Posts tagged with "Spin"

cover art of HEARTACHE & LSD: ACT II via Republic Records for use by 360 Magazine

HAUSKEY – Heartache & LSD: Act II

Following the release of Emilee: Act I earlier this summer, Australian artist, producer, and one-to-watch Hauskey reveals the second act of his three-part mixtape project entitled Heartache & LSD: Act II, out via slowplay/Republic Records on August 12th—listen HERE. Exploring the highs and lows of Hauskey’s mental health journey over the past two years, the psychedelic Act II finds him attempting to break free from his depression (“Emilee”) and confronting his mental health and sense of self.

Hauskey says, “In Act II, Heartache & LSD, the struggle begins. I start to break away from Emilee and wrestle my sense of self and mental health back. I deal with that all important first LSD trip in the title track, my struggles with body image and self-love in ‘Love Me’, my innate habit to doubt myself in ‘Second Guess’, and reflecting on a childhood that wasn’t so drowned in anxiety in ‘Head In The Clouds’.”

All songs in the mixtape series were written, produced, performed, and mixed by Hauskey. Praising Act INotion described the second and third acts as “a trippy re-examination of self and the well-earned resolution in which he now resides.”

He previously shared the meaning behind Emilee, saying, “I really wanted to name my depression and make it a character in the story. I landed on singing names ending with ‘e’ by chance, googled a few ideas and found Emilee means ‘rival, laborious’ and figured that fit pretty damn well. With my nemesis named, the song may as well have written itself.”

Hauskey first debuted in 2020 with his breakout hit “Slow.” The sunshine bop was followed by a slew of fan favorite singles, like “Somewhere” and “Silver Lining,” and his critically acclaimed debut EP, Slow. In 2021, Hauskey followed up this early success with “Go Wrong,” “Cream Shirt,” and his first collaboration, “One Minute” featuring Hope Tala, along with sold out headline shows across Australia. Along the way, he confirmed himself as an artist to watch—receiving international support from triple j and BBC Radio 1, as well as praise from press around the globe, including NPRBillboard, MTV NewsSPINNMEClashThe Line Of Best FitNotionDIYDorkCoup De MainOnes To Watch, and many more. Not to mention, during a very special live performance at the 2021 APRA Music Awards, Hauskey teamed up with Sycco and Stevan for a cover of Tame Impala’s “Lost In Yesterday,” bringing Kevin Parker and his family to tears—watch the performance HERE.

Stay tuned for Act III to come from Hauskey this fall.

HEARTACHE & LSD: ACT IITRACKLIST

  1. “Heartache & LSD”
  2. “Love Me”
  3. “Head In The Clouds”
  4. “Second Guess”

ABOUT HAUSKEY
2020 and 2021 proved to be landmark years for Australian artist and producer Hauskey. He introduced himself to the world with his breakout single “Slow,” released his debut EP of the same name, sold out dates across Sydney and Melbourne, and dropped fan favorite singles “Go Wrong,” “Cream Shirt,” and more, tallying millions of streams along the way. He also incited widespread critical applause from NMEClashThe Line of Best FitNotionDIY MagazineDORK MagazineBillboardCoup De Main, and Ones To Watch, to name a few. Last year, Hauskey graced the stage of the APRA Music Awards for a seismic rendition of Tame Impala’s “Lost In Yesterday” with Sycco and Stevan, which left frontman Kevin Parker and his family in tears of joy. However, Hauskey only parlayed this momentum into his most ambitious creative output to date, the three-act mixtape Emilee, Act 1, Act 2, and Act 3. The ebb and flow of the first installment, Act 1, sets the stage for an honest, yet hard-hitting and heartfelt exploration of mental health struggles in one of the darkest periods of Hauskey’s life. He explains, “The project follows my mental health journey from low to high—from being suicidal to loving life again. There’s a song for every stage; from utter depression, to getting help, to dealing with my self-worth and body image, to seeing how things might be brighter.”

