Posts tagged with "foo fighters"

The Warning Evolve art from Taylor Vaughn, Republic Records, for use by 360 Magazine

HARD ROCK TRIO THE WARNING NEW SINGLE – EVOLVE

As they continue racking up fans, followers, and acclaim from the media and music icons alike, the Monterrey Mexico hard rock sister trio The Warning have emerged to unveil “EVOLVE,” their new single released via LAVA/Republic Records.

“We wrote ‘EVOLVE’ about humanity’s dangerous obsession with evolving,” the band said. “And how sometimes that evolution leads us to slowly leave our humanity behind. Is this dehumanizing evolution right or wrong?”

Produced by the legendary David Beneath (Paramore, Bring Me The Horizon, Breaking Benjamin), “Evolve” is a musical journey led by Daniela Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]. Dany’s vocals simmer with intensity, building tension before exploding into a chorus that unleashes the full force of the energy the sisters bring to every performance. With its signature changes and transformational truth-telling, “EVOLVE” is a track that will keep listeners on the edge of their seats throughout the entire sonic ride. The video, recorded with 16 iPhones and a drone, is a dangerous, fast-paced trip that visually amplifies the anxiety of “EVOLVE” in stunning fashion.

“EVOLVE” comes hot on the heels of the release of their Lava Records debut single, “CHOKE,” for which the band took part in a streamed event/interview with legendary rock tastemaker Matt Pinfield. “CHOKE” cracked over a million streams right out of the gate, drawing acclaim from Loudwire, Rolling Stone Mexico, and Billboard Argentina. Adding to the praise, Pau was called out by the band’s musical peers Olivia Rodrigo and WILLOW for her stunning drum covers of their songs “brutal” and “t r a n s p a r e n t s o u l” on TikTok.

Coming soon: the band has been tapped by Metallica for a cover of “Enter Sandman,” the track that first sent the trio into viral music stardom. The single will be featured on The Metallica Blacklist album, the 30-year anniversary reissue of Metallica’s iconic self-titled 5th album, also known as The Black Album. The reissue is set for release on September 10. In addition, fans will be able to catch The Warning on the road as they perform at the Welcome To Rockville Festival, open for the Foo Fighters in front of a 60,000-person crowd at Mexico City’s Foro Sol, and at a two-night sold-out run at the Troubadour in January 2022.

Stay tuned for more music and news to come as The Warning continues to surge to the forefront of hard rock!

Follow The Warning

The Warning Band Website // Instagram // TikTok // YouTube // Facebook

About The Warning

The Warning infuse rock music with a much-needed shot of adrenaline. The Monterrey, Mexico trio of sisters—Daniela “Dany” [guitar, lead vocals, piano], Paulina “Pau” [drums, vocals, piano], and Alejandra “Ale” Villarreal [bass, piano, backing vocals]—charge forward with head-spinning riffs, unpredictable rhythms, stadium-size beats, and skyscraping vocals. They stand out as the rare presence equally at home on network television and on stage at Heaven & Hell Festival. If anybody can usher rock’s comeback along, it’s these three ladies. After exploding online with one viral moment after another, The Warning parlayed this momentum into a series of independent releases, including Escape the Mind EP [2015], XXI Century Blood [2017], and Queen of the Murder Scene [2019]. They graced a stacked bill at Mother of All Rock Festival as the only Mexican band and opened up two sold out Monterrey shows for The Killers and for Def Leppard in Mexico City and Guadalajara. After quietly amassing over 120 million YouTube views and 10 million streams, they surge to the forefront of hard rock with a series of new music being released on LAVA Records in 2021.

About Republic Records

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Illustration By Alex Bogdan for use of 360 Magazine

Crossing I’s Dotting T’s × Regret Stained Memories

California based alternative rock band Crossing I’s Dotting T’s have released their new single titled “Regret Stained Memories” today from their upcoming debut self-titled EP. Fans can listen to “Regret Stained Memories” now HERE.

On the new single the band shares, “Regret Stained Memories’ is simply a track about not wanting to grow old and look back on life and regret doing things or regret not doing things like a lot of people do.”

“Regret Stained Memories” follows up Crossing I’s Dotting T’s recently released single “Dissatisfied” from the bands upcoming debut self-titled EP due out August 6, 2021 via Golden Robot / Riot Records. Fans can pre-save the EP now HERE.

On Crossing I’s Dotting T’s EP, vocalist / frontman Matt Mucerino shares, “This EP is inspired by the death of my cousin/best friend who left us at the age of 21 due to cancer. “See You At Your Funeral” is specifically about him, and the remaining songs talk of depression, anxiety, questioning society, the inevitability of death, as well as just simply not feeling wanted in certain moments. It is a mixed bag with no one main influence, but we took inspiration from a lot of 90’s alt rock bands like Nirvana, The Pixies, Foo Fighters, Jawbreaker, as well as newer bands such as Joyce Manor, to create a blueprint for what Crossing I’s Dotting T’s will sound like. It is Grunge meets Emo meets Alt-Rock meets Pop-Punk. A quick 4-song EP, there is something for everyone on this.”

