Halsey’sIf I Can’t Have Love, I Want Power Film Experience will debut on Thursday, October 7, on HBO Max in the U.S. as a MAX ORIGINAL film. HBO Max has acquired the film after a limited theatrical run in IMAX theaters, which broke nearly $1M at the box office after selling out in 70+ theaters globally. Halsey and the filmmakers were represented by WME and Endeavor Content in the distribution deal.
Set to the music of Halsey’s fourth studio album, this one-of-a-kind film experience stars the two-time GRAMMY nominee as the young and pregnant Queen Lila. After a shocking event, Lila unlocks a paranormal power within and discovers her ability to create life (and end it). Offering a stunning visual treat for fans, this evocative, horror-tinged fairytale explores the labyrinth of sexuality and birth. If I Can’t Have Love, I Want Power was written by Halsey and directed by Colin Tilley. The album was produced by Trent Reznor and Atticus Ross. The film was produced by Halsey, Jamee Ranta and Anthony Li.
This Saturday, October 9, Halsey will make their fourth appearance as musical guest on Saturday Night Live. If I Can’t Have Love, I Want Power recently debuted at No. 1 on Billboard’s Top Current Albums chart their third consecutive release to top the tally. Hailed as Halsey’s best album yet by Vulture, If I Can’t Have Love, I Want Power also topped Billboard’s Alternative Albums, Vinyl Albums and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart.
In a four-star review, NME praised the album as “an intricate and an endlessly compelling artistic statement that only Halsey could have made.”Pitchfork observed, Halsey lets horror of the body, of the mind, of mortality radiate outward. The result is alluring and spectral. It’s their best work yet. SPIN said, Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.
NOAH KAHAN RELEASES SOPHOMORE ALBUM I WAS / I AM –TODAY
FEATURING NEW SINGLE “SOMEONE LIKE YOU” FEAT. JOY OLADOKUN
ACCOMPANIED BY OFFICIAL MUSIC VIDEO OUT NOW
SET TO EMBARK ON I WAS / I AM HEADLINE TOUR THIS FALL
LISTEN TO I WAS / I AMHERE
WATCH “SOMEONE LIKE YOU” VIDEO HERE
Vermont singer and songwriter Noah Kahan releases his anxiously awaited sophomore album, I Was / I Am, today—listen HERE. The 10-track album features his newest single, “Someone Like You” feat. Joy Oladokun, accompanied by the official video also out today—watch HERE.
On the album, Noah says, “I can split my life into two parts. There is a defined and pronounced before and after within my consciousness that has become ever so clear to me in these long months of forced self-reflection. I started my journey here so fearful of changing, of losing the part of me that I felt was vital to staying grounded and unique. Somewhere in the last few years, I’ve had to let go of that fear, and allow growth, for better or for worse, to happen. This album is about examining that growth and measuring the difference from who I was when I started and who I am still becoming now. I’ve spent 4 years touring, traveling, experiencing things I would have given limbs for when I was a kid. I’ve lost friends. I’ve made lifelong connections with people I would never have otherwise gotten a chance to meet. I have failed so often and have had small successes that make it all worth it. I’ve fucked up, and I’ve lost people close to me. I don’t know if I’m ‘better’ or if I’ve regressed, I just know that I’ve grown. This album is about acknowledging that growth.”
On collaborating with Nashville singer and songwriter Joy Oladokun, Noah says, “Working with Joy on this song was one of those experiences that I’ll always remember and be grateful for. She is an incredible artist, and she was really natural on camera which made me jealous! I love her and her music and am so grateful for her involvement on this song.” Joy chimes in, saying, “When a folk-pop god like Noah Kahan calls, you come running.”
Noah Kahan took two years of milestones and transformed them into I Was / I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.
He says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”
I Was / I Am features Noah’s previously released anthemic singles, “Part of Me” and “Godlight,” and “Animal,” which capture his signature storytelling and evocative lyrics. The tracks have amassed over 12 million combined streams to date and received praised from the likes of Billboard, SPIN, Entertainment Tonight, and many more.
This fall, Noah will embark on the I Was / I Am North American headline tour. Kicking off in St. Louis on October 14th and running through mid-December, the tour includes shows at New York’s Webster Hall and Los Angeles’ The Fonda Theatre, which are quickly selling out—see the complete list of tour dates below. Tickets are available now HERE. Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen Colbert, Late Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.
