Posts tagged with "wonderland"

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Carmen Deleon & Cali Y El Dandee illustration by Heather Skovlund for 360 Magazine

Carmen Deleon × Cali Y El Dandee

Rising Latin pop sensation Carmen DeLeon teams up with Colombian pop-urban brother duo Cali y El Dandee on her new single, Pasado, released today by Capitol Music Group and Universal Music Latin Entertainment, Pasado (which means past) sets DeLeon’s gorgeously raw vocals to a powerfully swinging beat. Cali y El Dandee add a poignant, soulful verse. To date, Cali y El Dandee, Alejandro Rengifo and Mauricio Rengifo, have amassed more than five billion combined streams and exceeded 10.7 million monthly listeners on Spotify. Their YouTube channel has generated more than 2.4 billion views.

Mauricio Rengifo and Andres Torres, who have produced multi-Platinum hits like Luis Fonsi’s Despacito; produced the track. Download / stream Pasado (feat. Cali y El Dandee) HERE.

Carmen DeLeon recalls, “Pasado was written with my friends Mauricio, Alejandro, and Andres and was inspired by a breakup with my boyfriend. I was no longer in a relationship with him but was reliving the times I had with him in the past and wondered what it would be like to be with him again. The song tells the story of being okay with missing that person, while reassuring the listener to be with a person that will really love and respect you.”.

Cali y El Dandee add, “We are delighted to have collaborated with Carmen. She has a tremendous voice we can’t wait for the world to see her talent.

Pasado follows DeLeon’s early 2021 single, Cafecito, a bittersweet track that she wrote in memory of her grandfathers, and Juegas, her collaboration with acclaimed Colombian artist FEID. Upon its release, Juegas was featured on numerous NMFs across Spotify and has now amassed more than two million combined global streams. Billboard, which named DeLeon as one of 20 Latina Artists to Discover Before 2020 Ends, noted, “Juegas is a medium-tempo reggae/pop charmer; If this is going to be DeLeon’s brand of pop, we’ll happily take it.”.

The nineteen-year-old artist recently joined three-time GRAMMY-winner Ne-Yo on Shake, a dance-floor anthem from DJ/producer L.L.A.M.A., who was recently introduced by Universal Music Group’s Astralwerks label and the LEGO Group. View the official video for Shake HERE.

Born in Venezuela and now based in Miami, DeLeon has amassed over four million streams since she released her debut single, Volveras less than a year ago. Wonderland noted, “Sharing her struggles with anxiety, the highs and lows of these uncertain times and how it’s okay not to be okay, DeLeon brings her Latin roots to the fore on the laid-back tune, reminding us all exactly why she’s a force to be reckoned with”; Euphoria said, Carmen DeLeon commands the world as her stage with fiery gusto and an undeniable sense of positivity.

Sam Fischer shares new single - For Now

Sam Fischer shares new single – For Now

“Although so many of his songs are deeply personal, his storytelling can be universally appreciated and understood.” Wonderland

“A Lewis Capaldi-flavoured sad song about the difficulties of adapting to LA life” Vogue

“One of the most exciting new artists to date” 1883

“An emerging talent that is singing his way into the hearts of millions Spindle

LISTEN: FOR NOW

Following the huge success of his global smash hit This City and recent project Homework, Sam Fischer has shared his new single For Now, available now through RCA Records.

Always wearing his heart on his sleeve and with sincerity in both his lyrics and conversations, his recent project Homework is a cathartic body of work, which acknowledges the moments in life that Sam has struggled to deal with and how these situations have changed him for the better. Through each of the six songs, he takes the listener through each situation with him in a relatable, personable and emotive journey. 

Beginning as a TikTok sensation and quickly cementing itself in hearts and heads around the world, the emotive and heartfelt This City now stands at over 250 million worldwide streams, 2 million worldwide sales and over 10 million video views. It has been certified Silver in the UK with a Top 20 chart position, which steadily climbed over 19 weeks, receiving radio support from Radio 1, Radio 2 (B List), Capital, Virgin and Bauer alongside TV performances on Jimmy Kimmel Live, The Late Late Show with James Corden and The Ellen DeGeneres Show. Sam followed the release with five remixes of This City featuring Anne-Marie, Kane Brown, Nea, Nico Santos and Camilo, which culminated in the These Cities Project.