Self-proclaimed “emotive-alternative rock,” Crossing I’s Dotting T’s is a raw, original force that morphs different rock genres such as alternative, punk and emo. This combo provides hard-hitting yet catchy songs with big choruses, intended to evoke emotion. Starting in his bedroom and car in Orange County, Matt Mucerino started to write songs until he teamed up with Alex Estrada of Pale Moon Audio (known for his work with Joyce Manor, Touch, Amor and Nails, as well as being the frontman of Silver Snakes). Estrada has helped produce and engineer the Crossing I’s Dotting T’s debut EP. Picking up an endorsement from Orange Amps and Ernie Ball, Crossing I’s and Dotting T’s will be taking the world by storm.

photo by Chris Cuffaro for use by 360 Magazine

THE GO-GO’S ANNOUNCE 2021/2022 TOUR DATES

THE GO-GO’S ANNOUNCE 2021/2022 NORTH AMERICAN WEST COAST DATES IN CELEBRATION OF THEIR UPCOMING INDUCTION INTO THE ROCK & ROLL HALL OF FAME  

The multi-platinum selling Los Angeles rock band The Go-Go’s announce their 2021/2022 North American west coast dates to celebrate the band’s upcoming induction into the Rock & Roll Hall of Fame.

The new live dates include intimate shows in San Francisco, Los Angeles, San Diego, and New Year’s Eve & New Year’s Day performances at The Venetian Theatre in Las Vegas. Tickets go on sale Friday, June 25 at 10am PT.

We really missed seeing and playing for our fans and we are happy we can experience and enjoy live music with each other once again. We are looking forward to celebrating and bringing in a brighter new year with everyone,” says The Go-Go’s.

With concerts finally making a very welcomed return, longtime fans can celebrate with the newest inductees to the Rock & Roll Hall of Fame and the new generation of fans can see the band that they discovered through the documentary,” says Art Cisneros, The Go-Go’s Manager.

As the first multi-platinum-selling, all-female band to play their own instruments, write their own songs and soar to No. 1 on the album charts, The Go-Go’s are the most successful female rock band of all time.

Rooted in the early L.A. punk scene, Charlotte Caffey (lead guitar, keyboards, vocals), Belinda Carlisle (lead vocals), Gina Schock (drums, percussion, vocals), Kathy Valentine (bass guitar, vocals) and Jane Wiedlin (guitar, vocals) didn’t PLAY the part of bad girls; they were genuine punk rockers. Now, this October, The Go-Go’s will be inducted into the Rock & Roll Hall of Fame alongside Tina Turner, Carole King, JAY-Z, Foo Fighters and Todd Rundgren.

In 2020 the band released their documentary THE GO-GO’S, which first premiered at the prestigious Sundance Film Festival to rave reviews, achieving a 97% rating on Rotten Tomatoes and won a 2020 Critics Choice Award for “Best Music Documentary” in addition to receiving the honor of “Most Compelling Living Subjects in a Documentary.” Directed by Alison Ellwood, the candid and archive-rich documentary assesses the group’s place in music and the first to set the record straight about their historical ascent to global stardom. The Go-Go’s first new recording in nearly 20 years, Club Zero hit the Top 10 on the Rock Digital Song Sales chart upon its release and the documentary captures them working on an early version of the song.

Date                 Venue City, State
Dec 28 SF Masonic Auditorium San Francisco, CA (Purchase Tickets
Dec 29 Microsoft Theater Los Angeles, CA (Purchase Tickets
Dec 31 The Venetian Theatre Las Vegas, NV (Purchase Tickets
Jan 1 The Venetian Theatre Las Vegas, NV (Purchase Tickets
Jan 3 Civic Theatre San Diego, CA (Purchase Tickets)

The Go-Go’s rose to fame following the release of their 1981 debut album, Beauty and the Beat, a collection of infectious tracks with huge hooks. Locked at No. 1 on the Billboard charts for six consecutive weeks, Beauty and the Beat was one of the most successful debut albums of all time, featuring the hits Our Lips Are Sealed (one of Rolling Stone’s ‘Top 100 Pop Singles’) and “We Got the Beat” and resulted in a Grammy® nomination for Best New Artist. The Go-Go’s became a global phenomenon and blazed brand-new trails in music – for women in particular.

 

Nothing but Thieves "Futureproof" image via Mikkelson, Kirsten, RCA Records.Photo Credit: Frank Fieber for use by 360 Magazine

NOTHING BUT THIEVES – FUTUREPROOF

RELEASE NEW SINGLE & VIDEO

THIRD ALBUM ‘MORAL PANIC’ OUT NOW

AUTUMN 2021 UK, IRELAND AND EUROPEAN TOUR ON SALE NOW

“Political turmoil, climate change, and the toxicity of the internet all pour into Nothing But Thieves record Moral Panic.” TLOBF

The band achieve another phenomenal album” Clash

“This is the sound of a band who understand their audience but also delight in taking risks” Gigwise

“A living, breathing, and characteristically anthemic, beast of an album” Music OMH

LISTEN/EMBED HERE.

Following the release of their #3 acclaimed third album Moral Panic last year, Southend five-piece Nothing But Thieves have released their dark and explorative new single and video Futureproof via Sony Music UK/RCA Records, which was premiered on BBC Radio 1 last night as Annie Mac’s Hottest Record in the World.

Nothing But Thieves are a band that continue to evolve their sound, and new single Futureproof sees them experiment further whilst remaining authentically them. Produced by Richard Costey (Biffy Clyro, Foo Fighters, Muse) and recorded between London’s RAK Studios and guitarist/keyboardist Dom’s home studio, it is a sinister, dynamic and unpredictable track that examines the meaning of self-preservation through powerful lyrics. The video, directed by Jake Jelicich, sees the band bathed in an auburn glow giving an intense performance that is filmed chaotically, matching the energy and uneasiness of the song. The band say;

“’Futureproof’ is about self-preservation; what that means to different people and the lengths that those people would go to achieve it. 

