Feel-good indie-pop outfit Clubhouse will join The Wombats as special guests on their Fix Yourself, Not The World Tour, which will kick off January 18 at the 9:30 Club in Washington DC and conclude at The Wiltern in Los Angeles on February 25, hitting New York, Chicago, and Nashville along the way. Tickets for the tour will go on sale this Friday, September 17 at 10 am local time. PRESS HERE for tickets.
Additionally, the band just announced that they will join Sun Room at the Mercury Lounge in New York for a special set this Thursday, September 16. The show will be 18+ and their set will begin at 7 pm EST. Tickets can be found if you PRESS HERE.
The show comes just one week after the release of their newest single “Flipside” and the announcement of Are We Going Too Slow deeply intimate collection of songs, written and recorded while frontman Max Reichert battled bone cancer which will be out November 5 via AWAL.
Joining previous singles “Heartbroke” and “Weekend”, “Flipside” contrasts happy-go-lucky arrangements that pull you in with introspective lyrics that make you think by using emotional and provocative storytelling that A1234 says “fuse sadness and joy together “and “manages to speak directly to you no matter what mood you’re in.”
Clubhouse is five best friends forged from a middle school garage band in Columbus, Ohio made up of Max Reichert and twin brothers Ari and Zak Blumer plus Michael Berthold and Forrest Taylor; who they met in college. The eclectic group gained early notoriety in the greater Midwest, garnering millions of streams and performing sold-out shows across the tri-state area. Since then, they’ve built a cult following, landed on countless playlists, and shared the stage with HAIM, Bastille, Young The Giant, and more.
The Wombats North American Tour Date:
January 20 – 9:30 Club, Washington, DC
January 22 – The Fillmore, Philadelphia, PA
January 25 – Terminal 5, New York, NY
January 26 – House of Blues, Boston, MA
January 28 – Corona, Montreal, QB
January 31 – St. Andrew’s, Detroit, MI
February 1 – Newport, Columbus, OH
February 3 – Park West, Chicago, IL
February 4 – The Fillmore, Minneapolis, MN
February 5 – The Truman, Kansas City, MO
February 7 – Cannery, Nashville, TN
February 8 – Buckhead, Atlanta, GA
February 10 – House of Blues, Houston, TX
February 11 – Emo’s, Austin, TX
February 12 – House of Blues, Dallas, TX
February 14 – Ogden, Denver, CO
February 15 – Union, Salt Lake City, UT
February 17 – Showbox Market, Seattle, WA
February 18 – Venue TBD, Vancouver, BC
February 19 – Revolution Hall, Portland, OR
February 21 – The Regency, San Francisco, CA
February 22 – The Observatory, Santa Ana, CA
“Evokes the dream-pop stylings of Absofacto and Half Alive” – Billboard
Mills, singer, songwriter, multi-instrumentalist and troubadour, releases his new song and video “The Store.” Check it out here. Alongside this, Mills also releases his cover of John Mayer’s “Waiting On The World To Change” which can be found here.
“The Store” is the first new music from Mills since the release of his EP “Train of Thoughts” via Keep Cool/RCA Records earlier this year. Listen here.
Born and raised in Bowling Green, KY, and having spent time in both Nashville and Los Angeles, Mills’ southern influences have been brightened by the Los Angeles sun, resulting in buoyant melodies tinged with nostalgia. With his poetic storytelling and distinctive harmonies that evoke the 1970s era of Laurel Canyon, 21-year-old Mills emerges as a troubadour for the modern age, vividly spinning tales of young love, happiness and heartbreak.