SURRENDER album art via Capitol Music Group for use by 360 Magazine

MAGGIE ROGERS – SURRENDER

On July 29, 2022, Capitol Records released Maggie Rogers new album, Surrender – the follow-up to 2019’s Heard It in a Past Life, which entered Billboard’s Top Album Sales chart at No. 1, landed her a GRAMMY nomination for Best New Artist and went on to amass over one billion combined global streams. Raw and revelatory, Surrender finds the acclaimed producer/songwriter/performer examining the most complex emotions with fierce, unflinching vulnerability and alchemizing that heightened feeling into her most joyful output yet. Download / stream Surrender.

Earlier this week, Rogers returned to “The Tonight Show Starring Jimmy Fallon” and performed her new single, Want Want. Praising the song’s “intensity and crunchy guitar tones,” The New York Times said, “this tale of long-sublimated desire-finally finds an explosive expression in its chorus: ‘And I want you.'” V Magazine said, “‘Want Want’ is a booming track, backed by a groovy drumline and Roger’s own powerful vocals.” View the official video for Want Want,” which Rogers shot in a NYC karaoke bar with director Warren FuHERE.

Hailing Rogers as a “pop music prodigy- an artist who’s in it for the long haul,” Rolling Stone said, “She’s someone who can command banjo-strummed roots music, streaming-friendly synth-pop, and anthemic arena rock.” In this feature, The New York Times praised Surrender as “a hypnotically danceable ode to ecstatic abandon, making leaps and navigating worry.” The Associated Press declares, “the new album only solidifies Rogers as one of the most interesting singer-songwriters out there-brash, confident, compelling and occasionally profane.” Consequence observed, “Surrender is a wholly open and vulnerable turn from Maggie Rogers- her writing has gotten all the more sharp and incisive.” SPIN declared, “(Surrender is) a vibrant and provocative studio album-(Rogers) proved herself as an impassion performer ‘with songs designed to blow people away.'”

The album’s first single, That’s Where I Am,” was included on Former President Barack Obama‘s 2022 Summer Playlist and “Best Songs of 2022 (So Far)” lists from Esquire, SPIN and Paste The video features cameos by David ByrneQuil Lemons and Hamilton Leithauser. Watch the clip for new track “Horses” which Rogers co-directed with Michael Scanlon HERE.

In the days leading up to the album’s release, Metrograph in New York City gave fans the opportunity to preview the album – and view three of the films that inspired it – with the “Surrender Film Club,” a three-night series of screening and listening sessions at the independent movie theatre. American Express Card Members had early access to purchase tickets before the general public to last night’s “Maggie Rogers, The Surrender Release Show – Presented by American Express,” a celebratory concert at Webster Hall on the evening of Surrender‘s debut.

After multiple sold-out headline tours and major festival performances in support of Heard It in a Past Life, Rogers retreated to the coast of Maine in early 2020 and completely cut herself off from the noise of the outside world. For months on end, she spent most of her time reading and resting and walking along the jagged cliffs, compelled by the fierce and unforgiving nature of the North Atlantic Ocean. Channeling the ocean’s unruly energy, she soon arrived at the controlled chaos and ecstatic physicality that would come to define Surrender. The album was co-produced by Kid Harpoon and Rogers and recorded in three distinct locations (her parents’ garage in Maine, Electric Lady Studios in New York City, Peter Gabriel’s Real World Studios near Bath, England). Over the course of 12 unfettered yet exactingly crafted tracks, Rogers fully captures the frenetic intensity of the last two years of her life, bringing her bracing honesty to stories of anger and peace and self-salvation, transcendence through sex and freedom through letting go. View the album trailer HERE.

Banish the Banshee Artwork via Alex John at RCA Records for use by 360 Magazine

Isaac Dunbar – Fool’s Paradise

Isaac Dunbar released his latest single, “Fool’s Paradise,” out now via RCA Records. Written and produced by Isaac, the emotive, piano-driven ballad examines the complexities of unrequited love. Propelled by Isaac’s melodic vocals, “Fool’s Paradise” is an operatic exploration of disillusionment and what happens when one no longer ignores the red flags waving in front of them.