After amassing over 4 million song views and 1 million likes on TikTok before officially releasing the song, singer and songwriter Lyn Lapid drops the video for her latest single, “In My Mind”—watch HERE!
On making the video, Lyn says, “I knew from the start that I wanted the video to center around the many things that run through my mind, and so what better way than to focus on the concept of daydreaming? The entire video focuses on me working at a mundane office job, trying not to doze off while I get the paperwork done. Then suddenly you see me go on a rampage, chuck office supplies everywhere, and maybe swing a bat once or twice at my stingy mannequin boss. The catch is that whatever you see when I’m not typing my life away at my computer is all a daydream. It was exhilarating being able to destroy the office space in my little rampage moment, I think it was the first time someone ever told me to let loose and make a mess. I loved working with everyone on set, and one of the best parts was all of the snacks there. Eliot Lee is super talented, and he did a fantastic job bringing my initial vision for the video to life.”
Dedicated to the “‘quiet kids’ such as [herself]”, Lyn first teased “In My Mind” on TikTok a week before it was released, and the video quickly garnered over 3 million views in just a few days with her fans lovingly dubbing the song the “quiet kids song.” “In My Mind” has already amassed over 1 million streams in just a few weeks, and not to mention, it has been praised by Consequence, SPIN, Atwood Magazine, and more, with HYPEBAE proclaiming, “Lapid’s soothing vocals seamlessly blend with the airy notes of the guitar,” and Ones To Watch praising her as “a fearless and irrefutable voice of Gen Z.”
Lyn says, “I wrote ‘In My Mind’ about my experience growing up as the ‘quiet kid.’ People would always tell me how I never talked at all and how quiet I was. Well, they weren’t wrong, I kept to myself all throughout school, even when I hung out with my friends. I remember when I sang for my school’s talent show for the first time, one of my classmates went up to me afterward and was like, ‘You know I was surprised when you walked on stage, you hardly ever talk. I thought you were gonna suck. But you actually didn’t!’…I’m not sure how you would respond to that honestly. I also wrote about what runs through my mind, and how if people knew what I was actually thinking, they’d be thankful that I kept to myself.”
“In My Mind” arrives during a breakout year for Lyn Lapid – she released her first three singles, “Producer Man,” “Itsy Bitsy,” and “Infinite,” received co-signs from Billie Eilish, BTS’ Jungkook, Sabrina Carpenter, and more amassed over 72 million global streams to date, and been praised by the likes of Rolling Stone, Buzzfeed, E! Online, Refinery29, HYPEBAE, Idolator, and others. With more music on the way, Lyn has affirmed herself as a star on the rise for 2021.
HALSEY’S IF I CAN’T HAVE LOVE, I WANT POWER – ENTERS CHARTS AT NO. 1
Halsey’s If I Can’t Have Love, I Want Power – hailed as their best album yet by Pitchfork and Vulture and as “one of the best albums of the year”; by Billboard – debuts at No. 1 on Billboard’s Top Current Albums chart, marking their third consecutive release to top the tally. It’s the follow-up to the Platinum-certified Manic, released in January 2020. If I Can’t Have Love, I Want Power also topped Billboards Alternative Albums, Vinyl Albums, and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart. Itentered the Billboard 200 chart at No. 2. Download/stream HERE.
In an explosive first week at radio, “I am not a woman, I’m a god”; was #1 Most Added at Top 40 while “You asked for this” was #1 Most Added at the Alternative format. The official video for “I am not a woman, I’m a god” which can be viewed HERE, is from IMAX Experience: Halsey Presents “If I Can’t Have Love, I Want Power, which sold out in over 70 locations and grossed over $735K from limited showtimes around the globe. Deadline – examined the success of the screenings of this feature.
The GRAMMY-nominated, multi-Platinum artist reunited with producers Trent Reznor and Atticus Ross for an in-depth conversation about If I Can’t Have Love, I Want Power, moderated by Lizzy Goodman. View’s HERE. Among the many topics they cover are the trust of Halsey’s fans, the untraditional path to releasing the album, and David Bowie. Halsey, who was recently named as Shazam’s Artist of the Week, also spoke at length with Apple Music’s Zane Lowe. Listen HERE.
