Songs of the Week.” See full track list for Long Lost below.

The last episode of Alive From Whispering Pines will broadcast in April, with more surprises to come. Fans can purchase tickets to each episode, a season pass to all four shows, and exclusive merch at Lord Huron’s website.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

Long Lost Track List:

  1. The Moon Doesn’t Mind
  2. Mine Forever
  3. (One Helluva Performer)
  4. Love Me Like You Used To
  5. Meet Me in The City
  6. (Sing For Us Tonight)
  7. Long Lost
  8. Twenty Long Years
  9. Drops in the Lake
  10. Where Did the Time Go
  11. Not Dead Yet
  12. (Deep Down Inside Ya)
  13. I Lied
  14. At Sea
  15. What Do It Mean
  16. Time’s Blur

About Lord Huron
Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after released Strange Taleswhich featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive, provocative and powerful rock, the record garnered praise from NPRTimeLos Angeles TimesSpinStereogumRefinery29UPROXX, and more as singles such as Wait by the River (which the band performed on “Late Night with Seth Meyers”) and When the Night is Over generated tens of millions of streams. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo.

Tune Prism Cover Artist Spotlight: Lord Huron and the Long Lost Sounds of Yore Words and Memories by Tubbs Tarbell

Friends,

I been thinkin’ a lot about the past again. I guess if you know me, that’s nothin’ new. Yeah, I smell what you’re sniffin’ at: “Oh boy, here goes ol’ Tubbs again, ramblin’ about those good ol’ bygone days of yore.” Well, sure, I’ll allow you that’n. Maybe I do tend to take a good hard glance into the rearview before I step my boot on the gas. But don’t we all? Or shouldn’t we, in any case?

It just seems to me that, these days, the past is everywhere you look. Hell, take another peek at that sentence again. The first time you read it is already in the past. Funny how time just keeps clickin’ along. These days, anyway.

So, sometime in what’s now the not-too distant past, I was sittin’ in my usual seat inside Whispering Pines, cozied up to a glass of something cozy, when, from outta nowhere, this particular tune crept into my ear. It was a funny thing, because it immediately felt familiar to me, as a song that creeps into your ear usually has to be—’specially for somebody like me who don’t write ’em…I just roll ’em. (You’ve heard me say that one more than a few times, no doubt.) But then the more I thought about it, and the more I listened to this little tune janglin’ around upstairs, I realized that I couldn’t place it as somethin’ I’d ever heard before. (And take my word for it: the ol’ upstairs is a titanium steel trap for tunes, even now.) It was a conundrum.

That little number stuck with me for more than a few days. I’d be doing something mindless— scrubbin’ my cup, combin’ my hat—when all of a sudden, here it came again: It’s hard to make friends when you’re half in the grave, but I ain’t dead yet and I’ve got something to say. It was the loveliest thing, and dang me if it didn’t keep sounding chummier and chummier. It was sublime—that drivin’ jangle of the guitar, the steady thump of the drums, those breezy, liltin’ voices—but I just couldn’t place it. Could it have been that ol’ Tubbs here had somehow tapped into that cosmic eternal and unwittingly written his first tune without even knowin’ it?

A week (or was it a month?) went by and the tune never went too far from my head. There’s a stranger in my eyes again… It almost got to where I was more used to the tune bein’ there under my hat than my own face. …I swear to God I don’t know him. But then it happened, somethin’ I’ll never forget for as long as I live: My little tune came to life before my very eyes.

Now, be patient. I’ll tell you how.

That day, one of my all-time favorite acts happened to be booked in Whispering Pines for a recordin’ spell, those good-time bootscooters and rhythm rascals known as the Lord Huron. As always, the boys showed up early—but not earlier than ol’ Tubbs here—and made haste toward the studio’s live room.

“Howdy, fellers,” says I. “Headed for the big room, I see.” (If Whispering Pines was a church—it ain’t, mind you, but iffin’ it were—the live room would be the holy pulpit, I reckon.)