“I wrote ‘Fool’s Paradise’ about my struggle between discerning what is real and what is fake with the relationships in my life,” says Isaac. “It’s about the process of waking up to mistreatment, manipulation and reading in between the lines. It’s about breaking those cycles. ‘Fool’s Paradise’ is a song for the delusional girls.”

Joining the previously released rebellious pop-anthem “Bleach” and the disco-infused “Tainted Love,” “Fool’s Paradise” serves as the latest release off Isaac’s highly anticipated forthcoming EP, Banish The Banshee. A series of sonic parables inspired by love, loss, shame, and joy, Banish The Banshee is a conceptual body of work that illustrates the stories of Isaac’s life so far through the lens of his alter-ego, the banshee. 

Banish The Banshee is out May 27 via RCA Records, pre-order it HERE

About Isaac Dunbar

19-year-old Isaac Dunbar has carved out a spectacular and unique lane as one of the most critically heralded emerging artists of his generation. After supporting girl in red on her North American and European run of shows in 2019, he released his highly anticipated debut EP, balloons don’t float here. It garnered the attention of notable tastemakers like Zane Lowe, The FADER, Hypebeast and Lyrical Lemonade, who called it “a display of pop mastery.” Hailing from Cape Cod, Massachusetts, his music melds complex sounds and atmospheric, beat-driven production to create melodic and introspective tracks with potent hooks. He makes lush, synth-driven music, which he writes, performs and produces himself. 

In 2020, with his newly inked deal with RCA Records, he released his critically acclaimed EP, isaac’s insects, which garnered over 48 million streams worldwide. Billboard called it a “stunning major label debut” and led his track “makeup drawer” to be featured in NPR‘s “Best Music of 2020” list. His third EP, evil twin, was released at the top of 2021 and saw support from the likes of Earmilk, who declared it a “defiant pop record,” along with features in PAPER Magazine, SPIN, American Songwriter, E! News and more, while amassing over 38 million streams worldwide. Last fall, Dunbar hit the road on his first-ever North American headlining tour, which included a sold-out show in New York and a performance at the All Things Go Festival in Washington, DC. With new music to come in 2022, Dunbar’s future shines brighter than ever before.

Japanese Breakfast Jubilee album art via Peter Ash Lee for use by 360 MAGAZINE

Japanese Breakfast

Tuesday, January 18, indie pop act Japanese Breakfast performed “Slide Tackle,” a track from their GRAMMY-nominated album, Jubilee, on The Late Show with James Corden. Michelle Zauner, applauded founder, did a ‘Bar Chat interview where she talked about these recent nominations and more. Watch Japanese Breakfast’s performance on The Late Show with James Corden HERE.

Jubilee released last June as one of the years leading, critically acclaimed albums. The album stole spots on Best Of lists for 2021 from Rolling Stone, People Magazine, Pitchfork, Entertainment Weekly, Billboard, NPR, Wall Street Journal, The Ringer, SPIN, Esquire, Vulture, The AV Club, Paste, Cosmopolitan, UPROXX, Consequence of Sound, Slant and Hypebeast. The album gained so much attention that it was even voted the #1 album of the year on NPR’s Listener’s Poll and #1 on UPROXX’s Critics Poll.

If that wasn’t enough success for one year, Zauner, too, published her New York Times Best Seller, Crying in H Mart, which is now being reworked for MGM’s Orion Pictures. The book is a moving memoir that captures Zauner’s experiences growing up Korean American, the struggles she went through with the death of her mother and how she navigated discovering her own identity.

About Michelle Zauner

The Korean American musician and author Michelle Zauner is renowned for her sonic demeanor. Born in Seoul, South Korea, Zauner grew up in Eugene, Oregon for most of her adolescence. Zauner took to music instantly, beginning to learn to play the piano at 5, later moving to the guitar at age 15. Her mother’s passing in 2014 lead to her starting Japanese Breakfast. She tells Teen Vogue, “I moved back to Oregon to care for her, and I kind of put the band on indefinite hiatus. Unfortunately, she passed away, and while I was in Oregon, helping take care of the house and being a support system for my dad, the only way that I could have something for myself was if I made my own record. So I kind of carved out some time to do that.” Japanese Breakfast’s debut came in 2016 with the hit album Psychopomp. Through the album, Zauner revealed the intense period that followed her mother’s death. Zauner’s unique perspective amongst mainstream pop music sets her apart from other artists, and she’s one you’ll want to take a listen to.