Vulture observed, “Halsey is a total natural here, unafraid to share deep, dark thoughts with the listener, ready to cut loose amid the din of sinister synths and punishing guitars”. The New York Times noted, “Halsey and Nine Inch Nails have so much in common: skill at generating drama through sheer sound, along with a willingness to admit the worst.” Declaring the results “spectacular”, Stereogum said, “With each successive release, Halsey’s creative output got bolder, more inventive, more captivating.”SPIN noted, “Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.”
Her New Single Calls To Protect Our Children from Sexual Predators
“Lila’s vocal agility can bend notes and transcend genres, the kind of voice that makes you want to turn to your friend at a show and say “Is she for real??” — NPR Tiny Desk
Rising Jamaican star Lila Iké reveals the video for her brand new single “Batty Rider Shorts,” available now via In.Digg.Nation Collective/Six Course/RCA Records. You can watch the video, directed by Dezignr Studios, HERE.
The Jamaican singer shared a personal story behind the song. “I have been writing ‘Batty Rider Shorts’ for over a period of four years. This song was inspired by a situation I observed within my community. An innocent child (age 10 or so) who I would often sit and speak with about life and give words of encouragement (even whilst I was a child myself ) eventually was taken advantage of by someone who should have been looking out for her. I was moved to tears on my drive back from the country as I thought about how her light became infiltrated by the dark energies that are hovering over children everyday, all over the world. We need to all be more responsible as a community, as friends, as parents, as extended family and just as people. Look out for each other but most importantly our children.”
The powerful track, produced by Ziah .Push, is her first original solo song since the release of her 2020 debut EP The Experience.
Upcoming Tour Dates:
Oct 12, 2021 @ Paard in The Hague, Netherlands
Oct 13, 2021 @ Doornroosje in Nijmegen, Netherlands
Oct 19, 2021 @ Melkweg in Amsterdam, Netherlands
Oct 22, 2021 @ Post Tenebras Rock (PTR) – L’Usine in Geneva, Switzerland
Oct 23, 2021 @ Rote Fabrik in Zurich, Switzerland
April 28, 2022 @ Cabaret Sauvage in Paris, France
Jul 1, 2022 @ Summerjam Festival in Cologne, Germany
Lila Iké has become one of the most sought-after musicians to emerge right now. Born in Manchester, Jamaica, the singer is gaining attention at home and abroad with her distinctive delivery, old-school sensibilities and modern-day swagger. She can freestyle and sing in the same breath. Her lyrics are razor sharp. Her cadence is bold. In May 2020, Lila Iké released her debut 5-track EP The ExPerience to critical acclaim via In.Digg.Nation Collective/RCA Records/Six Course. In that year alone, she was nominated for Best Reggae Act at the 2020 British MOBO Awards, named one of 2020’s Most Interesting Artists via SPIN and selected for BBC 1xtra’s Hot For 2020 Artist list. Her song “I Spy” was also chosen as one of VICE‘s Best Songs for 2020. She joined the late night stage on A Late Show #PlayatHome with Stephen Colbert with Protoje and performed on NPR Tiny Desk At Home, raking in over 2 million+ views. Before the global pandemic, in 2019, Lila embarked on her very first solo tour throughout Europe and opened for Protoje on his U.S. tour. She has performed on international festival stages including Rototom Sunsplash (Spain), Sole DXB Festival (Dubai), Reggae Sumfest (Montego Bay, Jamaica) and BRIC’s Celebrate Brooklyn! (NYC, USA).
‘Trenches’, from an album due next week titled Street Sermons, rides the minor chords and trap beats that often accompany antisocial boasts. But while ‘Trenches’ doesn’t ignore gangs, drugs or poverty, Morray also recognizes a community that holds families, neighbors and friends – The New York Times
Few crooning rappers have his polish, resonance, and soul. – SPIN
With only four songs on streaming platforms—all released in 2020—Fayetteville, North Carolina rapper Morray has already proven he’s a hitmaker. His debut single ‘Quicksand’ is undeniable, anchored by the type of hook you get from a Roddy Ricch or Rod Wave song and infused with storytelling and charisma to paint a picture even if you’re unfamiliar with the newcomer. – Pigeons & Planes
Fresh Off His First-Ever Performance at Rolling Loud, the 2021 XXL Freshman Recruits a Kindred Spirit to Add a Verse to a Street Sermons Highlight
Morray’s emotional singing and empathetic lyrics make him an ideal avatar for those struggling in the streets, and an excellent role model for those looking to make it out. His song Trenches is an ode to people who think they are out of options, urging them to stay positive through the pain. Today, the Fayetteville, NC native shares Trenches (Remix), which adds a verse from Polo G, another street storyteller whose lyrics speak for the less fortunate. The new remix juxtaposes Morray’s gospel-influenced passion with Polo’s plaintive and conversational melodies, the younger rapper spinning a succinct 16 about his rise from tragedy to triumph: Member I was f*cked up, now my foreign in the hood parked/You can beat the system if you street and booksmart, intones Polo G.