Ben (he’s the singer) just looked at me, touched the brim of his hat, and nodded. “Thought we might try somethin’ different this time, good buddy,” says he.

So I just gave him my grandest grand welcome and stepped aside, happy to have them back. Those boys know what they’re doin’, havin’ made quite a few of their records with us. But the live room, this was gonna be a first, and a real treat. I tried my best to keep my grin to a simmer, sat down at the board, and watched as Mark, Miguel, Tom, and Ben started tunin’ her up

If you’ve ever had the pleasure of recordin’ at the Pines, then you know that nothin’ in the place is off limits. Guitars, cymbals, pianos, pedal steel, mandolins, microphones, saxophones—what’s ours is ours, that’s my motto. And as the Huron boys are basically my own brothers by now— well, nephews, maybe, but who’s countin’—I was glad to see their hands on all of it. I even heard ’em talk about recordin’ a gigantic string and woodwind orchestra in some dang place like Sweden or somewhat…those fellers really shoot the moon, I tell ya.

I’d barely had time to pour my coffee and hit the big red button when they settled into a dusky groove so quick I could hardly believe it. Must have been all that time playin’ out on the road together—even headlined that dang Bowl they got out in Hollywood since last I laid eyes. Hell, they’ve known each other since grade school so it don’t surprise…that’s the rumor, anyway.

Now, I’ve loved all their hits—“The Night We Met,” “Time to Run,” “When the Night is Over”—but this new stuff they started in on just sounded…well, it just sounded like somethin’ eerily familiar, as it were. Like somethin’ from a past life I’d heard before, but brand new, all at once. Like a note plucked long ago that had moseyed through time to finally belly up to my bar once and for all. It was a conundrum.

The first number they called “The Moon Doesn’t Mind,” and I say it reminded me of one of those cowboy pictures where the lone horseman is singin’ his heart out to the audience from atop his brave steed. But somethin’ about the pang in Ben’s voice made it seem like that feelin’ was more lonesome than just simply lone—or maybe it was just my view from the sidestage, as it were. Maybe the light catches a singer a little different when you’re not starin’ at him head-on, or even through a lens. I always did wonder if those cowboys were really as rootin’ and tootin’ as they looked on TV. I gave the boys a good round of applause before they launched into a real sunset of a song they called “Mine Forever,” a swingin’, full-on heart-renderer with a bubbly sound. All of a sudden I heard handclaps and female voices—I swear those ladies must have risen up outta the floorboards! Never saw ’em come in, and didn’t see ’em leave. That’s just the magic of the Pines, I suppose. Door knockin’s for strangers.

The next one, “Love Me Like You Used To,” brought to ear of one of those classic lovelorn country ballads, like one sung by Handsome Scott or even ol’ Roy Casey himself. “Long Lost” and “I Lied” both slowed the tempo down a notch or two, but sounded no less grand. The boys were really firin’ on all cylinders that day, I tell ya, fillin’ the air of that grand live room—and my own soul—with those tales of hard luck, heartbreak, and redemption. It was as if the boys had become conduits for the spirits of the room and were usin’ them to tap into that same cosmic eternal I’ve always felt—known—was hoverin’ around inside Whispering Pines.

I was feelin’ pretty fine. Our old pine clock on the wall had long stopped tickin’ and the boys surely didn’t need any help from little ol’ me, so I helped myself to a little somethin’ cozy and kicked my boots up on the board. And it was then, in that instant, that I heard it…my tune.

All messed up with nowhere to go, I stare at myself in the mirror alone… It’s hard to make friends when you’re half in the grave…

That drivin’ guitar jangle, the steady drum thump, those breezy, liltin’ voices…it was all unmistakable. My tune! It had somehow crept out from that titanium trap I keep under my hat and sneaked into the live room to serenade me from behind the glass studio wall. Time seemed to stand still, even more than it usually does around here. It was like some long, lost dream come to life, a forgotten classic from a parallel dimension, the echo of a memory that wasn’t mine. But the feelin’ was real.

“Say, boys, what’s that one called?” I hollered into the talkback, trying to seem casual.