Kirsten Mikkelson, RCA Records, for use by 360 MAGAZINE

REZZ × MENACE

Electronic dance DJ/ producer Rezz released her new track “Menace” via Rezz Music/RCA Records on January 7, 2022.  The track serves as a bonus track on her latest album Spiral that hit the scene in November. Listen HERE.

The Canadian DJ/ producer is known for her original sound with gerne-altering electronic pieces. Released in 2019, Rezz’s first independent project Beyond the Senses EP attracted media from Alternative Press, SPIN and Billboard, who all referred to the EP as “her most impactful project to date.” The EP received The JUNO Award for Electronic Album of the Year in 2020. Accumulating tens of millions of streams, selling out major venues and headlining festivals around the world, Rezz is a force to be reckoned with, and “Menace” adds to the list of her groundbreaking works.

Rezz has been giving sneak peeks of the track “Menace” during live performances awaiting the official release of the track. Speaking about the new track, Rezz says, “this is one of my personal favorites ! Whenever I play it live it feels very climactic and like we’ve all achieved a victory of some sort lol”

Rezz’s fourth album Spiral was reviewed by EDM.com as “…REZZ’s most cohesive work yet. The album captures her signature sound beautifully while simultaneously showcasing her growth and versatility as a music producer.” The album includes popular songs like “Chemical Bond” with Deathpact, “Taste of You” with Dove Cameron and “Sacrificial” with PVRIS. Your EDM described “Taste of You” as “an absolute earworm,” while Alternative press regarded “Sacrificial” as “the perfect blend of both artists’ strengths and distinct artistry.”

Rezz begins her North American “Spiral Tour” on February 4, 2022, in Vancouver, BC. Tour dates will be listed below, and can be purchased HERE.

“Spiral Tour” Dates

Feb 4 – PNE Forum, Vancouver, BC

Feb 18 – Masonic Temple, Detroit, MI

Feb 19 – Navy Pier, Chicago, IL

Feb 25 – Armory, Minneapolis, MN

Feb 26 – Factory, St. Louis, MO

Mar 4 – Terminal 5, New York, NY

Mar 5 – Terminal 5, New York, NY

Mar 11 – The Met, Philadelphia, PA

Mar 12 – Echostage, Washington, DC

Mar 18 – Riverworks, Buffalo, NY

Mar 19 – Express Live!, Columbus, OH

Apr 1 – Bayou, Houston, TX

Apr 2 – South Side Ballroom, Dallas, TX

Apr 30 – Frost Amp, Stanford, CA

May 13 – WaMu Theatre, Seattle, WA

May 14 – Portland Expo Center, Portland, OR

lyn lapid artwork for use by 360 magazine

LYN LAPID – XMAS 01

LYN LAPID DROPS XMAS 01 FEATURING “MESSED UP ON CHRISTMAS” AND “CANDY CANE KISSES”

CURRENTLY ON TOUR WITH CLAIRE ROSINKRANZ

Lyn Lapid releases XMAS 01, which features two new original holiday songs, “Messed Up On Christmas” and “Candy Cane Kisses.”

Lyn says, “I’m so excited for my first Christmas themed release. The first song of the bundle is called ‘Messed Up On Christmas,’ and it’s a little sad girl song about feeling lonely around the holiday season. I feel like a lot of people can relate to wanting to spend Christmas with someone special, but not being able to. Ironically, the second song of the bundle is called ‘Candy Cane Kisses,’ which is sonically the literal opposite of the first song, and it’s dedicated to that special someone, whoever that may be, and not wanting anybody or anything else but that person for Christmas. I hope y’all enjoy it! It was so fun recording them.”

The breakout songstress is currently on a sold-out tour with Gen Z singer-songwriter Claire Rosinkranz—see the upcoming list of dates below. The string of dates marks the first-ever tour for both up and coming artists. Get tickets and more information HERE.