Check out what the press says about Mills:
““Hollow” is sun-kissed singer-songwriter music, with a beautifully loping hook that gains texture as the harmonies fully arrive.” – Billboard
“His songs are personable, relatable, and carry captivating melodies that get stuck in your head even after the first listen.” – Earmilk
“Mills simplifies even the most complex emotions into a coherent stream of consciousness.” – Ones To Watch
“”Hollow” is an exciting glimpse into the music Mills has ready to release.” – Ones To Watch
“…straight-up, no fuss tunes that instantly stick.” – The Interns
“Hollow finds a sweet spot between John Mayer and Harry Style.” – The Interns
To Buy/Stream/Watch “The Store” and “Waiting On The World To Change”:
FEATURES “DIAMOND RING” WITH LEGENDARY GUITARIST STEVE VAI AND NEW SINGLE “INDEPENDENT GIRL” WITH GRAMMY WINNER JACOB COLLIER
SIGNED TO QUINCY JONES MANAGEMENT, VIRAL GENRE-DEFYING ARTIST BREAKS THE MOLD WITH MASTERFUL SOLO DEBUT
“Uber funky” —Guitar World
“A mix of pop, funk-soul and R&B with Nilsson’s own distinct retro-twist… The record displays Nilsson’s vocal range and knack for crafting catchy melodies as the singer delivers the goods in excess.” —Earmilk
Jonah Nilsson, lead vocalist for Dirty Loops, a major YouTube sensation with over 60 million views to date, is breaking new ground today with his debut solo album Now Or Never, available via Jammcard Records. Totally individual and complex in his creation, the pop virtuoso combines elements of R&B, funk, soul and disco for a confident release that hits on all the right beats. Now Or Never includes the recent singles “Diamond Ring” with a shredding guitar solo from the legendary hero Steve Vai, as well as the cover of Michael Jackson’s “Bad” featuring Jordan Rudess (Dream Theater), Anomalie and Justin Lee Schultz. Fresh off the record is a brand new single “Independent Girl” with 5-time GRAMMY winner Jacob Collier.
According to Jonah, the effervescent track “Independent Girl” has been years in the making. “A few years back I flew to London and wrote this song together with Jacob at his studio. This song is the result of two friends who’ve known each other for a long time, hanging and writing together. It makes it extra special for me to release this out into the world.”
Packed with high-energy bangers, Now Or Never delivers on every level of pop greatness, even tugging on the heartstrings with songs like “Borrowed Time” and “I Just Need” with Tobia Grenholm on bass and Jesper Naenfeldt on guitar. Jonah says “I Just Need” is a song that “goes out to all you lovers out there! I hope to be singing this at a lot of weddings! Don’t forget to tell your loved ones that you love them!”
Signed to Quincy Jones management, the music industry mogul has long been a fan and supporter of Jonah since his early days. Quincy discovered the Swedish singer and multi-instrumentalist through his work with Dirty Loops, before taking him under his wing. Quincy even makes a special cameo in the music video for “Diamond Ring,” a track that also has contributions from Grenholm (bass), Naenfeldt (guitar), Kristian Kraftling (keys) and Kefa Figaro (drums).
“He’s different though, he’s got the perfect balance of right brain creativity and left brain music theory. It’s in his blood,” praises Quincy Jones. “He’s got soul, with one of the biggest ranges I’ve ever heard.”
As a funk-pop artist, Jonah has come a long way since his childhood dreams of becoming an artist. Singing has been part of his life essentially since birth. Jonah started singing at his parent’s church choir at the tender age of one. Then, at the onset of his skyrocketing career, Jonah’s life changed overnight when he and a couple long-time friends uploaded their own covers of huge pop hits like Lady Gaga’s “Just Dance” and Justin Bieber’s “Baby” to Youtube. The unique covers spread like wildfire in the music community, garnered them millions of views and got them the attention of many acclaimed artists, namely 16x GRAMMY Award winning producer David Foster. David took them under his wing and signed the trio named Dirty Loops to their first record deal at Verve Records. And just like that, Jonah went from singing in his friend’s basement to becoming an international touring star.
Jonah has made a name for himself through his pop sensibilities, R&B tendencies and wide knowledge of music theory from his studies at the Royal Academy of Music, which set him apart in this new democratized era in which almost anyone can call themselves an artist.
