Posts tagged with "Charlottesville"

image by Sara Davidson for use by 360 Magazine

CHARLOTTESVILLE REMOVES STATUES

THREE YEARS AFTER UNITE

By: Clara Guthrie

On Saturday, the university town of Charlottesville, Virginia removed four controversial statues from its public grounds: two of Confederate generals and two that depicted Native Americans in a distinctly disparaging way.

The first bronze statue to be lifted from its stone pedestal was that of Robert E. Lee, the infamous commander of the Confederate Army, which stood in Market Street Park. This public park was once named in the general’s honor until June of 2017 when it became known as Emancipation Park; one year later, it was yet again renamed as Market Street Park.

As the crane was put in place to remove the statue of Lee, the city’s mayor, Nikuyah Walker, spoke to onlookers. “Taking down this statue is one small step closer to the goal of helping Charlottesville, Virginia, and America grapple with the sin of being willing to destroy Black people for economic gain,” she said.

Two hours later, the statue of Thomas J. “Stonewall” Jackson—who gained his enduring nickname after successfully commanding a brigade in the First Battle of Bull Run—was taken down from its place in Court Square Park. Similar to the tale of Market Street Park, this spot once boasted the name of Stonewall Jackson, was renamed Justice Park and has since become Court Square Park.

In response to the removal of both statues, associate professor of religious studies at the University of Virginia Jalane Schmidt said, “I literally felt lighter when the statues came down, it was such a relief.”

According to CNN, both statues have been placed in storage while the city pursues different places to preserve and, more importantly, contextualize them such as museums, historical societies or Civil War battlefields. The city has reportedly already received 10 offers, six of which are out of state and four of which are within the state of Virginia.

This ultimate removal and push for contextualization came after nearly five years of heated court battles and protests. Back in 2016, then-high school student and current student at the University of Virginia, Zyahna Bryant, launched a petition to get the statues removed from their dominant positions over the city. Early the following year, city council voted to take down the statues, but this action was thwarted by a legal challenge. During the summer of 2017, “the statues of Lee and Jackson—and threats to remove them—served as a rallying cry for the far right,” as NPR said. On August 11 and 12 of that summer, this tension boiled over into the horrific, violent and racist riots of the Unite the Right Rally. On the second day of rioting, white supremacist neo-Nazis came to a head with counter-protesters when one man drove his car into a crowd, killing one woman, Heather Heyer, and injuring 19 others, only a few steps away from the statue of Robert E. Lee.

It was not until April of this year that the Supreme Court of Virginia overturned the original challenge to the removal of the statues. On June 7, the city council voted once again to remove the state-owned statues.

The racist legacy of these statues and the necessity of their overdue removal goes deeper than the obvious immortalization of individuals who dedicated themselves to the perpetuation of the enslavement of Black people. These statues are also artifacts of the Jim Crow era in Virginia, seeing as they were not erected in the immediate wake of the Civil War, but in fact decades later. The Robert E. Lee statue, for example, was not dedicated until 1924. NPR described the unveiling ceremonies of these statues:

“Charlottesville’s statues of Lee and Jackson were erected in the early 1920s with large ceremonies that included Confederate veteran reunions, parades and balls. At one event during the 1921 unveiling of the Jackson statue, children formed a living Confederate flag on the lawn of a school down the road from Vinegar Hill, a prominent Black neighborhood. The Jackson statue was placed on land that had once been another prosperous Black neighborhood.”

The programs coordinator from the Albemarle Charlottesville Historical Society, Sterling Howell, said on the installment of Confederate memorials, “This was at the height of Jim Crow segregation, at the height of lynchings in American history. […] There was a clear statement that [Black people] weren’t welcome.”

In addition to the removal of these bronzed Confederate generals, the city also took down two statues that included harmful depictions of Native Americans.

The first statue was of Revolutionary War general George Rogers Clark on his horse in front of three crouching Native Americans and two frontiersmen behind them, one of whom was raising his rifle. This statue sat on University of Virginia grounds, across from the popular dining and shopping area called “The Corner.”

The second statue depicted famous explorers, Meriwether Lewis and William Clark, standing tall and looking outwards while Sacagawea squatted beside them. The statue stood outside a federal courthouse downtown.

Just as Zyahna Bryant opened the door to the conversation around removing Confederate statues across the city, Anthony Guy Lopez, a University of Virginia graduate and member of the Crow Creek Sioux tribe, started a petition to remove the Lewis and Clark statue back in 2009. “If art can be evil, these were evil,” Lopez said. “What this says to American Indians is that violence is a part of our lives, and that we have to not only accept but glorify it.”

According to city council member Michael Payne, the council voted in favor of the removal of the Lewis and Clark statue in the fall of 2019. The process of removal was significantly sped up, however, after the contracting company that removed the Lee and Jackson statues offered last-minute to take down the George Rogers Clark and Lewis and Clark statues at no additional cost.