New single For Now is the signature Sam Fischer in its beautiful fragility, meaningful emotion and heartfelt lyrics. It is a track that envelopes you and your thoughts in the relatable experience of love coming to a necessary end.

“Imagine ending things with the person you thought you would spend your life with, not because of any reason other than that you were bad for each other,” Sam said. “Then, not wanting to let them go from your life you keep hanging out as friends, even though the love remains, until it becomes too much to bear and you have to say to them that you can’t see them at all anymore.

“For Now is the conversation where I break up with the toxic tendencies I’ve been leaning on to get through the day. The other side of it, is that I’ve been working on a lot of new music and think this song is a banger and wanted to put something out to finish off an unbelievable year!”

Australian born Sam Fischer first introduced himself with his Not A Hobby EP and has garnered incredible attention through his soulful voice and heartfelt lyrics. Touring North America with his friend Lewis Capaldi, he wowed crowds with his buoyant personality and pure love and talent for song-writing. Now based in LA, he not only has received acclaim for his own work, but he continues to solidify his spot as one of the hottest current writers, having worked with global pop superstars including Ciara, Lennon Stella, Louis Tomlinson, Elle King, Jessie J, Virginia To Vegas and many more.

Hope Tala by Rosie Matheson for EP Girl Eats Up Sun as announced by 360 MAGAZINE.

Hope Tala x Anime – Cherries

Today, London-based up and comer Hope Tala reveals the official video for her latest single, “Cherries” feat. Amine, which is taken from her stunning new EP Girl Eats Sun, out now. The video was directed by Anna Fearon.

WATCH THE VIDEO FOR “CHERRIES” FEAT. AMINE HERE!
LISTEN TO GIRL EATS SUN HERE!

Girl Eats Sun solidifies Hope Tala as an artist set to do big things in 2021. The EP has already received praise from Billboard, Clash, Dork, MTV, Notion, The Line Of Best Fit, Wonderland and more, with LADYGUNN proclaiming, “Girl Eats Sun is a forever vibe,” and Euphoria Magazine stating, “Girl Eats Sun is a pure embodiment of the energy brought into it.”

With her unique blend of R&B and bossa nova, Hope Tala has crafted a sound that already feels recognizable to her, and there is plenty more on the way. Speaking on “Cherries,” Hope Tala states:

“Since I started writing music, I’ve used fruit imagery; I’ve always been inspired by the Garden of Eden and the story of Adam and Eve. I think of ‘Cherries’ as being a really corporeal song –  there’s a lot of lyrical content about how the body portrays feeling and emotion, and when I was writing it I used the symbol of cherries as my focal point to help me understand where these two worlds – material and emotional – collide.”

With EP track “All My Girls Like To Fight” currently spinning across BBC Radio 1 as Introducing Track Of The Week, Hope Tala has had a prolific couple of months, returning after a year away to reveal “All My Girls Like To Fight” and “Crazy” to widescale plaudits from press around the globe, as well as featuring on key Spotify playlists Pollen & Alternative R&B. Girl Eats Sun is the follow up to Hope Tala’s stellar EP Sensitive Soul, a project acclaimed by areas such as Rolling Stone, Vogue and more and featuring Hope Tala’s breakthrough single “Lovestained,” a track which has racked up over 10 million streams since last year. Speaking on Girl Eats Sun, Hope Tala explains:

“At the core of ‘Girl Eats Sun’ is an assertion of confidence and boldness. The title is a paraphrase of ‘if you can’t take the heat, get out of the kitchen’ – as the girl eating the sun I’m daring and fearless. I chose this title because I feel as if the songs and stories on this project are more vivid and inventive than anything I’ve released thus far, and I’ve pushed my sound in different, exciting directions.”

Now represented by Dina Sahim and Wassim “SAL” Slaiby at SAL&CO (The Weeknd, Doja Cat, Brandy, Bryson Tiller), Hope Tala is ending 2020 with a flourish. Look out for more in 2021.