Since Jonah’s early rise to fame, he’s since got a few headliner world tours under his belt and has acquired a significant fanbase of high-profile musicians, including Maroon 5 lead singer Adam Levine, Brian McKnight, Rodney Jerkins, Dallas Austin and the incredible Stevie Wonder. Even though that’s enough for some, Jonah’s humble demeanor continues to push him forward. His cheery outlook on life gives you the sense he’s unfazed and ready to continue giving the gift of music.
Jonah’s debut single, “Coffee Break,” featuring Richard Bona, was self-produced and released in 2018—one version which also features LUCAS from the massively popular K-pop group NCT and released by SM Entertainment. Jonah will continue to share new music, and when asked about how his music differs from Dirty Loops, he says that the music will continue to have the flirtatious and cheeky sound that they were notorious for, but with more R&B and pop elements.
“I never in a million years thought I’d be here,” confesses Jonah. His piercing blue eyes and huge smile gives you the feeling that he’s wholeheartedly telling the truth. “Living in the present has kept my feet on the ground. I just want to create meaningful music… everything else that happens is extra.”
Role Model (a.k.a. Tucker Pillsbury) is back with a brand-new single entitled “forever&more” along with the music video. The track is a mid-summer bop that glides along on a sun-soaked guitar loop and glitchy beat as he details the bliss of new love. With its nostalgic hook and vivid lyrics, “forever&more” marks a new chapter for Tucker as he enters the next phase of his music career. Role Model’s “forever&more” is available now at all digital retail providers via Interscope Records.
Role Model says about the track, “It’s obviously a love song. I really wanted to set up scenes of how my relationship started and the little moments that got us to where we are. This is the first time I’m letting people into the relationship and giving them visuals of those early stages and how I see it going in my head forever and more.”
The music video for “forever&more” was directed by Dylan Knight and finds Tucker happy and in love. The camera pans between shots of Role Model amongst his friends and alone time with his love interest while he chronicles the indescribable, euphoric feeling of being in love, and knowing it’s going to last forever. While the song and video parallel his real-life experience, it’s clear that this relationship has made Tucker the best version of himself.
Tucker Pillsbury assembles, disassembles, and reassembles different vibes, sounds, and emotions into Role Model. One moment, he’s crooning about his crush’s earrings over crunchy chords. The next, he’s spitting bars about staying home. Either way, the intimacy of his songwriting beckons connection. You’ll experience doubt, anxiety, infatuation, and even love right next to him. His story kicked into high gear back in 2017. Following the Soundcloud success of “Cocaine Babe” and “Girl In New York,” he earned the respect of late idol Mac Miller and Benny Blanco. Trading Maine for California, he made waves with the oh, how perfect EP in 2019, generating tens of millions of streams on “hello,” “notice me” [feat. BENEE], and “that’s just how it goes.” A year later, his momentum only increased with the follow-up our little angel EP. The single “blind” eclipsed 40 million Spotify streams, while coup de main hailed it as “must-listen.” The Line of Best Fit praised his “songs with tenderness and Gen Z apathy.” After gathering nearly 200 million streams and receiving acclaim from HYPEBEAST, DIY, Earmilk, and many more, he illuminates every side of himself on newest single “forever&more” with more music to come.
RIAA platinum-certified indie-pop duo Flora Cash has today unveiled a tender and reflective new single. “Chronically Beautiful” is available now via the Swedish/American band’s own Flower Money Records at all DSPs and streaming services.
“’Chronically Beautiful’ was sparked when we were having a conversation about what it means to be beautiful,” says Flora Cash, “especially when looked at through the lens of real love. It’s not an acute, momentary perception; it’s the feeling that the person you love; the person that you waited your whole life for has a beauty that transcends any given moment and isn’t dependent on what they happen to be wearing or how their face looks that day or week or month; they’re chronically beautiful.”
“Chronically Beautiful” marks the latest new music from Flora Cash following the arrival earlier this year of the poignant new single, “Soul Mate,” available now for streaming and download. Now boasting more than 2.5M worldwide streams thus far, the track is joined by an equally powerful official music video streaming now here.