XMAS 01 follows the release of Lyn’s latest single, “In My Mind,” which is having a viral moment across TikTok and streaming platforms. The song recently surpassed over 32 million global streams, peaking at 566 thousand daily streams on Spotify. It peaked at #8 on Spotify’s Global Viral 50 Chart, #6 on Spotify’s US Viral 50 Chart, and #4 on TikTok’s US Top Tracks.

Dedicated to the “‘quiet kids’ such as [herself]”, Lyn first teased “In My Mind” on TikTok a week before it was released, and the video quickly garnered over 4 million song views and 1 million likes in just a few days with her fans lovingly dubbing the song the “quiet kids song.” “In My Mind” has been praised by Consequence, SPIN, Atwood Magazine, and more, with HYPEBAE proclaiming, “Lapid’s soothing vocals seamlessly blend with the airy notes of the guitar,” and Ones To Watch praising her as “a fearless and irrefutable voice of Gen Z.”

“In My Mind” arrives during a breakout year for Lyn Lapid – she released her first three singles, “Producer Man,” “Itsy Bitsy,” and “Infinite,” received co-signs from Billie Eilish, BTS’ Jungkook, Sabrina Carpenter, and more, amassed over 138 million global streams to date, and been praised by the likes of Rolling Stone, Buzzfeed, E! Online, Refinery29, HYPEBAE, Idolator, and others. With more music on the way, Lyn has affirmed herself as a star on the rise for 2021.

ABOUT LYN LAPID

A classically trained musician, unpredictable vocal dynamo, and fearless genre-breaker, Lyn Lapid asserts herself as an individual through and through. At 19-years-old, the singer, songwriter, multi-instrumentalist, and member of vocal collective EARCANDY has unassumingly emerged as an unapologetic and undeniable voice for her generation. In 2018, Lyn posted a ukulele and vocal cover of “Best Part” by Daniel Caesar and H.E.R. on YouTube. She went on to deliver D.I.Y. YouTube renditions of everyone from Ariana Grande and Sabrina Claudio to Edith Piaf and Sarah McLachlan, amassing 40 million-plus views and counting on her channel. In late 2019, Lyn launched her TikTok page, building an audience of over 5 million followers at a rapid pace. Meanwhile, a snippet of her first original, “Producer Man,” exploded. Produced by Dan Nigro [Olivia Rodrigo, Conan Gray, Carly Rae Jepsen, Lewis Capaldi, Sky Ferreira, Empress Of], the song has gathered over 433 million views and 8 million likes thus far and emerged as “the most-viewed unreleased demo on a TikTok video in 2020.

Illustration by Alex Bogdan for use for 360 Magazine

Halsey × HBO

Halsey’s If I Can’t Have Love, I Want Power Film Experience will debut on Thursday, October 7, on HBO Max in the U.S. as a MAX ORIGINAL film. HBO Max has acquired the film after a limited theatrical run in IMAX theaters, which broke nearly $1M at the box office after selling out in 70+ theaters globally. Halsey and the filmmakers were represented by WME and Endeavor Content in the distribution deal.

Set to the music of Halsey’s fourth studio album, this one-of-a-kind film experience stars the two-time GRAMMY nominee as the young and pregnant Queen Lila. After a shocking event, Lila unlocks a paranormal power within and discovers her ability to create life (and end it). Offering a stunning visual treat for fans, this evocative, horror-tinged fairytale explores the labyrinth of sexuality and birth. If I Can’t Have Love, I Want Power was written by Halsey and directed by Colin Tilley. The album was produced by Trent Reznor and Atticus Ross. The film was produced by Halsey, Jamee Ranta and Anthony Li.

This Saturday, October 9, Halsey will make their fourth appearance as musical guest on  Saturday Night Live. If I Can’t Have Love, I Want Power recently debuted at No. 1 on Billboard’s Top Current Albums chart their third consecutive release to top the tally. Hailed as Halsey’s best album yet by Vulture, If I Can’t Have Love, I Want Power also topped Billboard’s Alternative Albums, Vinyl Albums and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart.

