Posts tagged with "clash"

Headphones illustration by Alex Bogdan for use by 360 Magazine

MIMI WEBB ANNOUNCES EUROPEAN TOUR

UK STAR MIMI WEBB ANNOUNCES 2022 EUROPEAN TOUR TODAY

DEBUT EP SEVEN SHADES OF HEARTBREAK COMING SOON

Proving to be an unstoppable force in 2021 with hundreds of millions of streams and tastemaker praise, UK pop singer and songwriter Mimi Webb reveals the dates for her 2022 European headline tour. The six-week run kicks off January 19 at Melkweg, OZ in Amsterdam, Netherlands, visits major markets across Europe, and concludes back at O2 Shepard’s Bush Empire in London, UK. Check out the full confirmed itinerary below. It will be her first European jaunt in support of her debut Seven Shades of Heartbreak EP.

About the tour, Mimi shared, “I’m incredibly excited to head out on my first ever UK/European tour and get to meet the fans in all the different cities for the first time!”

Fans who pre-order Seven Shades of Heartbreak to receive access to the exclusive tour pre-sale, launching Wednesday, September 15 at 9am GMT/2am PT/5am ET. General on-sale begins Friday, September 17 at 9am GMT/2am PT/5am ET on her official website.

Mimi’s newly released single “24/5,” sets the stage for her upcoming debut EP, Seven Shades of Heartbreak coming October 22nd. Listen to “24/5” here.

The project will also include the international hits “Good Without” and “Dumb Love.” Together, they’ve already clocked over 200 million streams. Both songs notably held spots in the Top 15 on the UK Singles Chart at the same time marking Mimi Webb as the first UK female artist, since Dua Lipa in 2017, to have two singles in the UK Top 15 before the release of her debut album.

Pre-order Seven Shades of Heartbreak here. Stay tuned for more from Mimi Webb soon. Don’t miss her on the road!

2022 TOUR DATES

JANUARY 

1/19    TOUR DATE @ Melkweg OZ (Amsterdam, Netherlands)

1/22    TOUR DATE @ Hotel Cecil (Copenhagen, Denmark)

1/25    TOUR DATE @ Nalen Klubb (Stockholm, Sweden)

1/27    TOUR DATE @ Stage Club (Hamburg, Germany)

1/28    TOUR DATE @ Bi Nuu (Berlin, Germany)

1/30    TOUR DATE @ CBE (Cologne, Germany)

FEBRUARY

2/1      TOUR DATE @ AB Club (Brussels, Belgium)

2/2      TOUR DATE @ Les Etoiles (Paris, France)

2/17    TOUR DATE @ Wardrobe (Leeds, UK)

2/18    TOUR DATE @ O2 Academy 2 (Liverpool, UK)

2/20    TOUR DATE @ Academy 2 (Manchester, UK)

2/21    TOUR DATE @ Academy (Dublin, Ireland)

2/23    TOUR DATE @ St Luke’s (Glasgow, UK)

2/24    TOUR DATE @ Uni (Newcastle, UK)

2/26    TOUR DATE @ O2 Academy 2 (Birmingham, UK)

2/27    TOUR DATE @ Trinity (Bristol, UK)

2/28    TOUR DATE @ O2 Shepard’s Bush Empire (London, UK)

About Mimi Webb
Mimi Webb projects a voice as magnetic, massive, and magical as her personality. As “the girl next door” with a hell of vocal range, she’s quick to laugh, will let you know precisely what’s on her mind, and isn’t afraid to be heard. Originally hailing from the UK town of Canterbury, the pop singer and songwriter turns up the volume on every emotion with skyscraping runs and open-heart honesty.

Inspired by the likes of Amy Winehouse, Emelie Sandé, and Sam Smith, she started writing songs of her own at 13-years-old in diaries before eventually learning guitar. Around the same time, she enrolled in The BRIT School—known for alumni such as Adele, Amy Winehouse, Jessie J, and more. Three years later, she left home, moved in with a host family, and attended the prestigious BIMM [British Institute of Modern Music]. In 2019, she uploaded a handful of early compositions and collaborations online, landed management, and inked a deal with Epic Records. Mimi Webb’s impromptu acapella videos exploded with over 20 million views on TikTok, paving the way for a string of original fan favorites such as “Before I Go,” “I’ll Break My Heart Again,” “Reasons,” and “Good Without.” After amassing over 200 million streams, both of her recent singles “Dumb Love” and “Good Without” peaked in Top 15 on the UK Singles Charts GIVĒON WINS BEST POP VIDEO AT 2021 MTV VMA’S!, with the latter steadily climbing up the Top 40 of Billboard’s Adult Airplay and Mainstream Airplay charts.