They looked at one another, laughed. “Well, I’m not sure,” Ben replied. “What does it feel like it’s called to you?”

As he spoke, I caught a glimpse of myself in the unpolished studio glass, and somethin’ hit me, somethin’ I’ve never been able to explain. “Well, I reckon it’s called ‘Not Dead Yet,’” I reckoned. And wouldn’t you know it? Turned out, it was.

The Huron kept at it for a little while longer that day, but I must have drifted off peaceful-like in somethin’ of a cosmic slumber, with my tune—all of the tunes, in fact, as all of them were now mine—janglin’ heavy and happy in my heart. When I woke, the light from the next day was just startin’ to ease into the Pines, and I was alone. I stood up, stretched my creaky back, scratched a little stubble. As I turned to grab my leavin’ hat off its peg, somethin’ caught my eye: A hand- scratched note bound to a faded vinyl record sleeve was layin’ on the floor.

I bent down to snatch it up. The record was called “Long Lost,” and it looked as if it had been layin’ there on the floor since before Whispering Pines was even a whisper itself. I brushed the dust off the cover and saw that the artist was none other than the boys themselves—Lord Huron.

“Say, Tubbs,” the note read. “Time washes aways what man creates, but ‘Long Lost’ might convince you that a note can live on. Be good now. The Boys.”

And just like that, they were gone.

As ever, friends, may you live until you die, Tubbs

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Zachary Knowles 'carpool single' shot by Josh Hymowitz (Cornerstone) for 360 Magazine

ZACHARY KNOWLES – CARPOOL

TENDER POP CREATOR ZACHARY KNOWLES SHARES NEW SINGLE & VIDEO “CARPOOL” OUT NOW VIA FADER LABEL

WATCH HERE | LISTEN HERE

“Knowles’ emotional, nostalgic longings are universally felt, and are sure to tug on your heartstrings. At the same time, his music is upbeat, catchy, and dazzlingly ambient.”

-360 MAGAZINE

“Zachary Knowles has dug himself a soft spot in our hearts, and it is only a matter of time until he finds his way into yours.”

Ones To Watch

Knowles offers up honeyed vocals while he straddles the sonic outlines of introspective bedroom-pop and pacific R&B inflections. Propelled by the subtleness of a minimal production and an eloquent falsetto… toward the direction of a sonic haven where one can find equanimity in a time of difficulty.”

-EARMILK

Rising artist and tender pop creator, Zachary Knowles, shares his newest single, “carpool,” today via FADER Label. The latest from Knowles is a song of yearning for his love to be next to him and the pain of distance that turns to a need for escape and daydreaming. Nobody can drive in the carpool lane alone and Knowles feels into the void in his life, and sings, “it’s not the same without you here with me.” On the single, he says:

“carpool” is about the mental traffic jam and anxiety of being separated from the person you love. I can’t stand being stuck in traffic, so I thought it would be the perfect concept to portray those lonely feelings. The song itself flowed out very naturally and I knew it was something special. At its surface, “carpool” focuses on how bad it feels to be alone, but below it’s a love song about desire and how your person makes all the lonely and sad times better.”

The music video for “carpool” opens with Knowles sitting in front of his car underneath a street light. Lyrics flash across the screen that hit extra hard, like “only so many songs I can sing by myself,” as the loneliness in his heart is written all over his face. He gets on his feet and starts packing his car up with every door as wide open as his longing heart.

The previous single, “johnny & june,” arrived last month, just before Valentine’s Day, along with a music video steeped in mystery, nostalgia and most importantly: love. The Texas-based singer, songwriter and performer calls back to one of the most famous love stories in music, that of Johnny Cash and June Carter Cash. The accompanying music video by TJ Hoover and Jonah George (Jeremy Zucker, Chelsea Cutler, Alexander23) takes the song to an innocent setting that many can trace first love moments back to: high school. The viewer never sees the face of this could-be June, and yet they see so deeply into the soulful eyes of this potential Johnny.