Image courtesy of Rosie Matheson and Republic Records

Mae Muller – dependent

Mae Muller dropped a brand new music video Wednesday for her song “dependent.”

The new video from the North London-based singer is directed by Sophia Ray, who has worked with artists like Lily Allen, Ty Dolla $ign and Amber Mark. You can see it by clicking right here.

Muller said this is one of her favorite videos she has ever done.

“I loved collaborating with the super talented Sophia Ray and the team that brought the concept of the song to life. The looks, the dancers, everything is on point! I really wanted to do this song justice with a stunning video and feel like we’ve really achieved that,” Muller said.

The song opens her debut EP, which is titled “no one else, not even you,” and it takes a look at the joy of finding love in combination with the fear of losing your individuality. The EP contains eight tracks and showcases Muller’s undeniably fearless and fun style of pop music.

She said she wrote the song at the beginning of a relationship at a time during which she could feel herself falling in love but felt scared at the same time.

“That’s what always happens when I start to fall for someone: instead of going with the flow and just enjoying myself, I start to panic a bit because of the power you have to give up,” she said. “This song is me being totally honest about not wanting to become dependent on someone, because my independence is so important to me.”

The song is co-written by Henrik Michelson of Electric, and it is produced and written with help from Rick Nowels, Jimmy Napes, Skyler Stonestreet and Kenny Beats.

At 23 years old, Muller has already racked up more than 100 million global streams and has been featured on Spotify’s New Music Friday and Apple Music’s A-List Pop, In My Room, Future Hits and more.

She also sold out a 2020 headline tour of the United Kingdom, proving her ability to build a fan base around the entire world.

Critics and press are also loving Muller.

GQ said, “Mae Muller’s witty and brutally honest lyrics set her apart from her peers.”

Flaunt said, “Mae Muller is your new favorite singerߪHer goal is to be a spokeswoman for this new generation, unveiling layers of authenticity, talent, beauty and confidence.”

Wonderland called her a “clear pop sensation in the making,” while The Guardian said listeners can “expect an abundance of attitude.”

You can learn more about Mae Muller by clicking right here. You can also follow her on Facebook, Twitter and Instagram.

Hope Tale - "Girl Eats Sun"  EP

Hope Tale – “Girl Eats Sun”  EP

Today, London-based up and comer Hope Tala continues to build the heat around her name with the reveal of her stunning new EP, Girl Eats Sun, featuring standout Aminé-collaboration, Cherries.”

LISTEN TO GIRL EATS SUN HERE!

Girl Eats Sun solidifies Hope Tala as an artist set to do big things in 2021. With her unique blend of R&B and bossa nova, Hope Tala has crafted a sound that already feels recognizable to her, and there is plenty more on the way.

“Since I started writing music, I’ve used fruit imagery; I’ve always been inspired by the Garden of Eden and the story of Adam and Eve,” Hope Tala states, speaking on ‘Cherries.’ “I think of ‘Cherries’ as being a really corporeal song –  there’s a lot of lyrical content about how the body portrays feeling and emotion, and when I was writing it I used the symbol of cherries as my focal point to help me understand where these two worlds – material and emotional – collide.”

With EP track “All My Girls Like To Fight” currently spinning across BBC Radio 1 as Introducing Track Of The Week, Hope Tala has had a prolific couple of months, returning after a year away to reveal “All My Girls Like To Fight” and “Crazy” to widescale plaudits from Billboard, Refinery29, MTV, Wonderland, The Line Of Best Fit, NOTION, DORK and CLASH, as well as featuring on key Spotify playlists Pollen & Alternative R&B. Girl Eats Sun is the follow up to Hope Tala’s stellar EP Sensitive Soul, a project acclaimed by areas such as Rolling Stone, Vogue and more and featuring Hope Tala’s breakthrough single “Lovestained,” a track which has racked up over 10 million streams since last year. 