Directed by Justice Silvera, the video follows the story of a man who works hard every day to put food on his family’s plates, resisting the clarion call of street life so he can be present for his wife and young daughter. Morray and Polo G provide the perspective of those who’ve escaped their past hardship, but their lyrics prove that men like the video’s protagonist deserve just as much respect as any rap star. Trenches (Remix) is the latest in a long line of quality videos from Morray, most recently the video for Mistakes, a highlight from his debut album Street Sermons.
Debuting at #41 on the Billboard 200 and propelling Morray to #1 on Billboard’s Emerging Artists chart, Street Sermons taps into the spiritual uplift and church-trained singing that makes Morray’s brand of hip-hop so unique, taking unflinching looks at the Fayetteville native’s youthful struggles and indiscretions and examining his motivations to succeed. Home to his breakout single Quicksand, which recently earned a GOLD certification from the RIAA and surpassed the 100 million view milestone on YouTube, the project contains universal truths about the tragedies and triumphs of growing up in the hood, filtered through Morray’s experience as a neighborhood kid made good. Complex ranked Street Sermons at #10 on their list of Best Albums of 2021 So Far.
Earlier this summer, Morray earned a position on the coveted XXL Freshman list for 2021. The honor is the latest in a long line of accolades, including one to watch designations from Complex, Billboard, SPIN, Pigeons & Planes, and many more. An engaging live performer, as evidenced by his recent appearance on JImmy Kimmel Live, Morray was highlighted by Rolling Stone as the Best Debut performer at last weekend’s Rolling Loud Festival in Miami.
With Street Sermons and his newfound position as a XXL Freshman, Morray culminates his meteoric rise and proves that he’s ready to build an artistic legacy and a nest egg for his wife and kids. For an artist with Morray’s talent, the sky’s the limit.
“An artist who’s as great at writing a hook as she is at singing one” —BILLBOARD
“Bold and brash, she holds nothing back” —SPIN
“Exudes an infectious sense of confidence that provides an aura of empowerment for her listeners” —V MAGAZINE
“If you aren’t already a full-time UPSAHL stan, firstly: What’s wrong with you?” —COSMOPOLITAN
Today, critically acclaimed trailblazer UPSAHL releases her new single “Time of my Life,” an introspective anthem off of her debut album due out this October on Arista Records. The pensive track’s melodic hook and punchy chorus put UPSAHL’s addictive sound and songwriting prowess front and center.
Directed by George Gallardo Kattah, the playful video juxtaposes present-day UPSAHL with a younger version of herself, allowing moments of childhood nostalgia to manifest in the now. Raw and vulnerable, UPSAHL invites viewers to tag along as she wonders, “How come all the worst days are in the time of my life?”
Of the song, UPSAHL explains, “I wrote ‘Time of my Life’ about being the happiest I’ve ever been, while simultaneously being the saddest I’ve ever been. I’m at a place in my life where I feel like the highs are really really high, but on the flip side, it makes the impact of the lows even lower. The day we wrote this song, I had the line: ‘How come all the worst days are in the time of my life?’ dancing around in my head. So we ended up making that the chorus and building the rest of the song around it.”
Of the video, she added, “For the music video, George, the director, and I really wanted to emphasize the nostalgia that this song sparks. Personally, I feel like some of my most reflective moments are in the shower, so we wanted the video to take place there, while flashing back to some of the best and worst moments of my life. We wanted it to feel very dramatic and introspective, so we shot the video on a high speed camera at 60-1000 frames per second to make it all look like it’s moving in slow motion.”
You can listen to and watch “Time of My Life” HERE.
“Time of my Life” follows on the heels of UPSAHL’s recent single “Melatonin,” a “bright, buoyant” (Billboard) track exemplifying the iconoclast’s musical depth and creating another important stop in the journey to her upcoming debut album.