Spotify highlighted the track on their New Music Friday playlist, where Knowles is a mainstay with his new releases. The Most Radicalist described the single saying, “I can imagine a venue filled with fans chanting along to this cut,” and Wizard Radio says, “The best way to describe Zachary Knowles music is like a warm hug from a cozy blanket.” Hidden Hits says, “‘Sweeter than honey, “johnny & june” is the best love song we’ve heard from Knowles thus far. Although he wrote “johnny & june” at a time of chaos and confusion, Knowles managed to craft a charming tune that’ll certainly resonate with millions around the world.”

The selflessness of Zachary Knowles isn’t just in the music’s sweet lyrics of love, but also how it was made. Ashe, Alexander23, X Lovers, and more have been collaborators of his and share a collective vision of expression to really serve listeners in the most impactful way possible. With 45 million global streams, nearly one million monthly listeners on Spotify and over 53k followers on Tiktok, it’s clear it’s working.

The fresh up-and-comer, who opened for Alec Benjamin on tour in 2019, has been turning heads in the pop and indie-R&B realms with two EPs, Feelings (2018) and Magnolia (2020), with songs such as “city” and “slow summer” that show off his gifted, yet ever-improving songwriting skills that caught the attention of Ones to WatchUproxx, Earmilk, Happy Mag, and more.

The newest offerings, “carpool” and “johnny & june,” both out now via FADER Label, are follow-ups to his powerful stand-alone single “super sad songs” and his Magnolia EP, offering proof that pop can be personal and that Knowles is one of its most intriguing and capable emerging song crafters to date.

BIO

Zachary Knowles has spent his entire life leading up to this moment. Hailing from Magnolia, Texas, Knowles was bit by the musical bug at an early age, when his parents gifted him a light-up keyboard in first grade. “I started teaching myself songs on there, but I always kept it to myself,” he explains. It didn’t take long for Knowles to run with his newfound talents; Eventually, Knowles transitioned into writing his own material, and he was pleasantly surprised at the online reaction to his own work as it racked up tens of thousands of streams on SoundCloud almost immediately: “I fell in love with making music. I’d come home from school and write as much stuff as I could.”

In his freshman year of college, he set a goal to release something properly and ended up with a series of well-received singles that led to a full EP of music touching on influences ranging from John Mayer to Post Malone and, most predominantly, Justin Bieber. Most recently, he released his Magnolia EP, a collection of songs that take direct inspiration from his small-town upbringing, young love, and the lessons that come with growing up. Knowles’ music has a strong ethos – To forge deeper connections with those around him by reaching deep inside to expose the commonalities that bond everyone in this universe. “I just wanna reach people,” he explains. “My whole dream at the start of this was to build relationships, whether it’s with one person or a hundred people. Personal connections to others are so important. Music is a really cool way to express yourself in a real way and talk about real-life things, rather than what others want to hear.” It’s an admirable aim, and you’ll definitely want to hear what Knowles has coming next.

Electric Guest image by Nicole Deacon uploaded by Gabby DiVerita for 360 Magazine

ELECTRIC GUEST x DARELL x RVSSIAN: “FREESTYLE”

ALL-STAR COLLABORATION ARRIVES ALONGSIDE OFFICIAL MUSIC VIDEO STARRING THE ARTISTS SHOT IN MIAMI + CALIFORNIA.

Acclaimed indie-pop duo Electric Guest have teamed up with Puerto Rican reggaeton artist Darell and Jamaican producer Rvssian for today’s release of “Freestyle (feat. Darell & Rvssian)” – listen HERE.

The high-energy collaboration finds the Latin superstars lending their signature reggaeton spin to the track, originally featured on Electric Guest’s 2019 album KIN. The new version of “Freestyle” also arrives with a brand-new music video featuring the artists in their respective cities of Miami and Los Angeles – watch HERE.

The origins of the collaboration stem in large part from lead singer Asa Taccone’s desire to dive deeper into his Puerto Rican roots (courtesy of his father). While Puerto Rican culture and their heritage has always been celebrated by his family, Asa has long wanted to embrace this more within his music.