Music Week also recently announced Mimi Webb as the newest addition to their BBC Radio 1’s Brit List. The prestigious offering comes after selling out her first upcoming UK Tour this Fall and receiving widespread acclaim from Wonderland, teenVOGUE, Refinery 29, Euphoria, CLASH, FLAUNT, Consequence of Sound and more. With a voice just loud enough to give you goosebumps, get ready for more of Mimi Webb in 2021.

TOBi Off The Drugs album cover fro Sarah Weinstein Dennison, RCA Records for use by 360 Magazine

TOBi × Mick Jenkins – Off The Drugs

Winner of the 2021 Juno Award for Best Rap Recording of the Year for his project Elements, Vol. 1, Canada-raised/Nigeria-born TOBi and Mick Jenkins today release an old school groove “Off The Drugs” via Same Plate/RCA Records.

Listen/watch the lyric video here.

Speaking on the inspiration behind the song, TOBi says, “When I smoke, I see things clearer and I’m way more aware. So I’m intentional about how I use it. I think more money should go into researching things like cannabis and mushrooms for their healing properties. Just the way I look at it, so many things are actually drugs—alcohol, gambling, even social media cuz it affects brain chemistry, but all that shit is legal. Whereas things that can legitimately heal if properly understood and done correctly are stigmatized, it’s wild. Mick came thru and bodied the verse as he should, and we’ve got a video on the way too. I just wanna live life to the fullest and enjoy this while it lasts. Life to me is a good trip if you let it be.”

The slow burning track follows a handful of TOBi’s singles  “Come As You Are” featuring Baby Rose and “Don’t Touch!” which Complex heralded for its “smooth production…elevating (TOBi’s) empowered musings on the hairy side of the Black experience to new heights.”

His re-working of track “Family Matters” with Flo Milli was described as a “dynamic” and “impassioned reboot” (Atwood) and Highsnobiety declared it a “formidable pairing.”

ABOUT TOBi

TOBi released his music project ELEMENTS, Vol. 1 in fall 2020, heralded by the critics, combining hip-hop, R&B, soul, grime & Afrobeats. The project features some of TOBi’s favorite producers & musicians worldwide and embodies the sounds and music that have influenced his artistry. TOBi was voted by Complex Magazine as “a top artist to watch” and has received critical praise from Interview MagazinePitchfork, Vogue, Teen Vogue, L’Officiel, Paper, Billboard, Rolling Stone, Clash, OkayAfrica, Flaunt, Exclaim!, Refinery29, Essential Homme, COLORS, and many more. The rising star announced his partnership with Same Plate Entertainment/RCA Records last year and has enjoyed over 49 million streams globally. Prior to ELEMENTS, TOBi released his debut album STILL in May 2019 followed by a deluxe edition, exploring themes of vulnerability, post traumatic growth, self-reflection and masculinity in his time emigrating from Nigeria to Canada. STILL’s release was followed by two new singles “Holiday” produced by !llmind, “Paid,” the “City Blues Remix” featuring The Game, the “180 Remix” featuring Kemba and the “24” remix featuring all Torontonians SHAD, Haviah Mighty, Jazz Cartier and Ejji Smith.

TOBi has cited the work of Gil Scott-Heron, Frank Ocean, Kendrick Lamar, Marvin Gaye, Eartha Kitt, Florence and the Machine, and Andre 3000 as some of the artists who have inspired his work, particularly his lyrics.