It’s designed to be a guitar rock and hip-hop hybrid. That can be a bit of an eye roller and it’s easy to get wrong, but there’s a parallel between some of our heavier songs and the more aggressive side of hip-hop, which we wanted to try and get at. It’s dark and chromatic and then it’s mixed like a hip-hop track with loud drums and vocals. The idea was to try and explore that territory in the most authentic and fresh way.”

Futureproof follows the singles Is Everybody Going Crazy?, Real Love Song and Impossible released last year from their third album Moral Panic, which achieved over 102 million streams and saw support from the likes of BBC Radio 1, Virgin Radio and Radio X alongside winning Best Indie Act at Global Radio’s 2021 Awards. The album was a poignant moral outcry on the world tinged with emotion, anger and hope, which thematically touched on climate change, anxiety around social media, political chaos and an overall desire to switch off. Moral Panic followed their 2018 EP What Did You Think When You Made Me This Way, their 2017 acclaimed album Broken Machine, which charted at #2 in the UK album chart, and their debut self-titled album Nothing But Thieves.

The past few years have been quite a ride for Nothing But Thieves. Amassing over 1 million worldwide album sales and over 907 million worldwide streams, they have built up a loyal and wide following for their impactful alt rock sound, cementing themselves as one of the best current rock bands in the world. Selling 150,000 tickets on their last album campaign, which included a sold-out show at London’s Alexandra Palace and selling out their entire worldwide Broken Machine headline tour, their success has been global.

The band have performed on US TV shows, such as James Corden and Jimmy Kimmel, after their debut became the bestselling debut from a UK rock band in the US in 2015 and played packed out international shows from Poland to Amsterdam, where they headlined an arena to 6,000 fans. After intimately debuting new songs early last year for a BRITs/War Child gig, they were set to tour internationally last Spring, including a show to 6,500 people at Moscow Adrenaline Stadium.

Following 3 livestream performances Live from the Warehouse last year to launch Moral Panic, they are finally bringing songs from the album to live audiences this Autumn with a UK, Ireland and European tour, including their biggest ever headline London show at O2 Arena. With a well-earned reputation for their energetic, impassioned and infinite live shows, it’s a tour not to be missed. Full dates are as follows:

September 2021

Thurs 30th         Dublin                Olympia

October 2021

Sat 2nd                Belfast               Ulster Hall

Wed 6th              Plymouth          Pavillions

Thurs 7th            Cardiff                Motorpoint Arena

Fri 8th                  London              O2 Arena

Sun 10th             Birmingham     O2 Academy – sold out

Mon 11th           Glasgow            Barrowland – sold out

Tues 12th           Glasgow            Barrowland – new date added

Thurs 14th         Manchester     O2 Victoria Warehouse – sold out

Fri 15th               Manchester     O2 Victoria Warehouse – new date added

Sat 16th              Nottingham     Motorpoint Arena

Mon 18th           Barcelona         Razzamataz 2

Wed 20th           Paris                   Casino de Paris

Sun 24th             Wiesbaden       Schlachtohof

Tues 26th           Leizig                  Täubchenthal

Thurs 28th         Berlin                 Columbiahalle

November 2021

Tues 2nd             Munich              Tonhalle

Wed 3rd             Milan                 Fabrique

Fri 5th                  Zurich                 Halle 622

Sat 6th                 Luxembourg    Atelier

Mon 8th              Copenhagen    Amager Bio

Tues 9th              Stockholm        Fryhuset

Thurs 11th         Köln                    Palladium

Fri 12th               Amsterdam      Ziggo Dome

Nothing But Thieves are Conor Mason (vocals, guitars), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboard), Philip Blake (bass guitar) and James Price (drums).

To Listen/Watch “Futureproof”:

Multi – HERE

To Buy/Stream Moral Panic listen HERE.

*Photo Credit: Frank Fieber

TWENTY ONE PILOTS - SCALED AND ICY album art via via Ross Anderson at Elektra Music Group for use by 360 Magazine

TWENTY ONE PILOTS – SCALED AND ICY

TWENTY ONE PILOTS RELEASE NEW ALBUM: SCALED AND ICY. STREAM IT HERE

TWENTY ONE PILOTS – LIVESTREAM EXPERIENCE BROADCASTS WORLDWIDE TONIGHT AT 8PM ET / 5PM PT

TICKETS AVAILABLE HERE

PERFORMING AT THE BILLBOARD MUSIC AWARDS ON MAY 23

GRAMMY Award winning duo Twenty One Pilots have released their widely anticipated new album, Scaled And Icy, which is available today on all streaming platforms and in a variety of formats including a special edition box set limited to 35,000 copies worldwide at this website.

Scaled And Icy, is highlighted by album standouts “Saturday,” “Choker“and lead single “Shy Away,”which is currently #1 at Alternative Radio for a fourth consecutive week. Having ascended to #1 at the format in just three weeks, “Shy Away” places the duo in an elite group of acts with multiple songs to rise to #1 at the format in three weeks or less including: U2, R.E.M., The Cure, Linkin Park, Red Hot Chili Peppers, and Foo Fighters.