In the months before the pandemic, Asa’s father – who was directing John Leguizamo’s Broadway show ‘Latin History for Morons’ – came to an Electric Guest show in New York, bringing Leguizamo with him. They talked afterwards and encouraged him to explore the culture more.

Around that time, Electric Guest was looking to revisit album track “Freestyle” and considering releasing a new version with an added verse from a featured artist.

As Asa explains: “Freestyle was the last song we wrote for the album. It took us forever because we couldn’t figure out the chorus melody. We ended up doing a session with Ne-Yo at a studio in L.A. We sat down and played him the instrumental and he immediately started humming… after about 10 minutes we had the chorus that had eluded me for months. 

But the song kind of slipped under the radar. We had always wanted to do a video for it and possibly get a feature, but Covid hit while we were on tour and like the rest of the world, our cycle ground to a halt and we never really got around to it.

Asa has long been a fan of Darell and Rvssian’s music, so having them featured on a new version of the track felt like the perfect way to dip his toes into the Latin sound. After sending the song their way with the hopes of just a verse, he and bandmate Matthew Compton were sent back a fully-formed, almost entirely new version of the track that the Puerto Rican rapper and Jamaican producer had recorded in Miami.

“It was a totally different format… really their own take on it,” Asa shared. “I think everyone felt the same which was like, ‘Well that is… kind of a better version!’”

Speaking on their collaboration, Rvssian shares: “Remixing the song was fun because I had changed the production from one genre to another. And having Darell add his Latin touch on the vocals… this created a nice fusion.”

Darell adds: “When Rvssian hit me up to participate in this collab, I wasn’t sure what to expect. The end result I feel gives great vibes. For me, it’s always a pleasure to keep growing the culture and blending musical worlds together.”

On the making of the video, Asa shared: “The crew came up from Miami and – even though we were in masks – it was definitely a party on set. I think that vibe translated into the video… riding that horse was equal parts terrifying and fun.”

Electric Guest’s third album KIN was released in 2019, featuring standout tracks, “Dollar,” “Play With Me,” and “More.” The LP was met with critical acclaim, with Associated Press declaring “KIN is a breezy confection of fiendishly clever pop hooks augmented by some computer wizardry.” Uproxx also praised the project as “a masterclass in modern pop that’s anchored by real, genuine emotion.”

The band supported the album with a massive run throughout Europe and the United States, including back-to-back sold-out New York shows at Webster Hall and Music Hall of Williamsburg – with the latter added by overwhelming popular demand.

TIME included “More” in their ‘5 Best Songs of the Week,’ proclaiming it “a retro-inflected electro-pop tune that rings sweet and sincere.” The high-energy music video for the track was directed by Joe Weil (Kendrick Lamar, YG, Khalid) and premiered on People. In the exclusive premiere of the video for fan favorite, “Play With Me,” PAPER declared the visual: “part R&B music video parody + part fantasia — more music videos should tread this fine line, honestly.”

Dollar” came accompanied by an equally feel-good music video, directed by The Lonely Island’s Jorma Taccone and co-starring a fully operational hovercraft DeLorean. That visual had its exclusive debut via Complex, which wrote, “[‘Dollar’] is representative of the duo’s goal of entering this latest era with a desire to make straight up, unapologetic pop.”

BUY/STREAM “FREESTYLE” (FEAT. DARELL & RVSSIAN): HERE

WATCH OFFICIAL MUSIC VIDEO: HERE

Netflix article about Idris Elba illustration by Kaelen Felix for 360 MAGAZINE.

Netflix – The Take

By Cassandra Yany

Netflix has fixed a technical issue that left many viewers confused while watching one of the streaming service’s latest releases. 

The 2016 film The Take starring Idris Elba was added to Netflix’s library Wednesday. The partly-French film had a bug with the subtitles where only the English lines were captioned and the French lines remained untranslated.

Subscribers quickly took to Twitter to alert Netflix of the issue. One user wrote, “Okay just finished The Take on Netflix and I’m very confused as to why the English subtitles were not included. Half the movie was in French.” Another said, “You can’t watch The Take on @Netflix unless you are past Level 5 French on Rosetta Stone.”