While these four statues no longer loom over the busy streets and passing-by residents of Charlottesville, Virginia, the fight to come to terms with the racist history of Virginia, the South and the entirety of America is nowhere close to over. In Charlottesville alone, ties to this dark past are enduring. As just one example, the man who commissioned all four of the aforementioned statues, Paul Goodloe McIntire, is still immortalized across the city, including as the name for the University of Virginia’s McIntire School of Commerce.

Saint Motel - It's All Happening - Artwork from Sydney Worden from Glenn Fukushima from Elektra for use by 360 Magazine

SAINT MOTEL ANNOUNCES U.S. AND EUROPEAN TOURS

Elektra recording group Saint Motel have announced U.S. and European tours in support of their forthcoming album The Original Motion Picture Soundtrack. The band’s U.S. tour will kick off this September with three special hometown shows at Los Angeles, CA’s The Roxy Theatre, and wrap on Halloween at Madison, WI’s Majestic Theater. In March of 2022, the band will return to the road for a European tour. The upcoming dates mark Saint Motel’s first live shows since their sold-out U.S. tour wrapped in March of 2020. Pre-sale tickets for all dates will be available beginning tomorrow, and general on sale begins this Friday, June 11 at 10:00am local time here.

Saint Motel’s highly anticipated new album The Original Motion Picture Soundtrack will be released on June 25, 2021. The album is available for pre-order now here. The band recently unveiled an official music video for the album’s current single “It’s All Happening”, co-directed by Saint Motel front man A/J Jackson and Mario Contini. Watch it on the band’s official YouTube channel here.

On The Original Motion Picture Soundtrack the Los Angeles-based band dreams up their own cinematic experience in album form, as its songs cycle through stories of love, danger, and impossible triumph. The album also embodies an opulent sound true to its ambitious scope. Co-produced by front man A/J Jackson and Grammy Award-winner Mark Needham (The Killers, Dolly Parton, Chris Isaak), The Original Motion Picture Soundtrack continues the Saint Motel custom of joyfully blurring genres, bringing in elements of everything from symphonic pop to big band.

Audiences began experiencing the album with the release of a pair of EPs: The Original Motion Picture Soundtrack: Pt.1 and The Original Motion Picture Soundtrack Pt. 2. Among many highlights, “Van Horn” has amassed nearly 20 million streams, while the band performed it on ABC’s JIMMY KIMMEL LIVE! Receiving critical acclaim, Dujour described “Preach” as “a bop,” while American Songwriter poured over the album’s concept in an in-depth interview with A/J. Further looks came from Ladygunn, Hollywood Life, and more. Now, fans get the full picture of Saint Motel’s vision with the complete The Original Motion Picture Soundtrack studio album.

In the lead up to the album, Saint Motel made history as “the first band to open their own virtual metaverse” powered by Mozilla Hubs. The virtual world is designed as a motel with each room dedicated to a song on The Original Motion Picture Soundtrack. The quartet’s launch of “New World” welcomed fans to the virtual space where Jackson performed a live acoustic set. In this 3D VR chatroom enabled for all headsets and browsers, audiences can enter an exclusive, immersive environment to engage directly with the band through virtual meet-and-greets and intimate, live performances, consume exclusive video content, and much more. Additionally, it doubles as a space for fans to congregate and get to know each other. Saint Motel’s “New World” upholds what has become a tradition of engaging with groundbreaking technology for the guys. Visit Saint Motel’s website to explore the “New World.” In 2016, they dropped their Elektra full length debut saintmotelevision as the first-ever Virtual Reality album and first-ever Augmented Reality album and accompanied the record with the free saintmotel AR/VR app.