In just a few short years, UPSAHL has penned numerous hits spanning various genres such as Dua Lipa’s “Good in Bed,” Madison Beer’s fiery single “BOYSHIT,” and “Happy Endings” with Mike Shinoda and iann dior. Most recently, UPSAHL collaborated with Anne-Marie and Little Mix and co-wrote
“Kiss My (Uh Oh),” released last week. UPSAHL’s track “Stop” was also featured on episode 3 of HBO’s new Gossip Girl revival.
UPSAHL will perform a run of fall dates across the U.S. opening for Olivia O’Brien kicking off August 30th at The Observatory in Santa Ana, CA. She will also make her first-ever headline show debut at the Courtyard Theatre in London this fall on October 12th.
FLETCHER DEBUTS THE OFFICIAL VIDEO FOR EMPOWERED NEW SINGLE HEALING WATCH HERE
FLETCHER debuts the official video for her new single Healing, a powerful anthem to reflect the times, one of self-awareness and discovery. Watch the video HERE and download/stream HealingHERE.
VMagazine said, In stunning new visuals co-directed by Fletcher and Ava Rikki, the rising artist enters a new era. Your next summer anthem has arrived… FLETCHER isn’t just a pop star but an artist and this music video is her testimony. A simplistic trap beat backgrounds (her) airy light vocals as she declares herself on the journey of self love and recovery, unlearning false self perceptions and entering the next phase of a glow-up journey.
Healing finds the acclaimed singer/songwriter reclaiming her interior resolve, making a natural progression from her critically-lauded EP THE S(EX) TAPES, a boldly personal project executive-produced by Malay (Lorde, Frank Ocean). Co-written with Scott Harris (Shawn Mendes, Khalid) and ALDAE (Justin Bieber, Kid Laroi), Healing is rooted in the raw emotional intimacy that FLETCHER is known for and offers her most gripping vocal performance to date.
NME said, ‘Healing’ (is) luminous…An ode to the reclamation of one’s inner strength, the new track shines with a soundscape of warm guitars and summery synth percussion, over which Fletcher boldly embraces her rawness and humanity. Variance declared, If purposeful pop is a thing, FLETCHER’s ‘Healing’ is absolutely it, and Uproxx named the soaring track, Best New Pop Music and said, leaning on a skittering beat, FLETCHER lilts powerful lines about the important of understanding there’s no such thing as a quick fix for your personal problems.
The process of making this song was really freeing, says FLETCHER. We’re all healing from something, she says. The world is healing right now. I can feel the collective energy of people waking up to their power and connecting to themselves in a way that humanity never has before. Healing isn’t a linear process, and it’ll take you on the most insane roller coaster ride of your life. But it’s worth the view at the top.
Currently at work on her debut album, Healing is FLETCHER’s first single since her 2020 hit Bitter, a track that’s amassed over 150 million streams to date. Hailed by Idolator as a breakup anthem for the ages, Bitter is a standout cut from THE S(EX) TAPES, a collection of magnetic and moody pop songs about finding your forever person before you find yourself and, as a result, needing to uncover the parts of you that remain unknown. Soon after arriving last September, the EP earned praise from outlets like Nylon, Teen Vogue, PAPER, SPIN (who noted there aren’t any rules when it comes to FLETCHER’s music) and more.
Praised by leading outlets like TIME, Wonderland, V Magazine, Harper’s Bazaar, Interview Magazine, GQ, The Guardian and more, FLETCHER hails from Asbury Park, New Jersey, where she cultivated her passion for music and her unforgettably candid storytelling. After graduating from NYU’s famed Clive Davis Institute for Recorded Music, FLETCHER carved out a distinct space for herself in pop music, and in 2019 released her debut EP you ruined new york city for me via Capitol Records. The widely lauded EP features her breakthrough hit Undrunk, a track that spent several weeks on the Billboard Hot 100, scored the #1 spot on Spotify’s Viral Chart, emerged as the fastest-rising song at pop radio from a new artist in the past five years, and earned FLETCHER a nomination for iHeartRadio’s Best New Pop Artist. Over the years, FLETCHER has sold out several headline tours and landed impressive slots at Lollapalooza, Bonnaroo, Life is Beautiful, and other major festivals. Released in September 2020, FLETCHER’s EP THE S(EX) TAPES hit No. 1 on iTunes across all genres and drew acclaim from outlets like Teen Vogue, SPIN, PAPER, and many others. An unfiltered look into FLETCHER’s world, the EP is a collection of magnetic and moody pop songs about feeling like you’ve found your forever person before you find yourself and, as a result, needing to uncover the parts of you that remain unknown. The EP’s lead single Bitter has now surpassed 150 million global streams. FLETCHER’s television performances include The Tonight Show Starring Jimmy Fallon, The Today Show and Ellen. An outspoken activist of the #MeToo movement throughout her career, FLETCHER released the 2018 track I Believe You in support of sexual assault survivors, garnering over 50 million streams to date. She was also recently nominated for a 2021 GLAAD Media Award for Outstanding Breakthrough Music Artist. One of FLETCHER’s latest tracks, Last Laugh is available now on the soundtrack to the Academy Award-winning film Promising Young Woman.