Twenty One Pilots’ first-ever one night only global streaming event, Twenty One Pilots – Livestream Experience,” will broadcast worldwide tonight, May 21st An official pre-show for the event will kick-off at 5:00PM ET / 3:00PM PT with Twenty One Pilots’ live performance starting at 8:00PM ET / 5:00PM PT ”Twenty One Pilots – Livestream Experience” promises to be an unforgettable live performance from the duo, with a catalog spanning setlist and the live debut of new material from Scaled And Icy. A Team Twenty One Pilots Production, the multi-dimensional live performance is being produced by longtime collaborators and creative partners: TNSN DVSN, Reel Bear Media, Element1, lili STUDIOS, and hosted on Maestro’s livestream platform Sponsored by Chipotle and Hot Topic, tickets for the groundbreaking global streaming event are available at this website, where ticket holders can access an interactive virtual experience and immerse themselves in exclusive merch, content, and more before the official performance.

Furthermore, Twenty One Pilots will follow their livestream with a special TV performance this coming Sunday, May 23rd at the 2021 Billboard Music Awards which will air at 8:00PM ET / 5:00PM PT on NBC.

Written and largely produced by Joseph in isolation over the course of the past year at his home studio, with Dun engineering the album’s drums from across the country, Scaled And Icy is the product of long-distance virtual sessions and finds the duo processing their upended routines along with the prevailing emotions of 2020 – anxiety, loneliness, boredom, and doubt. The duo had to forgo their normal studio sessions but reached a new of level of introspection in the process, adopting a more imaginative and bold approach to their songwriting. The result is a collection of songs that push forward through setbacks and focus on the possibilities worth remembering. Scaled And Icy is Twenty One Pilots’ first studio album in three years and follows their RIAA Platinum certified LP, Trench.

In 2020, Twenty One Pilots surprised fans with standalone singles “Level of Concern“ and “Christmas Saves The Year.” ”Level of Concern” reigned at Alternative Radio for 12 weeks straight and cracked the Top 25 on Billboard’s “Hot 100”chart, while also achieving RIAA Gold certification, and propelling the band to victory at last year’s American Music Awards where they took home the award for “Favorite Artist – Alternative Rock.” ”Christmas Saves The Year” arrived at the tail end of 2020 and debuted on Billboard’s “Alternative Airplay” chart, becoming the first holiday-themed song to make the list since 2012.

Twenty One Pilots scored one final accolade in the final moments of 2020, officially breaking the GUINNESS WORLD RECORD for the longest music video with their history-making regenerative visual for “Level of Concern.” Conceived by the band with interactive director Jason Nickel, and award-winning storyteller / director Jason Zada, the first-ever “Never-Ending Music Video” pulled in fan created content from over 162,000 user submissions, in real time, live on YouTube Powered by Imposium, every three minutes and forty seconds a new music video was created and streamed live to YouTube, containing brand new content from fans. Besting the previous record holder, Pharrell and his 24-hour long video for “Happy,” Twenty One Pilots’ “Never-Ending Music Video” for “Level of Concern” broadcasted for 177 days straight with a total run time of 4,264 hours, 10 mins, 25 seconds

Twenty One Pilots’ 2018 LP Trench ushered in a new era for the duo from Ohio Earning Platinum certification from the RIAA, the album was met with critical acclaim with Billboard declaring, “Trench revels in the confounding genre-blurring and cavernous conceptualism that has defined Twenty One Pilots.” A true global phenomenon having surpassed two billion streams worldwide, Trench is highlighted by the RIAA Gold and Platinum certified alternative hits “The Hype,”“Chlorine,”and “Jumpsuit.” “Jumpsuit” stands as the decade’s fastest rising song to reach #1 on Billboard’s “Alternative Songs”chart and earned the duo their fourth GRAMMY nomination (Best Rock Song). The acclaimed conceptual collection also features the RIAA Gold-certified “Nico And The Niners“ and the RIAA Platinum-certified single “My Blood.”

Twenty One Pilots

Scaled And Icy

1      Good Day

2      Choker

3      Shy Away

4      The Outside

5      Saturday

6      Never Take It

7      Mulberry Street

8      Formidable

9      Bounce Man

10  No Chances

11  Redecorate

“Twenty One Pilots Livestream Experience” Tickets HERE

WENTY ONE PILOTS - LIVESTREAM EXPERIENCE image via Ross Anderson at Elektra Music Group for use by 360 Magazine

Josh Dun and Tyler Joseph of Twenty One Pilots image. PHOTO CREDIT: MASON CASTILLO. via via Ross Anderson at Elektra Music Group for use by 360 Magazine

Pattern Pusher illustration by Heather Skovlund for 360 Magazine

BBC × Pattern Pusher

BBC INTRODUCING FAVORITE PATTERN PUSHER ARE LOOKING FORWARD TO A BRIGHTER FUTURE WITH ENERGETIC NEW SINGLE

LISTEN HERE

BBC INTRODUCING PERFORMANCE HERE

“Kingpins of the live music scene in the South West. Come Along is so fun and so polished, Pattern Pusher at their fines” – Sarah Gosling (BBC Introducing South & West)​

“One of the most energetic live shows” – GQ Magazine

“Strong classic songwriting from start to finish” – Tom Robinson (BBC 6 Music)

Pattern Pusher is an energetic funk-soul three piece from the South West who create uplifting, inspiring and optimistic music that is hitting all the right notes in a world crying out for positivity.

Prior to the UK’s initial lockdown, they had just won the Glastonbury Pilton competition (judged by Michael Eavis), played in front of 8,000 people, supported Wolf Alice and completed an epic festival season playing the main stages at Bearded Theory and Beautiful Days.

With no choice but to lock themselves away in the studio, the band have emerged in 2021 armed with their impressive debut album, a collaboration of their musical prowess and a nod to the classic artists they so admire. Inspired by the vintage approach of 60s and 70s classic songwriting, Pattern Pusher draw influence from the likes of The Rolling Stones, Jamiroquai and Primal Scream with a bright and new energy.