Saint Motel U.S. Tour Dates

September 30, 2021 – Los Angeles, CA – The Roxy Theatre

October 01, 2021 – Los Angeles, CA – The Roxy Theatre

October 02, 2021 – Los Angeles, CA – The Roxy Theatre

October 04, 2021 – San Luis Obispo, CA – Fremont Theater

October 05, 2021 – Santa Ana, CA – Observatory

October 07, 2021 – Salt Lake City, UT – Depot

October 08, 2021 – Boulder, CO – Boulder Theater

October 09, 2021 – Fort Collins, CO – The Aggie

October 11, 2021 – Omaha, NE – Slowdown

October 12, 2021 – Columbia, MO – The Blue Note

October 13, 2021 – Urbana, IL – The Canopy Club

October 15, 2021 – Nashville, TN – Brooklyn Bowl

October 16, 2021 – Athens, GA – Georgia Theater

October 17, 2021 – Knoxville, TN – The Mill & Mine

October 18, 2021 – Asheville, NC – Orange Peel

October 20, 2021 – Louisville, KY – Mercury Ballroom

October 21, 2021 – Charlottesville, VA – Jefferson Theater

October 22, 2021 – Harrisburg, PA – Harrisburg University

October 23, 2021 – Baltimore, MD – Baltimore Sound Stage

October 26, 2021 – New Haven, CT – College Street Music Hall

October 27, 2021 – Burlington, VT – Higher Ground

October 29, 2021 – Buffalo, NY – Town Ballroom

October 30, 2021 – Grand Rapids, MI – The Intersection

October 31, 2021 – Madison, WI – Majestic Theater

Saint Motel European Tour Dates

March 31, 2022 – Berlin, Germany – Franz Club

April 02, 2022 – Hamburg, Germany – Stage Club

April 03, 2022 – Cologne, Germany – Luxor

April 05, 2022 – Munich, Germany – Hansa 39

April 06, 2022 – Milan, Italy – Circolo Magnolia

April 08, 2022 – Amsterdam, Netherlands – Paradiso Noord

April 09, 2022 – Brussels, Belgium – Botanique The Rotonde

April 10, 2022 – Paris, France – La Maroquinerie

April 12, 2022 – London, UK – Islington Assembly Hall

April 13, 2022 – Manchester, UK – Academy 2

Projecting pop hooks through an alternative lens with a flair for dramatic presentation, Saint Motel make music worthy of the big screen. Streamed and viewed over half-a-billion times, the platinum-selling Los Angeles quartet magnify this vision with immersive live experiences and one unpredictable move after another. The group initially came together at film school before introducing themselves on 2012’s Voyeur. Signing to Elektra Records, their 2014 My Type EP boasted both the gold-certified title track “My Type” and fan favorite “Cold Cold Man.” In 2016, saintmotelevision yielded the smash “Move.” Flipping the script once again, the musicians reimagined the record with a series of history-making first-of-their-kind innovations: an award-winning Virtual Reality version and an Augmented Reality version. In 2019, Saint Motel launched their most ambitious undertaking yet, unveiling their third full-length album in three parts. First up, they uncovered The Original Motion Picture Soundtrack Pt. 1 powered by the shimmy and shake of Alternative Top 15 lead single “Van Horn.” Between packing houses coast to coast on headline jaunts and earning acclaim from People, Billboard, and more, the four-piece rolled out Pt. 2 throughout 2020. In addition to unforgettable sets everywhere from Coachella and Lollapalooza to Bonnaroo, the boys lit up shows such as NBC’s TODAY, ABC’s Jimmy Kimmel Live!, and CBS’ The Late Late Show with James Corden, among others.

Saint Motel is: A/J Jackson (vocals), Aaron Sharp (guitar), Dak Lerdamornpong (bass), and Greg Erwin (drums).

Connect With Saint Motel

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Science Tech Illustration by Gabrielle Archuleta

Blood Discovery Research x UVA

Blood Discoveries Advance Effort to Grow Organs, Battle Cancer 

New Research Reveals Important Insights Into How Our Bodies Make Blood 

CHARLOTTESVILLE, V.A.– Pioneering research into how our bodies manufacture the cells that make blood has moved us closer to regrowing tissues and organs. These findings also may let doctors grow the cells for transplantation into people to battle cancer, blood disorders and autoimmune diseases.

Researcher Karen K. Hirschi, PhD, of the Department of Cell Biology and Cardiovascular Research Center at the University of Virginia School of Medicine, has developed a simple and efficient way to generate “hemogenic endothelial cells.” These cells are the first step in the production line of blood cells, and Hirschi’s new findings provide a blueprint for creating them outside of the body.

“By studying how hemogenic endothelial cells develop normally, we gain the insight needed to generate them in the lab,” Hirschi said. “Now that we have established a method to produce human hemogenic endothelial cells outside of the body, we will continue to improve their production and function as we learn more about the mechanisms that promote their normal development.”

Building Blood-Making Factories

Hirschi’s latest work, published in a pair of scientific papers, offers important insights into how hemogenic endothelial cells form, and how they ultimately give rise to the cells that directly manufacture blood.

Writing in the prestigious journal, Science, she and her team reveal a key trigger that causes the endothelial cells to “transdifferentiate,” or turn into blood-making factories, during embryonic development. These blood-making (i.e. hemogenic) endothelial cells generate hematopoietic stem and progenitor cells (HSPCs) that have long been used for the treatment of cancer and other diseases. Typically, they are taken from sources such as an individual’s bone marrow, but doctors would like to be able to manufacture them quickly and easily for patients on demand. “Generating human hemogenic endothelial cells in the lab from each patient that needs HSPC is the first step toward patient therapies for blood disorders,” Hirschi said.

In a paper published nearly simultaneously in Cell Reports, Hirschi unveils a blueprint for creating the hemogenic endothelial cells, the source of HSPCs, outside of the body. The secret is a substance called retinoic acid. You may have heard of retinoic acid in association with beauty products, but in this case its responsibilities include triggering genes to cause “hematopoietic transition”–to put more vascular endothelial cells in the business of making blood by producing HSPCs.

The new insights provided by the work “will improve our ability to apply developmental insights to the generation of distinct endothelial cell subtypes for tissue engineering and regenerative medicine,” the researchers write in their new paper. “In addition, our system could likely be developed further to optimize the generation of transplantable HSPCs from human hemogenic endothelial cells for clinical therapies.”

The approach offers several advances over existing means, including being quicker and less expensive, the researchers note.

“We hope our continued efforts will move us closer to treating both vascular and blood disorders,” Hirschi said. “These studies highlight the importance of basic cell and developmental biology research as a foundation for devising strategies for patient-specific clinical therapies.”