In a four-star review, NME praised the album as “an intricate and an endlessly compelling artistic statement that only Halsey could have made.”Pitchfork observed, Halsey lets horror of the body, of the mind, of mortality radiate outward. The result is alluring and spectral. It’s their best work yet. SPIN said,  Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.

Noah Kahan's New Album - I WAS / I AM photo credit Aysia Marotta use by 360 Magazine

Noah Kahan’s New Album – I WAS / I AM

NOAH KAHAN RELEASES SOPHOMORE ALBUM I WAS / I AM –TODAY
FEATURING NEW SINGLE “SOMEONE LIKE YOU” FEAT. JOY OLADOKUN
ACCOMPANIED BY OFFICIAL MUSIC VIDEO OUT NOW
SET TO EMBARK ON I WAS / I AM HEADLINE TOUR THIS FALL
LISTEN TO I WAS / I AM HERE
WATCH “SOMEONE LIKE YOU” VIDEO HERE

Vermont singer and songwriter Noah Kahan releases his anxiously awaited sophomore album, I Was / I Am, today—listen HERE. The 10-track album features his newest single, “Someone Like You” feat. Joy Oladokun, accompanied by the official video also out today—watch HERE.

On the album, Noah says, “I can split my life into two parts. There is a defined and pronounced before and after within my consciousness that has become ever so clear to me in these long months of forced self-reflection. I started my journey here so fearful of changing, of losing the part of me that I felt was vital to staying grounded and unique. Somewhere in the last few years, I’ve had to let go of that fear, and allow growth, for better or for worse, to happen. This album is about examining that growth and measuring the difference from who I was when I started and who I am still becoming now. I’ve spent 4 years touring, traveling, experiencing things I would have given limbs for when I was a kid. I’ve lost friends. I’ve made lifelong connections with people I would never have otherwise gotten a chance to meet. I have failed so often and have had small successes that make it all worth it. I’ve fucked up, and I’ve lost people close to me. I don’t know if I’m ‘better’ or if I’ve regressed, I just know that I’ve grown. This album is about acknowledging that growth.”

On collaborating with Nashville singer and songwriter Joy Oladokun, Noah says, “Working with Joy on this song was one of those experiences that I’ll always remember and be grateful for. She is an incredible artist, and she was really natural on camera which made me jealous! I love her and her music and am so grateful for her involvement on this song.” Joy chimes in, saying, “When a folk-pop god like Noah Kahan calls, you come running.”

Noah Kahan took two years of milestones and transformed them into I Was / I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.

He says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”

I Was / I Am features Noah’s previously released anthemic singles, “Part of Me” and “Godlight,” and “Animal,” which capture his signature storytelling and evocative lyrics. The tracks have amassed over 12 million combined streams to date and received praised from the likes of BillboardSPINEntertainment Tonight, and many more.

This fall, Noah will embark on the I Was / I Am North American headline tour. Kicking off in St. Louis on October 14th and running through mid-December, the tour includes shows at New York’s Webster Hall and Los Angeles’ The Fonda Theatre, which are quickly selling out—see the complete list of tour dates below. Tickets are available now HERE. Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen ColbertLate Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.

Lyn Lapid - In My Mind photo credit by Nicole Hajjar use by 360 Magazine

Lyn Lapid – In My Mind

LYN LAPID RELEASES VIDEO FOR FAN-FAVORITE SINGLE “IN MY MIND”

WATCH HERE

After amassing over 4 million song views and 1 million likes on TikTok before officially releasing the song, singer and songwriter Lyn Lapid drops the video for her latest single, “In My Mind”—watch HERE!

On making the video, Lyn says, “I knew from the start that I wanted the video to center around the many things that run through my mind, and so what better way than to focus on the concept of daydreaming? The entire video focuses on me working at a mundane office job, trying not to doze off while I get the paperwork done. Then suddenly you see me go on a rampage, chuck office supplies everywhere, and maybe swing a bat once or twice at my stingy mannequin boss. The catch is that whatever you see when I’m not typing my life away at my computer is all a daydream. It was exhilarating being able to destroy the office space in my little rampage moment, I think it was the first time someone ever told me to let loose and make a mess. I loved working with everyone on set, and one of the best parts was all of the snacks there. Eliot Lee is super talented, and he did a fantastic job bringing my initial vision for the video to life.”