The band is fronted by Alex Johnstone on the keys, whose soaring soulful vocals are evocative of Donny Hathaway and Ray Charles, while Benny G’s wild energy on the bass and Benny C’s grooving drum rhythms underpin an unconventional line up with a classic sound. Their crusade of happiness has earned them a loyal fan base, accolades from BBC Radio 6, support from BBC Introducing, and a string of festival shows; now lining up on the same bills as their idols.

New single Come Along is the band’s first release in over a year. Both lyrically and sonically the song is looking to a brighter future, after a tough time for society, helping each other out and feeling hopeful for better days ahead. They worked with producer John Waddell in Oxford and the song was mixed by the legendary Chris Sheldon (Foo Fighters, Biffy Clyro).

Bursting into life with driving keys and a pulsating bass line, the single is sure to be an anthem for the summer, injecting some much-needed positivity into a music scene that has suffered a great deal over the last year.

The band recently gave ‘Come Along’ its first public performance as part of the online Music Feeds concert headlined by Liam GallagherBlossoms and Sam Smith that raised over £1 million for charity. Recorded in their own studio, the session earned them the accolade of the best performance of the night from many of the concert viewers and they are now in talks with the organizers James about accompanying them on live dates.

Their forthcoming album is already attracting significant industry attention. Pattern Pusher have recently signed a management deal and have already landed their first big sync placement with Guessable on Comedy Central.

“We are so excited to be able to finally share the new music that we have been working on with the world. We have a renewed spring in our step, and we are marching into 2021 with positivity and excitement”.

Autumn Tour Dates:
3rd November – Paper Dress Vintage, Hackney, London
13th November – The Cavern, Exeter
Further dates to be announced

Additional Live Dates:
30th July – Rock Oyster Festival
27th August – The Great Estate Festival
3rd September – Bosfest
4th September – Shebfest
4th September – On the Road Festival
25th September – The Loft Live Sessions (supporting Will and The People)

Rock & Roll Hall of Fame illustration by Heather Skovlund for 360 Magazine

Rock & Roll Hall of Fame

ROCK & ROLL HALL OF FAME ANNOUNCES 2021 INDUCTEES

36th Annual Rock & Roll Hall of Fame Induction Ceremony to take place October 30 in Cleveland, Ohio – Tickets on sale in July 

The Rock & Roll Hall of Fame reveals its 2021 Inductees, celebrating the most diverse list of Inductees in the history of the organization. They are:

Performer Category:

  • The Go-Go’s
  • Tina Turner
  • Carole King
  • JAY-Z
  • Foo Fighters
  • Todd Rundgren

Early Influence Award:

  • Kraftwerk
  • Charley Patton
  • Gil Scott-Heron

Musical Excellence Award:

  • LL Cool J
  • Billy Preston
  • Randy Rhoads

Ahmet Ertegun Award:

  • Clarence Avant

“This diverse class of talented Inductees reflects the Rock Hall’s ongoing commitment to honor artists whose music created the sound of youth culture”, said John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “It will make for an unforgettable live celebration of music in October at this year’s Induction Ceremony in Cleveland.” 

To be eligible, artists are required to have released their first record 25 years prior to induction. Two-time Inductees include Carole King, previously inducted with Gerry Goffin in 1990, and Tina Turner, previously inducted with Ike and Tina Turner in 1991. The Foo FightersThe Go-Go’s, and JAY-Z were on the ballot for the first time. Dave Grohl (Foo Fighters) will become a two-time Inductee having previously been Inducted with Nirvana in 2014.

The 36th Annual Rock & Roll Hall of Fame Induction Ceremony will take place on Saturday, October 30, 2021 at 8 p.m. ET at Rocket Mortgage Fieldhouse in Cleveland, Ohio with a radio simulcast on SiriusXM’s Rock & Roll Hall of Fame Radio channel 310. The Induction Ceremony will air at a later date on HBO and stream on HBO Max.

The Induction categories and criteria for selection: 

  • Performers: honoring bands and solo artists who, in their careers, have created music whose originality, impact and influence has changed the course of rock & roll.
  • Ahmet Ertegun Award: given to non performing industry professionals who, through their dedicated belief and support of artists and their music have had a major influence on the creative development and growth of rock & roll and music that has impacted youth culture.  
  • Musical Excellence Award: given to artists, musicians, songwriters and producers whose originality and influence creating music have had a dramatic impact on music. 
  • Early Influence Award: given to a performing artist or group whose music and performance style have directly influenced and helped inspire and evolve rock & roll and music that has impacted youth culture. 

To learn more about past recipients, click here.

Ballots were sent to an international voting body of more than 1,200 artists, including current living Inductees, historians and members of the music industry. Factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique are taken into consideration. 

Three out of the top five on the “Fans’ Ballot” are being Inducted, including Tina Turner (winning the fan vote), The Go-Go’s, and Foo Fighters. 5 million votes were cast. 

The Inductees were announced on Rock Hall’s social channels and live on SiriusXM’s Volume channel and the morning show “Feedback,” hosted by Nik Carter and Lori Majewski, featuring special guest, Joel Peresman, CEO, Rock & Roll Hall of Fame Foundation.

Tickets go on sale to the public and members in July.

Select Rock Hall donors and members get exclusive Induction ticket opportunities. Donate or join by June 30, 2021 to be eligible. Visit Rock Hall to learn more.

The Rock & Roll Hall of Fame’s 2021 Inductee exhibit celebrating this year’s class opens at the Museum in Cleveland on July 1. The Museum is open daily with advance tickets required at Rock Hall.