Hirschi was recruited from Yale in 2019 to join the faculty in the Department of Cell Biology, which has long been interested in addressing how embryos develop and applying this basic knowledge to the repair and regeneration of damaged tissues and organs.

Findings Published

The Science paper was authored by Dionna M. Kasper, Jared Hintzen, Yinyu Wu, Joey J. Ghersi, Hanna K. Mandl, Kevin E. Salinas, William Armero, Zhiheng He, Ying Sheng, Yixuan Xie, Daniel W. Heindel, Eon Joo Park, William C. Sessa, Lara K. Mahal, Carlito Lebrilla, Hirschi and Stefania Nicoli. The work was supported by the National Institutes of Health (grants F32HL132475, U54DK106857, 1K99HL141687, R01HL130246, R56DK118728, R01HL146056. R01HL128064, R01DK118728 and R01GM049077) and the American Heart Association (grants 19PRE34380749 and19TPA34890046).

The research team responsible for the Cell Reports paper consisted of Jingyao Qiu, Sofia Nordling, Hema H. Vasavada, Eugene C. Butcher and Hirschi. That work was supported by NIH grants HL128064, U2EB017103, R01-AI130471 and R01-CA228019; CT Innovations grant 15-RMB-YALE-04; Department of Veterans Affairs Merit Review award I01BX002919; the Swedish Society for Medical Research; and a Stanford Dean’s Fellowship.

To keep up with the latest medical research news from UVA, subscribe to the Making of Medicine blog at http://makingofmedicine.virginia.edu.

Save Our Stages

By: Gabrielle Archuleta

With Covid-19 making an impact on businesses, the live music industry has been among those hit the hardest. The loss in revenue is estimated to be $8.9 billion, along with the comedy and performing arts entertainment. More than 90% of independent venues are at risk of being permanently shut down. The National Independent Venue Association (NIVA) is working hard to get emergency relief funds out to these venues in dire need. With the help of YouTube, NIVA and Save Our Stages created a virtual concert to help raise money, which will benefit these independent venues. The list of venues is on their website. Artists from around the country have joined together in an effort to raise awareness and save the stages they once performed in.

These venues have supported many big artists and have even launched careers for many. Not only are the artists feeling the impact, but the employees behind the scenes are as well. From the sound to the stage crew, many of them are left without a job and fear what will come next. Fans are left with tickets to be refunded and the uncertainty of future shows to come. This leaves the music industry shaken when it comes to the revenue that concerts bring. Concerts generate more money than streaming music on popular platforms such as Spotify, Apple music and Pandora. Popular artists such as Drake have made $23.7 million in one year from streaming, yet his last tour, Summer Sixteen featuring Future, grossed $85 million. Save our stages is the saving platform for artists, fans and lovers of music to support the venues we know and love and keep the live music alive.

Kicking off their first ever virtual event, an exclusive trailer narrated by Neil Young released footage featuring various iconic artists performing in these at-risk venues and some of the earliest known footage of Neil Young performing at the American Shakespeare Theatre in Stratford, CT. This 3-day virtual event lasted from October 16th-18th. Day one started out with Alec Benjamin performing at Hotel Café in Los Angeles, CA. There was no audience, just the performers. Some talked of past show experiences and selling out venues. Following him was Billie Eilish’s brother, Finneas who is breaking out on his own, releasing his first single called Can’t Wait To Be Dead. Other artists for day one included, Sebastian Yatra, Dizzy Fae, Macklemore, YG, and Dillon Francis. Marshmellow and Demi Lovato hit the stage at the Troubadour in Los Angeles, CA. They performed their hit single together It’s Okay Not To Be Okay, as well as talked about their experiences in independent venues they’ve played in and seen other artists play in. Macklemore performed in Seattle, WA singing hits that included Ten Thousand Hours, Glorious, Good Old Days and a few others during his thirty-minute set. While G-Eazy took pieces of his hits and performed over a dozen songs in his set at The Independent in San Francisco, CA.

Day two kicked off with an even bigger list of performers. Sixteen artists each in their own independent venue to perform in. Jason Mraz was the first up, singing the best of his songs from I’m Yours to I Won’t Give Up out of the Belly Up Tavern in San Diego, CA. Rise Against brought the rock style back to the stage singing six of their hits from the Metro in Chicago,IL. Miley Cyrus played at the Whiskey-Go-Go in Los Angeles, CA wearing all black Rockstar attire. Though she had a short playlist, it was filled with fun energy. Also playing out of Los Angles from Troubadour, the Foo Fighters. Dave Grohl talks about his first experience at the Toubadour and meeting Bret Michaels for the first time. They start out with Skin and Bones continue with My Hero, These Days, Times Like These and end it with everyone’s favorite Everlong. The Roots performed a longer set list that lasted a little over an hour at the Apollo Theater in New York, NY. Wrapping up day two was Major Lazor performing out of Gramps in Miami, FL. He had a setlist similar to length of The Roots lasting a little over an hour and promoting Save Our Stages throughout his set. To many of these artists, the venues that are at stake are not only where they got their start in the music world but also where they discovered music. Demi Lovato mentions one of her first concerts was at an independent venue where she had seen Paramore.