Despite this issue, the film currently holds the no. 3 spot in the Netflix ‘Top 10,’ sitting higher than the streaming service’s most recent original film The Devil All The Time. Netflix resolved the problem as of Monday afternoon and the movie now includes translations of the scenes in French.

The film— known internationally as Bastille Day, according to Essence— stars Idris Elba and “Game of Thrones’” Richard Madden. Forbes reports that the film was set to be released in Europe in early 2016, but was pushed back later in the year due to the 2015 Paris terrorist attacks. It was pulled out of theaters days after its July release due to the truck attack in Nice.

The film was not popular in the U.S., as it was only shown in 100 theaters nationwide. It earned just over $50,000 from its release in the states. 

According to television and film news outlet Looper, the action film is about a pickpocket (Richard Madden) who steals a woman’s bag that contains a bomb, intended to go off in an empty building. He disposes of it and the explosion kills four people. He is then taken into custody by a CIA agent (Idris Elba), who quickly realizes that Madden’s character did not mean to take part in the attack. They learn that it was part of a plan by a group of corrupt police officers to rob the French National Bank. The two team up to clear the pickpocket’s name and stop the officers.

Despite the criticism over incorrect subtitling, it seems that the movie is finally getting the attention that it missed during its original release in 2016.

Phil Good – Everything’s Good Remix

Los Angeles-based singer/songwriter Phil Good has unveiled an official remix of his latest single Everything’s Good from DJ and producer Slow Magic. Everything’s Good (Slow Magic Remix) is available to stream and download starting today HERE. Watch a visualizer for the song HERE.

Everything’s Good and its accompanying animated music video were released in May and received praise from Uproxx, Ones To Watch, and more. Watch Philߣs new Everything’s (Not) Good visualizer for the song, which was made entirely using Instagram and Snapchat filters, HERE. Earlier this year, Phil released his track Living With No One, and was featured on Stuck On You, the lead single off GRAMMY Award-winning producer RACߣs new album Boy. Additionally, Phil released an official remix of his song Do You Ever?from the producer. Listen to Do You Ever? (RAC Mix) HERE. Last Fall Billboard announced Phil Goodߣs Elektra Records signing, and shared his major label debut single and music video Wonder Phil’s follow-up Do You Ever? and its accompanying visual were premiered by Ones To Watch, who praised his remarkable ear for tasteful synths. Phil closed out 2019 with Put It All On Me which Lyrical Lemonade premiered, declaring, Phil delivers an extremely catchy hook with his fun, charismatic energy; making it almost impossible to get out of your head. Converting audiences to fans on the road, Phil recently supported Jaymes Young on his Happiest Year North America Tour, and joined labelmate Tones and I on select United States tour dates.

Photo credit: Zhamak Fullad
About Phil GoodA stint slinging grilled cheese out of a stationary truck, a bike accident listening to Barack Obamaߣs appearance on Marc Maron’sWTF podcast, and an intriguing childhood split between attending mosque with his Palestinian step-dad and Christian church with his Puerto Ricanc reggae-funk bass player father all preceded the career of Phil Good. Relocating from Portland, OR to Los Angeles, CA with his cat Lucy in 2016, Phil devoted an entire year to writing and recording behind-the-scenes for other artists and logging countless hours in the studio in addition to planting the seeds for what would become his solo debut. By the beginning of 2019, he quietly put up nearly 10 million total streams across indie releases such as Growing Up, Be Somebody, and more in addition to garnering acclaim from Earmilk, Dancing Astronaut, This Song is Sick, and more.

EarthGang Reveals Top Down Video

Atlanta duo EarthGang continues to push the creative boundaries with its visual deliveries. The pair premiered the video for the track “Top Down” on Adult Swim early Sunday morning, featuring Olu and WowGr8 in puppet form, driving through the streets of Atlanta, visiting strip clubs, and diving under the sea to canoodle mermaids. EarthGang partnered up with long time collaborators Chad Tennies and Mac Grant for this video, the same creatives behind the “Night at The Museum” themed “Up” (WATCH HERE). Start your week off right with the “Top Down” video.