Vevo, the world’s leading music video network, announces the release of Billie Eilish’s Official Live Performance of “Your Power” off her forthcoming album, Happier Than Ever via Darkroom/Interscope Records. Vevo’s Official Live Performances are the result of close creative collaboration with artists and their teams, resulting in a series of very special exclusive performances.
“All of us at Vevo have been huge fans of Billie for years and love working with her. We got to collaborate with her so closely on these Official Live Performances evident in how much they blend with her aesthetic and the creative sound of this new material.” says JP Evangelista, Vevo’s SVP of Content, Programming & Marketing, “Billie is always so involved in the vision of her music videos, and her detailed input is a huge part of what makes these performances special. It’s been such a pleasure watching her blossom into the superstar that she is today, from her first music videos, to very intimate fan shows, Billie is truly one of a kind. We look forward to more successful future collaborations”
Billie worked closely with Vevo’s team to create a performance that was rooted in simplicity, allowing the music to speak for itself. Shot on 35mm film, the duo is surrounded by burnt orange velvet curtains, bringing a retro, 1950’s feel to the space. Billie’s delicate vocals quickly fill the cozy room, telling a story that keeps viewers riveted without so much as one special effect.
‘HAPPIER THAN EVER’ DEBUTS AT #1 IN THE U.S. [DARKROOM / INTERSCOPE RECORDS]
#1 IN CANADA, UNITED KINGDOM, AUSTRALIA, GERMANY, FRANCE, ITALY, BELGIUM, AUSTRIA, DENMARK, NETHERLANDS, NORWAY, SWITZERLAND, IRELAND AND NEW ZEALAND.
“Secures her status as a generational great.” – NME
“Some of the most dynamic, emotionally complex and brilliantly produced music of her career thus far.” – Paste
“Happier Than Ever climbs down from the gilded world of fame to offer a candid report from the coming-of-age trenches, where the past is embarrassing, the future feels excruciatingly distant, and the present is simply exhausting. Eilish doesn’t pretend to have it all figured out.” – Pitchfork
“A mature, deeply personal album.” – The Ringer
“A thoughtful, confident statement of intent.” – SLANT
“A joyous experience.” – VARIETY
“Eilish is best in the shadows, exploring our messiest impulses.” –Associated Press
“She is owning her body, and the lust and rage and pain and the rational and the irrational pangs that come with it.” – Vulture
“It’s the unwavering vulnerability of Eilish’s songwriting that makes Happier Than Ever most impressive.” – SPIN
“Her candidly politicized reads on misogyny are powerful, especially from a 19-year-old who has to do her learning in public, making art out of trauma she has every right to keep to herself.” – Rolling Stone Magazine
“Billie Eilish proves all she needs is herself on the stunning left turn, ‘Happier Than Ever’ – Uproxx
“Each song shines in its own way.” – USA Today
An album that, like its predecessor, sets itself apart from the sonics most contemporary pop stars favor.” – Vulture
“A smart, ambitious record that never stops interrogating itself.” – AV Club
“It’s rare that the most famous musicians are also the ones taking the most risks and writing some of the best music around, but Billie Eilish is one of those musicians.” Brooklyn Vegan
“‘Happier Than Ever’ Is a Rebellion, a Wink—and a Demand for Respect” – Daily Beast
“[The] superstar continues to break pop’s status quo.” – Grammy.com
“Eilish is clearly not interested in simply replicating the formula that made her debut album such a world-conquering smash — and the emotional turmoil chronicled in these post-fame songs perhaps suggest why. We’ve seen her in a crown, but in its most antagonistic moments, “Happier” feels like an abdication.” – TheNew York Times
“Excellent.” – Washington Post
Billie Eilish‘s sophomore album ‘Happier Than Ever’ has officially debuted at Number 1 on the Billboard 200 in the U.S., as well as in Belgium, Finland, France, Germany, Ireland, Italy, Norway, Switzerland, United Kingdom, Australia, New Zealand and Canada. ‘Happier Than Ever’ also now officially holds the record for highest vinyl sales upon release over the last 30 years. This is her second Number 1 album in the U.S. and in multiple countries around the world.