The final day came with some big names. Little Big Town plays at the Exit/In in Nashville, TN. They talk about their first show and replayed one of their classic songs, Boondocks as an encore. The last song is a fan favorite, Girl Crush. Dave Matthews performs solo at the Jefferson Theater in Charlottesville, VA. His setlist includes a new song that is played for the first-time live called the Ocean and the Butterfly. The Lumineers wrap up this event, taking it back home to Colorado at the Boulder Theatre in Boulder, CO. Reminiscing on the songs they’ve played in small independent venues and how great songs such as Ophelia came from those experiences and performing them.

Save our stages is not just important to the artists, but to the fans and music lovers all over the nation. There are over 2,000 venues that have joined the National Independent Venue Association to help save theses venues and keep not only the jobs that come with it but the live music experience we love and miss. Though this virtual event is over, the fight is not. Save our venues has raised over $1,000,000 and has a set goal of $5,000,000. The funds will be administered by the Giving Back Fund, a non-profit organization. The money will go to the venues in dire need and in fear of being shut down. With the help of all the artists who participated along with Youtube, NIVA and every person who donated, we can only hope that enough money is raised to save these venues.

Madam Walker House illustrated by Mina Tocalini for 360 MAGAZINE.

African American Cultural Heritage Action Fund

The call to action by American citizens during this year has made us all rethink how we view American history. Protestors have demanded the nation target injustice and fix the systems that promote the unequal treatment of African Americans. The African American Cultural Heritage Action Fund was founded at a similar time of crisis, after the 2017 rally in Charlottesville, Virginia, that led to the creation of a national preservation campaign meant to uplift and honor the Black American experience.

 “The AACHAF was created out of the recognition that we in the field of preservation needed to do more,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund. “We realized that the American story we often tell repeatedly negates the transformative contributions of African Americans, whose capability, intellect, and creativity were and still are invaluable to the building of this nation. The Trust decided then and there to create the Action Fund as a way to help fill in those gaps. We realized that preservation of historic sites, where African Americans changed the American landscape, could be one way our nation comes to understand the need to create a more fair and just society. We saw a more inclusive approach to historic preservation as one step on the long road to heal the divisions between us.”

Through its African American Cultural Heritage Action Fund, the Trust is investing more than $1.6 million in grants to 27 sites and organizations across 22 states and the District of Columbia. Thanks to our partnership and a generous grant provided by The Andrew W. Mellon Foundation, we are funding communities to protect, restore, and interpret African American historic sites and uncover hidden narratives of the African American contribution to the American story. 

“The Action Fund plays a crucial role in elevating Black voices and stories in our national dialogue about arts and culture, and in expanding our collective knowledge and understanding of African-American history,” remarked Mellon Foundation President Elizabeth Alexander. “We are thrilled that the 2020 Action Fund grants will continue to provide transformative support to Black cultural organizations and heritage sites throughout the country.

Leggs underscored the importance of this work, noting, “The recipients of this funding exemplify centuries of African American resilience, activism, and achievement, some known and some yet untold, which tell the complex story of American history in the United States.  Over the past two years, the Action Fund has funded 65 historic African American places and invested more than $4.3 million to help preserve landscapes and buildings imbued with Black cultural heritage. With urgency and intention, the nation must value the link between architecture and racial justice and should fund these and other cultural assets to ensure their protection and preservation.”  

Grants are given across four categories: capacity building, project planning, capital, and programming and interpretation. The list of all 27 grantees and a short blurb about each is attached.  A link to a fuller web version of the list can be accessed HERE.

The African American Cultural Heritage Action Fund is a multi-year initiative led by the National Trust for Historic Preservation to make an important and lasting contribution to our cultural landscape by elevating the stories and places of African American resilience, activism, and achievement. 

For 70 years, the National Trust for Historic Preservation has led the movement to save America’s historic places. A privately funded nonprofit organization, we work to save America’s historic sites, tell the full American story, build stronger communities, and invest in preserving the future.

Follow The African American Cultural Heritage Action Fund: Facebook | Instagram | Twitter

The Soundflowers Credit Desiree Mattssonn

The Soundflowers – Your Look (Glorious)

Today, The Soundflowers, featuring Paris Jackson and Gabriel Glenn, debuts the official video for “Your Look (Glorious)”—watch HERE! The full-length video was executive produced and shot by Prince Jackson via his production house King’s Son Productions.

“Your Look (Glorious)” is taken from the band’s self-titled debut EP, The Soundflowers, released last month to widespread acclaim via IMPERIAL. Billboard hailed “Your Look (Glorious)” as “simply romantic,” while Idolator proclaimed “The Soundflowers make a winning first impression” and Hollywood Life praised the EP as “five songs full of indie-folk goodness.”

This morning, Paris and Prince appeared on Good Morning America to discuss The Soundflowers, “Your Look (Glorious)” and more—watch their interview HERE. On collaborating with Prince, Paris says, “I was really comfortable working with my brother, it just felt natural.”