Follow TOBi:

Instagram – Facebook – Twitter – YouTube – Spotify – Apple

 

CLAIRE ROSINKRANZ "6 In a Billion" EP imagefrom Republic Records Media via Danielle Gonzalez at Universal Music Group

CLAIRE ROSINKRANZ – 6 OF A BILLION

GEN Z POP PHENOM CLAIRE ROSINKRANZ RELEASES NEW EP: 6 OF A BILLION

LISTEN TO 6 OF A BILLION HERE

“”Remi Wolf and Benee fans, take note of TikTok breakout Claire Rosinkranz, who will surely be your next favorite.” – Billboard

“2020 may have been a banner year for Rosinkranz, but it’s a culmination of the work she’s put into her craft.” – American Songwriter

After building anticipation for its arrival, Gen Z singer-songwriter Claire Rosinkranz releases her anxiously awaited sophomore EP, 6 Of A Billion, today via slowplay/Republic Records.

Listen to 6 Of A BillionHERE.

She heralded the project with her most recent single “Boy In A Billion.” In a week, it has already amassed over 1 million total streams. Attracting critical praise, The Honey Pop fittingly described Claire as “what’s next in pop music.” In addition to plugs from DORK and more, Clash raved the track “underlines her alt-pop prowess.” The project also boasts “Frankenstein,” which has reeled in 6 million streams and counting.

The EP could double as the ultimate Gen Z teen flick with the star as its narrator. The opener “Hotel” glides on a bouncy beat wrapped in sunny guitar as she details the art of sneaking out (without getting caught) and promises, “One day I’ll write a story that’ll sit on a shelf about partying with my friends at some random hotel.” On the opening track, Claire says, “I wrote this song about the feeling of sneaking out, partying with friends, driving fast and eating pasta.”

Her voice seesaws over a sparse riff on “Pretty Little Things” as she laments with a soft croon, “All these pretty little things in life we have to learn to ignore. Everything culminates on the jazz-y feels of “LAX.” Her powerful delivery echoes in tandem with a bold horn section on one last crescendo.

Check out the full tracklisting below.

Claire definitely asserts herself as one of a billion and a new kind of pop outlier! Stay tuned for more soon.

6 Of A Billion Tracklist

  1. Hotel
  2. Pretty Little Things
  3. Boy In A Billion
  4. Fall Apart
  5. Frankenstein
  6. LAX

ABOUT CLAIRE ROSINKRANZ

Southern California singer, songwriter, ballerina, and multi-instrumentalist Claire Rosinkranz grafts the Gen-Z coming-of-age experience onto quirky D.I.Y. soundscapes often cooked up by her dad in the garage. Within a year, the 17-year-old phenomenon has eclipsed over half-a-billion total streams and received widespread acclaim courtesy of Rolling StoneVarietyCoup de MainBuzzfeedGenius, and more. OnesToWatch championed her as one of its “Top Artists To Watch in 2021, while New York Times and Billboard named her breakout anthem “Backyard Boy” among “The Best Songs of 2020. Speaking of “Backyard Boy,” it inspired over 3 million TikTok videos and fueled the trailer for Amazon’s The Map of Tiny Perfect Things. Along the way, she collaborated with the likes of Jeremy Zucker, Role Model, and Clinton Kane and earned the support of Olivia Rodrigo, Tai Verdes, Lexi Jayde, and 347aidan. Now, she presents an unfiltered perspective on being a teen through her 2021 sophomore EP introduced by the lead single “Frankenstein.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

James Vincent McMorrow photo via Amanda Zimmerman for use by 360 Magazine

James Vincent McMorrow × Paradise

James Vincent McMorrow shares the music video for Paradise from his upcoming album, Grapefruit Season, to be released on September 17.

“McMorrow has a soul voice to cherish” – Guardian

“The ever-shifting Irish singer-songwriter…it works” – Sunday Times, Hottest Tracks

“A deft collaboration, with James pushing his music onto a different realm, whilst maintaining that recognizable emotional pull” – CLASH

“Lyrically raw and immensely quotable” – The Forty Five

James Vincent McMorrow shares the video for new single Paradise, which is available now via Sony Music UK/RCA Records. Paradise is the latest taste of James’ much-anticipated new album Grapefruit Season – which also features teaser singles Headlights, Gone, and I Should Go (with Kenny Beats) – and is now set for release on September 17.