Fans and critics across the globe have praised Eilish, applauding her unflinching defiance and unwavering artistic approach, as she continues to rule the pop landscape instead of pandering to it. The 16-track full-length proves to be another welcomed triumph for popular music. A combination of non-fiction and fantasy, Eilish steps out into the limelight as one of the most treasured, talented and intricate songwriters of her generation. Weaving razor-sharp wit, everyday observations, secrets and escapades, all-the-while exploring what it is to be a complex human being, navigating the modern world. Listeners are left enchanted and captivated by this new chapter, as she delivers her rawest, most confessionary work to date.
The album’s essence, artwork and color palette was inspired by some of her all-time favorite recording artists Julie London, Frank Sinatra and Peggy Lee, and the 1950’s and 60’s “golden era’ they once reigned. Produced by her brother FINNEAS at his home studio in Los Angeles, ‘Happier Than Ever’ solidifies Billie Eilish once again, as one of the most crucial pop artists of our time. Listen to ‘Happier Than Ever’ HERE.
In other news, seven-time GRAMMY® Award-winning Billie Eilish will make her Disney+ debut with “Happier than Ever: A Love Letter to Los Angeles,” a cinematic concert experience, premiering globally on Friday, September 3. Fresh off the heels of her brand-new album, “Happier than Ever,” the Disney+ original will feature an intimate performance of every song in the album’s sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.
Directed by Robert Rodriguez and Oscar-winner Patrick Osborne the special will also include animated elements, taking viewers on a dreamlike journey through Billie’s hometown of Los Angeles and its most iconic backdrops. “Happier than Ever: A Love Letter to Los Angeles” features FINNEAS, the Los Angeles Children’s Chorus, the Los Angeles Philharmonic conducted by Music & Artistic Director Gustavo Dudamel, and world renowned Brazilian guitarist, Romero Lubambo, with Orchestra Arrangements by David Campbell. “Happier than Ever: A Love Letter to Los Angeles” was produced by Interscope Films and Darkroom Productions, in associate with Nexus Studios and Aron Levine Productions, with Kerry Asmussen as the Live Concert Director and Pablo Berron as Director of Photography.
Starting February 3 in New Orleans, Billie Eilish’s sold-out HAPPIER THAN EVER, THE WORLD TOUR commences. The arena run will be making 32 stops across North America, before heading over the Atlantic for an 18-date arena tour through Europe and the United Kingdom, starting June 3. For merchandise and more details go to Eilish’s website.
Tonight, Billie Eilish will be performing and talking on NBC’s The Tonight Show Starring Jimmy Fallon.
‘Happier Than Ever’ the album is out everywhere now.
03/19 – Ball Arena (formerly Pepsi Center) – Denver, CO
03/21 – Vivint Arena – Salt Lake City, UT
03/24 – Rogers Arena – Vancouver, BC
03/25 – Climate Pledge Arena – Seattle, WA
03/29 – Chase Center – San Francisco – CA
03/30 – Golden 1 Center – Sacramento, CA
04/01 – T-Mobile Arena – Las Vegas, NV
04/02 – Gila River Arena – Glendale, AZ
04/06 – The Forum – Los Angeles, CA
04/08 – The Forum – Los Angeles, CA
04/09 – The Forum – Los Angeles, CA
2022 EU/UK TOUR DATES – SOLD OUT
June 3 – SSE Arena – Belfast, UK=
June 4 – 3Arena – Dublin, IE
June 5 – 3Arena – Dublin, IE
June 7 – AO Arena – Manchester, UK
June 8 – AO Arena – Manchester, UK
June 10 – The O2 – London, UK
June 11 – The O2 – London, UK
June 12 – The O2 – London, UK
June 14 – The SSE Hydro – Glasgow, UK
June 15 – Utilita Arena – Birmingham, UK
June 16 – The O2 – London, UK
June 18 – Ziggo Dome – Amsterdam, NL
June 19 – Festhalle – Frankfurt, DE
June 21 – Lanxess Arena – Cologne, DE
June 22 – Accor Arena – Paris, FR
June 25 – The O2 – London, UK
June 28 – Sportpaleis – Antwerp, BE
June 30 – Mercedes-Benz Arena – Berlin, DE
July 2 – Hallenstadion – Zurich, CH
*Members of the Verizon customer loyalty program, Verizon Up, will receive access to US dates on this tour.