Flora Cash was born in 2012 when Minneapolis-native Cole Randall uploaded his music to Soundcloud and caught the attention of Sweden-based Shpresa Lleshaj. The pair soon began playing music together, forming a relationship that would eventually blossom into marriage. A series of independent releases were followed by an acclaimed seven-song mini-LP, Can Summer Love Last Forever?, in March 2016. Flora Cash’s full-length debut album, Nothing Lasts Forever (And It’s Fine), arrived the following year, highlighted by the global smash single, “You’re Somebody Else.” First released in 2017, the RIAA platinum-certified single has proven a true viral phenomenon, currently boasting over 250M worldwide streams while ranking as one of Shazam’s Most Shazamed Alternative Songs in both 2019 and 2020. Hailed by Forbes as “arguably the most intriguing song on the radio this past year,” “You’re Somebody Else” was equally popular at multi-format outlets nationwide, reaching #1 at Alternative and Triple-A while also ascending to the top 5 on Billboard’s “Hot Rock Songs” chart. The track – which has also inspired countless TikTok videos in recent months – is joined by an official lyric video, now with over 133M views via YouTube alone.
As creative and engaging onstage as they are in the studio, Flora Cash lit up stages around the world with a wide range of international live dates, including tours alongside Sir Sly, Joywave, lovelytheband, Judah & the Lion, and AJR as well as festival appearances at Life is Beautiful, Bumbershoot, Austin City Limits Music Festival, Hangout Music Fest, Firefly Music Festival, and the KROQ Weenie Roast & Luau, to name but a few. The duo is currently slated to perform at Hamburg, Germany’s MS Dockville 2021, set for Friday, August 13th; additional dates will be announced soon. For updates, please visit here.
In 2020, Flora Cash released their much-anticipated sophomore album,Baby, It’s Okay, highlighted by the hit singles, “Missing Home” and “They Own This Town” and praised by Atwood Magazine for its “stunning display of stripped back, emotive songwriting, minimal introductions and impressive vocal lines are laced over lush, electro-pop instrumentals as delicate as they are organic, all delving into relational themes…a stunning second album.”
“Well-thought-out, congruent, and brilliantly detailed, Flora Cash explores themes such as post-breakup blues and coming to terms with oneself, all coated in melancholic and bittersweet vibes.” – ATWOOD MAGAZINE
“A sound that’s equal parts earthy and ethereal” – SUBSTREAM
“Bitingly bittersweet (Flora Cash’s) crystalline guitar and spine-tingling melodies give voice to that feeling of emptiness that’s recently become all-too-familiar.” – THE LINE OF BEST FIT
“Alongside artists like Billie Eilish, Maggie Rogers, and Francis and the Lights, Flora Cash is on the front lines of modern musicians redefining alt-pop by injecting their music with heartfelt conviction.” – EARMILK
John-Robert releases a new remix to stand out track “Move It To The Side” by Alice Longyu Gao, today via Warner Records. You can listen to the new remix HERE. You can watch the visualizer HERE.
A fan favorite, “Move It To The Side” was originally released earlier this year on John-Robert’s ‘Healthy Baby Boy, Pt 1’ EP. Alice’s “Softboy Dancing In the Klurb Flip” integrates elements of John-Robert’s alluring melancholy-melody with a jacked up tempo and her recognizable, exaggerated pop lyricism. The result is a track unique to Alice’s own personal and flamboyant style, as she serves up her second remixer credit to date. Alice’s new take on the track demonstrates her manifestation of a confident and care-free persona that doesn’t get wound up with anxieties and pressures of the modern dating scene and sees her flip the script on John-Robert’s original.
About the remix, John-Robert says, “As a musician it’s inspiring when you subconsciously have a formula for your writing process and then an artist comes along and breaks every one of those rules in a fresh and exciting way. I admire Alice because she’s a smart, self-assured badass, unapologetic with her production, lyrics, visuals, thoughts and art. I’m eternally grateful that she has blessed me with this version of ‘Move It To The Side.’”