Produced by James alongside Paul Epworth and Lil Silva, Paradise is about pretending everything is fine when, beneath the surface, it really isn’t. Initially struggling to find its visual concept, the Paradise video started as an off-hand remark (“why don’t I just dig out my rollerblades and film myself learning to skate again in the park behind my house?”) but now feels like the perfect fit to the track’s uplifting, feel-good but melancholic center.

Paradise further previews Grapefruit Season, James Vincent McMorrow’s upcoming, fifth studio album – and one in which the artist, producer, and songwriter pushes himself (and his sound) in all new ways. The record was recorded between London, Los Angeles, and Dublin, largely before the pandemic struck. It embraces the timeless yet timely fact that life is chaos; the idea of growing up, but as Paradise suggests, still feeling none the wiser. Each song is held together by McMorrow’s instantly-identifiable voice, an untethered musical imagination, and (from dancehall to soul, country to R&B) purposefully little else in its pursuit of fear-free pop music. Even the title, Grapefruit Season, seems to signpost doing simply what you want, rather than what you are supposed to do – it was inspired by James watching his mum eat grapefruit as a kid, and the idea that what’s good for you may not actually be pleasurable.

Throughout the emotional highs and lows of Grapefruit Season, you are reminded of the risks James Vincent McMorrow has taken since the singer-songwriter roots of debut album Early In The Morning (which turned ten in 2020); but also that those same instincts – to follow inspiration wherever it leads, and to be as brutally honest possible – remain a refreshing constant. Whilst there may always be trouble in Paradise, what’s emerged is James Vincent McMorrow’s most essential album to date.

James also made headlines recently playing the first concert in Ireland with a live audience since the beginning of the pandemic (tickets sold out in just 30 seconds). With festivals including Latitude and Isle of Wight confirmed to follow this summer, McMorrow’s UK and European tour for early 2022 includes a London date at Kentish Town Forum on February 21 and two homecoming shows at Dublin’s Olympia Theatre on April 19-20.

February 4 – Leuven @ Het Depot

February 5 – Paris @ Le Trianon

February 6 – Luxembourg @ Den Atelier

February 8 – Frankfurt @ Batschkapp

February 9 – Amsterdam @ Paradiso

February 10 – Hamburg @ Grunspan

February 12 – Stockholm @ Nalen

February 13 – Copenhagen @ Vega

February 15 – Berlin @ Metropol

February 16 – Cologne @ Gloria Theatre

February 18 – Manchester @ O2 Ritz

February 20 – Birmingham @ O2 Institute

February 21 – London @ O2 Kentish Town Forum

February 22 – Bristol @ O2 Academy

February 23 – Glasgow @ Barrowland Ballroom

April 19 – Dublin @ Olympia Theatre

April 20 – Dublin @ Olympia Theatre

April 21 – Belfast @ Limelight

April 22 – Limerick @ Milk Market

by Dirty Hit for use by 360 Magazine

OSCAR LANG – 21ST CENTURY HOBBY

Oscar Lang Shares Video For 21st Century Hobby, debut album Chew The Scenery Out August 13 on Dirty Hit

“Oscar Lang’s lo-fi pop tunes will worm their way into your brain and take up residence for the foreseeable future” – The Fader

“Much-needed sonic sunshine” – Notion

“Oscar Lang is the nonchalant guitar nerd about to conduct a quiet coup of bedroom pop” – The Line of Best Fit

“Oscar Lang may just be the sound of the summer we are all hoping to have” – Clash

“Ethereal sunshine pop” – The Guardian

Fast-rising London based artist and multi-instrumentalist Oscar Lang has released the video for his latest single, 21st Century Hobby, off his debut album Chew The Sceneryout August 13 on Dirty Hit. The video sees Lang surrounded by a mirage of the elements and advertisements that inundate you on social media and the toxic effects it creates. 21st Century Hobby is currently featured on a variety of top playlists including Spotify’s All New Indie, The Indie List, and Today’s Indie Rock as well as Apple Music’s New Music Daily and New In Alternative.

21st Century Hobby is a tune based on the idea of society’s obsession with sharing your life online and comparing yourself to other people,” Lang shares. “There was one point where I was spending 13 hours a week on social media, which equated to about a month every year. That was a really dark time for me – I always thought that it would never affect me, but it took some time to realize that it was subconsciously affecting my mental health.”