Rock & Roll Hall of Fame 2021 Inductee Bios

THE GO-GO’S 

As the most successful all-woman rock band of all time, the Go-Go’s performed catchy, well-crafted songs that formed a bridge between the brash urgency of L.A. punk and the dark melodies of new wave pop.  

Formed out of the diverse and egalitarian punk scene in Los Angeles in 1978 with Belinda Carlisle on lead vocals and Jane Wiedlin on rhythm guitar and vocals, the core lineup of the band solidified over the next few years with the additions of lead guitarist and keyboardist Charlotte Caffey, drummer Gina Schock, and bassist Kathy Valentine. Known for their raw and energetic live shows, the Go-Go’s circumvented record label sexism and signed with IRS Records in 1981. Their debut album Beauty and the Beat was released later that year and became the first (and, to date, only) album by an all-woman band that played its own instruments and wrote its own songs to top the Billboard albums chart.  

Despite a shift toward a more melodic new wave sound, the band’s D.I.Y. punk roots remain evident in hits like “We Got the Beat” and “Our Lips Are Sealed.” The group’s second and third studio albums, Vacation (1982) and Talk Show (1984), furthered their success with the singles “Vacation” and “Head Over Heels.” In heavy rotation on MTV, their songs (primarily composed by Caffey, Wiedlin, and Valentine) had weighty lyrics belied by their sunny melodies and a timelessness that set the band apart from many of their 1980s counterparts.  

Though the band broke up in 1985, the Go-Go’s have reunited periodically since 1990 to record and tour. In recent years, the band’s music has been celebrated with the Broadway musical Head Over Heels and chronicled in the Showtime documentary The Go-Go’s (2020). For the documentary’s soundtrack, the band reconvened virtually to record their first new song in 19 years, “Club Zero.” The Go-Go’s influence is seen in countless artists, including Bikini Kill, Green Day, and Nirvana. 

Selected discography:
“Screaming” (Live, 1979) • “Blades” (Live, 1980) • “We Got the Beat” (Stiff Records single version, 1980) • “Our Lips Are Sealed,” Beauty and the Beat (1981) • “Vacation,” Vacation (1982) • “Head Over Heels,” Talk Show (1984) • “The Whole World Lost Its Head,” Return to the Valley of the Go-Go’s (1994) • “Unforgiven,” God Bless the Go-Go’s (2001) • “Club Zero,” Beatnik Beach Summer (2020) 

Inductees: Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine, Jane Wiedlin

Influences: Beach Boys, Germs, Buzzcocks

Legacies: Green Day, Nirvana, Bikini Kill

Save Our Stages

By: Gabrielle Archuleta

With Covid-19 making an impact on businesses, the live music industry has been among those hit the hardest. The loss in revenue is estimated to be $8.9 billion, along with the comedy and performing arts entertainment. More than 90% of independent venues are at risk of being permanently shut down. The National Independent Venue Association (NIVA) is working hard to get emergency relief funds out to these venues in dire need. With the help of YouTube, NIVA and Save Our Stages created a virtual concert to help raise money, which will benefit these independent venues. The list of venues is on their website. Artists from around the country have joined together in an effort to raise awareness and save the stages they once performed in.

These venues have supported many big artists and have even launched careers for many. Not only are the artists feeling the impact, but the employees behind the scenes are as well. From the sound to the stage crew, many of them are left without a job and fear what will come next. Fans are left with tickets to be refunded and the uncertainty of future shows to come. This leaves the music industry shaken when it comes to the revenue that concerts bring. Concerts generate more money than streaming music on popular platforms such as Spotify, Apple music and Pandora. Popular artists such as Drake have made $23.7 million in one year from streaming, yet his last tour, Summer Sixteen featuring Future, grossed $85 million. Save our stages is the saving platform for artists, fans and lovers of music to support the venues we know and love and keep the live music alive.

Kicking off their first ever virtual event, an exclusive trailer narrated by Neil Young released footage featuring various iconic artists performing in these at-risk venues and some of the earliest known footage of Neil Young performing at the American Shakespeare Theatre in Stratford, CT. This 3-day virtual event lasted from October 16th-18th. Day one started out with Alec Benjamin performing at Hotel Café in Los Angeles, CA. There was no audience, just the performers. Some talked of past show experiences and selling out venues. Following him was Billie Eilish’s brother, Finneas who is breaking out on his own, releasing his first single called Can’t Wait To Be Dead. Other artists for day one included, Sebastian Yatra, Dizzy Fae, Macklemore, YG, and Dillon Francis. Marshmellow and Demi Lovato hit the stage at the Troubadour in Los Angeles, CA. They performed their hit single together It’s Okay Not To Be Okay, as well as talked about their experiences in independent venues they’ve played in and seen other artists play in. Macklemore performed in Seattle, WA singing hits that included Ten Thousand Hours, Glorious, Good Old Days and a few others during his thirty-minute set. While G-Eazy took pieces of his hits and performed over a dozen songs in his set at The Independent in San Francisco, CA.