Alice Longyu Gao adds, “I am usually the dumb bitch. It takes me a second to fancy someone and it takes me forever to stop trying to get them to like me. So I was really visioning myself being a bad gal in this remix—calling him the ‘emotional one,’ cuz I met a lot of heterosexual white bros who love to gaslight and guilt trip women, when in fact they are just too insecure to care. I am balling with my cash, having fun and ghost his text, visioning him being all upset. This remix is my revenge. I chopped John-Robert’s original vocals in a hard-core way so the remix shares a new perspective. Also, it won’t be an ‘Alice Longyu Gao’ piece of music if the beat doesn’t switch like 100 times. So yeah, this remix will drive you crazy on the dance floor.”
At age 16, John-Robert was invited out to Los Angeles by mega-producer Ricky Reed who’s described him as “a transcendent, once-in-a-generation singer and songwriter.” The now 20-year-old from Edinburg, VA who is signed to Reed’s Nice Life Recording Company and Warner Records continues to build-upon his budding musical career, most recently releasing his Healthy Baby Boy, Pt. 1 earlier this year. The songs on the EP illustrate real life coming of age stories and detail the challenges that come from leaving your support system in small town behind to chase your dreams. He’s collaborated with the likes of Alessia Cara, Zack Sekoff, Kathleen and Nate Merceau, and attracted industry praise from SPIN, American Songwriter, Ones To Watch, Idolator, EARMILK and more.
As the only child from a conservative family, coming to America alone at the age of 17 was her chance, Alice Longyu Gao is a boundary pushing pop artist with a knack for making positive social change through her work. With co-signs from industry heavyweights like Lady Gaga, The Weeknd and Selena Gomez, as well as features in NME i-D, PAPER Magazine, Billboard, The FADER and V Magazine, Longyu Gao has gained recognition for her ability to blend hyper-energetic, avant-garde pop beats with interpretive, kaleidoscopic visuals. Beyond the music, Longyu Gao is a passionate activist for human rights with a longstanding track record of work supporting issues focusing on LGBTQ+ justice, eating disorder recovery, sustainability in fashion and food, and public-funded art education for underprivileged minority groups.
“She’s got an attack in her flow, juxtaposed with a finesse in her lyricism and a hunger in her vocal tone. Her family gave her traditions, Toronto shaped her, and California helped form her sound.” – Toronto Guardian
Toronto-based queer alt-hip hop artist, Lex Leosis, shares her EP, Terracotta, today– just in time for peak summer vibes. The now Tiktok rap battle champ is also debuting a brand new video for “That Feel,” which shows an easy, breezy afternoon of skating in the sunshine. Leosis’ signature attitude is in full force in video with her lioness hair, long nails and high energy.
“That Feel” feels like a celebration, and this new release deserves exactly that. The video was shot in both Los Angeles and Toronto. Director, Yohalmo, who is embedded into longboard communities in LA, shot all the California scenes. He brought together the cast and both main characters Shannen Soriano and Laura Paragano. Director, Sharleen Meinke, who also directed the “Wanted” official video, shot Leosis’ parts in Toronto.
The previously released single and outlaw anthem, “Wanted,” arrived with an icon Thelma and Louise-inspired video. The debut single from the project was the sunny, tropical-beat infused, “Won’t Wait,” which showcased a breezy, bouncy beat under Leosis’ vulnerable lyrics and she yearns for real talk and love, but not at the expense of self-worth.