The Soundflowers’ five-track debut project eclectically blends indie acoustic and folk with influences of blues, soul, bluegrass country and beach reggae. The EP was produced by Mike Malchicoff (King Princess) with GRAMMY Award-winning mix engineer Rob Kinelski (Billie Eilish), and it is accompanied by video vignettes created by award-winning director Hannah Lux Davis (Ariana Grande, Demi Lovato, Nicki Minaj). The band is donating their net proceeds from merchandise sales to Black Women Lead, Black Voters Matter Fund, and BEAM through the end of this month. Merchandise is now available via thesoundflowersmerch.com.

The Soundflowers’ six-part Facebook Watch Original Docuseries, “Unfiltered: Paris Jackson & Gabriel Glenn,” is currently airing every Tuesday at 3AM PT/6AM ET through August 4th. The docuseries explores the band’s journey together beyond the music—watch the latest episode HERE and check out the band’s recent performance of “Geronimo” HERE.

The Soundflowers was born after Jackson and Glenn first crossed paths at Los Angeles’ Rainbow Bar and Grill during a TrashDögs performance, the rock ‘n’ roll band fronted by Gabriel. They quickly realized that their musical energies and passions aligned, as Paris recalls, “I started writing around 13 when I bought myself a guitar; I didn’t really start sharing or recording it until I met Gabriel.” Of their first time working on music together at Gabriel’s band’s rehearsal studio, he says, “We showed each other songs and even wrote a few on the spot. Everything fit together so naturally, from our voices to our songwriting style. I had never met someone who fit so perfectly with my sound.”

About The Soundflowers

The sound behind The Soundflowers is an eclectic take on indie acoustic and folk music, as the band attributes their songwriting to influences like The Beatles, Joe Purdy, Ray LaMontagne, Radiohead and The Lumineers. While Paris Jackson hails from one of the most successful families in music history, she is best known for her activism, acting and modeling work, the latter of which has seen her front campaigns for international brands like Calvin Klein, gracing the cover of top fashion magazines, including Vogue and Harper’s Bazaar titles and making her runway debut earlier this year at Jean Paul Gaultier’s final show. On the acting front, Paris has taken on several TV and film roles, collaborating with acclaimed industry professionals, including Lee Daniels, Charlize Theron, Joel Edgerton and Rachel Winters. Aside from music, Paris’ biggest passion has always been in using her platform to shine light on causes important to her, notably going off-script while presenting at the GRAMMY Awards and MTV VMAs, to highlight the Dakota Access Pipeline and events of racial injustice in Charlottesville, respectably. Paris also serves as an Ambassador for the Elizabeth Taylor AIDS Foundation (ETAF) and is passionate about continuing her godmother’s legacy of ridding the stigma and finding a cure for the HIV/AIDS pandemic.

Gabriel Glenn has always leaned into his musical talents, which first emerged while singing in the car with his mom on the way to school and further cultivated by forming bands with friends in his youth and studying music at the collegiate level in his home state of Louisiana. Upon moving to Los Angeles several years ago, Gabriel and a couple close friends formed the “desert rock ‘n’ roll” band TrashDögs, which has found local success performing at popular haunts along the Sunset Strip. Upon meeting Paris and forming The Soundflowers, Gabriel feels more complete as an artist: “She creates so naturally and honestly; it inspires me to be a better songwriter. I think having a unique spirit like hers allows us to channel things we’d never receive on our own.”

Follow The Soundflowers: Instagram | Facebook

Alison Christensen, illustrations, pandemic, 360 MAGAZINE

New COVID-19 Stroke Guidelines

Top stroke experts have issued new guidance to ensure stroke patients receive safe, timely care while preventing the transmission of COVID-19.

The guidelines urge the use of telemedicine to speed treatment and advise EMS crews how to determine the best facility to treat the patient’s needs. The recommendations, from the American Heart Association’s Stroke Council, come amid increasing concerns that stroke patients are delaying seeking care because of fear of COVID-19. Such delays can have catastrophic consequences, including death.

“Even during the COVID-19 pandemic, patients should continue to seek immediate care for life-threatening and emergency conditions, and call 911 for any new signs or symptoms of stroke,” said UVA Health stroke expert Andrew Southerland, MD, one of the guidelines’ authors. “As the only certified Comprehensive Stroke Center in Charlottesville and Central Virginia, UVA has the necessary resources to ensure both patient safety and provide the highest level of care for stroke patients. Seeking emergency care for a stroke can help save lives and reduce the risk of long-term neurologic injury and resulting disability.”

The Importance of Speedy Stroke Care

With strokes, every minute counts, and speedy care can be the difference between life and death. It can also prevent lifelong disability. For that reason, Southerland and other telemedicine experts at UVA have worked with local EMS personnel to pioneer the use of the technology for pre-hospital care. They’ve placed tablets inside ambulances to connect first responders with UVA stroke experts, allowing stroke care to begin even before the patient arrives at the hospital. The new guidelines suggest this approach should be used widely.