Dedicated to the “‘quiet kids’ such as [herself]”, Lyn first teased “In My Mind” on TikTok a week before it was released, and the video quickly garnered over 3 million views in just a few days with her fans lovingly dubbing the song the “quiet kids song.” “In My Mind” has already amassed over 1 million streams in just a few weeks, and not to mention, it has been praised by ConsequenceSPINAtwood Magazine, and more, with HYPEBAE proclaiming, “Lapid’s soothing vocals seamlessly blend with the airy notes of the guitar,” and Ones To Watch praising her as “a fearless and irrefutable voice of Gen Z.”

Lyn says, “I wrote ‘In My Mind’ about my experience growing up as the ‘quiet kid.’ People would always tell me how I never talked at all and how quiet I was. Well, they weren’t wrong, I kept to myself all throughout school, even when I hung out with my friends. I remember when I sang for my school’s talent show for the first time, one of my classmates went up to me afterward and was like, ‘You know I was surprised when you walked on stage, you hardly ever talk. I thought you were gonna suck. But you actually didn’t!’…I’m not sure how you would respond to that honestly. I also wrote about what runs through my mind, and how if people knew what I was actually thinking, they’d be thankful that I kept to myself.”

“In My Mind” arrives during a breakout year for Lyn Lapid – she released her first three singles, “Producer Man,” “Itsy Bitsy,” and “Infinite,” received co-signs from Billie Eilish, BTS’ Jungkook, Sabrina Carpenter, and more amassed over 72 million global streams to date, and been praised by the likes of Rolling StoneBuzzfeedE! OnlineRefinery29HYPEBAEIdolator, and others. With more music on the way, Lyn has affirmed herself as a star on the rise for 2021.

HALSEY - NEW ALBUM photo credit by Lucas Garrido use by 360 Magazine

HALSEY – NEW ALBUM

HALSEY’S IF I CANT HAVE LOVE, I WANT POWER – ENTERS CHARTS AT NO. 1

Halsey’s If I Cant Have Love, I Want Power – hailed as their best album yet by Pitchfork and Vulture and as “one of the best albums of the year”; by Billboard – debuts at No. 1 on Billboards Top Current Albums chart, marking their third consecutive release to top the tally. It’s the follow-up to the Platinum-certified Manic, released in January 2020. If I Cant Have Love, I Want Power also topped BillboardAlternative Albums, Vinyl Albums, and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart. It entered the Billboard 200 chart at No. 2. Download/stream HERE.

In an explosive first week at radio, “I am not a woman, I’m a god”; was #1 Most Added at Top 40 while “You asked for this” was #1 Most Added at the Alternative format. The official video for “I am not a woman, I’m a god” which can be viewed HERE, is from IMAX Experience: Halsey PresentsIf I Cant Have Love, I Want Power, which sold out in over 70 locations and grossed over $735K from limited showtimes around the globe. Deadline – examined the success of the screenings of this feature.

The GRAMMY-nominated, multi-Platinum artist reunited with producers Trent Reznor and Atticus Ross for an in-depth conversation about If I Cant Have Love, I Want Power, moderated by Lizzy Goodman. View’s HERE. Among the many topics they cover are the trust of Halsey’s fans, the untraditional path to releasing the album, and David Bowie. Halsey, who was recently named as Shazam’s Artist of the Week, also spoke at length with Apple Music’s Zane Lowe. Listen HERE.

Vulture observed, “Halsey is a total natural here, unafraid to share deep, dark thoughts with the listener, ready to cut loose amid the din of sinister synths and punishing guitars”. The New York Times noted, “Halsey and Nine Inch Nails have so much in common: skill at generating drama through sheer sound, along with a willingness to admit the worst.” Declaring the results “spectacular”, Stereogum said, “With each successive release, Halsey’s creative output got bolder, more inventive, more captivating.” SPIN noted,Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.”