“Won’t Wait” and “Wanted” were produced by Rainer Blanchaer (Drake, The Weeknd, French Montana, The 1975), who is an executive producer on the whole EP. Having met through Leosis’ roommate, Blanchaer became a pandemic pal, and one of the only people she’s seen consistently during lockdown. They’ve used their time making music together in Leosis’ bedroom studio and the result is Terracotta. Describing the new EP, she says:
“In the Terracotta pots process, clay starts by being refined and molded. Through fire, time, and attention to detail…the terracotta pot is complete. I wrote this project through the pandemic. I was coming off releasing “Mythologies” (March 2020) and I was sad that I had to cancel a lot of my roll-out plans. No interviews, shows/tours or celebrations. I put my whole heart into that project and to see that I couldn’t continue my rollout because of the pandemic was a big blow. Instead of letting it defeat me, I decided that it would make me stronger and that I would use this time to rebuild.”
Creating a space to make music in her bedroom, she decided on a re-design for her space to inspire her creatively. She says, “I started looking into color palettes that would inspire the re-design…and there it was Terracotta. The summer had passed and it was getting colder and we were all aware of what was about to happen. Locked down in the cold with little sun. Like a lot of other people, my mental health doesn’t do well in these conditions. My bedroom design had to be warm, it had to be bright and happy. It had to channel summer. The vision of summer 2021 represented a time where this might all be over and things may be better.”
She adds, “So as the pieces of my bedroom start to come together, so does this project. My space is giving me the energy I need to focus every day. I immediately started learning instruments (piano and MPD). The Terracotta bedspread becomes the place I write “Won’t Wait.” I started daily meditation and writing a verse every day. I was lying down on my geometric gray rug when I came up with the hook for “Reality.” I start working out more and envisioning my live show. I was surrounded by plants in terracotta pots when I penned “That Feel.” Then at the end of this writing period, I have a warm, bright home space, at the exact same time as I have this incredible project. One year later and I’m a completely different person.”
Leosis also admits, “The EP definitely had a muse. Someone I really love and has consistently inspired me. This EP details all the feelings I’ve had about them, and consequently, about myself over the last year.” A dedication to the softness that quarantine created in her, a part of herself she didn’t have time to look at before, she also had time to dig through her grandfather’s old jazz records that she loved as a kid. When he passed in 2009, the records were given to her but had been dusty until Covid made her slow way down. The piano, saxophones and live drums on those records inspired the live elements on the new EP and Leosis says, “He had this foresight to leave those to me. We used to sit in his car outside our house and just listen to Jazz and I loved music as a kid.”
Between her quality time with Rainer, her grandfather’s records and her time to be with herself, she found a way to channel summer’s warmth, growth and freedom into 6 tracks. Terracotta is out everywhere now.
Terracotta EP Tracklisting
Hold Yah Down
Known for her dynamic flows, aggressive stage presence and elaborate story-telling, Lex Leosisis a name you will soon remember. With a unique gravely vocal delivery, acrobatic flows, and a mastery of her instrumentation, Lex breathes life into Hip-Hop and mesmerizes with her rapping abilities. Setting herself uniquely apart by holding space for various causes and using her platform to support other women and non-binary artists and creatives, Lex is not afraid to give props where it’s due.
Born in the west end of Toronto, Lex Leosis has dedicated her life to her music and artistry. Juggling her hiphop career, a plant-forward cooking website and catering company, and holding down multiple jobs, Lex prides herself on hard work, discipline and survival, traits she picked up from her mother. It gave Lex the energy to perfect her craft, grow her career and exchange stories with artists from all over the world. Lex is loud, opinionated, constantly fighting for what she believes in and hungry to make something of the Leosis name. She’s got an attack in her flow, juxtaposed with a finesse in her lyricism and a hunger in her vocal tone. Her family gave her traditions, Toronto shaped her, and California helped form her sound.
From humble beginnings, Lex first found a home in hip-hop at rap competitions and cyphers. She met a number of creatives through online rap communities and has up and parted from Toronto multiple times to join her peers in cities all over the U.S. to collaborate, make music and perform. Sharpening her teeth participating in various rap battles, Lex was widely known as a hip-hop force that could outrap anyone. Spending most of her time in the Bay Area of California, Lex has allowed her traveling influences to expand her music sound and capability.