The COVID-19 pandemic, however, adds an extra layer of complexity for first responders. In addition to the need for appropriate personal protective equipment, EMS crews must assess whether each patient has the coronavirus, the new guidelines note.

When possible, EMS workers should screen patients using free tools available online, the guidelines recommend. Responders should have a protocol in place in case the screening is positive or if the patient is incapacitated and can’t be screened. The receiving hospital should be notified as well.

Stroke patients with COVID-19 are more likely to require a ventilator and intensive care, so emergency crews should consider taking patients to a hospital with the capacity to provide that level of care, the guidelines note. Emergency crews also may need to consider hospital capacity based on the number of cases in their region and they may want to bypass emergency rooms to lessen exposure risk.

“During the COVID-19 pandemic,” the guidelines state, “it is more important than ever to ensure that the patient is transferred to the right hospital the first time around.”

In all of this, communication between emergency crews and the receiving hospitals is key, the guide’s authors say.

“Now more than ever, during the COVID-19 pandemic, we need to work collaboratively and support our emergency medical services providers working day and night on the front lines for our community,” Southerland said. “To achieve this, we must optimize communication and pre-hospital care for patients. Nowhere is this more important than in rural networks like surrounding areas in Central Virginia.”

For the latest medical research news from UVA, click here to subscribe to the Making of Medicine.

DREAMS x SILENCE

Highly danceable, super-sticky, deceptively simple blend of electrified pop” – LA Weekly

No One Defeats Us’ funky dance-rock groove” – Stereogum

Booming electro-anthem” – Idolator

Following their explosive debut song “No One Defeats Us,” DREAMS have dropped their new track “Silence” today via Astralwerks. On the day of their first ever live performance at Coachella, “Silence” reveals a darker side and pulse to DREAMS, led by the brooding vocals of Daniel Johns. The duo also shares a striking video for the track, which can be viewed HERE.

Purchase or Stream “Silence” HERE.

A much-anticipated debut live set at Coachella this weekend promises high drama and a truly unmissable performance. The only band ever to be booked for the festival before releasing any music, the duo is the highest-billed Australian band. DREAMS will perform tonight at 8:40pm on the Mojave Stage. The duo will also perform next Friday, April 20. Fans can view their performance via the live stream on the Official Coachella YouTube Channel.

“Silence’ is a song which came to us after the Charlottesville riots. It broke our hearts to see the violence and hatred that occurred. We wanted this song to elevate the people, let their voices be heard, inspire them with courage and bravery.” Luke Steele (aka Miracle) says of the track. Daniel Johns (aka Dr Dreams), says “The live version is out of this world and we cannot wait to debut it at Coachella. »

DREAMS is the realization of a long-time friendship and musical kinship between these two iconic Australian artists. Daniel Johns is best known as the front man of Silverchair whilst the enigmatic Luke Steele fronts Empire of The Sun and The Sleepy Jackson. The artists first met in 2004 when Luke’s band The Sleepy Jackson supported Silverchair on their sold-out Diorama tour.

With over ten million albums sold worldwide and an undefeatable twenty-nine ARIA Awards won between both of their respective acts, the pedigree of Daniel and Luke’s new collaboration is unquestionable.

Since Silverchair’s debut release “Tomorrow” in 1994, Daniel has taken home a record twenty-one statues, the most of any Australian artist in ARIA history. Daniel has also won APRA Songwriter of the Year three times, and impressively, Silverchair is the only Australian act to have all of their studio albums, five in total, debut at #1 on the ARIA chart.

Sweeping the ARIAs clean in 2008 was Luke Steele’s Empire of the Sun, taking home gongs for Best Album, Best Single, Best Group and Best Pop Release. With a total of eight ARIAs and two APRA song writing awards to date, Empire of the Sun has gone from strength to strength internationally, including a spectacular sold out performance at Hollywood Bowl in 2015, in front of an audience of 17,000 US fans.

FOLLOW DREAMS:

Instagram

Twitter

www.dreams.band

Be More Kind

Frank Turner releases the title track from his forthcoming seventh studio album Be More Kind available on May 4th via Xtra Mile Recordings/Polydor UK /Interscope Records. Listen to “Be More Kind” HERE. The album is available for pre-order HEREand those who pre-order will receive instant downloads of “Be More Kind” as well as the previously released tracks “1933” and “There She Is” from the 2017 release Songbook.

Of the track, Turner says, “‘Be More Kind’, the song, is at the heart of the album, both lyrically and musically; when I finished it, I could see the rest of the album coming back together around it.”
Be More Kind represents a thematic and sonic line in the sand for the 36-year-old. It’s a record that combines universal anthems with raw emotion and the political and the personal, with the intricate folk and punk roar trademarks of Turner’s sound imbued with new, bold experimental shades. Be More Kind is produced by Austin Jenkins and Joshua Block, formerly of psychedelic-rock Texans White Denim, and Florence And The Machine and Halsey collaborator Charlie Hugall. “I wanted to try and get out of my comfort zone and do something different,” says Turner.