21st Century Hobby joins Stuck, which was written to capture the emotions and complicated feelings that are often attached to the embarrassing situations we replay in our minds, and Are You Happy?, written about a friend having a really hard timein building on the cohesive blueprint of Lang’s debut album. Chew The Scenery is his most ambitious release to date, which spans topics such as growing pains, love, romance, friendships and the pitfalls of social media on our collective mental health.

All three singles demonstrate Lang’s versatility and growth as a songwriter, highlighting Chew The Scenery’s scuzzy indie rock dynamics, psychedelic flourishes, and orchestral grandiosity. “Over the past two years the sound of my music has changed a lot, from bedroom pop to rock” Lang explains. “We recorded the album over a month up in Liverpool. It was a nice break away from the tedious lockdown in the UK as I got to spend a month away with my mates doing what I love. I think you can hear that built-up boredom being released on the record.

Chew The Scenery furthers Lang’s rise following a momentous 2020 for Lang which yielded the release of three EPs, Antidote to Being BoredHand Over Your Head and Overthunk. Lang’s Apple Juice has been featured in EA Sports game FIFA 2021 while She Likes Another Boy has found an audience on TikTok – the platform where coffee, the track Lang produced for beabadoobee, has found viral legs in Powfu’s death bed (coffee for your head), which has collected over 998 million streams on Spotify alone. Along the way, Lang has also gathered praise from SPINOnes To Watch, All Things Go, BBC Radio 1’s Jack Saunders, Annie Mac, and Huw Stephens, The FADERThe Line Of Best Fit, NME, CLASH, The Guardian, The Sunday Times and others.

Oscar Lang Chew The Scenery 

  1. Our Feature Presentation
  2. 21st Century Hobby
  3. I Could Swear
  4. Stuck
  5. Yeah!
  6. Headphones
  7. Write Me A Letter
  8. Intermission
  9. Are You Happy
  10. Quarter Past Nine
  11. Take Time Out
  12. Final Call
  13. Thank You

Available for preorder NOW.

Oscar Lang image provided by Linda Carbone for use by 360 MAGAZINE.

Oscar Lang × 21 Century Hobby

Fast-rising London based artist and multi-instrumentalist Oscar Lang has released the video for his latest single, “21 st Century Hobby,” off his debut album Chew The Scenery, out August 13 on Dirty Hit. PRESS HERE to watch the video which sees Lang surrounded by a mirage of the elements and advertisements that inundate you on social media and the toxic effects it creates. “21 st Century Hobby” is currently featured on a variety of top playlists including Spotify’s All New Indie, The Indie List, and Today’s Indie Rock as well as Apple Music’s New Music Daily and New In Alternative. PRESS HERE to listen/stream the track and PRESS HERE to pre-order Chew The Scenery.

“21 st Century Hobby is a tune based on the idea of society’s obsession with sharing your life online and comparing yourself to other people,” Lang shares. “There was one point where I was spending 13 hours a week on social media, which equated to about a month every year. That was a really dark time for me – I always thought that it would never affect me, but it took some time to realize that it was subconsciously affecting my mental health.”

“21 st Century Hobby” joins “Stuck,” which was written to capture the emotions and complicated feelings that are often attached to the embarrassing situations we replay in our minds, and “Are You Happy?,” written about a friend having a really hard time, in building on the cohesive blueprint of Lang’s debut album. Chew The Scenery is his most ambitious release to date, which spans topics such as growing pains, love, romance, friendships and the pitfalls of social media on our collective mental health.

All three singles demonstrate Lang’s versatility and growth as a songwriter, highlighting Chew The Scenery’s scuzzy indie rock dynamics, psychedelic flourishes, and orchestral grandiosity. “Over the past two years the sound of my music has changed a lot, from bedroom pop to rock” Lang explains. “We recorded the album over a month up in Liverpool. It was a nice break away from the tedious lockdown in the UK as I got to spend a month away with my mates doing what I love. I think you can hear that built-up boredom being released on the record.”