Lex spent 2017-2019 devoting herself to Canadian rap group powerhouse, The Sorority. The group made waves with a 2016 International Women’s Day Cypher, and went on to release a debut album and toured extensively, sharing stages with artist like Miguel, Joey Badass & Snoop Dogg. After the group disbanded in 2019, Lex lead 2020 with her debut full length, Mythologies, a darker trap-heavy project that allowed her to explore her Greek roots and family history. Despite a derailed album release plan due to COVID-19, she followed the project up with summer bop, Pull Up, and the rap/house collaboration, Swerve, with DJ Cazztekand released under Armin Van Buuren’s label, Armada.
Lex found opportunity and inspiration during COVID lockdown establishing a new sound, taking control of her artistry by learning keys, bass and taking vocal lessons. She formed a team of creatives around her and using her tools, experience and community, developed her quintessential Lex Leosis sound with smooth west coast vibey instrumentation under melodious hooks and biting hip hop verses. Searching for an outlet to continue to rap bars, Lex began daily duets on Tiktok and has amassed over a million views on her videos and had drawn the attention of Tiktok Canada and numerous artists from The Arkells to K Flay.
Keep your eyes on this rising star as she continues to blaze her own trail in hip hop.
“Since their emergence in 2019, the pair has been busy” – Rolling Stone
“LA’s best duo.” – Pitchfork
“It’s clear that BlueBucksClan is only getting started.”– COMPLEX
“BlueBucksClan have built their own high-speed lane.” – Billboard
“Jeeezy and DJ are all about fashion, women and clever sports references, and their natural sense of humor has garnered attention all over L.A. and beyond.” – XXL
Continuing to heat up the West Coast this summer, Los Angeles rap duo BlueBucksClan drop a punchy new video for their latest lyrical barrage, Rap City, out now viaOut The Blue Records. It pops off as another banger from the pair’s latest buzzing mixtape, Clan Virus 2.
Shot on an iPhone by director Tevo Laron, the clip tails BlueBucksClan through the Los Angeles underground. They hit up all the spots as the standard smartphone camera captures them ripping bars while making it rain with their homies. The streets come to life in the visual as they’re proudly “talking crazy in the booth like this Rap City.” It arrives on the heels of the Different Levels music video.
Clan Virus 2 has cemented the duo as a West Coast force to be reckoned with. Inciting widespread critical applause from Rolling Stoneand more, FLAUNT Magazineexclaimed, “When it comes to who’s running the streets of Los Angeles on the rap tip, look no further than BlueBucksClan”and XXL observed, “BlueBucksClan‘s movement is going strong as their style and sound evolves.”Earmilk christened them “one of the strongest new acts coming out of the city.”To date, Clan Virus 2has already gathered over 22 million streams and counting, boasting standouts such as Lil League (feat. Quavo & Hit-Boy).Clan Virus 2hit No. 9 on the Billboard Heatseekers Albums Chart and they themselves hit No. 16 on Rolling Stone’s Breakthrough 25. Pitchfork called them “L.A.’s best duo,” and HipHopDX wrote that the group was the city’s “hottest new talent.” Complex hailed them “Rappers to Watch in 2021” and Billboard included them on their 6 LA Rappers to Watch in 2021 list.
BlueBucksClan are driving Los Angeles’ rap renaissance forward slowly, steadily, and mercilessly. Since emerging in 2019, the duo of DJ and Jeeezy have captivated their city with hypnotic beats, mind-melding verbal chemistry, and vivid tales of shutting down the club while draped in designer drip. Together, these lifelong friends who met on the football field are taking the fierce sound of contemporary SoCal Street rap and making it regal, bringing the hood to Beverly Hills. Each new cinematic song affirms that these two men from the rough parts of South L.A. are leveling up, wearing shoes that cost more than your rent and driving foreign cars with beautiful women riding shotgun. Clan Virus 2 is their seventh project in two years. They’ve refined their deadpan punchlines, flamboyant boasts, and charismatic back-and-forth delivery as quickly as they’ve expanded their wardrobes, car collections, and fanbase. In an era where shallow hooks take precedence over bars, BlueBucksClan bring you into their world one clever couplet at a time. With Clan Virus 2, DJ and Jeeezy invite fans into their luxurious universe once more, bringing their city with them on their meteoric rise. In the U.S. alone BlueBucksClan have generated nearly 85 million streams to date.