WATCH “TOP DOWN” BY EARTHGANG HERE.

About EarthGang

Hailing from Atlanta, GA, EarthGang’s Olu and WowGr8 are the GRAMMY Award-nominated, Platinum-selling pair who embody the best of the new generation in music — and plenty of critics and fans alike have taken note. Marrying lean, sharp-eyed lyricism with Southern-fried soul, every song arrives fully formed, hitting hard and landing jokes while also delving deep into political issues. Signed to J. Cole’s Interscope imprint, Dreamville, EarthGang first hit a stride with a 3-EP project inspired by “The Wiz;” Rags (Scarecrow), Robots (Tinman) and Royalty (the lion). The music saw the duo tour the globe relentlessly supporting J. Cole, Young Thug, Billie Eilish, Mac Miller, Jaden Smith, and more.

In 2019, EarthGang continued their dominance by contributing to the year’s best hip-hop compilation in Revenge of The Dreamers III — which debuted at #1 on the Billboard Top 200 charts is RIAA Platinum certified. It shined a spotlight on the pair as they went into the release of their debut major-label album, Mirrorland. The fourteen-track album debuted in the Top 40s of the Billboard 200 charts and #20 in the Rap Albums charts. Featuring special guests Young Thug, T-Pain, Kehlani, Arin Ray, and more — Mirrorland has cemented EarthGang as one of music’s most dynamic forces. Bursting with energy and having garnered a cult-like live following, the ATLiens have been critically praised by the likes of Pitchfork, Hypebeast, Highsnobiety,  Hot New Hip Hop, Consequence of Sound, Uproxx, Pigeons & Planes and more. Stretching beyond the “indie hip-hop” label they’ve been brandished with, EarthGang is ready to reach a wider audience with slick-sharp lyrics that cut through the hazy blur of ratchet rap and an avid interest in never settling, or resting on their laurels.

Follow EarthGang: Instagram | Twitter | Facebook | YouTube

Teddi Gold Bossa Nova Baby ft. Mi$HNRZ

Teddi Gold – Bossa Nova Baby

“There are a ton of exciting voices in pop music right now, which makes it more of a challenge to stand out among the crowd. Los Angeles singer Teddi Gold has managed to do it on her debut EP” – Uproxx 

“Teddi Gold displays a refreshingly attentive take on modern pop, meshing bass-heavy Caribbean theatrics with innovative top 40-tinged hooks and commentaries on society” – The Line of Best Fit 

Los Angeles-based indie pop singer-songwriter Teddi Gold released her newest single “Bossa Nova Baby” ft. Latin duo Mi$HNRZ. “Bossa Nova Baby” is the second single off her upcoming EP Vol. 2 which is set for release this fall. “Bossa Nova Baby,” showcases a slinky groove shakes under Teddi’s hypnotic delivery, which taunts listeners of the greatness to come with the rest of Teddi’s EP.

The track comes on the heels of Vol. 2’s debut single “Confetti” and “BOOM BOOM,” an anthem for equality Teddi released in honor of Pride Month and to support the Black Lives Matter movement.  In 2019, her single “Cash” paved the way for her debut EP Vol. 1. In addition to widespread praise, Teddi landed on Spotify’s coveted Fresh Finds and Pandora’s Top Hits Playlist. She was also proclaimed a “promising artist” by Pandora’s Next Big Sound. Maintaining this momentum, she joined forces with producer Jon Buscema, Drew Alexander and Jack Ventimigilia and sharpened her unpredictable and undeniable pop for Vol. 2. 