Chew The Scenery furthers Lang’s rise following a momentous 2020 for Lang which yielded the release of three EPs, Antidote to Being BoredHand Over Your Head and Overthunk. Lang’s “Apple Juice” has been featured in EA Sports game FIFA 2021while “She Likes Another Boy” has found an audience on TikTok  the platform where “coffee,” the track Lang produced for beabadoobee, has found viral legs in Powfu’s “death bed (coffee for your head)”, which has collected over 998 million streams on Spotify alone. Along the way, Lang has also gathered praise from SPIN, Ones To Watch, All Things Go, BBC Radio 1’s Jack Saunders, Annie Mac, and Huw Stephens, The FADER, The Line Of Best Fit, NME, CLASH, The Guardian, The Sunday Times and others.

Hope Tala — MAD for use by 360 Magazine

HOPE TALA — MAD

HOPE TALA REVEALS NEW SINGLE “MAD” PRODUCED BY PAUL EPWORTH AND ACCOMPANIED BY OFFICIAL VIDEO

Today, West London-based genre hybrid Hope Tala reveals her stunning new single, “MAD.” Her first new music since the release of her hotly-received recent EP, Girl Eats Sun, “MAD” sees Hope Tala build on the bossa nova-inspired R&B that has seen her cement herself as one of 2021’s artists to watch. Premiered by Annie Mac on BBC Radio 1, produced by the multi-Grammy award winning Paul Epworth (Adele, Florence + the Machine) and accompanied by a stunning video directed by Millicent Hailes, the song serves as a stellar entry point for what promises to be a breakthrough year for Hope Tala. You can listen to “MAD” HERE. You can watch the official video for “MAD” HERE.

Speaking on the release, Hope states, “I wrote ‘MAD’ about having feelings of frustration and hysteria in a long-distance relationship. It’s about being unable to communicate properly and feeling lost in loneliness—so it’s ironic that I wrote most of the song a week or two before the first lockdown started in the UK. Foreshadowing, almost.”

At this point in her career, Hope has already earned the endorsement of Barack Obama, fronted the Apple x Gay Times Elevate campaign, been spotlighted as a 2021 Vevo DSCVR Artist and has had her music streamed over 30 million times, all while garnering acclaim from Billboard, Clash, Dork, GQ, MTV, Notion, Refinery29, The Line Of Best Fit, Vogue, Wonderland and plenty more.

Music has surrounded Hope for as long as she can remember. Every Saturday growing up, she attended music school, learning the clarinet and performing in orchestras and wind bands. As part of an audio class, she learned Logic, and at 14-years-old, she taught herself guitar. Upon gaining proficiency with recording, she uploaded “Peace Freestyle” to Soundcloud in 2016. Following a post by Instagram creative platform Art Hoe Collective, Illegal Civilization founder Mikey Alfred discovered the track and spun it on Pharrell’s Apple Music Beats 1 radio show. This recognition made Hope realize she “could pursue music as more than just a hobby.” 2018 saw the release of her Starry Ache EP, and she released her Sensitive Soul EP a year later. “Jealous,” “Anywhere” and “D.T.M.” each gained traction on DSPs, as “Lovestained” eclipsed 18.2 million streams. Rolling Stone placed the latter at #8 on its “50 Best Songs of 2019.” Everything paved the way for Girl Eats Sun, released in 2020.

Arriving in 2021 as one of the UK’s brightest lights, Hope Tala looks set to establish herself as a vital new global artist with her upcoming body of work. Look out for more very soon.

ABOUT REPUBLIC RECORDS:

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Nothing but Thieves "Futureproof" image via Mikkelson, Kirsten, RCA Records.Photo Credit: Frank Fieber for use by 360 Magazine

NOTHING BUT THIEVES – FUTUREPROOF

RELEASE NEW SINGLE & VIDEO

THIRD ALBUM ‘MORAL PANIC’ OUT NOW

AUTUMN 2021 UK, IRELAND AND EUROPEAN TOUR ON SALE NOW

“Political turmoil, climate change, and the toxicity of the internet all pour into Nothing But Thieves record Moral Panic.” TLOBF

The band achieve another phenomenal album” Clash

“This is the sound of a band who understand their audience but also delight in taking risks” Gigwise

“A living, breathing, and characteristically anthemic, beast of an album” Music OMH

LISTEN/EMBED HERE.

