Posts tagged with "Dillon Francis"

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Q&A With Devault & BabyJake

Devault & BabyJake Release Double-Sided Singles ‘Tell Me’ & ‘Blue’.
Electronic deejay & producer Devault and rising star BabyJake have teamed together for double-sided dance singles titled ‘Blue’ & ‘Tell Me’ that are set to be released at midnight. The singles come fresh off a powerful year for both artists, as each released EP’s and collaborative singles in their respective fields. While Devault released a string of audio/visual experiences, most notably RUBY, and collaborations with Manila Killa and Griff Clawson, BabyJake teamed up with Dillon Francis for a small dance EP and debuted his first solo EP project ‘Don’t Give Me Problems, Give Me Wine.’
360 Magazine asked DEVAULT and BABY JAKE, who are also good friends, some questions about their collaboration.

Q&A WITH DEEJAY & PRODUCER DEVAULT AND MUSIC ARTIST BABY JAKE

How did you both get started in music? And when did you first meet?
Devault: I initially started DJ’ing around 12 years old when my older brother randomly brought home a small turntable set and I immediately fell in love. As the years went on and when I was around 18 years old, I decided to start producing, essentially with the mentality of making music that I couldn’t find in my library of current music. Making something exciting; and now we’re here. I first met Jake a few years ago through a mutual friend when he was visiting LA for one of the first times. He ended up crashing at my house for a period of time and we immediately connected.
BabyJake: I first started taking music seriously after I dropped out of college in 2016, but I’ve been flirting with it since I was 8 years old when I picked up a guitar for the first time. Sage (Devault) & I originally met through a mutual friend, Austin Tompkins, when I first arrived in LA. I ended up sleeping on Sage’s couch for 3 weeks, maybe longer, and we’ve been friends ever since.

How would you describe your friendship and the dynamic between you two, did you always had the plan to one day work together and make a song?
Devault: I think we have mutual respect for each other, as when we met we were both figuring out our own paths in the music scene. I think we’ve both evolved greatly as musicians and as people. We always had the desire to make music together, but couldn’t find the right timing. Luckily, covid was almost a blessing in disguise as it allowed us to jam together for a few days with no pressure and these songs came out of it.
BabyJake: Yeah for sure. We always wanted to do something together, we just needed to wait for a good time to do it. I’m sure we’ll make much more music together as well, I practically see Sage every other day.

Which music artists inspired you? Where did you find inspiration for the two songs ‘Tell Me’ and ‘Blue’?
Devault: Depeche Mode, Daft Punk, and Jamie XX are some of my biggest inspirations. Music that is immediately recognizable to them and them only and that has become a mantra of mine. For our songs, we wanted to just have fun really, get out of our comfort zone and just make genuine dance records, while still retaining our styles.
BabyJake: Honestly there are too many artists to count that inspire me. That being said, I think the inspiration for these songs was less about who we wanted it to sound like & more about what feeling we wanted to establish to the audience. Whatever that feeling is, I’d say we captured it.

What three words would you use to describe your sound?
Devault: Moody, Emotive, & Ethereal
BabyJake: Not sure what 3 words I’d use to describe the records… I’d say everything that comes from Devault is somewhat emotional & deep.

A lot has happened in the last two years for both of you. Baby Jake, you released your first EP and Devault, you did remixes for Rihanna & Maroon 5. What was your personal highlight?
Devault: My personal highlight was releasing my first EP ‘Stay’ in 2018. This felt like it was finally a moment to identify me as not just an electronic artist, but as a genuine musician who can paint an entire world.
BabyJake: My personal highlight was a deep album cut named “Anywhere.” Even though it didn’t do crazy numbers, the production & experience of recording a completely live song with a choir, organ, drums… you name it… was incredible. That was definitely a high I hadn’t experienced before.

What is the thing you missed most during lockdown?
Devault: Missing live shows dearly.
BabyJake: Live shows. I was supposed to be on tour so that’s a real bummer.

What other artists do you want to collaborate with in the future?
Devault: A dream would be working with Toro y Moi or Blood Orange.
BabyJake: Definitely want to keep working with Sage, also wouldn’t mind doing some more electronic features with some other talented producers. This is a hard question for me because I feel like collaborations just kind of happen with friends and/or artists you are close with. I never really force it or think about it, it just happens.

Finally, what’s next?
Devault: Next is my second vocal EP, it’s nearly done and looking to get it out at the beginning of next year. Very excited about it.
BabyJake: An album. Finally.
Their double-sided single ‘Tell Me’ and ‘Blue’ will be released tonight at midnight!!! You can download on all digital platforms and follow them on Instagram,@itsbabjake and @devaultmusic.

Photo of Devault and BabyJake by earthquakemgmt

Save Our Stages

By: Gabrielle Archuleta

With Covid-19 making an impact on businesses, the live music industry has been among those hit the hardest. The loss in revenue is estimated to be $8.9 billion, along with the comedy and performing arts entertainment. More than 90% of independent venues are at risk of being permanently shut down. The National Independent Venue Association (NIVA) is working hard to get emergency relief funds out to these venues in dire need. With the help of YouTube, NIVA and Save Our Stages created a virtual concert to help raise money, which will benefit these independent venues. The list of venues is on their website. Artists from around the country have joined together in an effort to raise awareness and save the stages they once performed in.

These venues have supported many big artists and have even launched careers for many. Not only are the artists feeling the impact, but the employees behind the scenes are as well. From the sound to the stage crew, many of them are left without a job and fear what will come next. Fans are left with tickets to be refunded and the uncertainty of future shows to come. This leaves the music industry shaken when it comes to the revenue that concerts bring. Concerts generate more money than streaming music on popular platforms such as Spotify, Apple music and Pandora. Popular artists such as Drake have made $23.7 million in one year from streaming, yet his last tour, Summer Sixteen featuring Future, grossed $85 million. Save our stages is the saving platform for artists, fans and lovers of music to support the venues we know and love and keep the live music alive.