“At the core of ‘Girl Eats Sun’ is an assertion of confidence and boldness,” Hope Tala explains, speaking on Girl Eats Sun. “The title is a paraphrase of ‘if you can’t take the heat, get out of the kitchen’ – as the girl eating the sun I’m daring and fearless. I chose this title because I feel as if the songs and stories on this project are more vivid and inventive than anything I’ve released thus far, and I’ve pushed my sound in different, exciting directions.”

Now represented by Dina Sahim and Wassim “SAL” Slaiby at SAL&CO (The Weeknd, Doja Cat, Brandy, Bryson Tiller), Hope Tala is ending 2020 with a flourish. Look out for more in 2021.

Connect with Hope Tala on Spotify, Apple, YouTube, Instagram, Twitter and Facebook

Carmen DeLeon releases new single X video – Juegas

Carmen DeLeon is joined by acclaimed Colombian artist FEID on her new single, “Juegas,” a playful, romantic ode to the start of a new relationship.

View “Juegas” Official Video HERE

Paired with a pop-infused beat, the song’s lyrics evoke the “butterflies in the stomach” deeling that are a hallmark of infatuation. Listen to “Juegas,” which was released today by Capitol Music Group and Universal Music Latin Entertainment, HERE.

Earlier this month, FEID received TWO 2020 LATIN GRAMMY nominations for BEST REGGAETON PERFORMANCE and BEST URBAN MUSIC ALBUM, both recognizing the success of his collaboration with Justin Quiles on PORFA and his breakthrough album, FERXXO (VOL. 1: M.O.R.).

“Juegas” is the follow-up to “Volver,” the summer 2020 single that launched Carmen DeLeon’s career. She and FEID wrote the new song with Maxium, Mista Bombo, Leon Yamil and Jonathan Tobas. It was produced by Maxium, Mista Bombo and Leon Yamil.

“Juegas” is as authentic as it comes, especially when DeLeon describes what she draws inspiration from and how she puts pen to paper.

Carmen DeLeon says, “I wrote “Juegas” one night in Miami around one a.m. with one of my best friends. I wanted to write a love song that focused on the need to give and receive in a relationship. To me, that’s the best part of living life with a partner. I hope that people feel inspired when they hear this song and understand the importance of giving and receiving.”

Directed and produced by Gian Rivera (aka “Death of Gian”), who helmed Feid‘a video for “PORFA (Remix),” the official video for “Juegas” was shot in Miami and is infused with the kind of energy and enthusiasm that is characteristic of DeLeon’s style and artistic sensibility. Much like the theme of reciprocity that DeLeon highlights, the song’s combination of vibrant beat, melody and lyrics remind listeners that music is the ultimate antidote. Watch the video HERE.

Volver,” Carmen DeLeon’s debut single, has already amassed more than 800,000 combined global streams. It was produced by Tainy, the Puerto Rican mastermind who’s been responsible for some of the biggest hits in reggaeton and trap. In a few short months, DeLeon has grown a considerable following on her social channels, with 30,000 monthly listeners on Spotify and more than two million views on her YouTube channel. Born in Venezuela, she is now based in Miami.

Euphoria said, “Carmen DeLeon commands the world as her stage with fiery gusto and an undeniable sense of positivity. Further proving her right as music’s next breath of fresh air, the spry 19-year-old artist masters the microphone with “Volver,” a fiery ode to budding passion and power.”

Wonderland noted, “Sharing her struggles with anxiety, the highs and lows of these uncertain times and how it’s okay not to be okay, DeLeon brings her Latin roots to the fore on the laid-back tune, reminding us all exactly why she’s a force to be reckoned with.”

Praising the sing-along banger, Idolator declared, “Carmen DeLeon needs to be on your pop radar.”

Follow Carmen DeLeon:

Instagram | YouTube | Facebook | Twitter

Peter Manos makes a brief appearance in 360 MAGAZINE

Peter Manos Performance

Peter Manos releases incredible live performance video, Do You Turn Red? (Short Film). Peter’s debut EP, Do You Turn Red?, was just released earlier this month to critical acclaim including The New York Times, Wonderland, FLAUNT Magazine and more. His debut single “In My Head” has 300+ million streams and was named a ‘Song You Need To Know’ by Rolling Stone.