Follow Teddi Gold: Website | Instagram | Twitter | Spotify

EarthGang at Roots Picnic

It’s a busy weekend for the formidable Atlanta duo, EarthGang, who has had an incredible rise since the release of their critically acclaimed debut album, Mirrorland last year. The Grammy-nominated pair (Olu and WowGr8), who are known for their vivacious live performance, will join Roots Picnic Festival, digitally, this year performing a cut from the album, “Wings.” Watch Roots Picnic Festival HERE. The performance will come ahead of the BET Awards, in which the pair are nominated for “Best Group” alongside Chloe x Halle, Migos, and more (Sunday, 8 PM ET on BET). And on the topic of groups, EarthGang revived their own supergroup Spillage Village earlier this month with J.I.D, 6lack, Mereba, and others for a timely single called “End of Daze.”

The song comes off their upcoming Spillage Village album, out this year. If you haven’t checked it out, watch the video HERE.

The duo also appears on Louis the Child’s new album, out today. Listen to their collaborative track, “Big Love,” HERE.

Praise for EarthGang:

“Best Rap Performance” & “Best Rap Album” Nominees Grammys 2020

“Best Group” BET Awards 2020

“EarthGang Are Carrying on the Legacy of Freaky Southern Rap” — Pitchfork ‘Rising Artist’ 2019

“High-energy, nimble lyrical flows over haunting beats” — TIME Magazine

“EarthGang’s Transcendental Hip-Hop Is an Homage to “Atlanta” — Hypebeast

About EarthGang

Hailing from Atlanta, GA, EarthGang’s Olu and WowGr8 are the Grammy Award-nominated, Platinum-selling pair who embody the best of the new generation in music — and plenty of critics and fans alike have taken note. Marrying lean, sharp-eyed lyricism with Southern-fried soul, every song arrives fully formed, hitting hard and landing jokes while also delving deep into political issues. Signed to J. Cole’s Intercope imprint, Dreamville, EarthGang first hit a stride with 3-EP project inspired by “The Wiz;” Rags (Scarecrow), Robots (Tinman) and Royalty (the lion). The music saw the duo tour the globe relentlessly supporting J. Cole, Young Thug, Billie Eilish, Mac Miller, Jaden Smith, and more.

In 2019, EarthGang continued their dominance by contributing to the year’s best hip-hop compilation in Revenge of The Dreamers III — which debuted at #1 on the Billboard Top 200 charts is RIAA Platinum certified. It shined a spotlight on the pair as they went into the release of their debut major-label album, Mirrorland. The fourteen-track album debuted in the Top 40s of the Billboard 200 charts and #20 in the Rap Albums charts. Featuring special guests Young Thug, T-Pain, Kehlani, Arin Ray, and more — Mirrorland has cemented EarthGang as one of music’s most dynamic forces. Bursting with energy and having garnered a cult-like live following, the ATLiens have been critically praised by the likes of Pitchfork, Hypebeast, Highsnobiety, Hot New Hip Hop, Consequence of Sound, Uproxx, Pigeons & Planes, and more. Stretching beyond the “indie hip-hop” label they’ve been brandished with, EarthGang is ready to reach a wider audience with slick-sharp lyrics that cut through the hazy blur of ratchet rap and an avid interest in never settling, or resting on their laurels.

Follow EarthGang: Website | Instagram | Facebook | SoundCloud | Twitter | Wikipedia

Lil Tjay, Sex Sounds

Lil Tjay – Sex Sounds

LIL TJAY RELEASES MUSIC VIDEO FOR “SEX SOUNDS

Lil Tjay a.k.a. “The Prince of New York” unveiled the music video to his song “Sex Sounds” today.  The vibrant visual reveals a more vulnerable side of Lil Tjay when it comes to love. The calming island visuals will transport you out of the confines of your home. Watch the video, co-directed by Gabe Hostetler and Mike Mihail, HERE.

“Sex Sounds” is featured on Lil Tjay’s debut album True 2 Myself. The album includes the platinum hits “Brothers” and “F.N.” and the gold-certified “Ruthless” and “Goat.” Earlier this year, Tjay joined forces with Polo G again on “First Place” – the follow up to their quadruple platinum-certified breakout hit “Pop Out,” which has accumulated over 500 Million video views and streams to date and landed on Billboard, UPROXX, and Complex Best of 2019 year-end lists.

WEBSITE / INSTAGRAM / TWITTER