The Be More Kind World Tour will head to North America on April 5, with its first leg playing to over 200,000 people across the UK, the USA, Europe, Canada, Australia and New Zealand, taking them through to Christmas. Two Boston shows – July 1 and 2 – were added today. Turner promises that 2019 will include visits to some “slightly more weird and wonderful places.”

BE MORE KIND TOURNorth American Dates:

Tickets available HERE.

Thu/Apr-05 • Mexico City, MX • Caradura

Thu/May-31 • Detroit, MI • The Fillmore

Fri/Jun-01 • Pittsburgh, PA • Stage AE

Sat/Jun-02 • Columbus, OH • Express Live^

Sun/Jun-03 • Baltimore, MD• Pier Six Pavilion

Tue/Jun-05 • Philadelphia, PA • The Fillmore

Wed/Jun-06• New York, NY • Playstation Theater^

Fri/Jun-08 • Charlotte, NC • The Fillmore

Sat/Jun-09 • Atlanta, GA • The Tabernacle

Sun/Jun-10 • Orlando, FL • House of Blues

Tue/Jun-12 • Dallas, TX • House of Blues

Wed/Jun-13 • Austin, TX • Stubb’s

Fri/Jun-15 • Phoenix, AZ • Van Buren

Sat/Jun-16 • Los Angeles, CA • Hollywood Palladium

Sun/Jun-17 • San Francisco, CA • Warfield Theatre

Tue/Jun-19 • Salt Lake City, UT • The Complex

Thu/Jun-21 • Kansas City, MO • The Truman**

Fri/Jun-22 • Minneapolis, MN • Myth

Sat/Jun-23 • Chicago, IL • Aragon Ballroom

Sun/Jun-24 • Cleveland, OH • House of Blues

Tue/Jun-26 • Boston, MA • Royale

Wed/Jun-27 • Boston, MA • Royale

Fri/Jun-29 • Boston, MA • Royale

Sat/Jun-30 • Boston, MA • Royale

Sun/Jul-1 • Boston, MA • Royale

Mon/Jul-2 • Boston, MA • Royale

Mon/Jul-30 • Big Indian, NY • Campfire Punk Rock

Tue/Jul-31 • Big Indian, NY • Campfire Punk Rock

Wed/Aug-01 • Big Indian, NY • Campfire Punk Rock

Thu/Aug-02 • Big Indian, NY • Campfire Punk Rock

Fri/Aug-03 • Denver, CO • Red Rocks*

Thu/Sep-06 • Portland, OR • Crystal Ballroom

Fri/Sep-07 • Seattle, WA •Moore Theatre

Sat/Sep-08 • Vancouver, BC • The Vogue Theater

Sun/Sep-09 • Victoria, BC • Alix Goolden Performance Hall

Tue/Sep-11 • Edmonton, AB • Winspear Centre

Wed/Sep-12 • Calgary, AB • MacEwan Hall

Fri/Sep-14 • Saskatoon, SK • O’Brians

Sat/Sep-15 • Winnipeg, MB • Burton Cummings Theatre

Tue/Sep-18 • London, ON • London Music Hall

Wed/Sep-19 • Toronto, ON • The Phoenix Concert Theater

Sat/Sep-22 • Montreal, QC • Corona Theater

Mon/Sep-24 • Ottawa, ON • Bronson Centre

Wed/Sep-26 • Burlington, VT • Higher Ground

Sat/Sep-29 • Asbury Park, NJ • Hear Me Sea Festival

Sun/Sep-30 • Ithaca, NY • State Theatre

Mon/Oct-01 • Charlottesville, VA • Jefferson Theater

Wed/Oct-03 • Asheville, NC • The Orange Peel

Thu/Oct-04 • Nashville, TN • Cannery Ballroom

Fri/Oct-05 • Cincinnati, OH • Bogart’s

Sat/Oct-06 • Milwaukee, WI • Pabst Theater

Lucero, The Menzingers, and The Homeless Gospel Choir to support May 31 through June 24

Co-headlining show with Lucero and support from Face to Face (acoustic)*

Lucero will not be supporting**

The Menzingers will not be supporting^

Frank Turner “Be More Kind” PreOrder + eSingle/IG Track
Retail: http://smarturl.it/BeMoreKind

Amazon: http://smarturl.it/BeMoreKind/amazonmusicbuy

Apple Music: http://smarturl.it/BeMoreKindSingle/applemusic

Google: http://smarturl.it/BeMoreKind/googleplay

iTunes: http://smarturl.it/BeMoreKind/itunes

Spotify: http://smarturl.it/BeMoreKindSingle/spotify

Tidal: http://smarturl.it/BeMoreKindSingle/tidal

Emotional Jimmy Fallon Addresses Trump’s Comments on Charlottesville 

In light of Charlottesville, Jimmy Fallon invites Riz Ahmed to perform a spoken-word version of his song “Sour Times” on last night’s episode of “The Tonight Show Starring Jimmy Fallon.”

 

http://www.youtube.com/watch?v=M9tUEhgExPM


“The Tonight Show” airs weeknights at 11:35pm ET/PT.