Day two kicked off with an even bigger list of performers. Sixteen artists each in their own independent venue to perform in. Jason Mraz was the first up, singing the best of his songs from I’m Yours to I Won’t Give Up out of the Belly Up Tavern in San Diego, CA. Rise Against brought the rock style back to the stage singing six of their hits from the Metro in Chicago,IL. Miley Cyrus played at the Whiskey-Go-Go in Los Angeles, CA wearing all black Rockstar attire. Though she had a short playlist, it was filled with fun energy. Also playing out of Los Angles from Troubadour, the Foo Fighters. Dave Grohl talks about his first experience at the Toubadour and meeting Bret Michaels for the first time. They start out with Skin and Bones continue with My Hero, These Days, Times Like These and end it with everyone’s favorite Everlong. The Roots performed a longer set list that lasted a little over an hour at the Apollo Theater in New York, NY. Wrapping up day two was Major Lazor performing out of Gramps in Miami, FL. He had a setlist similar to length of The Roots lasting a little over an hour and promoting Save Our Stages throughout his set. To many of these artists, the venues that are at stake are not only where they got their start in the music world but also where they discovered music. Demi Lovato mentions one of her first concerts was at an independent venue where she had seen Paramore.

The final day came with some big names. Little Big Town plays at the Exit/In in Nashville, TN. They talk about their first show and replayed one of their classic songs, Boondocks as an encore. The last song is a fan favorite, Girl Crush. Dave Matthews performs solo at the Jefferson Theater in Charlottesville, VA. His setlist includes a new song that is played for the first-time live called the Ocean and the Butterfly. The Lumineers wrap up this event, taking it back home to Colorado at the Boulder Theatre in Boulder, CO. Reminiscing on the songs they’ve played in small independent venues and how great songs such as Ophelia came from those experiences and performing them.

Save our stages is not just important to the artists, but to the fans and music lovers all over the nation. There are over 2,000 venues that have joined the National Independent Venue Association to help save theses venues and keep not only the jobs that come with it but the live music experience we love and miss. Though this virtual event is over, the fight is not. Save our venues has raised over $1,000,000 and has a set goal of $5,000,000. The funds will be administered by the Giving Back Fund, a non-profit organization. The money will go to the venues in dire need and in fear of being shut down. With the help of all the artists who participated along with Youtube, NIVA and every person who donated, we can only hope that enough money is raised to save these venues.

The Struts

Interscope rock band The Struts release the lyric video for new single “In Love With A Camera” today. “In Love With A Camera” is featured on the band’s sophomore album YOUNG&DANGEROUS which was released on Interscope Records in the fall of 2018. YOUNG&DANGEROUS follows the 2016 release of The Struts’ debut album Everybody Wants.

The Struts recently finished up a sold-out European tour and will bring the Young & Dangerous Tour 2019to the states next month with stops in major markets including Los Angeles, Nashville, New York City and Washington DC. Visit thestruts.com for more info.

In just a few years, The Struts have found themselves massively embraced by some of the greatest icons in rock-and-roll history. Along with opening for Foo Fighters, The Rolling Stones, The Who, and Guns N’ Roses, the U.K.-bred four-piece was also hand-picked by Mötley Crüe to serve as the supporting act for their last-ever performances, while Dave Grohl praised them as “the best band to ever open for Foo Fighters.” In addition to the support slots, The Struts have been on the road nonstop since their formation including worldwide headline shows and prestigious festival plays including Lollapalooza, Governors Ball, Bottle Rock, Isle of Wright and many more. Formed in Derby, England in 2012, The Struts are Luke Spiller (lead singer), Adam Slack (guitar), Jed Elliott (bass) and Gethin Davies (drums).

Below is a complete list of dates for The Struts Young & Dangerous Tour 2019:

April 21 Copper Mountain, CO Copper Mountain Resort
May 2 Louisville, KY Kentucky Derby Festival
May 3 Atlanta, GA The Masquerade
May 4 Atlanta, GA Shaky Knees Music Festival
May 5 Jacksonville, FL Welcome to Rockville
May 7 Houston, TX HOB~
May 8 Dallas, TX HOB~
May 10 Sioux City, IA Athem at Hard Rock Hotel & Casino
May 11 Kansas City, MO KRBZ- Coors Light Block Party
May 13 Charlotte, NC The Underground~
May 14 Wilmington, NC Greenfield Lake Amphitheatre~
May 15 Charleston, SC Music Farm~
May 16 Norfolk, VA NorVA~
May 18 Camden, NJ MMRBQ
May 19 Columbus, OH Sonic Temple
June 28 Englewood, CO Gothic Theatre
June 29 Salt Lake City, UT The Depot*
July 1 Tempe, AZ Marquee Theatre
July 2 Los Angeles, CA The Wiltern
July 3 San Diego, CA The Observatory North Park
July 5 Sacramento, CA Ace of Spades
July 8 Portland, OR Roseland Theater*
July 9 Seattle, WA Showbox*
July 10 Missoula, MT The Wilma*
July 13 Saint Paul, MN Palace Theatre*
July 15 Des Moines, IA Water Works Park*
July 16 Indianapolis, IN Old National Centre*
July 17 Nashville, TN Marathon Music Works*
July 19 Detroit, MI The Fillmore*
July 20 Grand Rapids, MI 20 Monroe Live*
July 21 Pittsburgh, PA Stage AE*
July 25 Buffalo, NY TBA*
July 26 Utica, NY Saranac Brewery*
July 27 New York, NY Pier 17*
July 28 Mount Pocono, PA Mount Airy Casino
July 30 Boston, MA House of Blues*
August 4 Hampton Beach, NH Hampton Beach Casino
August 6 Dewey Beach, DE Bottle & Cork*
August 7 Washington, DC 930 Club*
September 21 Asbury Park, NJ Sea Hear Now Festival

DAVE GROHL × RED BULL

​The Show Must Go On (courtesy of Red Bull)

  

Dave Grohl could be the world’s most zealous rock star. He never gives up, even after breaking his leg on stage. The Foo Fighter explains how he keeps the passion for his life’s work burning bright. 