Following the release of their #3 acclaimed third album Moral Panic last year, Southend five-piece Nothing But Thieves have released their dark and explorative new single and video Futureproof via Sony Music UK/RCA Records, which was premiered on BBC Radio 1 last night as Annie Mac’s Hottest Record in the World.

Nothing But Thieves are a band that continue to evolve their sound, and new single Futureproof sees them experiment further whilst remaining authentically them. Produced by Richard Costey (Biffy Clyro, Foo Fighters, Muse) and recorded between London’s RAK Studios and guitarist/keyboardist Dom’s home studio, it is a sinister, dynamic and unpredictable track that examines the meaning of self-preservation through powerful lyrics. The video, directed by Jake Jelicich, sees the band bathed in an auburn glow giving an intense performance that is filmed chaotically, matching the energy and uneasiness of the song. The band say;

“’Futureproof’ is about self-preservation; what that means to different people and the lengths that those people would go to achieve it. 

It’s designed to be a guitar rock and hip-hop hybrid. That can be a bit of an eye roller and it’s easy to get wrong, but there’s a parallel between some of our heavier songs and the more aggressive side of hip-hop, which we wanted to try and get at. It’s dark and chromatic and then it’s mixed like a hip-hop track with loud drums and vocals. The idea was to try and explore that territory in the most authentic and fresh way.”

Futureproof follows the singles Is Everybody Going Crazy?, Real Love Song and Impossible released last year from their third album Moral Panic, which achieved over 102 million streams and saw support from the likes of BBC Radio 1, Virgin Radio and Radio X alongside winning Best Indie Act at Global Radio’s 2021 Awards. The album was a poignant moral outcry on the world tinged with emotion, anger and hope, which thematically touched on climate change, anxiety around social media, political chaos and an overall desire to switch off. Moral Panic followed their 2018 EP What Did You Think When You Made Me This Way, their 2017 acclaimed album Broken Machine, which charted at #2 in the UK album chart, and their debut self-titled album Nothing But Thieves.

The past few years have been quite a ride for Nothing But Thieves. Amassing over 1 million worldwide album sales and over 907 million worldwide streams, they have built up a loyal and wide following for their impactful alt rock sound, cementing themselves as one of the best current rock bands in the world. Selling 150,000 tickets on their last album campaign, which included a sold-out show at London’s Alexandra Palace and selling out their entire worldwide Broken Machine headline tour, their success has been global.

The band have performed on US TV shows, such as James Corden and Jimmy Kimmel, after their debut became the bestselling debut from a UK rock band in the US in 2015 and played packed out international shows from Poland to Amsterdam, where they headlined an arena to 6,000 fans. After intimately debuting new songs early last year for a BRITs/War Child gig, they were set to tour internationally last Spring, including a show to 6,500 people at Moscow Adrenaline Stadium.

Following 3 livestream performances Live from the Warehouse last year to launch Moral Panic, they are finally bringing songs from the album to live audiences this Autumn with a UK, Ireland and European tour, including their biggest ever headline London show at O2 Arena. With a well-earned reputation for their energetic, impassioned and infinite live shows, it’s a tour not to be missed. Full dates are as follows:

September 2021

Thurs 30th         Dublin                Olympia

October 2021

Sat 2nd                Belfast               Ulster Hall

Wed 6th              Plymouth          Pavillions

Thurs 7th            Cardiff                Motorpoint Arena

Fri 8th                  London              O2 Arena

Sun 10th             Birmingham     O2 Academy – sold out

Mon 11th           Glasgow            Barrowland – sold out

Tues 12th           Glasgow            Barrowland – new date added

Thurs 14th         Manchester     O2 Victoria Warehouse – sold out

Fri 15th               Manchester     O2 Victoria Warehouse – new date added

Sat 16th              Nottingham     Motorpoint Arena

Mon 18th           Barcelona         Razzamataz 2

Wed 20th           Paris                   Casino de Paris

Sun 24th             Wiesbaden       Schlachtohof

Tues 26th           Leizig                  Täubchenthal

Thurs 28th         Berlin                 Columbiahalle

November 2021

Tues 2nd             Munich              Tonhalle

Wed 3rd             Milan                 Fabrique

Fri 5th                  Zurich                 Halle 622

Sat 6th                 Luxembourg    Atelier

Mon 8th              Copenhagen    Amager Bio

Tues 9th              Stockholm        Fryhuset

Thurs 11th         Köln                    Palladium

Fri 12th               Amsterdam      Ziggo Dome

Nothing But Thieves are Conor Mason (vocals, guitars), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboard), Philip Blake (bass guitar) and James Price (drums).