 The six songs were shot in different outdoor settings around Lancaster, CA – a town located 70 miles north of downtown Los Angeles in the Antelope Valley region of the western Mojave Desert. While bisected by a freeway, the area still abounds with rugged, open spaces. Over the decades, it has drawn a long succession of fearless dreamers – from Southern Pacific railroad workers to gold and borax miners to flight test pilots like Chuck Yaeger, Space Shuttle crews and solar energy pioneers.

 Follow Peter Manos: Facebook | Instagram | YouTube

Jasmine Thompson and Zedd illustrated by Mina Tocalini for 360 MAGAZINE.

Jasmine Thompson × Zedd

Grammy award-winning artist/DJ/producer Zedd and Atlantic pop singer-songwriter Jasmine Thompson have announced today’s release of “Funny,” available now at all DSPs and streaming services HERE an official companion video (directed by Jack Karaszweski) is streaming now via YouTube HERE. “Funny” marks the first new music from Zedd this year and the latest in a stunning series of new releases from Thompson.

“When I first heard Jasmine’s voice on this song, I was blown away by it and knew I wanted to work with her on ‘Funny,'” says Zedd. “There’s so much emotion and energy in this song and Jasmine’s voice captures it perfectly.”

“After a relationship people always seem to come back and want to try again and pay you more attention and say they miss you. I had been through a relationship that wasn’t working and as soon as we ended it, they wanted to spend more time with me,” says Jasmine Thompson of “Funny.” “That’s what this song is about, and collaborating with Zedd was an amazing experience – his approach was unique, gave the song an incredible energy, and really brought it to life.”

Multi-platinum, Grammy Award-winning artist/DJ/producer Zedd made his debut with “Clarity” after signing with Interscope in 2012 and has been breaking down barriers surrounding music genres ever since. Throughout his career, Zedd has worked with a diverse range of artists to create hits, including Foxes on “Clarity” (which earned Zedd a 2014 Grammy “Best Dance Recording”), Hayley Williams on RIAA platinum-certified hit, “Stay The Night” (which racked up more than 400 million streams), and Selena Gomez on the platinum-certified track, “I Want You To Know,” which spent four weeks at #1 on Billboard’s “Hot Dance/Electronic Songs” chart. He’s also collaborated with Alessia Cara on their hit single “Stay” which held the #1 spot at Top 40 radio for six consecutive weeks and earned Zedd his second Grammy Award nomination, and with Maren Morris and Grey on the monster hit “The Middle,” which earned Zedd is second #1 at Top 40 radio. Digitally, the song has amassed over 1 billion streams and earned Zedd three Grammy nominations including “Record Of The Year,” “Song Of The Year,” and “Best Pop Duo or Group Performance.”

Jasmine Thompson grew up in central London where her family of four lived in a modest two bedroom flat. After her parents divorced, Jasmine saw her mother working as many as four jobs at a time but always prioritizing her kids’ creative development, even buying a second-hand green screen for Jasmine to record videos of herself singing, that unsurprisingly ended up on YouTube where she now boasts over 630 million YouTube views and more than 3.5 million subscribers. Jasmine’s booming YouTube presence and captivating vocals lead to a major label deal with Atlantic Records at the age of just 13. Now 19, the singer-songwriter has enjoyed a musical growth that’s taken her from viral covers to her own ADORE, WONDERLAND and COLOUR EPs while also establishing a global fan following with featured appearances on internationally successful recordings, collectively earning more than 3 billion global streams.  She has made chart-topping appearances on a pair of global blockbuster hit singles, including her collaboration with German DJ/producer Robin Schulz on “Sun Goes Down (Feat. Jasmine Thompson)” that’s earned 1 billion worldwide streams along with a slew of international gold and platinum certifications and over 404 million views on YouTube. German DJ Felix Jaehn’s “Ain’t Nobody (Loves Me Better)” remix was another undeniable smash, earning gold and platinum certifications in a range of countries and drawing over 1 billion global streams and over 378 million individual views on YouTube.

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