Limited quantities of Super Tickets will be available in 2022 for Verizon Up members to claim through the My
About Billie Eilish
With the release of her highly anticipated sophomore album ‘Happier Than Ever,’ the 19-year-old Los Angeles native remains one of the biggest stars to emerge in the 21st century. Since the release of her debut single “ocean eyes” in 2015, Eilish continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout, her album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release in 2019, and was the most streamed album of that year. WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother FINNEAS in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories at the 62nd GRAMMY® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual GRAMMY Awards in 2021, and took home both Record of the Year for ‘everything i wanted,’ and Best Song Written For Visual Media for ‘No Time To Die.’ Billie Eilish’s latest album ‘Happier Than Ever’ was written by Billie and her brother FINNEAS, who also produced the album.
John-Robert releases a new remix to stand out track “Move It To The Side” by Alice Longyu Gao, today via Warner Records. You can listen to the new remix HERE. You can watch the visualizer HERE.
A fan favorite, “Move It To The Side” was originally released earlier this year on John-Robert’s ‘Healthy Baby Boy, Pt 1’ EP. Alice’s “Softboy Dancing In the Klurb Flip” integrates elements of John-Robert’s alluring melancholy-melody with a jacked up tempo and her recognizable, exaggerated pop lyricism. The result is a track unique to Alice’s own personal and flamboyant style, as she serves up her second remixer credit to date. Alice’s new take on the track demonstrates her manifestation of a confident and care-free persona that doesn’t get wound up with anxieties and pressures of the modern dating scene and sees her flip the script on John-Robert’s original.
About the remix, John-Robert says, “As a musician it’s inspiring when you subconsciously have a formula for your writing process and then an artist comes along and breaks every one of those rules in a fresh and exciting way. I admire Alice because she’s a smart, self-assured badass, unapologetic with her production, lyrics, visuals, thoughts and art. I’m eternally grateful that she has blessed me with this version of ‘Move It To The Side.’”
Alice Longyu Gao adds, “I am usually the dumb bitch. It takes me a second to fancy someone and it takes me forever to stop trying to get them to like me. So I was really visioning myself being a bad gal in this remix—calling him the ‘emotional one,’ cuz I met a lot of heterosexual white bros who love to gaslight and guilt trip women, when in fact they are just too insecure to care. I am balling with my cash, having fun and ghost his text, visioning him being all upset. This remix is my revenge. I chopped John-Robert’s original vocals in a hard-core way so the remix shares a new perspective. Also, it won’t be an ‘Alice Longyu Gao’ piece of music if the beat doesn’t switch like 100 times. So yeah, this remix will drive you crazy on the dance floor.”
At age 16, John-Robert was invited out to Los Angeles by mega-producer Ricky Reed who’s described him as “a transcendent, once-in-a-generation singer and songwriter.” The now 20-year-old from Edinburg, VA who is signed to Reed’s Nice Life Recording Company and Warner Records continues to build-upon his budding musical career, most recently releasing his Healthy Baby Boy, Pt. 1 earlier this year. The songs on the EP illustrate real life coming of age stories and detail the challenges that come from leaving your support system in small town behind to chase your dreams. He’s collaborated with the likes of Alessia Cara, Zack Sekoff, Kathleen and Nate Merceau, and attracted industry praise from SPIN, American Songwriter, Ones To Watch, Idolator, EARMILK and more.
As the only child from a conservative family, coming to America alone at the age of 17 was her chance, Alice Longyu Gao is a boundary pushing pop artist with a knack for making positive social change through her work. With co-signs from industry heavyweights like Lady Gaga, The Weeknd and Selena Gomez, as well as features in NME i-D, PAPER Magazine, Billboard, The FADER and V Magazine, Longyu Gao has gained recognition for her ability to blend hyper-energetic, avant-garde pop beats with interpretive, kaleidoscopic visuals. Beyond the music, Longyu Gao is a passionate activist for human rights with a longstanding track record of work supporting issues focusing on LGBTQ+ justice, eating disorder recovery, sustainability in fashion and food, and public-funded art education for underprivileged minority groups.
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