In 1986, 17-year-old Dave Grohl quit school to tour Europe with punk band Scream. Since then, he has rarely been off the stage, first as the drummer of grunge icons Nirvana and since 1994 as frontman of his own band, Foo Fighters. Over the last 30 years, Grohl has sold more than 50 million albums and played thousands of shows. And don’t expect that pace to slow anytime soon. He talked to The Red Bulletin about what a 48-year-old father of three is doing still obsessing over music like a teenager. 

  

The Red Bulletin [TRB]: You broke a leg during a concert in Gothenburg in the summer of 2015 … 

Dave Grohl [DG]: I was so euphoric I lost my balance on the edge of the stage and fell into the photographers’ pit. It’s a miracle I survived the fall, actually. I could have just as easily broken my neck. 

  

TRB: And yet after a short break you got on with the concert, sitting down with your leg in a cast. Why didn’t you just call it off? 

DG: Because I can’t. 

  

TRB: What do you mean? 

DG: It’s down to my punk-rock past. In the old days, musicians were constantly breaking their nose on stage, getting electric shocks or falling flat on their face when they stage-dived. No one would have dreamed of canceling a gig because of it. You just rocked on! I internalized that philosophy—you just grit your teeth and get on with it. 

  

TRB: OK … but doing a whole European tour with a broken leg? 

DG: It soon became clear after the accident that I wasn’t going to be able to stand at the mic or sit in a wheelchair with a guitar for two hours. So a technician and I designed a throne that was also a guitar stand and a smoke machine. It meant I was able to do the remaining 50 concerts of the tour. Later, Axl Rose had a similar accident, and he asked me if he could borrow the throne for some Guns N’ Roses shows. 

  

TRB: Have you patented the throne?  

DG: People really did ask me if I wanted to do that, but it would be absurd for someone who had broken their leg to have to ask my permission in order to continue their tour. 

That kind of attitude will never make a good businessman of you. Hip-hop artists such as Jay-Z or P Diddy would monetize it … 

  

Like everything they touch, because that’s their main motivation. And that’s OK because they come from a world where it’s about survival. And you only survive if you earn money. The more the better. 

  

TRB: What’s wrong with having some healthy business acumen? 

DG: Nothing, but it’s never been my approach. I may not come from a rich family but I’ve never had to worry about survival. In that sense, fun has always been the priority for me, along with things that help me move forward as a person and as a musician. I don’t need even more money, cars and gold chains—they don’t make you happy. And I’d rather be happy than stinking rich. OK, I might be rich, but I don’t stink. 

  

TRB: You wanted to reward yourself with a longer break after the tour. How come you’re now releasing a new album much earlier than planned? 

DG: At first I was really enjoying the time off, but then my daughters said, “Dad, why are you hanging around the house the whole time?” They didn’t like the idea of me always wanting to do stuff with them. So I started writing new songs. In six months I had enough material, and I didn’t want to hang around for ages, so I rounded up the band. Most of the guys were still on vacation. They were pretty surprised. 

  

TRB: So even after 30 years in the music business, you still can’t just switch off for long? 

DG: I think that’s why I’ve made it as far as I have: because I’m crazy about music— in a good way. After all this time, I still can’t get enough of it. If I just sat around at home pursuing odd hobbies, Foo Fighters wouldn’t be on album number nine, and we certainly wouldn’t be playing such big venues. You only get out of life what you’ve invested in it. 

  

TRB: Where would you draw the line between having a positive obsession with music and being a workaholic? 

DG: Before my music career, I did all sorts of crap jobs. It was music that gave me prospects and made a better life possible. Music is the love of my life; if I’m not doing something with music for a couple of days, I immediately get a negative conscience. In my first few months off, I was flirting with the idea of directing a film. But it felt weird right from the get- go, because I couldn’t be as enthusiastic about any film project as I am about Foo Fighters. It felt so much more like work, and that’s never been the case with music. I never have to look for inspiration with music—it’s just there. 

  

TRB: How do you maintain that passion for work? Do you have any tips? 

DG: The key is to do something fulfilling, for which you get respect. If you don’t find that in your day job, you need to look for another outlet. That could be theater, dance, sport, some nerdy hobby, whatever. Do what’s fun, and enjoy life—that’s all I’m doing. I play music with my friends and that gives me the energy to drive the kids to school, go grocery shopping and pick up the dog crap in my garden. 

  

TRB: Your 8-year-old daughter, Harper, went on stage with you recently as your drummer. Would you say she’s following in your footsteps? 

DG: Harper did great, didn’t she? Especially as she’d only been playing for two weeks by that point. She said to me, “Dad, can you give me drumming lessons?” I put on an AC/DC record and showed her a simple rock rhythm. She had to struggle through that before I taught her “We Will Rock You” by Queen, and she got that. When she came to see me at the Foo Fighters concert in Iceland, I asked her if we should do it on stage and she said yes straight away. It was magnificent! 

  

TRB: Can we expect to see a family band soon—The Grohls? 

DG: I hope my three daughters will play together someday. But for now they’re more into arguing with each other—and it’s constant. 

  

TRB: Would you like a son? 

DG: I’m not sure about that. The thing is, would he be like me? That could be quite a nightmare—a rebellious, uncontrollable child? No thanks. 

  

Foo Fighter’s new album, “Concrete and Gold” is out now; foofighters.com 

*For additional information regarding this Q&A visit The Red Bulletin.