Los Angeles rap duo BlueBucksClan unleash a fly new video for their midtempo braggadocious Loyalty-produced track, “Different Levels,” out now via Out The Blue Records. Watch the video HERE. It stands out as yet another anthem from the group’s recent mixtape, Clan Virus 2, which only continues to gain steam.
In true BluckBucksClan fashion, the visual directed by frequent collaborator Tevo Laron, finds the duo turning up in a private plane, flossing a lavish lifestyle and flexing with bulletproof bars. As the video intercuts footage inside and outside of an upscale restaurant, their palpable charisma, and suave pops off the screen.
Clan Virus 2 has cemented the duo as a West Coast force to be reckoned with. Inciting widespread critical applause from Rolling Stoneand more, FLAUNT Magazineexclaimed, “When it comes to who’s running the streets of Los Angeles on the rap tip, look no further than BlueBucksClan,” and XXL observed, “BlueBucksClan’s movement is going strong as their style and sound evolves.” Earmilk christened them “one of the strongest new acts coming out of the city.” To date, Clan Virus 2 has already gathered over 22 million streams and counting, boasting standouts such as “Lil League (feat. Quavo & Hit-Boy).”
Clan Virus 2 hit No. 9 on the Billboard Heatseekers Albums Chart and they themselves hit No. 16 on Rolling Stone’s Breakthrough 25. Pitchfork called them “L.A.’s best duo,” and HipHopDX wrote that the group was the city’s “hottest new talent.” Complex hailed them “Rappers to Watch in 2021” and Billboard included them on their “6 LA Rappers to Watch in 2021” list.
Titled after her middle name– which means where the Sun rises – AZEB represents light and provides refuge for those looking to move away from the darkness in their lives.
“This year has shown us that that is actually more of us than many people thought.,” says the singer. “I want to remind people of love, too. The very thing we deserve the right to do, and to be.” In her latest record, “Rider,” Mereba aims to be the ultimate partner for her beau by cultivating true love in its purest form. The record currently sits at No. 5 on the SoundCloud Top 50: R&B & Soul chart. Fans can pre-order the EP now.
Last month, Interview Mag featured the songstress in their latest issue. Mereba also took part in an enlightening interview/performance for Klipsch Audio’s newest series, Out Loud. There, she performed a unique medley and incorporated her standout record, “Planet U.”
Los Angeles-based singer, songwriter, and producer Marian Mereba, known as Mereba, got her start with a series of folk-soul hybrid releases. These releases include her self-released EP Room for Living, an alternately spacy and rustic set accompanied by her own guitar playing and production. In 2018, Mereba released her first singles through major-label Interscope. A 9th Wonder collaboration titled “Black Truck” marked her official debut that February. Mereba’s debut was followed by the release of “Planet U,” which she produced herself with co-production from Ayo Olatunji and Sam Hoffman.
Both tracks were included on her groundbreaking debut album The Jungle Is the Only Way Out, which arrived in February 2019 and featured appearances from 6LACK and J.I.D. The acclaimed project earned praise from Vogue, Pitchfork, Billboard, Earmilk, Hypebeast, and Ones to Watch, who noted that “Mereba has pushed the boundaries of R&B and established herself as a voice of the future.” Her innovative offering earned her an invitation to NPR’s coveted Tiny Desk for both a solo set in 2019 and a set alongside the genre-bending collective Spillage Village in 2020, of which she is a member. She also appeared on Dreamville’s now-platinum Revenge of the Dreamers III in 2019, which earned her her first Grammy nomination in 2020.
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