Kicking off their first ever virtual event, an exclusive trailer narrated by Neil Young released footage featuring various iconic artists performing in these at-risk venues and some of the earliest known footage of Neil Young performing at the American Shakespeare Theatre in Stratford, CT. This 3-day virtual event lasted from October 16th-18th. Day one started out with Alec Benjamin performing at Hotel Café in Los Angeles, CA. There was no audience, just the performers. Some talked of past show experiences and selling out venues. Following him was Billie Eilish’s brother, Finneas who is breaking out on his own, releasing his first single called Can’t Wait To Be Dead. Other artists for day one included, Sebastian Yatra, Dizzy Fae, Macklemore, YG, and Dillon Francis. Marshmellow and Demi Lovato hit the stage at the Troubadour in Los Angeles, CA. They performed their hit single together It’s Okay Not To Be Okay, as well as talked about their experiences in independent venues they’ve played in and seen other artists play in. Macklemore performed in Seattle, WA singing hits that included Ten Thousand Hours, Glorious, Good Old Days and a few others during his thirty-minute set. While G-Eazy took pieces of his hits and performed over a dozen songs in his set at The Independent in San Francisco, CA.

Day two kicked off with an even bigger list of performers. Sixteen artists each in their own independent venue to perform in. Jason Mraz was the first up, singing the best of his songs from I’m Yours to I Won’t Give Up out of the Belly Up Tavern in San Diego, CA. Rise Against brought the rock style back to the stage singing six of their hits from the Metro in Chicago,IL. Miley Cyrus played at the Whiskey-Go-Go in Los Angeles, CA wearing all black Rockstar attire. Though she had a short playlist, it was filled with fun energy. Also playing out of Los Angles from Troubadour, the Foo Fighters. Dave Grohl talks about his first experience at the Toubadour and meeting Bret Michaels for the first time. They start out with Skin and Bones continue with My Hero, These Days, Times Like These and end it with everyone’s favorite Everlong. The Roots performed a longer set list that lasted a little over an hour at the Apollo Theater in New York, NY. Wrapping up day two was Major Lazor performing out of Gramps in Miami, FL. He had a setlist similar to length of The Roots lasting a little over an hour and promoting Save Our Stages throughout his set. To many of these artists, the venues that are at stake are not only where they got their start in the music world but also where they discovered music. Demi Lovato mentions one of her first concerts was at an independent venue where she had seen Paramore.

The final day came with some big names. Little Big Town plays at the Exit/In in Nashville, TN. They talk about their first show and replayed one of their classic songs, Boondocks as an encore. The last song is a fan favorite, Girl Crush. Dave Matthews performs solo at the Jefferson Theater in Charlottesville, VA. His setlist includes a new song that is played for the first-time live called the Ocean and the Butterfly. The Lumineers wrap up this event, taking it back home to Colorado at the Boulder Theatre in Boulder, CO. Reminiscing on the songs they’ve played in small independent venues and how great songs such as Ophelia came from those experiences and performing them.

Save our stages is not just important to the artists, but to the fans and music lovers all over the nation. There are over 2,000 venues that have joined the National Independent Venue Association to help save theses venues and keep not only the jobs that come with it but the live music experience we love and miss. Though this virtual event is over, the fight is not. Save our venues has raised over $1,000,000 and has a set goal of $5,000,000. The funds will be administered by the Giving Back Fund, a non-profit organization. The money will go to the venues in dire need and in fear of being shut down. With the help of all the artists who participated along with Youtube, NIVA and every person who donated, we can only hope that enough money is raised to save these venues.

Dj Snake and Eptic “SouthSide”

DJ Snake and Eptic have teamed up on a new song, “SouthSide,” which is released today via Geffen Records and available from all digital partners.

Listen to “SouthSide” by DJ Snake and Eptic HERE.

The French DJ and producer and Belgian bass music prodigy teamed up after running into each other at the airport in London two years ago. “Snake said he wanted to work together, but only on one condition,” Eptic says. “We had to make the hardest track possible. It took a lot of time and elbow grease, but we ended up with something next level and I couldn’t be more proud. I’ve been opening with this for last few months and it absolutely destroys the dance floor.” 

DJ Snake’s previous single “Taki Taki,” featuring Selena Gomez, Ozuna, and Cardi B, shot to No. 1 on iTunes in 25 countries, continuing his track record of global hits, from “Turn Down for What” to “Let Me Love You” to the club smash of last summer — his India-inspired “Magenta Riddim.” The video for “Taki Taki” is the sixth-fastest music video of all time to hit 100 million views on YouTube. Visit http://djsnake.com/tour/ for upcoming tour dates, which include appearances at Coachella on April 12 and April 19, and the sold out Pardon My French, featuring DJ Snake, Tchami X Malaa, and Mercer, at Red Rocks Amphitheatre in Denver on April 26.

Twenty-five-year-old wunderkind Eptic has established himself as one of the brightest talents in bass music, earning millions of streams through a slew of powerhouse anthems including his remix of “Get With The Program” with Trampa, his collaboration with Zomboy on “Bop It,” and his re-work of Dillon Francis’ “Say Less” featuring G-Eazy.

 

COACHELLA 2019

Coachella returns to the Empire Polo Club in Indio, CA for two weekends set for April 12th  14th and April 19th 21st. Childish Gambino, Tame Impala and Ariana Grande will headline both weekends. (Full lineup as of January 2nd below).
Passes for Coachella Valley Music and Arts Festival go on sale Friday, January 4 at 11 AM PT at coachella.com, while supplies last. All taxes, shipping and fees are included in listed pass prices.