To Listen/Watch “Futureproof”:

Multi – HERE

To Buy/Stream Moral Panic listen HERE.

*Photo Credit: Frank Fieber

Headphones Illustration x Heather Skovlund x STACEY x Saturn Return for use by 360 Magazine

STACEY x Saturn Return

LA-based indie pop singer, songwriter and Wurlitzer enthusiast, STACEY, is sharing her retro-celestial, debut album, Saturn Return, with the universe this Friday, May 21. Saturn Return a time of aligning with one’s true path is a musical cruise from 60s psychedelic day-trips to glossy 70s daydreams, and STACEY crystallizes the nostalgic longing of golden age pop records into lyrical refractions for the modern era. With previous singles “The Songwriter,” “One Woman,” “D.M.T” and “Far Away,” the energy of “That 70s show chic” (LADYGUNN) and “Psychedelic pop with a modern twist” (Wonderland Magazine) has been illuminated in full technicolour already and tmrw Magazine says, “If the goal was to enchant us all into anticipating the upcoming album, it has certainly worked.”

Today, STACEY shares the final single before the album comes out. “Strange (But I Like It)” is the crux of STACEY’s Saturn Return journey – leaving one’s home planet in pursuit of finding oneself and also finding a few fellow alien friends. The official music video is STACEY’s directorial debut, a 60s space-age Barbarella-inspired voyage. It is weird, tripped out, fashion, and a totally fun ride. Strange, yet so likable, the video features a Playboy-inspired 1970s Futuro house, a band of STACEYs, an alien entanglement, and so much more.

On the latest single, STACEY says, “I’m so proud of this video as my directorial debut. Being an indie artist in a pandemic, I took on many roles to keep the team small and safe; I figured I’d just be my own band, so I learned all the instruments. I also produced, styled, art directed, and set decorated.

Stylistically, I borrowed elements from classic films like Barbarella (1968) and The 10th Victim (1965). I also got really into space age-era fashion designers like Pierre Cardin and Rudi Gernriech, styling each of the band characters in authentic pieces of theirs. The singer’s dress however I had custom made. I dove deep into space-age design and architecture and was over the moon to connect with the owner of the yellow Idyllwild Futuro home. It was a dream to shoot there.

I wanted to tell the story of traveling to a new place on your own, how it can be a bumpy start but eventually, you find your fellow weirdo alien friends and begin to feel at home in yourself and amongst your like-minded community. It represents one of the most pivotal journeys of my Saturn Return.”

Her face has graced 12 billboards in Los Angeles and her music has been heard on Netflix’ Spinning Out, Lucifer (x3), Orphan Black (x2), MTV Scream, Degrassi, Wynonna Earp, iZombie, Teen Mom: Young & Pregnant (x4) and more. She’s performed virtually for Home School by It’s a School Night x BandsInTown, and prior to the pandemic, she was playing with greats like Cameron Avery of Tame Impala, Tamino and Charlotte Day Wilson.

With over a million streams on Spotify last year, several handfuls of playlist placements (like New Music Friday x3, Fresh Finds x3 and more), and a cover spot of Spotify’s “Outliers” playlist, not to mention lots of love from Apple Music as well, it’s clear that STACEY is one to watch in 2021. In fact, Ones to Watch raves, “STACEY’s voice dazzles,” and Clash muses over her “Wistful, summer-fresh songwriting.” Well, in that case, her debut album is arriving right on time for Summer 2021. Stay tuned for more STACEY.

WATCH THE “STRANGE (BUT I LIKE IT)” VIDEO HERE

LISTEN HERE

Photo by Mikayla Miller courtesy of Big Hassle x STACEY x Saturn Return for use by 360 Magazine

photo of STACEY

STACEY x Saturn Return x Big Hassle x Leigh Greaney and Michael Eisele for use by 360 Magazine

Album Cover for STACEY’s new album Saturn Return

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE